Your One Stop Shop for all your Audio Visual Dreams

PreSonus StudioLive 16.0.2

Product Description
$899.95 $1,198.80

Small size. Bigger possibilities.

In a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive® 16.0.2 offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.

You’ll never run out of signal processors.

StudioLive 16.0.2 mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.

Superior sound.
Connect a StudioLive 16.0.2 mixer and you’ll instantly hear details and clarity you’d expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Features
8 mono mic/line channel inputs, each with:

  • High-headroom Class A XMAX mic preamplifier
  • XLR mic and balanced ¼" line inputs
  • 60 mm precision fader


4 stereo line channel inputs, with:

  • High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)
  • XLR mic inputs (Ch. 9, 11, 13, and 15)
  • Balanced ¼" line inputs (Ch. 9-16)
  • Unbalanced RCA line inputs (Ch. 13-16)
  • 60 mm precision fader (4 stereo)
  • 4 Auxiliary buses (pre/post-fader send)
  • 2 Internal FX buses


2 stereo 32-bit digital effects processors with customizable reverb and delay presets
Fat Channel signal processing on all channels and buses, with:
3-band semi-parametric EQ (individual band on/off)

  • Full-featured compressor
  • Standard downward expander
  • Limiter
  • Phase reverse (12 mic preamplifiers only)
  • Pan with dedicated 15-LED display
  • Stereo link for input channels and aux buses
  • High-pass filter

One 31-band stereo graphic EQ (on main outputs only)
16-in/16-out FireWire recording interface (24-bit/44.1 kHz and 48 kHz)

  • Compatible with most audio software via ASIO, Windows Audio, Core Audio


Scene store and recall
Settings can be copied among channels and buses and saved as user presets.
Software bundle for Mac® and Windows® includes:

  • PreSonus Studio One® Artist digital audio workstation
  • PreSonus Capture™ live-recording software
  • PreSonus Universal Control with Virtual StudioLive® bidirectional mixer-control software
  • Free downloadable software from the Apple App Store provides wireless remote control, including:
  • PreSonus StudioLive Remote for iPad®
  • PreSonus QMix® for iPhone® and iPod touch®


Lockout mode protects your settings from meddlers and accidents

MIDI Control Mode provides control over:

  • Scene and FX Preset recall
  • Main Volume, FXA, and FXB output levels
  • FXA and FXB assign/unassign to Mains


Technical Specifications

 

Microphone Preamp

• Type XLR Female, Balanced
• Frequency Response to Direct Output (at unity gain) 20 Hz-40 kHz, 0 / -0.5 dBu
• Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ±0.5 dBu
• Input Impedance (Balanced) 1 kΩ
• THD to Direct Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd
• THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
• EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
• S/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -97 dB
• S/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -94 dB
• Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB
• Gain Control Range (± 1 dB) -16 dB to +67 dB
• Maximum Input Level (unity gain) +16 dBu
• Phantom Power (± 2 VDC) +48 VDC

Line Inputs, Balanced

• Type ¼" TRS Female, balanced mono
• Frequency Response to Direct Outputs (at unity gain) 10 Hz-40 kHz, 0 / -0.5 dBu
• Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0/-0.5 dBu
• Input Impedance 10 kΩ
• THD to Direct Output (1 kHz at unity gain) <0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
• THD to Main Output (1 kHz at unity gain) <0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd
• S/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB
• S/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -94 dB
• Gain Control Range (± 1 dB) -20 dB to +20 dB
• Maximum Input level (unity gain) +22 dBu

Line Inputs, Unbalanced

• Type RCA Female, unbalanced (stereo pair)
• Maximum Input Level +22 dBu

Main Outputs

• Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)
• Rated Output Level +24 dBu
• Output Impedance 100Ω

Aux Outputs

• Type ¼” TRS Female, balanced (mono)
• Rated Output Level +18 dBu
• Output Impedance 100Ω

Monitor Outputs

• Type ¼” TRS Female, balanced (stereo pair)
• Rated Output Level z +18 dBu
• Output Impedance 100Ω

System Crosstalk

• Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
• Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu

Noise Gate (Expander)

• Threshold Range -84 dB to 0 dB
• Attack Time Adaptive (0.2 - 2.5 ms)
• Release Time 70 ms
• Expander Attenuation Range 2:1

Compressor

• Threshold Range -56 dB to 0 dB
• Ratio 1:1 to 14:1
• Response Time (Attack/Release 0.2 ms / 1.0s (“Tight”) to 180 ms / 1.0s (“Smooth”)
• Auto Attack and Release Attack = 10 ms, Release = 150 ms
• Curve Types hard and soft knee

EQ

• Type 2nd-order shelving filter (Q = 0.55)
• Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB
• Mid 260 Hz to 3.5 kHz, ±15 dB
• High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB

Digital Audio

• ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
• DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
• FireWire S400, 400 Mb/s
• Internal Processing 32-bit, floating point
• Sampling Rate 44.1, 48 kHz
• A/D/A Bit Depth 24 bits
• Reference Level for 0 dBFS +18 dBu

Clock

• Jitter <20 ps rms (20 Hz - 20 kHz)
• Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)

Power

• Connector IEC
• Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)
• Power Requirements (continuous) 100W

Physical

• Length 15.56 inches (397 mm)
• Width 16 inches (406 mm)
• Maximum Height 5.5 inches (140 mm)
• Weight 20 lbs.

Vendor : PreSonus

Related Products