{"id":8258374465,"title":"PreSonus StudioLive RML32AI","handle":"presonus-rml32ai-32-ch-digital-rackmounted-mixer","description":"\u003cdiv class=\"sd-desc\" itemprop=\"description\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eVersatile and flexible for live and recorded sound.\u003c\/h2\u003e\n\u003cp\u003eEqually at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus\u003csup\u003e®\u003c\/sup\u003e StudioLive\u003csup\u003e®\u003c\/sup\u003e RML32AI 32-channel, 25-bus, rack-mount Active Integration\u003csup\u003e™\u003c\/sup\u003e digital mixer is a versatile and flexible solution for live sound and recording. StudioLive RML32AI mixers offer 24 mic inputs and 8 combo mic\/line inputs and are expandable up to 64 channels. Flawlessly integrated with state-of-the-art software, they boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eNetworking provides remote control, recording, and more.\u003c\/h2\u003e\n\u003cp\u003ePowerful, real-time, wired and Wi-Fi networking enables recording and remote control over all StudioLive RML32AI features. Use the included AVB networking connection or choose optional Dante networking. Control your StudioLive RML32AI wirelessly from anywhere in the venue using free Mac\u003csup\u003e®\u003c\/sup\u003e, Windows\u003csup\u003e®\u003c\/sup\u003e, and iOS\u003csup\u003e®\u003c\/sup\u003e software. Network the RML32AI to a StudioLive AI-series front-of-house console, using the rack-mount mixer as a stage box and monitor mixer. Send and receive networked audio via optional Dante for multitrack recording. Connect to hundreds of Dante-enabled products. Once you’ve used a networked StudioLive RML32AI, you’ll never go back to the old way of mixing!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eControl the mixer with hardware and software—from anywhere.\u003c\/h2\u003e\n\u003cp\u003eThanks to PreSonus Active Integration, StudioLive RML32AI mixers can be controlled in multiple ways simultaneously so you can customize your system to suit your needs and workflow. Control the mixer over a wired or wireless network using an array of integrated software for Mac, Windows, and iPad. Add physical control with PreSonus’ StudioLive CS18AI Ethernet\/AVB control surface, which features high-quality, touch-sensitive, motorized faders and far more mixer-control features than we can list here—and can control Studio One, too!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eIntegrated, multiplatform software for flexible control and one-click recording.\u003c\/h2\u003e\n\u003cp\u003ePreSonus StudioLive RML-series mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad\u003csup\u003e®\u003c\/sup\u003e. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One\u003csup\u003e®\u003c\/sup\u003e Artist for low-latency recording with effects. Musicians control their monitor mixes onstage with QMix\u003csup\u003e™\u003c\/sup\u003e-AI for iPhone\u003csup\u003e®\u003c\/sup\u003e\/iPod\u003csup\u003e®\u003c\/sup\u003e touch. Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture\u003csup\u003e™\u003c\/sup\u003e. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart\u003csup\u003e®\u003c\/sup\u003e wizards, RTA, and spectrograph. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive RML-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eRecording is in StudioLive AI’s DNA.\u003c\/h2\u003e\n\u003cp\u003eThe StudioLive RML32AI’s built-in 54x34 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 32 channels and your choice of buses continuously stream to your FireWire- or Dante\u003csup\u003e™\u003c\/sup\u003e-connected Mac or PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive RML mixers, recording is simple and easy: Just launch the included, preconfigured Capture\u003csup\u003e™\u003c\/sup\u003e software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease—only with StudioLive.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eYou’ll never run out of signal processors.\u003c\/h2\u003e\n\u003cp\u003eStudioLive RML mixers provide more DSP power than any other mixer in their class. There are no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander\/gate, and parametric EQ on every channel and bus; a highpass filter on each channel; a library of professionally crafted, useful presets; and the ability to save, selectively recall, and A\/B-compare processor settings. You also get four effects processors—two reverbs and two delays—each with their own dedicated mix bus; 15 dedicated 31-band graphic EQs; and 500 ms of delay available on the last four mix outputs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eExpandable to meet your needs.\u003c\/h2\u003e\n\u003cp\u003eOnly StudioLive Active Integration mixers let you create a large-format console on a small-format budget. Connect two StudioLive RML32AIs or an RML32AI and an RML16AI via AVB to create up to a 64-channel mixing system. Rack-mount them together, place one on each side of the stage, or put one onstage and one at front-of-house. Record all 64 channels with free Capture\u003csup\u003e™\u003c\/sup\u003e software and have single-window control of all channels using UC Surface control software. Or enjoy up to 86x66 recording via FireWire with a DAW, such as Studio One. The Mix outputs are conveniently mirrored on both RML mixers. Now your system can grow with your needs and budget!\u003c\/p\u003e\n\u003cdiv class=\"container product-features\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e24 locking XLR mic inputs and 8 combo locking XLR mic-¼” TRS line inputs, each with:\n\u003cul\u003e\n\u003cli\u003eRecallable XMAX Class A analog mic preamps\u003c\/li\u003e\n\u003cli\u003e+48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo tape input (RCA jacks)\u003c\/li\u003e\n\u003cli\u003e8 XLR line-level Mix outputs\n\u003cul\u003e\n\u003cli\u003eFour 300 ms alignment delays on the last four Mix outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1 DB25 jack mirrors 8 line-level Mix outputs\u003c\/li\u003e\n\u003cli\u003e3 XLR main outputs (left, right, mono\/center) with analog trim pots\u003c\/li\u003e\n\u003cli\u003eS\/PDIF digital output on removable option card\u003c\/li\u003e\n\u003cli\u003eHeadphone output with volume knob and selectable source\u003c\/li\u003e\n\u003cli\u003e1x1 MIDI I\/O (for future implementation)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eChannels and Buses\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e32 internal channels\u003c\/li\u003e\n\u003cli\u003e25 mix buses\n\u003cul\u003e\n\u003cli\u003e16 aux mix buses\u003c\/li\u003e\n\u003cli\u003e3 main mix buses (left, right, mono\/center)\u003c\/li\u003e\n\u003cli\u003eStereo solo bus\u003c\/li\u003e\n\u003cli\u003e4 internal FX buses (2 reverb, 2 delay)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFully integrated, continuously bidirectional, 52-in\/34-out, FireWire 800 direct recording interface (24-bit, 44.1\/48\/88.2\/96 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eUC Surface Live Mixing and Control Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eDesigned specifically for live sound mixing\u003c\/li\u003e\n\u003cli\u003eMultiplatform support for Mac \u003csup\u003e®\u003c\/sup\u003e , Windows \u003csup\u003e®\u003c\/sup\u003e , and iPad \u003csup\u003e®\u003c\/sup\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 8\/10 multi-touch-compatible for large touchscreen mixing\u003c\/li\u003e\n\u003cli\u003eFlexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eContextual-based navigation for quick, intuitive access to all mixing functions\u003c\/li\u003e\n\u003cli\u003e8 Mute Groups with All On and All Off\u003c\/li\u003e\n\u003cli\u003eScene Store and Recall\n\u003cul\u003e\n\u003cli\u003eGlobal Scene Storage: all current StudioLive RML settings\u003c\/li\u003e\n\u003cli\u003eUp to 99 at a time\u003c\/li\u003e\n\u003cli\u003e8 Quick Scenes for instant scene save\/recall—like “speed dial” for scenes\u003c\/li\u003e\n\u003cli\u003eAutomatic Global AutoStore\u003c\/li\u003e\n\u003cli\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eIndividual channel-strip setting storage\n\u003cul\u003e\n\u003cli\u003eUp to 100 at a time, plus…\u003c\/li\u003e\n\u003cli\u003e50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals\u003c\/li\u003e\n\u003cli\u003eCopy and paste among channels and buses\u003c\/li\u003e\n\u003cli\u003eCan be saved as user presets\u003c\/li\u003e\n\u003cli\u003eCan be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eContextual Presets System\n\u003cul\u003e\n\u003cli\u003ePresets filtered by Channel Types\u003c\/li\u003e\n\u003cli\u003eQuickly audition presets on the fly\u003c\/li\u003e\n\u003cli\u003eEdit auditioned preset before loading\u003c\/li\u003e\n\u003cli\u003eExit Audition mode with out loading to return to previous settings\u003c\/li\u003e\n\u003cli\u003eSave and load presets on all platforms including iOS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFilter DCAs\n\u003cul\u003e\n\u003cli\u003eUnlimited groups\u003c\/li\u003e\n\u003cli\u003eAutomatic group creation using Channel Types\u003c\/li\u003e\n\u003cli\u003eCustom groups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSecurity features to monitor and restrict access to the mixer’s controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eOther Actively Integrated Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eCapture™ one-click recording software with true virtual soundcheck (Mac\/Windows)\u003c\/li\u003e\n\u003cli\u003eStudio One \u003csup\u003e®\u003c\/sup\u003e Artist full-featured digital audio workstation software (Mac\/Windows)\u003c\/li\u003e\n\u003cli\u003eQMix \u003csup\u003e®\u003c\/sup\u003e -AI wireless monitor-mix control from an iPhone \u003csup\u003e®\u003c\/sup\u003e \/iPod \u003csup\u003e®\u003c\/sup\u003e touch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNetworking Connections\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter.\u003c\/li\u003e\n\u003cli\u003eSL-Dante-Mix option card available separately\u003c\/li\u003e\n\u003cli\u003eUse AVB to cascade two RM\/RML-series mixers to create a larger system (up to 64 channels) or connect the RML mixer to a StudioLive \u003csup\u003e®\u003c\/sup\u003e AI-series front-of-house console\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSignal Processing\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eDual Fat Channel signal processing on all channels and buses with:\u003c\/li\u003e\n\u003cli\u003eVariable highpass filter -6 dB\/oct., sweepable from Off to 1 kHz (main channels and auxes only)\u003c\/li\u003e\n\u003cli\u003eVariable lowpass filter on the mono\/center bus\u003c\/li\u003e\n\u003cli\u003e4-band fully parametric EQ\n\u003cul\u003e\n\u003cli\u003eLow EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eLow Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eMaster EQ On\/Off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003c\/li\u003e\n\u003cli\u003eGate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec\u003c\/li\u003e\n\u003cli\u003eBandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003c\/li\u003e\n\u003cli\u003eLimiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003cli\u003eStereo link for input channels and aux buses\u003c\/li\u003e\n\u003cli\u003ePolarity reverse (input channels only)\u003c\/li\u003e\n\u003cli\u003eQuick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003c\/li\u003e\n\u003cli\u003e15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono\/center buses)\u003c\/li\u003e\n\u003cli\u003e4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHardware Controls\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e32 LED meter grid\u003c\/li\u003e\n\u003cli\u003eFront-panel Mute All button temporarily mutes all inputs and outputs\u003c\/li\u003e\n\u003cli\u003e+48V Meters button to display phantom power assignment on the meter grid\u003c\/li\u003e\n\u003cli\u003eHeadphone source selection between Main and Cue\u003c\/li\u003e\n\u003cli\u003eStudioLive CS18AI AVB control surface available separately\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigital\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eHigh-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003c\/li\u003e\n\u003cli\u003eUnlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003c\/li\u003e\n\u003cli\u003eInternal sample frequency 44.1, 48, 88.2, 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e3U rack-mount steel chassis\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone Preamp\u003cbr\u003e \u003cbr\u003e • Input Type 24 locking XLR Female, balanced; 8 combo locking XLR mic-¼” TRS line\u003cbr\u003e • Frequency Response to Direct Output (at unity gain) 20-40 kHz, ±0.5 dBu\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e • Gain Control Range (±1 dB) 0 dB to +65 dB\u003cbr\u003e • Maximum Input Level (unity gain) +22 dBu\u003cbr\u003e • Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female (via Combo), Balanced\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) + 18 dBu, ±0.5 dB\u003cbr\u003e • Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB\u003cbr\u003e • Dynamic Range (min. gain, A-wtd) \u0026gt; 114 dB\u003cbr\u003e • Dynamic Range (mid. gain, unwtd) \u0026gt; 105 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.005%\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e \u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +12 dBu\u003cbr\u003e\u003cbr\u003eMain Outputs\u003cbr\u003e \u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eMix Outputs\u003cbr\u003e \u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, active stereo\u003cbr\u003e • Maximum Output 100 mW\/ch. @ 60Ω load\u003cbr\u003e • Frequency Response 20 Hz – 20 kHz (± 0.5 dB)\u003cbr\u003e • THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e • S\/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e • Input to Output -90 dB (Ref = +4 dBu, 1 kHz, unwtd)\u003cbr\u003e • Adjacent Channels -87 dB (Ref = +4 dBu, 1 kHz, unwtd)\u003cbr\u003e\u003cbr\u003eNoise Gate \/ Expander\u003cbr\u003e \u003cbr\u003e • Threshold Range -84 dB to 0 dB\u003cbr\u003e • Attack Time 0.02s to 500 ms \/ 0.5 ms\u003cbr\u003e • Release Time 0.05s to 2s\u003cbr\u003e • Expander Attenuation Range 2:1 (fixed)\u003cbr\u003e • Noise Gate Attenuation Range -84 to 0 dB\u003cbr\u003e • Key Filter 2nd-order, resonant bypass; Q=0.7\u003cbr\u003e • Key Listen Off, 40 Hz to 16 kHz\u003cbr\u003e\u003cbr\u003eCompressor\u003cbr\u003e \u003cbr\u003e • Threshold Range -56 dB to 0 dB\u003cbr\u003e • Ratio 1:1 to 14:1\u003cbr\u003e • Attack Time 0.2 ms to 150 ms\u003cbr\u003e • Release Time 40 ms to 1,000 ms\u003cbr\u003e • Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e • Curve Types hard and soft knee\u003cbr\u003e\u003cbr\u003eLimiter\u003cbr\u003e \u003cbr\u003e • Threshold -56 dB to 0 dB \/ -28 dBFS\u003cbr\u003e • Ratio ∞:1\u003cbr\u003e • Attack 20 ms\u003cbr\u003e • Hold 10 ms\u003cbr\u003e • Release 20 ms\u003cbr\u003e\u003cbr\u003eParametric EQ\u003cbr\u003e \u003cbr\u003e • Type 2nd-order shelving filter\u003cbr\u003e • Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e • Low Mid (Bandpass) 90 Hz to 1.2 kHz, ±15 dB\u003cbr\u003e • High Mid (Bandpass) 380 Hz to 5 kHz, ±15 dB\u003cbr\u003e • High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e • Q (sweepable for each band) 0.1 to 4 \/ Low Q= 0.55, Hi Q=2.0\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e \u003cbr\u003e • 31-Band 1\/3-Octave Controls Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.\u003cbr\u003e • Gain\/Attenuation ±15 dB\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e \u003cbr\u003e • ADC Dynamic Range 118 dB (A-wtd, 48 kHz)\u003cbr\u003e • DAC Dynamic Range 118 dB (A-wtd, 48 kHz)\u003cbr\u003e • FireWire S800, 800 Mb\/s\u003cbr\u003e • S\/PDIF Output RCA Female\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 44.1, 48, 88.2, 96 kHz\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e \u003cbr\u003e • Type JetPLL™\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in, 1 ps out)\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e \u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 90 to 240 VAC\u003cbr\u003e • Power Requirements (continuous) 200W\u003cbr\u003e • Recommended Ambient Operating Temperature 0° to 40° Celsius \/ 32° to 104° Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e • Rackspaces 4U\u003cbr\u003e • Height 7” (17.78 cm)\u003cbr\u003e • Width 19” (48.26 cm)\u003cbr\u003e • Depth 10.5” (26.67 cm)\u003cbr\u003e • Weight 22 lbs. (8.62 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sd-review-summary\"\u003e\u003cspan class=\"sd-itemid\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sd-review-summary\"\u003e\u003cspan class=\"sd-itemid\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sd-review-summary\"\u003e\u003cspan class=\"sd-itemid\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sd-review-summary\"\u003e\u003cspan class=\"sd-itemid\"\u003e\u003c\/span\u003e\u003c\/div\u003e","published_at":"2016-10-16T10:15:00+02:00","created_at":"2016-10-16T10:17:00+02:00","vendor":"PreSonus","type":"Mixers","tags":["Channels_32","Computer Audio","Control Surfaces","Mixing Control Surfaces","PreSonus","Price Range_$1500 to $2000","Shop by brand_PreSonus","Shop by category_Control Surfaces"],"price":166600,"price_min":166600,"price_max":166600,"available":true,"price_varies":false,"compare_at_price":227880,"compare_at_price_min":227880,"compare_at_price_max":227880,"compare_at_price_varies":false,"variants":[{"id":27640309057,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive RML32AI","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive RML32AI","public_title":null,"options":["Default Title"],"price":166600,"weight":9979,"compare_at_price":227880,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_rml32ai-front_big_46204b64-d6df-44bf-97e2-235d920cb745.jpg?v=1500914854","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_rml32ai-back_big_f50a5b84-83c4-44ff-a9db-a7f5bb1c8771.jpg?v=1500914854","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_rml32ai-34left_big_b770f16c-20cd-489e-aa4f-8be147ad0693.jpg?v=1500914854"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_rml32ai-front_big_46204b64-d6df-44bf-97e2-235d920cb745.jpg?v=1500914854","options":["Title"],"content":"\u003cdiv class=\"sd-desc\" itemprop=\"description\"\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eVersatile and flexible for live and recorded sound.\u003c\/h2\u003e\n\u003cp\u003eEqually at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus\u003csup\u003e®\u003c\/sup\u003e StudioLive\u003csup\u003e®\u003c\/sup\u003e RML32AI 32-channel, 25-bus, rack-mount Active Integration\u003csup\u003e™\u003c\/sup\u003e digital mixer is a versatile and flexible solution for live sound and recording. StudioLive RML32AI mixers offer 24 mic inputs and 8 combo mic\/line inputs and are expandable up to 64 channels. Flawlessly integrated with state-of-the-art software, they boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eNetworking provides remote control, recording, and more.\u003c\/h2\u003e\n\u003cp\u003ePowerful, real-time, wired and Wi-Fi networking enables recording and remote control over all StudioLive RML32AI features. Use the included AVB networking connection or choose optional Dante networking. Control your StudioLive RML32AI wirelessly from anywhere in the venue using free Mac\u003csup\u003e®\u003c\/sup\u003e, Windows\u003csup\u003e®\u003c\/sup\u003e, and iOS\u003csup\u003e®\u003c\/sup\u003e software. Network the RML32AI to a StudioLive AI-series front-of-house console, using the rack-mount mixer as a stage box and monitor mixer. Send and receive networked audio via optional Dante for multitrack recording. Connect to hundreds of Dante-enabled products. Once you’ve used a networked StudioLive RML32AI, you’ll never go back to the old way of mixing!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eControl the mixer with hardware and software—from anywhere.\u003c\/h2\u003e\n\u003cp\u003eThanks to PreSonus Active Integration, StudioLive RML32AI mixers can be controlled in multiple ways simultaneously so you can customize your system to suit your needs and workflow. Control the mixer over a wired or wireless network using an array of integrated software for Mac, Windows, and iPad. Add physical control with PreSonus’ StudioLive CS18AI Ethernet\/AVB control surface, which features high-quality, touch-sensitive, motorized faders and far more mixer-control features than we can list here—and can control Studio One, too!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eIntegrated, multiplatform software for flexible control and one-click recording.\u003c\/h2\u003e\n\u003cp\u003ePreSonus StudioLive RML-series mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad\u003csup\u003e®\u003c\/sup\u003e. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One\u003csup\u003e®\u003c\/sup\u003e Artist for low-latency recording with effects. Musicians control their monitor mixes onstage with QMix\u003csup\u003e™\u003c\/sup\u003e-AI for iPhone\u003csup\u003e®\u003c\/sup\u003e\/iPod\u003csup\u003e®\u003c\/sup\u003e touch. Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture\u003csup\u003e™\u003c\/sup\u003e. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart\u003csup\u003e®\u003c\/sup\u003e wizards, RTA, and spectrograph. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive RML-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eRecording is in StudioLive AI’s DNA.\u003c\/h2\u003e\n\u003cp\u003eThe StudioLive RML32AI’s built-in 54x34 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 32 channels and your choice of buses continuously stream to your FireWire- or Dante\u003csup\u003e™\u003c\/sup\u003e-connected Mac or PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive RML mixers, recording is simple and easy: Just launch the included, preconfigured Capture\u003csup\u003e™\u003c\/sup\u003e software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease—only with StudioLive.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eYou’ll never run out of signal processors.\u003c\/h2\u003e\n\u003cp\u003eStudioLive RML mixers provide more DSP power than any other mixer in their class. There are no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander\/gate, and parametric EQ on every channel and bus; a highpass filter on each channel; a library of professionally crafted, useful presets; and the ability to save, selectively recall, and A\/B-compare processor settings. You also get four effects processors—two reverbs and two delays—each with their own dedicated mix bus; 15 dedicated 31-band graphic EQs; and 500 ms of delay available on the last four mix outputs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eExpandable to meet your needs.\u003c\/h2\u003e\n\u003cp\u003eOnly StudioLive Active Integration mixers let you create a large-format console on a small-format budget. Connect two StudioLive RML32AIs or an RML32AI and an RML16AI via AVB to create up to a 64-channel mixing system. Rack-mount them together, place one on each side of the stage, or put one onstage and one at front-of-house. Record all 64 channels with free Capture\u003csup\u003e™\u003c\/sup\u003e software and have single-window control of all channels using UC Surface control software. Or enjoy up to 86x66 recording via FireWire with a DAW, such as Studio One. The Mix outputs are conveniently mirrored on both RML mixers. Now your system can grow with your needs and budget!\u003c\/p\u003e\n\u003cdiv class=\"container product-features\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e24 locking XLR mic inputs and 8 combo locking XLR mic-¼” TRS line inputs, each with:\n\u003cul\u003e\n\u003cli\u003eRecallable XMAX Class A analog mic preamps\u003c\/li\u003e\n\u003cli\u003e+48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo tape input (RCA jacks)\u003c\/li\u003e\n\u003cli\u003e8 XLR line-level Mix outputs\n\u003cul\u003e\n\u003cli\u003eFour 300 ms alignment delays on the last four Mix outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1 DB25 jack mirrors 8 line-level Mix outputs\u003c\/li\u003e\n\u003cli\u003e3 XLR main outputs (left, right, mono\/center) with analog trim pots\u003c\/li\u003e\n\u003cli\u003eS\/PDIF digital output on removable option card\u003c\/li\u003e\n\u003cli\u003eHeadphone output with volume knob and selectable source\u003c\/li\u003e\n\u003cli\u003e1x1 MIDI I\/O (for future implementation)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eChannels and Buses\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e32 internal channels\u003c\/li\u003e\n\u003cli\u003e25 mix buses\n\u003cul\u003e\n\u003cli\u003e16 aux mix buses\u003c\/li\u003e\n\u003cli\u003e3 main mix buses (left, right, mono\/center)\u003c\/li\u003e\n\u003cli\u003eStereo solo bus\u003c\/li\u003e\n\u003cli\u003e4 internal FX buses (2 reverb, 2 delay)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFully integrated, continuously bidirectional, 52-in\/34-out, FireWire 800 direct recording interface (24-bit, 44.1\/48\/88.2\/96 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eUC Surface Live Mixing and Control Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eDesigned specifically for live sound mixing\u003c\/li\u003e\n\u003cli\u003eMultiplatform support for Mac \u003csup\u003e®\u003c\/sup\u003e , Windows \u003csup\u003e®\u003c\/sup\u003e , and iPad \u003csup\u003e®\u003c\/sup\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 8\/10 multi-touch-compatible for large touchscreen mixing\u003c\/li\u003e\n\u003cli\u003eFlexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eContextual-based navigation for quick, intuitive access to all mixing functions\u003c\/li\u003e\n\u003cli\u003e8 Mute Groups with All On and All Off\u003c\/li\u003e\n\u003cli\u003eScene Store and Recall\n\u003cul\u003e\n\u003cli\u003eGlobal Scene Storage: all current StudioLive RML settings\u003c\/li\u003e\n\u003cli\u003eUp to 99 at a time\u003c\/li\u003e\n\u003cli\u003e8 Quick Scenes for instant scene save\/recall—like “speed dial” for scenes\u003c\/li\u003e\n\u003cli\u003eAutomatic Global AutoStore\u003c\/li\u003e\n\u003cli\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eIndividual channel-strip setting storage\n\u003cul\u003e\n\u003cli\u003eUp to 100 at a time, plus…\u003c\/li\u003e\n\u003cli\u003e50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals\u003c\/li\u003e\n\u003cli\u003eCopy and paste among channels and buses\u003c\/li\u003e\n\u003cli\u003eCan be saved as user presets\u003c\/li\u003e\n\u003cli\u003eCan be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eContextual Presets System\n\u003cul\u003e\n\u003cli\u003ePresets filtered by Channel Types\u003c\/li\u003e\n\u003cli\u003eQuickly audition presets on the fly\u003c\/li\u003e\n\u003cli\u003eEdit auditioned preset before loading\u003c\/li\u003e\n\u003cli\u003eExit Audition mode with out loading to return to previous settings\u003c\/li\u003e\n\u003cli\u003eSave and load presets on all platforms including iOS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFilter DCAs\n\u003cul\u003e\n\u003cli\u003eUnlimited groups\u003c\/li\u003e\n\u003cli\u003eAutomatic group creation using Channel Types\u003c\/li\u003e\n\u003cli\u003eCustom groups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSecurity features to monitor and restrict access to the mixer’s controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eOther Actively Integrated Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eCapture™ one-click recording software with true virtual soundcheck (Mac\/Windows)\u003c\/li\u003e\n\u003cli\u003eStudio One \u003csup\u003e®\u003c\/sup\u003e Artist full-featured digital audio workstation software (Mac\/Windows)\u003c\/li\u003e\n\u003cli\u003eQMix \u003csup\u003e®\u003c\/sup\u003e -AI wireless monitor-mix control from an iPhone \u003csup\u003e®\u003c\/sup\u003e \/iPod \u003csup\u003e®\u003c\/sup\u003e touch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNetworking Connections\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter.\u003c\/li\u003e\n\u003cli\u003eSL-Dante-Mix option card available separately\u003c\/li\u003e\n\u003cli\u003eUse AVB to cascade two RM\/RML-series mixers to create a larger system (up to 64 channels) or connect the RML mixer to a StudioLive \u003csup\u003e®\u003c\/sup\u003e AI-series front-of-house console\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSignal Processing\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eDual Fat Channel signal processing on all channels and buses with:\u003c\/li\u003e\n\u003cli\u003eVariable highpass filter -6 dB\/oct., sweepable from Off to 1 kHz (main channels and auxes only)\u003c\/li\u003e\n\u003cli\u003eVariable lowpass filter on the mono\/center bus\u003c\/li\u003e\n\u003cli\u003e4-band fully parametric EQ\n\u003cul\u003e\n\u003cli\u003eLow EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eLow Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eMaster EQ On\/Off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003c\/li\u003e\n\u003cli\u003eGate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec\u003c\/li\u003e\n\u003cli\u003eBandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003c\/li\u003e\n\u003cli\u003eLimiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003cli\u003eStereo link for input channels and aux buses\u003c\/li\u003e\n\u003cli\u003ePolarity reverse (input channels only)\u003c\/li\u003e\n\u003cli\u003eQuick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003c\/li\u003e\n\u003cli\u003e15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono\/center buses)\u003c\/li\u003e\n\u003cli\u003e4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHardware Controls\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e32 LED meter grid\u003c\/li\u003e\n\u003cli\u003eFront-panel Mute All button temporarily mutes all inputs and outputs\u003c\/li\u003e\n\u003cli\u003e+48V Meters button to display phantom power assignment on the meter grid\u003c\/li\u003e\n\u003cli\u003eHeadphone source selection between Main and Cue\u003c\/li\u003e\n\u003cli\u003eStudioLive CS18AI AVB control surface available separately\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigital\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eHigh-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003c\/li\u003e\n\u003cli\u003eUnlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003c\/li\u003e\n\u003cli\u003eInternal sample frequency 44.1, 48, 88.2, 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e3U rack-mount steel chassis\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone Preamp\u003cbr\u003e \u003cbr\u003e • Input Type 24 locking XLR Female, balanced; 8 combo locking XLR mic-¼” TRS line\u003cbr\u003e • Frequency Response to Direct Output (at unity gain) 20-40 kHz, ±0.5 dBu\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e • Gain Control Range (±1 dB) 0 dB to +65 dB\u003cbr\u003e • Maximum Input Level (unity gain) +22 dBu\u003cbr\u003e • Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female (via Combo), Balanced\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) + 18 dBu, ±0.5 dB\u003cbr\u003e • Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB\u003cbr\u003e • Dynamic Range (min. gain, A-wtd) \u0026gt; 114 dB\u003cbr\u003e • Dynamic Range (mid. gain, unwtd) \u0026gt; 105 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.005%\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e \u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +12 dBu\u003cbr\u003e\u003cbr\u003eMain Outputs\u003cbr\u003e \u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eMix Outputs\u003cbr\u003e \u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, active stereo\u003cbr\u003e • Maximum Output 100 mW\/ch. @ 60Ω load\u003cbr\u003e • Frequency Response 20 Hz – 20 kHz (± 0.5 dB)\u003cbr\u003e • THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e • S\/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e • Input to Output -90 dB (Ref = +4 dBu, 1 kHz, unwtd)\u003cbr\u003e • Adjacent Channels -87 dB (Ref = +4 dBu, 1 kHz, unwtd)\u003cbr\u003e\u003cbr\u003eNoise Gate \/ Expander\u003cbr\u003e \u003cbr\u003e • Threshold Range -84 dB to 0 dB\u003cbr\u003e • Attack Time 0.02s to 500 ms \/ 0.5 ms\u003cbr\u003e • Release Time 0.05s to 2s\u003cbr\u003e • Expander Attenuation Range 2:1 (fixed)\u003cbr\u003e • Noise Gate Attenuation Range -84 to 0 dB\u003cbr\u003e • Key Filter 2nd-order, resonant bypass; Q=0.7\u003cbr\u003e • Key Listen Off, 40 Hz to 16 kHz\u003cbr\u003e\u003cbr\u003eCompressor\u003cbr\u003e \u003cbr\u003e • Threshold Range -56 dB to 0 dB\u003cbr\u003e • Ratio 1:1 to 14:1\u003cbr\u003e • Attack Time 0.2 ms to 150 ms\u003cbr\u003e • Release Time 40 ms to 1,000 ms\u003cbr\u003e • Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e • Curve Types hard and soft knee\u003cbr\u003e\u003cbr\u003eLimiter\u003cbr\u003e \u003cbr\u003e • Threshold -56 dB to 0 dB \/ -28 dBFS\u003cbr\u003e • Ratio ∞:1\u003cbr\u003e • Attack 20 ms\u003cbr\u003e • Hold 10 ms\u003cbr\u003e • Release 20 ms\u003cbr\u003e\u003cbr\u003eParametric EQ\u003cbr\u003e \u003cbr\u003e • Type 2nd-order shelving filter\u003cbr\u003e • Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e • Low Mid (Bandpass) 90 Hz to 1.2 kHz, ±15 dB\u003cbr\u003e • High Mid (Bandpass) 380 Hz to 5 kHz, ±15 dB\u003cbr\u003e • High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e • Q (sweepable for each band) 0.1 to 4 \/ Low Q= 0.55, Hi Q=2.0\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e \u003cbr\u003e • 31-Band 1\/3-Octave Controls Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.\u003cbr\u003e • Gain\/Attenuation ±15 dB\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e \u003cbr\u003e • ADC Dynamic Range 118 dB (A-wtd, 48 kHz)\u003cbr\u003e • DAC Dynamic Range 118 dB (A-wtd, 48 kHz)\u003cbr\u003e • FireWire S800, 800 Mb\/s\u003cbr\u003e • S\/PDIF Output RCA Female\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 44.1, 48, 88.2, 96 kHz\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e \u003cbr\u003e • Type JetPLL™\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in, 1 ps out)\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e \u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 90 to 240 VAC\u003cbr\u003e • Power Requirements (continuous) 200W\u003cbr\u003e • Recommended Ambient Operating Temperature 0° to 40° Celsius \/ 32° to 104° Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e • Rackspaces 4U\u003cbr\u003e • Height 7” (17.78 cm)\u003cbr\u003e • Width 19” (48.26 cm)\u003cbr\u003e • Depth 10.5” (26.67 cm)\u003cbr\u003e • Weight 22 lbs. (8.62 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"sd-review-summary\"\u003e\u003cspan class=\"sd-itemid\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sd-review-summary\"\u003e\u003cspan class=\"sd-itemid\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sd-review-summary\"\u003e\u003cspan class=\"sd-itemid\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"sd-review-summary\"\u003e\u003cspan class=\"sd-itemid\"\u003e\u003c\/span\u003e\u003c\/div\u003e"}

PreSonus StudioLive RML32AI

Product Description

Versatile and flexible for live and recorded sound.

Equally at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus® StudioLive® RML32AI 32-channel, 25-bus, rack-mount Active Integration digital mixer is a versatile and flexible solution for live sound and recording. StudioLive RML32AI mixers offer 24 mic inputs and 8 combo mic/line inputs and are expandable up to 64 channels. Flawlessly integrated with state-of-the-art software, they boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology.

Networking provides remote control, recording, and more.

Powerful, real-time, wired and Wi-Fi networking enables recording and remote control over all StudioLive RML32AI features. Use the included AVB networking connection or choose optional Dante networking. Control your StudioLive RML32AI wirelessly from anywhere in the venue using free Mac®, Windows®, and iOS® software. Network the RML32AI to a StudioLive AI-series front-of-house console, using the rack-mount mixer as a stage box and monitor mixer. Send and receive networked audio via optional Dante for multitrack recording. Connect to hundreds of Dante-enabled products. Once you’ve used a networked StudioLive RML32AI, you’ll never go back to the old way of mixing!

Control the mixer with hardware and software—from anywhere.

Thanks to PreSonus Active Integration, StudioLive RML32AI mixers can be controlled in multiple ways simultaneously so you can customize your system to suit your needs and workflow. Control the mixer over a wired or wireless network using an array of integrated software for Mac, Windows, and iPad. Add physical control with PreSonus’ StudioLive CS18AI Ethernet/AVB control surface, which features high-quality, touch-sensitive, motorized faders and far more mixer-control features than we can list here—and can control Studio One, too!

Integrated, multiplatform software for flexible control and one-click recording.

PreSonus StudioLive RML-series mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One® Artist for low-latency recording with effects. Musicians control their monitor mixes onstage with QMix-AI for iPhone®/iPod® touch. Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart® wizards, RTA, and spectrograph. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive RML-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.

Recording is in StudioLive AI’s DNA.

The StudioLive RML32AI’s built-in 54x34 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 32 channels and your choice of buses continuously stream to your FireWire- or Dante-connected Mac or PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive RML mixers, recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease—only with StudioLive.

You’ll never run out of signal processors.

StudioLive RML mixers provide more DSP power than any other mixer in their class. There are no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander/gate, and parametric EQ on every channel and bus; a highpass filter on each channel; a library of professionally crafted, useful presets; and the ability to save, selectively recall, and A/B-compare processor settings. You also get four effects processors—two reverbs and two delays—each with their own dedicated mix bus; 15 dedicated 31-band graphic EQs; and 500 ms of delay available on the last four mix outputs.

Expandable to meet your needs.

Only StudioLive Active Integration mixers let you create a large-format console on a small-format budget. Connect two StudioLive RML32AIs or an RML32AI and an RML16AI via AVB to create up to a 64-channel mixing system. Rack-mount them together, place one on each side of the stage, or put one onstage and one at front-of-house. Record all 64 channels with free Capture software and have single-window control of all channels using UC Surface control software. Or enjoy up to 86x66 recording via FireWire with a DAW, such as Studio One. The Mix outputs are conveniently mirrored on both RML mixers. Now your system can grow with your needs and budget!

Features

Inputs and Outputs

  • 24 locking XLR mic inputs and 8 combo locking XLR mic-¼” TRS line inputs, each with:
    • Recallable XMAX Class A analog mic preamps
    • +48V phantom power
  • Stereo tape input (RCA jacks)
  • 8 XLR line-level Mix outputs
    • Four 300 ms alignment delays on the last four Mix outputs
  • 1 DB25 jack mirrors 8 line-level Mix outputs
  • 3 XLR main outputs (left, right, mono/center) with analog trim pots
  • S/PDIF digital output on removable option card
  • Headphone output with volume knob and selectable source
  • 1x1 MIDI I/O (for future implementation)

Channels and Buses

  • 32 internal channels
  • 25 mix buses
    • 16 aux mix buses
    • 3 main mix buses (left, right, mono/center)
    • Stereo solo bus
    • 4 internal FX buses (2 reverb, 2 delay)
  • Fully integrated, continuously bidirectional, 52-in/34-out, FireWire 800 direct recording interface (24-bit, 44.1/48/88.2/96 kHz)

UC Surface Live Mixing and Control Software

  • Designed specifically for live sound mixing
  • Multiplatform support for Mac ® , Windows ® , and iPad ®
    • Windows 8/10 multi-touch-compatible for large touchscreen mixing
    • Flexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination
  • Contextual-based navigation for quick, intuitive access to all mixing functions
  • 8 Mute Groups with All On and All Off
  • Scene Store and Recall
    • Global Scene Storage: all current StudioLive RML settings
    • Up to 99 at a time
    • 8 Quick Scenes for instant scene save/recall—like “speed dial” for scenes
    • Automatic Global AutoStore
    • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")
  • Individual channel-strip setting storage
    • Up to 100 at a time, plus…
    • 50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals
    • Copy and paste among channels and buses
    • Can be saved as user presets
    • Can be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)
  • Contextual Presets System
    • Presets filtered by Channel Types
    • Quickly audition presets on the fly
    • Edit auditioned preset before loading
    • Exit Audition mode with out loading to return to previous settings
    • Save and load presets on all platforms including iOS
  • Filter DCAs
    • Unlimited groups
    • Automatic group creation using Channel Types
    • Custom groups
  • Security features to monitor and restrict access to the mixer’s controls

Other Actively Integrated Software

  • Capture™ one-click recording software with true virtual soundcheck (Mac/Windows)
  • Studio One ® Artist full-featured digital audio workstation software (Mac/Windows)
  • QMix ® -AI wireless monitor-mix control from an iPhone ® /iPod ® touch

Networking Connections

  • 2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter.
  • SL-Dante-Mix option card available separately
  • Use AVB to cascade two RM/RML-series mixers to create a larger system (up to 64 channels) or connect the RML mixer to a StudioLive ® AI-series front-of-house console

Signal Processing

  • Dual Fat Channel signal processing on all channels and buses with:
  • Variable highpass filter -6 dB/oct., sweepable from Off to 1 kHz (main channels and auxes only)
  • Variable lowpass filter on the mono/center bus
  • 4-band fully parametric EQ
    • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Master EQ On/Off
  • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
  • Gate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec
  • Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
  • Limiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio
  • Pan
  • Stereo link for input channels and aux buses
  • Polarity reverse (input channels only)
  • Quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
  • 15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono/center buses)
  • 4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses

Hardware Controls

  • 32 LED meter grid
  • Front-panel Mute All button temporarily mutes all inputs and outputs
  • +48V Meters button to display phantom power assignment on the meter grid
  • Headphone source selection between Main and Cue
  • StudioLive CS18AI AVB control surface available separately

Digital

  • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
  • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
  • Internal sample frequency 44.1, 48, 88.2, 96 kHz

Physical

  • 3U rack-mount steel chassis

    Technical Specifications

Microphone Preamp

• Input Type 24 locking XLR Female, balanced; 8 combo locking XLR mic-¼” TRS line
• Frequency Response to Direct Output (at unity gain) 20-40 kHz, ±0.5 dBu
• Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu
• Input Impedance 1 kΩ
• THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
• S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB
• Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB
• Gain Control Range (±1 dB) 0 dB to +65 dB
• Maximum Input Level (unity gain) +22 dBu
• Phantom Power (±2 VDC) 48 VDC, switchable per channel

Line Inputs

• Type ¼” TRS Female (via Combo), Balanced
• Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) + 18 dBu, ±0.5 dB
• Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB
• Dynamic Range (min. gain, A-wtd) > 114 dB
• Dynamic Range (mid. gain, unwtd) > 105 dB
• THD+N (1 kHz, -1 dBFS, A-wtd) < 0.005%
• Input Impedance 10 kΩ

Tape Inputs

• Type RCA Female, unbalanced (stereo pair)
• Maximum Input Level +12 dBu

Main Outputs

• Type XLR Male, balanced
• Rated Output Level +24 dBu
• Output Impedance 100Ω

Mix Outputs

• Type XLR Male, balanced
• Rated Output Level +24 dBu
• Output Impedance 100Ω

Headphone Output

• Type ¼” TRS Female, active stereo
• Maximum Output 100 mW/ch. @ 60Ω load
• Frequency Response 20 Hz – 20 kHz (± 0.5 dB)
• THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd
• S/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd

System Crosstalk

• Input to Output -90 dB (Ref = +4 dBu, 1 kHz, unwtd)
• Adjacent Channels -87 dB (Ref = +4 dBu, 1 kHz, unwtd)

Noise Gate / Expander

• Threshold Range -84 dB to 0 dB
• Attack Time 0.02s to 500 ms / 0.5 ms
• Release Time 0.05s to 2s
• Expander Attenuation Range 2:1 (fixed)
• Noise Gate Attenuation Range -84 to 0 dB
• Key Filter 2nd-order, resonant bypass; Q=0.7
• Key Listen Off, 40 Hz to 16 kHz

Compressor

• Threshold Range -56 dB to 0 dB
• Ratio 1:1 to 14:1
• Attack Time 0.2 ms to 150 ms
• Release Time 40 ms to 1,000 ms
• Auto Attack and Release Attack = 10 ms, Release = 150 ms
• Curve Types hard and soft knee

Limiter

• Threshold -56 dB to 0 dB / -28 dBFS
• Ratio ∞:1
• Attack 20 ms
• Hold 10 ms
• Release 20 ms

Parametric EQ

• Type 2nd-order shelving filter
• Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB
• Low Mid (Bandpass) 90 Hz to 1.2 kHz, ±15 dB
• High Mid (Bandpass) 380 Hz to 5 kHz, ±15 dB
• High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
• Q (sweepable for each band) 0.1 to 4 / Low Q= 0.55, Hi Q=2.0

Graphic EQ

• 31-Band 1/3-Octave Controls Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.
• Gain/Attenuation ±15 dB

Digital Audio

• ADC Dynamic Range 118 dB (A-wtd, 48 kHz)
• DAC Dynamic Range 118 dB (A-wtd, 48 kHz)
• FireWire S800, 800 Mb/s
• S/PDIF Output RCA Female
• Internal Processing 32-bit, floating point
• Sampling Rate 44.1, 48, 88.2, 96 kHz
• A/D/A Bit Depth 24
• Reference Level for 0 dBFS +18 dBu

Clock

• Type JetPLL™
• Jitter <20 ps RMS (20 Hz - 20 kHz)
• Jitter Attenuation >60 dB (1 ns in, 1 ps out)

Power/Environmental

• Connector IEC
• Input-Voltage Range 90 to 240 VAC
• Power Requirements (continuous) 200W
• Recommended Ambient Operating Temperature 0° to 40° Celsius / 32° to 104° Fahrenheit

Physical

• Rackspaces 4U
• Height 7” (17.78 cm)
• Width 19” (48.26 cm)
• Depth 10.5” (26.67 cm)
• Weight 22 lbs. (8.62 kg)

Sku: StudioLive RML32AI
Vendor: PreSonus
$1,666.00 $2,278.80
Maximum quantity available reached.

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