{"id":8711032077,"title":"DPA d:vote™ 4099 Rock Touring Kit, 4 Mics and accessories, Extreme SPL","handle":"dpa-4099-touring-kit-for-classic-with-4-instrument-microphones-and-accessories","description":"\u003cp\u003ed:vote™\u003c\/p\u003e\n\u003cp\u003e4099 Touring Kit\u003c\/p\u003e\n\u003cp\u003eThe true voice of your instrument\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNatural sound\u003c\/li\u003e\n\u003cli\u003eHandles high SPLs\u003c\/li\u003e\n\u003cli\u003eSuperior gain-before-feedback\u003c\/li\u003e\n\u003cli\u003eSupercardioid condenser microphone\u003c\/li\u003e\n\u003cli\u003eLarge range of mounts for use on almost all instruments\u003c\/li\u003e\n\u003cli\u003eGentle and easy to mount on the instrument\u003c\/li\u003e\n\u003cli\u003eDetachable cable and a versatile gooseneck extender\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. These mics come available in kits of 4- or 10 pieces with relevant accessories to make it easy to mic a group, band or orchestra.\u003c\/p\u003e\n\u003cp\u003eA perfect kit for your needs\u003c\/p\u003e\n\u003cp\u003eThere are two different types of kits available and they can each be purchases with 4 or 10 microphones. Ready for on-the-road use for rental companies, musicians or theatres, the d:vote™ Classic Touring Kit offers microphones and a selection of accessories selected for typical use in an acoustic music setting. This kit features a number of d:vote™ 4099 Instrument Microphones for Loud SPL, which are perfect for use on a wide range of instruments – from the flute to the guitar, and everything in between.\u003c\/p\u003e\n\u003cp\u003eThe d:vote™ Rock Touring Kit offers a number of d:vote™ condenser microphones and a selection of accessories selected for typical use in a live rock music setting. With a max SPL, peak before clipping of 152 dB, the d:vote™ 4099 Instrument Microphone for Extreme-SPL instruments was designed for use on drums, percussion instruments and other loud instruments, like the trumpet and saxophone.\u003c\/p\u003e\n\u003cp\u003e“I've been using d:vote™ Instrument Microphones for many years, especially on cello and double bass. I really like them because they are so small, light and easy to install. They come with a fabulous range of accessories and are not invasive, even on small instruments such as violins. In terms of sound, they bring out the true nature of an acoustic instrument and deliver the deep, full-bodied, true low end bass that you expect to hear.\"\u003c\/p\u003e\n\u003cp\u003e– Simone 'Zeta' Saccomandi, front of house engineer for Italian ensemble, LE DIV4S\u003c\/p\u003e\n\u003cp\u003eAbout d:vote™ 4099 Instrument Microphones\u003c\/p\u003e\n\u003cp\u003eBoth the Loud- and Extreme-SPL versions of the d:vote™ 4099 have a supercardioid polar pattern for high rejection and superior gain-before-feedback. The mic also retains a uniform off-axis frequency response to ensure a high-energy, clear live performance.\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ed:vote™ 4099 also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting.\u003c\/p\u003e\n\u003cp\u003eThe mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Supercardioid\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure gradient\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ± 2 dB, at 20 cm (7.9 in) 80 Hz - 15 kHz with 2 dB soft boost at 10-12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 2 mV\/Pa; -54 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 28 dB(A) re. 20 μPa (max. 31 dB(A))\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 66 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 95 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 152 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD4099\/DAD6001-BC: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD4099 or DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD4099 or DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD4099 or DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD4099 or DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black\u003c\/li\u003e\n\u003cli\u003eWeight 28 g (0.95 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 45 mm (1.8 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in) \/ 2.2 mm (0.09 in)\u003c\/li\u003e\n\u003cli\u003ePolarity +V at MicroDot pin for positive sound pressure (and pin 2 on DAD4099 or DAD6001-BC XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003cli\u003eGooseneck length 140 mm (5.5 in)\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-03T14:54:42+02:00","created_at":"2016-12-31T18:45:57+02:00","vendor":"DPA","type":"Instrument Microphones","tags":["Connector_MicroDot","DPA","Polar Pattern_Supercardioid","Price Range_$2000 to $3000","Recording","Recording Microphones","Shop by brand_DPA","Shop by category_Instrument Microphone","Shop by category_Touring Kit"],"price":218240,"price_min":218240,"price_max":218240,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":29806682189,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"KIT-4099-DL-4R","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DPA d:vote™ 4099 Rock Touring Kit, 4 Mics and accessories, Extreme SPL","public_title":null,"options":["Default Title"],"price":218240,"weight":5640,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/VO4-classic-Touring-Kit-dvote-Instrument-Microphones-DPA-Microphones-L.jpg?v=1522760303","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dvote-touring-kits_78bc7ff3-2bad-4efe-89cc-d3a71d3f5c52.jpg?v=1522760303","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/microdot-adapters-overview-image_25b9b53c-3e8e-4991-a8ba-8f523aedab2a.jpg?v=1522760303","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dvote-4099-frequency-response-DPA_90fa0d72-0b04-4813-a63e-6c45aec5ad11.jpg?v=1522760303"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/VO4-classic-Touring-Kit-dvote-Instrument-Microphones-DPA-Microphones-L.jpg?v=1522760303","options":["Title"],"content":"\u003cp\u003ed:vote™\u003c\/p\u003e\n\u003cp\u003e4099 Touring Kit\u003c\/p\u003e\n\u003cp\u003eThe true voice of your instrument\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eNatural sound\u003c\/li\u003e\n\u003cli\u003eHandles high SPLs\u003c\/li\u003e\n\u003cli\u003eSuperior gain-before-feedback\u003c\/li\u003e\n\u003cli\u003eSupercardioid condenser microphone\u003c\/li\u003e\n\u003cli\u003eLarge range of mounts for use on almost all instruments\u003c\/li\u003e\n\u003cli\u003eGentle and easy to mount on the instrument\u003c\/li\u003e\n\u003cli\u003eDetachable cable and a versatile gooseneck extender\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. These mics come available in kits of 4- or 10 pieces with relevant accessories to make it easy to mic a group, band or orchestra.\u003c\/p\u003e\n\u003cp\u003eA perfect kit for your needs\u003c\/p\u003e\n\u003cp\u003eThere are two different types of kits available and they can each be purchases with 4 or 10 microphones. Ready for on-the-road use for rental companies, musicians or theatres, the d:vote™ Classic Touring Kit offers microphones and a selection of accessories selected for typical use in an acoustic music setting. This kit features a number of d:vote™ 4099 Instrument Microphones for Loud SPL, which are perfect for use on a wide range of instruments – from the flute to the guitar, and everything in between.\u003c\/p\u003e\n\u003cp\u003eThe d:vote™ Rock Touring Kit offers a number of d:vote™ condenser microphones and a selection of accessories selected for typical use in a live rock music setting. With a max SPL, peak before clipping of 152 dB, the d:vote™ 4099 Instrument Microphone for Extreme-SPL instruments was designed for use on drums, percussion instruments and other loud instruments, like the trumpet and saxophone.\u003c\/p\u003e\n\u003cp\u003e“I've been using d:vote™ Instrument Microphones for many years, especially on cello and double bass. I really like them because they are so small, light and easy to install. They come with a fabulous range of accessories and are not invasive, even on small instruments such as violins. In terms of sound, they bring out the true nature of an acoustic instrument and deliver the deep, full-bodied, true low end bass that you expect to hear.\"\u003c\/p\u003e\n\u003cp\u003e– Simone 'Zeta' Saccomandi, front of house engineer for Italian ensemble, LE DIV4S\u003c\/p\u003e\n\u003cp\u003eAbout d:vote™ 4099 Instrument Microphones\u003c\/p\u003e\n\u003cp\u003eBoth the Loud- and Extreme-SPL versions of the d:vote™ 4099 have a supercardioid polar pattern for high rejection and superior gain-before-feedback. The mic also retains a uniform off-axis frequency response to ensure a high-energy, clear live performance.\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003ed:vote™ 4099 also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting.\u003c\/p\u003e\n\u003cp\u003eThe mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDirectional pattern Supercardioid\u003c\/li\u003e\n\u003cli\u003ePrinciple of operation Pressure gradient\u003c\/li\u003e\n\u003cli\u003eCartridge type Pre-polarized condenser\u003c\/li\u003e\n\u003cli\u003eFrequency range 20 Hz - 20 kHz\u003c\/li\u003e\n\u003cli\u003eFrequency range, ± 2 dB, at 20 cm (7.9 in) 80 Hz - 15 kHz with 2 dB soft boost at 10-12 kHz\u003c\/li\u003e\n\u003cli\u003eSensitivity, nominal, ±3 dB at 1 kHz 2 mV\/Pa; -54 dB re. 1 V\/Pa\u003c\/li\u003e\n\u003cli\u003eEquivalent noise level, A-weighted Typ. 28 dB(A) re. 20 μPa (max. 31 dB(A))\u003c\/li\u003e\n\u003cli\u003eS\/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 66 dB(A)\u003c\/li\u003e\n\u003cli\u003eTotal harmonic distortion (THD) \u0026lt; 1% up to 123 dB SPL peak\u003c\/li\u003e\n\u003cli\u003eDynamic range Typ. 95 dB\u003c\/li\u003e\n\u003cli\u003eMax. SPL, peak before clipping 152 dB\u003c\/li\u003e\n\u003cli\u003eOutput impedance From MicroDot: 30 - 40 Ω. From DAD4099\/DAD6001-BC: 100 Ω\u003c\/li\u003e\n\u003cli\u003eCable drive capability Up to 300 m (984 ft) with DAD4099 or DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eOutput balance principle Signal balanced with DAD4099 or DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eCommon mode rejection ratio (CMRR) \u0026gt; 60 dB from 50 Hz to 15 kHz with DAD4099 or DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003ePower supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems\u003c\/li\u003e\n\u003cli\u003eCurrent consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD4099 or DAD6001-BC XLR Adapter\u003c\/li\u003e\n\u003cli\u003eConnector MicroDot\u003c\/li\u003e\n\u003cli\u003eColor Black\u003c\/li\u003e\n\u003cli\u003eWeight 28 g (0.95 oz)\u003c\/li\u003e\n\u003cli\u003eMicrophone diameter 5.4 mm (0.21 in)\u003c\/li\u003e\n\u003cli\u003eMicrophone length 45 mm (1.8 in)\u003c\/li\u003e\n\u003cli\u003eCable length 1.8 m (5.9 ft)\u003c\/li\u003e\n\u003cli\u003eCable diameter 1.6 mm (0.06 in) \/ 2.2 mm (0.09 in)\u003c\/li\u003e\n\u003cli\u003ePolarity +V at MicroDot pin for positive sound pressure (and pin 2 on DAD4099 or DAD6001-BC XLR adapter)\u003c\/li\u003e\n\u003cli\u003eTemperature range -40°C to 45°C (-40°F to 113°F)\u003c\/li\u003e\n\u003cli\u003eRelative humidity (RH) Up to 90%\u003c\/li\u003e\n\u003cli\u003eGooseneck length 140 mm (5.5 in)\u003c\/li\u003e\n\u003c\/ul\u003e"}

DPA d:vote™ 4099 Rock Touring Kit, 4 Mics and accessories, Extreme SPL

Product Description
$2,182.40
Maximum quantity available reached.

d:vote™

4099 Touring Kit

The true voice of your instrument

  • Natural sound
  • Handles high SPLs
  • Superior gain-before-feedback
  • Supercardioid condenser microphone
  • Large range of mounts for use on almost all instruments
  • Gentle and easy to mount on the instrument
  • Detachable cable and a versatile gooseneck extender

The award-winning d:vote™ Series, gives you a much more natural sound than any internal microphone or pickup. This condenser microphone rejects unwanted noise and accurately captures the true voice of your acoustic instrument. These mics come available in kits of 4- or 10 pieces with relevant accessories to make it easy to mic a group, band or orchestra.

A perfect kit for your needs

There are two different types of kits available and they can each be purchases with 4 or 10 microphones. Ready for on-the-road use for rental companies, musicians or theatres, the d:vote™ Classic Touring Kit offers microphones and a selection of accessories selected for typical use in an acoustic music setting. This kit features a number of d:vote™ 4099 Instrument Microphones for Loud SPL, which are perfect for use on a wide range of instruments – from the flute to the guitar, and everything in between.

The d:vote™ Rock Touring Kit offers a number of d:vote™ condenser microphones and a selection of accessories selected for typical use in a live rock music setting. With a max SPL, peak before clipping of 152 dB, the d:vote™ 4099 Instrument Microphone for Extreme-SPL instruments was designed for use on drums, percussion instruments and other loud instruments, like the trumpet and saxophone.

“I've been using d:vote™ Instrument Microphones for many years, especially on cello and double bass. I really like them because they are so small, light and easy to install. They come with a fabulous range of accessories and are not invasive, even on small instruments such as violins. In terms of sound, they bring out the true nature of an acoustic instrument and deliver the deep, full-bodied, true low end bass that you expect to hear."

– Simone 'Zeta' Saccomandi, front of house engineer for Italian ensemble, LE DIV4S

About d:vote™ 4099 Instrument Microphones

Both the Loud- and Extreme-SPL versions of the d:vote™ 4099 have a supercardioid polar pattern for high rejection and superior gain-before-feedback. The mic also retains a uniform off-axis frequency response to ensure a high-energy, clear live performance.

The  d:vote™ 4099 also features an enhanced shock mount design, providing excellent isolation from handling noise and rumble. Cables are available in heavy duty or lightweight versions, depending on the application – both are designed to withstand the rigors of daily use. A versatile, integrated gooseneck extender provides easy and repeatable mounting.

The mics can be easily unclipped and repositioned or moved to another instrument. The mounting system is designed to never blemish or scratch the finish of your instrument. The flexible design supports a wide variety of mounting and positioning possibilities

Specifications

  • Directional pattern Supercardioid
  • Principle of operation Pressure gradient
  • Cartridge type Pre-polarized condenser
  • Frequency range 20 Hz - 20 kHz
  • Frequency range, ± 2 dB, at 20 cm (7.9 in) 80 Hz - 15 kHz with 2 dB soft boost at 10-12 kHz
  • Sensitivity, nominal, ±3 dB at 1 kHz 2 mV/Pa; -54 dB re. 1 V/Pa
  • Equivalent noise level, A-weighted Typ. 28 dB(A) re. 20 μPa (max. 31 dB(A))
  • S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL) Typ. 66 dB(A)
  • Total harmonic distortion (THD) < 1% up to 123 dB SPL peak
  • Dynamic range Typ. 95 dB
  • Max. SPL, peak before clipping 152 dB
  • Output impedance From MicroDot: 30 - 40 Ω. From DAD4099/DAD6001-BC: 100 Ω
  • Cable drive capability Up to 300 m (984 ft) with DAD4099 or DAD6001-BC XLR Adapter
  • Output balance principle Signal balanced with DAD4099 or DAD6001-BC XLR Adapter
  • Common mode rejection ratio (CMRR) > 60 dB from 50 Hz to 15 kHz with DAD4099 or DAD6001-BC XLR Adapter
  • Power supply (for full performance) Min. 5 V to max. 50 V through DPA adapter for wireless systems
  • Current consumption Typ. 1.5 mA (microphone). 3.5 mA with DAD4099 or DAD6001-BC XLR Adapter
  • Connector MicroDot
  • Color Black
  • Weight 28 g (0.95 oz)
  • Microphone diameter 5.4 mm (0.21 in)
  • Microphone length 45 mm (1.8 in)
  • Cable length 1.8 m (5.9 ft)
  • Cable diameter 1.6 mm (0.06 in) / 2.2 mm (0.09 in)
  • Polarity +V at MicroDot pin for positive sound pressure (and pin 2 on DAD4099 or DAD6001-BC XLR adapter)
  • Temperature range -40°C to 45°C (-40°F to 113°F)
  • Relative humidity (RH) Up to 90%
  • Gooseneck length 140 mm (5.5 in)
Sku: KIT-4099-DL-4R
Vendor: DPA

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