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ATC SCM12 Pro (PASSIVE)

Loudspeakers

$1,609.40
{"id":8846927245,"title":"ATC SCM12 Pro (PASSIVE)","handle":"atc-scm12-pro","description":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompact high performance 2-way studio monitor.\u003cbr\u003eIdeally suited to:\u003cbr\u003e– critical near-field listening applications in all control rooms\u003cbr\u003e– LCR surround monitoring in small-to-medium control rooms.\u003cbr\u003eProprietary ATC 150mm\/6˝ CLD Mid\/Bass Driver.\u003cbr\u003eProprietary ATC 25mm\/1˝ Dual Suspension Tweeter.\u003cbr\u003e6 year warranty.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDrivers: HF ATC 1˝\/25mm dual suspension Soft Dome (SH25-76 6 Ohm)\u003cbr\u003eLF ATC 6˝\/150mm Constrained Layer Damping (CLD) (SB50-150CLD 8 Ohm)\u003cbr\u003eAmplitude Linearity: 80Hz – 16kHz (+\/-2dB)\u003cbr\u003eCut Off Frequencies: 56Hz – 22kHz (-6dB freestanding)\u003cbr\u003eDispersion: ±80° Coherent Horizontal, ±10° Coherent Vertical\u003cbr\u003eMaximum Continuous SPL: 108dB (per pair @ 1m)\u003cbr\u003eCrossover Frequency: 2.2kHz\u003cbr\u003eRecommended Power Amplifier: 75 to 300 Watts\u003cbr\u003eNominal Impedance: 8 Ohm\u003cbr\u003eConnectors: Binding Posts\/4mm Plugs, bi-wire\u003cbr\u003eCabinet Dimensions (HxWxD): 400x238x235mm\/15.7˝x9.4˝x9.3˝\u003cbr\u003eWeight: 11kg\/24lbs (per cabinet)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-06-19T00:02:48+02:00","created_at":"2017-01-17T20:17:30+02:00","vendor":"ATC","type":"Loudspeakers","tags":["ATC","Passive Monitors","Price Range_$1500 to $2000","Shop by brand_ATC","Shop by category_Passive Monitors","Studio \u0026 Recording","Studio Monitors"],"price":160940,"price_min":160940,"price_max":160940,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":30409117197,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SCM12P PRO (PASSIVE)","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"ATC SCM12 Pro (PASSIVE)","public_title":null,"options":["Default Title"],"price":160940,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SCM12-Pro-3qtr.jpg?v=1484677077","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SCM12-Pro-Front.jpg?v=1484677101","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SCM12-Pro-Side.jpg?v=1484677113","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SCM12-Pro-Rear.jpg?v=1484677128","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SCM12-Pro.jpg?v=1484677146","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SCM12-Pro-with-P1-1-of-1.jpg?v=1484677159"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SCM12-Pro-3qtr.jpg?v=1484677077","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCompact high performance 2-way studio monitor.\u003cbr\u003eIdeally suited to:\u003cbr\u003e– critical near-field listening applications in all control rooms\u003cbr\u003e– LCR surround monitoring in small-to-medium control rooms.\u003cbr\u003eProprietary ATC 150mm\/6˝ CLD Mid\/Bass Driver.\u003cbr\u003eProprietary ATC 25mm\/1˝ Dual Suspension Tweeter.\u003cbr\u003e6 year warranty.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecification\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDrivers: HF ATC 1˝\/25mm dual suspension Soft Dome (SH25-76 6 Ohm)\u003cbr\u003eLF ATC 6˝\/150mm Constrained Layer Damping (CLD) (SB50-150CLD 8 Ohm)\u003cbr\u003eAmplitude Linearity: 80Hz – 16kHz (+\/-2dB)\u003cbr\u003eCut Off Frequencies: 56Hz – 22kHz (-6dB freestanding)\u003cbr\u003eDispersion: ±80° Coherent Horizontal, ±10° Coherent Vertical\u003cbr\u003eMaximum Continuous SPL: 108dB (per pair @ 1m)\u003cbr\u003eCrossover Frequency: 2.2kHz\u003cbr\u003eRecommended Power Amplifier: 75 to 300 Watts\u003cbr\u003eNominal Impedance: 8 Ohm\u003cbr\u003eConnectors: Binding Posts\/4mm Plugs, bi-wire\u003cbr\u003eCabinet Dimensions (HxWxD): 400x238x235mm\/15.7˝x9.4˝x9.3˝\u003cbr\u003eWeight: 11kg\/24lbs (per cabinet)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
ATC SCM12 Pro (PASSIVE)

ATC SCM12 Pro (PASSIVE)

$1,609.40

OverviewCompact high performance 2-way studio monitor.Ideally suited to:– critical near-field listening applications in all control rooms– LCR surround monitoring in small-to-medium control rooms.Proprietary ATC 150mm/6˝ CLD Mid/Bass Driver.Proprietary ATC 25mm/1˝ Dual Suspension Tweeter.6 year warranty. Specification Drivers: HF ATC 1˝/25mm dua...


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{"id":9296944589,"title":"Avantone Pro MixCube 5.25\" Passive Studio Monitor in Creme","handle":"avantone-mixcubes-full-range-mini-reference-monitors","description":"\u003ch2\u003eAvantone MixCubes Full-Range Mini Reference Monitors\u003c\/h2\u003e\n\u003cp\u003eWhile originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e \u003cbr\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003cbr\u003e\u003cbr\u003eWe wanted to take it up a notch though... \u003cbr\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½\" particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss \"RETRO-CREAM\" finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8\"-27 mic stand mount into the base. \u003cbr\u003eSecond, We addressed the driver design... The originals were a basic 5\" stamped frame design. We designed a proprietary 5.25\" die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small \"bass-challenged\" systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplification \u0026amp; Wiring\u003c\/strong\u003e\u003cbr\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power. It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlacement\u003c\/strong\u003e\u003cbr\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003e5.25\" Shielded Passive Full range 8 ohm drivers\u003cbr\u003e6 1\/2\" Cube Cabinet with multiple coats of \"Retro-Cream\" High Gloss lacquer finish\u003cbr\u003ePrecision-milled high-rigidity MDF cabinet sides \u0026amp; baffle for low resonance\u003cbr\u003eRadiused corners \u0026amp; edges reduce edge diffraction for better imaging\u003cbr\u003eCustom Cone is crafted using New Zealand pulp with mica fibers added for light weight \u0026amp; rigidity\u003cbr\u003eCloth surround made in Japan to uniform thickness tolerances\u003cbr\u003eTop Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel\u003cbr\u003eThe 43oz. low distortion motor structure magnets are Y- 40 GRADE (MIL-SPEC)\u003cbr\u003eHigh-Rigidity DIE-CAST Aluminum frame with polished mounting bezel\u003cbr\u003eNickel Plated \"high-end\" binding posts (properly spaced for dual banana plugs) - insulated for CE compliance\u003cbr\u003eAnodized aluminum milled terminal plate\u003cbr\u003e1\/4\" soft Neoprene Pad is recessed into the cabinet base to serve as a non-skid acoustic isolator\u003cbr\u003eStandard size (5\/8\"- 27 threading) female microphone stand mount is built into the cabinet base\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Type\u003c\/strong\u003e\u003cbr\u003eDynamic Shielded Full-Range Pair\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e90Hz - 17,000Hz (useful musical range)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003cbr\u003eNominal 8 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPL \/ Sensitivity\u003c\/strong\u003e\u003cbr\u003e93dB @ 1w \/ 1 meter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Power\u003c\/strong\u003e\u003cbr\u003eFrom 10-200 watts\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver\u003c\/strong\u003e\u003cbr\u003e5.25\" cast aluminum frame\u003cbr\u003eCabinet sealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003cbr\u003e3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire, spade lugs, dual banana plugs)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e6 lbs 11 oz (per speaker)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e165mm x 165mm x 165mm (6 1\/2\" x 6 1\/2\" x 6 1\/2\" in)\u003c\/p\u003e","published_at":"2017-06-19T00:04:18+02:00","created_at":"2017-03-09T16:10:02+02:00","vendor":"Avantone Pro","type":"Passive Monitors","tags":["Avantone Pro","Passive Monitors","Price Range_$100 to $200","Price Range_$200 to $300","Shop by brand_Avantone Pro","Shop by category_Passive Monitors","Studio \u0026 Recording","Studio Monitors"],"price":14900,"price_min":14900,"price_max":28900,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33796476109,"title":"Single","option1":"Single","option2":null,"option3":null,"sku":"PM","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro MixCube 5.25\" Passive Studio Monitor in Creme - Single","public_title":"Single","options":["Single"],"price":14900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1869462634522,"title":"Pair","option1":"Pair","option2":null,"option3":null,"sku":"P","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro MixCube 5.25\" Passive Studio Monitor in Creme - Pair","public_title":"Pair","options":["Pair"],"price":28900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1003-0.jpg?v=1489068627","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1003-1.jpg?v=1489068638"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1003-0.jpg?v=1489068627","options":["Quantity"],"content":"\u003ch2\u003eAvantone MixCubes Full-Range Mini Reference Monitors\u003c\/h2\u003e\n\u003cp\u003eWhile originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e \u003cbr\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003cbr\u003e\u003cbr\u003eWe wanted to take it up a notch though... \u003cbr\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½\" particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss \"RETRO-CREAM\" finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8\"-27 mic stand mount into the base. \u003cbr\u003eSecond, We addressed the driver design... The originals were a basic 5\" stamped frame design. We designed a proprietary 5.25\" die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small \"bass-challenged\" systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplification \u0026amp; Wiring\u003c\/strong\u003e\u003cbr\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power. It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlacement\u003c\/strong\u003e\u003cbr\u003eWhen positioning the AVANTONE MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003cp\u003e5.25\" Shielded Passive Full range 8 ohm drivers\u003cbr\u003e6 1\/2\" Cube Cabinet with multiple coats of \"Retro-Cream\" High Gloss lacquer finish\u003cbr\u003ePrecision-milled high-rigidity MDF cabinet sides \u0026amp; baffle for low resonance\u003cbr\u003eRadiused corners \u0026amp; edges reduce edge diffraction for better imaging\u003cbr\u003eCustom Cone is crafted using New Zealand pulp with mica fibers added for light weight \u0026amp; rigidity\u003cbr\u003eCloth surround made in Japan to uniform thickness tolerances\u003cbr\u003eTop Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel\u003cbr\u003eThe 43oz. low distortion motor structure magnets are Y- 40 GRADE (MIL-SPEC)\u003cbr\u003eHigh-Rigidity DIE-CAST Aluminum frame with polished mounting bezel\u003cbr\u003eNickel Plated \"high-end\" binding posts (properly spaced for dual banana plugs) - insulated for CE compliance\u003cbr\u003eAnodized aluminum milled terminal plate\u003cbr\u003e1\/4\" soft Neoprene Pad is recessed into the cabinet base to serve as a non-skid acoustic isolator\u003cbr\u003eStandard size (5\/8\"- 27 threading) female microphone stand mount is built into the cabinet base\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Type\u003c\/strong\u003e\u003cbr\u003eDynamic Shielded Full-Range Pair\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e90Hz - 17,000Hz (useful musical range)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003cbr\u003eNominal 8 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPL \/ Sensitivity\u003c\/strong\u003e\u003cbr\u003e93dB @ 1w \/ 1 meter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Power\u003c\/strong\u003e\u003cbr\u003eFrom 10-200 watts\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver\u003c\/strong\u003e\u003cbr\u003e5.25\" cast aluminum frame\u003cbr\u003eCabinet sealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003cbr\u003e3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire, spade lugs, dual banana plugs)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e6 lbs 11 oz (per speaker)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e165mm x 165mm x 165mm (6 1\/2\" x 6 1\/2\" x 6 1\/2\" in)\u003c\/p\u003e"}
Avantone Pro MixCube 5.25" Passive Studio Monitor in Creme

Avantone Pro MixCube 5.25" Passive Studio Monitor in Creme

$149.00

Avantone MixCubes Full-Range Mini Reference Monitors While originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Engineering Objective To build a full range, rugged, mini-reference monitor...

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We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003eWe wanted to take it up a notch though...\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. 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A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003c\/p\u003e\n\u003cp\u003eWe wanted to take it up a notch though...\u003c\/p\u003e\n\u003cp\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplification \u0026amp; Wiring\u003c\/strong\u003e\u003cbr\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u0026lt;\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlacement\u003c\/strong\u003e\u003cbr\u003eWhen positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e5.25\" Shielded Passive Full range 8 ohm drivers\u003c\/li\u003e\n\u003cli\u003e6 1\/2\" Cube Cabinet with multiple coats of \"Retro-Cream\" High Gloss lacquer finish\u003c\/li\u003e\n\u003cli\u003ePrecision-milled high-rigidity MDF cabinet sides \u0026amp; baffle for low resonance\u003c\/li\u003e\n\u003cli\u003eRadiused corners \u0026amp; edges reduce edge diffraction for better imaging\u003c\/li\u003e\n\u003cli\u003eCustom Cone is crafted using New Zealand pulp with mica fibers added for light weight \u0026amp; rigidity\u003c\/li\u003e\n\u003cli\u003eCloth surround made in Japan to uniform thickness tolerances\u003c\/li\u003e\n\u003cli\u003eTop Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel\u003c\/li\u003e\n\u003cli\u003eThe 43oz. low distortion motor structure magnets are Y- 40 GRADE (MIL-SPEC)\u003c\/li\u003e\n\u003cli\u003eHigh-Rigidity DIE-CAST Aluminum frame with polished mounting bezel\u003c\/li\u003e\n\u003cli\u003eNickel Plated \"high-end\" binding posts (properly spaced for dual banana plugs) - insulated for CE compliance\u003c\/li\u003e\n\u003cli\u003eAnodized aluminum milled terminal plate\u003c\/li\u003e\n\u003cli\u003e1\/4\" soft Neoprene  Pad is recessed into the cabinet base to serve as a non-skid acoustic isolator\u003c\/li\u003e\n\u003cli\u003eStandard size (5\/8\"- 27 threading) female microphone stand mount is built into the cabinet base\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Type\u003c\/strong\u003e\u003cbr\u003eDynamic Shielded Full-Range Pair\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e90Hz - 17,000Hz (useful musical range)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003cbr\u003eNominal 8 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPL \/ Sensitivity\u003c\/strong\u003e\u003cbr\u003e93dB @ 1w \/ 1 meter\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecommended Power\u003c\/strong\u003e\u003cbr\u003eFrom 10-200 watts\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver\u003c\/strong\u003e\u003cbr\u003e5.25\" cast aluminum frame\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet\u003c\/strong\u003e\u003cbr\u003esealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003cbr\u003e3-way CE rated plastic encased metal binding posts (accepts up to 12-gauge wire, spade lugs, dual banana plugs)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e6 lbs 11 oz (per speaker)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e165mm x 165mm x 165mm (6 1\/2\" x 6 1\/2\" x 6 1\/2\" in)\u003c\/p\u003e"}
Avantone Pro MixCube Passive Studio Monitor In Black

Avantone Pro MixCube Passive Studio Monitor In Black

$159.00

Avantone PB LTD ED Passive Black MixCubes Pair While originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. Engineering ObjectiveTo build a full range, rugged, mini-reference monitor to rep...

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PMC DB1S Gold (pair)

Monitoring speakers

$1,138.00
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And such is the confidence in build quality and engineering excellence that the warranty has been extended to a phenomenal 20 years - unheard of in both the professional and hi-fi worlds.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAvailable Finishes:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eJet Black\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCrossover Frequency:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eH 290mm 11.4” x W 155mm 6.1” x D 234mm 9.19” (+ grille)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDrive Units:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLF - PMC Doped 140mm cast alloy chassis\u003c\/p\u003e\n\u003cp\u003eHF - 27mm fabric soft dome\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEffective ATL™ Length:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1.5m 4.92ft\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e50Hz-25kHz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e8 Ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput Connectors:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e2 pairs 4mm sockets\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003esensitivity:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e87dB 1w 1m\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e4.5kg (9.9lbs)\u003c\/p\u003e"}
PMC DB1S Gold (pair)

PMC DB1S Gold (pair)

$1,138.00

PMC DB1S Gold In celebration of 25 years’ production of the world’s leading professional reference monitors, we are proud to launch the hand built, limited edition, DB1 Gold - the finest version of the DB1 studio monitor made to date. This updated model provides the discerning music lover with a window into the professional world, giving access ...


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PMC TB2S+ (pair)

Monitoring speakers

$1,560.00
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PMC TB2S+ (pair)

PMC TB2S+ (pair)

$1,560.00

PMC TB2S+ The TB2+ shares many of the remarkable attributes of its smaller brother the DB1S+ in a larger stand or bridge mounted design. The TB2S+ allows for greater SPL as well as increased bass extension and definition; therefore it is equally suited to larger listening environments. The TB2S+ has become a favourite amongst quality conscious ...


More Info