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SE Electronics VR2 VOODOO

Microphones

$499.00
{"id":662513090606,"title":"SE Electronics VR2 VOODOO","handle":"se-electronics-vr2-voodoo","description":"\u003cstrong\u003eSE Electronics VOODOO\u003c\/strong\u003e\u003cbr\u003eThere's a Voodoo for whatever you do.\u003cbr\u003eThe VR1, a passive ribbon to bring out the bite and edge from your guitar cabs with no muddy highs.\u003cbr\u003eThe VR2, an active ribbon that can take violins and voices right to the foreground of your listener's stereo.\u003cbr\u003e\u003cbr\u003eThe Voodoo ribbon microphones from sE mark a new era for ribbon mic technology.\u003cbr\u003e\u003cbr\u003eUntil the Voodoo Series, the only ribbon mic in the world to perform across 20Hz-20kHz was our own Rupert Neve collaboration, the RNR1. This was achieved using state-of-the-art custom transformers and a Rupert Neve-designed circuit to reveal HF usually absent.\u003cbr\u003e\u003cbr\u003eWith the Voodoo mics, full frequency response is achieved using a clever mechanical device designed by Siwei Zou, the company CEO, and a hand-tensioned ribbon constructed by our highly specialized technicians in sE's capsule room.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eElectronics: Passive\u003c\/li\u003e\n\u003cli\u003eGenerating Element: Hand-tensioned 2.5µm aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency range: 20 Hz - 18 kHz\u003c\/li\u003e\n\u003cli\u003eImpedance: 300 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: 1.78 mV\/Pa (-55 dB)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 135 dB (0.5% THD @ 1kHz)\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio: 75 dB\u003c\/li\u003e\n\u003cli\u003eSelf Noise: 19 dB(A)\u003c\/li\u003e\n\u003cli\u003eMatching Connectors: XLR3F\u003c\/li\u003e\n\u003cli\u003ePower requirement: N\/A (phantom-protected)\u003c\/li\u003e\n\u003cli\u003eWeight: 230g \/ 8.11oz\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-26T21:10:23+02:00","created_at":"2018-05-05T03:36:35+02:00","vendor":"SE Electronics","type":"Microphones","tags":["Connector_XLR3F","Polar Pattern_Figure-8","Price Range_$300 to $500","Pro Audio","Recording","Recording Microphones","Ribbon Microphones","SE Electronics","sE Electronics VOODOO VR1","Shop by brand_SE Electronics","Shop by category_Microphones","Shop by category_Ribbon Microphones"],"price":49900,"price_min":49900,"price_max":49900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7730828378158,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"VR2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics VR2 VOODOO","public_title":null,"options":["Default Title"],"price":49900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sE_VR2_ec7eaab7-84af-45bc-bc8e-1afc90edff7f.jpg?v=1525484207","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Screen_Shot_2016-10-17_at_3.23.32_PM_98fc0458-bd2b-4073-b0d9-879c8ea14391.png?v=1525484207"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sE_VR2_ec7eaab7-84af-45bc-bc8e-1afc90edff7f.jpg?v=1525484207","options":["Title"],"content":"\u003cstrong\u003eSE Electronics VOODOO\u003c\/strong\u003e\u003cbr\u003eThere's a Voodoo for whatever you do.\u003cbr\u003eThe VR1, a passive ribbon to bring out the bite and edge from your guitar cabs with no muddy highs.\u003cbr\u003eThe VR2, an active ribbon that can take violins and voices right to the foreground of your listener's stereo.\u003cbr\u003e\u003cbr\u003eThe Voodoo ribbon microphones from sE mark a new era for ribbon mic technology.\u003cbr\u003e\u003cbr\u003eUntil the Voodoo Series, the only ribbon mic in the world to perform across 20Hz-20kHz was our own Rupert Neve collaboration, the RNR1. 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SE Electronics VR2 VOODOO

SE Electronics VR2 VOODOO

$499.00

SE Electronics VOODOOThere's a Voodoo for whatever you do.The VR1, a passive ribbon to bring out the bite and edge from your guitar cabs with no muddy highs.The VR2, an active ribbon that can take violins and voices right to the foreground of your listener's stereo.The Voodoo ribbon microphones from sE mark a new era for ribbon mic technology.Un...


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SE Electronics X1 R

Microphones

$200.00
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This is a ribbon you can take on the road.\u003cbr\u003e\u003cbr\u003eThe sE X1 R ribbon microphone is the new high performance passive ribbon from sE Electronics. The sE Electronics X1 R is suited to a variety of recording applications including guitar cabs, overhead drums, brass, woodwind, strings, commercial broadcast and voice-over.\u003cbr\u003e\u003cbr\u003eThis state of the art ribbon element enclosed by top-grade Neodymium magnets boasts some of our latest ribbon microphone technologies. We have combined our traditional ribbon technology with some of the mechanical elements of our own Voodoo microphone HF (High Frequency) extension technology to bring you a classic sounding ribbon mic with a gentle HF lift.\u003cbr\u003e\u003cbr\u003eThe X1 R doesn't quite offer the full-frequency response performance of the Voodoo VR1, VR2, or the widely acclaimed Rupert Neve Signature Series RNR1 - but its hybrid old and new ribbon technology gives you all the natural beauty of the ribbon sound, but with more versatility and ease of use than the majority of ribbons on today's market.\u003cbr\u003e\u003cbr\u003eThe X1 R comes standard with a mic clip that will securely attach it to any mic stand, but fits the Isolation Pack if a shockmount solution is desired.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e:-\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eElectronics: Passive\u003c\/li\u003e\n\u003cli\u003eGenerating Element: Hand-tensioned 2.5µm aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency range: 20 Hz - 16 kHz\u003c\/li\u003e\n\u003cli\u003eImpedance: 200 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: 1.78 mV\/Pa (-55 dB)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 135 dB (0.5% THD @ 1kHz)\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio: 71 dB\u003c\/li\u003e\n\u003cli\u003eSelf Noise: 23 dB(A)\u003c\/li\u003e\n\u003cli\u003eMatching Connectors: XLR3F\u003c\/li\u003e\n\u003cli\u003ePower requirement: N\/A (phantom-protected)\u003c\/li\u003e\n\u003cli\u003eWeight: 510g \/ 17.99oz\u003c\/li\u003e\n\u003c\/ul\u003e"}
SE Electronics X1 R

SE Electronics X1 R

$200.00

SE Electronics X1 RThe X1 R is a rugged ribbon for any purpose.Drawing on some of the technologies in our Voodoo ribbon mics, the X1 R is a vintage-modern hybrid that provides all the inherent smoothness of a hand-crafted ribbon mic, but with more versatility, durability, and ease of use than the delicate ribbons of yesteryear.The second additio...


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SE Electronics VR1 VOODOO

Microphones

$395.00
{"id":652786073646,"title":"SE Electronics VR1 VOODOO","handle":"se-electronics-voodoo","description":"\u003cstrong\u003eSE Electronics VOODOO\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThere's a Voodoo for whatever you do.\u003cbr\u003eThe VR1, a passive ribbon to bring out the bite and edge from your guitar cabs with no muddy highs.\u003cbr\u003eThe VR2, an active ribbon that can take violins and voices right to the foreground of your listener's stereo.\u003cbr\u003e\u003cbr\u003eThe Voodoo ribbon microphones from sE mark a new era for ribbon mic technology.\u003cbr\u003e\u003cbr\u003eUntil the Voodoo Series, the only ribbon mic in the world to perform across 20Hz-20kHz was our own Rupert Neve collaboration, the RNR1. 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This was achieved using state-of-the-art custom transformers and a Rupert Neve-designed circuit to reveal HF usually absent.\u003cbr\u003e\u003cbr\u003eWith the Voodoo mics, full frequency response is achieved using a clever mechanical device designed by Siwei Zou, the company CEO, and a hand-tensioned ribbon constructed by our highly specialized technicians in sE's capsule room.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eElectronics: Passive\u003c\/li\u003e\n\u003cli\u003eGenerating Element: Hand-tensioned 2.5µm aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency range: 20 Hz - 18 kHz\u003c\/li\u003e\n\u003cli\u003eImpedance: 300 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: 1.78 mV\/Pa (-55 dB)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 135 dB (0.5% THD @ 1kHz)\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio: 75 dB\u003c\/li\u003e\n\u003cli\u003eSelf Noise: 19 dB(A)\u003c\/li\u003e\n\u003cli\u003eMatching Connectors: XLR3F\u003c\/li\u003e\n\u003cli\u003ePower requirement: N\/A (phantom-protected)\u003c\/li\u003e\n\u003cli\u003eWeight: 230g \/ 8.11oz\u003c\/li\u003e\n\u003c\/ul\u003e"}
SE Electronics VR1 VOODOO

SE Electronics VR1 VOODOO

$395.00

SE Electronics VOODOOThere's a Voodoo for whatever you do.The VR1, a passive ribbon to bring out the bite and edge from your guitar cabs with no muddy highs.The VR2, an active ribbon that can take violins and voices right to the foreground of your listener's stereo.The Voodoo ribbon microphones from sE mark a new era for ribbon mic technology.Un...


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SE Electronics V7 BFG

Microphones

$119.00
{"id":652806881326,"title":"SE Electronics V7 BFG","handle":"se-electronics-v7-bfg","description":"\u003cstrong\u003eSE Electronics V7 BFG\u003c\/strong\u003e\u003cbr\u003eIntroducing the special edition V7 BFG:\u003cbr\u003eThe signature vocal microphone for the one and only Billy F. Gibbons.\u003cbr\u003e\u003cbr\u003eBest known as the guitarist and lead vocalist of the legendary American rock band ZZ Top, Billy Gibbons consistently ranks as one of the greatest guitarists of all time. The Rock ‘n Roll Hall of Fame inductee and iconic blues-rock guitarist from Texas has been performing on the road for decades, and is still musically hyper-active with The Kings of Chaos, the BFG’s and – last but definitely not least - ZZ Top! \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule: Dynamic\u003c\/li\u003e\n\u003cli\u003eVoice Coil: Aluminum\u003c\/li\u003e\n\u003cli\u003eMagnet: Neodymium\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Supercardioid\u003c\/li\u003e\n\u003cli\u003eFrequency range: 40 Hz - 19 kHz\u003c\/li\u003e\n\u003cli\u003eImpedance: 300 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: 2.0 mV\/Pa (-54 dB)\u003c\/li\u003e\n\u003cli\u003eConnectivity: 3-pin male XLR\u003c\/li\u003e\n\u003cli\u003eDiameter: 54 mm (2.12 in.) x Length: 184 mm (7.24 in.)\u003c\/li\u003e\n\u003cli\u003eWeight: 296 g \/ 10.44 oz\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-26T21:21:33+02:00","created_at":"2018-04-26T21:25:30+02:00","vendor":"SE Electronics","type":"Microphones","tags":["Connector_3-pin male XLR","Dynamic Microphones","Polar Pattern_Supercardioid","Price Range_$100 to $200","Pro Audio","Recording","Recording Microphones","SE Electronics","sE Electronics SEE-V7BFG","Shop by brand_SE Electronics","Shop by category_Dynamic Microphones","Shop by category_Microphones"],"price":11900,"price_min":11900,"price_max":11900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686095896622,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"V7BFG","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics V7 BFG","public_title":null,"options":["Default Title"],"price":11900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/se-v7-bfg.jpg?v=1524770776","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/purple-bfg-slider4.jpg?v=1524770776"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/se-v7-bfg.jpg?v=1524770776","options":["Title"],"content":"\u003cstrong\u003eSE Electronics V7 BFG\u003c\/strong\u003e\u003cbr\u003eIntroducing the special edition V7 BFG:\u003cbr\u003eThe signature vocal microphone for the one and only Billy F. Gibbons.\u003cbr\u003e\u003cbr\u003eBest known as the guitarist and lead vocalist of the legendary American rock band ZZ Top, Billy Gibbons consistently ranks as one of the greatest guitarists of all time. The Rock ‘n Roll Hall of Fame inductee and iconic blues-rock guitarist from Texas has been performing on the road for decades, and is still musically hyper-active with The Kings of Chaos, the BFG’s and – last but definitely not least - ZZ Top! \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule: Dynamic\u003c\/li\u003e\n\u003cli\u003eVoice Coil: Aluminum\u003c\/li\u003e\n\u003cli\u003eMagnet: Neodymium\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Supercardioid\u003c\/li\u003e\n\u003cli\u003eFrequency range: 40 Hz - 19 kHz\u003c\/li\u003e\n\u003cli\u003eImpedance: 300 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: 2.0 mV\/Pa (-54 dB)\u003c\/li\u003e\n\u003cli\u003eConnectivity: 3-pin male XLR\u003c\/li\u003e\n\u003cli\u003eDiameter: 54 mm (2.12 in.) x Length: 184 mm (7.24 in.)\u003c\/li\u003e\n\u003cli\u003eWeight: 296 g \/ 10.44 oz\u003c\/li\u003e\n\u003c\/ul\u003e"}
SE Electronics V7 BFG

SE Electronics V7 BFG

$119.00

SE Electronics V7 BFGIntroducing the special edition V7 BFG:The signature vocal microphone for the one and only Billy F. Gibbons.Best known as the guitarist and lead vocalist of the legendary American rock band ZZ Top, Billy Gibbons consistently ranks as one of the greatest guitarists of all time. The Rock ‘n Roll Hall of Fame inductee and iconi...


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SE Electronics V7

Microphones

$99.00
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Connect with your audience in a whole new way.\u003cbr\u003e\u003cbr\u003eFor many years, we've had live sound engineers utilizing our studio microphones and Reflexion Filters® on stages all over the world with acts like Linkin Park, Tom Petty \u0026amp; The Heartbreakers, Black Sabbath, Billy Idol, Paramore, My Morning Jacket, and many, many more.\u003cbr\u003e\u003cbr\u003eWith vast knowledge gained through working with countless engineers and bands, we have finally entered into the world of dynamic mics with the V Series - built to withstand rigorous touring schedules, while still performing better than anything else in their class.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eALL-METAL HOUSING \u0026amp; BEVELED SPRING STEEL GRILLE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe V7's road-ready design is all metal - no plastic parts here. The chassis' high quality, highly durable zinc alloy is designed to hold up under on-stage stress for years, and the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability.\u003cbr\u003e\u003cbr\u003eAlso, see that beveled edge around the grille? That prevents your mic from rolling around when you put it down on top of your amp or the stage floor. (It's the little things that count.)\u003cbr\u003e\u003cbr\u003eThe V7's gold-plated XLR connector also ensures a loss-free and reliable signal connection for years to come.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eINTERNAL WINDSCREEN\u003c\/strong\u003e\u003cbr\u003eEfficiently reduces unwanted wind noise and plosive pops....and just in case you don't like our stylish \"sE Red\" color, we've included a spare black windscreen in the box for you.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIN THE BOX\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    microphone\u003c\/li\u003e\n\u003cli\u003e    mic clip\u003c\/li\u003e\n\u003cli\u003e    thread adapter\u003c\/li\u003e\n\u003cli\u003e    black internal windscreen\u003c\/li\u003e\n\u003cli\u003e    carrying pouch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule: Dynamic\u003c\/li\u003e\n\u003cli\u003eVoice Coil: Aluminum\u003c\/li\u003e\n\u003cli\u003eMagnet: Neodymium\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Supercardioid\u003c\/li\u003e\n\u003cli\u003eFrequency range: 40 Hz - 19 kHz\u003c\/li\u003e\n\u003cli\u003eImpedance: 300 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: 2.0 mV\/Pa (-54 dB)\u003c\/li\u003e\n\u003cli\u003eConnectivity: 3-pin male XLR\u003c\/li\u003e\n\u003cli\u003eDiameter: 54 mm (2.12 in.)  x  Length: 184 mm (7.24 in.)\u003c\/li\u003e\n\u003cli\u003eWeight: 305 g \/ 10.8 oz\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-26T21:16:22+02:00","created_at":"2018-04-26T21:20:55+02:00","vendor":"SE Electronics","type":"Microphones","tags":["Connector_3-pin male XLR","Dynamic Microphones","Polar Pattern_Supercardioid","Price Range_$50 to $100","Pro Audio","Recording","Recording Microphones","SE Electronics","sE Electronics V7","Shop by brand_SE Electronics","Shop by category_Dynamic Microphones","Shop by category_Microphones"],"price":9900,"price_min":9900,"price_max":9900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686088589358,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"V7","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics V7","public_title":null,"options":["Default Title"],"price":9900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/V7-1.jpg?v=1524770466","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/V7-2.jpg?v=1524770472","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/V7-3.jpg?v=1524770478"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/V7-1.jpg?v=1524770466","options":["Title"],"content":"\u003cstrong\u003eSE Electronics V7\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe V7 is built to perform - and built to last.\u003cbr\u003eReliable, rugged \u0026amp; roadworthy meets lush, vibrant \u0026amp; musical. Connect with your audience in a whole new way.\u003cbr\u003e\u003cbr\u003eFor many years, we've had live sound engineers utilizing our studio microphones and Reflexion Filters® on stages all over the world with acts like Linkin Park, Tom Petty \u0026amp; The Heartbreakers, Black Sabbath, Billy Idol, Paramore, My Morning Jacket, and many, many more.\u003cbr\u003e\u003cbr\u003eWith vast knowledge gained through working with countless engineers and bands, we have finally entered into the world of dynamic mics with the V Series - built to withstand rigorous touring schedules, while still performing better than anything else in their class.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eALL-METAL HOUSING \u0026amp; BEVELED SPRING STEEL GRILLE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe V7's road-ready design is all metal - no plastic parts here. The chassis' high quality, highly durable zinc alloy is designed to hold up under on-stage stress for years, and the spring steel mesh grille is dent-proof and corrosion-free for perfect reliability.\u003cbr\u003e\u003cbr\u003eAlso, see that beveled edge around the grille? That prevents your mic from rolling around when you put it down on top of your amp or the stage floor. 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SE Electronics V7

SE Electronics V7

$99.00

SE Electronics V7The V7 is built to perform - and built to last.Reliable, rugged & roadworthy meets lush, vibrant & musical. Connect with your audience in a whole new way.For many years, we've had live sound engineers utilizing our studio microphones and Reflexion Filters® on stages all over the world with acts like Linkin Park, Tom Pett...


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SE Electronics V3

Microphones

$69.00
{"id":652828049454,"title":"SE Electronics V3","handle":"se-electronics-v3","description":"\u003cstrong\u003eSE Electronics V3\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe V3 is a rugged dynamic workhorse fit for absolutely any voice or instrument.\u003cbr\u003eBrilliant, reliable sound meets outstanding build quality.\u003cbr\u003e\u003cbr\u003eFor many years, we've had live sound engineers utilizing our studio microphones and Reflexion Filters® on stages all over the world with acts like Linkin Park, Tom Petty \u0026amp; The Heartbreakers, Black Sabbath, Billy Idol, Paramore, My Morning Jacket, and many, many more.\u003cbr\u003e\u003cbr\u003eWith vast knowledge gained through working with countless engineers and bands, we have finally entered into the world of dynamic mics with the V Series - built to withstand rigorous touring schedules, while still performing better than anything else in their class.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule: Dynamic\u003c\/li\u003e\n\u003cli\u003eVoice Coil: Copper\u003c\/li\u003e\n\u003cli\u003eMagnet: Neodymium\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Cardioid\u003c\/li\u003e\n\u003cli\u003eFrequency range: 50 Hz - 16 kHz\u003c\/li\u003e\n\u003cli\u003eImpedance: 600 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: 2.5 mV\/Pa (-52 dB)\u003c\/li\u003e\n\u003cli\u003eConnectivity: 3-pin male XLR\u003c\/li\u003e\n\u003cli\u003eDiameter: 52 mm (2.05 in.)  x  Length: 181 mm (7.13 in.)\u003c\/li\u003e\n\u003cli\u003eWeight: 295 g \/ 10.4 oz\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-26T21:37:10+02:00","created_at":"2018-04-26T21:38:45+02:00","vendor":"SE Electronics","type":"Microphones","tags":["Connector_3-pin male XLR","Dynamic Microphones","Polar Pattern_Cardioid","Price Range_$50 to $100","Pro Audio","Recording","Recording Microphones","SE Electronics","sE Electronics V3","Shop by brand_SE Electronics","Shop by category_Dynamic Microphones","Shop by category_Microphones"],"price":6900,"price_min":6900,"price_max":6900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686143442990,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"V3","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics V3","public_title":null,"options":["Default Title"],"price":6900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/V3-2.jpg?v=1524771540","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/V3-1.jpg?v=1524771554","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/V3-3.jpg?v=1524771561"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/V3-2.jpg?v=1524771540","options":["Title"],"content":"\u003cstrong\u003eSE Electronics V3\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe V3 is a rugged dynamic workhorse fit for absolutely any voice or instrument.\u003cbr\u003eBrilliant, reliable sound meets outstanding build quality.\u003cbr\u003e\u003cbr\u003eFor many years, we've had live sound engineers utilizing our studio microphones and Reflexion Filters® on stages all over the world with acts like Linkin Park, Tom Petty \u0026amp; The Heartbreakers, Black Sabbath, Billy Idol, Paramore, My Morning Jacket, and many, many more.\u003cbr\u003e\u003cbr\u003eWith vast knowledge gained through working with countless engineers and bands, we have finally entered into the world of dynamic mics with the V Series - built to withstand rigorous touring schedules, while still performing better than anything else in their class.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eCapsule: Dynamic\u003c\/li\u003e\n\u003cli\u003eVoice Coil: Copper\u003c\/li\u003e\n\u003cli\u003eMagnet: Neodymium\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Cardioid\u003c\/li\u003e\n\u003cli\u003eFrequency range: 50 Hz - 16 kHz\u003c\/li\u003e\n\u003cli\u003eImpedance: 600 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: 2.5 mV\/Pa (-52 dB)\u003c\/li\u003e\n\u003cli\u003eConnectivity: 3-pin male XLR\u003c\/li\u003e\n\u003cli\u003eDiameter: 52 mm (2.05 in.)  x  Length: 181 mm (7.13 in.)\u003c\/li\u003e\n\u003cli\u003eWeight: 295 g \/ 10.4 oz\u003c\/li\u003e\n\u003c\/ul\u003e"}
SE Electronics V3

SE Electronics V3

$69.00

SE Electronics V3The V3 is a rugged dynamic workhorse fit for absolutely any voice or instrument.Brilliant, reliable sound meets outstanding build quality.For many years, we've had live sound engineers utilizing our studio microphones and Reflexion Filters® on stages all over the world with acts like Linkin Park, Tom Petty & The Heartbreaker...


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SE Electronics RNR1

Microphones

$1,509.00
{"id":652781322286,"title":"SE Electronics RNR1","handle":"se-electronics-rnr1","description":"\u003cstrong\u003eSE Electronics RNR1\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMeet the RNR1 - the world's first mic from Mr. Rupert Neve.\u003cbr\u003eWith custom transformers and discrete circuitry from the man behind the recording industry as we know it, the RNR1 hears more than any other ribbon on the planet.\u003cbr\u003e\u003cbr\u003eRibbon mics have been around for a long time, and have always been particularly prized for the exceptionally \"natural\" sound they provide. Not too forward, never bright or shiny, they capture midrange detail with a pleasant intimacy and usually sit quite easily in a mix.\u003cbr\u003e\u003cbr\u003eOne downside of their mellow nature used to be physical delicacy, but that challenge was conquered long ago with more rugged, reliable materials. But the other main negative with ribbon mics is the high-frequency roll-off inherent in their design, which had never been dealt with until Rupert Neve - the father of the recording console - decided to make a microphone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic Operating Principle: Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n\u003cli\u003eGenerating Element: Hand-tensioned 2.5µm aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency range: 20 Hz - 25 kHz\u003c\/li\u003e\n\u003cli\u003eImpedance: 200 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: 22.39 mV\/Pa (-33 dB)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 135 dB (0.5% THD @ 1kHz)\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio: 76 dB\u003c\/li\u003e\n\u003cli\u003eSelf Noise: 18 dB(A)\u003c\/li\u003e\n\u003cli\u003eLow Cut Filter Switch: 100 Hz\u003c\/li\u003e\n\u003cli\u003eMatching Connectors: XLR3F\u003c\/li\u003e\n\u003cli\u003ePower requirement: 48V phantom\u003c\/li\u003e\n\u003cli\u003eWeight: 860g \/ 30.34oz\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-26T21:07:07+02:00","created_at":"2018-04-26T21:09:06+02:00","vendor":"SE Electronics","type":"Microphones","tags":["Connector_XLR3F","Polar Pattern_Figure-8","Price Range_$1500 to $2000","Pro Audio","Recording","Recording Microphones","Ribbon Microphones","SE Electronics","sE Electronics RNR1","Shop by brand_SE Electronics","Shop by category_Microphones","Shop by category_Ribbon Microphones"],"price":150900,"price_min":150900,"price_max":150900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686056968238,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RNR1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics RNR1","public_title":null,"options":["Default Title"],"price":150900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/rnr1-1.jpg?v=1524769812","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/rnr1-3.jpg?v=1524769812","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1412366564399.jpg?v=1524769812","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/rnr1-4.jpg?v=1524769812","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/rnr1-2.jpg?v=1524769812"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/rnr1-1.jpg?v=1524769812","options":["Title"],"content":"\u003cstrong\u003eSE Electronics RNR1\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMeet the RNR1 - the world's first mic from Mr. Rupert Neve.\u003cbr\u003eWith custom transformers and discrete circuitry from the man behind the recording industry as we know it, the RNR1 hears more than any other ribbon on the planet.\u003cbr\u003e\u003cbr\u003eRibbon mics have been around for a long time, and have always been particularly prized for the exceptionally \"natural\" sound they provide. Not too forward, never bright or shiny, they capture midrange detail with a pleasant intimacy and usually sit quite easily in a mix.\u003cbr\u003e\u003cbr\u003eOne downside of their mellow nature used to be physical delicacy, but that challenge was conquered long ago with more rugged, reliable materials. But the other main negative with ribbon mics is the high-frequency roll-off inherent in their design, which had never been dealt with until Rupert Neve - the father of the recording console - decided to make a microphone.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic Operating Principle: Electrodynamic pressure gradient with active electronics\u003c\/li\u003e\n\u003cli\u003eGenerating Element: Hand-tensioned 2.5µm aluminum ribbon\u003c\/li\u003e\n\u003cli\u003eDirectional Pattern: Figure-8\u003c\/li\u003e\n\u003cli\u003eFrequency range: 20 Hz - 25 kHz\u003c\/li\u003e\n\u003cli\u003eImpedance: 200 Ohms\u003c\/li\u003e\n\u003cli\u003eSensitivity: 22.39 mV\/Pa (-33 dB)\u003c\/li\u003e\n\u003cli\u003eMax SPL: 135 dB (0.5% THD @ 1kHz)\u003c\/li\u003e\n\u003cli\u003eSignal to Noise Ratio: 76 dB\u003c\/li\u003e\n\u003cli\u003eSelf Noise: 18 dB(A)\u003c\/li\u003e\n\u003cli\u003eLow Cut Filter Switch: 100 Hz\u003c\/li\u003e\n\u003cli\u003eMatching Connectors: XLR3F\u003c\/li\u003e\n\u003cli\u003ePower requirement: 48V phantom\u003c\/li\u003e\n\u003cli\u003eWeight: 860g \/ 30.34oz\u003c\/li\u003e\n\u003c\/ul\u003e"}
SE Electronics RNR1

SE Electronics RNR1

$1,509.00

SE Electronics RNR1Meet the RNR1 - the world's first mic from Mr. Rupert Neve.With custom transformers and discrete circuitry from the man behind the recording industry as we know it, the RNR1 hears more than any other ribbon on the planet.Ribbon mics have been around for a long time, and have always been particularly prized for the exceptionall...


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SE Electronics RF-X

Filter

$85.00
{"id":652860784686,"title":"SE Electronics RF-X","handle":"se-electronics-rf-x","description":"\u003cstrong\u003eSE Electronics RF-X\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF-X is an instant vocal booth for any home studio.\u003cbr\u003eUnwanted room sound interfering with your recordings? With the RF-X, anyone can capture a great-sounding recording anywhere.\u003cbr\u003e\u003cbr\u003eUsing the same design technology as the industry standard Reflexion Filter® PRO, the RF-X was conceived to answer the needs of the discerning recording artist working on a budget. With its lightweight vented body and an efficient, redesigned clamp assembly, the RF-X is simplicity itself, providing stellar performance and ease-of-use.\u003cbr\u003e\u003cbr\u003eNew materials have been developed to make the RF-X lighter than its predecessors but also to maintain its durability – helping to position the RF-X as a versatile product suited for any challenging working environment. It features a four-layer acoustic filter design comprised of the outer vented composite panel, a wool fabric layer, an air gap layer and an inner acoustic foam layer.\u003cbr\u003e\u003cbr\u003eThis multi-layer design differentiates the RF-X from its competitors by filtering frequencies evenly across the whole spectrum, helping to ensuring that recordings exhibit almost zero sound coloration when using the filter.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIN THE BOX\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    Reflexion Filter® X\u003c\/li\u003e\n\u003cli\u003e    Mounting bracket\u003c\/li\u003e\n\u003cli\u003e    Mic stand thread adapter\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-26T21:48:34+02:00","created_at":"2018-04-26T21:51:02+02:00","vendor":"SE Electronics","type":"Filter","tags":["Microphone Accessories","Pop \u0026 Reflection Filters","Price Range_$50 to $100","Pro Audio","Recording","SE Electronics","sE Electronics SEE-RFX","Shop by brand_SE Electronics","Shop by category_Filter","Shop by category_Microphone Accessories","Shop by category_Pop \u0026 Reflection Filters"],"price":8500,"price_min":8500,"price_max":8500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686290767918,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RF-X","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics RF-X","public_title":null,"options":["Default Title"],"price":8500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/RF-x2.jpg?v=1524772274","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/RF-x3.jpg?v=1524772281","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/RF-x5.jpg?v=1524772289","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/RF-x1.jpg?v=1524772299"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/RF-x2.jpg?v=1524772274","options":["Title"],"content":"\u003cstrong\u003eSE Electronics RF-X\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe RF-X is an instant vocal booth for any home studio.\u003cbr\u003eUnwanted room sound interfering with your recordings? With the RF-X, anyone can capture a great-sounding recording anywhere.\u003cbr\u003e\u003cbr\u003eUsing the same design technology as the industry standard Reflexion Filter® PRO, the RF-X was conceived to answer the needs of the discerning recording artist working on a budget. With its lightweight vented body and an efficient, redesigned clamp assembly, the RF-X is simplicity itself, providing stellar performance and ease-of-use.\u003cbr\u003e\u003cbr\u003eNew materials have been developed to make the RF-X lighter than its predecessors but also to maintain its durability – helping to position the RF-X as a versatile product suited for any challenging working environment. It features a four-layer acoustic filter design comprised of the outer vented composite panel, a wool fabric layer, an air gap layer and an inner acoustic foam layer.\u003cbr\u003e\u003cbr\u003eThis multi-layer design differentiates the RF-X from its competitors by filtering frequencies evenly across the whole spectrum, helping to ensuring that recordings exhibit almost zero sound coloration when using the filter.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIN THE BOX\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    Reflexion Filter® X\u003c\/li\u003e\n\u003cli\u003e    Mounting bracket\u003c\/li\u003e\n\u003cli\u003e    Mic stand thread adapter\u003c\/li\u003e\n\u003c\/ul\u003e"}
SE Electronics RF-X

SE Electronics RF-X

$85.00

SE Electronics RF-XThe RF-X is an instant vocal booth for any home studio.Unwanted room sound interfering with your recordings? With the RF-X, anyone can capture a great-sounding recording anywhere.Using the same design technology as the industry standard Reflexion Filter® PRO, the RF-X was conceived to answer the needs of the discerning recordi...


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{"id":652883165230,"title":"SE Electronics RF Pro Mounting Bracket Upgrade Kit","handle":"se-electronics-rf-pro-mounting-bracket-upgrade-kit","description":"\u003cstrong\u003eSE Electronics RF Pro Mounting Bracket Upgrade Kit\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFor any Reflexion Filter® PRO from 2006 to 2016.\u003c\/strong\u003e\u003cbr\u003eInspired by professional drum hardware - and the stand mount from our flagship RF SPACE - this hardware upgrade kit for the RF Pro helps to increase stability, simplify ease of use, and provide an updated level of performance, durability, and aesthetics.\u003cbr\u003e\u003cbr\u003eIt allows panning and tilting for maximum flexibility, and all moving parts are chromatized to ensure low wear. The extra stability means that your RF Pro can be positioned solidly at any angle to help provide a \"dry\" sound when recording any source - vocals, acoustic and electric guitars, amplifiers, drums, room mics, strings, and countless other instruments.\u003cbr\u003e\u003cbr\u003eThe RF Pro Hardware Upgrade kit comes complete with the updated hardware, a mic thread adapter, and a screw wrench for assembly.\u003cbr\u003e\u003cbr\u003eNote: Reflexion Filter PRO units from late 2016 onwards include this new hardware, so it is not necessary to purchase for those units.","published_at":"2018-04-26T22:01:10+02:00","created_at":"2018-04-26T22:02:12+02:00","vendor":"SE Electronics","type":"Accessories","tags":["Microphone Accessories","Pop \u0026 Reflection Filters","Price Range_$25 to $50","Pro Audio","Recording","SE Electronics","sE Electronics SEE-RF PRO","Shop by brand_SE Electronics","Shop by category_Accessories","Shop by category_Microphone Accessories","Shop by category_Pop \u0026 Reflection Filters"],"price":4999,"price_min":4999,"price_max":4999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686403915822,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RF PRO MOUNTING KIT","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics RF Pro Mounting Bracket Upgrade Kit","public_title":null,"options":["Default Title"],"price":4999,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1468257466336.png?v=1524772941"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1468257466336.png?v=1524772941","options":["Title"],"content":"\u003cstrong\u003eSE Electronics RF Pro Mounting Bracket Upgrade Kit\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFor any Reflexion Filter® PRO from 2006 to 2016.\u003c\/strong\u003e\u003cbr\u003eInspired by professional drum hardware - and the stand mount from our flagship RF SPACE - this hardware upgrade kit for the RF Pro helps to increase stability, simplify ease of use, and provide an updated level of performance, durability, and aesthetics.\u003cbr\u003e\u003cbr\u003eIt allows panning and tilting for maximum flexibility, and all moving parts are chromatized to ensure low wear. The extra stability means that your RF Pro can be positioned solidly at any angle to help provide a \"dry\" sound when recording any source - vocals, acoustic and electric guitars, amplifiers, drums, room mics, strings, and countless other instruments.\u003cbr\u003e\u003cbr\u003eThe RF Pro Hardware Upgrade kit comes complete with the updated hardware, a mic thread adapter, and a screw wrench for assembly.\u003cbr\u003e\u003cbr\u003eNote: Reflexion Filter PRO units from late 2016 onwards include this new hardware, so it is not necessary to purchase for those units."}
SE Electronics RF Pro Mounting Bracket Upgrade Kit

SE Electronics RF Pro Mounting Bracket Upgrade Kit

$49.99

SE Electronics RF Pro Mounting Bracket Upgrade KitFor any Reflexion Filter® PRO from 2006 to 2016.Inspired by professional drum hardware - and the stand mount from our flagship RF SPACE - this hardware upgrade kit for the RF Pro helps to increase stability, simplify ease of use, and provide an updated level of performance, durability, and aesthe...


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SE Electronics RF PRO

Filter

$189.00
{"id":652853444654,"title":"SE Electronics RF PRO","handle":"se-electronics-rf-pro","description":"\u003cp\u003e\u003cstrong\u003eSE Electronics RF PRO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original, patented, portable acoustic treatment device: the Reflexion Filter® PRO.\u003cbr\u003e\u003cbr\u003eBeautiful concert halls, gigantic high-ceilinged spaces, lofty stairwells with glorious natural reverb...capturing the sound of an acoustically-pleasing room can make a great recording truly special. But getting a good sound in a bad space is very, very difficult.\u003cbr\u003e\u003cbr\u003eWhat if you're an artist recording at home? What if you don't have the budget for a properly treated studio? What if you move to a new house or apartment?\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIN THE BOX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    Reflexion Filter® Pro\u003c\/li\u003e\n\u003cli\u003e    Mounting bracket\u003c\/li\u003e\n\u003cli\u003e    Screw wrench\u003c\/li\u003e\n\u003cli\u003e    Mic stand thread adapter\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-26T21:43:49+02:00","created_at":"2018-04-26T21:46:53+02:00","vendor":"SE Electronics","type":"Filter","tags":["Microphone Accessories","Pop \u0026 Reflection Filters","Price Range_$100 to $200","Pro Audio","Recording","SE Electronics","sE Electronics SEE-RF PRO","Shop by brand_SE Electronics","Shop by category_Filter","Shop by category_Microphone Accessories","Shop by category_Pop \u0026 Reflection Filters"],"price":18900,"price_min":18900,"price_max":18900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686244827182,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RF-PRO","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics RF PRO","public_title":null,"options":["Default Title"],"price":18900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sE-RF-PRO-BLACK2-web.jpg?v=1525573897","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1490125165521.gif?v=1525573897"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sE-RF-PRO-BLACK2-web.jpg?v=1525573897","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eSE Electronics RF PRO\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe original, patented, portable acoustic treatment device: the Reflexion Filter® PRO.\u003cbr\u003e\u003cbr\u003eBeautiful concert halls, gigantic high-ceilinged spaces, lofty stairwells with glorious natural reverb...capturing the sound of an acoustically-pleasing room can make a great recording truly special. But getting a good sound in a bad space is very, very difficult.\u003cbr\u003e\u003cbr\u003eWhat if you're an artist recording at home? What if you don't have the budget for a properly treated studio? What if you move to a new house or apartment?\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIN THE BOX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    Reflexion Filter® Pro\u003c\/li\u003e\n\u003cli\u003e    Mounting bracket\u003c\/li\u003e\n\u003cli\u003e    Screw wrench\u003c\/li\u003e\n\u003cli\u003e    Mic stand thread adapter\u003c\/li\u003e\n\u003c\/ul\u003e"}
SE Electronics RF PRO

SE Electronics RF PRO

$189.00

SE Electronics RF PRO The original, patented, portable acoustic treatment device: the Reflexion Filter® PRO.Beautiful concert halls, gigantic high-ceilinged spaces, lofty stairwells with glorious natural reverb...capturing the sound of an acoustically-pleasing room can make a great recording truly special. But getting a good sound in a bad space...


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{"id":652890636334,"title":"SE Electronics Pro Metal Pop Filter","handle":"se-electronics-pro-metal-pop-filter","description":"\u003cstrong\u003eSE Electronics Pro Metal Pop Filter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNot your ordinary pop screen.\u003c\/strong\u003e\u003cbr\u003eThis unique metal screen is not simply perforated, but implements a slightly convex shape to redirect low-frequency air blasts to the side of the screen. This process does not attenuate high frequencies (as fabric screens can) and leaves the vocal performance completely unaffected, minus any disruptive low frequency \"pops\".\u003cbr\u003e\u003cbr\u003eThe gooseneck holds its position at any angle, keeping you covered at all times. And since the whole thing is made of metal, it will take a lot more abuse than a traditional fabric shield. This tool is built to last.","published_at":"2018-04-26T22:05:34+02:00","created_at":"2018-04-26T22:06:44+02:00","vendor":"SE Electronics","type":"Accessories","tags":["Microphone Accessories","Pop \u0026 Reflection Filters","Price Range_$25 to $50","Pro Audio","Recording","SE Electronics","sE Electronics POPSCREEN","Shop by brand_SE Electronics","Shop by category_Accessories","Shop by category_Microphone Accessories","Shop by category_Pop \u0026 Reflection Filters"],"price":2900,"price_min":2900,"price_max":2900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686413451310,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Metal Pop Filter","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics Pro Metal Pop Filter","public_title":null,"options":["Default Title"],"price":2900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/x1-d.jpg?v=1524773215"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/x1-d.jpg?v=1524773215","options":["Title"],"content":"\u003cstrong\u003eSE Electronics Pro Metal Pop Filter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eNot your ordinary pop screen.\u003c\/strong\u003e\u003cbr\u003eThis unique metal screen is not simply perforated, but implements a slightly convex shape to redirect low-frequency air blasts to the side of the screen. This process does not attenuate high frequencies (as fabric screens can) and leaves the vocal performance completely unaffected, minus any disruptive low frequency \"pops\".\u003cbr\u003e\u003cbr\u003eThe gooseneck holds its position at any angle, keeping you covered at all times. And since the whole thing is made of metal, it will take a lot more abuse than a traditional fabric shield. This tool is built to last."}
SE Electronics Pro Metal Pop Filter

SE Electronics Pro Metal Pop Filter

$29.00

SE Electronics Pro Metal Pop FilterNot your ordinary pop screen.This unique metal screen is not simply perforated, but implements a slightly convex shape to redirect low-frequency air blasts to the side of the screen. This process does not attenuate high frequencies (as fabric screens can) and leaves the vocal performance completely unaffected, ...


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SE Electronics Isolation Pack

Accessories

$39.00
{"id":652884377646,"title":"SE Electronics Isolation Pack","handle":"se-electronics-isolation-pack","description":"\u003cstrong\u003eSE Electronics Isolation Pack\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eQuick-release shock mount with integrated, adjustable pop filter.\u003cbr\u003e\u003cbr\u003eThe Isolation Pack is a great add-on for anyone looking to increase the versatility of their X1 Series or 2200a II Series mic.\u003cbr\u003e\u003cbr\u003eThe integrated quick-release mechanism at the base of the shock mount makes it easy to insert or remove a mic. No screws, no hassle, just one twist to secure or release.\u003cbr\u003e\u003cbr\u003eMade from metal (rather than delicate fabric), the pop filter can be vertically positioned to accommodate any of the above mics, or completely removed from the shock mount if desired.","published_at":"2018-04-26T22:02:32+02:00","created_at":"2018-04-26T22:03:14+02:00","vendor":"SE Electronics","type":"Accessories","tags":["Microphone Accessories","Price Range_$25 to $50","Pro Audio","Recording","SE Electronics","sE Electronics SEE-ISOPACK","Shock Mounts","Shop by brand_SE Electronics","Shop by category_Accessories","Shop by category_Microphone Accessories","Shop by category_Shock Mounts"],"price":3900,"price_min":3900,"price_max":3900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686407061550,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Isolation Pack","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics Isolation Pack","public_title":null,"options":["Default Title"],"price":3900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/isopack1.jpg?v=1524773007","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/isopack2.jpg?v=1524773014","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/isopack3.jpg?v=1524773021","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/isopack4_89a6581f-bdf2-42af-9194-6ddae161ffd6.jpg?v=1524773034"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/isopack1.jpg?v=1524773007","options":["Title"],"content":"\u003cstrong\u003eSE Electronics Isolation Pack\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eQuick-release shock mount with integrated, adjustable pop filter.\u003cbr\u003e\u003cbr\u003eThe Isolation Pack is a great add-on for anyone looking to increase the versatility of their X1 Series or 2200a II Series mic.\u003cbr\u003e\u003cbr\u003eThe integrated quick-release mechanism at the base of the shock mount makes it easy to insert or remove a mic. No screws, no hassle, just one twist to secure or release.\u003cbr\u003e\u003cbr\u003eMade from metal (rather than delicate fabric), the pop filter can be vertically positioned to accommodate any of the above mics, or completely removed from the shock mount if desired."}
SE Electronics Isolation Pack

SE Electronics Isolation Pack

$39.00

SE Electronics Isolation PackQuick-release shock mount with integrated, adjustable pop filter.The Isolation Pack is a great add-on for anyone looking to increase the versatility of their X1 Series or 2200a II Series mic.The integrated quick-release mechanism at the base of the shock mount makes it easy to insert or remove a mic. No screws, no ha...


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SE Electronics guitaRF

Filter

$145.00
{"id":652867731502,"title":"SE Electronics guitaRF","handle":"se-electronics-guitarf","description":"\u003cstrong\u003eSE Electronics guitaRF®\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe guitaRF® helps get your amp sounding just the way you want.\u003cbr\u003eThe guitaRF acts as an RF (Reflexion Filter®), an isolator, a double mic stand, and fine-positioning hardware for both your favorite large-diaphragm condenser or ribbon mic AND a dynamic or small-capsule mic. All in one piece of gear, with the ability to perfectly phase-align the two capsules for maximum impact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e THE HARDWARE\u003c\/strong\u003e \u003cbr\u003eThe LDC\/ribbon mounting hardware is adjustable across three axes - vertical, depth, and lateral - so you can find the perfect spot for any mic, whether in a shockmount or just on a clip.\u003cbr\u003eThis allows you to position both capsules perfectly in phase - or to spread them apart to capture the sounds of both the edge of the cone and the dust cap.\u003cbr\u003e\u003cbr\u003eThe entire filter + mic assembly can also be moved up and down to position it precisely over the perfect spot on the speaker cone - or, if needed, the filter can be removed from its base and mounted on any mic stand for complete flexibility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e THE FILTER\u003c\/strong\u003e \u003cbr\u003eAcoustically, the guitaRF is very similar to our best-selling RF-X, with a four-layer acoustic filter design comprised of the vented outer composite panel, a layer of acoustic-grade wool, an air gap to help with low-frequency isolation, and an inner acoustic foam layer.\u003cbr\u003e\u003cbr\u003eThe guitaRF also has an integrated pass-through hole with a rubber-finned grip that securely holds just about any dynamic or small-capsule mic on the market.\u003cbr\u003e\u003cbr\u003eA double-cable clip is also provided that screws in to the back of the filter, so you don't need to worry about dangling mic cables that could accidentally tug your mics out of position.","published_at":"2018-04-26T21:52:13+02:00","created_at":"2018-04-26T21:54:16+02:00","vendor":"SE Electronics","type":"Filter","tags":["Microphone Accessories","Pop \u0026 Reflection Filters","Price Range_$100 to $200","Pro Audio","Recording","SE Electronics","sE Electronics guitaRF","Shop by brand_SE Electronics","Shop by category_Filter","Shop by category_Microphone Accessories","Shop by category_Pop \u0026 Reflection Filters"],"price":14500,"price_min":14500,"price_max":14500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686330908718,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"guitaRF","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics guitaRF","public_title":null,"options":["Default Title"],"price":14500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/guitaRF-3.jpg?v=1524772467","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/guitaRF-6.jpg?v=1524772476","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/guitaRF-1.jpg?v=1524772485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/guitaRF-2.jpg?v=1524772497","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/guitaRF-5.jpg?v=1524772516"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/guitaRF-3.jpg?v=1524772467","options":["Title"],"content":"\u003cstrong\u003eSE Electronics guitaRF®\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe guitaRF® helps get your amp sounding just the way you want.\u003cbr\u003eThe guitaRF acts as an RF (Reflexion Filter®), an isolator, a double mic stand, and fine-positioning hardware for both your favorite large-diaphragm condenser or ribbon mic AND a dynamic or small-capsule mic. All in one piece of gear, with the ability to perfectly phase-align the two capsules for maximum impact.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e THE HARDWARE\u003c\/strong\u003e \u003cbr\u003eThe LDC\/ribbon mounting hardware is adjustable across three axes - vertical, depth, and lateral - so you can find the perfect spot for any mic, whether in a shockmount or just on a clip.\u003cbr\u003eThis allows you to position both capsules perfectly in phase - or to spread them apart to capture the sounds of both the edge of the cone and the dust cap.\u003cbr\u003e\u003cbr\u003eThe entire filter + mic assembly can also be moved up and down to position it precisely over the perfect spot on the speaker cone - or, if needed, the filter can be removed from its base and mounted on any mic stand for complete flexibility.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e THE FILTER\u003c\/strong\u003e \u003cbr\u003eAcoustically, the guitaRF is very similar to our best-selling RF-X, with a four-layer acoustic filter design comprised of the vented outer composite panel, a layer of acoustic-grade wool, an air gap to help with low-frequency isolation, and an inner acoustic foam layer.\u003cbr\u003e\u003cbr\u003eThe guitaRF also has an integrated pass-through hole with a rubber-finned grip that securely holds just about any dynamic or small-capsule mic on the market.\u003cbr\u003e\u003cbr\u003eA double-cable clip is also provided that screws in to the back of the filter, so you don't need to worry about dangling mic cables that could accidentally tug your mics out of position."}
SE Electronics guitaRF

SE Electronics guitaRF

$145.00

SE Electronics guitaRF®The guitaRF® helps get your amp sounding just the way you want.The guitaRF acts as an RF (Reflexion Filter®), an isolator, a double mic stand, and fine-positioning hardware for both your favorite large-diaphragm condenser or ribbon mic AND a dynamic or small-capsule mic. All in one piece of gear, with the ability to perfec...


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{"id":652887818286,"title":"SE Electronics Dual Pro Pop Filter","handle":"se-electronics-dual-pro-pop-filter","description":"\u003cstrong\u003eSE Electronics Dual Pro Pop Filter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMetal? Fabric?\u003cbr\u003eMetal + Fabric?\u003cbr\u003eYou choose.\u003cbr\u003e\u003cbr\u003eA simple but highly effective solution to the problem of needing different pop shields for different vocal performances. The Dual Pro Pop uses a rock-solid gooseneck with both a standard fabric membrane and our professional metal pop shield on a hinged mechanism. You can use either separately or both simultaneously, depending on the application.","published_at":"2018-04-26T22:04:13+02:00","created_at":"2018-04-26T22:05:02+02:00","vendor":"SE Electronics","type":"Accessories","tags":["Microphone Accessories","Pop \u0026 Reflection Filters","Price Range_$25 to $50","Pro Audio","Recording","SE Electronics","sE Electronics SEE-DUALPROPOP","Shop by brand_SE Electronics","Shop by category_Accessories","Shop by category_Microphone Accessories","Shop by category_Pop \u0026 Reflection Filters"],"price":3900,"price_min":3900,"price_max":3900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686410502190,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Dual Pop Filter","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics Dual Pro Pop Filter","public_title":null,"options":["Default Title"],"price":3900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1410542856920.jpg?v=1524773115"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1410542856920.jpg?v=1524773115","options":["Title"],"content":"\u003cstrong\u003eSE Electronics Dual Pro Pop Filter\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMetal? Fabric?\u003cbr\u003eMetal + Fabric?\u003cbr\u003eYou choose.\u003cbr\u003e\u003cbr\u003eA simple but highly effective solution to the problem of needing different pop shields for different vocal performances. The Dual Pro Pop uses a rock-solid gooseneck with both a standard fabric membrane and our professional metal pop shield on a hinged mechanism. You can use either separately or both simultaneously, depending on the application."}
SE Electronics Dual Pro Pop Filter

SE Electronics Dual Pro Pop Filter

$39.00

SE Electronics Dual Pro Pop FilterMetal? Fabric?Metal + Fabric?You choose.A simple but highly effective solution to the problem of needing different pop shields for different vocal performances. The Dual Pro Pop uses a rock-solid gooseneck with both a standard fabric membrane and our professional metal pop shield on a hinged mechanism. You can u...


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{"id":636286566446,"title":"DPA d:fine™ 4288 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Dual In-Ear","handle":"dpa-d-fine-4288-directional-flex-inear-headset-mic-120-mm-boom-microdot-dual-in-ear","description":"\u003cp\u003ed:fine™\u003c\/p\u003e\n\u003cp\u003eIn-Ear Broadcast Headset Microphone\u003c\/p\u003e\n\u003cp\u003eStreamlined broadcast headsets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic and in-ear monitor integrated in one unique solution\u003c\/li\u003e\n\u003cli\u003eEasy to mount with minimum cable clutter\u003c\/li\u003e\n\u003cli\u003eLegendary microphone capsule technology and sound quality\u003c\/li\u003e\n\u003cli\u003eLightweight and flexible\u003c\/li\u003e\n\u003cli\u003eMinimal visual impact\u003c\/li\u003e\n\u003cli\u003eResistant to humidity\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe d:fine™ In-Ear Broadcast Headset Microphones series is the first broadcast solution that gives you uncompromising mic performance and convenient in-ear communication.\u003c\/p\u003e\n\u003cp\u003eNo more fiddling with two parallel systems – one for the mic and one for the in-ear communication. This unique line of mics was developed specifically for broadcast professionals who insist on superior voice reproduction but also appreciate ease of use and outstanding comfort. The d:fine™ In-Ear Broadcast Headset Microphones series is available in both omnidirectional and directional variants.\u003c\/p\u003e\n\u003cp\u003eSetting new standards for the broadcast industry\u003c\/p\u003e\n\u003cp\u003eAlready the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.\u003c\/p\u003e\n\u003cp\u003eThe in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.\u003c\/p\u003e\n\u003cp\u003eThe cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.\u003c\/p\u003e\n\u003cp\u003eThese innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup and daylong comfort.\u003c\/p\u003e\n\u003cp\u003ed:fine™ 4288 Directional In-Ear Headset Mic\u003c\/p\u003e\n\u003cp\u003eThe d:fine™ 4288 Directional In-Ear Broadcast Headset Microphone combines the legendary sound of the 4088 Directional Capsule with a lightweight and flexible headset system. Staying true to the DPA legacy, d:fine™ offers accurate and natural voice intelligibility and very high-SPL capabilities – users can both speak and sing into the mic with no hint of distortion.\u003c\/p\u003e\n\u003cp\u003eThis mic comes in either a Single In-Ear\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eor Dual In-Ear version. It is available in both black and beige.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003c\/p\u003e\n\u003cp\u003eA bit about cardioids\u003c\/p\u003e\n\u003cp\u003eNamed for its “heart shaped” polar pattern, a cardioid (or directional) microphone has the most sensitivity at the front and is least sensitive from the sides and at the back. They come in many variations – with wider or narrower angles of sensitivity (supercardioid, hypercardioid, wide cardioid etc.). Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.\u003c\/p\u003e\n\u003cp\u003eA cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.\u003c\/p\u003e\n\u003cp\u003eDue to their nature, directional mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Therefore, when judging mic specs you should always look for a statement stating the distance at which the flat frequency response has been measured. In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.\u003c\/p\u003e\n\u003cp\u003eAdapter system gives you flexibility\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eThe d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 144 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eWeight Single Ear: 10 g (0.35 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 12.7 mm (0.5 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.25 m (4.1 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive-going voltage at MicroDot pin (and pin 2 on DAD6001 XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-18T02:10:54+02:00","created_at":"2018-04-18T02:43:52+02:00","vendor":"DPA","type":"Headset Microphones","tags":["Connector_MicroDot","DPA","Headset Microphones","Microphones","Polar Pattern_Omnidirectional","Price Range_$750 to $1000","Shop by brand_DPA","Shop by category_Earset Microphone Shop by category_In-Ear","Shop by category_Headset Microphones","Shop by category_Legacy","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":89280,"price_min":89280,"price_max":89280,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7607916625966,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"4288-DL-I-B00-LH-2","requires_shipping":true,"taxable":true,"featured_image":{"id":2415123955758,"product_id":636286566446,"position":3,"created_at":"2018-04-18T02:46:33+02:00","updated_at":"2018-04-18T02:48:24+02:00","alt":null,"width":1170,"height":660,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4288-DL-I-B-LH-1-dfine-4288-Directional-InEar-Headset-Mic-120-mm-Boom-Black-Single-In-Ear_d5e1763b-72b1-4659-a80a-eef2cc4c5f03.jpg?v=1524012504","variant_ids":[7607916625966]},"available":true,"name":"DPA d:fine™ 4288 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Dual In-Ear - 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This unique line of mics was developed specifically for broadcast professionals who insist on superior voice reproduction but also appreciate ease of use and outstanding comfort. The d:fine™ In-Ear Broadcast Headset Microphones series is available in both omnidirectional and directional variants.\u003c\/p\u003e\n\u003cp\u003eSetting new standards for the broadcast industry\u003c\/p\u003e\n\u003cp\u003eAlready the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.\u003c\/p\u003e\n\u003cp\u003eThe in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.\u003c\/p\u003e\n\u003cp\u003eThe cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.\u003c\/p\u003e\n\u003cp\u003eThese innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup and daylong comfort.\u003c\/p\u003e\n\u003cp\u003ed:fine™ 4288 Directional In-Ear Headset Mic\u003c\/p\u003e\n\u003cp\u003eThe d:fine™ 4288 Directional In-Ear Broadcast Headset Microphone combines the legendary sound of the 4088 Directional Capsule with a lightweight and flexible headset system. Staying true to the DPA legacy, d:fine™ offers accurate and natural voice intelligibility and very high-SPL capabilities – users can both speak and sing into the mic with no hint of distortion.\u003c\/p\u003e\n\u003cp\u003eThis mic comes in either a Single In-Ear\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eor Dual In-Ear version. It is available in both black and beige.\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003c\/p\u003e\n\u003cp\u003eA bit about cardioids\u003c\/p\u003e\n\u003cp\u003eNamed for its “heart shaped” polar pattern, a cardioid (or directional) microphone has the most sensitivity at the front and is least sensitive from the sides and at the back. They come in many variations – with wider or narrower angles of sensitivity (supercardioid, hypercardioid, wide cardioid etc.). Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.\u003c\/p\u003e\n\u003cp\u003eA cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.\u003c\/p\u003e\n\u003cp\u003eDue to their nature, directional mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Therefore, when judging mic specs you should always look for a statement stating the distance at which the flat frequency response has been measured. In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.\u003c\/p\u003e\n\u003cp\u003eAdapter system gives you flexibility\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eThe d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 144 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eWeight Single Ear: 10 g (0.35 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 12.7 mm (0.5 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.25 m (4.1 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive-going voltage at MicroDot pin (and pin 2 on DAD6001 XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e"}
DPA d:fine™ 4288 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Dual In-Ear

DPA d:fine™ 4288 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Dual In-Ear

$892.80

d:fine™ In-Ear Broadcast Headset Microphone Streamlined broadcast headsets Mic and in-ear monitor integrated in one unique solution Easy to mount with minimum cable clutter Legendary microphone capsule technology and sound quality Lightweight and flexible Minimal visual impact Resistant to humidity Modular adapter system fits most professional ...

Color
Black
Beige

More Info
{"id":636249374766,"title":"DPA d:fine™ 4188 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Dual In-Ear","handle":"dpa-d-fine-4188-directional-flex-inear-headset-mic-120-mm-boom-microdot-dual-in-ear","description":"\u003cp\u003ed:fine™\u003c\/p\u003e\n\u003cp\u003eIn-Ear Broadcast Headset Microphone\u003c\/p\u003e\n\u003cp\u003eStreamlined broadcast headsets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic and in-ear monitor integrated in one unique solution\u003c\/li\u003e\n\u003cli\u003eEasy to mount with minimum cable clutter\u003c\/li\u003e\n\u003cli\u003eLegendary microphone capsule technology and sound quality\u003c\/li\u003e\n\u003cli\u003eLightweight and flexible\u003c\/li\u003e\n\u003cli\u003eMinimal visual impact\u003c\/li\u003e\n\u003cli\u003eResistant to humidity\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe d:fine™ In-Ear Broadcast Headset Microphones series is the first broadcast solution that gives you uncompromising mic performance and convenient in-ear communication.\u003c\/p\u003e\n\u003cp\u003eNo more fiddling with two parallel systems – one for the mic and one for the in-ear communication. This unique line of mics was developed specifically for broadcast professionals who insist on superior voice reproduction but also appreciate ease of use and outstanding comfort. The d:fine™ In-Ear Broadcast Headset Microphones series is available in both omnidirectional and directional variants.\u003c\/p\u003e\n\u003cp\u003eSetting new standards for the broadcast industry\u003c\/p\u003e\n\u003cp\u003eAlready the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.\u003c\/p\u003e\n\u003cp\u003eThe in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.\u003c\/p\u003e\n\u003cp\u003eThe cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.\u003c\/p\u003e\n\u003cp\u003eThese innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup and daylong comfort.\u003c\/p\u003e\n\u003cp\u003ed:fine™ 4188 Directional In-Ear Headset Mic\u003c\/p\u003e\n\u003cp\u003eThe d:fine™ 4188 Directional In-Ear Headset Microphone rejects side and background noise while creating higher separation from nearby sound sources. This improves the gain-to-feedback ratio and gives more channel control. Yet natural voice intelligibility is preserved. The mic also has very high SPL capabilities. You can both speak and sing into the mic with no hint of distortion.\u003c\/p\u003e\n\u003cp\u003eWindscreens, a capsule protection cap, a cable clip (to anchor the cable to your clothing) and a color-coded cable clip (offering easy recognition of a specific headset among many) are included. The squared capsule provides a slim appearance on camera. The d:fine™ 4188 comes with Dual In-Ear earpieces and is available in black and beige.\u003c\/p\u003e\n\u003cp\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA bit about cardioids\u003c\/p\u003e\n\u003cp\u003eNamed for its “heart shaped” polar pattern, a cardioid (or directional) microphone has the most sensitivity at the front and is least sensitive from the sides and at the back. They come in many variations – with wider or narrower angles of sensitivity (supercardioid, hypercardioid, wide cardioid etc.). Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.\u003c\/p\u003e\n\u003cp\u003eA cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.\u003c\/p\u003e\n\u003cp\u003eDue to their nature, directional mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Therefore, when judging mic specs you should always look for a statement stating the distance at which the flat frequency response has been measured. In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.\u003c\/p\u003e\n\u003cp\u003eAdapter system gives you flexibility\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eThe d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Cardioid\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure gradient\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB, Near field 2-3 cm (0.8 - 1.2 in) 100 Hz - 20 kHz with 3 dB soft boost at 8 - 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 144 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001-BC: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black or beige\u003c\/li\u003e\n\u003cli\u003eWeight Microphone boom: 0.8 g (0.03 oz). Earhook: 1.1 g (0.04 oz). Cabel: 6.6 g (0.23 oz). Total: 8.5 g (0.30 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.3 m (4.3 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black or beige\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity +V at MicroDot pin for positive sound pressure (and pin 2 on DAD6001-BC XLR adapter)\u003c\/li\u003e\n\u003cli\u003eElectromagnetic compatibility (EMC) Fully compatible\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-18T01:36:23+02:00","created_at":"2018-04-18T02:00:05+02:00","vendor":"DPA","type":"Headset Microphones","tags":["Connector_MicroDot","DPA","Headset Microphones","Microphones","Polar Pattern_Cardioid","Price Range_$750 to $1000","Shop by brand_DPA","Shop by category_Earset Microphone Shop by category_In-Ear","Shop by category_Headset Microphones","Shop by category_Legacy","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":89280,"price_min":89280,"price_max":89280,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7607728439342,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"4188-DL-I-B00-LH-2","requires_shipping":true,"taxable":true,"featured_image":{"id":2414987903022,"product_id":636249374766,"position":1,"created_at":"2018-04-18T02:04:12+02:00","updated_at":"2018-04-18T02:08:22+02:00","alt":null,"width":1170,"height":660,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4288-DL-I-B-LH-1-dfine-4288-Directional-InEar-Headset-Mic-120-mm-Boom-Black-Single-In-Ear_d893c1de-f902-4a25-bac6-4b9cfdf9a10e.jpg?v=1524010102","variant_ids":[7607728439342]},"available":true,"name":"DPA d:fine™ 4188 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Dual In-Ear - 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This unique line of mics was developed specifically for broadcast professionals who insist on superior voice reproduction but also appreciate ease of use and outstanding comfort. The d:fine™ In-Ear Broadcast Headset Microphones series is available in both omnidirectional and directional variants.\u003c\/p\u003e\n\u003cp\u003eSetting new standards for the broadcast industry\u003c\/p\u003e\n\u003cp\u003eAlready the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.\u003c\/p\u003e\n\u003cp\u003eThe in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.\u003c\/p\u003e\n\u003cp\u003eThe cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.\u003c\/p\u003e\n\u003cp\u003eThese innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup and daylong comfort.\u003c\/p\u003e\n\u003cp\u003ed:fine™ 4188 Directional In-Ear Headset Mic\u003c\/p\u003e\n\u003cp\u003eThe d:fine™ 4188 Directional In-Ear Headset Microphone rejects side and background noise while creating higher separation from nearby sound sources. This improves the gain-to-feedback ratio and gives more channel control. Yet natural voice intelligibility is preserved. The mic also has very high SPL capabilities. You can both speak and sing into the mic with no hint of distortion.\u003c\/p\u003e\n\u003cp\u003eWindscreens, a capsule protection cap, a cable clip (to anchor the cable to your clothing) and a color-coded cable clip (offering easy recognition of a specific headset among many) are included. The squared capsule provides a slim appearance on camera. The d:fine™ 4188 comes with Dual In-Ear earpieces and is available in black and beige.\u003c\/p\u003e\n\u003cp\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA bit about cardioids\u003c\/p\u003e\n\u003cp\u003eNamed for its “heart shaped” polar pattern, a cardioid (or directional) microphone has the most sensitivity at the front and is least sensitive from the sides and at the back. They come in many variations – with wider or narrower angles of sensitivity (supercardioid, hypercardioid, wide cardioid etc.). Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.\u003c\/p\u003e\n\u003cp\u003eA cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.\u003c\/p\u003e\n\u003cp\u003eDue to their nature, directional mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Therefore, when judging mic specs you should always look for a statement stating the distance at which the flat frequency response has been measured. In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.\u003c\/p\u003e\n\u003cp\u003eAdapter system gives you flexibility\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eThe d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Cardioid\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure gradient\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB, Near field 2-3 cm (0.8 - 1.2 in) 100 Hz - 20 kHz with 3 dB soft boost at 8 - 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 144 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001-BC: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black or beige\u003c\/li\u003e\n\u003cli\u003eWeight Microphone boom: 0.8 g (0.03 oz). Earhook: 1.1 g (0.04 oz). Cabel: 6.6 g (0.23 oz). Total: 8.5 g (0.30 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.3 m (4.3 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black or beige\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity +V at MicroDot pin for positive sound pressure (and pin 2 on DAD6001-BC XLR adapter)\u003c\/li\u003e\n\u003cli\u003eElectromagnetic compatibility (EMC) Fully compatible\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e"}
DPA d:fine™ 4188 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Dual In-Ear

DPA d:fine™ 4188 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Dual In-Ear

$892.80

d:fine™ In-Ear Broadcast Headset Microphone Streamlined broadcast headsets Mic and in-ear monitor integrated in one unique solution Easy to mount with minimum cable clutter Legendary microphone capsule technology and sound quality Lightweight and flexible Minimal visual impact Resistant to humidity Modular adapter system fits most professional ...

Color
Black
Beige

More Info
{"id":636218474542,"title":"DPA d:fine™ 4288 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Single In-Ear","handle":"dpa-d-fine-4288-directional-flex-inear-headset-mic-120-mm-boom-microdot-single-in-ear","description":"\u003cp\u003ed:fine™\u003c\/p\u003e\n\u003cp\u003eIn-Ear Broadcast Headset Microphone\u003c\/p\u003e\n\u003cp\u003eStreamlined broadcast headsets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic and in-ear monitor integrated in one unique solution\u003c\/li\u003e\n\u003cli\u003eEasy to mount with minimum cable clutter\u003c\/li\u003e\n\u003cli\u003eLegendary microphone capsule technology and sound quality\u003c\/li\u003e\n\u003cli\u003eLightweight and flexible\u003c\/li\u003e\n\u003cli\u003eMinimal visual impact\u003c\/li\u003e\n\u003cli\u003eResistant to humidity\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe d:fine™ In-Ear Broadcast Headset Microphones series is the first broadcast solution that gives you uncompromising mic performance and convenient in-ear communication.\u003c\/p\u003e\n\u003cp\u003eNo more fiddling with two parallel systems – one for the mic and one for the in-ear communication. This unique line of mics was developed specifically for broadcast professionals who insist on superior voice reproduction but also appreciate ease of use and outstanding comfort. The d:fine™ In-Ear Broadcast Headset Microphones series is available in both omnidirectional and directional variants.\u003c\/p\u003e\n\u003cp\u003eSetting new standards for the broadcast industry\u003c\/p\u003e\n\u003cp\u003eAlready the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.\u003c\/p\u003e\n\u003cp\u003eThe in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.\u003c\/p\u003e\n\u003cp\u003eThe cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.\u003c\/p\u003e\n\u003cp\u003eThese innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup and daylong comfort.\u003c\/p\u003e\n\u003cp\u003ed:fine™ 4288 Directional In-Ear Headset Mic\u003c\/p\u003e\n\u003cp\u003eThe d:fine™ 4288 Directional In-Ear Broadcast Headset Microphone combines the legendary sound of the 4088 Directional Capsule with a lightweight and flexible headset system. Staying true to the DPA legacy, d:fine™ offers accurate and natural voice intelligibility and very high-SPL capabilities – users can both speak and sing into the mic with no hint of distortion.\u003c\/p\u003e\n\u003cp\u003eThis mic comes in either a Single In-Ear\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eor Dual In-Ear version. It is available in both black and beige.\u003c\/p\u003e\n\u003cp\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003c\/p\u003e\n\u003cp\u003eA bit about cardioids\u003c\/p\u003e\n\u003cp\u003eNamed for its “heart shaped” polar pattern, a cardioid (or directional) microphone has the most sensitivity at the front and is least sensitive from the sides and at the back. They come in many variations – with wider or narrower angles of sensitivity (supercardioid, hypercardioid, wide cardioid etc.). Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.\u003c\/p\u003e\n\u003cp\u003eA cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.\u003c\/p\u003e\n\u003cp\u003eDue to their nature, directional mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Therefore, when judging mic specs you should always look for a statement stating the distance at which the flat frequency response has been measured. In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.\u003c\/p\u003e\n\u003cp\u003eAdapter system gives you flexibility\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eThe d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Cardioid\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure gradient\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB, Near field 2-3 cm (0.8 - 1.2 in) 100 Hz - 20 kHz (4 - 6 dB soft boost at 15 kHz)\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 144 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eWeight Single Ear: 10 g (0.35 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 12.7 mm (0.5 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.25 m (4.1 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive-going voltage at MicroDot pin (and pin 2 on DAD6001 XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-18T01:12:56+02:00","created_at":"2018-04-18T01:24:12+02:00","vendor":"DPA","type":"Headset Microphones","tags":["Connector_MicroDot","DPA","Headset Microphones","Microphones","Polar Pattern_Cardioid","Price Range_$750 to $1000","Shop by brand_DPA","Shop by category_Earset Microphone Shop by category_In-Ear","Shop by category_Headset Microphones","Shop by category_Legacy","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":83080,"price_min":83080,"price_max":83080,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7607554768942,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"4288-DL-I-B00-LH-1","requires_shipping":true,"taxable":true,"featured_image":{"id":2414927609902,"product_id":636218474542,"position":8,"created_at":"2018-04-18T01:28:47+02:00","updated_at":"2018-04-18T01:28:47+02:00","alt":null,"width":1170,"height":660,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4288-DL-I-B-LH-1-dfine-4288-Directional-InEar-Headset-Mic-120-mm-Boom-Black-Single-In-Ear_4dc706b8-4a3e-4215-a79e-e42d7975c45f.jpg?v=1524007727","variant_ids":[7607554768942]},"available":true,"name":"DPA d:fine™ 4288 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Single In-Ear - 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This unique line of mics was developed specifically for broadcast professionals who insist on superior voice reproduction but also appreciate ease of use and outstanding comfort. The d:fine™ In-Ear Broadcast Headset Microphones series is available in both omnidirectional and directional variants.\u003c\/p\u003e\n\u003cp\u003eSetting new standards for the broadcast industry\u003c\/p\u003e\n\u003cp\u003eAlready the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.\u003c\/p\u003e\n\u003cp\u003eThe in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.\u003c\/p\u003e\n\u003cp\u003eThe cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.\u003c\/p\u003e\n\u003cp\u003eThese innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup and daylong comfort.\u003c\/p\u003e\n\u003cp\u003ed:fine™ 4288 Directional In-Ear Headset Mic\u003c\/p\u003e\n\u003cp\u003eThe d:fine™ 4288 Directional In-Ear Broadcast Headset Microphone combines the legendary sound of the 4088 Directional Capsule with a lightweight and flexible headset system. Staying true to the DPA legacy, d:fine™ offers accurate and natural voice intelligibility and very high-SPL capabilities – users can both speak and sing into the mic with no hint of distortion.\u003c\/p\u003e\n\u003cp\u003eThis mic comes in either a Single In-Ear\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003eor Dual In-Ear version. It is available in both black and beige.\u003c\/p\u003e\n\u003cp\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003c\/p\u003e\n\u003cp\u003eA bit about cardioids\u003c\/p\u003e\n\u003cp\u003eNamed for its “heart shaped” polar pattern, a cardioid (or directional) microphone has the most sensitivity at the front and is least sensitive from the sides and at the back. They come in many variations – with wider or narrower angles of sensitivity (supercardioid, hypercardioid, wide cardioid etc.). Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.\u003c\/p\u003e\n\u003cp\u003eA cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.\u003c\/p\u003e\n\u003cp\u003eDue to their nature, directional mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Therefore, when judging mic specs you should always look for a statement stating the distance at which the flat frequency response has been measured. In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.\u003c\/p\u003e\n\u003cp\u003eAdapter system gives you flexibility\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eThe d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Cardioid\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure gradient\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB, Near field 2-3 cm (0.8 - 1.2 in) 100 Hz - 20 kHz (4 - 6 dB soft boost at 15 kHz)\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 144 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eWeight Single Ear: 10 g (0.35 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 12.7 mm (0.5 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.25 m (4.1 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive-going voltage at MicroDot pin (and pin 2 on DAD6001 XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e"}
DPA d:fine™ 4288 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Single In-Ear

DPA d:fine™ 4288 Directional Flex InEar Headset Mic, 120 mm Boom, MicroDot, Single In-Ear

$830.80

d:fine™ In-Ear Broadcast Headset Microphone Streamlined broadcast headsets Mic and in-ear monitor integrated in one unique solution Easy to mount with minimum cable clutter Legendary microphone capsule technology and sound quality Lightweight and flexible Minimal visual impact Resistant to humidity Modular adapter system fits most professional ...

Color
Black
Beige

More Info
{"id":636175417390,"title":"DPA d:fine™ 4266 Omni Flex InEar Headset Mic, 110 mm Boom, MicroDot, Single In-Ear","handle":"dpa-d-fine-4266-omni-flex-inear-headset-mic-110-mm-boom-microdot-single-in-ear","description":"\u003cp\u003ed:fine™\u003c\/p\u003e\n\u003cp\u003eIn-Ear Broadcast Headset Microphone\u003c\/p\u003e\n\u003cp\u003eStreamlined broadcast headsets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMic and in-ear monitor integrated in one unique solution\u003c\/li\u003e\n\u003cli\u003eEasy to mount with minimum cable clutter\u003c\/li\u003e\n\u003cli\u003eLegendary microphone capsule technology and sound quality\u003c\/li\u003e\n\u003cli\u003eLightweight and flexible\u003c\/li\u003e\n\u003cli\u003eMinimal visual impact\u003c\/li\u003e\n\u003cli\u003eResistant to humidity\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe d:fine™ In-Ear Broadcast Headset Microphones series is the first broadcast solution that gives you uncompromising mic performance and convenient in-ear communication.\u003c\/p\u003e\n\u003cp\u003eNo more fiddling with two parallel systems – one for the mic and one for the in-ear communication. This unique line of mics was developed specifically for broadcast professionals who insist on superior voice reproduction but also appreciate ease of use and outstanding comfort. The d:fine™ In-Ear Broadcast Headset Microphones series is available in both omnidirectional and directional variants.\u003c\/p\u003e\n\u003cp\u003eSetting new standards for the broadcast industry\u003c\/p\u003e\n\u003cp\u003eAlready the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.\u003c\/p\u003e\n\u003cp\u003eThe in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.\u003c\/p\u003e\n\u003cp\u003eThe cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.\u003c\/p\u003e\n\u003cp\u003eThese innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup and daylong comfort.\u003c\/p\u003e\n\u003cp\u003ed:fine™ 4266 Omni In-Ear Headset Mic\u003c\/p\u003e\n\u003cp\u003eThe d:fine™ 4266 Omni In-Ear Broadcast Headset Microphone combines the legendary sound of the 4066 Omnidirectional Capsule with a lightweight and flexible headset system and an in-ear driver. This condenser mic is easy and fast to adjust and it offers clean and transparent sound quality with lots of headroom.\u003c\/p\u003e\n\u003cp\u003eLike all of the microphones in the range, the d:fine™ 4266 Omni In-Ear Broadcast Headset Microphone offers accurate, natural voice intelligibility and very high SPL capabilities. The mics effortlessly handle up to 144 dB peak before clipping. In addition, due to their exquisite linear response, low distortion and extremely broad dynamic range, they sound great no matter what the application. The d:fine™ 4266 comes with a Single In-Ear earpiece and is available in black and beige.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003c\/p\u003e\n\u003cp\u003eA bit about cardioids\u003c\/p\u003e\n\u003cp\u003eNamed for its “heart shaped” polar pattern, a cardioid (or directional) microphone has the most sensitivity at the front and is least sensitive from the sides and at the back. They come in many variations – with wider or narrower angles of sensitivity (supercardioid, hypercardioid, wide cardioid etc.). Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.\u003c\/p\u003e\n\u003cp\u003eA cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.\u003c\/p\u003e\n\u003cp\u003eDue to their nature, directional mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Therefore, when judging mic specs you should always look for a statement stating the distance at which the flat frequency response has been measured. In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdapter system gives you flexibility\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eThe d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Cardioid\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure gradient\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB, Near field 2-3 cm (0.8 - 1.2 in) 100 Hz - 20 kHz with 3 dB soft boost at 8 - 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 144 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001-BC: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black or beige\u003c\/li\u003e\n\u003cli\u003eWeight Microphone boom: 0.8 g (0.03 oz). Earhook: 1.1 g (0.04 oz). Cabel: 6.6 g (0.23 oz). Total: 8.5 g (0.30 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.3 m (4.3 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black or beige\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity +V at MicroDot pin for positive sound pressure (and pin 2 on DAD6001-BC XLR adapter)\u003c\/li\u003e\n\u003cli\u003eElectromagnetic compatibility (EMC) Fully compatible\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-18T00:07:41+02:00","created_at":"2018-04-18T00:41:40+02:00","vendor":"DPA","type":"Headset Microphones","tags":["Connector_MicroDot","DPA","Headset Microphones","Microphones","Polar Pattern_Cardioid","Price Range_$750 to $1000","Shop by brand_DPA","Shop by category_Earset Microphone Shop by category_In-Ear","Shop by category_Headset Microphones","Shop by category_Legacy","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":78740,"price_min":78740,"price_max":78740,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7607362715694,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"4266-OL-I-B00-LH-1","requires_shipping":true,"taxable":true,"featured_image":{"id":2414876360750,"product_id":636175417390,"position":7,"created_at":"2018-04-18T00:56:02+02:00","updated_at":"2018-04-18T00:56:25+02:00","alt":null,"width":1170,"height":660,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4288-DL-I-B-LH-1-dfine-4288-Directional-InEar-Headset-Mic-120-mm-Boom-Black-Single-In-Ear.jpg?v=1524005785","variant_ids":[7607362715694]},"available":true,"name":"DPA d:fine™ 4266 Omni Flex InEar Headset Mic, 110 mm Boom, MicroDot, Single In-Ear - 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This unique line of mics was developed specifically for broadcast professionals who insist on superior voice reproduction but also appreciate ease of use and outstanding comfort. The d:fine™ In-Ear Broadcast Headset Microphones series is available in both omnidirectional and directional variants.\u003c\/p\u003e\n\u003cp\u003eSetting new standards for the broadcast industry\u003c\/p\u003e\n\u003cp\u003eAlready the worldwide leader in headset mics for theater and broadcast applications, the d:fine™ In-Ear Broadcast Series now adds an integrated in-ear monitor to create a broadcast and communication headset with outstanding acoustic performance and feather-light comfort.\u003c\/p\u003e\n\u003cp\u003eThe in-ear drivers allow no audio leakage to the microphone capsule. They are easily driven due to their high sensitivity. Two sizes of ear-pads are included to fit most ears.\u003c\/p\u003e\n\u003cp\u003eThe cable steer, located at the headset mount, controls the cable run down the neck. You can easily adjust the headset mount size.\u003c\/p\u003e\n\u003cp\u003eThese innovative headsets – the first of their kind – are designed for broadcast professionals who insist on superior voice reproduction without compromising on simple setup and daylong comfort.\u003c\/p\u003e\n\u003cp\u003ed:fine™ 4266 Omni In-Ear Headset Mic\u003c\/p\u003e\n\u003cp\u003eThe d:fine™ 4266 Omni In-Ear Broadcast Headset Microphone combines the legendary sound of the 4066 Omnidirectional Capsule with a lightweight and flexible headset system and an in-ear driver. This condenser mic is easy and fast to adjust and it offers clean and transparent sound quality with lots of headroom.\u003c\/p\u003e\n\u003cp\u003eLike all of the microphones in the range, the d:fine™ 4266 Omni In-Ear Broadcast Headset Microphone offers accurate, natural voice intelligibility and very high SPL capabilities. The mics effortlessly handle up to 144 dB peak before clipping. In addition, due to their exquisite linear response, low distortion and extremely broad dynamic range, they sound great no matter what the application. The d:fine™ 4266 comes with a Single In-Ear earpiece and is available in black and beige.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003c\/p\u003e\n\u003cp\u003eA bit about cardioids\u003c\/p\u003e\n\u003cp\u003eNamed for its “heart shaped” polar pattern, a cardioid (or directional) microphone has the most sensitivity at the front and is least sensitive from the sides and at the back. They come in many variations – with wider or narrower angles of sensitivity (supercardioid, hypercardioid, wide cardioid etc.). Although cardioids also pick up sound coming in from the sides, this off-axis sound will normally be more or less colored and damped. The unique DPA capsule technique however skips the colorization of the sound coming from the sides or the rear of the mic and just reduces the sensitivity to these angles and thereby offers perfect sound stages. The amount of damping depends on the exact specifications of the mic.\u003c\/p\u003e\n\u003cp\u003eA cardioid microphone is, by definition, damped -6 dB at the 90°side entry of the microphone but for many, the word cardioid generally covers mics with a directional pattern versus omnis, which pick up sound from all directions.\u003c\/p\u003e\n\u003cp\u003eDue to their nature, directional mics are often used on the live stage – both during concerts as well as spoken-word events, to capture the focused sound of an instrument or voice. The narrow angle of sensitivity helps to minimize the bleed from other sounds on a busy stage. One thing to note with cardioid mics is the proximity effect, which causes an increase in bass response the closer the microphone is moved to the sound source. Therefore, when judging mic specs you should always look for a statement stating the distance at which the flat frequency response has been measured. In addition, cardioid mics are far more sensitive to wind, pop and handling noises than omni mics, so be sure to take precautions to guard against this.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAdapter system gives you flexibility\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a completely new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eThe d:fine™, d:screet™ and d:vote™ series of miniature microphones work with all leading wireless mic solutions, such as Lectrosonics, Sennheiser, Shure, Sony, Wisycom, Zaxcom and many more. DPA Microphones’ ingenious adapter system is one of a kind in the industry. It protects your investment in fantastic sound for years to come.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Cardioid\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure gradient\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB, Near field 2-3 cm (0.8 - 1.2 in) 100 Hz - 20 kHz with 3 dB soft boost at 8 - 20 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 144 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001-BC: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black or beige\u003c\/li\u003e\n\u003cli\u003eWeight Microphone boom: 0.8 g (0.03 oz). Earhook: 1.1 g (0.04 oz). Cabel: 6.6 g (0.23 oz). Total: 8.5 g (0.30 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.3 m (4.3 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black or beige\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity +V at MicroDot pin for positive sound pressure (and pin 2 on DAD6001-BC XLR adapter)\u003c\/li\u003e\n\u003cli\u003eElectromagnetic compatibility (EMC) Fully compatible\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e"}
DPA d:fine™ 4266 Omni Flex InEar Headset Mic, 110 mm Boom, MicroDot, Single In-Ear

DPA d:fine™ 4266 Omni Flex InEar Headset Mic, 110 mm Boom, MicroDot, Single In-Ear

$787.40

d:fine™ In-Ear Broadcast Headset Microphone Streamlined broadcast headsets Mic and in-ear monitor integrated in one unique solution Easy to mount with minimum cable clutter Legendary microphone capsule technology and sound quality Lightweight and flexible Minimal visual impact Resistant to humidity Modular adapter system fits most professional ...

Color
Black
Beige

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{"id":634141507630,"title":"Apogee MiC PLUS for iPad, iPhone, Mac and Windows","handle":"apogee-mic-plus-for-ipad-iphone-mac-and-windows","description":"\u003cp\u003eOverview\u003c\/p\u003e\n\u003cp\u003eStudio quality microphone you can take anywhere\u003c\/p\u003e\n\u003cp\u003eApogee MiC Plus is a professional studio quality USB microphone you can connect to your iPad, iPhone, iPod touch, Mac or PC. MiC Plus makes it easy to capture your best take with incredible quality, anywhere you go. Record any sound you can imagine, from vocals to voice-overs, instruments to interviews and everything in between.\u003c\/p\u003e\n\u003cp\u003eAbout Apogee\u003c\/p\u003e\n\u003cp\u003eSince 1985, Apogee has been developing award-winning audio recording technology that powers many of the world’s most respected studios. Products like Symphony I\/O, Duet, ONE, JAM and MiC have been instrumental in capturing countless GRAMMY and OSCAR winning performances by today’s biggest artists.\u003c\/p\u003e\n\u003cp\u003eHighlights\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional cardioid condenser microphone capsule\u003c\/li\u003e\n\u003cli\u003ePureDIGITAL connection for pristine sound quality up to 24-bit \/ 96kHz\u003c\/li\u003e\n\u003cli\u003e46dB of mic preamp gain, digitally controlled for greater precision\u003c\/li\u003e\n\u003cli\u003ePowerful headphone output with Blend feature for zero latency monitoring\u003c\/li\u003e\n\u003cli\u003eNo configuration required, just plug in and record\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e*Apogee products are built in the U.S.A. using domestic and foreign parts and components.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cp\u003eSystem Requirements\u003c\/p\u003e\n\u003cp\u003eMac OS 10.9 or later\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComputer: Mac, with an Intel processor\u003c\/li\u003e\n\u003cli\u003eMemory: 2 GB of RAM minimum\u003c\/li\u003e\n\u003cli\u003eConnection\/power: USB port on computer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWindows 10\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComputer: Windows PC with Intel\/AMD x86-64 processor\u003c\/li\u003e\n\u003cli\u003eMemory: 4 GB of RAM minimum\u003c\/li\u003e\n\u003cli\u003eConnection\/power: USB port on computer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eiOS 9 or later\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConnection: Lightning\u003c\/li\u003e\n\u003cli\u003ePower: From iOS device\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMade for:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eiPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPhone 5c, iPhone 5, iPad Pro 10.5-inch, iPad Pro 12.9-inch (2nd generation), iPad Pro 9.7-inch, iPad Pro 12.9-inch (1st generation), iPad Air 2, iPad Air, iPad (5th generation), iPad (4th generation), iPad mini 4, iPad mini 3, iPad mini 2, iPad mini, iPod touch (6th generation), iPad touch (5th generation)\u003c\/p\u003e\n\u003cp\u003eIn the box:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMiC+\u003c\/li\u003e\n\u003cli\u003eLightning iOS cable\u003c\/li\u003e\n\u003cli\u003eUSB cable (Type C)\u003c\/li\u003e\n\u003cli\u003eUSB cable (Type A)\u003c\/li\u003e\n\u003cli\u003eDesktop tripod stand\u003c\/li\u003e\n\u003cli\u003eMicrophone stand adapter\u003c\/li\u003e\n\u003cli\u003eQuickstart guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional cardioid condenser microphone capsule\u003c\/li\u003e\n\u003cli\u003ePureDIGITAL connection for pristine sound quality up to 24-bit \/ 96kHz\u003c\/li\u003e\n\u003cli\u003e46dB of mic preamp gain, digitally controlled for greater precision\u003c\/li\u003e\n\u003cli\u003ePowerful headphone output with Blend feature for zero latency monitoring\u003c\/li\u003e\n\u003cli\u003eNo configuration required, just plug in and record\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTech Specs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Type: Micro USB\u003c\/li\u003e\n\u003cli\u003eConnections: Lightning, USB (Type-C), USB (Type-A)\u003c\/li\u003e\n\u003cli\u003eLength: 4.88” (124 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 1.5” (38 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 1.5” (38 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 0.45 lbs (0.20 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA\/D Conversion and Mic Preamp\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMax SPL: 130dB (1% THD at 1kHz)\u003c\/li\u003e\n\u003cli\u003eSensitivity: -36 dBfs (94 dB SPL. 1 kHz)\u003c\/li\u003e\n\u003cli\u003eNoise level: -108dBfs (A) at 0 dB gain\u003c\/li\u003e\n\u003cli\u003eMax gain of preamp: 46 dB\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-17T01:31:46+02:00","created_at":"2018-04-17T01:50:46+02:00","vendor":"Apogee","type":"USB Microphones","tags":["Apogee","iOS \/ iPad","iPad\/iPhone Microphones","Polar Pattern_Cardioid","Price Range_$200 to $300","Shop by brand_Apogee","Shop by category_iOS \/ iPad","Shop by category_iPad\/iPhone Microphones","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":24900,"price_min":24900,"price_max":24900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7592264892462,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MicPLUS","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Apogee MiC PLUS for iPad, iPhone, Mac and Windows","public_title":null,"options":["Default Title"],"price":24900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Apogee-MiC-Plus-3-Quarters-Facing-Left-Tripod-1000-1.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Apogee-MiC-Plus-3-Quarters-Facing-Left-MacBookPro-Headphones-Tripod-1000x667.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Apogee-MiC-Plus-Mac-Windows-MacBookAir-Surface-1000.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Apogee-MiC-Plus-digital-iPadPro-1000x667.png?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Apogee-MiC-Plus-Bottom-Tripod-1000-1.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MiC-Plus-Front-1000.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Apogee-MiC-Plus-Side-Facing-Left-Tripod-1000-1.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MiC-Plus-1000.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MiC-Plus-Back-1000.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MiC-Plus-Facing-Right-1000.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MiC-Plus-Facing-Left-1000.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MiC-Plus-Top-1000.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MiC-Plus-Acoustic-Guitar-IMG_0002-Color-1000.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MiC-Plus-Male-Singer-1000.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MiC-Plus-Standup-Bass-1000.jpg?v=1523923053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MiC-Plus-Piano-1000.jpg?v=1523923053"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Apogee-MiC-Plus-3-Quarters-Facing-Left-Tripod-1000-1.jpg?v=1523923053","options":["Title"],"content":"\u003cp\u003eOverview\u003c\/p\u003e\n\u003cp\u003eStudio quality microphone you can take anywhere\u003c\/p\u003e\n\u003cp\u003eApogee MiC Plus is a professional studio quality USB microphone you can connect to your iPad, iPhone, iPod touch, Mac or PC. MiC Plus makes it easy to capture your best take with incredible quality, anywhere you go. Record any sound you can imagine, from vocals to voice-overs, instruments to interviews and everything in between.\u003c\/p\u003e\n\u003cp\u003eAbout Apogee\u003c\/p\u003e\n\u003cp\u003eSince 1985, Apogee has been developing award-winning audio recording technology that powers many of the world’s most respected studios. Products like Symphony I\/O, Duet, ONE, JAM and MiC have been instrumental in capturing countless GRAMMY and OSCAR winning performances by today’s biggest artists.\u003c\/p\u003e\n\u003cp\u003eHighlights\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional cardioid condenser microphone capsule\u003c\/li\u003e\n\u003cli\u003ePureDIGITAL connection for pristine sound quality up to 24-bit \/ 96kHz\u003c\/li\u003e\n\u003cli\u003e46dB of mic preamp gain, digitally controlled for greater precision\u003c\/li\u003e\n\u003cli\u003ePowerful headphone output with Blend feature for zero latency monitoring\u003c\/li\u003e\n\u003cli\u003eNo configuration required, just plug in and record\u003c\/li\u003e\n\u003cli\u003eMade in the U.S.A.*\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e*Apogee products are built in the U.S.A. using domestic and foreign parts and components.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cp\u003eSystem Requirements\u003c\/p\u003e\n\u003cp\u003eMac OS 10.9 or later\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComputer: Mac, with an Intel processor\u003c\/li\u003e\n\u003cli\u003eMemory: 2 GB of RAM minimum\u003c\/li\u003e\n\u003cli\u003eConnection\/power: USB port on computer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWindows 10\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComputer: Windows PC with Intel\/AMD x86-64 processor\u003c\/li\u003e\n\u003cli\u003eMemory: 4 GB of RAM minimum\u003c\/li\u003e\n\u003cli\u003eConnection\/power: USB port on computer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eiOS 9 or later\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConnection: Lightning\u003c\/li\u003e\n\u003cli\u003ePower: From iOS device\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMade for:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eiPhone 7 Plus, iPhone 7, iPhone SE, iPhone 6s Plus, iPhone 6s, iPhone 6 Plus, iPhone 6, iPhone 5s, iPhone 5c, iPhone 5, iPad Pro 10.5-inch, iPad Pro 12.9-inch (2nd generation), iPad Pro 9.7-inch, iPad Pro 12.9-inch (1st generation), iPad Air 2, iPad Air, iPad (5th generation), iPad (4th generation), iPad mini 4, iPad mini 3, iPad mini 2, iPad mini, iPod touch (6th generation), iPad touch (5th generation)\u003c\/p\u003e\n\u003cp\u003eIn the box:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMiC+\u003c\/li\u003e\n\u003cli\u003eLightning iOS cable\u003c\/li\u003e\n\u003cli\u003eUSB cable (Type C)\u003c\/li\u003e\n\u003cli\u003eUSB cable (Type A)\u003c\/li\u003e\n\u003cli\u003eDesktop tripod stand\u003c\/li\u003e\n\u003cli\u003eMicrophone stand adapter\u003c\/li\u003e\n\u003cli\u003eQuickstart guide\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional cardioid condenser microphone capsule\u003c\/li\u003e\n\u003cli\u003ePureDIGITAL connection for pristine sound quality up to 24-bit \/ 96kHz\u003c\/li\u003e\n\u003cli\u003e46dB of mic preamp gain, digitally controlled for greater precision\u003c\/li\u003e\n\u003cli\u003ePowerful headphone output with Blend feature for zero latency monitoring\u003c\/li\u003e\n\u003cli\u003eNo configuration required, just plug in and record\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eTech Specs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Type: Micro USB\u003c\/li\u003e\n\u003cli\u003eConnections: Lightning, USB (Type-C), USB (Type-A)\u003c\/li\u003e\n\u003cli\u003eLength: 4.88” (124 mm)\u003c\/li\u003e\n\u003cli\u003eWidth: 1.5” (38 mm)\u003c\/li\u003e\n\u003cli\u003eDepth: 1.5” (38 mm)\u003c\/li\u003e\n\u003cli\u003eWeight: 0.45 lbs (0.20 kg)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eA\/D Conversion and Mic Preamp\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMax SPL: 130dB (1% THD at 1kHz)\u003c\/li\u003e\n\u003cli\u003eSensitivity: -36 dBfs (94 dB SPL. 1 kHz)\u003c\/li\u003e\n\u003cli\u003eNoise level: -108dBfs (A) at 0 dB gain\u003c\/li\u003e\n\u003cli\u003eMax gain of preamp: 46 dB\u003c\/li\u003e\n\u003c\/ul\u003e"}
Apogee MiC PLUS for iPad, iPhone, Mac and Windows

Apogee MiC PLUS for iPad, iPhone, Mac and Windows

$249.00

Overview Studio quality microphone you can take anywhere Apogee MiC Plus is a professional studio quality USB microphone you can connect to your iPad, iPhone, iPod touch, Mac or PC. MiC Plus makes it easy to capture your best take with incredible quality, anywhere you go. Record any sound you can imagine, from vocals to voice-overs, instruments ...


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{"id":587184013358,"title":"DPA d:screet™ CORE 4071 ENG\/EFP Microphone Kit","handle":"dpa-d-screet-core-4071-eng-efp-microphone-kit","description":"\u003cp\u003ed:screet™\u003c\/p\u003e\n\u003cp\u003e4060 Series Microphone Kits\u003c\/p\u003e\n\u003cp\u003eComplete kit with mics and accessories\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtremely rugged and reliable\u003c\/li\u003e\n\u003cli\u003eExceptional audio quality\u003c\/li\u003e\n\u003cli\u003eLow noise and high sensitivity\u003c\/li\u003e\n\u003cli\u003eLarge selection of accessories\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWe have collected our award-winning d:screet™ Miniature Microphones in specialized kits that contain the mics and accessories you need to capture fantastic sound no matter what you need.\u003c\/p\u003e\n\u003cp\u003eUsed with the vast array of complimentary accessories, d:screet™ Miniature Microphones are ideal for a broad range of applications. Whether reproducing the voice or an instrument in film, theater, television or other close-miking settings, these mics will not disappoint.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4071 ENG\/EFP Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis microphone kit is configured to include the mic and accessories necessary for electronic newsgathering and electronic field production.\u003c\/p\u003e\n\u003cp\u003eIt contains a d:screet™ 4071 Omnidirectional Microphone, Presence Boost with our reinforced cable relief (pre-equalized for speech clarity). Also included is an XLR Adapter with midrange attenuation (DAD6024). This provides the final tonal adjustment needed for going directly on air or to tape without editing. The combination of the mic and the XLR adapter makes voices more distinguishable and improves speech intelligibility and definition.\u003c\/p\u003e\n\u003cp\u003eThis mic is an outstanding speech and vocal mic. It makes voice heard and intelligible. It is also resistant to moisture, extreme temperature change and humidity.\u003c\/p\u003e\n\u003cp\u003eWhen recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut has been incorporated in the mic capsule so the built-in preamplifier (and the wireless system) will have much larger headroom. Furthermore, it removes distant rumbling from cars, trains, airplanes, etc.\u003c\/p\u003e\n\u003cp\u003eAnother equally important consideration is that when placing a microphone on the body, especially on the chest, the frequency range of the consonants is damped, resulting in poor intelligibility. The d:screet™ 4071 Omnidirectional Microphone, Presence Boost has a built-in boost to compensate for this loss. Especially for ENG work, this mic is perfect because almost no ENG mixer leaves any possibility for a compensation of this kind.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ ENG \/ EFP Microphone Kit is delivered in a sturdy case with a transparent lid. Inside there is room for the microphone, one or more adapters and various microphone concealment fixtures.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4071 Film Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis microphone kit is made for film or TV productions where the microphone needs to be invisible.\u003c\/p\u003e\n\u003cp\u003eIt contains a d:screet™ 4071 Omnidirectional Microphone, Presence Boost with our reinforced cable relief (pre-equalized for speech clarity). Also included are various microphone concealment fixtures, specially designed to solve both concealment and clothing noise problems.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4071 Omnidirectional Microphone, Presence Boost is an outstanding speech and vocal mic. It makes voice heard and intelligible. It is also resistant to moisture, extreme temperature change and humidity.\u003c\/p\u003e\n\u003cp\u003eWhen recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut has been incorporated in the mic capsule so the built-in preamplifier (and the wireless system) will have much larger headroom. Furthermore, it removes distant rumbling from cars, trains, airplanes, etc.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ Film Microphone Kit is delivered in a sturdy case with a transparent lid. Inside there is room for the microphone, one or more adapters and various microphone concealment fixtures.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Instrument Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis kit contains a d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL with our reinforced cable relief and a XLR Adapter DAD6001-BC and a selection of our unique mounting accessories. The kit is designed to use as a close-miking solution for a wide variety of musical instruments.\u003c\/p\u003e\n\u003cp\u003eThis mic offers a very clean, detailed and natural sound quality. This leaves it up to the user to decide on the correct placement to achieve the desired timbre.\u003c\/p\u003e\n\u003cp\u003eThe kit is perfect for studio use or amplification for live use.\u003c\/p\u003e\n\u003cp\u003eThere are many accessories included in the kit. It contains holders for strings, universal surface mounts with double-sided tape, a magnet mount and foam windscreens.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4061 Instrument Microphone Kit\u003c\/p\u003e\n\u003cp\u003eSimilar to the d:screet™ 4060 Instrument Microphone Kit, this kit is designed to use as a close-miking solution for a wide variety of musical instruments. The d:screet™ 4061 Miniature Omnidirectional Microphone, Loud SPL offers a very clean, detailed and natural sound quality. This leaves it up to the user to decide on the correct placement to achieve the desired timbre. The mic can handle 144 dB peak before clipping, allowing the microphone to be used even for snare drums, guitar\/bass speaker cabinets or other high SPL sound sources.\u003c\/p\u003e\n\u003cp\u003eThis kit is also perfect for studio use or amplification for live use. There are many accessories included in the kit. It contains holders for strings, universal surface mounts with double-sided tape, a magnet mount and foam windscreens.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Lavalier Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis kit is perfect for broadcasters, TV studios, news anchors and other public speakers.\u003c\/p\u003e\n\u003cp\u003eIt is a robust and unobtrusive solution; the tiny d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL is placed in the smallest holder on the market where it is protected from rough handling.\u003c\/p\u003e\n\u003cp\u003eThis mic is very natural sounding, offering great detail and resolution. It has a very low noise floor, impressive sensitivity and can handle high SPL.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Stereo Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis d:screet™ Stereo Microphone Kit is a cost-effective and flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. It contains a complete stereo pair; two handpicked omnidirectional condenser microphones, selected on sensitivity within ±1.5 dB.\u003c\/p\u003e\n\u003cp\u003eIt combines two d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL, with a variety of mounting accessories. These include the BLM6000 Boundary Layer Mount, which can be used in conjunction with our d:screet™ 4060, 4061, 4062 and 4063 Miniature Microphones to place on a reflective boundary such as a floor, wall, ceiling, piano lid etc. This enables the mics to capture the ambient sound of the area. The sound captured from this “pressure zone” has higher sensitivity, clarity and intelligibility compared to the sound captured from the \"free air\". This solution serves as a kind of acoustical zoom.\u003c\/p\u003e\n\u003cp\u003eThere are many accessories included in the kit. One of them is the DMM0007 Universal Surface Mount. This mount allows all kinds of instruments, from acoustic guitar through grand piano and drums, to be mounted in the best-sounding position. The mount uses special non-marking adhesive discs for attachment.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4061 Stereo Microphone Kit\u003c\/p\u003e\n\u003cp\u003eSimilar in content to the d:screet™ 4060 Stereo Microphone Kit, this kit is a cost-effective and flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. It contains a complete stereo pair; two handpicked omnidirectional condenser microphones, selected on sensitivity within ±1.5 dB.\u003c\/p\u003e\n\u003cp\u003eIt combines two d:screet™ 4060 Miniature Omnidirectional Microphone, Loud SPL, with a variety of mounting accessories for use with high SPL sources.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 20 mV\/Pa; -34 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 35 dB (max. 38 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 71 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - Legacy \u0026lt; 1% THD up to 123 dB SPL peak; \u0026lt; 1% THD up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - CORE \u0026lt; 1% THD up to 129 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range - Legacy Typ. 100 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range - CORE Typ. 106 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 134 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance 30 - 40 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft)\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) For wireless systems: Min. 5 V - max. 50 V through DPA adapter. With DAD6001-BC\/DAD6024\/DAD4099: 48 V phantom power ±4 V for full performance\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige, brown or white\u003c\/li\u003e\n\u003cli\u003eWeight 7.5 g (0.26 oz) incl. Cable and MicroDot connector\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 12.7 mm (0.5 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive going voltage on MicroDot pin\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e","published_at":"2018-04-05T11:37:23+02:00","created_at":"2018-04-05T11:53:37+02:00","vendor":"DPA","type":"Lavalier Microphones","tags":["DPA","Lavalier Microphones","Price Range_$500 to $750","Shop by brand_DPA","Shop by category_CORE by DPA","Shop by category_Lavalier Microphone Kit","Shop by category_Lavalier Microphones","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":73160,"price_min":73160,"price_max":73160,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7400292614190,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KIT-4071-OC-EMK","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DPA d:screet™ CORE 4071 ENG\/EFP Microphone Kit","public_title":null,"options":["Default Title"],"price":73160,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dscreet-kit-emk-sc4071-f7bg.jpg?v=1522922133","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4060-OC-C-dscreet-CORE-4060-Omni-Mic-Norm-SPL-Frequency-Response_9342dfeb-69ad-4e8b-9692-7485d4211c7b.jpg?v=1522922218","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4060-OC-C-dscreet-CORE-4060-Omni-Mic-Norm-SPL-Polar-Pattern_53782241-6888-4377-af9b-ffd5eaab83c3.jpg?v=1522922248"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dscreet-kit-emk-sc4071-f7bg.jpg?v=1522922133","options":["Title"],"content":"\u003cp\u003ed:screet™\u003c\/p\u003e\n\u003cp\u003e4060 Series Microphone Kits\u003c\/p\u003e\n\u003cp\u003eComplete kit with mics and accessories\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtremely rugged and reliable\u003c\/li\u003e\n\u003cli\u003eExceptional audio quality\u003c\/li\u003e\n\u003cli\u003eLow noise and high sensitivity\u003c\/li\u003e\n\u003cli\u003eLarge selection of accessories\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWe have collected our award-winning d:screet™ Miniature Microphones in specialized kits that contain the mics and accessories you need to capture fantastic sound no matter what you need.\u003c\/p\u003e\n\u003cp\u003eUsed with the vast array of complimentary accessories, d:screet™ Miniature Microphones are ideal for a broad range of applications. Whether reproducing the voice or an instrument in film, theater, television or other close-miking settings, these mics will not disappoint.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4071 ENG\/EFP Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis microphone kit is configured to include the mic and accessories necessary for electronic newsgathering and electronic field production.\u003c\/p\u003e\n\u003cp\u003eIt contains a d:screet™ 4071 Omnidirectional Microphone, Presence Boost with our reinforced cable relief (pre-equalized for speech clarity). Also included is an XLR Adapter with midrange attenuation (DAD6024). This provides the final tonal adjustment needed for going directly on air or to tape without editing. The combination of the mic and the XLR adapter makes voices more distinguishable and improves speech intelligibility and definition.\u003c\/p\u003e\n\u003cp\u003eThis mic is an outstanding speech and vocal mic. It makes voice heard and intelligible. It is also resistant to moisture, extreme temperature change and humidity.\u003c\/p\u003e\n\u003cp\u003eWhen recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut has been incorporated in the mic capsule so the built-in preamplifier (and the wireless system) will have much larger headroom. Furthermore, it removes distant rumbling from cars, trains, airplanes, etc.\u003c\/p\u003e\n\u003cp\u003eAnother equally important consideration is that when placing a microphone on the body, especially on the chest, the frequency range of the consonants is damped, resulting in poor intelligibility. The d:screet™ 4071 Omnidirectional Microphone, Presence Boost has a built-in boost to compensate for this loss. Especially for ENG work, this mic is perfect because almost no ENG mixer leaves any possibility for a compensation of this kind.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ ENG \/ EFP Microphone Kit is delivered in a sturdy case with a transparent lid. Inside there is room for the microphone, one or more adapters and various microphone concealment fixtures.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4071 Film Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis microphone kit is made for film or TV productions where the microphone needs to be invisible.\u003c\/p\u003e\n\u003cp\u003eIt contains a d:screet™ 4071 Omnidirectional Microphone, Presence Boost with our reinforced cable relief (pre-equalized for speech clarity). Also included are various microphone concealment fixtures, specially designed to solve both concealment and clothing noise problems.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4071 Omnidirectional Microphone, Presence Boost is an outstanding speech and vocal mic. It makes voice heard and intelligible. It is also resistant to moisture, extreme temperature change and humidity.\u003c\/p\u003e\n\u003cp\u003eWhen recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut has been incorporated in the mic capsule so the built-in preamplifier (and the wireless system) will have much larger headroom. Furthermore, it removes distant rumbling from cars, trains, airplanes, etc.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ Film Microphone Kit is delivered in a sturdy case with a transparent lid. Inside there is room for the microphone, one or more adapters and various microphone concealment fixtures.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Instrument Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis kit contains a d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL with our reinforced cable relief and a XLR Adapter DAD6001-BC and a selection of our unique mounting accessories. The kit is designed to use as a close-miking solution for a wide variety of musical instruments.\u003c\/p\u003e\n\u003cp\u003eThis mic offers a very clean, detailed and natural sound quality. This leaves it up to the user to decide on the correct placement to achieve the desired timbre.\u003c\/p\u003e\n\u003cp\u003eThe kit is perfect for studio use or amplification for live use.\u003c\/p\u003e\n\u003cp\u003eThere are many accessories included in the kit. It contains holders for strings, universal surface mounts with double-sided tape, a magnet mount and foam windscreens.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4061 Instrument Microphone Kit\u003c\/p\u003e\n\u003cp\u003eSimilar to the d:screet™ 4060 Instrument Microphone Kit, this kit is designed to use as a close-miking solution for a wide variety of musical instruments. The d:screet™ 4061 Miniature Omnidirectional Microphone, Loud SPL offers a very clean, detailed and natural sound quality. This leaves it up to the user to decide on the correct placement to achieve the desired timbre. The mic can handle 144 dB peak before clipping, allowing the microphone to be used even for snare drums, guitar\/bass speaker cabinets or other high SPL sound sources.\u003c\/p\u003e\n\u003cp\u003eThis kit is also perfect for studio use or amplification for live use. There are many accessories included in the kit. It contains holders for strings, universal surface mounts with double-sided tape, a magnet mount and foam windscreens.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Lavalier Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis kit is perfect for broadcasters, TV studios, news anchors and other public speakers.\u003c\/p\u003e\n\u003cp\u003eIt is a robust and unobtrusive solution; the tiny d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL is placed in the smallest holder on the market where it is protected from rough handling.\u003c\/p\u003e\n\u003cp\u003eThis mic is very natural sounding, offering great detail and resolution. It has a very low noise floor, impressive sensitivity and can handle high SPL.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Stereo Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis d:screet™ Stereo Microphone Kit is a cost-effective and flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. It contains a complete stereo pair; two handpicked omnidirectional condenser microphones, selected on sensitivity within ±1.5 dB.\u003c\/p\u003e\n\u003cp\u003eIt combines two d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL, with a variety of mounting accessories. These include the BLM6000 Boundary Layer Mount, which can be used in conjunction with our d:screet™ 4060, 4061, 4062 and 4063 Miniature Microphones to place on a reflective boundary such as a floor, wall, ceiling, piano lid etc. This enables the mics to capture the ambient sound of the area. The sound captured from this “pressure zone” has higher sensitivity, clarity and intelligibility compared to the sound captured from the \"free air\". This solution serves as a kind of acoustical zoom.\u003c\/p\u003e\n\u003cp\u003eThere are many accessories included in the kit. One of them is the DMM0007 Universal Surface Mount. This mount allows all kinds of instruments, from acoustic guitar through grand piano and drums, to be mounted in the best-sounding position. The mount uses special non-marking adhesive discs for attachment.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4061 Stereo Microphone Kit\u003c\/p\u003e\n\u003cp\u003eSimilar in content to the d:screet™ 4060 Stereo Microphone Kit, this kit is a cost-effective and flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. It contains a complete stereo pair; two handpicked omnidirectional condenser microphones, selected on sensitivity within ±1.5 dB.\u003c\/p\u003e\n\u003cp\u003eIt combines two d:screet™ 4060 Miniature Omnidirectional Microphone, Loud SPL, with a variety of mounting accessories for use with high SPL sources.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 20 mV\/Pa; -34 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 35 dB (max. 38 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 71 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - Legacy \u0026lt; 1% THD up to 123 dB SPL peak; \u0026lt; 1% THD up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - CORE \u0026lt; 1% THD up to 129 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range - Legacy Typ. 100 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range - CORE Typ. 106 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 134 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance 30 - 40 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft)\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) For wireless systems: Min. 5 V - max. 50 V through DPA adapter. With DAD6001-BC\/DAD6024\/DAD4099: 48 V phantom power ±4 V for full performance\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige, brown or white\u003c\/li\u003e\n\u003cli\u003eWeight 7.5 g (0.26 oz) incl. Cable and MicroDot connector\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 12.7 mm (0.5 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive going voltage on MicroDot pin\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e"}
DPA d:screet™ CORE 4071 ENG/EFP Microphone Kit

DPA d:screet™ CORE 4071 ENG/EFP Microphone Kit

$731.60

d:screet™ 4060 Series Microphone Kits Complete kit with mics and accessories Extremely rugged and reliable Exceptional audio quality Low noise and high sensitivity Large selection of accessories Modular adapter system fits most professional wireless systems We have collected our award-winning d:screet™ Miniature Microphones in specialized kits...


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{"id":587169202222,"title":"DPA d:screet™ CORE 4060 Lavalier Microphone Kit","handle":"dpa-d-screet-core-4060-lavalier-microphone-kit","description":"\u003cp\u003ed:screet™\u003c\/p\u003e\n\u003cp\u003e4060 Series Microphone Kits\u003c\/p\u003e\n\u003cp\u003eComplete kit with mics and accessories\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtremely rugged and reliable\u003c\/li\u003e\n\u003cli\u003eExceptional audio quality\u003c\/li\u003e\n\u003cli\u003eLow noise and high sensitivity\u003c\/li\u003e\n\u003cli\u003eLarge selection of accessories\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWe have collected our award-winning d:screet™ Miniature Microphones in specialized kits that contain the mics and accessories you need to capture fantastic sound no matter what you need.\u003c\/p\u003e\n\u003cp\u003eUsed with the vast array of complimentary accessories, d:screet™ Miniature Microphones are ideal for a broad range of applications. Whether reproducing the voice or an instrument in film, theater, television or other close-miking settings, these mics will not disappoint.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4071 ENG\/EFP Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis microphone kit is configured to include the mic and accessories necessary for electronic newsgathering and electronic field production.\u003c\/p\u003e\n\u003cp\u003eIt contains a d:screet™ 4071 Omnidirectional Microphone, Presence Boost with our reinforced cable relief (pre-equalized for speech clarity). Also included is an XLR Adapter with midrange attenuation (DAD6024). This provides the final tonal adjustment needed for going directly on air or to tape without editing. The combination of the mic and the XLR adapter makes voices more distinguishable and improves speech intelligibility and definition.\u003c\/p\u003e\n\u003cp\u003eThis mic is an outstanding speech and vocal mic. It makes voice heard and intelligible. It is also resistant to moisture, extreme temperature change and humidity.\u003c\/p\u003e\n\u003cp\u003eWhen recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut has been incorporated in the mic capsule so the built-in preamplifier (and the wireless system) will have much larger headroom. Furthermore, it removes distant rumbling from cars, trains, airplanes, etc.\u003c\/p\u003e\n\u003cp\u003eAnother equally important consideration is that when placing a microphone on the body, especially on the chest, the frequency range of the consonants is damped, resulting in poor intelligibility. The d:screet™ 4071 Omnidirectional Microphone, Presence Boost has a built-in boost to compensate for this loss. Especially for ENG work, this mic is perfect because almost no ENG mixer leaves any possibility for a compensation of this kind.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ ENG \/ EFP Microphone Kit is delivered in a sturdy case with a transparent lid. Inside there is room for the microphone, one or more adapters and various microphone concealment fixtures.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4071 Film Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis microphone kit is made for film or TV productions where the microphone needs to be invisible.\u003c\/p\u003e\n\u003cp\u003eIt contains a d:screet™ 4071 Omnidirectional Microphone, Presence Boost with our reinforced cable relief (pre-equalized for speech clarity). Also included are various microphone concealment fixtures, specially designed to solve both concealment and clothing noise problems.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4071 Omnidirectional Microphone, Presence Boost is an outstanding speech and vocal mic. It makes voice heard and intelligible. It is also resistant to moisture, extreme temperature change and humidity.\u003c\/p\u003e\n\u003cp\u003eWhen recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut has been incorporated in the mic capsule so the built-in preamplifier (and the wireless system) will have much larger headroom. Furthermore, it removes distant rumbling from cars, trains, airplanes, etc.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ Film Microphone Kit is delivered in a sturdy case with a transparent lid. Inside there is room for the microphone, one or more adapters and various microphone concealment fixtures.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Instrument Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis kit contains a d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL with our reinforced cable relief and a XLR Adapter DAD6001-BC and a selection of our unique mounting accessories. The kit is designed to use as a close-miking solution for a wide variety of musical instruments.\u003c\/p\u003e\n\u003cp\u003eThis mic offers a very clean, detailed and natural sound quality. This leaves it up to the user to decide on the correct placement to achieve the desired timbre.\u003c\/p\u003e\n\u003cp\u003eThe kit is perfect for studio use or amplification for live use.\u003c\/p\u003e\n\u003cp\u003eThere are many accessories included in the kit. It contains holders for strings, universal surface mounts with double-sided tape, a magnet mount and foam windscreens.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4061 Instrument Microphone Kit\u003c\/p\u003e\n\u003cp\u003eSimilar to the d:screet™ 4060 Instrument Microphone Kit, this kit is designed to use as a close-miking solution for a wide variety of musical instruments. The d:screet™ 4061 Miniature Omnidirectional Microphone, Loud SPL offers a very clean, detailed and natural sound quality. This leaves it up to the user to decide on the correct placement to achieve the desired timbre. The mic can handle 144 dB peak before clipping, allowing the microphone to be used even for snare drums, guitar\/bass speaker cabinets or other high SPL sound sources.\u003c\/p\u003e\n\u003cp\u003eThis kit is also perfect for studio use or amplification for live use. There are many accessories included in the kit. It contains holders for strings, universal surface mounts with double-sided tape, a magnet mount and foam windscreens.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Lavalier Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis kit is perfect for broadcasters, TV studios, news anchors and other public speakers.\u003c\/p\u003e\n\u003cp\u003eIt is a robust and unobtrusive solution; the tiny d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL is placed in the smallest holder on the market where it is protected from rough handling.\u003c\/p\u003e\n\u003cp\u003eThis mic is very natural sounding, offering great detail and resolution. It has a very low noise floor, impressive sensitivity and can handle high SPL.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Stereo Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis d:screet™ Stereo Microphone Kit is a cost-effective and flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. It contains a complete stereo pair; two handpicked omnidirectional condenser microphones, selected on sensitivity within ±1.5 dB.\u003c\/p\u003e\n\u003cp\u003eIt combines two d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL, with a variety of mounting accessories. These include the BLM6000 Boundary Layer Mount, which can be used in conjunction with our d:screet™ 4060, 4061, 4062 and 4063 Miniature Microphones to place on a reflective boundary such as a floor, wall, ceiling, piano lid etc. This enables the mics to capture the ambient sound of the area. The sound captured from this “pressure zone” has higher sensitivity, clarity and intelligibility compared to the sound captured from the \"free air\". This solution serves as a kind of acoustical zoom.\u003c\/p\u003e\n\u003cp\u003eThere are many accessories included in the kit. One of them is the DMM0007 Universal Surface Mount. This mount allows all kinds of instruments, from acoustic guitar through grand piano and drums, to be mounted in the best-sounding position. The mount uses special non-marking adhesive discs for attachment.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4061 Stereo Microphone Kit\u003c\/p\u003e\n\u003cp\u003eSimilar in content to the d:screet™ 4060 Stereo Microphone Kit, this kit is a cost-effective and flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. It contains a complete stereo pair; two handpicked omnidirectional condenser microphones, selected on sensitivity within ±1.5 dB.\u003c\/p\u003e\n\u003cp\u003eIt combines two d:screet™ 4060 Miniature Omnidirectional Microphone, Loud SPL, with a variety of mounting accessories for use with high SPL sources.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 20 mV\/Pa; -34 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 35 dB (max. 38 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 71 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - Legacy \u0026lt; 1% THD up to 123 dB SPL peak; \u0026lt; 1% THD up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - CORE \u0026lt; 1% THD up to 129 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range - Legacy Typ. 100 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range - CORE Typ. 106 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 134 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance 30 - 40 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft)\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) For wireless systems: Min. 5 V - max. 50 V through DPA adapter. With DAD6001-BC\/DAD6024\/DAD4099: 48 V phantom power ±4 V for full performance\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige, brown or white\u003c\/li\u003e\n\u003cli\u003eWeight 7.5 g (0.26 oz) incl. Cable and MicroDot connector\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 12.7 mm (0.5 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive going voltage on MicroDot pin\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-05T11:02:00+02:00","created_at":"2018-04-05T11:33:27+02:00","vendor":"DPA","type":"Lavalier Microphones","tags":["DPA","Lavalier Microphones","Price Range_$500 to $750","Shop by brand_DPA","Shop by category_CORE by DPA","Shop by category_Lavalier Microphone Kit","Shop by category_Lavalier Microphones","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":55800,"price_min":55800,"price_max":55800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7400161116206,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KIT-4060-OC-LMK","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DPA d:screet™ CORE 4060 Lavalier Microphone Kit","public_title":null,"options":["Default Title"],"price":55800,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dscreet-kit-imk-sc4061-f7bg.jpg?v=1522920960","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4060-OC-C-dscreet-CORE-4060-Omni-Mic-Norm-SPL-Frequency-Response_3e1a94f4-5f65-4584-acd4-0d7d6f71fb03.jpg?v=1522920960","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4060-OC-C-dscreet-CORE-4060-Omni-Mic-Norm-SPL-Polar-Pattern_bc4484fd-a524-4df8-8683-67af973501c3.jpg?v=1522920960","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dscreet-kits-02.jpg?v=1522920960"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dscreet-kit-imk-sc4061-f7bg.jpg?v=1522920960","options":["Title"],"content":"\u003cp\u003ed:screet™\u003c\/p\u003e\n\u003cp\u003e4060 Series Microphone Kits\u003c\/p\u003e\n\u003cp\u003eComplete kit with mics and accessories\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtremely rugged and reliable\u003c\/li\u003e\n\u003cli\u003eExceptional audio quality\u003c\/li\u003e\n\u003cli\u003eLow noise and high sensitivity\u003c\/li\u003e\n\u003cli\u003eLarge selection of accessories\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWe have collected our award-winning d:screet™ Miniature Microphones in specialized kits that contain the mics and accessories you need to capture fantastic sound no matter what you need.\u003c\/p\u003e\n\u003cp\u003eUsed with the vast array of complimentary accessories, d:screet™ Miniature Microphones are ideal for a broad range of applications. Whether reproducing the voice or an instrument in film, theater, television or other close-miking settings, these mics will not disappoint.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4071 ENG\/EFP Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis microphone kit is configured to include the mic and accessories necessary for electronic newsgathering and electronic field production.\u003c\/p\u003e\n\u003cp\u003eIt contains a d:screet™ 4071 Omnidirectional Microphone, Presence Boost with our reinforced cable relief (pre-equalized for speech clarity). Also included is an XLR Adapter with midrange attenuation (DAD6024). This provides the final tonal adjustment needed for going directly on air or to tape without editing. The combination of the mic and the XLR adapter makes voices more distinguishable and improves speech intelligibility and definition.\u003c\/p\u003e\n\u003cp\u003eThis mic is an outstanding speech and vocal mic. It makes voice heard and intelligible. It is also resistant to moisture, extreme temperature change and humidity.\u003c\/p\u003e\n\u003cp\u003eWhen recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut has been incorporated in the mic capsule so the built-in preamplifier (and the wireless system) will have much larger headroom. Furthermore, it removes distant rumbling from cars, trains, airplanes, etc.\u003c\/p\u003e\n\u003cp\u003eAnother equally important consideration is that when placing a microphone on the body, especially on the chest, the frequency range of the consonants is damped, resulting in poor intelligibility. The d:screet™ 4071 Omnidirectional Microphone, Presence Boost has a built-in boost to compensate for this loss. Especially for ENG work, this mic is perfect because almost no ENG mixer leaves any possibility for a compensation of this kind.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ ENG \/ EFP Microphone Kit is delivered in a sturdy case with a transparent lid. Inside there is room for the microphone, one or more adapters and various microphone concealment fixtures.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4071 Film Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis microphone kit is made for film or TV productions where the microphone needs to be invisible.\u003c\/p\u003e\n\u003cp\u003eIt contains a d:screet™ 4071 Omnidirectional Microphone, Presence Boost with our reinforced cable relief (pre-equalized for speech clarity). Also included are various microphone concealment fixtures, specially designed to solve both concealment and clothing noise problems.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4071 Omnidirectional Microphone, Presence Boost is an outstanding speech and vocal mic. It makes voice heard and intelligible. It is also resistant to moisture, extreme temperature change and humidity.\u003c\/p\u003e\n\u003cp\u003eWhen recording voices from mic placement on a performer's body, no frequency below 100 Hz is attractive. For this reason, an acoustical low-cut has been incorporated in the mic capsule so the built-in preamplifier (and the wireless system) will have much larger headroom. Furthermore, it removes distant rumbling from cars, trains, airplanes, etc.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ Film Microphone Kit is delivered in a sturdy case with a transparent lid. Inside there is room for the microphone, one or more adapters and various microphone concealment fixtures.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Instrument Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis kit contains a d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL with our reinforced cable relief and a XLR Adapter DAD6001-BC and a selection of our unique mounting accessories. The kit is designed to use as a close-miking solution for a wide variety of musical instruments.\u003c\/p\u003e\n\u003cp\u003eThis mic offers a very clean, detailed and natural sound quality. This leaves it up to the user to decide on the correct placement to achieve the desired timbre.\u003c\/p\u003e\n\u003cp\u003eThe kit is perfect for studio use or amplification for live use.\u003c\/p\u003e\n\u003cp\u003eThere are many accessories included in the kit. It contains holders for strings, universal surface mounts with double-sided tape, a magnet mount and foam windscreens.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4061 Instrument Microphone Kit\u003c\/p\u003e\n\u003cp\u003eSimilar to the d:screet™ 4060 Instrument Microphone Kit, this kit is designed to use as a close-miking solution for a wide variety of musical instruments. The d:screet™ 4061 Miniature Omnidirectional Microphone, Loud SPL offers a very clean, detailed and natural sound quality. This leaves it up to the user to decide on the correct placement to achieve the desired timbre. The mic can handle 144 dB peak before clipping, allowing the microphone to be used even for snare drums, guitar\/bass speaker cabinets or other high SPL sound sources.\u003c\/p\u003e\n\u003cp\u003eThis kit is also perfect for studio use or amplification for live use. There are many accessories included in the kit. It contains holders for strings, universal surface mounts with double-sided tape, a magnet mount and foam windscreens.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Lavalier Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis kit is perfect for broadcasters, TV studios, news anchors and other public speakers.\u003c\/p\u003e\n\u003cp\u003eIt is a robust and unobtrusive solution; the tiny d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL is placed in the smallest holder on the market where it is protected from rough handling.\u003c\/p\u003e\n\u003cp\u003eThis mic is very natural sounding, offering great detail and resolution. It has a very low noise floor, impressive sensitivity and can handle high SPL.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4060 Stereo Microphone Kit\u003c\/p\u003e\n\u003cp\u003eThis d:screet™ Stereo Microphone Kit is a cost-effective and flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. It contains a complete stereo pair; two handpicked omnidirectional condenser microphones, selected on sensitivity within ±1.5 dB.\u003c\/p\u003e\n\u003cp\u003eIt combines two d:screet™ 4060 Miniature Omnidirectional Microphone, Normal SPL, with a variety of mounting accessories. These include the BLM6000 Boundary Layer Mount, which can be used in conjunction with our d:screet™ 4060, 4061, 4062 and 4063 Miniature Microphones to place on a reflective boundary such as a floor, wall, ceiling, piano lid etc. This enables the mics to capture the ambient sound of the area. The sound captured from this “pressure zone” has higher sensitivity, clarity and intelligibility compared to the sound captured from the \"free air\". This solution serves as a kind of acoustical zoom.\u003c\/p\u003e\n\u003cp\u003eThere are many accessories included in the kit. One of them is the DMM0007 Universal Surface Mount. This mount allows all kinds of instruments, from acoustic guitar through grand piano and drums, to be mounted in the best-sounding position. The mount uses special non-marking adhesive discs for attachment.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4061 Stereo Microphone Kit\u003c\/p\u003e\n\u003cp\u003eSimilar in content to the d:screet™ 4060 Stereo Microphone Kit, this kit is a cost-effective and flexible stereo recording solution aimed at project studios and for discreet mic setup on stage. It contains a complete stereo pair; two handpicked omnidirectional condenser microphones, selected on sensitivity within ±1.5 dB.\u003c\/p\u003e\n\u003cp\u003eIt combines two d:screet™ 4060 Miniature Omnidirectional Microphone, Loud SPL, with a variety of mounting accessories for use with high SPL sources.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 20 mV\/Pa; -34 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 35 dB (max. 38 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 71 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - Legacy \u0026lt; 1% THD up to 123 dB SPL peak; \u0026lt; 1% THD up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - CORE \u0026lt; 1% THD up to 129 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range - Legacy Typ. 100 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range - CORE Typ. 106 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 134 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance 30 - 40 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft)\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) For wireless systems: Min. 5 V - max. 50 V through DPA adapter. With DAD6001-BC\/DAD6024\/DAD4099: 48 V phantom power ±4 V for full performance\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige, brown or white\u003c\/li\u003e\n\u003cli\u003eWeight 7.5 g (0.26 oz) incl. Cable and MicroDot connector\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 12.7 mm (0.5 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive going voltage on MicroDot pin\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e"}
DPA d:screet™ CORE 4060 Lavalier Microphone Kit

DPA d:screet™ CORE 4060 Lavalier Microphone Kit

$558.00

d:screet™ 4060 Series Microphone Kits Complete kit with mics and accessories Extremely rugged and reliable Exceptional audio quality Low noise and high sensitivity Large selection of accessories Modular adapter system fits most professional wireless systems We have collected our award-winning d:screet™ Miniature Microphones in specialized kits...


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{"id":587142561838,"title":"DPA d:screet™ CORE 4160 Slim Omni Mic, Loud SPL, MicroDot","handle":"dpa-d-screet-core-4160-slim-omni-mic-loud-spl-microdot","description":"\u003cp\u003ed:screet™\u003c\/p\u003e\n\u003cp\u003e4160 Series Slim Omnidirectional Microphone\u003c\/p\u003e\n\u003cp\u003eWhen you need a completely hidden mic\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompletely invisible when used with Button-Hole Mount or Concealer\u003c\/li\u003e\n\u003cli\u003eExceptional audio quality\u003c\/li\u003e\n\u003cli\u003eUniform, consistent sound between DPA mics\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis mic series is perfect for your film assignment or for any other situation where you need a completely hidden microphone. With sound on par with DPA’s legacy d:screet™ 4060 Series Omni Mics you can be sure that the d:screet™ 4160 Series Slim will not disappoint. This mic is flat and short with a cable that runs perpendicular to the sound inlet, ensuring easy mounting and a tiny footprint.\u003c\/p\u003e\n\u003cp\u003eWhen used with the detachable Button-Hole Mount or Concealer, the mic becomes invisible. This Button-Hole Mount is placed on the mic head and has a small side entry pipe (Ø 2 mm) making it possible to have the sound enter through a button hole, or similar, directly to the diaphragm.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4060 Series Slim, like all other DPA mics, easily adapts to your needs via the MicroDot connector, offering a range of accessories and adapters available for all pro-wireless systems.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4161 Slim Omni Miniature Mic\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ Slim 4161 features the same capsule as the d:screet™ 4061 Omnidirectional Miniature Microphone, but in a different housing. Its sensitivity is adjusted to accommodate higher sound pressure levels – it handles 144 dB peak before clipping. This makes it one of the best miniatures for use on very loud voices.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ Slim 4161 is 10 dB less sensitive than the d:screet™ Slim 4160 and therefore works well when used for hidden applications, for example mounted on the head or forehead of a theater performer. In this placement, the sound pressure level is about 10 dB louder than what you encounter with chest placement (lapel microphone).\u003c\/p\u003e\n\u003cp\u003eWith its ability to handle sound pressure levels up to 144 dB before clipping, this mic delivers sound on par with the legacy d:screet™ 4061. It is a suitable choice for any application requiring big sound and a small, hidden footprint.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4161 Slim is available in black.\u003c\/p\u003e\n\u003cp\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003c\/p\u003e\n\u003cp\u003eFlexible adapter system\u003c\/p\u003e\n\u003cp\u003eAll of DPA’s microphones can be configured to run easily and effortlessly with a wireless system. We use a unique MicroDot termination on our microphones together with a changeable adapter to ensure secure configuration. All of the adapters we use are original, developed and manufactured by the wireless system brand you use. This ensures that your mic will work consistently with no connection trouble to your system.\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eUsing an adapter for wireless, our microphones with MicroDot termination are compatible with the professional wireless systems listed below. Many of these brands have several model numbers. To ensure compatibility you should find your particular model number, which in most cases can be found on the transmitter. Other configurations are possible; however, DPA Microphones cannot guarantee full compatibility in these cases.\u003c\/p\u003e\n\u003cp\u003eWireless brands we work with: AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Line 6, Micron, Mipro, Pastega, Ramsa, Sabine, Samson, Sennheiser, Shure, Sony, Telex, TOA, Trantec, Vega, Wisycom and Zaxcom.\u003c\/p\u003e\n\u003cp\u003eIf you prefer to run via a wired system, all of our mics are available with an XLR connector.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB 20 Hz - 20 kHz, 3 dB soft boost at 5 - 20 kHz\u003c\/li\u003e\n\u003cli\u003eButton-hole mount: 20 Hz - 18 kHz, 5 dB soft boost at 5 - 18 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak, \u0026lt; 1% up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 144 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems, 48 V phantom power ±4 V with DAD6001 XLR adapter\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige, brown or white\u003c\/li\u003e\n\u003cli\u003eWeight 8.5 g (0.3 oz) incl. Cable and MicroDot connector\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive-going voltage at MicroDot pin (and pin 2 on DAD6001 XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-05T10:25:39+02:00","created_at":"2018-04-05T10:57:22+02:00","vendor":"DPA","type":"Lavalier Microphones","tags":["Connector_MicroDot","DPA","Lavalier Microphones","Polar Pattern_Omnidirectional","Price Range_$300 to $500","Price Range_$500 to $750","Shop by brand_DPA","Shop by category_CORE by DPA","Shop by category_Lavalier Microphones","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":43400,"price_min":43400,"price_max":53320,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7399869939758,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"4161-OC-S-B00","requires_shipping":true,"taxable":true,"featured_image":{"id":2209730396206,"product_id":587142561838,"position":1,"created_at":"2018-04-05T10:59:45+02:00","updated_at":"2018-04-05T10:59:58+02:00","alt":null,"width":1170,"height":660,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4160-OL-S-B-dscreet-Slim-Omni-Mic-Normal-SPL-Black_a362d350-f60e-416a-b6d4-352a4efd7624.jpg?v=1522918798","variant_ids":[7399869939758]},"available":true,"name":"DPA d:screet™ CORE 4160 Slim Omni Mic, Loud SPL, MicroDot - 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With sound on par with DPA’s legacy d:screet™ 4060 Series Omni Mics you can be sure that the d:screet™ 4160 Series Slim will not disappoint. This mic is flat and short with a cable that runs perpendicular to the sound inlet, ensuring easy mounting and a tiny footprint.\u003c\/p\u003e\n\u003cp\u003eWhen used with the detachable Button-Hole Mount or Concealer, the mic becomes invisible. This Button-Hole Mount is placed on the mic head and has a small side entry pipe (Ø 2 mm) making it possible to have the sound enter through a button hole, or similar, directly to the diaphragm.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4060 Series Slim, like all other DPA mics, easily adapts to your needs via the MicroDot connector, offering a range of accessories and adapters available for all pro-wireless systems.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4161 Slim Omni Miniature Mic\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ Slim 4161 features the same capsule as the d:screet™ 4061 Omnidirectional Miniature Microphone, but in a different housing. Its sensitivity is adjusted to accommodate higher sound pressure levels – it handles 144 dB peak before clipping. This makes it one of the best miniatures for use on very loud voices.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ Slim 4161 is 10 dB less sensitive than the d:screet™ Slim 4160 and therefore works well when used for hidden applications, for example mounted on the head or forehead of a theater performer. In this placement, the sound pressure level is about 10 dB louder than what you encounter with chest placement (lapel microphone).\u003c\/p\u003e\n\u003cp\u003eWith its ability to handle sound pressure levels up to 144 dB before clipping, this mic delivers sound on par with the legacy d:screet™ 4061. It is a suitable choice for any application requiring big sound and a small, hidden footprint.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4161 Slim is available in black.\u003c\/p\u003e\n\u003cp\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003c\/p\u003e\n\u003cp\u003eFlexible adapter system\u003c\/p\u003e\n\u003cp\u003eAll of DPA’s microphones can be configured to run easily and effortlessly with a wireless system. We use a unique MicroDot termination on our microphones together with a changeable adapter to ensure secure configuration. All of the adapters we use are original, developed and manufactured by the wireless system brand you use. This ensures that your mic will work consistently with no connection trouble to your system.\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eUsing an adapter for wireless, our microphones with MicroDot termination are compatible with the professional wireless systems listed below. Many of these brands have several model numbers. To ensure compatibility you should find your particular model number, which in most cases can be found on the transmitter. Other configurations are possible; however, DPA Microphones cannot guarantee full compatibility in these cases.\u003c\/p\u003e\n\u003cp\u003eWireless brands we work with: AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Line 6, Micron, Mipro, Pastega, Ramsa, Sabine, Samson, Sennheiser, Shure, Sony, Telex, TOA, Trantec, Vega, Wisycom and Zaxcom.\u003c\/p\u003e\n\u003cp\u003eIf you prefer to run via a wired system, all of our mics are available with an XLR connector.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB 20 Hz - 20 kHz, 3 dB soft boost at 5 - 20 kHz\u003c\/li\u003e\n\u003cli\u003eButton-hole mount: 20 Hz - 18 kHz, 5 dB soft boost at 5 - 18 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak, \u0026lt; 1% up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 144 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems, 48 V phantom power ±4 V with DAD6001 XLR adapter\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige, brown or white\u003c\/li\u003e\n\u003cli\u003eWeight 8.5 g (0.3 oz) incl. Cable and MicroDot connector\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive-going voltage at MicroDot pin (and pin 2 on DAD6001 XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e"}
DPA d:screet™ CORE 4160 Slim Omni Mic, Loud SPL, MicroDot

DPA d:screet™ CORE 4160 Slim Omni Mic, Loud SPL, MicroDot

$434.00

d:screet™ 4160 Series Slim Omnidirectional Microphone When you need a completely hidden mic Completely invisible when used with Button-Hole Mount or Concealer Exceptional audio quality Uniform, consistent sound between DPA mics Modular adapter system fits most professional wireless systems This mic series is perfect for your film assignment or...

Color
Black
Brown
Beige
White

More Info
{"id":587103240238,"title":"DPA d:screet™ CORE 4160 Slim Omni Mic, Normal SPL,MicroDot","handle":"dpa-d-screet-core-4160-slim-omni-mic-normal-spl-microdot","description":"\u003cp\u003ed:screet™\u003c\/p\u003e\n\u003cp\u003e4160 Series Slim Omnidirectional Microphone\u003c\/p\u003e\n\u003cp\u003eWhen you need a completely hidden mic\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompletely invisible when used with Button-Hole Mount or Concealer\u003c\/li\u003e\n\u003cli\u003eExceptional audio quality\u003c\/li\u003e\n\u003cli\u003eUniform, consistent sound between DPA mics\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis mic series is perfect for your film assignment or for any other situation where you need a completely hidden microphone. With sound on par with DPA’s legacy d:screet™ 4060 Series Omni Mics you can be sure that the d:screet™ 4160 Series Slim will not disappoint. This mic is flat and short with a cable that runs perpendicular to the sound inlet, ensuring easy mounting and a tiny footprint.\u003c\/p\u003e\n\u003cp\u003eWhen used with the detachable Button-Hole Mount or Concealer, the mic becomes invisible. This Button-Hole Mount is placed on the mic head and has a small side entry pipe (Ø 2 mm) making it possible to have the sound enter through a button hole, or similar, directly to the diaphragm.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4060 Series Slim, like all other DPA mics, easily adapts to your needs via the MicroDot connector, offering a range of accessories and adapters available for all pro-wireless systems.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4160 Slim Omni Miniature Mic\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ Slim 4160 features the same capsule as the d:screet™ 4060 Omnidirectional Miniature Microphone, but in a different housing. It delivers sound on par with the legacy d:screet™ 4060, making it a suitable choice for any application requiring big sound and a small, hidden footprint. It is perfect for television and film application; especially suited for capturing speech in all of its nuances. The mic handles sound pressure levels up to 134 dB before clipping occurs and is well suited for applications where the sound source is more remote or dampened and you need to have a good balance signal versus noise.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4160 Slim is available in black.\u003c\/p\u003e\n\u003cp\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003c\/p\u003e\n\u003cp\u003eFlexible adapter system\u003c\/p\u003e\n\u003cp\u003eAll of DPA’s microphones can be configured to run easily and effortlessly with a wireless system. We use a unique MicroDot termination on our microphones together with a changeable adapter to ensure secure configuration. All of the adapters we use are original, developed and manufactured by the wireless system brand you use. This ensures that your mic will work consistently with no connection trouble to your system.\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eUsing an adapter for wireless, our microphones with MicroDot termination are compatible with the professional wireless systems listed below. Many of these brands have several model numbers. To ensure compatibility you should find your particular model number, which in most cases can be found on the transmitter. Other configurations are possible; however, DPA Microphones cannot guarantee full compatibility in these cases.\u003c\/p\u003e\n\u003cp\u003eWireless brands we work with: AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Line 6, Micron, Mipro, Pastega, Ramsa, Sabine, Samson, Sennheiser, Shure, Sony, Telex, TOA, Trantec, Vega, Wisycom and Zaxcom.\u003c\/p\u003e\n\u003cp\u003eIf you prefer to run via a wired system, all of our mics are available with an XLR connector.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB 20 Hz - 20 kHz, 3 dB soft boost at 5 - 20 kHz\u003c\/li\u003e\n\u003cli\u003eButton-hole mount: 20 Hz - 18 kHz, 5 dB soft boost at 5 - 18 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 20 mV\/Pa; -34 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 35 dB (max. 38 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 71 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak, \u0026lt; 1% up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 100 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 134 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems, 48 V phantom power ±4 V with DAD6001 XLR adapter\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige, brown or white\u003c\/li\u003e\n\u003cli\u003eWeight 8.5 g (0.3 oz) incl. Cable and MicroDot connector\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive-going voltage at MicroDot pin (and pin 2 on DAD6001 XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-05T09:27:28+02:00","created_at":"2018-04-05T10:02:14+02:00","vendor":"DPA","type":"Lavalier Microphones","tags":["Connector_MicroDot","DPA","Lavalier Microphones","Polar Pattern_Omnidirectional","Price Range_$300 to $500","Price Range_$500 to $750","Shop by brand_DPA","Shop by category_CORE by DPA","Shop by category_Lavalier Microphones","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":43400,"price_min":43400,"price_max":53320,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7399354236974,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"4160-OC-S-B00","requires_shipping":true,"taxable":true,"featured_image":{"id":2209586085934,"product_id":587103240238,"position":1,"created_at":"2018-04-05T10:09:44+02:00","updated_at":"2018-04-05T10:11:31+02:00","alt":null,"width":1170,"height":660,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4160-OL-S-B-dscreet-Slim-Omni-Mic-Normal-SPL-Black.jpg?v=1522915891","variant_ids":[7399354236974]},"available":true,"name":"DPA d:screet™ CORE 4160 Slim Omni Mic, Normal SPL,MicroDot - 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With sound on par with DPA’s legacy d:screet™ 4060 Series Omni Mics you can be sure that the d:screet™ 4160 Series Slim will not disappoint. This mic is flat and short with a cable that runs perpendicular to the sound inlet, ensuring easy mounting and a tiny footprint.\u003c\/p\u003e\n\u003cp\u003eWhen used with the detachable Button-Hole Mount or Concealer, the mic becomes invisible. This Button-Hole Mount is placed on the mic head and has a small side entry pipe (Ø 2 mm) making it possible to have the sound enter through a button hole, or similar, directly to the diaphragm.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4060 Series Slim, like all other DPA mics, easily adapts to your needs via the MicroDot connector, offering a range of accessories and adapters available for all pro-wireless systems.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4160 Slim Omni Miniature Mic\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ Slim 4160 features the same capsule as the d:screet™ 4060 Omnidirectional Miniature Microphone, but in a different housing. It delivers sound on par with the legacy d:screet™ 4060, making it a suitable choice for any application requiring big sound and a small, hidden footprint. It is perfect for television and film application; especially suited for capturing speech in all of its nuances. The mic handles sound pressure levels up to 134 dB before clipping occurs and is well suited for applications where the sound source is more remote or dampened and you need to have a good balance signal versus noise.\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4160 Slim is available in black.\u003c\/p\u003e\n\u003cp\u003eA bit about omnis\u003c\/p\u003e\n\u003cp\u003eAn omnidirectional microphone has sensitivity at all angles – in principle picking up sound equally from all directions. This gives you extremely natural and realistic sound compared to a cardioid mic. Omni mics are often used for picking up ambient sounds, as well as miking a large sound source such as a choir in a recording situation. Unfortunately, due to their pickup pattern, omnis can also produce a lot of feedback in live situations.\u003c\/p\u003e\n\u003cp\u003eNonetheless, we recommend that you try a DPA omni first because, when used close to the sound source, the equal frequency response makes these mics a flexible addition in your audio toolbox. It will often give a more natural sound, it can handle extremely high sound pressure levels, it does not suffer from proximity effect and is not as sensitive to wind, pop or handling noise.\u003c\/p\u003e\n\u003cp\u003eFlexible adapter system\u003c\/p\u003e\n\u003cp\u003eAll of DPA’s microphones can be configured to run easily and effortlessly with a wireless system. We use a unique MicroDot termination on our microphones together with a changeable adapter to ensure secure configuration. All of the adapters we use are original, developed and manufactured by the wireless system brand you use. This ensures that your mic will work consistently with no connection trouble to your system.\u003c\/p\u003e\n\u003cp\u003eThe adapters for wireless systems give you flexible, simple and affordable possibilities. You are no longer bound to one wireless system. As circumstances change, you can just switch your adapter, instead of incurring the cost of a new microphone. When you make the switch, you won't hear any loss or change in sound quality.\u003c\/p\u003e\n\u003cp\u003eUsing an adapter for wireless, our microphones with MicroDot termination are compatible with the professional wireless systems listed below. Many of these brands have several model numbers. To ensure compatibility you should find your particular model number, which in most cases can be found on the transmitter. Other configurations are possible; however, DPA Microphones cannot guarantee full compatibility in these cases.\u003c\/p\u003e\n\u003cp\u003eWireless brands we work with: AKG, Audio Ltd., Audio-Technica, Beyerdynamic, Electro-Voice, Lectrosonics, Line 6, Micron, Mipro, Pastega, Ramsa, Sabine, Samson, Sennheiser, Shure, Sony, Telex, TOA, Trantec, Vega, Wisycom and Zaxcom.\u003c\/p\u003e\n\u003cp\u003eIf you prefer to run via a wired system, all of our mics are available with an XLR connector.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB 20 Hz - 20 kHz, 3 dB soft boost at 5 - 20 kHz\u003c\/li\u003e\n\u003cli\u003eButton-hole mount: 20 Hz - 18 kHz, 5 dB soft boost at 5 - 18 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 20 mV\/Pa; -34 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 23 dB(A) re. 20 µPa (max. 26 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 35 dB (max. 38 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 71 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak, \u0026lt; 1% up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 100 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 134 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD6001: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems, 48 V phantom power ±4 V with DAD6001 XLR adapter\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige, brown or white\u003c\/li\u003e\n\u003cli\u003eWeight 8.5 g (0.3 oz) incl. Cable and MicroDot connector\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003eCable color Black, beige or brown\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive-going voltage at MicroDot pin (and pin 2 on DAD6001 XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e"}
DPA d:screet™ CORE 4160 Slim Omni Mic, Normal SPL,MicroDot

DPA d:screet™ CORE 4160 Slim Omni Mic, Normal SPL,MicroDot

$434.00

d:screet™ 4160 Series Slim Omnidirectional Microphone When you need a completely hidden mic Completely invisible when used with Button-Hole Mount or Concealer Exceptional audio quality Uniform, consistent sound between DPA mics Modular adapter system fits most professional wireless systems This mic series is perfect for your film assignment or...

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Black
Brown
Beige
White

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{"id":587067097134,"title":"DPA d:screet™ CORE 4063 Omni Mic, Loud SPL \u0026 DC, MicroDot","handle":"dpa-d-screet-core-4063-omni-mic-loud-spl-dc-microdot","description":"\u003cp\u003ed:screet™\u003c\/p\u003e\n\u003cp\u003e4060 Series Miniature Omnidirectional Microphone\u003c\/p\u003e\n\u003cp\u003eBig sound - small footprint\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExceptional audio quality\u003c\/li\u003e\n\u003cli\u003eUniform, consistent sound between DPA mics\u003c\/li\u003e\n\u003cli\u003eExtremely rugged and reliable\u003c\/li\u003e\n\u003cli\u003eDiminutive size made for flexible and easy concealment\u003c\/li\u003e\n\u003cli\u003eLarge selection of clips, windscreens, grids and other accessories\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis series contains the 4060, 4061, 4062, 4063 and 4071 Omni Miniature Mics. Each version is tailored towards a specific application based on sensitivity, voltage and placement needs. They are all based on the original d:screet™ 4060; the very first miniature microphone developed by DPA from the best technology previously only used in hearing aids and measurement microphones. All of the mics in the series share important basic features, but each is optimized for particular applications.\u003c\/p\u003e\n\u003cp\u003eThe series was developed to withstand the toughest of conditions. They contain a 5.4 mm diameter pre-polarized condenser element with a vertical diaphragm. This unique, Double Vent Protection System makes the mics greatly resistant to humidity and sweat. These mics are also designed with a Kevlar-reinforced cable relief, which is built to withstand the constant twists, bends and pulls that are part of the everyday use in harsh environments.\u003c\/p\u003e\n\u003cp\u003eThe acoustic response of the d:screet™ 4060 Series can be modified by selecting the correct grid for the job. Two grids are supplied with each microphone (not the d:screet™ 4071, which includes a fixed grid). The pre-fitted Soft Boost Grid gives a 3 dB soft boost at 8-20 kHz. It should be used when the microphone is mounted on the performer’s head as well as in most other applications where you need a natural-sounding microphone. When fitted, the High Boost Grid introduces a 10 dB soft boost around 12 kHz for applications where the microphones chest-placement is preferred. Both of these grids are made of anodized stainless steel, giving a tough and scratch resistant surface. They can be detached from the microphone and cleaned of sweat, makeup, etc.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4063 Miniature Omnidirectional Microphone, Extreme SPL \u0026amp; DC\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4063 Miniature Omnidirectional Microphone, Extreme SPL \u0026amp; DC is designed for use with transmitters giving only 3V bias voltage. Some transmitters provides only 3V instead of the more common 5V. In this case, the d:screet™ 4063 is the right choice for such transmitters.\u003c\/p\u003e\n\u003cp\u003eThe mic is acoustically identical to the d:screet™ 4060 Miniature Omnidirectional Microphones but its internal preamplifier in the input stage is designed for working with lower supply voltage. With the correct power source, the microphone will be able to handle sound pressure levels up to 138 dB before clipping occurs.\u003c\/p\u003e\n\u003cp\u003eThis mic is available in three colors: black, beige and white. An even more robust, heavy-duty version is also available.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - Legacy \u0026lt; 1% THD up to 123 dB SPL peak; \u0026lt; 1% THD up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - CORE \u0026lt; 1% THD up to 135 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range - Legacy Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range - CORE Typ. 109 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 138 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance 30 - 40 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft)\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) For wireless systems: Min. 3 V - max. 50 V through DPA adapter. With DAD6001-BC\/DAD6024\/DAD4099: 48 V phantom power ±4 V for full performance\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige, brown or white\u003c\/li\u003e\n\u003cli\u003eWeight 7.5 g (0.26 oz) incl. Cable and MicroDot connector\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 12.7 mm (0.5 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive going voltage on MicroDot pin\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-05T08:50:51+02:00","created_at":"2018-04-05T09:13:28+02:00","vendor":"DPA","type":"Lavalier Microphones","tags":["Connector_MicroDot","DPA","Lavalier Microphones","Polar Pattern_Omnidirectional","Price Range_$300 to $500","Shop by brand_DPA","Shop by category_CORE by DPA","Shop by category_Lavalier Microphones","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":43400,"price_min":43400,"price_max":43400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7398895353902,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"4063-OC-C-B00","requires_shipping":true,"taxable":true,"featured_image":{"id":2209444888622,"product_id":587067097134,"position":1,"created_at":"2018-04-05T09:25:43+02:00","updated_at":"2018-04-05T09:26:12+02:00","alt":null,"width":1170,"height":660,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4061-OC-C-B-dscreet-CORE-4061-Omni-Mic-Loud-SPL-Black_98c38613-785c-48a1-895e-be8ae3d31f2f.jpg?v=1522913172","variant_ids":[7398895353902]},"available":true,"name":"DPA d:screet™ CORE 4063 Omni Mic, Loud SPL \u0026 DC, MicroDot - 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small footprint\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExceptional audio quality\u003c\/li\u003e\n\u003cli\u003eUniform, consistent sound between DPA mics\u003c\/li\u003e\n\u003cli\u003eExtremely rugged and reliable\u003c\/li\u003e\n\u003cli\u003eDiminutive size made for flexible and easy concealment\u003c\/li\u003e\n\u003cli\u003eLarge selection of clips, windscreens, grids and other accessories\u003c\/li\u003e\n\u003cli\u003eModular adapter system fits most professional wireless systems\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThis series contains the 4060, 4061, 4062, 4063 and 4071 Omni Miniature Mics. Each version is tailored towards a specific application based on sensitivity, voltage and placement needs. They are all based on the original d:screet™ 4060; the very first miniature microphone developed by DPA from the best technology previously only used in hearing aids and measurement microphones. All of the mics in the series share important basic features, but each is optimized for particular applications.\u003c\/p\u003e\n\u003cp\u003eThe series was developed to withstand the toughest of conditions. They contain a 5.4 mm diameter pre-polarized condenser element with a vertical diaphragm. This unique, Double Vent Protection System makes the mics greatly resistant to humidity and sweat. These mics are also designed with a Kevlar-reinforced cable relief, which is built to withstand the constant twists, bends and pulls that are part of the everyday use in harsh environments.\u003c\/p\u003e\n\u003cp\u003eThe acoustic response of the d:screet™ 4060 Series can be modified by selecting the correct grid for the job. Two grids are supplied with each microphone (not the d:screet™ 4071, which includes a fixed grid). The pre-fitted Soft Boost Grid gives a 3 dB soft boost at 8-20 kHz. It should be used when the microphone is mounted on the performer’s head as well as in most other applications where you need a natural-sounding microphone. When fitted, the High Boost Grid introduces a 10 dB soft boost around 12 kHz for applications where the microphones chest-placement is preferred. Both of these grids are made of anodized stainless steel, giving a tough and scratch resistant surface. They can be detached from the microphone and cleaned of sweat, makeup, etc.\u003c\/p\u003e\n\u003cp\u003ed:screet™ 4063 Miniature Omnidirectional Microphone, Extreme SPL \u0026amp; DC\u003c\/p\u003e\n\u003cp\u003eThe d:screet™ 4063 Miniature Omnidirectional Microphone, Extreme SPL \u0026amp; DC is designed for use with transmitters giving only 3V bias voltage. Some transmitters provides only 3V instead of the more common 5V. In this case, the d:screet™ 4063 is the right choice for such transmitters.\u003c\/p\u003e\n\u003cp\u003eThe mic is acoustically identical to the d:screet™ 4060 Miniature Omnidirectional Microphones but its internal preamplifier in the input stage is designed for working with lower supply voltage. With the correct power source, the microphone will be able to handle sound pressure levels up to 138 dB before clipping occurs.\u003c\/p\u003e\n\u003cp\u003eThis mic is available in three colors: black, beige and white. An even more robust, heavy-duty version is also available.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Omnidirectional\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ±2 dB Soft boost grid: 20 Hz - 20 kHz, 3 dB soft boost at 8 - 20 kHz. High boost grid: 20 Hz - 20 kHz, 10 dB boost at 12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 6 mV\/Pa; -44 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 26 dB(A) re. 20 µPa (max. 28 dB(A))\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, ITU-R BS.468-4 Typ. 38 dB (max. 40 dB)\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 68 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - Legacy \u0026lt; 1% THD up to 123 dB SPL peak; \u0026lt; 1% THD up to 120 dB SPL RMS sine\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) - CORE \u0026lt; 1% THD up to 135 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range - Legacy Typ. 97 dB\u003c\/li\u003e\n\u003cli\u003eDynamic range - CORE Typ. 109 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 138 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance 30 - 40 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft)\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) For wireless systems: Min. 3 V - max. 50 V through DPA adapter. With DAD6001-BC\/DAD6024\/DAD4099: 48 V phantom power ±4 V for full performance\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black, beige, brown or white\u003c\/li\u003e\n\u003cli\u003eWeight 7.5 g (0.26 oz) incl. Cable and MicroDot connector\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 12.7 mm (0.5 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003ePolarity Positively increasing sound pressure produces positive going voltage on MicroDot pin\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003c\/ul\u003e"}
DPA d:screet™ CORE 4063 Omni Mic, Loud SPL & DC, MicroDot

DPA d:screet™ CORE 4063 Omni Mic, Loud SPL & DC, MicroDot

$434.00

d:screet™ 4060 Series Miniature Omnidirectional Microphone Big sound - small footprint Exceptional audio quality Uniform, consistent sound between DPA mics Extremely rugged and reliable Diminutive size made for flexible and easy concealment Large selection of clips, windscreens, grids and other accessories Modular adapter system fits most profe...

Color
Black
Beige
White

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