{"id":8347576001,"title":"Grace Design m 502 optical compressors","handle":"m102-502-optical-compressors","description":"\u003cp class=\"h4\"\u003e\u003cstrong\u003eHigh fidelity optical compressors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIntroducing the m502 optical compressors. While both share identical audio circuitry, the m502 in a 500 series rack module.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom gentle dynamic smoothing to full tilt squash, these units deliver open, musical dynamic control that is the perfect companion to our high fidelity mic preamplifiers or any recording chain. All your tracks can now have glorious, easy to use compression which regardless of how much you squeeze, will always end up with their sonic essence perfectly intact.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe heart of the compressor circuit is an optical attenuator - the purest, high fidelity gain control mechanism available. With careful attention to control circuit design, we are able to implement a feedback opto compressor that not only provides a wide range of dynamic control, but remains inherently neutral, open and musical.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBoth are full featured units, including input and output level, threshold, attack, release and ratio controls. The m102 includes balanced inputs and outputs, both with parallel XLR and ¼\" TRS connectors, along with a 1\/4\" TRS jack for stereo link or sidechain signal input. The m502 includes connectivity for sidechain input, stereo linking and even the Radial® Workhorse Bussfeed.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile lots of our gear adorns the most expensive recording and audio production facilities in the world, all of it sounds that way, and the m102 is no exception. We eagerly invite you to hear what truly transparent, musical dynamic control can do for your audio production. The perfect way to zip it all up and send it all downstream: clean, intact and alive.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cli class=\"bullets\"\u003eElegantly simple, purist feedback design optical compressor, optimized for signal leveling with a minimum of sonic artifacts\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eFrom subtle dynamic control to heavy compression, the sonic character of the source remains intact\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eComprehensive control set includes input level, threshhold, attack, release, ratio and makeup gain\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eBright, easy to read 10 segment LED gain reduction meters\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eBi-color output peak LED lights green with signal present and red 8dB before clipping\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eCircuit board header \/ connector for stereo linking\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eConnections for sidechain, stereo linking, and Radial® Workhorse Bussfeed\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003ePrecision audio path with 0.5% precision metal film resistors\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eBombproof laser-etched black anodized frontpanel\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eFive year transferable warranty on parts and labor\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eBuilt by us in the USA\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\n\u003ctable width=\"893\" border=\"1\"\u003e\n\u003ctbody\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" bgcolor=\"#DFDFDF\" class=\"specs\" style=\"height: 22px;\"\u003eGAIN RANGE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eInput Trim\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e-10 - +10dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eOutput Trim\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e-10 - +10dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eCompression\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eThreshold Range\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e-15 - +15 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eAttack Range\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e3 - 200 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eRelease Range\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e0.03 - 3 s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eRatio Range\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e1:1 - 12:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eGain Reduction\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e0 - 20dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eTHD+N 1kHz, 22Hz-22kHz BW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e@ 0dB Gain +10dBu out\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026lt;0.002%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eINTERMODULATION DISTORTION\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e@ 0dB Gain +20dBu out\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eSMPTE\/DIN 4:1 7kHz\/50Hz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026lt;0.002%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" bgcolor=\"#DFDFDF\" class=\"specs\" style=\"height: 22px;\"\u003eOUTPUT NOISE 22Hz-22kHz BW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e@0dB Gain\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026lt;-78dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eCMRR @0dB Gain, 3.5Vcm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e100Hz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026gt;75dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e1kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026gt;75dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e10kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026gt;75dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eFREQUENCY RESPONSE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e@0dB Gain -3dB\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e0.016Hz-150kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eIMPEDANCE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eLine In\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e24kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eMain Out balanced\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e350Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eMain Out unbalanced\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e150Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eLink In - sidechain mode\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e100kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eLEVEL METERS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eOutput Peak Indicator\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003eGreen: -15dBu; Red: +20dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eGain Reduction Meter\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e0-10dB Gain Reduction\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eMAXIMUM OUTPUT LEVEL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e100k Ohm load, 0.1% THD , 1kHz, API Lunchbox\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e+27dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eWEIGHT and DIMENSIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e(m502) 0.7 lb\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003eH5.25” x W1.5” x D6.6”\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003ePOWER CONSUMPTION\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e(m502) Current required from +16V and -16V power supplies\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e120mA Max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/li\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2016-10-29T07:25:00+02:00","created_at":"2016-10-29T08:50:23+02:00","vendor":"Grace Design","type":"Signal Processing","tags":["500 Series Dynamics","500 Series Processors","Grace Design","Price Range_$500 to $750","Shop by brand_Grace Design","Shop by category_500 Series","Shop by category_500 Series Dynamics","Studio \u0026 Recording"],"price":67500,"price_min":67500,"price_max":67500,"available":true,"price_varies":false,"compare_at_price":75000,"compare_at_price_min":75000,"compare_at_price_max":75000,"compare_at_price_varies":false,"variants":[{"id":28058507777,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AM502","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Grace Design m 502 optical compressors","public_title":null,"options":["Default Title"],"price":67500,"weight":0,"compare_at_price":75000,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m102_m101_20d670a1-6c02-403c-8e6c-08e426a8d297.jpg?v=1477724194","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m102_backpanel_6d773ec9-44d5-43d7-a07b-04ae70982c84.jpg?v=1477724205","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m102_detail1_6f3bb211-368d-49c7-8cdd-c0352ff326a0.jpg?v=1477724212","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m102_main1_18997b26-59ce-4a20-8e5d-3bb796184cf6.jpg?v=1477724220","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/WOTE_m502.jpg?v=1477724228","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m502_detail1_1f7747a8-3aaf-4394-a613-0fce9f8e165d.jpg?v=1477724246"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m102_m101_20d670a1-6c02-403c-8e6c-08e426a8d297.jpg?v=1477724194","options":["Title"],"content":"\u003cp class=\"h4\"\u003e\u003cstrong\u003eHigh fidelity optical compressors\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIntroducing the m502 optical compressors. While both share identical audio circuitry, the m502 in a 500 series rack module.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom gentle dynamic smoothing to full tilt squash, these units deliver open, musical dynamic control that is the perfect companion to our high fidelity mic preamplifiers or any recording chain. All your tracks can now have glorious, easy to use compression which regardless of how much you squeeze, will always end up with their sonic essence perfectly intact.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe heart of the compressor circuit is an optical attenuator - the purest, high fidelity gain control mechanism available. With careful attention to control circuit design, we are able to implement a feedback opto compressor that not only provides a wide range of dynamic control, but remains inherently neutral, open and musical.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBoth are full featured units, including input and output level, threshold, attack, release and ratio controls. The m102 includes balanced inputs and outputs, both with parallel XLR and ¼\" TRS connectors, along with a 1\/4\" TRS jack for stereo link or sidechain signal input. The m502 includes connectivity for sidechain input, stereo linking and even the Radial® Workhorse Bussfeed.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile lots of our gear adorns the most expensive recording and audio production facilities in the world, all of it sounds that way, and the m102 is no exception. We eagerly invite you to hear what truly transparent, musical dynamic control can do for your audio production. The perfect way to zip it all up and send it all downstream: clean, intact and alive.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cli class=\"bullets\"\u003eElegantly simple, purist feedback design optical compressor, optimized for signal leveling with a minimum of sonic artifacts\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eFrom subtle dynamic control to heavy compression, the sonic character of the source remains intact\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eComprehensive control set includes input level, threshhold, attack, release, ratio and makeup gain\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eBright, easy to read 10 segment LED gain reduction meters\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eBi-color output peak LED lights green with signal present and red 8dB before clipping\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eCircuit board header \/ connector for stereo linking\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eConnections for sidechain, stereo linking, and Radial® Workhorse Bussfeed\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003ePrecision audio path with 0.5% precision metal film resistors\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eBombproof laser-etched black anodized frontpanel\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eFive year transferable warranty on parts and labor\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eBuilt by us in the USA\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\n\u003ctable width=\"893\" border=\"1\"\u003e\n\u003ctbody\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" bgcolor=\"#DFDFDF\" class=\"specs\" style=\"height: 22px;\"\u003eGAIN RANGE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eInput Trim\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e-10 - +10dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eOutput Trim\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e-10 - +10dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eCompression\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eThreshold Range\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e-15 - +15 dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eAttack Range\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e3 - 200 ms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eRelease Range\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e0.03 - 3 s\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eRatio Range\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e1:1 - 12:1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eGain Reduction\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e0 - 20dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eTHD+N 1kHz, 22Hz-22kHz BW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e@ 0dB Gain +10dBu out\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026lt;0.002%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eINTERMODULATION DISTORTION\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e@ 0dB Gain +20dBu out\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e \u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eSMPTE\/DIN 4:1 7kHz\/50Hz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026lt;0.002%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" bgcolor=\"#DFDFDF\" class=\"specs\" style=\"height: 22px;\"\u003eOUTPUT NOISE 22Hz-22kHz BW\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e@0dB Gain\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026lt;-78dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eCMRR @0dB Gain, 3.5Vcm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e100Hz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026gt;75dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e1kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026gt;75dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e10kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u0026gt;75dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eFREQUENCY RESPONSE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e@0dB Gain -3dB\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e0.016Hz-150kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eIMPEDANCE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eLine In\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e24kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eMain Out balanced\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e350Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eMain Out unbalanced\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e150Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eLink In - sidechain mode\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e100kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eLEVEL METERS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eOutput Peak Indicator\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003eGreen: -15dBu; Red: +20dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003eGain Reduction Meter\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e0-10dB Gain Reduction\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eMAXIMUM OUTPUT LEVEL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e100k Ohm load, 0.1% THD , 1kHz, API Lunchbox\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e+27dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003eWEIGHT and DIMENSIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e(m502) 0.7 lb\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003eH5.25” x W1.5” x D6.6”\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#DFDFDF\" style=\"height: 22px;\"\u003e\n\u003ctd colspan=\"2\" class=\"specs\" style=\"height: 22px;\"\u003ePOWER CONSUMPTION\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 22px;\"\u003e\n\u003ctd class=\"specs\" style=\"height: 22px;\"\u003e(m502) Current required from +16V and -16V power supplies\u003c\/td\u003e\n\u003ctd class=\"specsLeft\" style=\"height: 22px;\"\u003e120mA Max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/li\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Grace Design m 502 optical compressors
Related Products
Burl Audio B2 BOMBER ADC
From $2,349.00
{"id":9880634189,"title":"Burl Audio B2 BOMBER ADC","handle":"burl-audio-b2-bomber-adc","description":"\u003cdiv class=\" et_pb_row et_pb_row_1\"\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_1_2 et_pb_column_1\"\u003e\n\u003cdiv class=\"et_pb_text et_pb_module et_pb_bg_layout_light et_pb_text_align_left et_pb_text_1\"\u003e\n\u003ch1\u003e\u003cstrong\u003eB2 Bomber ADC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER ANALOG \/ DIGITAL CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings.\u003c\/p\u003e\n\u003cp\u003eOpen up your best Mic Pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for inter-connectivity with little attention to the analog audio path, or even the conversion, let alone the tone.\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube Mic Pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.\u003c\/p\u003e\n\u003cp\u003eBURL AUDIO has solved this problem by designing an analog audio path that is complimentary to your Mic Pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.\u003c\/p\u003e\n\u003cp\u003eUsing a B2 BOMBER in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.\u003c\/p\u003e\n\u003cp\u003eThe attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 BOMBER hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 BOMBER ADC, the most significant piece of gear in your studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2017-05-06T16:30:58+02:00","created_at":"2017-05-06T16:31:24+02:00","vendor":"Burl Audio","type":"Signal Processing","tags":["Burl Audio","Misc Digital Converters","Price Range_$2000 to $3000","Shop by brand_Burl Audio","Shop by category_Misc Digital Converters","Shop by category_Studio \u0026 Recording","Signal Processing","Studio \u0026 Recording"],"price":234900,"price_min":234900,"price_max":254900,"available":true,"price_varies":true,"compare_at_price":234900,"compare_at_price_min":234900,"compare_at_price_max":254900,"compare_at_price_varies":true,"variants":[{"id":36993823821,"title":"with Dante","option1":"with Dante","option2":null,"option3":null,"sku":"B2-ADC-Dante","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER ADC - with Dante","public_title":"with Dante","options":["with Dante"],"price":254900,"weight":0,"compare_at_price":254900,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":423708164122,"title":"without Dante","option1":"without Dante","option2":null,"option3":null,"sku":"B2-ADC","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER ADC - without Dante","public_title":"without Dante","options":["without Dante"],"price":234900,"weight":0,"compare_at_price":234900,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_ADC_Dante_Front.png?v=1503488718","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_2414fdf0-a1f6-4a19-bb5b-05a6df49695f.png?v=1503488718","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_ADC_Dante_Back.png?v=1503488718"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_ADC_Dante_Front.png?v=1503488718","options":["Card"],"content":"\u003cdiv class=\" et_pb_row et_pb_row_1\"\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_1_2 et_pb_column_1\"\u003e\n\u003cdiv class=\"et_pb_text et_pb_module et_pb_bg_layout_light et_pb_text_align_left et_pb_text_1\"\u003e\n\u003ch1\u003e\u003cstrong\u003eB2 Bomber ADC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER ANALOG \/ DIGITAL CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings.\u003c\/p\u003e\n\u003cp\u003eOpen up your best Mic Pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for inter-connectivity with little attention to the analog audio path, or even the conversion, let alone the tone.\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube Mic Pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.\u003c\/p\u003e\n\u003cp\u003eBURL AUDIO has solved this problem by designing an analog audio path that is complimentary to your Mic Pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.\u003c\/p\u003e\n\u003cp\u003eUsing a B2 BOMBER in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.\u003c\/p\u003e\n\u003cp\u003eThe attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 BOMBER hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 BOMBER ADC, the most significant piece of gear in your studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Burl Audio B2 BOMBER ADC
$2,549.00
B2 Bomber ADC THE B2 BOMBER ANALOG / DIGITAL CONVERTER The B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of y...
{"id":8206633921,"title":"Apogee 16 Analog IN + 16 Optical OUT - Symphony I\/O Module","handle":"apogee-16-analog-in-16-optical-out-symphony-i-o-module","description":"The Symphony I\/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I\/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I\/O module features enhanced C777 clocking performance and lower converter latency. \u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis provides two module slots for a variety of digital audio conversion options with one already being filled with the included module. The front panel of chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain and output levels. \u003cbr\u003e\u003cbr\u003eThe converter has multiple connectivity options that include direct connection to a Symphony 64 PCIe card, a USB equipped Intel Mac, or to Avid's Pro Tools HD and HD-X systems. With the addition of the optional Symphony 64\/Thunderbridge interface, the system acquires direct connectivity to any Thunderbolt equipped Mac computer. Additionally, the unit can function standalone. \u003cbr\u003e\u003cbr\u003eThe module requires optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis from Apogee provides two I\/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I\/O. Elegant and easy to use, the front panel of Symphony I\/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).\u003cbr\u003e\u003cbr\u003eThe rear panel provides access to the two I\/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I\/O connectors and termination, LoopSynch I\/O connectors, and a quiet digitally-controlled fan to keep everything running cool.\u003cbr\u003e\u003cbr\u003eThe Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.\u003cbr\u003e\u003cbr\u003eThe optional five I\/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I\/O.\u003cbr\u003e\u003cbr\u003e ✓ Two input\/output module slots\u003cbr\u003e ✓ Ethernet connector\u003cbr\u003e ✓ USB 2.0 connector\u003cbr\u003e ✓ Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card\u003cbr\u003e ✓ Wordclock I\/O and LoopSync I\/O\u003cbr\u003e ✓ Wordclock termination switch\u003cbr\u003e ✓ Sixteen, 10-segment meters\u003cbr\u003e ✓ Two multi-function encoder knobs\u003cbr\u003e ✓ OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection\u003cbr\u003e ✓ Two 1\/4\" headphone outputs\u003cbr\u003e ✓ 7-segment sample rate display\u003cbr\u003e ✓ Clock source display\u003cbr\u003e ✓ Meter source display\u003cbr\u003e ✓ High-performance, temperature controlled fan\u003cbr\u003e\u003cbr\u003eAI16 - Analog to Optical Digital Audio Module for Symphony I\/O\u003cbr\u003e\u003cbr\u003eThe AI16 from Apogee is a 16-channel analog input and 16-channel digital audio output module for the Symphony I\/O. The module occupies one of the two slots available on the chassis and represents 25 years of Apogee research and design excellence.\u003cbr\u003e\u003cbr\u003eRefined and updated circuitry with fewer, more advanced components allows for a shorter audio path, resulting in more recording clarity and transparency and a more efficient power distribution. The module features enhanced C777 clocking performance and lower converter latency.\u003cbr\u003e\u003cbr\u003eThe analog inputs require optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003e ✓ Analog-to-digital module for the Symphony I\/O system\u003cbr\u003e ✓ 16-channels of balanced analog input and up to 16-channels digital output (optical and S\/PDIF) available simultaneously\u003cbr\u003e ✓ Ultra low latency AD conversion\u003cbr\u003e ✓ Software controlled AD reference setting\u003cbr\u003e ✓ Enhanced C777 clocking performance\u003cbr\u003e ✓ Entire audio path is DC coupled, resulting in ultra flat frequency response and extremely low phase error\u003cbr\u003e ✓ Variable gain input for keyboards\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003e ✓ Connectors 2 x 1\/4\" TRS phone Headphone\u003cbr\u003e 2 x Symphony I\/O PC-32 Ports\u003cbr\u003e 1 x Ethernet\u003cbr\u003e 1 x USB\u003cbr\u003e 2 x BNC Wordclock I\/O\u003cbr\u003e 2 x BNC LoopSync I\/O\u003cbr\u003e\u003cbr\u003e ✓ Headphones THD+N: -105dB @ 19dBu\u003cbr\u003e ✓ Dynamic Range: 119dB, A-weighted\u003cbr\u003e ✓ Output Impedance: 30Ω\u003cbr\u003e ✓ Power Requirements 90~240VAC, 50\/60Hz, 150W\u003cbr\u003e ✓ System Requirements Mac OS X 10.5.8 and above\u003cbr\u003e ✓ Dimensions (WxDxH) 19 x 11.5 x 3.5\" (483 x 292 x 89mm)","published_at":"2016-10-10T06:38:00+02:00","created_at":"2016-10-10T07:58:59+02:00","vendor":"Apogee","type":"Audio Interfaces","tags":["Apogee","Misc Digital Converters","Price Range_$1000 to $1500","Shop by brand_Apogee","Shop by category_Misc Digital Converters","Signal Processing","Studio \u0026 Recording"],"price":149500,"price_min":149500,"price_max":149500,"available":true,"price_varies":false,"compare_at_price":149500,"compare_at_price_min":149500,"compare_at_price_max":149500,"compare_at_price_varies":false,"variants":[{"id":27388153345,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AI16","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Apogee 16 Analog IN + 16 Optical OUT - Symphony I\/O Module","public_title":null,"options":["Default Title"],"price":149500,"weight":2590,"compare_at_price":149500,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":"805676 300795"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SymphAI16-xlarge_5aa4b3f2-eeeb-49e7-b7d8-4ebd1affda10.jpg?v=1528503958","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/qlihlkastinmyj6bf1az.jpg?v=1528503958","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sio-mkii-front-panel-16x16_3b5a383f-d5c7-4031-8674-c56672651b1f.jpg?v=1528503958"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SymphAI16-xlarge_5aa4b3f2-eeeb-49e7-b7d8-4ebd1affda10.jpg?v=1528503958","options":["Title"],"content":"The Symphony I\/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I\/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I\/O module features enhanced C777 clocking performance and lower converter latency. \u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis provides two module slots for a variety of digital audio conversion options with one already being filled with the included module. The front panel of chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain and output levels. \u003cbr\u003e\u003cbr\u003eThe converter has multiple connectivity options that include direct connection to a Symphony 64 PCIe card, a USB equipped Intel Mac, or to Avid's Pro Tools HD and HD-X systems. With the addition of the optional Symphony 64\/Thunderbridge interface, the system acquires direct connectivity to any Thunderbolt equipped Mac computer. Additionally, the unit can function standalone. \u003cbr\u003e\u003cbr\u003eThe module requires optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis from Apogee provides two I\/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I\/O. Elegant and easy to use, the front panel of Symphony I\/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).\u003cbr\u003e\u003cbr\u003eThe rear panel provides access to the two I\/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I\/O connectors and termination, LoopSynch I\/O connectors, and a quiet digitally-controlled fan to keep everything running cool.\u003cbr\u003e\u003cbr\u003eThe Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.\u003cbr\u003e\u003cbr\u003eThe optional five I\/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I\/O.\u003cbr\u003e\u003cbr\u003e ✓ Two input\/output module slots\u003cbr\u003e ✓ Ethernet connector\u003cbr\u003e ✓ USB 2.0 connector\u003cbr\u003e ✓ Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card\u003cbr\u003e ✓ Wordclock I\/O and LoopSync I\/O\u003cbr\u003e ✓ Wordclock termination switch\u003cbr\u003e ✓ Sixteen, 10-segment meters\u003cbr\u003e ✓ Two multi-function encoder knobs\u003cbr\u003e ✓ OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection\u003cbr\u003e ✓ Two 1\/4\" headphone outputs\u003cbr\u003e ✓ 7-segment sample rate display\u003cbr\u003e ✓ Clock source display\u003cbr\u003e ✓ Meter source display\u003cbr\u003e ✓ High-performance, temperature controlled fan\u003cbr\u003e\u003cbr\u003eAI16 - Analog to Optical Digital Audio Module for Symphony I\/O\u003cbr\u003e\u003cbr\u003eThe AI16 from Apogee is a 16-channel analog input and 16-channel digital audio output module for the Symphony I\/O. The module occupies one of the two slots available on the chassis and represents 25 years of Apogee research and design excellence.\u003cbr\u003e\u003cbr\u003eRefined and updated circuitry with fewer, more advanced components allows for a shorter audio path, resulting in more recording clarity and transparency and a more efficient power distribution. The module features enhanced C777 clocking performance and lower converter latency.\u003cbr\u003e\u003cbr\u003eThe analog inputs require optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003e ✓ Analog-to-digital module for the Symphony I\/O system\u003cbr\u003e ✓ 16-channels of balanced analog input and up to 16-channels digital output (optical and S\/PDIF) available simultaneously\u003cbr\u003e ✓ Ultra low latency AD conversion\u003cbr\u003e ✓ Software controlled AD reference setting\u003cbr\u003e ✓ Enhanced C777 clocking performance\u003cbr\u003e ✓ Entire audio path is DC coupled, resulting in ultra flat frequency response and extremely low phase error\u003cbr\u003e ✓ Variable gain input for keyboards\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003e ✓ Connectors 2 x 1\/4\" TRS phone Headphone\u003cbr\u003e 2 x Symphony I\/O PC-32 Ports\u003cbr\u003e 1 x Ethernet\u003cbr\u003e 1 x USB\u003cbr\u003e 2 x BNC Wordclock I\/O\u003cbr\u003e 2 x BNC LoopSync I\/O\u003cbr\u003e\u003cbr\u003e ✓ Headphones THD+N: -105dB @ 19dBu\u003cbr\u003e ✓ Dynamic Range: 119dB, A-weighted\u003cbr\u003e ✓ Output Impedance: 30Ω\u003cbr\u003e ✓ Power Requirements 90~240VAC, 50\/60Hz, 150W\u003cbr\u003e ✓ System Requirements Mac OS X 10.5.8 and above\u003cbr\u003e ✓ Dimensions (WxDxH) 19 x 11.5 x 3.5\" (483 x 292 x 89mm)"}
Apogee 16 Analog IN + 16 Optical OUT - Symphony I/O Module
$1,495.00
The Symphony I/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I/O module features enhanced C777 clocking perfor...
Bettermaker Mastering Equalizer
$3,666.00
{"id":635074510894,"title":"Bettermaker Mastering Equalizer","handle":"bettermaker-mastering-equalizer","description":"\u003cp\u003eBettermaker Mastering Equalizer\u003c\/p\u003e\n\u003cp\u003eADVANCED ANALOG MASTERING EQUALIZER\u003c\/p\u003e\n\u003cp\u003e– 100% analog audio signal path\u003c\/p\u003e\n\u003cp\u003e– USB connectivity with MAC\/PC\u003c\/p\u003e\n\u003cp\u003e– all parameters are digitally controlled via touchscreen and\/or DAW (with dedicated plugin)\u003c\/p\u003e\n\u003cp\u003e– 399 presets, total recall, A\/B comparison\u003c\/p\u003e\n\u003cp\u003e– 5-inch capacitive touchscreen with back-light and multi-touch functionality, four encoders with\u003c\/p\u003e\n\u003cp\u003epush-button action for ease of control\u003c\/p\u003e\n\u003cp\u003e– stereo, dual-mono and mid\/side operation modes with solo function\u003c\/p\u003e\n\u003cp\u003e– stereo 12 or 24dB\/oct high-pass filter with adjustable cutoff frequency (15Hz – 150 hz)\u003c\/p\u003e\n\u003cp\u003eand resonance\u003c\/p\u003e\n\u003cp\u003e– four stereo parametric filters with 15dB boost\/cut range, variable Q (0.2 – 3):\u003c\/p\u003e\n\u003cp\u003e– EQ1: 23Hz – 400Hz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– EQ2: 80Hz – 2kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ3: 400Hz – 10kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ4: 1kHz – 23kHz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– stereo passive equalizer with extended hi-boost section (23 and 28 kHz) and separate frequencies\u003c\/p\u003e\n\u003cp\u003efor low-boost and low-cut sections\u003c\/p\u003e\n\u003cp\u003e– stereo 12dB\/oct low-pass filter with adjustable cutoff frequency\u003c\/p\u003e\n\u003cp\u003e– adjustable output level (+\/- 12dB)\u003c\/p\u003e\n\u003cp\u003e– Gain Lock and Auto-Q functions\u003c\/p\u003e\n\u003cp\u003e– on-board measurement of PEAK\/RMS levels and RTA analyzer\u003c\/p\u003e\n\u003cp\u003e– on-screen live representation of the EQ curve\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnical specification:\u003c\/p\u003e\n\u003cp\u003e– balanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– balanced stereo output (XLR), 23dBu max output level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– Operating Level: +4dBu\u003c\/p\u003e\n\u003cp\u003e– Input impedance (differential): 48kΩ (for balanced signal)\u003c\/p\u003e\n\u003cp\u003e– Output Impedance: 50Ω + 50Ω (electronically balanced)\u003c\/p\u003e\n\u003cp\u003e– Frequency response 5Hz to 30kHz; +\/- 0.1dB\u003c\/p\u003e\n\u003cp\u003e– Dynamic range: 115 dB @ +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– THD+N: CMRR: max 80 dB @ 3 kHz, min 55 dB @ 50Hz, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– Crosstalk: min -90 dB @ 1KHz, max -55 dB @ 30Hz, +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– 2U enclosure, 230mm deep\u003c\/p\u003e\n\u003cp\u003e– 115\/230V switch\u003c\/p\u003e\n\u003cp\u003e– advanced linear power supply with toroidal AC mains transformer\u003c\/p\u003e\n\u003cp\u003e– Maximum power consumption: 30W\u003c\/p\u003e\n\u003cp\u003e– Shipping weight: 5.5 kg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-04-17T13:51:32+02:00","created_at":"2018-04-17T13:39:54+02:00","vendor":"Bettermaker","type":"Mastering","tags":["Bettermaker","Mastering","Shop by brand_Bettermaker","Shop by category_Mastering","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":366600,"price_min":366600,"price_max":366600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7599421587502,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bettermaker Mastering Equalizer","public_title":null,"options":["Default Title"],"price":366600,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0690.jpg?v=1523965210","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0692.jpg?v=1523965251","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A06955.jpg?v=1523965267","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0695.jpg?v=1523965296"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0690.jpg?v=1523965210","options":["Title"],"content":"\u003cp\u003eBettermaker Mastering Equalizer\u003c\/p\u003e\n\u003cp\u003eADVANCED ANALOG MASTERING EQUALIZER\u003c\/p\u003e\n\u003cp\u003e– 100% analog audio signal path\u003c\/p\u003e\n\u003cp\u003e– USB connectivity with MAC\/PC\u003c\/p\u003e\n\u003cp\u003e– all parameters are digitally controlled via touchscreen and\/or DAW (with dedicated plugin)\u003c\/p\u003e\n\u003cp\u003e– 399 presets, total recall, A\/B comparison\u003c\/p\u003e\n\u003cp\u003e– 5-inch capacitive touchscreen with back-light and multi-touch functionality, four encoders with\u003c\/p\u003e\n\u003cp\u003epush-button action for ease of control\u003c\/p\u003e\n\u003cp\u003e– stereo, dual-mono and mid\/side operation modes with solo function\u003c\/p\u003e\n\u003cp\u003e– stereo 12 or 24dB\/oct high-pass filter with adjustable cutoff frequency (15Hz – 150 hz)\u003c\/p\u003e\n\u003cp\u003eand resonance\u003c\/p\u003e\n\u003cp\u003e– four stereo parametric filters with 15dB boost\/cut range, variable Q (0.2 – 3):\u003c\/p\u003e\n\u003cp\u003e– EQ1: 23Hz – 400Hz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– EQ2: 80Hz – 2kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ3: 400Hz – 10kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ4: 1kHz – 23kHz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– stereo passive equalizer with extended hi-boost section (23 and 28 kHz) and separate frequencies\u003c\/p\u003e\n\u003cp\u003efor low-boost and low-cut sections\u003c\/p\u003e\n\u003cp\u003e– stereo 12dB\/oct low-pass filter with adjustable cutoff frequency\u003c\/p\u003e\n\u003cp\u003e– adjustable output level (+\/- 12dB)\u003c\/p\u003e\n\u003cp\u003e– Gain Lock and Auto-Q functions\u003c\/p\u003e\n\u003cp\u003e– on-board measurement of PEAK\/RMS levels and RTA analyzer\u003c\/p\u003e\n\u003cp\u003e– on-screen live representation of the EQ curve\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnical specification:\u003c\/p\u003e\n\u003cp\u003e– balanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– balanced stereo output (XLR), 23dBu max output level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– Operating Level: +4dBu\u003c\/p\u003e\n\u003cp\u003e– Input impedance (differential): 48kΩ (for balanced signal)\u003c\/p\u003e\n\u003cp\u003e– Output Impedance: 50Ω + 50Ω (electronically balanced)\u003c\/p\u003e\n\u003cp\u003e– Frequency response 5Hz to 30kHz; +\/- 0.1dB\u003c\/p\u003e\n\u003cp\u003e– Dynamic range: 115 dB @ +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– THD+N: CMRR: max 80 dB @ 3 kHz, min 55 dB @ 50Hz, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– Crosstalk: min -90 dB @ 1KHz, max -55 dB @ 30Hz, +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– 2U enclosure, 230mm deep\u003c\/p\u003e\n\u003cp\u003e– 115\/230V switch\u003c\/p\u003e\n\u003cp\u003e– advanced linear power supply with toroidal AC mains transformer\u003c\/p\u003e\n\u003cp\u003e– Maximum power consumption: 30W\u003c\/p\u003e\n\u003cp\u003e– Shipping weight: 5.5 kg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Bettermaker Mastering Equalizer
$3,666.00
Bettermaker Mastering Equalizer ADVANCED ANALOG MASTERING EQUALIZER – 100% analog audio signal path – USB connectivity with MAC/PC – all parameters are digitally controlled via touchscreen and/or DAW (with dedicated plugin) – 399 presets, total recall, A/B comparison – 5-inch capacitive touchscreen with back-light and multi-touch functionality, ...
Chandler Limited TG12413 Zener Limiter
$4,960.00
{"id":10467823501,"title":"Chandler Limited TG12413 Zener Limiter","handle":"chandler-limited-zener-limiter","description":"\u003ch1 id=\"reader-title\"\u003eZener Limiter | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The TG12413 Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter and the 1968 RS168 Zener Limiter. The Zener Limiters were also part of the 1969 TG12345 console channel and the 1974 TG12413. This newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new full featured and flexible unit for modern use.\u003c\/p\u003e\n\u003cp\u003eThe Zener Limiter is being reissued to add features and flexibility to the powerful and vintage sounding TG limiter circuits. Wade has added many new controls including switchable input impedance for hard or soft driving of the unit, 11-position attack, 21-position release, side chain filtering, and Comp 1, Comp 2, and Limit settings.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbbey Road Studios, EMI and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e","published_at":"2018-08-11T20:50:10+02:00","created_at":"2017-07-19T15:33:38+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["Chandler Limited","Chandler Limited TG12413 Zener Limiter","Mastering","Price Range_$3000 and Over","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_Mastering","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":496000,"price_min":496000,"price_max":496000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611548493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG12413","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG12413 Zener Limiter","public_title":null,"options":["Default Title"],"price":496000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_6e5c40e0-86a1-4b61-8979-764d49eef6a9.png?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front_angle_2.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front_angle_1.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_rear.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_zener_limiter_03.png?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_zener_limiter_04.png?v=1534087004"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front.jpg?v=1534087004","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eZener Limiter | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The TG12413 Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter and the 1968 RS168 Zener Limiter. The Zener Limiters were also part of the 1969 TG12345 console channel and the 1974 TG12413. This newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new full featured and flexible unit for modern use.\u003c\/p\u003e\n\u003cp\u003eThe Zener Limiter is being reissued to add features and flexibility to the powerful and vintage sounding TG limiter circuits. Wade has added many new controls including switchable input impedance for hard or soft driving of the unit, 11-position attack, 21-position release, side chain filtering, and Comp 1, Comp 2, and Limit settings.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbbey Road Studios, EMI and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e"}
Chandler Limited TG12413 Zener Limiter
$4,960.00
Zener Limiter | Chandler Limited The EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The TG12413 Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition ...
Chandler Limited TG1 Limiter
$3,935.00
{"id":10468102733,"title":"Chandler Limited TG1 Limiter","handle":"chandler-limited-tg1-limiter","description":"\u003ch1 id=\"reader-title\"\u003eTG1 Limiter | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late '60s. These rare pieces were never commercially available, and only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like the Fairchild 660\/670 which was loved by many EMI engineers including Geoff Emerick, but it ended up with its own very special sound.\u003c\/p\u003e\n\u003cp\u003eTG equipment was used on many classic records. The Limiter was featured on every channel of TG consoles used to record The Beatles \"Abbey Road\" and Pink Floyd \"Dark Side of the Moon,\" in addition to albums by Paul McCartney and the Rolling Stones.\u003c\/p\u003e\n\u003cp\u003eThe Limiter\/Compressor features an all discrete circuit with transformer balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTG1 Updates \u0026amp; Modifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHarmonic Distortion Function\u003c\/p\u003e\n\u003cp\u003eNow standard on all Abbey Road Special Edition TG-1's, this option allows bypassing of the compressor\/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of kicking out up to 2% Total Harmonic Distortion. That's more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro! This option is placed on the front panel of the unit with a toggle switch for each channel.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"parallelogram\"\u003e\n\u003ch1\u003eTech Specs\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tech-specs\"\u003e\n\u003ch3\u003e\u003ccite\u003eTG1 LIMITER TECHNICAL SPECIFICATIONS\u003c\/cite\u003e\u003c\/h3\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003eI\/O: XLR\u003cbr\u003eAll Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003eRequires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2018-08-11T20:50:11+02:00","created_at":"2017-07-19T16:15:48+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["Chandler Limited","Chandler Limited TG1 Limiter","Compressors","Compressors \/ Limiters","Limiters","Price Range_$3000 and Over","Shop by brand_Chandler Limited","Shop by category_ Limiters","Shop by category_500 Series","Shop by category_Compressors","Shop by category_Compressors \/ Limiters","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":393500,"price_min":393500,"price_max":393500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40612013389,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG1 Limiter","public_title":null,"options":["Default Title"],"price":393500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_front.jpg?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_430469ae-aa98-4944-9969-19ed37e04fc3.png?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_front_rt_angle.jpg?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_front_lft_angle.jpg?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg1_limiter_rear.jpg?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_03.png?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_04.png?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_05.png?v=1534083465"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_front.jpg?v=1534083465","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eTG1 Limiter | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late '60s. These rare pieces were never commercially available, and only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like the Fairchild 660\/670 which was loved by many EMI engineers including Geoff Emerick, but it ended up with its own very special sound.\u003c\/p\u003e\n\u003cp\u003eTG equipment was used on many classic records. The Limiter was featured on every channel of TG consoles used to record The Beatles \"Abbey Road\" and Pink Floyd \"Dark Side of the Moon,\" in addition to albums by Paul McCartney and the Rolling Stones.\u003c\/p\u003e\n\u003cp\u003eThe Limiter\/Compressor features an all discrete circuit with transformer balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTG1 Updates \u0026amp; Modifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHarmonic Distortion Function\u003c\/p\u003e\n\u003cp\u003eNow standard on all Abbey Road Special Edition TG-1's, this option allows bypassing of the compressor\/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of kicking out up to 2% Total Harmonic Distortion. That's more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro! This option is placed on the front panel of the unit with a toggle switch for each channel.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"parallelogram\"\u003e\n\u003ch1\u003eTech Specs\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tech-specs\"\u003e\n\u003ch3\u003e\u003ccite\u003eTG1 LIMITER TECHNICAL SPECIFICATIONS\u003c\/cite\u003e\u003c\/h3\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003eI\/O: XLR\u003cbr\u003eAll Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003eRequires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e\n\u003c\/div\u003e"}
Chandler Limited TG1 Limiter
$3,935.00
TG1 Limiter | Chandler Limited The Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late '60s. These rare pieces were never commercially available, and only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like th...
Chandler Limited Curve Bender
$5,890.00
{"id":10467789325,"title":"Chandler Limited Curve Bender","handle":"chandler-limited-curve-bender","description":"\u003ch1 id=\"reader-title\"\u003eCurve Bender | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe EMI TG12345 Curve Bender is the ultimate TG equalizer issued in celebration of the 75th birthday of Abbey Road Studios. The Curve Bender was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd. This newest EMI equalizer continues the tradition of EMI EQs started in 1954 with the RS57, the 1969 TG12345, and the 1974 TG12412.\u003c\/p\u003e\n\u003cp\u003eWade turned the nine selections of the vintage version into 51 EQ points plus a multiply switch that increases the cut\/boost up to ±13.5dB (as well as sharpening the Q), filters and bell\/shelf selections on the high and low bands.\u003c\/p\u003e\n\u003cp\u003eNOTE: As of 2011, mastering and standard features were combined into a single unit. Setting the multiplier toggle to x1 provides 0.5dB steps for a total of ±5db of boost\/cut per band. Setting the multiplier toggle to x1.5 provides a total of ±13.5db of boost\/cut per band. The master L\/R output switches are always ±0.5db steps for a total of ±5db of boost\/cut.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbbey Road Studios, EMI, Curve Bender and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e","published_at":"2018-08-11T20:50:10+02:00","created_at":"2017-07-19T15:15:53+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["Chandler Limited","Chandler Limited Curve Bender","Parametric EQ","Price Range_$3000 and Over","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_Parametric EQ","Shop by category_Signal Processing \u0026 500 Series","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":589000,"price_min":589000,"price_max":589000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611461645,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG12345","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited Curve Bender","public_title":null,"options":["Default Title"],"price":589000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_curve_bender_front.jpg?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_722c3a59-c9da-4744-85cd-72fbd20fe3b0.png?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_curve_bender_rear.jpg?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_curve_bender_07.png?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_curve_bender_06.png?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_curve_bender_05.png?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_curve_bender_04.png?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_curve_bender_03.png?v=1534033448"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_curve_bender_front.jpg?v=1534033448","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eCurve Bender | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe EMI TG12345 Curve Bender is the ultimate TG equalizer issued in celebration of the 75th birthday of Abbey Road Studios. The Curve Bender was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd. This newest EMI equalizer continues the tradition of EMI EQs started in 1954 with the RS57, the 1969 TG12345, and the 1974 TG12412.\u003c\/p\u003e\n\u003cp\u003eWade turned the nine selections of the vintage version into 51 EQ points plus a multiply switch that increases the cut\/boost up to ±13.5dB (as well as sharpening the Q), filters and bell\/shelf selections on the high and low bands.\u003c\/p\u003e\n\u003cp\u003eNOTE: As of 2011, mastering and standard features were combined into a single unit. Setting the multiplier toggle to x1 provides 0.5dB steps for a total of ±5db of boost\/cut per band. Setting the multiplier toggle to x1.5 provides a total of ±13.5db of boost\/cut per band. The master L\/R output switches are always ±0.5db steps for a total of ±5db of boost\/cut.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbbey Road Studios, EMI, Curve Bender and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e"}
Chandler Limited Curve Bender
$5,890.00
Curve Bender | Chandler Limited The EMI TG12345 Curve Bender is the ultimate TG equalizer issued in celebration of the 75th birthday of Abbey Road Studios. The Curve Bender was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd. This newest EMI equalizer contin...
Sale
Warm Audio WA-2A
$899.00 $1,318.80
{"id":9447157901,"title":"Warm Audio WA-2A","handle":"warm-audio","description":"\u003ch1 class=\"ui-title-bar__title\"\u003eWarm Audio WA-2A\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear. When you hear the bottom-end presence and top-end detail of quality analog gear, the difference can be astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'2A Style Optical Compressor - Made Affordable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic '2A-style optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003cbr\u003e\u003cbr\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e • '2A Style, Transformer balanced, high voltage, opto tube compressor .\u003cbr\u003e • Utilizes premium grade input and output CineMag USA Transformers.\u003cbr\u003e • Utilizes USA made Kenetek opto attenuator.\u003cbr\u003e • Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5\u003cbr\u003e • Fully discrete signal path.\u003cbr\u003e • Socketed to allow for retro-fitting with other opto-cells.\u003cbr\u003e • Variable Pre-emphasis, allows for compression hipass filtering.\u003cbr\u003e • Stereo-link capability.\u003cbr\u003e • XLR and TRS balanced line level inputs - 600 ohms impedance.\u003cbr\u003e • XLR and TRS balanced line level outputs - 600 ohms impedance.\u003cbr\u003e • Frequency Response +\/- 1 dB, 15 Hz to 20kHz.\u003cbr\u003e • Gain 40 dB ±1dB.\u003cbr\u003e • Input Level +16 dB maximum.\u003cbr\u003e • Output Level +10 dB nominal, +16 dB maximum.\u003cbr\u003e • Distortion Less than 0.1% THD at ±10 dBm.\u003cbr\u003e • Noise = -74dB.\u003cbr\u003e • Attack Time - 10 milliseconds.\u003cbr\u003e • Release Time - 0.06 seconds for 50% release.\u003cbr\u003e • 0.5 to 5 seconds for complete release.\u003cbr\u003e • Meter shows both dB gain reduction and dB output.\u003cbr\u003e • Power - 115\/230 volts (switchable), 50\/60 Hz.\u003cbr\u003e • Dimensions - 19\" Rackmount chassis, 2U. 19\" x 7\" x 3.5\".\u003cbr\u003e • Weight - 12 lbs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Unit Weight 5.5kg\u003c\/li\u003e\n\u003cli\u003eUnit Size 10x23x6 inch \/ 26x58x15 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilzing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Four Tube Operation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6P1J. We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE. All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","published_at":"2017-03-25T14:47:00+02:00","created_at":"2017-03-25T14:47:52+02:00","vendor":"Warm Audio","type":"Ube compressor","tags":["Compressors \/ Limiters","Price Range_$750 to $1000","Shop by brand_Warm Audio","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording","Warm Audio"],"price":89900,"price_min":89900,"price_max":89900,"available":true,"price_varies":false,"compare_at_price":131880,"compare_at_price_min":131880,"compare_at_price_max":131880,"compare_at_price_varies":false,"variants":[{"id":34812162125,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WA-2A","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA-2A","public_title":null,"options":["Default Title"],"price":89900,"weight":0,"compare_at_price":131880,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"638142859097 "}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_3db301cc84374dc8b0224cd57cba1928_mv2.jpg?v=1490447545","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_9d42394450a24a6c84e3eddcb7819999_mv2.jpg?v=1490447582","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_277af1f75a0c42459bd275c4b4dfd381_mv2.jpg?v=1490447596","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_ce610007afa246228704f5835ca76e61_mv2.jpg?v=1490447623","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_6262f5ed64bc469db7b36632e44494aa_mv2.png?v=1490447803","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_71245a5e0f714827b4151743455b0a65_mv2.png?v=1490447818","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_38a31989d40642df9936206c3c7160bd_mv2.png?v=1490447860"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_3db301cc84374dc8b0224cd57cba1928_mv2.jpg?v=1490447545","options":["Title"],"content":"\u003ch1 class=\"ui-title-bar__title\"\u003eWarm Audio WA-2A\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear. When you hear the bottom-end presence and top-end detail of quality analog gear, the difference can be astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'2A Style Optical Compressor - Made Affordable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic '2A-style optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003cbr\u003e\u003cbr\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e • '2A Style, Transformer balanced, high voltage, opto tube compressor .\u003cbr\u003e • Utilizes premium grade input and output CineMag USA Transformers.\u003cbr\u003e • Utilizes USA made Kenetek opto attenuator.\u003cbr\u003e • Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5\u003cbr\u003e • Fully discrete signal path.\u003cbr\u003e • Socketed to allow for retro-fitting with other opto-cells.\u003cbr\u003e • Variable Pre-emphasis, allows for compression hipass filtering.\u003cbr\u003e • Stereo-link capability.\u003cbr\u003e • XLR and TRS balanced line level inputs - 600 ohms impedance.\u003cbr\u003e • XLR and TRS balanced line level outputs - 600 ohms impedance.\u003cbr\u003e • Frequency Response +\/- 1 dB, 15 Hz to 20kHz.\u003cbr\u003e • Gain 40 dB ±1dB.\u003cbr\u003e • Input Level +16 dB maximum.\u003cbr\u003e • Output Level +10 dB nominal, +16 dB maximum.\u003cbr\u003e • Distortion Less than 0.1% THD at ±10 dBm.\u003cbr\u003e • Noise = -74dB.\u003cbr\u003e • Attack Time - 10 milliseconds.\u003cbr\u003e • Release Time - 0.06 seconds for 50% release.\u003cbr\u003e • 0.5 to 5 seconds for complete release.\u003cbr\u003e • Meter shows both dB gain reduction and dB output.\u003cbr\u003e • Power - 115\/230 volts (switchable), 50\/60 Hz.\u003cbr\u003e • Dimensions - 19\" Rackmount chassis, 2U. 19\" x 7\" x 3.5\".\u003cbr\u003e • Weight - 12 lbs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Unit Weight 5.5kg\u003c\/li\u003e\n\u003cli\u003eUnit Size 10x23x6 inch \/ 26x58x15 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilzing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Four Tube Operation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6P1J. We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE. All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e"}
Warm Audio WA-2A
$899.00
Warm Audio WA-2A Analog Tone. Though digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear. When you hear the bottom-end presence and top-end detail of quality analog gear, the differenc...
{"id":108393168922,"title":"MASELEC MLA-4 Multiband Compressor \/ Expander","handle":"maselec-mla-4-multiband-compressor-expander","description":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-4 Multiband Compressor \/ Expander\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew multiband Compressor \/ Expander developed from the popular MLA-3 with added expander functions\u003cbr\u003efor all frequencies.\u003cbr\u003eThe MLA-4 is a powerful tool that could be used for:\u003cbr\u003eRestoring and improving over-compressed or\u003cbr\u003euneven mixes.\u003cbr\u003eChanging the tonal balance when ordinary equalizers are unable to do the job.\u003cbr\u003eCreating exciting new sounds with the unique linking that combines compression and expansion.\u003c\/p\u003e\n\u003cp\u003eThe input signal is split into three frequency-bands. Each\u003cbr\u003e band is passed through a stereo \u003cbr\u003ecompressor \/ expander, where gain and processing can be altered. \u003cbr\u003eThe outputs of the compressors \/ expanders are then re-combined and fed to the outputs. \u003cbr\u003eThere are four different frequencies for each of the two crossovers that can be separately \u003cbr\u003eselected for the low-to-mid and the mid-to-high bands.\u003cbr\u003eThe three frequency-band compressors \/ expanders have separate controls so that different \u003cbr\u003eparts of the audio spectrum can be adjusted and tuned. \u003cbr\u003eWith separate gain controls for each frequency-band, the \u003cbr\u003eMLA-4 can also be used as an equalizer. \u003cbr\u003eYou can always adjust the controls for the separate frequency bands to different settings. \u003cbr\u003eThere is no \u003cbr\u003etechnical \u003cbr\u003ereason why they should be the same for all frequencies. \u003cbr\u003eSeparate Input and Output gain controls, make the MLA-\u003cbr\u003e4 easy to use for different operating levels. \u003cbr\u003eInputs \u003cbr\u003eThe inputs are electronically balanced, virtually ground floating, making them perform as if they \u003cbr\u003eare transformer coupled, but without the associated colouration, low frequency distortion and \u003cbr\u003erestricted bandwidth. \u003cbr\u003eThe input impedance is 100kohm. Maximum input level is \u0026gt;\u003cbr\u003e+29dBu (balanced). \u003cbr\u003eOutputs \u003cbr\u003eThe outputs are electronically balanced and can deliver \u0026gt;+\u003cbr\u003e28dBu into 600ohm (balanced). \u003cbr\u003eOutput impedance is 33ohm (balanced and unbalanced). \u003cbr\u003eThe inputs and outputs can be unbalanced by simply grounding either pin 2 or pin 3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specification:- \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance 100 kohm\u003c\/li\u003e\n\u003cli\u003eMaximum input level +29dBu (0dBu = 0.775V)\u003c\/li\u003e\n\u003cli\u003eThresholds (0dB input gain) -10dBu to +20dBu\u003c\/li\u003e\n\u003cli\u003eTypical THD (ratio 1:1) \u0026lt;-90dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response within 0.05dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eBandwidth greater than 1Hz to 500kHz\u003c\/li\u003e\n\u003cli\u003eTypical Noise -90dBu\u003c\/li\u003e\n\u003cli\u003eMaximum Output level +28dBu\u003c\/li\u003e\n\u003cli\u003eOutput impedance 33 ohm\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-09-17T07:06:43+02:00","created_at":"2017-09-17T07:08:53+02:00","vendor":"MASELEC","type":"Multiband Compressor \/ Expander","tags":["Compressors \/ Limiters","MASELEC","Price Range_$3000 and Over","Shop by brand_MASELEC","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording"],"price":506509,"price_min":506509,"price_max":506509,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1416943829018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MLA-4","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MASELEC MLA-4 Multiband Compressor \/ Expander","public_title":null,"options":["Default Title"],"price":506509,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"0644221295762"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MLA-4.jpg?v=1506263563"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MLA-4.jpg?v=1506263563","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-4 Multiband Compressor \/ Expander\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew multiband Compressor \/ Expander developed from the popular MLA-3 with added expander functions\u003cbr\u003efor all frequencies.\u003cbr\u003eThe MLA-4 is a powerful tool that could be used for:\u003cbr\u003eRestoring and improving over-compressed or\u003cbr\u003euneven mixes.\u003cbr\u003eChanging the tonal balance when ordinary equalizers are unable to do the job.\u003cbr\u003eCreating exciting new sounds with the unique linking that combines compression and expansion.\u003c\/p\u003e\n\u003cp\u003eThe input signal is split into three frequency-bands. Each\u003cbr\u003e band is passed through a stereo \u003cbr\u003ecompressor \/ expander, where gain and processing can be altered. \u003cbr\u003eThe outputs of the compressors \/ expanders are then re-combined and fed to the outputs. \u003cbr\u003eThere are four different frequencies for each of the two crossovers that can be separately \u003cbr\u003eselected for the low-to-mid and the mid-to-high bands.\u003cbr\u003eThe three frequency-band compressors \/ expanders have separate controls so that different \u003cbr\u003eparts of the audio spectrum can be adjusted and tuned. \u003cbr\u003eWith separate gain controls for each frequency-band, the \u003cbr\u003eMLA-4 can also be used as an equalizer. \u003cbr\u003eYou can always adjust the controls for the separate frequency bands to different settings. \u003cbr\u003eThere is no \u003cbr\u003etechnical \u003cbr\u003ereason why they should be the same for all frequencies. \u003cbr\u003eSeparate Input and Output gain controls, make the MLA-\u003cbr\u003e4 easy to use for different operating levels. \u003cbr\u003eInputs \u003cbr\u003eThe inputs are electronically balanced, virtually ground floating, making them perform as if they \u003cbr\u003eare transformer coupled, but without the associated colouration, low frequency distortion and \u003cbr\u003erestricted bandwidth. \u003cbr\u003eThe input impedance is 100kohm. Maximum input level is \u0026gt;\u003cbr\u003e+29dBu (balanced). \u003cbr\u003eOutputs \u003cbr\u003eThe outputs are electronically balanced and can deliver \u0026gt;+\u003cbr\u003e28dBu into 600ohm (balanced). \u003cbr\u003eOutput impedance is 33ohm (balanced and unbalanced). \u003cbr\u003eThe inputs and outputs can be unbalanced by simply grounding either pin 2 or pin 3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specification:- \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance 100 kohm\u003c\/li\u003e\n\u003cli\u003eMaximum input level +29dBu (0dBu = 0.775V)\u003c\/li\u003e\n\u003cli\u003eThresholds (0dB input gain) -10dBu to +20dBu\u003c\/li\u003e\n\u003cli\u003eTypical THD (ratio 1:1) \u0026lt;-90dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response within 0.05dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eBandwidth greater than 1Hz to 500kHz\u003c\/li\u003e\n\u003cli\u003eTypical Noise -90dBu\u003c\/li\u003e\n\u003cli\u003eMaximum Output level +28dBu\u003c\/li\u003e\n\u003cli\u003eOutput impedance 33 ohm\u003c\/li\u003e\n\u003c\/ul\u003e"}
MASELEC MLA-4 Multiband Compressor / Expander
$5,065.09
MASELEC MLA-4 Multiband Compressor / Expander New multiband Compressor / Expander developed from the popular MLA-3 with added expander functionsfor all frequencies.The MLA-4 is a powerful tool that could be used for:Restoring and improving over-compressed oruneven mixes.Changing the tonal balance when ordinary equalizers are unable to do the job...
MASELEC MLA-2 Compressor
$3,150.00
{"id":108412633114,"title":"MASELEC MLA-2 Compressor","handle":"maselec-mla-2-compressor","description":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-2 Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue compressors have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with digital media. The MLA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MLA-2 has a rear-mounted range control switch that adjusts the threshold range to suit either mastering or recording\/mixing applications.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a compressor that can provide effective dynamic control with minimal side-effects - it is designed to provide a very transparent signal path.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy for the MLA-2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of Leif Mases' experience with the creative process and engineering and technical excellence ensure that the Maselec MLA-2 delivers great-sounding audio in an intuitive and easy-to-use package.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MLA-2\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a very special Compressor that has been designed to provide effective but subtle compression. It uses the principle of a fixed threshold, with adjustable drive (or input gain). This makes for more intuitive operation than an adjustable threshold - turn the drive control clockwise and increase the compression depth.\u003cbr\u003e\u003cbr\u003eThe progression into the compression region is gradual and changes as the ratio is increased. Minimal output gain make-up adjustment is needed as the threshold is slightly modified running through different ratio settings. This creates a consistent gain point with about 2-3dB of compression across the ratio range.\u003cbr\u003e\u003cbr\u003eThe MLA-2 automatically adjusts its attack and release times based on the front panel setting for the most musical result. In addition, a modified release decay is used rather than the conventional exponential curve.\u003cbr\u003e\u003cbr\u003eThe MLA-2 IMAGELINK system provides a stereo side-chain link that allows the gain of the two channels to track so avoiding the risk of stereo image shifting when only one channel is controlled. However, transients that are placed to the extreme right or left can result in a slightly un-natural ducking of the other channel, so the stereo link is controlled to avoid this.\u003cbr\u003e\u003cbr\u003eThe MLA-2 achieves excellent results with speech and other highly dynamic sources, as well as instruments such as piano, saxophone or drums. It has a distinctive character, discernable both sonically and in the unique shape of its progressive compression curves. It provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path.\u003c\/p\u003e","published_at":"2017-09-17T07:25:12+02:00","created_at":"2017-09-17T07:27:37+02:00","vendor":"MASELEC","type":"Compressors","tags":["Compressors \/ Limiters","MASELEC","Price Range_$3000 and Over","Shop by brand_MASELEC","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording"],"price":315000,"price_min":315000,"price_max":315000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1417487220762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MLA-2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MASELEC MLA-2 Compressor","public_title":null,"options":["Default Title"],"price":315000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"0644221295878"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MLA-2_20-_20ang.jpg?v=1505626081"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MLA-2_20-_20ang.jpg?v=1505626081","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-2 Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue compressors have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with digital media. The MLA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MLA-2 has a rear-mounted range control switch that adjusts the threshold range to suit either mastering or recording\/mixing applications.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a compressor that can provide effective dynamic control with minimal side-effects - it is designed to provide a very transparent signal path.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy for the MLA-2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of Leif Mases' experience with the creative process and engineering and technical excellence ensure that the Maselec MLA-2 delivers great-sounding audio in an intuitive and easy-to-use package.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MLA-2\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a very special Compressor that has been designed to provide effective but subtle compression. It uses the principle of a fixed threshold, with adjustable drive (or input gain). This makes for more intuitive operation than an adjustable threshold - turn the drive control clockwise and increase the compression depth.\u003cbr\u003e\u003cbr\u003eThe progression into the compression region is gradual and changes as the ratio is increased. Minimal output gain make-up adjustment is needed as the threshold is slightly modified running through different ratio settings. This creates a consistent gain point with about 2-3dB of compression across the ratio range.\u003cbr\u003e\u003cbr\u003eThe MLA-2 automatically adjusts its attack and release times based on the front panel setting for the most musical result. In addition, a modified release decay is used rather than the conventional exponential curve.\u003cbr\u003e\u003cbr\u003eThe MLA-2 IMAGELINK system provides a stereo side-chain link that allows the gain of the two channels to track so avoiding the risk of stereo image shifting when only one channel is controlled. However, transients that are placed to the extreme right or left can result in a slightly un-natural ducking of the other channel, so the stereo link is controlled to avoid this.\u003cbr\u003e\u003cbr\u003eThe MLA-2 achieves excellent results with speech and other highly dynamic sources, as well as instruments such as piano, saxophone or drums. It has a distinctive character, discernable both sonically and in the unique shape of its progressive compression curves. It provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path.\u003c\/p\u003e"}
MASELEC MLA-2 Compressor
$3,150.00
MASELEC MLA-2 Compressor The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.ApplicationsTop recording and mastering engineers still use some analogue signal processing equipment,...
MASELEC MEA-2 Equalizer
$5,742.59
{"id":108409258010,"title":"MASELEC MEA-2 Equalizer","handle":"maselec-mea-2-equalizer","description":"\u003cp\u003e\u003cstrong\u003eMASELEC MEA-2 Equalizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q\/shelf, frequency and cut\/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue equalizers have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with modern demands. The MEA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MEA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MEA-2 has stepped controls with a fine 0.5dB gain adjustment at low cut\/boost settings. Maximum cut\/boost per band is 8dB.\u003cbr\u003e\u003cbr\u003eThe MEA-2 is an equalizer that can provide precise equalization with minimal side-effects - it is designed to provide a very transparent signal path where only the desired equalization effect is obtained without adding any particular sonic signature.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MEA-2 was developed by Leif Mases in conjunction with recording engineers, producers and mastering engineers to provide a tool for high quality signal processing in the most demanding professional applications. It has been carefully designed to be easy to use and provide a natural warm sound with a great degree of transparancy. The MEA-2 also offers precision controls, which enable exact recalls of previously used configurations. .\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MEA-2\u003c\/strong\u003e\u003cbr\u003eThe MEA-2 is a very special Equalizer that has been designed to achieve a certain sound. It has a distinctive character, discernable both sonically and in the unique shape of its EQ curves.\u003cbr\u003e\u003cbr\u003eWith 4 bands per channel, shelving\/peaking\/Q selection on each and 84 interleaved frequency settings per channel, the MEA-2 provides great flexibility and precision.\u003cbr\u003e\u003cbr\u003eWhen a cut\/boost control is set to 0dB; the associated frequency section is by-passed\u003cbr\u003e\u003cbr\u003eChannel 1 and channel 2 can be by-passed individually with the illuminated push buttons on the front panel.\u003cbr\u003e\u003cbr\u003eThe inputs and outputs can be connected to both balanced or unbalanced equipment and are able to handle up to +29dBu levels.\u003cbr\u003e\u003cbr\u003eThe MEA-2 provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path. All critical components are hand selected and matched.\u003cbr\u003e\u003cbr\u003eGreat sounding EQ is right behind the controls!\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","published_at":"2017-09-17T07:21:04+02:00","created_at":"2017-09-17T07:24:00+02:00","vendor":"MASELEC","type":"Equalizers","tags":["MASELEC","Parametric EQ","Price Range_$3000 and Over","Shop by brand_MASELEC","Shop by category_Parametric EQ","Signal Processing","Studio \u0026 Recording"],"price":574259,"price_min":574259,"price_max":574259,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1417388818458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MEA-2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MASELEC MEA-2 Equalizer","public_title":null,"options":["Default Title"],"price":574259,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"0644221295861"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MEA-2_20-_20angled.jpg?v=1505625873","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mea2_ang_r.jpg?v=1505625880"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MEA-2_20-_20angled.jpg?v=1505625873","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMASELEC MEA-2 Equalizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q\/shelf, frequency and cut\/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue equalizers have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with modern demands. The MEA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MEA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MEA-2 has stepped controls with a fine 0.5dB gain adjustment at low cut\/boost settings. Maximum cut\/boost per band is 8dB.\u003cbr\u003e\u003cbr\u003eThe MEA-2 is an equalizer that can provide precise equalization with minimal side-effects - it is designed to provide a very transparent signal path where only the desired equalization effect is obtained without adding any particular sonic signature.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MEA-2 was developed by Leif Mases in conjunction with recording engineers, producers and mastering engineers to provide a tool for high quality signal processing in the most demanding professional applications. It has been carefully designed to be easy to use and provide a natural warm sound with a great degree of transparancy. The MEA-2 also offers precision controls, which enable exact recalls of previously used configurations. .\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MEA-2\u003c\/strong\u003e\u003cbr\u003eThe MEA-2 is a very special Equalizer that has been designed to achieve a certain sound. It has a distinctive character, discernable both sonically and in the unique shape of its EQ curves.\u003cbr\u003e\u003cbr\u003eWith 4 bands per channel, shelving\/peaking\/Q selection on each and 84 interleaved frequency settings per channel, the MEA-2 provides great flexibility and precision.\u003cbr\u003e\u003cbr\u003eWhen a cut\/boost control is set to 0dB; the associated frequency section is by-passed\u003cbr\u003e\u003cbr\u003eChannel 1 and channel 2 can be by-passed individually with the illuminated push buttons on the front panel.\u003cbr\u003e\u003cbr\u003eThe inputs and outputs can be connected to both balanced or unbalanced equipment and are able to handle up to +29dBu levels.\u003cbr\u003e\u003cbr\u003eThe MEA-2 provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path. All critical components are hand selected and matched.\u003cbr\u003e\u003cbr\u003eGreat sounding EQ is right behind the controls!\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e"}
MASELEC MEA-2 Equalizer
$5,742.59
MASELEC MEA-2 Equalizer The MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q/shelf, frequency and cut/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.ApplicationsTop recording and mastering engineers s...
Burl Audio B2 BOMBER DAC
From $2,349.00
{"id":9880387661,"title":"Burl Audio B2 BOMBER DAC","handle":"burl-audio-b2-bomber-dac","description":"\u003ch1\u003e\u003cstrong\u003eB2 BOMBER DAC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER DIGITAL \/ ANALOG CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 BOMBER DAC delivers sonic purity and dynamics thus far unheard of.\u003c\/p\u003e\n\u003cp\u003eAs a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cbr\u003e • 44.1k Hz to 192k Hz, 24 bit, 2 channel DAC \u003cbr\u003e • Proprietary custom design BOPA1, all discrete op-amps \u003cbr\u003e • Passive filters \u003cbr\u003e • All class-A \u003cbr\u003e • Zero capacitor signal path \u003cbr\u003e • Audiophile quality 6 position attenuator with standard headroom settings \u003cbr\u003e • High definition metering with simultaneous RMS and peak indication \u003cbr\u003e • Dante, 2 AES, SPDIF and Toslink input \u003cbr\u003e • BNC word clock input with two outputs of extremely low jitter clock \u003cbr\u003e • Frequency response at 48kHz sample rate is 10Hz to 22kHz, +\/- 0.1dB \u003cbr\u003e • Frequency response at 96kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -0.3 dB @ 40kHz \u003cbr\u003e • Frequency response at 192kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -1.5 dB @ 90kHz \u003cbr\u003e • 115dB Dynamic Range \u003cbr\u003e • -96dB THD+N, full scale output = +22dBU \u003cbr\u003e • Rugged, Made in USA design\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-05-06T15:53:27+02:00","created_at":"2017-05-06T15:55:08+02:00","vendor":"Burl Audio","type":"Signal Processing","tags":["Burl Audio","Misc Digital Converters","Price Range_$2000 to $3000","Shop by brand_Burl Audio","Shop by category_Misc Digital Converters","Shop by category_Studio \u0026 Recording","Signal Processing","Studio \u0026 Recording"],"price":234900,"price_min":234900,"price_max":254900,"available":true,"price_varies":true,"compare_at_price":234900,"compare_at_price_min":234900,"compare_at_price_max":254900,"compare_at_price_varies":true,"variants":[{"id":36992831117,"title":"with Dante","option1":"with Dante","option2":null,"option3":null,"sku":"B2-DAC-Dante","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER DAC - with Dante","public_title":"with Dante","options":["with Dante"],"price":254900,"weight":0,"compare_at_price":254900,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":423751352346,"title":"without Dante","option1":"without Dante","option2":null,"option3":null,"sku":"B2-DAC","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER DAC - without Dante","public_title":"without Dante","options":["without Dante"],"price":234900,"weight":0,"compare_at_price":234900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_DAC_Dante_Front.png?v=1503488845","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_8e214134-c5d3-443b-91c1-827a4a1d604e.png?v=1503488845","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_DAC_Dante_Back.png?v=1503488845"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_DAC_Dante_Front.png?v=1503488845","options":["Card"],"content":"\u003ch1\u003e\u003cstrong\u003eB2 BOMBER DAC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER DIGITAL \/ ANALOG CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 BOMBER DAC delivers sonic purity and dynamics thus far unheard of.\u003c\/p\u003e\n\u003cp\u003eAs a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cbr\u003e • 44.1k Hz to 192k Hz, 24 bit, 2 channel DAC \u003cbr\u003e • Proprietary custom design BOPA1, all discrete op-amps \u003cbr\u003e • Passive filters \u003cbr\u003e • All class-A \u003cbr\u003e • Zero capacitor signal path \u003cbr\u003e • Audiophile quality 6 position attenuator with standard headroom settings \u003cbr\u003e • High definition metering with simultaneous RMS and peak indication \u003cbr\u003e • Dante, 2 AES, SPDIF and Toslink input \u003cbr\u003e • BNC word clock input with two outputs of extremely low jitter clock \u003cbr\u003e • Frequency response at 48kHz sample rate is 10Hz to 22kHz, +\/- 0.1dB \u003cbr\u003e • Frequency response at 96kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -0.3 dB @ 40kHz \u003cbr\u003e • Frequency response at 192kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -1.5 dB @ 90kHz \u003cbr\u003e • 115dB Dynamic Range \u003cbr\u003e • -96dB THD+N, full scale output = +22dBU \u003cbr\u003e • Rugged, Made in USA design\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Burl Audio B2 BOMBER DAC
$2,549.00
B2 BOMBER DAC THE B2 BOMBER DIGITAL / ANALOG CONVERTER The B2 BOMBER DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 BOMB...
Bettermaker Mastering Limiter
$2,587.50
{"id":100964859930,"title":"Bettermaker Mastering Limiter","handle":"bettermaker-mastering-limiter","description":"\u003cp\u003e\u003cstrong\u003eBettermaker Mastering Limiter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresenting the Bettermaker Mastering Limiter:\u003cbr\u003eThe Limiter has 3 sections that are essential to make a perfect master. All of them are recallable by the internal memory and a plugin that also handles automation.\u003cbr\u003e\u003cstrong\u003eSection 1\u003c\/strong\u003e: Analog Mastering Limiter\u003cbr\u003e-100% analog signal path\u003cbr\u003e-intelligent and manual release\u003cbr\u003e-variable mix between limiting and clipping\u003cbr\u003e-possibility to turn off the clipping section, so you can clip with you favorite AD or other.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSection 2:\u003c\/strong\u003e Color, for giving that special flavor to your mix\u003cbr\u003e-Two color modules introducing different saturation that can be used simultaneously\u003cbr\u003e-Color 1 with Majority of odd harmonics\u003cbr\u003e-Color 2 with Majority of even harmonics\u003cbr\u003e-Both color sections can be internally EQed so for example you can present more odd harmonics in the low end to give the mix more bite and sweeten the highs with the even harmonics at the top end.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSection 3\u003c\/strong\u003e: Metering, an additional screen in your studio. As it’s a touchscreen it also utilizes control functions of the Mastering Limiter. You can view your gavotte set of stats.\u003cbr\u003e-Input, output and reduction\u003cbr\u003e-VU full screen or scaled\u003cbr\u003e-RMS\u003cbr\u003e-LUFS (Short term, Integral, Loudness Range, view in time)\u003cbr\u003e-K metering\u003cbr\u003e-31 Band FFT analyzer\u003cbr\u003e-Goniometer\u003cbr\u003e-Correlation meter\u003cbr\u003e-Two points of measurement, the output of the Limiter or the plugin\u003cbr\u003e-and more…\u003c\/p\u003e","published_at":"2017-09-14T09:55:22+02:00","created_at":"2017-09-14T09:57:27+02:00","vendor":"Bettermaker","type":"Mastering","tags":["Bettermaker","Mastering","Price Range_$2000 to $3000","Shop by brand_Bettermaker","Shop by category_Mastering","Shop by category_Studio \u0026 Recording","Signal Processing","Studio \u0026 Recording"],"price":258750,"price_min":258750,"price_max":258750,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1284766498842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MastLimit","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bettermaker Mastering Limiter","public_title":null,"options":["Default Title"],"price":258750,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0440.jpg?v=1523965761","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0454.jpg?v=1523965761","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0447.jpg?v=1523965761","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0451.jpg?v=1523965761","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/bettermaker-mastering-limiter-front.jpg?v=1523965761"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0440.jpg?v=1523965761","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eBettermaker Mastering Limiter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresenting the Bettermaker Mastering Limiter:\u003cbr\u003eThe Limiter has 3 sections that are essential to make a perfect master. All of them are recallable by the internal memory and a plugin that also handles automation.\u003cbr\u003e\u003cstrong\u003eSection 1\u003c\/strong\u003e: Analog Mastering Limiter\u003cbr\u003e-100% analog signal path\u003cbr\u003e-intelligent and manual release\u003cbr\u003e-variable mix between limiting and clipping\u003cbr\u003e-possibility to turn off the clipping section, so you can clip with you favorite AD or other.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSection 2:\u003c\/strong\u003e Color, for giving that special flavor to your mix\u003cbr\u003e-Two color modules introducing different saturation that can be used simultaneously\u003cbr\u003e-Color 1 with Majority of odd harmonics\u003cbr\u003e-Color 2 with Majority of even harmonics\u003cbr\u003e-Both color sections can be internally EQed so for example you can present more odd harmonics in the low end to give the mix more bite and sweeten the highs with the even harmonics at the top end.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSection 3\u003c\/strong\u003e: Metering, an additional screen in your studio. As it’s a touchscreen it also utilizes control functions of the Mastering Limiter. You can view your gavotte set of stats.\u003cbr\u003e-Input, output and reduction\u003cbr\u003e-VU full screen or scaled\u003cbr\u003e-RMS\u003cbr\u003e-LUFS (Short term, Integral, Loudness Range, view in time)\u003cbr\u003e-K metering\u003cbr\u003e-31 Band FFT analyzer\u003cbr\u003e-Goniometer\u003cbr\u003e-Correlation meter\u003cbr\u003e-Two points of measurement, the output of the Limiter or the plugin\u003cbr\u003e-and more…\u003c\/p\u003e"}
Bettermaker Mastering Limiter
$2,587.50
Bettermaker Mastering Limiter Presenting the Bettermaker Mastering Limiter:The Limiter has 3 sections that are essential to make a perfect master. All of them are recallable by the internal memory and a plugin that also handles automation.Section 1: Analog Mastering Limiter-100% analog signal path-intelligent and manual release-variable mix betw...
