Focal ALPHA 65 (Single)

{"id":8258634433,"title":"PreSonus Eris E5","handle":"presonus-eris-e5-5-25-active-studio-monitor-ea-1","description":"Sound you can trust.\u003cbr\u003e\u003cbr\u003eWhen you’re serious about creating music, you need studio monitors that will speak nothing but the truth. Eris®-series monitors deliver a smooth and accurate frequency response, powerful Class AB amplification with loads of headroom, and a suite of acoustic tuning controls to mitigate room anomalies. Whether you’re recording your first album or your latest hit, Eris monitors will ensure your vision is heard.\u003cbr\u003eKevlar woofers deliver a cleaner overall sound.\u003cbr\u003e\u003cbr\u003eEvery Eris-series studio monitor utilizes a custom-woven Kevlar® low-frequency driver. The weave and nature of the Eris E5’s five-inch Kevlar woofer helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.\u003cbr\u003eMonitors you can customize.\u003cbr\u003e\u003cbr\u003eToday’s music producers deal with a wide variety of musical genres and often work in challenging mixing environments. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.\u003cbr\u003eConnect to virtually any line-level source.\u003cbr\u003e\u003cbr\u003eWith three different types of audio inputs, it’s easy to feed audio to your Eris monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E5 monitors provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. With this selection, you’ll have no problem hooking your Eris speakers up to virtually any line-level source.\u003cbr\u003eSmooth high end.\u003cbr\u003e\u003cbr\u003eEach Eris monitor is equipped with a silk dome tweeter designed to radiate sound with a wide dispersion pattern, creating a larger sweet spot. The result is a smooth and refined sound that accurately reproduces transients and high frequencies.Features\u003cbr\u003eComponents and construction\u003cbr\u003e\u003cbr\u003e 5.25-inch Kevlar® low-frequency transducer\u003cbr\u003e 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer\u003cbr\u003e Front-firing acoustic port for superior bass-frequency reproduction\u003cbr\u003e Optimized, resonance-suppressing internal bracing\u003cbr\u003e 102 dB maximum continuous SPL\u003cbr\u003e\u003cbr\u003eUser controls\u003cbr\u003e\u003cbr\u003e HF Driver Adjust (±6 dB, continuously variable)\u003cbr\u003e Midrange Driver Adjust (±6 dB, continuously variable)\u003cbr\u003e Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour\u003cbr\u003e Highpass filter (Off, 80 Hz, 100 Hz)\u003cbr\u003e\u003cbr\u003ePower and safety\u003cbr\u003e\u003cbr\u003e 70 watt, Class AB biamplification\u003cbr\u003e RF interference, output current limiting, over-temperature, transient, and subsonic protection\u003cbr\u003e Amplifier “soft start” feature eliminates popping on power-up\u003cbr\u003e Internal power supply with IEC connector\u003cbr\u003e Power switch with on\/off LED\u003cbr\u003e\u003cbr\u003eInputs and outputs\u003cbr\u003e\u003cbr\u003e Balanced XLR\/¼-inch\u003cbr\u003e Unbalanced RCA inputs\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003eInputs\u003cbr\u003e \u003cbr\u003e 1- Balanced XLR\u003cbr\u003e 1- Balanced ¼” TRS\u003cbr\u003e 1- Unbalanced RCA\u003cbr\u003ePerformance\u003cbr\u003e \u003cbr\u003eFrequency Response 53 Hz - 22 kHz\u003cbr\u003eCrossover Frequency 3 kHz\u003cbr\u003eLF Amplifier Power 45W\u003cbr\u003eHF Amplifier Power 35W\u003cbr\u003ePeak SPL (@ 1 meter) 102 dB\u003cbr\u003eLF Driver 5.25” Kevlar®\u003cbr\u003eHF Driver 1” silk dome\u003cbr\u003eInput Impedance 10 kΩ\u003cbr\u003eUser Controls\u003cbr\u003e \u003cbr\u003eVolume Range A-type taper\u003cbr\u003eMF Control -6, 0, +6 dB\u003cbr\u003eHF Control -6, 0, +6 dB\u003cbr\u003eLow Cut Flat, 80 Hz, 100 Hz\u003cbr\u003eAcoustic Space Flat, -2 dB, -4 dB\u003cbr\u003eProtection\u003cbr\u003e \u003cbr\u003e RF interference\u003cbr\u003e Output-current limiting\u003cbr\u003e Over-temperature\u003cbr\u003e Turn-on\/off transient\u003cbr\u003e Subsonic filter\u003cbr\u003e External mains fuse\u003cbr\u003ePower\u003cbr\u003e \u003cbr\u003e 100-120V ~50\/60 Hz or 220-240V ~50\/60 Hz\u003cbr\u003eCabinet\u003cbr\u003e \u003cbr\u003e Vinyl-laminated, medium-density fiberboard\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003eWidth 7” (178 mm)\u003cbr\u003eDepth 7.68” (195 mm)\u003cbr\u003eHeight 10.24” (260 mm)\u003cbr\u003eWeight 10.2 lbs (4.63 kg)\u003cbr\u003e\u003cbr\u003e","published_at":"2016-10-16T12:46:00+02:00","created_at":"2016-10-16T12:48:17+02:00","vendor":"PreSonus","type":"Studio Monitors","tags":["Active Monitors","Egypt","PreSonus","Price Range_$100 to $200","Price Range_$200 to $300","Shop by brand_PreSonus","Shop by category_Active Monitors","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":14995,"price_min":14995,"price_max":28900,"available":true,"price_varies":true,"compare_at_price":17880,"compare_at_price_min":17880,"compare_at_price_max":17880,"compare_at_price_varies":false,"variants":[{"id":27641591361,"title":"Single","option1":"Single","option2":null,"option3":null,"sku":"Eris E5","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus Eris E5 - 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Eris®-series monitors deliver a smooth and accurate frequency response, powerful Class AB amplification with loads of headroom, and a suite of acoustic tuning controls to mitigate room anomalies. Whether you’re recording your first album or your latest hit, Eris monitors will ensure your vision is heard.\u003cbr\u003eKevlar woofers deliver a cleaner overall sound.\u003cbr\u003e\u003cbr\u003eEvery Eris-series studio monitor utilizes a custom-woven Kevlar® low-frequency driver. The weave and nature of the Eris E5’s five-inch Kevlar woofer helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.\u003cbr\u003eMonitors you can customize.\u003cbr\u003e\u003cbr\u003eToday’s music producers deal with a wide variety of musical genres and often work in challenging mixing environments. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.\u003cbr\u003eConnect to virtually any line-level source.\u003cbr\u003e\u003cbr\u003eWith three different types of audio inputs, it’s easy to feed audio to your Eris monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E5 monitors provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. With this selection, you’ll have no problem hooking your Eris speakers up to virtually any line-level source.\u003cbr\u003eSmooth high end.\u003cbr\u003e\u003cbr\u003eEach Eris monitor is equipped with a silk dome tweeter designed to radiate sound with a wide dispersion pattern, creating a larger sweet spot. The result is a smooth and refined sound that accurately reproduces transients and high frequencies.Features\u003cbr\u003eComponents and construction\u003cbr\u003e\u003cbr\u003e 5.25-inch Kevlar® low-frequency transducer\u003cbr\u003e 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer\u003cbr\u003e Front-firing acoustic port for superior bass-frequency reproduction\u003cbr\u003e Optimized, resonance-suppressing internal bracing\u003cbr\u003e 102 dB maximum continuous SPL\u003cbr\u003e\u003cbr\u003eUser controls\u003cbr\u003e\u003cbr\u003e HF Driver Adjust (±6 dB, continuously variable)\u003cbr\u003e Midrange Driver Adjust (±6 dB, continuously variable)\u003cbr\u003e Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour\u003cbr\u003e Highpass filter (Off, 80 Hz, 100 Hz)\u003cbr\u003e\u003cbr\u003ePower and safety\u003cbr\u003e\u003cbr\u003e 70 watt, Class AB biamplification\u003cbr\u003e RF interference, output current limiting, over-temperature, transient, and subsonic protection\u003cbr\u003e Amplifier “soft start” feature eliminates popping on power-up\u003cbr\u003e Internal power supply with IEC connector\u003cbr\u003e Power switch with on\/off LED\u003cbr\u003e\u003cbr\u003eInputs and outputs\u003cbr\u003e\u003cbr\u003e Balanced XLR\/¼-inch\u003cbr\u003e Unbalanced RCA inputs\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003eInputs\u003cbr\u003e \u003cbr\u003e 1- Balanced XLR\u003cbr\u003e 1- Balanced ¼” TRS\u003cbr\u003e 1- Unbalanced RCA\u003cbr\u003ePerformance\u003cbr\u003e \u003cbr\u003eFrequency Response 53 Hz - 22 kHz\u003cbr\u003eCrossover Frequency 3 kHz\u003cbr\u003eLF Amplifier Power 45W\u003cbr\u003eHF Amplifier Power 35W\u003cbr\u003ePeak SPL (@ 1 meter) 102 dB\u003cbr\u003eLF Driver 5.25” Kevlar®\u003cbr\u003eHF Driver 1” silk dome\u003cbr\u003eInput Impedance 10 kΩ\u003cbr\u003eUser Controls\u003cbr\u003e \u003cbr\u003eVolume Range A-type taper\u003cbr\u003eMF Control -6, 0, +6 dB\u003cbr\u003eHF Control -6, 0, +6 dB\u003cbr\u003eLow Cut Flat, 80 Hz, 100 Hz\u003cbr\u003eAcoustic Space Flat, -2 dB, -4 dB\u003cbr\u003eProtection\u003cbr\u003e \u003cbr\u003e RF interference\u003cbr\u003e Output-current limiting\u003cbr\u003e Over-temperature\u003cbr\u003e Turn-on\/off transient\u003cbr\u003e Subsonic filter\u003cbr\u003e External mains fuse\u003cbr\u003ePower\u003cbr\u003e \u003cbr\u003e 100-120V ~50\/60 Hz or 220-240V ~50\/60 Hz\u003cbr\u003eCabinet\u003cbr\u003e \u003cbr\u003e Vinyl-laminated, medium-density fiberboard\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003eWidth 7” (178 mm)\u003cbr\u003eDepth 7.68” (195 mm)\u003cbr\u003eHeight 10.24” (260 mm)\u003cbr\u003eWeight 10.2 lbs (4.63 kg)\u003cbr\u003e\u003cbr\u003e"}

{"id":254391549978,"title":"PreSonus Eris E3.5 (pair)","handle":"presonus-eris-e3-5-pair","description":"\u003cp\u003eSound you can trust.\u003cbr\u003ePreSonus® Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they’re compact enough to fit almost anywhere.\u003cbr\u003e\u003cbr\u003eKevlar woofers deliver a cleaner overall sound.\u003cbr\u003eEvery Eris-series studio monitor utilizes a custom-woven Kevlar® low-frequency driver. The weave and nature of the Eris E3.5’s 3.5-inch Kevlar woofer result in a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.\u003cbr\u003e\u003cbr\u003eSmooth high end and wide sweet spot.\u003cbr\u003eThe Eris E3.5 is equipped with a one-inch silk-dome tweeter that produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide dispersion pattern, creating a large optimal listening area or “sweet spot” so you can move around and still hear everything accurately.\u003cbr\u003e\u003cbr\u003eEasy-to-use controls.\u003cbr\u003eA speaker’s response is affected by where you place it and the acoustics of your space. That’s why Eris E3.5 active media reference monitors offer easy-to-adjust high- and low-frequency controls. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier level. Be careful with that volume knob, though: Eris E3.5s are driven by an onboard 25 watt\/side power amplifier and can get a lot louder than you may expect, while still delivering clear, accurate audio.\u003cbr\u003e\u003cbr\u003eConnect to virtually any line-level source.\u003cbr\u003eWith three different types of audio inputs, it’s easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E3.5 is equipped with rear-panel, ¼-inch TRS and RCA inputs, as well as front-panel ⅛-inch stereo, unbalanced line inputs for use with mobile audio devices. With this selection, you’ll have no problem hooking your Eris speakers up with virtually any line-level source, including your smartphone or tablet. The loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.\u003cbr\u003e\u003cbr\u003eAccuracy defined.\u003cbr\u003eLike all PreSonus monitor speakers, the Eris E3.5 offers consistent, accurate listening, with the smooth and even frequency response that has made Eris monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space.\u003cbr\u003e\u003cbr\u003eWant extra-deep low end? Pair compact Eris E3.5s with PreSonus’ powerful Temblor® T8 active subwoofer for a truly full-range sound system that fits almost anywhere.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003e • Components and construction\u003cbr\u003e • 3.5-inch (89 mm) Kevlar® low-frequency transducer\u003cbr\u003e • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer\u003cbr\u003e • Rear-firing acoustic port for superior bass-frequency reproduction\u003cbr\u003e • Optimized, resonance-suppressing internal bracing\u003cbr\u003e\u003cbr\u003eUser controls\u003cbr\u003e\u003cbr\u003e • High- and low-frequency tuning controls\u003cbr\u003e • Front-panel Volume control for speakers and headphone amplifier\u003cbr\u003e\u003cbr\u003ePower and safety\u003cbr\u003e\u003cbr\u003e • 50 watt (25W\/side), Class AB biamplification\u003cbr\u003e • RF interference, output current limiting, over-temperature, transient, and subsonic protection\u003cbr\u003e • Amplifier “soft start” feature eliminates popping on power-up\u003cbr\u003e • Internal power supply with IEC connector\u003cbr\u003e • Power switch with on\/off LED\u003cbr\u003e\u003cbr\u003eInputs and outputs\u003cbr\u003e\u003cbr\u003e • Balanced ¼-inch TRS, unbalanced 1\/8-inch stereo, and RCA inputs\u003cbr\u003e • Integrated stereo headphone amplifier with front-panel 1\/8-inch output\u003c\/p\u003e","published_at":"2017-12-31T02:08:08+02:00","created_at":"2017-12-31T02:51:00+02:00","vendor":"PreSonus","type":"Studio Monitors","tags":["Active Monitors","Egypt","PreSonus","Price Range_$50 to $100","Shop by brand_PreSonus","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":9500,"price_min":9500,"price_max":9500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3352329584666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Eris E3.5","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus Eris E3.5 (pair)","public_title":null,"options":["Default Title"],"price":9500,"weight":0,"compare_at_price":null,"inventory_quantity":-10,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-eris_e35-front_big.jpg?v=1514681559","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-eris_e35-back_big.jpg?v=1514681642","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/eris_e35-02.png?v=1514681792","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/eris_e35-03.jpg?v=1514681805"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-eris_e35-front_big.jpg?v=1514681559","options":["Title"],"content":"\u003cp\u003eSound you can trust.\u003cbr\u003ePreSonus® Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they’re compact enough to fit almost anywhere.\u003cbr\u003e\u003cbr\u003eKevlar woofers deliver a cleaner overall sound.\u003cbr\u003eEvery Eris-series studio monitor utilizes a custom-woven Kevlar® low-frequency driver. The weave and nature of the Eris E3.5’s 3.5-inch Kevlar woofer result in a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.\u003cbr\u003e\u003cbr\u003eSmooth high end and wide sweet spot.\u003cbr\u003eThe Eris E3.5 is equipped with a one-inch silk-dome tweeter that produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide dispersion pattern, creating a large optimal listening area or “sweet spot” so you can move around and still hear everything accurately.\u003cbr\u003e\u003cbr\u003eEasy-to-use controls.\u003cbr\u003eA speaker’s response is affected by where you place it and the acoustics of your space. That’s why Eris E3.5 active media reference monitors offer easy-to-adjust high- and low-frequency controls. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier level. Be careful with that volume knob, though: Eris E3.5s are driven by an onboard 25 watt\/side power amplifier and can get a lot louder than you may expect, while still delivering clear, accurate audio.\u003cbr\u003e\u003cbr\u003eConnect to virtually any line-level source.\u003cbr\u003eWith three different types of audio inputs, it’s easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E3.5 is equipped with rear-panel, ¼-inch TRS and RCA inputs, as well as front-panel ⅛-inch stereo, unbalanced line inputs for use with mobile audio devices. With this selection, you’ll have no problem hooking your Eris speakers up with virtually any line-level source, including your smartphone or tablet. The loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.\u003cbr\u003e\u003cbr\u003eAccuracy defined.\u003cbr\u003eLike all PreSonus monitor speakers, the Eris E3.5 offers consistent, accurate listening, with the smooth and even frequency response that has made Eris monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space.\u003cbr\u003e\u003cbr\u003eWant extra-deep low end? Pair compact Eris E3.5s with PreSonus’ powerful Temblor® T8 active subwoofer for a truly full-range sound system that fits almost anywhere.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003e • Components and construction\u003cbr\u003e • 3.5-inch (89 mm) Kevlar® low-frequency transducer\u003cbr\u003e • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer\u003cbr\u003e • Rear-firing acoustic port for superior bass-frequency reproduction\u003cbr\u003e • Optimized, resonance-suppressing internal bracing\u003cbr\u003e\u003cbr\u003eUser controls\u003cbr\u003e\u003cbr\u003e • High- and low-frequency tuning controls\u003cbr\u003e • Front-panel Volume control for speakers and headphone amplifier\u003cbr\u003e\u003cbr\u003ePower and safety\u003cbr\u003e\u003cbr\u003e • 50 watt (25W\/side), Class AB biamplification\u003cbr\u003e • RF interference, output current limiting, over-temperature, transient, and subsonic protection\u003cbr\u003e • Amplifier “soft start” feature eliminates popping on power-up\u003cbr\u003e • Internal power supply with IEC connector\u003cbr\u003e • Power switch with on\/off LED\u003cbr\u003e\u003cbr\u003eInputs and outputs\u003cbr\u003e\u003cbr\u003e • Balanced ¼-inch TRS, unbalanced 1\/8-inch stereo, and RCA inputs\u003cbr\u003e • Integrated stereo headphone amplifier with front-panel 1\/8-inch output\u003c\/p\u003e"}

{"id":8258626625,"title":"PreSonus Eris E4.5","handle":"presonus-eris-e4-5-4-5-active-studio-monitors-pair-1","description":"Sound you can trust.\u003cbr\u003e\u003cbr\u003eWhen you’re serious about creating music, you need studio monitors that will speak nothing but the truth. Eris® E4.5 studio monitors deliver a smooth and accurate frequency response so they reveal what’s really in your tracks and mixes. They also offer a suite of acoustic tuning controls to let you adjust their response for the acoustics of your room. The result: Eris monitors ensure you hear everything accurately so you can produce your best work.\u003cbr\u003e\u003cbr\u003eKevlar woofers deliver a cleaner overall sound.\u003cbr\u003e\u003cbr\u003eEvery Eris-series studio monitor utilizes a custom-woven Kevlar® low-frequency driver. The weave and nature of the Eris E4.5’s 4.5-inch Kevlar woofer result in a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.\u003cbr\u003e\u003cbr\u003eSmooth high end and wide sweet spot.\u003cbr\u003e\u003cbr\u003eEach Eris monitor is equipped with a silk dome tweeter that produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide dispersion pattern, creating a large optimal listening area or “sweet spot” so you can move around and still hear everything accurately.\u003cbr\u003e\u003cbr\u003eMonitors you can customize.\u003cbr\u003e\u003cbr\u003eToday’s music producers deal with a wide variety of musical genres and often work in challenging mixing environments. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® T8 subwoofer into your monitor setup, allowing you to adjust the upper end of the Temblor’s range to match the lower end of your full-range speakers.\u003cbr\u003e\u003cbr\u003eConnect to virtually any line-level source.\u003cbr\u003e\u003cbr\u003eWith three different types of audio inputs, it’s easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E4.5 is equipped with stereo ¼”, 1\/8”, and RCA inputs. With this selection, you’ll have no problem hooking your Eris speakers up with virtually any line-level source, including your smartphone. The Eris E4.5s are also equipped with a headphone amplifier so you can check your mix on your favorite headphones or quickly cut an overdub without repatching cables.\u003cbr\u003e\u003cbr\u003eAccuracy defined.\u003cbr\u003e\u003cbr\u003eLike all PreSonus® studio monitors, the Eris E4.5 offers consistent, accurate listening. Their compact and powerful design makes them an ideal solution for home and professional studios alike. Their smooth and even frequency response have made Eris monitors one of the fastest growing studio monitor lines in the world. Hear them at your favorite PreSonus dealer.\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e▪ 1- Stereo 1\/8\"\u003cbr\u003e▪ 2- Balanced ¼” TRS\u003cbr\u003e▪ 2- Unbalanced RCA\u003cbr\u003e\u003cbr\u003ePerformance\u003cbr\u003e▪ Frequency Response 70 Hz - 20 kHz\u003cbr\u003e▪ Crossover Frequency 2.8 kHz\u003cbr\u003e▪ LF Amplifier Power 25W\/speaker\u003cbr\u003e▪ HF Amplifier Power (not biamped)\u003cbr\u003e▪ Peak SPL (@ 1 meter) 100 dB\u003cbr\u003e▪ LF Driver 4.5\" Kevlar®\u003cbr\u003e▪ HF Driver 1” silk dome\u003cbr\u003e▪ Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eUser Controls\u003cbr\u003e▪ Volume Range A-type taper\u003cbr\u003e▪ MF Control Variable (-6 to +6 dB)\u003cbr\u003e▪ HF Control Variable (-6 to +6 dB)\u003cbr\u003e▪ Low Cut Flat, 80 Hz, 100 Hz\u003cbr\u003e▪ Acoustic Space Flat, -2 dB, -4 dB\u003cbr\u003e\u003cbr\u003eProtection\u003cbr\u003e▪ RF interference\u003cbr\u003e▪ Output-current limiting\u003cbr\u003e▪ Over-temperature\u003cbr\u003e▪ Turn-on\/off transient\u003cbr\u003e▪ Subsonic filter\u003cbr\u003e▪ External mains fuse\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e▪ 100-120V ~50\/60 Hz or 220-240V ~50\/60 Hz\u003cbr\u003e\u003cbr\u003eCabinet\u003cbr\u003e▪ Vinyl-laminated, medium-density fiberboard\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e▪ Width 6.42\" (163 mm)\u003cbr\u003e▪ Depth 7.09\" (180 mm)\u003cbr\u003e▪ Height 9.45\" (241 mm)\u003cbr\u003e▪ Weight 13 lb. (5.9 kg)","published_at":"2016-10-16T12:41:00+02:00","created_at":"2016-10-16T12:44:52+02:00","vendor":"PreSonus","type":"Studio Monitors","tags":["Active Monitors","Egypt","PreSonus","Price Range_$100 to $200","Shop by brand_PreSonus","Shop by category_Active Monitors","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":17200,"price_min":17200,"price_max":17200,"available":true,"price_varies":false,"compare_at_price":23880,"compare_at_price_min":23880,"compare_at_price_max":23880,"compare_at_price_varies":false,"variants":[{"id":27641564481,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Eris E4.5","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus Eris E4.5","public_title":null,"options":["Default Title"],"price":17200,"weight":5897,"compare_at_price":23880,"inventory_quantity":-6,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-eris_e45-front_big_124141cc-b0c2-425a-9718-42e7d1ccb08e.jpg?v=1500994173","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_e8f3160f-2ea9-465e-82ba-440d3f35a11a.png?v=1500994186","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-eris_e45-back_big_86a04564-bfb1-419d-9c38-47890426c402.jpg?v=1500994173","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ErisE4.5-large_bc8f4c0b-b61c-45d6-ab53-4d4d0aab8b24.jpg?v=1500994173","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Eris_20E4_5-02_f96d3377-46a1-4faa-ab57-e1b3c53a2a9a.png?v=1500994173","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Eris_20E4_5-03_5425a8e9-941a-436b-b5dd-fb47c8694952.jpg?v=1500994173"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-eris_e45-front_big_124141cc-b0c2-425a-9718-42e7d1ccb08e.jpg?v=1500994173","options":["Title"],"content":"Sound you can trust.\u003cbr\u003e\u003cbr\u003eWhen you’re serious about creating music, you need studio monitors that will speak nothing but the truth. Eris® E4.5 studio monitors deliver a smooth and accurate frequency response so they reveal what’s really in your tracks and mixes. They also offer a suite of acoustic tuning controls to let you adjust their response for the acoustics of your room. The result: Eris monitors ensure you hear everything accurately so you can produce your best work.\u003cbr\u003e\u003cbr\u003eKevlar woofers deliver a cleaner overall sound.\u003cbr\u003e\u003cbr\u003eEvery Eris-series studio monitor utilizes a custom-woven Kevlar® low-frequency driver. The weave and nature of the Eris E4.5’s 4.5-inch Kevlar woofer result in a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.\u003cbr\u003e\u003cbr\u003eSmooth high end and wide sweet spot.\u003cbr\u003e\u003cbr\u003eEach Eris monitor is equipped with a silk dome tweeter that produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide dispersion pattern, creating a large optimal listening area or “sweet spot” so you can move around and still hear everything accurately.\u003cbr\u003e\u003cbr\u003eMonitors you can customize.\u003cbr\u003e\u003cbr\u003eToday’s music producers deal with a wide variety of musical genres and often work in challenging mixing environments. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® T8 subwoofer into your monitor setup, allowing you to adjust the upper end of the Temblor’s range to match the lower end of your full-range speakers.\u003cbr\u003e\u003cbr\u003eConnect to virtually any line-level source.\u003cbr\u003e\u003cbr\u003eWith three different types of audio inputs, it’s easy to feed audio to your Eris monitors from a mixer, an interface, a media player, or almost any other line-level source. The Eris E4.5 is equipped with stereo ¼”, 1\/8”, and RCA inputs. With this selection, you’ll have no problem hooking your Eris speakers up with virtually any line-level source, including your smartphone. The Eris E4.5s are also equipped with a headphone amplifier so you can check your mix on your favorite headphones or quickly cut an overdub without repatching cables.\u003cbr\u003e\u003cbr\u003eAccuracy defined.\u003cbr\u003e\u003cbr\u003eLike all PreSonus® studio monitors, the Eris E4.5 offers consistent, accurate listening. Their compact and powerful design makes them an ideal solution for home and professional studios alike. Their smooth and even frequency response have made Eris monitors one of the fastest growing studio monitor lines in the world. Hear them at your favorite PreSonus dealer.\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e▪ 1- Stereo 1\/8\"\u003cbr\u003e▪ 2- Balanced ¼” TRS\u003cbr\u003e▪ 2- Unbalanced RCA\u003cbr\u003e\u003cbr\u003ePerformance\u003cbr\u003e▪ Frequency Response 70 Hz - 20 kHz\u003cbr\u003e▪ Crossover Frequency 2.8 kHz\u003cbr\u003e▪ LF Amplifier Power 25W\/speaker\u003cbr\u003e▪ HF Amplifier Power (not biamped)\u003cbr\u003e▪ Peak SPL (@ 1 meter) 100 dB\u003cbr\u003e▪ LF Driver 4.5\" Kevlar®\u003cbr\u003e▪ HF Driver 1” silk dome\u003cbr\u003e▪ Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eUser Controls\u003cbr\u003e▪ Volume Range A-type taper\u003cbr\u003e▪ MF Control Variable (-6 to +6 dB)\u003cbr\u003e▪ HF Control Variable (-6 to +6 dB)\u003cbr\u003e▪ Low Cut Flat, 80 Hz, 100 Hz\u003cbr\u003e▪ Acoustic Space Flat, -2 dB, -4 dB\u003cbr\u003e\u003cbr\u003eProtection\u003cbr\u003e▪ RF interference\u003cbr\u003e▪ Output-current limiting\u003cbr\u003e▪ Over-temperature\u003cbr\u003e▪ Turn-on\/off transient\u003cbr\u003e▪ Subsonic filter\u003cbr\u003e▪ External mains fuse\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e▪ 100-120V ~50\/60 Hz or 220-240V ~50\/60 Hz\u003cbr\u003e\u003cbr\u003eCabinet\u003cbr\u003e▪ Vinyl-laminated, medium-density fiberboard\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e▪ Width 6.42\" (163 mm)\u003cbr\u003e▪ Depth 7.09\" (180 mm)\u003cbr\u003e▪ Height 9.45\" (241 mm)\u003cbr\u003e▪ Weight 13 lb. (5.9 kg)"}

{"id":9858638477,"title":"PSI Audio AVAA C20 (Active Bass Trap)","handle":"psi-audio-5","description":"\u003ch1 itemprop=\"name\" class=\"product_title entry-title\"\u003eAVAA C20 (Active Bass Trap) \u003c\/h1\u003e\n\u003ch3\u003eAVAA (Active Velocity Acoustic Absorber) works like an active bass trap and is the solution for room mode problems between 15 – 120 Hz.\u003c\/h3\u003e\n\u003cp\u003e“My review in Stereophile has been published in the June issue! I wish I had had more pages to describe the virtues of the AVAA. It’s amazing the precision, beauty, tightness and control of the bass in my mastering room, thanks to PSI Audio.” – Bob Katz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eKey points:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe AVAA absorbs room modes between 15 and 150 Hz\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 AVAAs will make a significant difference in normal sized studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4 AVAAs will allow to achieve even better results in large studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdequate AVAA positioning is easily achieved after a few trials\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNo setting are required only ON\/OFF\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA do?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe AVAA is a solution for room mode problems. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is designed to absorb the standing modes between 15 and 150 Hz in a room. It will do so just like passive absorbers but in a much more efficient way and using up much less space. Each operating AVAA will have the same effect as a hole in the wall much larger than the dimensions of the AVAA (that is 0.2 m\u003csup\u003e2\u003c\/sup\u003e). The exact ratio will depend on the frequency and environment but typically range between 5 and 20.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will affect the impedance of the air and “suck” low frequencies around it.\u003c\/p\u003e\n\u003cp\u003eTherefore the best position to place an AVAA is in the most rigid corners as that is where all room modes will be most present.\u003c\/p\u003e\n\u003cp\u003eIt is important to work on the positioning of loudspeakers and listening, as the AVAA will have little effect on inevitable first reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow does it work?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA microphone will measure the acoustic pressure in front of an acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eThe acoustic resistance is designed to let air through but reducing significantly the pressure.\u003c\/p\u003e\n\u003cp\u003eBehind the acoustic resistance, a transducer membrane is driven to absorb the volume of air going through the acoustic resistance as well as ensuring a specific acoustic impedance in front of this acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eWhen in function, this acoustic impedance in front of the acoustic resistance is significantly lower than in ambient air and therefore acts as a pressure sink.\u003c\/p\u003e\n\u003cp\u003eThe acoustic impedance of the air is affected typically over a radius of 1 to 1.5 m around the AVAA. This explains how the AVAA can be more absorbent that its actual surface of perfect absorber.\u003c\/p\u003e\n\u003cp\u003eIt is designed to absorb frequencies between15 and 150 Hz and is most effective on room modes that are the result of multiple reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA not do?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is a solution for room modes below 150 Hz and absorbs low frequencies only. It is therefore not a total solution for acoustically bad rooms. For best results, it needs to be combined with passive absorption in higher frequencies.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will only absorb pressure waves within a radius of 1 to 1.5 m around it in these frequencies. It is therefore not a solution for the first reflections a room might have. Correct positioning of speakers and listening position in the room remains necessary.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat effect will the AVAA have in my room?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA will have the same effect, on frequencies from 15 to 150 Hz, as opening a window about 5 to 20 times the size of the AVAA. This will impact sound in the time, frequency and space dimensions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cu\u003eTime:\u003c\/u\u003e it will significantly reduce reverberation time in these frequencies especially on room modes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eFrequency:\u003c\/u\u003e with more precise and tighter bass, the masking effect of higher frequencies is reduced. Details in higher frequencies also become clearer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eSpace:\u003c\/u\u003e with less indirect sound in the room, the location of the sound is more accurate making the sound image more precise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow many AVAAs do I need?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e2 AVAA will have a significant effect in most rooms.\u003c\/p\u003e\n\u003cp\u003eDepending on the dimension and type of room as well as the result required, between 2 and 4 AVAAs are necessary for most normal size rooms (20 and 80 m\u003csup\u003e2\u003c\/sup\u003e)\u003c\/p\u003e\n\u003cp\u003eFor very small rooms a minimum of two AVAAs is still recommended to have a symmetrical effect.\u003c\/p\u003e\n\u003cp\u003eFor larger rooms please consult an acoustician or PSI Audio directly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhere to place the AVAAs in a room?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most effective position for the AVAA is in a location where the walls contribute most to the room modes that are disturbing in the listening position. In practice it is very easy to position the AVAA effectively after a few comparative trials.\u003c\/p\u003e\n\u003cp\u003eThe starting position is in corners behind the source speakers as this is the most effective position in a majority of cases. However, depending on the structure of the room boundaries and listening position, other AVAA locations might turn out to be more effective. Try positioning them in different corner or against walls and evaluate effectiveness.\u003c\/p\u003e\n\u003cp\u003eIn practice it is quick and easy finding the best location by following the basic rules:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAVAAs positioned in corners are more effective\u003c\/li\u003e\n\u003cli\u003eAVAAs located against rigid walls are more effective\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBear in mind that the AVAA is designed to absorb long wavelengths and therefore there is little very little to gain by positioning the AVAA with great precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003ePositioning the AVAAs based on measurements:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA more technical 2 step process can also be used to identify the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 – Identify the disturbing room modes: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAssuming the loudspeakers and listening position have been set, measure the frequency decay time in the listening position.\u003c\/p\u003e\n\u003cp\u003eNote that the most disturbing room modes are the ones with the longest extinction time and not necessarily the peaks and nulls that are the result of inevitable first reflections. You may typically identify 3 to 6 modes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 – Identify the highest pressure zones for each problematic room mode:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlay a sinus wave at the frequency of each disturbing room mode.\u003c\/p\u003e\n\u003cp\u003eFor each of these frequencies, walk around the walls of the room and note down the highest-pressure areas. You can do this with a sound level meter or listening with a single ear.\u003c\/p\u003e\n\u003cp\u003eAs a result you should have a map of your room highlighting the wall areas most contributing to each disturbing room mode. This will clearly show the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat are the advantages of the AVAA?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIt is an efficient solution for room mode problems\u003c\/li\u003e\n\u003cli\u003eIt is stable with no settings required\u003c\/li\u003e\n\u003cli\u003eIt can be turned ON and OFF to alter the acoustic environment\u003c\/li\u003e\n\u003cli\u003eIt can easily be moved into a different room\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eProduct Data\u003c\/h2\u003e\n\u003ctable style=\"width: 535.533px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eBox Material\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003eMDF\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eNet Weight\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e13 Kg\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eVoltage\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e115\/230V±10%(50-60Hz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eMean \/ Max Humidity\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e\u0026lt; 75% \/ \u0026lt; 90%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eExternal Temperature\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e5 - 40 °C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-05-03T15:05:40+02:00","created_at":"2017-05-03T15:06:14+02:00","vendor":"PSI Audio","type":"Studio Monitors","tags":["Absorption Panels \u0026 Fills","Acoustic Treatment","Active Bass Trap","Active Monitors","Bass Trap","Egypt","Price Range_$2000 to $3000","Pro Audio","PSI Audio","PSI AUDIO AVAA","Shop by brand_PSI Audio","Shop by category_Acoustic Treatment"],"price":215475,"price_min":215475,"price_max":215475,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36850751245,"title":"Graphite Black","option1":"Graphite Black","option2":null,"option3":null,"sku":"ZPAVC20-B","requires_shipping":true,"taxable":true,"featured_image":{"id":23971022925,"product_id":9858638477,"position":1,"created_at":"2017-05-03T15:11:30+02:00","updated_at":"2017-05-03T15:11:30+02:00","alt":null,"width":906,"height":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-78331.jpg?v=1493817090","variant_ids":[36850751245]},"available":true,"name":"PSI Audio AVAA C20 (Active Bass Trap) - Graphite Black","public_title":"Graphite Black","options":["Graphite Black"],"price":215475,"weight":0,"compare_at_price":null,"inventory_quantity":-5,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":435437862938,"title":"Arctic White","option1":"Arctic White","option2":null,"option3":null,"sku":"ZPAVC20-W","requires_shipping":true,"taxable":true,"featured_image":{"id":2109185196078,"product_id":9858638477,"position":4,"created_at":"2018-03-13T15:33:44+02:00","updated_at":"2018-03-13T15:33:44+02:00","alt":null,"width":2560,"height":1440,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AVAA-white2560a.jpg?v=1520948024","variant_ids":[435437862938]},"available":true,"name":"PSI Audio AVAA C20 (Active Bass Trap) - Arctic White","public_title":"Arctic White","options":["Arctic White"],"price":215475,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-78331.jpg?v=1493817090","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-7845.jpg?v=1493817118","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AVAAgraphe_v2.jpg?v=1493817147","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AVAA-white2560a.jpg?v=1520948024"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-78331.jpg?v=1493817090","options":["Color"],"content":"\u003ch1 itemprop=\"name\" class=\"product_title entry-title\"\u003eAVAA C20 (Active Bass Trap) \u003c\/h1\u003e\n\u003ch3\u003eAVAA (Active Velocity Acoustic Absorber) works like an active bass trap and is the solution for room mode problems between 15 – 120 Hz.\u003c\/h3\u003e\n\u003cp\u003e“My review in Stereophile has been published in the June issue! I wish I had had more pages to describe the virtues of the AVAA. It’s amazing the precision, beauty, tightness and control of the bass in my mastering room, thanks to PSI Audio.” – Bob Katz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eKey points:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe AVAA absorbs room modes between 15 and 150 Hz\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 AVAAs will make a significant difference in normal sized studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4 AVAAs will allow to achieve even better results in large studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdequate AVAA positioning is easily achieved after a few trials\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNo setting are required only ON\/OFF\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA do?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe AVAA is a solution for room mode problems. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is designed to absorb the standing modes between 15 and 150 Hz in a room. It will do so just like passive absorbers but in a much more efficient way and using up much less space. Each operating AVAA will have the same effect as a hole in the wall much larger than the dimensions of the AVAA (that is 0.2 m\u003csup\u003e2\u003c\/sup\u003e). The exact ratio will depend on the frequency and environment but typically range between 5 and 20.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will affect the impedance of the air and “suck” low frequencies around it.\u003c\/p\u003e\n\u003cp\u003eTherefore the best position to place an AVAA is in the most rigid corners as that is where all room modes will be most present.\u003c\/p\u003e\n\u003cp\u003eIt is important to work on the positioning of loudspeakers and listening, as the AVAA will have little effect on inevitable first reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow does it work?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA microphone will measure the acoustic pressure in front of an acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eThe acoustic resistance is designed to let air through but reducing significantly the pressure.\u003c\/p\u003e\n\u003cp\u003eBehind the acoustic resistance, a transducer membrane is driven to absorb the volume of air going through the acoustic resistance as well as ensuring a specific acoustic impedance in front of this acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eWhen in function, this acoustic impedance in front of the acoustic resistance is significantly lower than in ambient air and therefore acts as a pressure sink.\u003c\/p\u003e\n\u003cp\u003eThe acoustic impedance of the air is affected typically over a radius of 1 to 1.5 m around the AVAA. This explains how the AVAA can be more absorbent that its actual surface of perfect absorber.\u003c\/p\u003e\n\u003cp\u003eIt is designed to absorb frequencies between15 and 150 Hz and is most effective on room modes that are the result of multiple reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA not do?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is a solution for room modes below 150 Hz and absorbs low frequencies only. It is therefore not a total solution for acoustically bad rooms. For best results, it needs to be combined with passive absorption in higher frequencies.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will only absorb pressure waves within a radius of 1 to 1.5 m around it in these frequencies. It is therefore not a solution for the first reflections a room might have. Correct positioning of speakers and listening position in the room remains necessary.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat effect will the AVAA have in my room?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA will have the same effect, on frequencies from 15 to 150 Hz, as opening a window about 5 to 20 times the size of the AVAA. This will impact sound in the time, frequency and space dimensions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cu\u003eTime:\u003c\/u\u003e it will significantly reduce reverberation time in these frequencies especially on room modes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eFrequency:\u003c\/u\u003e with more precise and tighter bass, the masking effect of higher frequencies is reduced. Details in higher frequencies also become clearer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eSpace:\u003c\/u\u003e with less indirect sound in the room, the location of the sound is more accurate making the sound image more precise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow many AVAAs do I need?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e2 AVAA will have a significant effect in most rooms.\u003c\/p\u003e\n\u003cp\u003eDepending on the dimension and type of room as well as the result required, between 2 and 4 AVAAs are necessary for most normal size rooms (20 and 80 m\u003csup\u003e2\u003c\/sup\u003e)\u003c\/p\u003e\n\u003cp\u003eFor very small rooms a minimum of two AVAAs is still recommended to have a symmetrical effect.\u003c\/p\u003e\n\u003cp\u003eFor larger rooms please consult an acoustician or PSI Audio directly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhere to place the AVAAs in a room?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most effective position for the AVAA is in a location where the walls contribute most to the room modes that are disturbing in the listening position. In practice it is very easy to position the AVAA effectively after a few comparative trials.\u003c\/p\u003e\n\u003cp\u003eThe starting position is in corners behind the source speakers as this is the most effective position in a majority of cases. However, depending on the structure of the room boundaries and listening position, other AVAA locations might turn out to be more effective. Try positioning them in different corner or against walls and evaluate effectiveness.\u003c\/p\u003e\n\u003cp\u003eIn practice it is quick and easy finding the best location by following the basic rules:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAVAAs positioned in corners are more effective\u003c\/li\u003e\n\u003cli\u003eAVAAs located against rigid walls are more effective\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBear in mind that the AVAA is designed to absorb long wavelengths and therefore there is little very little to gain by positioning the AVAA with great precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003ePositioning the AVAAs based on measurements:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA more technical 2 step process can also be used to identify the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 – Identify the disturbing room modes: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAssuming the loudspeakers and listening position have been set, measure the frequency decay time in the listening position.\u003c\/p\u003e\n\u003cp\u003eNote that the most disturbing room modes are the ones with the longest extinction time and not necessarily the peaks and nulls that are the result of inevitable first reflections. You may typically identify 3 to 6 modes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 – Identify the highest pressure zones for each problematic room mode:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlay a sinus wave at the frequency of each disturbing room mode.\u003c\/p\u003e\n\u003cp\u003eFor each of these frequencies, walk around the walls of the room and note down the highest-pressure areas. You can do this with a sound level meter or listening with a single ear.\u003c\/p\u003e\n\u003cp\u003eAs a result you should have a map of your room highlighting the wall areas most contributing to each disturbing room mode. This will clearly show the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat are the advantages of the AVAA?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIt is an efficient solution for room mode problems\u003c\/li\u003e\n\u003cli\u003eIt is stable with no settings required\u003c\/li\u003e\n\u003cli\u003eIt can be turned ON and OFF to alter the acoustic environment\u003c\/li\u003e\n\u003cli\u003eIt can easily be moved into a different room\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eProduct Data\u003c\/h2\u003e\n\u003ctable style=\"width: 535.533px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eBox Material\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003eMDF\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eNet Weight\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e13 Kg\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eVoltage\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e115\/230V±10%(50-60Hz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eMean \/ Max Humidity\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e\u0026lt; 75% \/ \u0026lt; 90%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eExternal Temperature\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e5 - 40 °C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":8258553537,"title":"PreSonus Eris E8","handle":"presonus-eris-e8-8-active-studio-monitor-ea","description":"\u003cp\u003eSound you can trust.\u003cbr\u003e\u003cbr\u003eWhen you’re serious about creating music, you need studio monitors that will speak nothing but the truth. Eris®-series monitors deliver a smooth and accurate frequency response, powerful Class AB amplification with loads of headroom, and a suite of acoustic tuning controls to mitigate room anomalies. Whether you’re recording your first album or your latest hit, Eris monitors will ensure your vision is heard.\u003cbr\u003eKevlar woofers deliver a cleaner overall sound.\u003cbr\u003e\u003cbr\u003eEvery Eris-series studio monitor utilizes a custom-woven Kevlar® low-frequency driver. The weave and nature of the Eris E8’s eight-inch Kevlar woofer helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.\u003cbr\u003eSmooth high end.\u003cbr\u003e\u003cbr\u003eEach Eris monitor is equipped with a silk dome tweeter designed to radiate sound with a wide dispersion pattern, creating a larger sweet spot. The result is a smooth and refined sound that accurately reproduces transients and high frequencies.\u003cbr\u003eMonitors you can customize.\u003cbr\u003e\u003cbr\u003eToday’s music producers deal with a wide variety of musical genres and often work in challenging mixing environments. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.\u003cbr\u003eConnect to virtually any line-level source.\u003cbr\u003e\u003cbr\u003eWith three different types of audio inputs, it’s easy to feed audio to your Eris monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E8 monitors provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. With this selection, you’ll have no problem hooking your Eris speakers up to virtually any line-level source.\u003cbr\u003eAccuracy defined.\u003cbr\u003e\u003cbr\u003eLike all PreSonus® studio monitors, the Eris E8 offers consistent, accurate listening. Their compact and powerful design makes them an ideal solution for home and professional studios alike. Their smooth and even frequency response have made Eris monitors one of the fastest growing studio monitor lines in the world. Hear them at your favorite PreSonus dealer.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003eComponents and construction\u003cbr\u003e • 8-inch Kevlar® low-frequency transducer\u003cbr\u003e • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer\u003cbr\u003e • Front-firing acoustic port for superior bass-frequency reproduction\u003cbr\u003e • Optimized, resonance-suppressing internal bracing\u003cbr\u003e • 105 dB maximum continuous SPL\u003cbr\u003e\u003cbr\u003eUser controls\u003cbr\u003e • HF Driver Adjust (±6 dB, continuously variable)\u003cbr\u003e • Midrange Driver Adjust (±6 dB, continuously variable)\u003cbr\u003e • Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour\u003cbr\u003e • Highpass filter (Off, 80 Hz, 100 Hz)\u003cbr\u003e\u003cbr\u003ePower and safety\u003cbr\u003e • 130 watt, Class AB biamplification\u003cbr\u003e • RF interference, output current limiting, over-temperature, transient, and subsonic protection\u003cbr\u003e • Amplifier “soft start” feature eliminates popping on power-up\u003cbr\u003e • Internal power supply with IEC connector\u003cbr\u003e • Power switch with on\/off LED\u003cbr\u003e\u003cbr\u003eInputs and outputs\u003cbr\u003e • Balanced XLR\/¼-inch\u003cbr\u003e • Unbalanced RCA inputs (E5\/E8)\u003cbr\u003e • Technical Specifications\u003c\/p\u003e\n\u003cp\u003eInputs\u003c\/p\u003e\n\u003cdiv data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e▪ 1- Balanced XLR\u003cbr\u003e ▪ 1- Balanced ¼” TRS\u003cbr\u003e ▪ 1- Unbalanced RCA\u003cbr\u003e\u003cbr\u003ePerformance\u003cbr\u003e ▪ Frequency Response 35 Hz - 22 kHz\u003cbr\u003e ▪ Crossover Frequency 2.2 kHz\u003cbr\u003e ▪ LF Amplifier Power 75W\u003cbr\u003e ▪ HF Amplifier Power 65W\u003cbr\u003e ▪ Peak SPL (@ 1 meter) 105 dB\u003cbr\u003e ▪ LF Driver 8” Kevlar®\u003cbr\u003e ▪ HF Driver 1.25” silk dome\u003cbr\u003e ▪ Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eUser Controls\u003cbr\u003e ▪ Volume Range A-type taper\u003cbr\u003e ▪ MF Control -6, 0, +6 dB\u003cbr\u003e ▪ HF Control -6, 0, +6 dB\u003cbr\u003e ▪ Low Cut Flat, 80 Hz, 100 Hz\u003cbr\u003e ▪ Acoustic Space Flat, -2 dB, -4 dB\u003cbr\u003e\u003cbr\u003eProtection\u003cbr\u003e ▪ RF interference\u003cbr\u003e ▪ Output-current limiting\u003cbr\u003e ▪ Over-temperature\u003cbr\u003e ▪ Turn-on\/off transient\u003cbr\u003e ▪ Subsonic filter\u003cbr\u003e ▪ External mains fuse\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e ▪ 100-120V ~50\/60 Hz or 220-240V ~50\/60 Hz\u003cbr\u003e\u003cbr\u003eCabinet\u003cbr\u003e ▪ Vinyl-laminated, medium-density fiberboard\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e ▪ Width 9.84” (250 mm)\u003cbr\u003e ▪ Depth 11.77” (299 mm)\u003cbr\u003e ▪ Height 15.12” (384 mm)\u003cbr\u003e ▪ Weight 22.2 lbs (10.07 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-10-16T12:14:00+02:00","created_at":"2016-10-16T12:16:37+02:00","vendor":"PreSonus","type":"Studio Monitors","tags":["Active Monitors","Egypt","PreSonus","Price Range_$200 to $300","Price Range_$300 to $500","Shop by brand_PreSonus","Shop by category_Active Monitors","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":24995,"price_min":24995,"price_max":48500,"available":true,"price_varies":true,"compare_at_price":29880,"compare_at_price_min":29880,"compare_at_price_max":29880,"compare_at_price_varies":false,"variants":[{"id":27641215361,"title":"Single","option1":"Single","option2":null,"option3":null,"sku":"Eris E8","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus Eris E8 - Single","public_title":"Single","options":["Single"],"price":24995,"weight":10070,"compare_at_price":29880,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":8226145796142,"title":"Pair","option1":"Pair","option2":null,"option3":null,"sku":"Eris E8","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus Eris E8 - Pair","public_title":"Pair","options":["Pair"],"price":48500,"weight":10070,"compare_at_price":29880,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus_eris_e8-front_big_4971617c-d491-4af1-ba4a-f8bd7f2ad23b.jpg?v=1500995847","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_cae37fad-8529-4291-82b8-9108ee3fddf1.png?v=1500995851","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus_eris_e8-back_big_2c642d65-26b5-4c46-b976-a2867912b0a7.jpg?v=1500995847","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ErisE8-large_f824249e-9d61-447b-8561-bc5c40c7b2d5.jpg?v=1500995847","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Eris_20E8-02_5a18d659-ee60-4dd4-acf9-9f025faf4150.png?v=1500995847","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Eris_20E5-03_f5f88cf0-27b4-4bf7-9fcf-957731519907.jpg?v=1500995847"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus_eris_e8-front_big_4971617c-d491-4af1-ba4a-f8bd7f2ad23b.jpg?v=1500995847","options":["Quantity"],"content":"\u003cp\u003eSound you can trust.\u003cbr\u003e\u003cbr\u003eWhen you’re serious about creating music, you need studio monitors that will speak nothing but the truth. Eris®-series monitors deliver a smooth and accurate frequency response, powerful Class AB amplification with loads of headroom, and a suite of acoustic tuning controls to mitigate room anomalies. Whether you’re recording your first album or your latest hit, Eris monitors will ensure your vision is heard.\u003cbr\u003eKevlar woofers deliver a cleaner overall sound.\u003cbr\u003e\u003cbr\u003eEvery Eris-series studio monitor utilizes a custom-woven Kevlar® low-frequency driver. The weave and nature of the Eris E8’s eight-inch Kevlar woofer helps break up reflected energy, so fewer delayed reflections reach the listener’s ear. This provides a more constant dispersion pattern throughout the frequency range, resulting in less time-smeared audio and cleaner overall sound.\u003cbr\u003eSmooth high end.\u003cbr\u003e\u003cbr\u003eEach Eris monitor is equipped with a silk dome tweeter designed to radiate sound with a wide dispersion pattern, creating a larger sweet spot. The result is a smooth and refined sound that accurately reproduces transients and high frequencies.\u003cbr\u003eMonitors you can customize.\u003cbr\u003e\u003cbr\u003eToday’s music producers deal with a wide variety of musical genres and often work in challenging mixing environments. That’s why Eris-series studio monitors offer extensive acoustic tuning controls. The three-position Acoustic Space switch helps to compensate for the boundary bass boost that can occur when a monitor is placed in a corner or near a wall. High and Mid controls help to further mitigate room anomalies. A Low Cutoff filter makes it easy to integrate a Temblor® subwoofer into your monitor setup.\u003cbr\u003eConnect to virtually any line-level source.\u003cbr\u003e\u003cbr\u003eWith three different types of audio inputs, it’s easy to feed audio to your Eris monitors from an audio interface, mixer, monitor controller, or almost any other line-level source. Eris E8 monitors provide balanced XLR, balanced ¼” TRS, and unbalanced RCA line-level inputs. With this selection, you’ll have no problem hooking your Eris speakers up to virtually any line-level source.\u003cbr\u003eAccuracy defined.\u003cbr\u003e\u003cbr\u003eLike all PreSonus® studio monitors, the Eris E8 offers consistent, accurate listening. Their compact and powerful design makes them an ideal solution for home and professional studios alike. Their smooth and even frequency response have made Eris monitors one of the fastest growing studio monitor lines in the world. Hear them at your favorite PreSonus dealer.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003eComponents and construction\u003cbr\u003e • 8-inch Kevlar® low-frequency transducer\u003cbr\u003e • 1-inch (25 mm), ultra-low-mass, silk-dome, high-frequency transducer\u003cbr\u003e • Front-firing acoustic port for superior bass-frequency reproduction\u003cbr\u003e • Optimized, resonance-suppressing internal bracing\u003cbr\u003e • 105 dB maximum continuous SPL\u003cbr\u003e\u003cbr\u003eUser controls\u003cbr\u003e • HF Driver Adjust (±6 dB, continuously variable)\u003cbr\u003e • Midrange Driver Adjust (±6 dB, continuously variable)\u003cbr\u003e • Acoustic Space settings (flat, -2, -4 dB) for accurate mixing contour\u003cbr\u003e • Highpass filter (Off, 80 Hz, 100 Hz)\u003cbr\u003e\u003cbr\u003ePower and safety\u003cbr\u003e • 130 watt, Class AB biamplification\u003cbr\u003e • RF interference, output current limiting, over-temperature, transient, and subsonic protection\u003cbr\u003e • Amplifier “soft start” feature eliminates popping on power-up\u003cbr\u003e • Internal power supply with IEC connector\u003cbr\u003e • Power switch with on\/off LED\u003cbr\u003e\u003cbr\u003eInputs and outputs\u003cbr\u003e • Balanced XLR\/¼-inch\u003cbr\u003e • Unbalanced RCA inputs (E5\/E8)\u003cbr\u003e • Technical Specifications\u003c\/p\u003e\n\u003cp\u003eInputs\u003c\/p\u003e\n\u003cdiv data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003e▪ 1- Balanced XLR\u003cbr\u003e ▪ 1- Balanced ¼” TRS\u003cbr\u003e ▪ 1- Unbalanced RCA\u003cbr\u003e\u003cbr\u003ePerformance\u003cbr\u003e ▪ Frequency Response 35 Hz - 22 kHz\u003cbr\u003e ▪ Crossover Frequency 2.2 kHz\u003cbr\u003e ▪ LF Amplifier Power 75W\u003cbr\u003e ▪ HF Amplifier Power 65W\u003cbr\u003e ▪ Peak SPL (@ 1 meter) 105 dB\u003cbr\u003e ▪ LF Driver 8” Kevlar®\u003cbr\u003e ▪ HF Driver 1.25” silk dome\u003cbr\u003e ▪ Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eUser Controls\u003cbr\u003e ▪ Volume Range A-type taper\u003cbr\u003e ▪ MF Control -6, 0, +6 dB\u003cbr\u003e ▪ HF Control -6, 0, +6 dB\u003cbr\u003e ▪ Low Cut Flat, 80 Hz, 100 Hz\u003cbr\u003e ▪ Acoustic Space Flat, -2 dB, -4 dB\u003cbr\u003e\u003cbr\u003eProtection\u003cbr\u003e ▪ RF interference\u003cbr\u003e ▪ Output-current limiting\u003cbr\u003e ▪ Over-temperature\u003cbr\u003e ▪ Turn-on\/off transient\u003cbr\u003e ▪ Subsonic filter\u003cbr\u003e ▪ External mains fuse\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e ▪ 100-120V ~50\/60 Hz or 220-240V ~50\/60 Hz\u003cbr\u003e\u003cbr\u003eCabinet\u003cbr\u003e ▪ Vinyl-laminated, medium-density fiberboard\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e ▪ Width 9.84” (250 mm)\u003cbr\u003e ▪ Depth 11.77” (299 mm)\u003cbr\u003e ▪ Height 15.12” (384 mm)\u003cbr\u003e ▪ Weight 22.2 lbs (10.07 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":101110284314,"title":"Adam Audio A77X","handle":"adam-audio-adam-a77x","description":"\u003cp\u003e\u003cstrong\u003eAdam Audio ADAM A77X\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe A77X is a horizontally designed monitor that combines all of the technical innovations in the AX-Series. Due to its powerful, compression-free sound reproduction and excellent radiation characteristics, it is suitable both for nearfield and midfield monitoring.\u003cbr\u003e\u003cbr\u003eThe special feature of the A77X is its 2 1⁄2-way system. Both 7” woofers start to work together at 38 Hz and at 400 Hz one woofer fades out and only the second woofer continues to operate in the midrange up to 3 kHz. This prevents interferences and possible phase cancellation in the critical midrange. Even though frequency transitions and potential distortions lie outside these areas, the human ear is particularly sensitive to midrange frequencies.\u003cbr\u003e\u003cbr\u003eEspecially noteworthy in the A77X is the extremely wide stereo foundation and brilliant stereo imaging. Treble and mids are reproduced with three-dimensional realism and the lows are, as expected from a double woofer design, massive without compromising on precision.\u003cbr\u003e\u003cbr\u003eGerman Handmade Precision X-ART Tweeter\u003cbr\u003e2 x 7“ Woofer (Carbon\/Rohacell\/Glass fiber)\u003cbr\u003eAmp. Power RMS \/ Music: 250 W \/ 375 W\u003cbr\u003eFrequency Response: 38 Hz - 50 kHz\u003cbr\u003eMax. SPL per pair at 1 m: ≥122 dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures \u0026amp; Benefits\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eX-ART tweeter, handmade in Berlin    \u003c\/li\u003e\n\u003cli\u003eAllows longer operation with fewer signs of fatigue\u003c\/li\u003e\n\u003cli\u003eTheir breakup is prevented by the folded diaphragms, distortions are effectively reduced to a minimumAdvanced dynamic range due to acoustically effective diaphragm surface that is 2.5 times bigger (compared to a classic tweeter according to the piston principle)\u003c\/li\u003e\n\u003cli\u003eThe air velocity ratio of 4:1 during the sound generation by folded X-ART membrane    \u003c\/li\u003e\n\u003cli\u003eDirect, fast response in the high-range even with complex transients\u003c\/li\u003e\n\u003cli\u003eIn-phase, simultaneous operation of the woofers below 400 Hz    \u003c\/li\u003e\n\u003cli\u003eDry, unstrained reproduction of the low-rangeCritical center area is played by a single driver without interference\u003c\/li\u003e\n\u003cli\u003eUltra-light but extremely dimensionally stable woofer material (Carbon\/Rohacell\/Glass fiber)    \u003c\/li\u003e\n\u003cli\u003eExcellent transient response even at high sound levels without breakup of the diaphragm\u003c\/li\u003e\n\u003cli\u003eUnique, horizontal 2.5-way system with 2 x 7\" woofers    \u003c\/li\u003e\n\u003cli\u003eVery high resolution of the stereo image and extremely wide stereo base\u003c\/li\u003e\n\u003cli\u003eSpacious bass reflex ports on the front    \u003c\/li\u003e\n\u003cli\u003eBass reproduction with very low compression\u003c\/li\u003e\n\u003cli\u003eAllows positioning close to walls\u003c\/li\u003e\n\u003cli\u003eHighly efficient PWM amplifier for the woofer coupled with an A\/ B amplifier for X-ART tweeter    \u003c\/li\u003e\n\u003cli\u003eLow-distortion amplification at both low and high volume levels\u003c\/li\u003e\n\u003cli\u003eLinear frequency response of 38 Hz to 50 kHz    \u003c\/li\u003e\n\u003cli\u003eUnbiased reproduction in a very wide frequency band\u003c\/li\u003e\n\u003cli\u003eMaximum Peak sound pressure per pair in 1 m ≥ 122 dB    \u003c\/li\u003e\n\u003cli\u003ePowerful, compression-free sound reproduction even at very high sound levels\u003c\/li\u003e\n\u003cli\u003eSimple, stepless room acoustic adjustments over tweeter gain, low and high shelf filters    \u003c\/li\u003e\n\u003cli\u003eAllows optimal adaptation to acoustically difficult listening environments\u003c\/li\u003e\n\u003cli\u003eAnalog XLR and RCA inputs    \u003c\/li\u003e\n\u003cli\u003eOptimized for balanced and unbalanced line signals\u003c\/li\u003e\n\u003cli\u003eAcoustically optimized cabinet geometry    \u003c\/li\u003e\n\u003cli\u003eReduction of unwanted reflections on the cabinets\u003c\/li\u003e\n\u003cli\u003eDirectional sound radiation in vertical plane    \u003c\/li\u003e\n\u003cli\u003eReduction of early reflections on the surfaces of, e.g. mixing consoles, desks, etc.\u003c\/li\u003e\n\u003cli\u003eVolume control and on\/off switch on the front    \u003c\/li\u003e\n\u003cli\u003eVery easy to use\u003c\/li\u003e\n\u003cli\u003eSuitable for both near- and mid-field applications    \u003c\/li\u003e\n\u003cli\u003eEnough headroom for different studio environments\u003c\/li\u003e\n\u003cli\u003e2 years warranty with optional extension to 3 years with the registration of the product    \u003c\/li\u003e\n\u003cli\u003eFull repair service if required for 5 years\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cstrong\u003eTechnical Data\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWoofer\u003c\/li\u003e\n\u003cli\u003eNumber    2\u003c\/li\u003e\n\u003cli\u003eBasket Ø    7\" (175 mm)\u003c\/li\u003e\n\u003cli\u003eVoice Coil Ø    1.5\" (38 mm)\u003c\/li\u003e\n\u003cli\u003eCone Material    Carbon\/Rohacell\/Glass Fiber\u003c\/li\u003e\n\u003cli\u003eTweeter\u003c\/li\u003e\n\u003cli\u003eNumber    1\u003c\/li\u003e\n\u003cli\u003eType    X-ART\u003c\/li\u003e\n\u003cli\u003eDiaphragm Area    4 inch² (2420 mm²)\u003c\/li\u003e\n\u003cli\u003eEquiv. Diaphragm Ø    2\" (56 mm)\u003c\/li\u003e\n\u003cli\u003eVelocity Transform Ratio    4:1\u003c\/li\u003e\n\u003cli\u003eDiaphragm Weight    0.17 g\u003c\/li\u003e\n\u003cli\u003eBuilt-in Amplifiers\u003c\/li\u003e\n\u003cli\u003eWoofer    1\u003c\/li\u003e\n\u003cli\u003eType    PWM\u003c\/li\u003e\n\u003cli\u003eAmp. Power RMS \/ Music    100 W \/ 150 W\u003c\/li\u003e\n\u003cli\u003eSubwoofer    1\u003c\/li\u003e\n\u003cli\u003eType    PWM\u003c\/li\u003e\n\u003cli\u003eAmp. Power RMS \/ Music    100 W \/ 150 W\u003c\/li\u003e\n\u003cli\u003eTweeter    1\u003c\/li\u003e\n\u003cli\u003eType    A\/B\u003c\/li\u003e\n\u003cli\u003eAmp. power RMS \/ music    50 W \/ 75 W\u003c\/li\u003e\n\u003cli\u003eControl Panel\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity    -∞ to +14 dB\u003c\/li\u003e\n\u003cli\u003eHigh Shelf EQ \u0026gt; 5 kHz    ±6 dB\u003c\/li\u003e\n\u003cli\u003eLow Shelf EQ \u0026lt; 300 Hz    ±6 dB\u003c\/li\u003e\n\u003cli\u003eTweeter Gain    ±4 dB\u003c\/li\u003e\n\u003cli\u003eInput Connectors\u003c\/li\u003e\n\u003cli\u003eAnalog    XLR \/ RCA\u003c\/li\u003e\n\u003cli\u003eGeneral Data\u003c\/li\u003e\n\u003cli\u003eFrequency Response    38 Hz - 50 kHz\u003c\/li\u003e\n\u003cli\u003eTHD 90 dB \/ 1 m \u0026gt; 100 Hz    ≤0.5 %\u003c\/li\u003e\n\u003cli\u003eMax. SPL with sine wave acoustic 100 Hz to 3 kHz at 1 m    ≥114 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL per pair at 1 m    ≥122 dB\u003c\/li\u003e\n\u003cli\u003eCrossover Frequencies    400 \/ 3000 Hz\u003c\/li\u003e\n\u003cli\u003eInput Impedance    30 kOhm\u003c\/li\u003e\n\u003cli\u003ePanel    Front\u003c\/li\u003e\n\u003cli\u003eWeight    28.2 lb (12,8 kg)\u003c\/li\u003e\n\u003cli\u003eMagnetically Shielded    No\u003c\/li\u003e\n\u003cli\u003eHeight x Width x Depth    9.5\" (235 mm) x 21\" (530 mm) x 11\" (280 mm)\u003c\/li\u003e\n\u003cli\u003eWarranty    5 years (2 years warranty plus 3 years optional with product registration)\u003c\/li\u003e\n\u003cli\u003eDelivery Contents    Power cord, manual\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-09-14T11:22:45+02:00","created_at":"2017-09-14T11:26:48+02:00","vendor":"Adam Audio","type":"Active Monitor","tags":["Active Monitors","Adam Audio","Adam Professional Audio A77X","Price Range_$750 to $1000","Pro Audio","Recording","Shop by brand_Adam Audio","Shop by category_Active Monitors","Shop by category_Studio Monitors","Studio Monitoring","Studio Monitors"],"price":86900,"price_min":86900,"price_max":86900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1289595355162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"A77X","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Adam Audio A77X","public_title":null,"options":["Default Title"],"price":86900,"weight":19560,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/adam-audio-a77x-active-monitor-front-1920x960.jpg?v=1505555053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_4e7b69dd-0263-4faf-8cf9-07ab9c632894.png?v=1505555053","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/adam-audio-a77x-actice-monitor-backside-1920x960.jpg?v=1505555053"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/adam-audio-a77x-active-monitor-front-1920x960.jpg?v=1505555053","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eAdam Audio ADAM A77X\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe A77X is a horizontally designed monitor that combines all of the technical innovations in the AX-Series. Due to its powerful, compression-free sound reproduction and excellent radiation characteristics, it is suitable both for nearfield and midfield monitoring.\u003cbr\u003e\u003cbr\u003eThe special feature of the A77X is its 2 1⁄2-way system. Both 7” woofers start to work together at 38 Hz and at 400 Hz one woofer fades out and only the second woofer continues to operate in the midrange up to 3 kHz. This prevents interferences and possible phase cancellation in the critical midrange. Even though frequency transitions and potential distortions lie outside these areas, the human ear is particularly sensitive to midrange frequencies.\u003cbr\u003e\u003cbr\u003eEspecially noteworthy in the A77X is the extremely wide stereo foundation and brilliant stereo imaging. Treble and mids are reproduced with three-dimensional realism and the lows are, as expected from a double woofer design, massive without compromising on precision.\u003cbr\u003e\u003cbr\u003eGerman Handmade Precision X-ART Tweeter\u003cbr\u003e2 x 7“ Woofer (Carbon\/Rohacell\/Glass fiber)\u003cbr\u003eAmp. Power RMS \/ Music: 250 W \/ 375 W\u003cbr\u003eFrequency Response: 38 Hz - 50 kHz\u003cbr\u003eMax. SPL per pair at 1 m: ≥122 dB\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures \u0026amp; Benefits\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eX-ART tweeter, handmade in Berlin    \u003c\/li\u003e\n\u003cli\u003eAllows longer operation with fewer signs of fatigue\u003c\/li\u003e\n\u003cli\u003eTheir breakup is prevented by the folded diaphragms, distortions are effectively reduced to a minimumAdvanced dynamic range due to acoustically effective diaphragm surface that is 2.5 times bigger (compared to a classic tweeter according to the piston principle)\u003c\/li\u003e\n\u003cli\u003eThe air velocity ratio of 4:1 during the sound generation by folded X-ART membrane    \u003c\/li\u003e\n\u003cli\u003eDirect, fast response in the high-range even with complex transients\u003c\/li\u003e\n\u003cli\u003eIn-phase, simultaneous operation of the woofers below 400 Hz    \u003c\/li\u003e\n\u003cli\u003eDry, unstrained reproduction of the low-rangeCritical center area is played by a single driver without interference\u003c\/li\u003e\n\u003cli\u003eUltra-light but extremely dimensionally stable woofer material (Carbon\/Rohacell\/Glass fiber)    \u003c\/li\u003e\n\u003cli\u003eExcellent transient response even at high sound levels without breakup of the diaphragm\u003c\/li\u003e\n\u003cli\u003eUnique, horizontal 2.5-way system with 2 x 7\" woofers    \u003c\/li\u003e\n\u003cli\u003eVery high resolution of the stereo image and extremely wide stereo base\u003c\/li\u003e\n\u003cli\u003eSpacious bass reflex ports on the front    \u003c\/li\u003e\n\u003cli\u003eBass reproduction with very low compression\u003c\/li\u003e\n\u003cli\u003eAllows positioning close to walls\u003c\/li\u003e\n\u003cli\u003eHighly efficient PWM amplifier for the woofer coupled with an A\/ B amplifier for X-ART tweeter    \u003c\/li\u003e\n\u003cli\u003eLow-distortion amplification at both low and high volume levels\u003c\/li\u003e\n\u003cli\u003eLinear frequency response of 38 Hz to 50 kHz    \u003c\/li\u003e\n\u003cli\u003eUnbiased reproduction in a very wide frequency band\u003c\/li\u003e\n\u003cli\u003eMaximum Peak sound pressure per pair in 1 m ≥ 122 dB    \u003c\/li\u003e\n\u003cli\u003ePowerful, compression-free sound reproduction even at very high sound levels\u003c\/li\u003e\n\u003cli\u003eSimple, stepless room acoustic adjustments over tweeter gain, low and high shelf filters    \u003c\/li\u003e\n\u003cli\u003eAllows optimal adaptation to acoustically difficult listening environments\u003c\/li\u003e\n\u003cli\u003eAnalog XLR and RCA inputs    \u003c\/li\u003e\n\u003cli\u003eOptimized for balanced and unbalanced line signals\u003c\/li\u003e\n\u003cli\u003eAcoustically optimized cabinet geometry    \u003c\/li\u003e\n\u003cli\u003eReduction of unwanted reflections on the cabinets\u003c\/li\u003e\n\u003cli\u003eDirectional sound radiation in vertical plane    \u003c\/li\u003e\n\u003cli\u003eReduction of early reflections on the surfaces of, e.g. mixing consoles, desks, etc.\u003c\/li\u003e\n\u003cli\u003eVolume control and on\/off switch on the front    \u003c\/li\u003e\n\u003cli\u003eVery easy to use\u003c\/li\u003e\n\u003cli\u003eSuitable for both near- and mid-field applications    \u003c\/li\u003e\n\u003cli\u003eEnough headroom for different studio environments\u003c\/li\u003e\n\u003cli\u003e2 years warranty with optional extension to 3 years with the registration of the product    \u003c\/li\u003e\n\u003cli\u003eFull repair service if required for 5 years\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003cstrong\u003eTechnical Data\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWoofer\u003c\/li\u003e\n\u003cli\u003eNumber    2\u003c\/li\u003e\n\u003cli\u003eBasket Ø    7\" (175 mm)\u003c\/li\u003e\n\u003cli\u003eVoice Coil Ø    1.5\" (38 mm)\u003c\/li\u003e\n\u003cli\u003eCone Material    Carbon\/Rohacell\/Glass Fiber\u003c\/li\u003e\n\u003cli\u003eTweeter\u003c\/li\u003e\n\u003cli\u003eNumber    1\u003c\/li\u003e\n\u003cli\u003eType    X-ART\u003c\/li\u003e\n\u003cli\u003eDiaphragm Area    4 inch² (2420 mm²)\u003c\/li\u003e\n\u003cli\u003eEquiv. Diaphragm Ø    2\" (56 mm)\u003c\/li\u003e\n\u003cli\u003eVelocity Transform Ratio    4:1\u003c\/li\u003e\n\u003cli\u003eDiaphragm Weight    0.17 g\u003c\/li\u003e\n\u003cli\u003eBuilt-in Amplifiers\u003c\/li\u003e\n\u003cli\u003eWoofer    1\u003c\/li\u003e\n\u003cli\u003eType    PWM\u003c\/li\u003e\n\u003cli\u003eAmp. Power RMS \/ Music    100 W \/ 150 W\u003c\/li\u003e\n\u003cli\u003eSubwoofer    1\u003c\/li\u003e\n\u003cli\u003eType    PWM\u003c\/li\u003e\n\u003cli\u003eAmp. Power RMS \/ Music    100 W \/ 150 W\u003c\/li\u003e\n\u003cli\u003eTweeter    1\u003c\/li\u003e\n\u003cli\u003eType    A\/B\u003c\/li\u003e\n\u003cli\u003eAmp. power RMS \/ music    50 W \/ 75 W\u003c\/li\u003e\n\u003cli\u003eControl Panel\u003c\/li\u003e\n\u003cli\u003eInput Sensitivity    -∞ to +14 dB\u003c\/li\u003e\n\u003cli\u003eHigh Shelf EQ \u0026gt; 5 kHz    ±6 dB\u003c\/li\u003e\n\u003cli\u003eLow Shelf EQ \u0026lt; 300 Hz    ±6 dB\u003c\/li\u003e\n\u003cli\u003eTweeter Gain    ±4 dB\u003c\/li\u003e\n\u003cli\u003eInput Connectors\u003c\/li\u003e\n\u003cli\u003eAnalog    XLR \/ RCA\u003c\/li\u003e\n\u003cli\u003eGeneral Data\u003c\/li\u003e\n\u003cli\u003eFrequency Response    38 Hz - 50 kHz\u003c\/li\u003e\n\u003cli\u003eTHD 90 dB \/ 1 m \u0026gt; 100 Hz    ≤0.5 %\u003c\/li\u003e\n\u003cli\u003eMax. SPL with sine wave acoustic 100 Hz to 3 kHz at 1 m    ≥114 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL per pair at 1 m    ≥122 dB\u003c\/li\u003e\n\u003cli\u003eCrossover Frequencies    400 \/ 3000 Hz\u003c\/li\u003e\n\u003cli\u003eInput Impedance    30 kOhm\u003c\/li\u003e\n\u003cli\u003ePanel    Front\u003c\/li\u003e\n\u003cli\u003eWeight    28.2 lb (12,8 kg)\u003c\/li\u003e\n\u003cli\u003eMagnetically Shielded    No\u003c\/li\u003e\n\u003cli\u003eHeight x Width x Depth    9.5\" (235 mm) x 21\" (530 mm) x 11\" (280 mm)\u003c\/li\u003e\n\u003cli\u003eWarranty    5 years (2 years warranty plus 3 years optional with product registration)\u003c\/li\u003e\n\u003cli\u003eDelivery Contents    Power cord, manual\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":698630963246,"title":"Kii Audio Kii THREE BXT System PRO","handle":"kii-audio-kii-three-bxt-system","description":"\u003cp\u003e Kii THREE BXT\u003cbr\u003eTurn your Kii THREE into a floor standing loudspeaker\u003cbr\u003e\u003cbr\u003eModularity is Kii\u003cbr\u003eKii THREE BXT\u003cbr\u003eThe BXT is an extension module which turns the Kii THREE into a veritable floor standing loudspeaker with 16 additional drivers and a total of 7000 Watts.\u003cbr\u003e\u003cbr\u003eKii THREE BXT System:\u003cbr\u003e\u003cbr\u003eFloor standing DSP controlled High-End playback system.\u003cbr\u003eConsisting of:\u003cbr\u003e2 x Kii THREE speakers in high gloss white, graphite matt metallic or any custom color of your choice \u003cbr\u003e2 x BXT modules in the same or a contrasting color\u003cbr\u003e1 x Kii Control offers volume control, input selection with touch switch operation, additional software menu, OLED display and is IR ready. \u003cbr\u003eInputs: USB, SPDIF, TOSLINK, AES, ANALOGUE\u003cbr\u003e\u003cbr\u003eAll necessary cables are included\u003cbr\u003ePLEASE NOTE: Footplates are not final\u003c\/p\u003e\n\u003cp\u003eElegant but powerful\u003c\/p\u003e\n\u003cp\u003eKii THREE BXT System in glossy white\u003c\/p\u003e\n\u003cp\u003eThe BXT makes full use of the Kii THREEs technology and adds more frequency range and SPL to the game while still being a cardioid system that, despite its size, does not interact with the room. Astoundingly enough small rooms profit a lot from the line source concept.\u003c\/p\u003e\n\u003cp\u003ePlease note that existing Kii THREEs can be upgraded at any time with the BXTs giving you full investment security. Also the Kii THREEs are still transportable and can be run by themselves just by detaching them from the BXT. The Kii THREEs will detect the presence of a BXT and automatically adjust the software accordingly.\u003c\/p\u003e\n\u003cp\u003eKii Technology\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE holds 6x250W power amplifier boards, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003c\/p\u003e\n\u003cp\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003c\/p\u003e\n\u003cp\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003c\/p\u003e\n\u003cp\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003c\/p\u003e\n\u003cp\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact DSP controlled monitor speaker\u003c\/li\u003e\n\u003cli\u003e4x 6.5\" woofer,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x5\" midrange,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\" waveguided tweeter, all individually driven\u003c\/li\u003e\n\u003cli\u003eAmplification: 6 x 250W full-custom Ncore\u003c\/li\u003e\n\u003cli\u003eActive Wave Focusing crossover filter\u003c\/li\u003e\n\u003cli\u003eFrequency response:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- 25 kHz\u003c\/li\u003e\n\u003cli\u003eBass extension -3dB@30Hz, -6dB@20Hz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eResponse flatness +\/- 0.5dB (1\/12th octave)\u003c\/li\u003e\n\u003cli\u003ePhase response: minimum (best possible time coherence).\u003c\/li\u003e\n\u003cli\u003eLong term SPL(*): 105dB\u003c\/li\u003e\n\u003cli\u003eShort term SPL(*): 110dBPeak\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPL: 115dB\u003c\/li\u003e\n\u003cli\u003eControlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003c\/li\u003e\n\u003cli\u003eSize: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003c\/li\u003e\n\u003cli\u003eWeight: 19 KG\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue, AES\/EBU\u003c\/li\u003e\n\u003cli\u003eSPDIF, TOSLink, USB on Kii Control.\u003c\/li\u003e\n\u003cli\u003eSelectable correction for free-standing, near wall or in corner\u003c\/li\u003e\n\u003cli\u003e(*)IEC60268-5 Paragraph 20.6\u003c\/li\u003e\n\u003cli\u003e\"Specifications are subject to change without notice\"\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-06-02T20:35:06+02:00","created_at":"2018-06-03T01:13:12+02:00","vendor":"Kii Audio","type":"Speakers","tags":["Active Monitors","Egypt","Kii Audio","Price Range_$3000 and Over","Shop by brand_Kii Audio","Shop by category_Active Monitors","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":2662716,"price_min":2662716,"price_max":2969848,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8222836097070,"title":"White","option1":"White","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":2710984687662,"product_id":698630963246,"position":1,"created_at":"2018-08-08T01:53:14+02:00","updated_at":"2018-08-08T01:54:17+02:00","alt":null,"width":650,"height":1154,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemstandardwhiteglosspair500px_c4407b21-9535-4f79-be3b-b7e51989f9c9.jpg?v=1533686057","variant_ids":[8222836097070]},"available":true,"name":"Kii Audio Kii THREE BXT System PRO - 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Astoundingly enough small rooms profit a lot from the line source concept.\u003c\/p\u003e\n\u003cp\u003ePlease note that existing Kii THREEs can be upgraded at any time with the BXTs giving you full investment security. Also the Kii THREEs are still transportable and can be run by themselves just by detaching them from the BXT. The Kii THREEs will detect the presence of a BXT and automatically adjust the software accordingly.\u003c\/p\u003e\n\u003cp\u003eKii Technology\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE holds 6x250W power amplifier boards, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003c\/p\u003e\n\u003cp\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003c\/p\u003e\n\u003cp\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003c\/p\u003e\n\u003cp\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003c\/p\u003e\n\u003cp\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact DSP controlled monitor speaker\u003c\/li\u003e\n\u003cli\u003e4x 6.5\" woofer,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x5\" midrange,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\" waveguided tweeter, all individually driven\u003c\/li\u003e\n\u003cli\u003eAmplification: 6 x 250W full-custom Ncore\u003c\/li\u003e\n\u003cli\u003eActive Wave Focusing crossover filter\u003c\/li\u003e\n\u003cli\u003eFrequency response:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- 25 kHz\u003c\/li\u003e\n\u003cli\u003eBass extension -3dB@30Hz, -6dB@20Hz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eResponse flatness +\/- 0.5dB (1\/12th octave)\u003c\/li\u003e\n\u003cli\u003ePhase response: minimum (best possible time coherence).\u003c\/li\u003e\n\u003cli\u003eLong term SPL(*): 105dB\u003c\/li\u003e\n\u003cli\u003eShort term SPL(*): 110dBPeak\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPL: 115dB\u003c\/li\u003e\n\u003cli\u003eControlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003c\/li\u003e\n\u003cli\u003eSize: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003c\/li\u003e\n\u003cli\u003eWeight: 19 KG\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue, AES\/EBU\u003c\/li\u003e\n\u003cli\u003eSPDIF, TOSLink, USB on Kii Control.\u003c\/li\u003e\n\u003cli\u003eSelectable correction for free-standing, near wall or in corner\u003c\/li\u003e\n\u003cli\u003e(*)IEC60268-5 Paragraph 20.6\u003c\/li\u003e\n\u003cli\u003e\"Specifications are subject to change without notice\"\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":30222483482,"title":"Barefoot Sound MiniMain 12 4-way active monitor with MEME™ Technology (Pair)","handle":"barefoot-minimain-12-4-way-active-monitor-with-meme-technology","description":"Barefoot Sound is proud to introduce the revolutionary new MiniMain12, possibly the most accurate, revealing and technologically advanced recording monitor ever made. This is a bold statement, but the MiniMain12 is an incredibly bold speaker. With vanishing low distortion, breathtakingly wide dynamic range, ultra-fast transient response plus our amazing MEME™(Multi Emphasis Monitor Emulation™) technology.\u003cbr\u003e\u003cbr\u003eDETAILS\u003cbr\u003e\u003cbr\u003eThe MiniMain12 is a 4-way active system with 7 drive units housed in sealed enclosures spanning 20Hz to 40kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. Every driver has an under-hung voice coil moving inside an advanced geometry motor that enables it make extremely long linear excursions. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The aluminum cone subwoofers, woofers and midranges radiate as perfect pistons to at least 2.5 octaves beyond their respective bandwidths. Barefoot has teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage of the MM12. Melding the system together is a groundbreaking DSP crossover that has taken Thomas Barefoot more than 4 years to develop. With beautifully designed high end converts and cutting edge proprietary filtering techniques the MiniMain12 produces such a seamless and coherent wavefront that, if you dare, you can actually listen to this speaker from less than 3 feet away with no sonic compromise. And yes, the MM12 works perfectly out to far field distances as well, producing SPLs equivalent to big mains. \u003cbr\u003e\u003cbr\u003eIf all this weren’t enough, the MiniMain12 brings yet another revolutionary feature into the mix – MEME™(Multi Emphasis Monitor Emulation™) technology. While no other monitor in the world can match the MM12’s linearity and transparency, the MM12 actually has the capability to emulate other speakers! Despite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. So why not make the MM12 sound and translate like those speakers as well? With the turn of a knob one can switch from the MiniMain12’s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MiniMain12 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even some of their distortion components. If you know how to work on these speaker you will feel very comfortable working on the MM12’s emulation settings. \u003cbr\u003e\u003cbr\u003eSo there you have it: The Barefoot Sound MiniMain12, a monitor like no other. \u003cbr\u003e\u003cbr\u003eTECH SPECS\u003cbr\u003e\u003cbr\u003e • Description: 4-way active monitor with MEME™ Technology\u003cbr\u003e • Controls: Analog\/AES3 input select, AES3 L\/R channels select, Input level stepped attenuator, Subwoofer level, Emulation voice select\u003cbr\u003e • Input Impedance: 50k Ohm\u003cbr\u003e • Frequency Response: 20Hz – 50kHz (±3dB),\u003cbr\u003e • 28Hz – 40kHz (±1dB)\u003cbr\u003e • Bass Response: -3 dB @ 20Hz, Q = 0.707\u003cbr\u003e • Slope = 12 dB\/octave\u003cbr\u003e • Cabinet: 90 liters total internal volume, Sealed sub enclosure, Sealed woofer enclosures, Sealed woofer enclosure, Machined aluminum baffle plate, Aluminum subwoofer frames function as lateral cabinet bracing, Long fiber wool acoustic damping throughout.\u003cbr\u003e • Crossover Frequencies: 80 \/ 800 \/ 4000 Hz\u003cbr\u003e • Tweeter: 1″ ring radiator, Advanced geometry motor, Rear waveguide chamber\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • Midranges: 2 x 2.5″ aluminum cones, Advanced geometry motor, +\/- 2 mm linear excursion\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • Woofers: 2 x 7″ aluminum cones, Advanced geometry motor, +\/- 13 mm linear excursion\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • Subwoofers: 2 x 12″ aluminum cones, Advanced geometry motor, +\/- 25 mm linear excursion\u003cbr\u003e • Amplifier: 1200W Hypex\u003cbr\u003e • AC Power Input: Nominal 115 VAC or 230 VAC selectable\u003cbr\u003e • Power Consumption: Idle: 50W, Maximum: 1500W\u003cbr\u003e • Weight: Speaker: 120 lbs each (54 kg) – no handles\u003cbr\u003e • Shipping: 135 lbs each (61 kg) – no handles\u003cbr\u003e • Dimensions HxWxD: 26.0 x 14.4 x 21.9 inches (660 x 366 x 556 mm)","published_at":"2017-08-17T13:22:49+02:00","created_at":"2017-08-17T13:23:44+02:00","vendor":"Barefoot","type":"Studio Monitors","tags":["Active Monitors","Barefoot","Egypt","Price Range_$3000 and Over","Shop by brand_Barefoot","Shop by category_Active Monitors","Studio \u0026 Recording","Studio Monitors"],"price":2299500,"price_min":2299500,"price_max":2299500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":234534535194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MiniMain 12 (pair)","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Barefoot Sound MiniMain 12 4-way active monitor with MEME™ Technology (Pair)","public_title":null,"options":["Default Title"],"price":2299500,"weight":61230,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12-Handles_Angle_Left-transparent-background-e1400799060513.png?v=1502969497","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_51c96c9f-e160-4096-a011-a9e805111fda.png?v=1502969501","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12-Handels_Angle_Right-transparent-background-e1399440358337.png?v=1502969497","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12_Tweeter_Closeup1.png?v=1502969497","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12_voice_switch-e1399440442746.png?v=1502969497","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12_Solidworks-transparent-background.png?v=1502969497","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12_Rear-transparent-background-e1399440494825.png?v=1502969497","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12_Pair-e1399440577424.png?v=1502969497","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12_Handle-e1399440623152.png?v=1502969497","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12_Controls_Closeup-e1399440746332.png?v=1502969497","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12_Front_Closeup.png?v=1502969497"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MM12-Handles_Angle_Left-transparent-background-e1400799060513.png?v=1502969497","options":["Title"],"content":"Barefoot Sound is proud to introduce the revolutionary new MiniMain12, possibly the most accurate, revealing and technologically advanced recording monitor ever made. This is a bold statement, but the MiniMain12 is an incredibly bold speaker. With vanishing low distortion, breathtakingly wide dynamic range, ultra-fast transient response plus our amazing MEME™(Multi Emphasis Monitor Emulation™) technology.\u003cbr\u003e\u003cbr\u003eDETAILS\u003cbr\u003e\u003cbr\u003eThe MiniMain12 is a 4-way active system with 7 drive units housed in sealed enclosures spanning 20Hz to 40kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. Every driver has an under-hung voice coil moving inside an advanced geometry motor that enables it make extremely long linear excursions. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The aluminum cone subwoofers, woofers and midranges radiate as perfect pistons to at least 2.5 octaves beyond their respective bandwidths. Barefoot has teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage of the MM12. Melding the system together is a groundbreaking DSP crossover that has taken Thomas Barefoot more than 4 years to develop. With beautifully designed high end converts and cutting edge proprietary filtering techniques the MiniMain12 produces such a seamless and coherent wavefront that, if you dare, you can actually listen to this speaker from less than 3 feet away with no sonic compromise. And yes, the MM12 works perfectly out to far field distances as well, producing SPLs equivalent to big mains. \u003cbr\u003e\u003cbr\u003eIf all this weren’t enough, the MiniMain12 brings yet another revolutionary feature into the mix – MEME™(Multi Emphasis Monitor Emulation™) technology. While no other monitor in the world can match the MM12’s linearity and transparency, the MM12 actually has the capability to emulate other speakers! Despite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. So why not make the MM12 sound and translate like those speakers as well? With the turn of a knob one can switch from the MiniMain12’s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MiniMain12 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even some of their distortion components. If you know how to work on these speaker you will feel very comfortable working on the MM12’s emulation settings. \u003cbr\u003e\u003cbr\u003eSo there you have it: The Barefoot Sound MiniMain12, a monitor like no other. \u003cbr\u003e\u003cbr\u003eTECH SPECS\u003cbr\u003e\u003cbr\u003e • Description: 4-way active monitor with MEME™ Technology\u003cbr\u003e • Controls: Analog\/AES3 input select, AES3 L\/R channels select, Input level stepped attenuator, Subwoofer level, Emulation voice select\u003cbr\u003e • Input Impedance: 50k Ohm\u003cbr\u003e • Frequency Response: 20Hz – 50kHz (±3dB),\u003cbr\u003e • 28Hz – 40kHz (±1dB)\u003cbr\u003e • Bass Response: -3 dB @ 20Hz, Q = 0.707\u003cbr\u003e • Slope = 12 dB\/octave\u003cbr\u003e • Cabinet: 90 liters total internal volume, Sealed sub enclosure, Sealed woofer enclosures, Sealed woofer enclosure, Machined aluminum baffle plate, Aluminum subwoofer frames function as lateral cabinet bracing, Long fiber wool acoustic damping throughout.\u003cbr\u003e • Crossover Frequencies: 80 \/ 800 \/ 4000 Hz\u003cbr\u003e • Tweeter: 1″ ring radiator, Advanced geometry motor, Rear waveguide chamber\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • Midranges: 2 x 2.5″ aluminum cones, Advanced geometry motor, +\/- 2 mm linear excursion\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • Woofers: 2 x 7″ aluminum cones, Advanced geometry motor, +\/- 13 mm linear excursion\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • Subwoofers: 2 x 12″ aluminum cones, Advanced geometry motor, +\/- 25 mm linear excursion\u003cbr\u003e • Amplifier: 1200W Hypex\u003cbr\u003e • AC Power Input: Nominal 115 VAC or 230 VAC selectable\u003cbr\u003e • Power Consumption: Idle: 50W, Maximum: 1500W\u003cbr\u003e • Weight: Speaker: 120 lbs each (54 kg) – no handles\u003cbr\u003e • Shipping: 135 lbs each (61 kg) – no handles\u003cbr\u003e • Dimensions HxWxD: 26.0 x 14.4 x 21.9 inches (660 x 366 x 556 mm)"}

{"id":30201544730,"title":"Barefoot Sound MicroMain 45 3-way active monitor (Pair)","handle":"barefoot-micromain-45-3-way-active-monitor","description":"Featuring the same signal path, amplifier and driver technologies as our flagship MiniMain12, the MicroMain45 is stripped down to the bare essentials in order to deliver renowned Barefoot resolution and translation at a more affordable price. The MicroMain45 is becoming another industry standard, with top producers, artists and studios like Alex Da Kid, Nathan Willett (Cold War Kids) and EastWest Studios using them everyday.\u003cbr\u003e\u003cbr\u003eDETAILS\u003cbr\u003e\u003cbr\u003eAs a 3-way active monitor, the Barefoot MicroMain45 utilizes the same amplifier, signal path and driver technology of the MiniMain12. Downsizing the hefty 130+ lbs size of the original to a tight 35+ lbs package, the MicroMain45 features an 8” aluminum woofer, two x 2.5” aluminum midranges and a 1” tweeter. With a bass response of -3dB @ 40Hz, frequency response of 40Hz – 45 kHz (±3dB) and 53Hz – 40kHz (±1dB), this is the sound that Barefoot enthusiasts have come to know and love.\u003cbr\u003e\u003cbr\u003eFounded on the idea of creating a new type of audio monitor, Barefoot Sound was started by Thomas Barefoot to meet the growing needs of small to mid-sized project studios. By offering well-designed monitors that could take the space of several sets of speakers, audio enthusiasts are able to have more room for other types of gear, while still having an impeccable monitoring system. The Barefoot Sound MM45 monitors follow in this lineage of incredible speakers like the MicroMain27 and MicroMain35.\u003cbr\u003e\u003cbr\u003eMEME™ Technology: Despite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. The solution is to make the MM45 sound and translate like those speakers. With the turn of a knob one can switch from the MicroMain45′s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MM45 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even specific distortion components. If you know how to work on these speakers you will feel very comfortable working on the new MM45′s emulation settings.\u003cbr\u003e\u003cbr\u003eTECH SPECS\u003cbr\u003e\u003cbr\u003e • Description: 3-way active monitor\u003cbr\u003e • Controls: Input level stepped attenuator, Equalization contour\u003cbr\u003e • Input Impedance: 50k Ohm\u003cbr\u003e • Frequency Response: 40Hz – 45kHz (±3dB),\u003cbr\u003e • 53Hz – 40kHz (±1dB)\u003cbr\u003e • Bass Response: -3 dB @ 35Hz, Q = 0.707\u003cbr\u003e • Slope = 12 dB\/octave\u003cbr\u003e • Cabinet: 14 liters total internal volume, Sealed woofer and midrange enclosures, Machined aluminum baffle plate, Long fiber wool acoustic damping throughout\u003cbr\u003e • Crossover Frequencies: 600 \/ 2500 Hz\u003cbr\u003e • Tweeter: 1″ ring radiator, Advanced geometry motor, Rear waveguide chamber\u003cbr\u003e • Amplifier: 180W Hypex\u003cbr\u003e • Midranges: \u003cbr\u003e • 2 x 2.5″ aluminum cones, Advanced geometry motor, +\/- 2 mm linear excursion\u003cbr\u003e • Amplifier: 180W Hypex\u003cbr\u003e • Subwoofers: \u003cbr\u003e • 8″ aluminum cone with high linearity motor, +\/- 13 mm linear excursion\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • AC Power Input: Nominal 115 VAC or 230 VAC selectable\u003cbr\u003e • Power Consumption: Idle: 18W, Maximum: 400W\u003cbr\u003e • Weight: Speaker: 37.5 lbs each (17 kg)\u003cbr\u003e • Shipping: 47 lbs each (21 kg)\u003cbr\u003e • Dimensions HxWxD: Cabinet: 11.0 x 15.5 x 10.75 inches (279 x 394 x 273 mm)\u003cbr\u003e • Overall: 11.0 x 15.5 x 11.0 inches (279 x 394 x 279 mm)","published_at":"2017-08-17T12:57:48+02:00","created_at":"2017-08-17T13:02:49+02:00","vendor":"Barefoot","type":"Studio Monitors","tags":["Active Monitors","Barefoot","Egypt","Price Range_$3000 and Over","Shop by brand_Barefoot","Shop by category_Active Monitors","Studio \u0026 Recording","Studio Monitors"],"price":624500,"price_min":624500,"price_max":624500,"available":true,"price_varies":false,"compare_at_price":0,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":234088366106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MicroMain 45 (pair)","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Barefoot Sound MicroMain 45 3-way active monitor (Pair)","public_title":null,"options":["Default Title"],"price":624500,"weight":17010,"compare_at_price":0,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mm45_front.jpg?v=1502968090","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_55d64456-1827-439d-8956-56eb10bf9240.png?v=1502968096","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mm45_side_3.jpg?v=1502968090","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mm45_side_2.jpg?v=1502968090","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mm45_side_4.jpg?v=1502968090","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mm45_rear.jpg?v=1502968090","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/meme_b60b9406-54df-4a4c-9409-d6a47bb2d96d.jpg?v=1502968090","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/alex_da_kid_micromain45.jpg?v=1502968090","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/adam_moseley_micromain45.jpg?v=1502968090"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mm45_front.jpg?v=1502968090","options":["Title"],"content":"Featuring the same signal path, amplifier and driver technologies as our flagship MiniMain12, the MicroMain45 is stripped down to the bare essentials in order to deliver renowned Barefoot resolution and translation at a more affordable price. The MicroMain45 is becoming another industry standard, with top producers, artists and studios like Alex Da Kid, Nathan Willett (Cold War Kids) and EastWest Studios using them everyday.\u003cbr\u003e\u003cbr\u003eDETAILS\u003cbr\u003e\u003cbr\u003eAs a 3-way active monitor, the Barefoot MicroMain45 utilizes the same amplifier, signal path and driver technology of the MiniMain12. Downsizing the hefty 130+ lbs size of the original to a tight 35+ lbs package, the MicroMain45 features an 8” aluminum woofer, two x 2.5” aluminum midranges and a 1” tweeter. With a bass response of -3dB @ 40Hz, frequency response of 40Hz – 45 kHz (±3dB) and 53Hz – 40kHz (±1dB), this is the sound that Barefoot enthusiasts have come to know and love.\u003cbr\u003e\u003cbr\u003eFounded on the idea of creating a new type of audio monitor, Barefoot Sound was started by Thomas Barefoot to meet the growing needs of small to mid-sized project studios. By offering well-designed monitors that could take the space of several sets of speakers, audio enthusiasts are able to have more room for other types of gear, while still having an impeccable monitoring system. The Barefoot Sound MM45 monitors follow in this lineage of incredible speakers like the MicroMain27 and MicroMain35.\u003cbr\u003e\u003cbr\u003eMEME™ Technology: Despite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. The solution is to make the MM45 sound and translate like those speakers. With the turn of a knob one can switch from the MicroMain45′s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MM45 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even specific distortion components. If you know how to work on these speakers you will feel very comfortable working on the new MM45′s emulation settings.\u003cbr\u003e\u003cbr\u003eTECH SPECS\u003cbr\u003e\u003cbr\u003e • Description: 3-way active monitor\u003cbr\u003e • Controls: Input level stepped attenuator, Equalization contour\u003cbr\u003e • Input Impedance: 50k Ohm\u003cbr\u003e • Frequency Response: 40Hz – 45kHz (±3dB),\u003cbr\u003e • 53Hz – 40kHz (±1dB)\u003cbr\u003e • Bass Response: -3 dB @ 35Hz, Q = 0.707\u003cbr\u003e • Slope = 12 dB\/octave\u003cbr\u003e • Cabinet: 14 liters total internal volume, Sealed woofer and midrange enclosures, Machined aluminum baffle plate, Long fiber wool acoustic damping throughout\u003cbr\u003e • Crossover Frequencies: 600 \/ 2500 Hz\u003cbr\u003e • Tweeter: 1″ ring radiator, Advanced geometry motor, Rear waveguide chamber\u003cbr\u003e • Amplifier: 180W Hypex\u003cbr\u003e • Midranges: \u003cbr\u003e • 2 x 2.5″ aluminum cones, Advanced geometry motor, +\/- 2 mm linear excursion\u003cbr\u003e • Amplifier: 180W Hypex\u003cbr\u003e • Subwoofers: \u003cbr\u003e • 8″ aluminum cone with high linearity motor, +\/- 13 mm linear excursion\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • AC Power Input: Nominal 115 VAC or 230 VAC selectable\u003cbr\u003e • Power Consumption: Idle: 18W, Maximum: 400W\u003cbr\u003e • Weight: Speaker: 37.5 lbs each (17 kg)\u003cbr\u003e • Shipping: 47 lbs each (21 kg)\u003cbr\u003e • Dimensions HxWxD: Cabinet: 11.0 x 15.5 x 10.75 inches (279 x 394 x 273 mm)\u003cbr\u003e • Overall: 11.0 x 15.5 x 11.0 inches (279 x 394 x 279 mm)"}

{"id":30186766362,"title":"Barefoot Sound Footprint FP-01 3-way active monitor with MEME™ voice emulation (Pair)","handle":"barefoot-footprint-fp-01-3-way-active-monitor-with-meme-voice-emulation","description":"\u003cp\u003eBarefoot Sound’s new Footprint line of powered nearfield monitors delivers the company’s uncompromising audio performance and build quality to engineers, producers, composers and musicians working in smaller spaces and with smaller budgets.\u003c\/p\u003e\n\u003cp\u003eKEY FEATURES\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMEME™ Technology Voice Emulation\u003c\/li\u003e\n\u003cli\u003eDual-Force™ Technology\u003c\/li\u003e\n\u003cli\u003eDual Ring Radiator Tweeter\u003c\/li\u003e\n\u003cli\u003e650 Watts of Power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDETAILS\u003c\/p\u003e\n\u003cp\u003eThe new line launches with the Footprint01™, an active 3-way speaker that shares the same Thomas Barefoot signature designs — Dual-Force™ technology opposing sub woofers, dual ring radiator tweeter and Multi-Emphasis Monitor Emulation™ technology — as the MicroMain and MasterStack monitor lines. Footprint01 features dual opposing 8-inch paper cone subwoofers, a 4-inch aluminum cone midrange driver and a 1-inch dual ring radiating tweeter, components that all share a lineage with Barefoot’s other products.\u003c\/p\u003e\n\u003cp\u003eThe 2-way DSP crossover feeds dual Class D amplifier modules that drive the subwoofers with 500W of power and deliver 150W to the mid- and high-frequency drivers. There is a passive crossover network between the midrange driver and the tweeter. The midrange woofer is positioned above the tweeter in an unusual speaker geometry that creates the acoustic focus in the center of the cabinet.\u003c\/p\u003e\n\u003cp\u003eThomas Barefoot’s approach to reference monitor speaker design has always been to provide audio professionals with exemplary sound quality, wide dynamic range and bass extension at every stage of the audio production process, from recording through mixing to mastering. But not every project begins or ends in a high-end studio that offers Barefoot MicroMain or MasterStack monitors. The new Footprint01 model is Barefoot Sound’s response to evolving modern workflows, making the company’s ultra-high performance technologies available to audio professionals working in home-based facilities, smaller writing, editing or post production rooms, or on the road. Now, composers, songwriters, musicians, beat-makers, post production specialists and others can benefit from the Barefoot sound, whatever their work environment.\u003c\/p\u003e\n\u003cp\u003eTECH SPECS\u003cbr\u003e\u003cbr\u003e • Description: 3-way active monitor with MEME™ voice emulation\u003cbr\u003e • Controls: Input level stepped attenuator, MEME voice select\u003cbr\u003e • Input Impedance: Balanced XLR, 50k Ohm Impedance\u003cbr\u003e • Sensitivity: 90dB @ 1 meter with -15dBV input signal (Level control set to 0dB)\u003cbr\u003e • Frequency Response: 36Hz – 45kHz (±3dB),\u003cbr\u003e • 45Hz – 40kHz (±1dB)\u003cbr\u003e • Bass Response: -3 dB @ 36Hz, Q = 0.707\u003cbr\u003e • Slope = 18 dB\/octave\u003cbr\u003e • Cabinet: 18 liters total internal volume, Sealed woofer and midrange enclosures, Machined aluminum baffle plate, Long fiber wool acoustic damping throughout\u003cbr\u003e • Crossover Frequencies: 250 \/ 3600 Hz (Passive crossover between Midrange and Tweeter)\u003cbr\u003e • Tweeter: 1″ ring radiator, Low distortion motor, Rear waveguide chamber\u003cbr\u003e • Midrange: 4.0″ aluminum cone, Aluminum phase plug, Low distortion motor, +\/- 3.5 mm linear excursion\u003cbr\u003e • Woofers: 8″ paper cone, +\/- 9.5 mm linear excursion\u003cbr\u003e • High Frequency Amplifier: 150W\u003cbr\u003e • Low Frequency Amplifier: 500W\u003cbr\u003e • AC Power Input: 85 VAC to 265 VAC\u003cbr\u003e • Power Consumption: Idle: 2W, Maximum: 765W\u003cbr\u003e • Weight: Speaker: 35 lbs each (16 kg)\u003cbr\u003e • Shipping: 44.5 lbs each (20.2 kg)\u003cbr\u003e • Dimensions HxWxD: Cabinet: 14.0 x 9.5 x 13.0 inches (356 x 241 x 330 mm)\u003cbr\u003e • Overall: 14.0 x 10.25 x 13.6 inches (356 x 260 x 345 mm)\u003c\/p\u003e","published_at":"2017-08-17T12:17:29+02:00","created_at":"2017-08-17T12:47:22+02:00","vendor":"Barefoot","type":"Studio Monitors","tags":["Active Monitors","Barefoot","Egypt","Price Range_$3000 and Over","Shop by brand_Barefoot","Shop by category_Active Monitors","Studio \u0026 Recording","Studio Monitors"],"price":374500,"price_min":374500,"price_max":374500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":233725919258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Footprint FP-01 (pair)","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Barefoot Sound Footprint FP-01 3-way active monitor with MEME™ voice emulation (Pair)","public_title":null,"options":["Default Title"],"price":374500,"weight":20180,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/center-2.jpg?v=1502967329","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_588349d6-898b-4c7d-82a0-e822cd9a1bc2.png?v=1502967329","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/side-1.jpg?v=1502967329","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/front_angle-2.jpg?v=1502967329","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/rear-1.jpg?v=1502967329","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/angle-1.jpg?v=1502967329","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/meme.jpg?v=1502967329","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/hero-2.jpg?v=1502967329","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/linda_lind.jpg?v=1502967329","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/center-2_9eec6b02-2da2-483a-8bd9-fa244b9c6ae3.jpg?v=1502967329"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/center-2.jpg?v=1502967329","options":["Title"],"content":"\u003cp\u003eBarefoot Sound’s new Footprint line of powered nearfield monitors delivers the company’s uncompromising audio performance and build quality to engineers, producers, composers and musicians working in smaller spaces and with smaller budgets.\u003c\/p\u003e\n\u003cp\u003eKEY FEATURES\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMEME™ Technology Voice Emulation\u003c\/li\u003e\n\u003cli\u003eDual-Force™ Technology\u003c\/li\u003e\n\u003cli\u003eDual Ring Radiator Tweeter\u003c\/li\u003e\n\u003cli\u003e650 Watts of Power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDETAILS\u003c\/p\u003e\n\u003cp\u003eThe new line launches with the Footprint01™, an active 3-way speaker that shares the same Thomas Barefoot signature designs — Dual-Force™ technology opposing sub woofers, dual ring radiator tweeter and Multi-Emphasis Monitor Emulation™ technology — as the MicroMain and MasterStack monitor lines. Footprint01 features dual opposing 8-inch paper cone subwoofers, a 4-inch aluminum cone midrange driver and a 1-inch dual ring radiating tweeter, components that all share a lineage with Barefoot’s other products.\u003c\/p\u003e\n\u003cp\u003eThe 2-way DSP crossover feeds dual Class D amplifier modules that drive the subwoofers with 500W of power and deliver 150W to the mid- and high-frequency drivers. There is a passive crossover network between the midrange driver and the tweeter. The midrange woofer is positioned above the tweeter in an unusual speaker geometry that creates the acoustic focus in the center of the cabinet.\u003c\/p\u003e\n\u003cp\u003eThomas Barefoot’s approach to reference monitor speaker design has always been to provide audio professionals with exemplary sound quality, wide dynamic range and bass extension at every stage of the audio production process, from recording through mixing to mastering. But not every project begins or ends in a high-end studio that offers Barefoot MicroMain or MasterStack monitors. The new Footprint01 model is Barefoot Sound’s response to evolving modern workflows, making the company’s ultra-high performance technologies available to audio professionals working in home-based facilities, smaller writing, editing or post production rooms, or on the road. Now, composers, songwriters, musicians, beat-makers, post production specialists and others can benefit from the Barefoot sound, whatever their work environment.\u003c\/p\u003e\n\u003cp\u003eTECH SPECS\u003cbr\u003e\u003cbr\u003e • Description: 3-way active monitor with MEME™ voice emulation\u003cbr\u003e • Controls: Input level stepped attenuator, MEME voice select\u003cbr\u003e • Input Impedance: Balanced XLR, 50k Ohm Impedance\u003cbr\u003e • Sensitivity: 90dB @ 1 meter with -15dBV input signal (Level control set to 0dB)\u003cbr\u003e • Frequency Response: 36Hz – 45kHz (±3dB),\u003cbr\u003e • 45Hz – 40kHz (±1dB)\u003cbr\u003e • Bass Response: -3 dB @ 36Hz, Q = 0.707\u003cbr\u003e • Slope = 18 dB\/octave\u003cbr\u003e • Cabinet: 18 liters total internal volume, Sealed woofer and midrange enclosures, Machined aluminum baffle plate, Long fiber wool acoustic damping throughout\u003cbr\u003e • Crossover Frequencies: 250 \/ 3600 Hz (Passive crossover between Midrange and Tweeter)\u003cbr\u003e • Tweeter: 1″ ring radiator, Low distortion motor, Rear waveguide chamber\u003cbr\u003e • Midrange: 4.0″ aluminum cone, Aluminum phase plug, Low distortion motor, +\/- 3.5 mm linear excursion\u003cbr\u003e • Woofers: 8″ paper cone, +\/- 9.5 mm linear excursion\u003cbr\u003e • High Frequency Amplifier: 150W\u003cbr\u003e • Low Frequency Amplifier: 500W\u003cbr\u003e • AC Power Input: 85 VAC to 265 VAC\u003cbr\u003e • Power Consumption: Idle: 2W, Maximum: 765W\u003cbr\u003e • Weight: Speaker: 35 lbs each (16 kg)\u003cbr\u003e • Shipping: 44.5 lbs each (20.2 kg)\u003cbr\u003e • Dimensions HxWxD: Cabinet: 14.0 x 9.5 x 13.0 inches (356 x 241 x 330 mm)\u003cbr\u003e • Overall: 14.0 x 10.25 x 13.6 inches (356 x 260 x 345 mm)\u003c\/p\u003e"}

{"id":9296080141,"title":"Avantone Pro Active MixCube Powered Powered Studio Monitor In Black","handle":"avantone-active-mixcube-powered-full-range-mini-reference-monitors-in-black","description":"\u003ch2\u003eAvantone Active MixCubes Powered Full-Range Mini Reference Monitors in Limited Edition Black\u003c\/h2\u003e\n\u003cp\u003eWhile originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication\u003c\/strong\u003e\u003cbr\u003eActive Recording \/ Mixdown Monitors\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003cbr\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003cbr\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003cbr\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003cbr\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003cbr\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBalanced Input\u003c\/strong\u003e\u003cbr\u003eThis “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Gain\u003c\/strong\u003e\u003cbr\u003eThis variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn\/Off Switch\u003c\/strong\u003e\u003cbr\u003eThis illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAC Input \u003c\/strong\u003e\u003cbr\u003eThis input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGround Lift Switch\u003c\/strong\u003e\u003cbr\u003eBy engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlacement\u003c\/strong\u003e\u003cbr\u003eWhen positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Type\u003c\/strong\u003e\u003cbr\u003eActive (Self-powered) shielded full-range stereo pair  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e90Hz - 17,000Hz (useful musical range)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u0026gt;Driver Impedance\u003c\/strong\u003e\u003cbr\u003eNominal 8 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003cbr\u003e104db @ 1 meter = 1%THD (PINK NOISE)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Type\u003c\/strong\u003e\u003cbr\u003eClass A\/B\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Power\u003c\/strong\u003e\u003cbr\u003e60 watts RMS@ .005% THD (1KHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmp Frequency Response\u003c\/strong\u003e\u003cbr\u003e22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003cbr\u003eS\/N -113 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003cbr\u003e0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver\u003c\/strong\u003e\u003cbr\u003eProprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet\u003c\/strong\u003e\u003cbr\u003esealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003cbr\u003eXLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e7 lb 5 oz (per speaker)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e165mm x 165mm x 165mm (6 1\/2\" x 6 1\/2\" x 6 1\/2\" in) \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-06-19T00:04:15+02:00","created_at":"2017-03-09T13:23:47+02:00","vendor":"Avantone Pro","type":"Studio Monitors","tags":["Active Monitors","Avantone Pro","Price Range_$200 to $300","Price Range_$300 to $500","Shop by brand_Avantone Pro","Shop by category_Active Monitors","Studio \u0026 Recording","Studio Monitors"],"price":24900,"price_min":24900,"price_max":47900,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33789608461,"title":"Single","option1":"Single","option2":null,"option3":null,"sku":"AMB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro Active MixCube Powered Powered Studio Monitor In Black - Single","public_title":"Single","options":["Single"],"price":24900,"weight":12340,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1869388546074,"title":"Pair","option1":"Pair","option2":null,"option3":null,"sku":"AB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro Active MixCube Powered Powered Studio Monitor In Black - Pair","public_title":"Pair","options":["Pair"],"price":47900,"weight":24680,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1023-0.jpg?v=1489059045"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1023-0.jpg?v=1489059045","options":["Quantity"],"content":"\u003ch2\u003eAvantone Active MixCubes Powered Full-Range Mini Reference Monitors in Limited Edition Black\u003c\/h2\u003e\n\u003cp\u003eWhile originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication\u003c\/strong\u003e\u003cbr\u003eActive Recording \/ Mixdown Monitors\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003cbr\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003cbr\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003cbr\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003cbr\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003cbr\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBalanced Input\u003c\/strong\u003e\u003cbr\u003eThis “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Gain\u003c\/strong\u003e\u003cbr\u003eThis variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn\/Off Switch\u003c\/strong\u003e\u003cbr\u003eThis illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAC Input \u003c\/strong\u003e\u003cbr\u003eThis input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGround Lift Switch\u003c\/strong\u003e\u003cbr\u003eBy engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlacement\u003c\/strong\u003e\u003cbr\u003eWhen positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Type\u003c\/strong\u003e\u003cbr\u003eActive (Self-powered) shielded full-range stereo pair  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e90Hz - 17,000Hz (useful musical range)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u0026gt;Driver Impedance\u003c\/strong\u003e\u003cbr\u003eNominal 8 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003cbr\u003e104db @ 1 meter = 1%THD (PINK NOISE)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Type\u003c\/strong\u003e\u003cbr\u003eClass A\/B\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Power\u003c\/strong\u003e\u003cbr\u003e60 watts RMS@ .005% THD (1KHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmp Frequency Response\u003c\/strong\u003e\u003cbr\u003e22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003cbr\u003eS\/N -113 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003cbr\u003e0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver\u003c\/strong\u003e\u003cbr\u003eProprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet\u003c\/strong\u003e\u003cbr\u003esealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003cbr\u003eXLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e7 lb 5 oz (per speaker)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e165mm x 165mm x 165mm (6 1\/2\" x 6 1\/2\" x 6 1\/2\" in) \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":1696273596462,"title":"Avantone MixCube Active Creme Full-Range Mini Reference Monitors (Pair)","handle":"avantone-mixcube-active-creme-full-range-mini-reference-monitors-pair","description":"\u003cstrong\u003e  Avantone MixCube Active Creme Full-Range Mini Reference Monitors (Pair) \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMixcube Active (Pair) Creme\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhile originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplication\u003c\/strong\u003e\u003cbr\u003eActive Recording \/ Mixdown Monitors\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003cbr\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003cbr\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003cbr\u003e\u003cbr\u003e    While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003cbr\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003cbr\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003cbr\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e    System Type: Active (Self-powered) shielded full-range stereo pair\u003cbr\u003e    Frequency Response: 90Hz - 17,000Hz (useful musical range)\u003cbr\u003e    Impendance: Nominal 8 ohms\u003cbr\u003e    Max SPL: 104db @ 1 meter = 1%THD (PINK NOISE)\u003cbr\u003e    Amplifier Type: Class A\/B\u003cbr\u003e    Amplifier Power: 60 watts RMS@ .005% THD (1KHz)\u003cbr\u003e    Amp Frequency Response: 22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003cbr\u003e    Noise: S\/N -113 dB\u003cbr\u003e    Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003cbr\u003e    Driver: Proprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003cbr\u003e    Cabinet: sealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003cbr\u003e    Inputs: XLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003cbr\u003e    Weight: 7.13lbs (per monitor)\u003cbr\u003e    Dimensions: 6.5\" x 6.5\" x 6.5\"\u003cbr\u003e\u003cbr\u003e","published_at":"2019-03-07T10:47:01+02:00","created_at":"2019-03-07T10:55:27+02:00","vendor":"Avantone Pro","type":"Active Monitor","tags":["Active Monitors","Avantone Pro","Studio \u0026 Recording","Studio Monitors"],"price":47900,"price_min":47900,"price_max":47900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":15575982112814,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone MixCube Active Creme Full-Range Mini Reference Monitors (Pair)","public_title":null,"options":["Default Title"],"price":47900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mixcubes-active-creme_1_940x400_2c4390a5-6984-4968-92cd-d516cd61798c.jpg?v=1551948937","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mixcubes-active-creme_2_940x400_79badcea-74eb-4ded-8982-ab1da6f200b7.jpg?v=1551948945","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mixcubes-active-creme_3_940x400_aa9b5784-b8e6-4e35-bab4-d53dd370beac.jpg?v=1551948958"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mixcubes-active-creme_1_940x400_2c4390a5-6984-4968-92cd-d516cd61798c.jpg?v=1551948937","options":["Title"],"content":"\u003cstrong\u003e  Avantone MixCube Active Creme Full-Range Mini Reference Monitors (Pair) \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMixcube Active (Pair) Creme\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhile originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplication\u003c\/strong\u003e\u003cbr\u003eActive Recording \/ Mixdown Monitors\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003cbr\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003cbr\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003cbr\u003e\u003cbr\u003e    While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003cbr\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003cbr\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003cbr\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e    System Type: Active (Self-powered) shielded full-range stereo pair\u003cbr\u003e    Frequency Response: 90Hz - 17,000Hz (useful musical range)\u003cbr\u003e    Impendance: Nominal 8 ohms\u003cbr\u003e    Max SPL: 104db @ 1 meter = 1%THD (PINK NOISE)\u003cbr\u003e    Amplifier Type: Class A\/B\u003cbr\u003e    Amplifier Power: 60 watts RMS@ .005% THD (1KHz)\u003cbr\u003e    Amp Frequency Response: 22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003cbr\u003e    Noise: S\/N -113 dB\u003cbr\u003e    Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003cbr\u003e    Driver: Proprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003cbr\u003e    Cabinet: sealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003cbr\u003e    Inputs: XLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003cbr\u003e    Weight: 7.13lbs (per monitor)\u003cbr\u003e    Dimensions: 6.5\" x 6.5\" x 6.5\"\u003cbr\u003e\u003cbr\u003e"}