Bass Guitar Pedals & Effects
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{"id":652846170158,"title":"SE Electronics RF SPACE","handle":"se-electronics-rf-space","description":"\u003cstrong\u003eSE Electronics RF SPACE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe largest and most effective addition to the classic Reflexion Filter® lineup: RF SPACE.\u003cbr\u003eThe RF SPACE (Specialized Portable Acoustic Control Environment) marks another step forward for the professional tracking engineer.\u003cbr\u003e\u003cbr\u003eWith a larger surface area, enhancement of sE’s patented multi-layer technology, deeper air gaps, and more efficient materials, the SPACE offers great full-bandwidth absorption, isolation, and diffusion to help you gain control over your acoustic environment. Larger than our industry-standard RF Pro and entry-level RF-X, the added size also makes the SPACE filter perfectly suited for larger microphones.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e IN THE BOX\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e 1 x SPACE Reflexion Filter®\u003c\/li\u003e\n\u003cli\u003e 1 x stand assembly hardware\u003c\/li\u003e\n\u003cli\u003e 2 x sealable sand bags (for supporting your mic stand if it starts to lean - sand not included)\u003c\/li\u003e\n\u003cli\u003e 1x mic stand thread adapter\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-04-26T21:41:25+02:00","created_at":"2018-04-26T21:43:05+02:00","vendor":"SE Electronics","type":"Filter","tags":["Filter","Price Range_$200 to $300","SE Electronics","Shop by brand_SE Electronics","Shop by category_Filter","Shop by category_Microphone Accessories","Shop by category_Pop \u0026 Reflection Filters"],"price":26500,"price_min":26500,"price_max":26500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7686203572270,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"RF-SPACE","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SE Electronics RF SPACE","public_title":null,"options":["Default Title"],"price":26500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/space1.jpg?v=1524771796"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/space1.jpg?v=1524771796","options":["Title"],"content":"\u003cstrong\u003eSE Electronics RF SPACE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe largest and most effective addition to the classic Reflexion Filter® lineup: RF SPACE.\u003cbr\u003eThe RF SPACE (Specialized Portable Acoustic Control Environment) marks another step forward for the professional tracking engineer.\u003cbr\u003e\u003cbr\u003eWith a larger surface area, enhancement of sE’s patented multi-layer technology, deeper air gaps, and more efficient materials, the SPACE offers great full-bandwidth absorption, isolation, and diffusion to help you gain control over your acoustic environment. Larger than our industry-standard RF Pro and entry-level RF-X, the added size also makes the SPACE filter perfectly suited for larger microphones.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e IN THE BOX\u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e 1 x SPACE Reflexion Filter®\u003c\/li\u003e\n\u003cli\u003e 1 x stand assembly hardware\u003c\/li\u003e\n\u003cli\u003e 2 x sealable sand bags (for supporting your mic stand if it starts to lean - sand not included)\u003c\/li\u003e\n\u003cli\u003e 1x mic stand thread adapter\u003c\/li\u003e\n\u003c\/ul\u003e"}
SE Electronics RF SPACE
$265.00
SE Electronics RF SPACEThe largest and most effective addition to the classic Reflexion Filter® lineup: RF SPACE.The RF SPACE (Specialized Portable Acoustic Control Environment) marks another step forward for the professional tracking engineer.With a larger surface area, enhancement of sE’s patented multi-layer technology, deeper air gaps, and m...
{"id":244287373338,"title":"Joe Gore CULT GERMANIUM OVERDRIVE","handle":"joe-gore-cult-germanium-overdrive","description":"\u003cp\u003e\u003cstrong\u003eJoe Gore CULT GERMANIUM OVERDRIVE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e \"The most dynamic overdrive we've heard.\" —Guitar Player magazine\u003c\/strong\u003e\u003cbr\u003eWhen Joe Gore delved into the germanium booster designs of the 1960s, he was astonished. How the hell did these electrifying, supremely dynamic circuits fall into disuse? Joe studied every schematic and made dozens of clones. He felt like he'd been indoctrinated into some weird germanium cult. So when he developed his own take on those circuits, Joe named it Cult.\u003cbr\u003e\u003cbr\u003eBut Cult is no '60s clone: It departs dramatically from the original '60s circuits, providing fatter lows, fewer piercing highs, and more responsive dynamics. It just seems to \"gush\" more.\u003cbr\u003e\u003cbr\u003eYou probably know that 90% of today's overdrives are related to a pedal whose name rhymes with Lube Reamer. These pedals employ an IC chip rather a discrete transistor. They compress your signal, making note attacks less prominent and limiting your dynamic range. The results are smooth and consistent—nothing wrong with that!\u003cbr\u003e\u003cbr\u003eBut Cult goes in the opposite direction, dramatically expanding your dynamic range. Note attacks crack like knuckles. Your phrases have an electrifying presence that seems to lunge from the speakers. When you hit the input hard, the bold, harmonically rich distortion maintains its edge, even in crowded musical contexts. Cult doesn't go \"squish.\" It barks.\u003cbr\u003e\u003cbr\u003eThe dynamic response is simply astounding—you can go from crystalline to meltdown by touch and guitar knob settings alone. With your guitar volume rolled back, the tone is nearly indistinguishable from bypass, so you can literally leave Cult on all night and conjure a huge range of overdrive\/distortion tones directly from your guitar.\u003cbr\u003e\u003cbr\u003eCult isn't for everyone. If you're looking for an overdrive to smooth out your sound for consistent, predictable results, run away! But if you're the sort of player who likes sculpting sounds via touch and dynamics, or if you enjoy tones that walk the tightrope between clean and distorted, Cult can be a revelation.\u003cbr\u003e\u003cbr\u003e\"Every once in awhile I come across a pedal that just blows me away. The Cult pedal by Joe Gore is indeed one of those. This is the first overdrive I've heard in a long while that has its own voice, yet is rooted in familiarity. It pushes your amp in the perfect way. It's more expressive than anything else I've encountered. It responds like a great amp. Clean to nasty just by how much attack you use. So I don't even need to go to my volume knob. Incredibly expressive, and it's voiced beautifully. Definitely the type of thing you can leave on all night and simply make a good amp great. Is this the perfect overdrive? No, that doesn't exist, but it's the closest thing I've found. I can see this being one of my \"must bring\" pedals for all scenarios for many years to come. It's instantly become an essential part of my tone. Well done!\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Richard Fortus (Guns N' Roses, Crystal Method, Pink, BT, Dead Daisies)\u003c\/strong\u003e\u003cbr\u003e\"I'm always searching for interesting sounds, and I hit the bullseye. I love Cult, which I used on 'Earthquake Driver' and 'Elvis Goes to Hollywood' from the latest Counting Crows album, Somewhere Under Wonderland.. I love Joe's ethos of simplicity. That's the way I like it too.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Dan Vickrey (Counting Crows)\u003c\/strong\u003e\u003cbr\u003e\"Damn,this thing packs a wallop! Once you turn it on, you basically want to keep it on. I you turn it off and after having it on for a while, you'll hear how starved and shriveled your original tone is. It's extra responsive to volume adjustments too.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Avi Bortnik (John Scofield band, solo artist)\u003c\/strong\u003e\u003cbr\u003e\"I don't think I could describe Cult in one word (other than, you know,\u003cbr\u003ebitchin'), but if I had two words, I'd pick 'huge' and 'musical.' It doesn't alter the sonic personalities of my guitars. My Strat still sounds like a Strat. My PRS still sounds like God. Cult provides what so many of us are looking for: the ability to go from full-toned clean sounds to harmonically rich distortion with a simple nudge of the guitar's volume knob. My first reaction: Why would you turn it off?\"\u003cbr\u003e—Tom Wheeler (longtime Editor-in-Chief of Guitar Player magazine and author of The Soul of Tone: Celebrating 60 Years of Fender Amps and American Guitars: An Illustrated Histor)y\u003cbr\u003e\u003cbr\u003e\"Joe Gore has made a pedal that is exactly like he is: unassuming, self-effacing, and quietly virtuosic. You plug this thing in and the qualities you look for in a stompbox—uniqueness of tone, responsiveness to your own playing, robustness of build—are immediately felt. There is nuance to its breadth of tone, and you will be seduced.\"\u003cbr\u003e—Tony Berg, producer and session guitarist (Peter Gabriel, Weezer, Aimee Mann, Michael Penn, X, Squeeze, P.I.L., Wendy \u0026amp; Lisa, Lisa Loeb, Cracker)\u003cbr\u003e\u003cbr\u003e\"This pedal has changed my life and given me a whole new tone that I have been looking for. I can get a nice fat tone with plenty of bite and no mud. I can't even think of plugging in my guitar without the Cult pedal.\"\u003cbr\u003e—Greg Ingraham, Avengers guitarist and O.G. punk-rock god (Joe's description, not Greg's. He's way too modest to talk like that.)\u003cbr\u003e\u003cbr\u003e\"The Cult pedal is an incredible addition to my tonal arsenal. I have a vintage Ampeg Jet, and this pedal turned my rig into a screamer. It also has a great tonal roll-off that changes character in a very musical way. Level boost and tone madness—love it!\"\u003cbr\u003e—Dave LeBolt, composer and session musician (David Bowie, Billy Joel, Foreigner, Julian Lennon), and former general manager of Avid\/Digidesign\u003c\/p\u003e","published_at":"2017-12-24T12:34:10+02:00","created_at":"2017-12-24T12:36:04+02:00","vendor":"Joe Gore","type":"dynamic booster","tags":["Boost \u0026 Fuzz Pedals","Distortion","Guitar Pedals \u0026 Effects","Guitars","Joe Gore","Overdrive","Price Range_$100 to $200","Shop by brand_Joe Gore","Shop by category_Guitar Pedals \u0026 Effects"],"price":19900,"price_min":19900,"price_max":19900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302680133658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joe Gore CULT GERMANIUM OVERDRIVE","public_title":null,"options":["Default Title"],"price":19900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Joe_Gore_Cult_Pedal.jpg?v=1514111777","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_31f418d4-4001-46cf-b16f-40b9f54bdf37.png?v=1514111797"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Joe_Gore_Cult_Pedal.jpg?v=1514111777","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eJoe Gore CULT GERMANIUM OVERDRIVE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e \"The most dynamic overdrive we've heard.\" —Guitar Player magazine\u003c\/strong\u003e\u003cbr\u003eWhen Joe Gore delved into the germanium booster designs of the 1960s, he was astonished. How the hell did these electrifying, supremely dynamic circuits fall into disuse? Joe studied every schematic and made dozens of clones. He felt like he'd been indoctrinated into some weird germanium cult. So when he developed his own take on those circuits, Joe named it Cult.\u003cbr\u003e\u003cbr\u003eBut Cult is no '60s clone: It departs dramatically from the original '60s circuits, providing fatter lows, fewer piercing highs, and more responsive dynamics. It just seems to \"gush\" more.\u003cbr\u003e\u003cbr\u003eYou probably know that 90% of today's overdrives are related to a pedal whose name rhymes with Lube Reamer. These pedals employ an IC chip rather a discrete transistor. They compress your signal, making note attacks less prominent and limiting your dynamic range. The results are smooth and consistent—nothing wrong with that!\u003cbr\u003e\u003cbr\u003eBut Cult goes in the opposite direction, dramatically expanding your dynamic range. Note attacks crack like knuckles. Your phrases have an electrifying presence that seems to lunge from the speakers. When you hit the input hard, the bold, harmonically rich distortion maintains its edge, even in crowded musical contexts. Cult doesn't go \"squish.\" It barks.\u003cbr\u003e\u003cbr\u003eThe dynamic response is simply astounding—you can go from crystalline to meltdown by touch and guitar knob settings alone. With your guitar volume rolled back, the tone is nearly indistinguishable from bypass, so you can literally leave Cult on all night and conjure a huge range of overdrive\/distortion tones directly from your guitar.\u003cbr\u003e\u003cbr\u003eCult isn't for everyone. If you're looking for an overdrive to smooth out your sound for consistent, predictable results, run away! But if you're the sort of player who likes sculpting sounds via touch and dynamics, or if you enjoy tones that walk the tightrope between clean and distorted, Cult can be a revelation.\u003cbr\u003e\u003cbr\u003e\"Every once in awhile I come across a pedal that just blows me away. The Cult pedal by Joe Gore is indeed one of those. This is the first overdrive I've heard in a long while that has its own voice, yet is rooted in familiarity. It pushes your amp in the perfect way. It's more expressive than anything else I've encountered. It responds like a great amp. Clean to nasty just by how much attack you use. So I don't even need to go to my volume knob. Incredibly expressive, and it's voiced beautifully. Definitely the type of thing you can leave on all night and simply make a good amp great. Is this the perfect overdrive? No, that doesn't exist, but it's the closest thing I've found. I can see this being one of my \"must bring\" pedals for all scenarios for many years to come. It's instantly become an essential part of my tone. Well done!\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Richard Fortus (Guns N' Roses, Crystal Method, Pink, BT, Dead Daisies)\u003c\/strong\u003e\u003cbr\u003e\"I'm always searching for interesting sounds, and I hit the bullseye. I love Cult, which I used on 'Earthquake Driver' and 'Elvis Goes to Hollywood' from the latest Counting Crows album, Somewhere Under Wonderland.. I love Joe's ethos of simplicity. That's the way I like it too.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Dan Vickrey (Counting Crows)\u003c\/strong\u003e\u003cbr\u003e\"Damn,this thing packs a wallop! Once you turn it on, you basically want to keep it on. I you turn it off and after having it on for a while, you'll hear how starved and shriveled your original tone is. It's extra responsive to volume adjustments too.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Avi Bortnik (John Scofield band, solo artist)\u003c\/strong\u003e\u003cbr\u003e\"I don't think I could describe Cult in one word (other than, you know,\u003cbr\u003ebitchin'), but if I had two words, I'd pick 'huge' and 'musical.' It doesn't alter the sonic personalities of my guitars. My Strat still sounds like a Strat. My PRS still sounds like God. Cult provides what so many of us are looking for: the ability to go from full-toned clean sounds to harmonically rich distortion with a simple nudge of the guitar's volume knob. My first reaction: Why would you turn it off?\"\u003cbr\u003e—Tom Wheeler (longtime Editor-in-Chief of Guitar Player magazine and author of The Soul of Tone: Celebrating 60 Years of Fender Amps and American Guitars: An Illustrated Histor)y\u003cbr\u003e\u003cbr\u003e\"Joe Gore has made a pedal that is exactly like he is: unassuming, self-effacing, and quietly virtuosic. You plug this thing in and the qualities you look for in a stompbox—uniqueness of tone, responsiveness to your own playing, robustness of build—are immediately felt. There is nuance to its breadth of tone, and you will be seduced.\"\u003cbr\u003e—Tony Berg, producer and session guitarist (Peter Gabriel, Weezer, Aimee Mann, Michael Penn, X, Squeeze, P.I.L., Wendy \u0026amp; Lisa, Lisa Loeb, Cracker)\u003cbr\u003e\u003cbr\u003e\"This pedal has changed my life and given me a whole new tone that I have been looking for. I can get a nice fat tone with plenty of bite and no mud. I can't even think of plugging in my guitar without the Cult pedal.\"\u003cbr\u003e—Greg Ingraham, Avengers guitarist and O.G. punk-rock god (Joe's description, not Greg's. He's way too modest to talk like that.)\u003cbr\u003e\u003cbr\u003e\"The Cult pedal is an incredible addition to my tonal arsenal. I have a vintage Ampeg Jet, and this pedal turned my rig into a screamer. It also has a great tonal roll-off that changes character in a very musical way. Level boost and tone madness—love it!\"\u003cbr\u003e—Dave LeBolt, composer and session musician (David Bowie, Billy Joel, Foreigner, Julian Lennon), and former general manager of Avid\/Digidesign\u003c\/p\u003e"}
Joe Gore CULT GERMANIUM OVERDRIVE
$199.00
Joe Gore CULT GERMANIUM OVERDRIVE "The most dynamic overdrive we've heard." —Guitar Player magazineWhen Joe Gore delved into the germanium booster designs of the 1960s, he was astonished. How the hell did these electrifying, supremely dynamic circuits fall into disuse? Joe studied every schematic and made dozens of clones. He felt like he'd been...
{"id":10467307597,"title":"Chandler Limited Little Devil Colored Boost","handle":"chandler-limited","description":"\u003ch1 id=\"reader-title\"\u003eLittle Devil Colored Boost | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eWade called this pedal a Colored Boost for a reason! It's not a clean boost, though it's not a fuzz either. The Little Devil Colored Boost can gently color your Fender or drive your old Marshall into oblivion.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-stickies\"\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\n\u003cp class=\"wps-spotcontent\"\u003eTrue bypass, full bypass, or hardwire bypass. Whichever term you like!\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to the amplifier or other source such as computer input.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to guitar, bass or keyboard.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSets the overall brightness of the pedal. We found this useful when using amps of different sizes especially when combined with the boost range. Small bright combos can be fine tuned easily or a muddy stack brightened up with a throw of the toggle. Smooth, bright and very bright.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelect the frequency response of the pedal here. This is at the beginning of the pedal circuit to keep the sound as focused as possible. Highs - Similar to old school treble boosters. Just the high frequency is boosted. Mids – A broader range treble boost adding in high mid range and just a touch of low mid range. Full – The widest range boost, covering the low mid and into the low frequency. We left out just enough of the lows to keep the sound tight. This is also a great setting for bass and keyboards.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelects both the negative feedback and bias of the circuit. Negative feedback will change the gain, frequency response, clipping and harmonic distortion of the pedal. Bias changes the operation of the gain transistor and effects many sound properties of the pedal especially the clipping and distortion. There are 5 Feedback settings. See the manual for the incredible effect these settings have on the tone.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eThis is the amount of gain you can select from the pedal. Depending on the feedback\/bias setting, you can get as much as 37DB of boost. The colored boost control is not linear in its sound. The pedal gets brighter as you boost more. You will find it important to use the boost range in conjunction with boost to tailor your sound to your needs.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eAccepts 9 to 9.6V power adaptors on the front. On the inside is an optional battery clip. This is a solid chassis mount clip for long term use. Four screws on the side panel must be removed to change the battery. Please use a phillips screwdriver with a proper fit to avoid stripping the screws. Current draw 40MA.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-disabledbox-container\"\u003e\n\u003cp class=\"wps-disabledbox\"\u003eDisable wpStickies on this image\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe soul of the Little Devil Colored Boost is the Class A amplifier design and the selectable Feedback\/Bias control. The six presets range from slightly fuzzy to a \"in your face\" Plexi sound. Each preset has its own style of harmonic distortion and clipping with different effects on a sine wave signal. Soft clipping, hard clipping, clipping on the top, bottom, or both sides of a sine wave, and significant changes in frequency happen with each click of the Feedback\/Bias switch. Capable of 39db of boost, the Little Devil Colored Boost can easily range from gentle sustain to screaming vintage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFORMAT: Pedal\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Class A\u003c\/p\u003e\n\u003cp\u003eBYPASS: True Bypass\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: 1\/4\"\u003c\/p\u003e\n\u003cp\u003ePOWER: 9-volt “BOSS” style power supply or single 9-volt battery\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-08-11T20:50:07+02:00","created_at":"2017-07-19T12:47:39+02:00","vendor":"Chandler Limited","type":"Guitar Pedal","tags":["Boost \u0026 Fuzz","Chandler Limited","Distortion-Overdrive-Boost \u0026 Fuzz Pedals","Guitar Pedals \u0026 Effects","Guitar Pedals \u0026 Effects Distortion","Guitars","Overdrive","Price Range_$300 to $500","Shop by brand_Chandler Limited","Shop by category_Distortion-Overdrive-Boost \u0026 Fuzz Pedals","Shop by category_Guitar Pedals \u0026 Effects","Shop by category_Guitars"],"price":33500,"price_min":33500,"price_max":33500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40609384525,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Little Devil Boost","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited Little Devil Colored Boost","public_title":null,"options":["Default Title"],"price":33500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_little_devil_colored_boost_front.jpg?v=1534038068","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_e8ee6f75-a70c-40e3-8afb-7ccab413b45f.png?v=1534038068","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_little_devil_colored_boost_rear.jpg?v=1534038068","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_little_devil_colored_boost_inside.jpg?v=1534038068"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_little_devil_colored_boost_front.jpg?v=1534038068","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eLittle Devil Colored Boost | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eWade called this pedal a Colored Boost for a reason! It's not a clean boost, though it's not a fuzz either. The Little Devil Colored Boost can gently color your Fender or drive your old Marshall into oblivion.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-stickies\"\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\n\u003cp class=\"wps-spotcontent\"\u003eTrue bypass, full bypass, or hardwire bypass. Whichever term you like!\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to the amplifier or other source such as computer input.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to guitar, bass or keyboard.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSets the overall brightness of the pedal. We found this useful when using amps of different sizes especially when combined with the boost range. Small bright combos can be fine tuned easily or a muddy stack brightened up with a throw of the toggle. Smooth, bright and very bright.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelect the frequency response of the pedal here. This is at the beginning of the pedal circuit to keep the sound as focused as possible. Highs - Similar to old school treble boosters. Just the high frequency is boosted. Mids – A broader range treble boost adding in high mid range and just a touch of low mid range. Full – The widest range boost, covering the low mid and into the low frequency. We left out just enough of the lows to keep the sound tight. This is also a great setting for bass and keyboards.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelects both the negative feedback and bias of the circuit. Negative feedback will change the gain, frequency response, clipping and harmonic distortion of the pedal. Bias changes the operation of the gain transistor and effects many sound properties of the pedal especially the clipping and distortion. There are 5 Feedback settings. See the manual for the incredible effect these settings have on the tone.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eThis is the amount of gain you can select from the pedal. Depending on the feedback\/bias setting, you can get as much as 37DB of boost. The colored boost control is not linear in its sound. The pedal gets brighter as you boost more. You will find it important to use the boost range in conjunction with boost to tailor your sound to your needs.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eAccepts 9 to 9.6V power adaptors on the front. On the inside is an optional battery clip. This is a solid chassis mount clip for long term use. Four screws on the side panel must be removed to change the battery. Please use a phillips screwdriver with a proper fit to avoid stripping the screws. Current draw 40MA.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-disabledbox-container\"\u003e\n\u003cp class=\"wps-disabledbox\"\u003eDisable wpStickies on this image\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe soul of the Little Devil Colored Boost is the Class A amplifier design and the selectable Feedback\/Bias control. The six presets range from slightly fuzzy to a \"in your face\" Plexi sound. Each preset has its own style of harmonic distortion and clipping with different effects on a sine wave signal. Soft clipping, hard clipping, clipping on the top, bottom, or both sides of a sine wave, and significant changes in frequency happen with each click of the Feedback\/Bias switch. Capable of 39db of boost, the Little Devil Colored Boost can easily range from gentle sustain to screaming vintage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFORMAT: Pedal\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Class A\u003c\/p\u003e\n\u003cp\u003eBYPASS: True Bypass\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: 1\/4\"\u003c\/p\u003e\n\u003cp\u003ePOWER: 9-volt “BOSS” style power supply or single 9-volt battery\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Chandler Limited Little Devil Colored Boost
$335.00
Little Devil Colored Boost | Chandler Limited Wade called this pedal a Colored Boost for a reason! It's not a clean boost, though it's not a fuzz either. The Little Devil Colored Boost can gently color your Fender or drive your old Marshall into oblivion. True bypass, full bypass, or hardwire bypass. Whichever term you like! Connects to the ...
{"id":10467198285,"title":"Chandler Limited Germanium Drive","handle":"chandler-limited-germanium-drive","description":"\u003ch1 id=\"reader-title\"\u003eGermanium Drive | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Germanium Drive is really a germanium pedal like none you've used before. It has all the tone and color you would expect from a germanium but none of the mud and none of the fat - only an intense colored germanium tone.\u003c\/p\u003e\n\u003cp\u003eTrue bypass, full bypass, or hardwire bypass. Whichever term you like!\u003c\/p\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelect the frequency response of the pedal here. This is at the beginning of the pedal circuit to keep the sound as focused as possible. Highs - Similar to old school treble boosters. Just the high frequency is boosted. Mids – A broader range treble boost adding in high mid range and just a touch of low mid range. Full – The widest range boost, covering the low mid and into the low frequency. We left out just enough of the lows to keep the sound tight. This is also a great setting for bass and keyboards.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSets the overall brightness of the pedal. We found this useful when using amps of different sizes especially when combined with the boost range. Small bright combos can be fine tuned easily or a muddy stack brightened up with a throw of the toggle. Smooth, bright and very bright.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelects the negative feedback of the circuit. Negative feedback will change the gain, frequency response, clipping, and harmonic distortion of the pedal. There are 5 Feedback settings. See the manual for the incredible effect these settings have on the tone.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eThis is the amount of gain you can select from the pedal. Depending on the feedback\/bias setting you can get as much as 37DB of boost. The colored boost control is not linear in its sound. The pedal gets brighter as you boost more. You will find it important to use the boost range in conjunction with boost to tailor your sound to your needs.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to the amplifier or other source such as computer input.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eAccepts 9 to 9.6V power adaptors on the front. While the power uses + and – 9 Volts it is arranged to accept two standard 9 volt power adaptors. Simply plug in any two 9 volt power supplies and the pedal will take care of the work. We decided that this was a better solution than using expensive and custom power supplies. Likewise, with battery use, simply plug two standard 9 volts into the internal battery clips. One interesting option on the power is you can power the germ drive with a single 9-volt supply or battery. Doing so changes how the feedback and bias effect the pedal operation and in essence gives you another “bank” of the feedback settings on the fedback switch. The settings with less feedback (1-3) are more effected by this and become quite fuzzy.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to guitar, bass or keyboard.\u003c\/p\u003e\n\u003cp\u003eThis pedal was inspired by our Germanium pre amps and our work with other germanium amplifiers, but has even more to it. The five feedback selections on the Germanium Drive modify the tone, harmonic distortion and clipping of the pedal and offer a nice range of uses from tighter, lightly driven to slightly fuzzy, to full on germanium hell!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFORMAT: Pedal\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Class A\u003c\/p\u003e\n\u003cp\u003eBYPASS: True Bypass\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: 1\/4\"\u003c\/p\u003e\n\u003cp\u003ePOWER: two 9-volt “BOSS” style power supplies or two 9-volt batteries\u003c\/p\u003e\n\u003cp\u003eNOTE ON POWER: \u003cspan class=\"s1\"\u003eRequires a power supply with isolated outputs, such as VooDoo Labs pedal power, or two 9 volt batteries; MXR DC Brick is non-isolated and is not compatible. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-08-11T20:50:06+02:00","created_at":"2017-07-19T12:22:12+02:00","vendor":"Chandler Limited","type":"Guitar Pedal","tags":["Boost \u0026 Fuzz","Chandler Limited","Distortion","Distortion-Overdrive-Boost \u0026 Fuzz Pedals","Guitar Pedals \u0026 Effects","Guitars","Overdrive","Price Range_$300 to $500","Shop by brand_Chandler Limited","Shop by category_Distortion-Overdrive-Boost \u0026 Fuzz Pedals","Shop by category_Guitar Pedals \u0026 Effects","Shop by category_Guitars"],"price":33500,"price_min":33500,"price_max":33500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40608765197,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Germanium Drive","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited Germanium Drive","public_title":null,"options":["Default Title"],"price":33500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germanium_drive_front.jpg?v=1534037335","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_21e8c8b7-1c54-45e7-a3c6-ef3918d6fc63.png?v=1534037335","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germanium_drive_rear.jpg?v=1534037335","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germanium_drive_02.png?v=1534037335"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germanium_drive_front.jpg?v=1534037335","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eGermanium Drive | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Germanium Drive is really a germanium pedal like none you've used before. It has all the tone and color you would expect from a germanium but none of the mud and none of the fat - only an intense colored germanium tone.\u003c\/p\u003e\n\u003cp\u003eTrue bypass, full bypass, or hardwire bypass. Whichever term you like!\u003c\/p\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelect the frequency response of the pedal here. This is at the beginning of the pedal circuit to keep the sound as focused as possible. Highs - Similar to old school treble boosters. Just the high frequency is boosted. Mids – A broader range treble boost adding in high mid range and just a touch of low mid range. Full – The widest range boost, covering the low mid and into the low frequency. We left out just enough of the lows to keep the sound tight. This is also a great setting for bass and keyboards.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSets the overall brightness of the pedal. We found this useful when using amps of different sizes especially when combined with the boost range. Small bright combos can be fine tuned easily or a muddy stack brightened up with a throw of the toggle. Smooth, bright and very bright.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelects the negative feedback of the circuit. Negative feedback will change the gain, frequency response, clipping, and harmonic distortion of the pedal. There are 5 Feedback settings. See the manual for the incredible effect these settings have on the tone.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eThis is the amount of gain you can select from the pedal. Depending on the feedback\/bias setting you can get as much as 37DB of boost. The colored boost control is not linear in its sound. The pedal gets brighter as you boost more. You will find it important to use the boost range in conjunction with boost to tailor your sound to your needs.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to the amplifier or other source such as computer input.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eAccepts 9 to 9.6V power adaptors on the front. While the power uses + and – 9 Volts it is arranged to accept two standard 9 volt power adaptors. Simply plug in any two 9 volt power supplies and the pedal will take care of the work. We decided that this was a better solution than using expensive and custom power supplies. Likewise, with battery use, simply plug two standard 9 volts into the internal battery clips. One interesting option on the power is you can power the germ drive with a single 9-volt supply or battery. Doing so changes how the feedback and bias effect the pedal operation and in essence gives you another “bank” of the feedback settings on the fedback switch. The settings with less feedback (1-3) are more effected by this and become quite fuzzy.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to guitar, bass or keyboard.\u003c\/p\u003e\n\u003cp\u003eThis pedal was inspired by our Germanium pre amps and our work with other germanium amplifiers, but has even more to it. The five feedback selections on the Germanium Drive modify the tone, harmonic distortion and clipping of the pedal and offer a nice range of uses from tighter, lightly driven to slightly fuzzy, to full on germanium hell!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFORMAT: Pedal\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Class A\u003c\/p\u003e\n\u003cp\u003eBYPASS: True Bypass\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: 1\/4\"\u003c\/p\u003e\n\u003cp\u003ePOWER: two 9-volt “BOSS” style power supplies or two 9-volt batteries\u003c\/p\u003e\n\u003cp\u003eNOTE ON POWER: \u003cspan class=\"s1\"\u003eRequires a power supply with isolated outputs, such as VooDoo Labs pedal power, or two 9 volt batteries; MXR DC Brick is non-isolated and is not compatible. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Chandler Limited Germanium Drive
$335.00
Germanium Drive | Chandler Limited The Germanium Drive is really a germanium pedal like none you've used before. It has all the tone and color you would expect from a germanium but none of the mud and none of the fat - only an intense colored germanium tone. True bypass, full bypass, or hardwire bypass. Whichever term you like! Select the f...
{"id":9996011789,"title":"API 215L HP\/LP Sweep Filter","handle":"api-215l-hp-lp-sweep-filter","description":"\u003ch1 id=\"reader-title\"\u003eAPI: 215L HP\/LP Sweep Filter\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWide range 6 dB per octave LOPASS control\u003c\/li\u003e\n\u003cli\u003eWide range 12 dB per octave HIPASS control\u003c\/li\u003e\n\u003cli\u003eBalanced input stage\u003c\/li\u003e\n\u003cli\u003ePassive filter design for smooth tone\u003c\/li\u003e\n\u003cli\u003eUnity gain throughout\u003c\/li\u003e\n\u003cli\u003eHard Wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eTransformer Coupled Output to +28 dBu\u003c\/li\u003e\n\u003cli\u003eAll Discrete Design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe API 215L is a unique passive, sweepable filter, designed specifically to contour the sound to preserve the natural tone of the signal. Its extreme flexibility, repeatable settings and superb sound make it ideal for all studio, live sound and broadcast applications.\u003c\/p\u003e\n\u003cp\u003eThe 215L design is a passive low pass filter with a slope of only 6 dB per octave, and a passive dual high pass filter with a slope of 12 dB per octave. The filters are isolated from each other with the same discrete transistor buffer used in the famous 550 series equalizers. This minimizes interaction between the filters, as well as providing a low impedance source for the filter following the buffer.\u003c\/p\u003e\n\u003cp\u003eThe input section is a balanced circuit using the API 2510 all discrete op-amp, minimizing the loading effect on any device plugged into it. The output stage is a transformer balanced output, driven by the all discrete API 2520 op-amp.\u003c\/p\u003e\n\u003cp\u003eThe filters are both continuously adjustable, with a range from 20 Hz to 20 kHz in two bands. The low pass filter has a range from 500 Hz to 20 kHz, and the high pass filter has a range from 20 Hz to 600 Hz. This covers a broad range of frequencies throughout the entire audio spectrum.\u003c\/p\u003e\n\u003cp\u003eBecause of the subtle nature of the 215L filter, it finds a home with uses like rolling off the low end of a hi-hat, where a natural sound is desired, not the usual \"phase-shifter\" sound of a 18 to 24 dB per octave filter found on most consoles. It can also be used to thin out room mics, without the complete loss of low end which again usually results from steep filter circuits.\u003c\/p\u003e\n\u003cp\u003eThe 215L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 215L Filter makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eNumber of Bands:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eTwo\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eFilter Type:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003ePassive Sweepable Shelf\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eFilter Frequency Centers:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eLow Pass: 500 to 20 kHz\u003cbr\u003e High Pass: 20 to 600 Hz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026gt;20 K Ohms, Balanced\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e85 Ohms, Transformer coupled, Balanced\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eNominal Levels:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e-15 dBu to +15 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eClipping Level:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+28 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e0, -.3, 30 to 20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eNoise:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e98 dB below +10 dBm output, unweighted. 20-20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eDistortion:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eTHD: .02% (+4 dB @ 2 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Title"],"price":73383800,"weight":920,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_215L_1_l.jpg?v=1494783757","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sp1_215l.jpg?v=1494783812","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/200_pinout_512ec456-bc2e-4aa0-b146-f2bc3b9c11a4.gif?v=1494783824"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_215L_1_l.jpg?v=1494783757","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eAPI: 215L HP\/LP Sweep Filter\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWide range 6 dB per octave LOPASS control\u003c\/li\u003e\n\u003cli\u003eWide range 12 dB per octave HIPASS control\u003c\/li\u003e\n\u003cli\u003eBalanced input stage\u003c\/li\u003e\n\u003cli\u003ePassive filter design for smooth tone\u003c\/li\u003e\n\u003cli\u003eUnity gain throughout\u003c\/li\u003e\n\u003cli\u003eHard Wire BYPASS switch\u003c\/li\u003e\n\u003cli\u003eTransformer Coupled Output to +28 dBu\u003c\/li\u003e\n\u003cli\u003eAll Discrete Design\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe API 215L is a unique passive, sweepable filter, designed specifically to contour the sound to preserve the natural tone of the signal. Its extreme flexibility, repeatable settings and superb sound make it ideal for all studio, live sound and broadcast applications.\u003c\/p\u003e\n\u003cp\u003eThe 215L design is a passive low pass filter with a slope of only 6 dB per octave, and a passive dual high pass filter with a slope of 12 dB per octave. The filters are isolated from each other with the same discrete transistor buffer used in the famous 550 series equalizers. This minimizes interaction between the filters, as well as providing a low impedance source for the filter following the buffer.\u003c\/p\u003e\n\u003cp\u003eThe input section is a balanced circuit using the API 2510 all discrete op-amp, minimizing the loading effect on any device plugged into it. The output stage is a transformer balanced output, driven by the all discrete API 2520 op-amp.\u003c\/p\u003e\n\u003cp\u003eThe filters are both continuously adjustable, with a range from 20 Hz to 20 kHz in two bands. The low pass filter has a range from 500 Hz to 20 kHz, and the high pass filter has a range from 20 Hz to 600 Hz. This covers a broad range of frequencies throughout the entire audio spectrum.\u003c\/p\u003e\n\u003cp\u003eBecause of the subtle nature of the 215L filter, it finds a home with uses like rolling off the low end of a hi-hat, where a natural sound is desired, not the usual \"phase-shifter\" sound of a 18 to 24 dB per octave filter found on most consoles. It can also be used to thin out room mics, without the complete loss of low end which again usually results from steep filter circuits.\u003c\/p\u003e\n\u003cp\u003eThe 215L can be used in the Legacy, Legacy Plus or Vision Series Consoles, or in the L200 Rack. The 215L Filter makes use of the 2520 and 2510 op-amps and therefore exhibits the reliability, long life and uniformity which are characteristic of API products.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eNumber of Bands:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eTwo\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eFilter Type:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003ePassive Sweepable Shelf\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eFilter Frequency Centers:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eLow Pass: 500 to 20 kHz\u003cbr\u003e High Pass: 20 to 600 Hz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eInput Impedance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026gt;20 K Ohms, Balanced\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Impedance:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e85 Ohms, Transformer coupled, Balanced\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eNominal Levels:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e-15 dBu to +15 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eClipping Level:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e+28 dBu\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e0, -.3, 30 to 20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eNoise:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e98 dB below +10 dBm output, unweighted. 20-20 kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eDistortion:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eTHD: .02% (+4 dB @ 2 K)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eConnectors:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e.100 spaced ELCO\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003ePower Consumption:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e±16 Volts DC, 60mA max at +24 dBu out\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1.25\" X 2.65\" X 6.75\" Deep\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eSize (Boxed for Shipping):\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e4.5\" X 6.25\" X 10\"\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eActual Weight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e.51 lb.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e.88 lb.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e"}
API 215L HP/LP Sweep Filter
$733,838.00
API: 215L HP/LP Sweep Filter Features Wide range 6 dB per octave LOPASS control Wide range 12 dB per octave HIPASS control Balanced input stage Passive filter design for smooth tone Unity gain throughout Hard Wire BYPASS switch Transformer Coupled Output to +28 dBu All Discrete Design The API 215L is a unique passive, sweepable filter, designe...
{"id":9478158605,"title":"AMS Neve 1073N","handle":"ams-neve-1073n","description":"\u003cp\u003e\u003cstrong\u003e1073N\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandalone mono mic preamp and eq module\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaunched in 1970, the Neve 1073 Classic soon became the first choice mic preamp for leading producers and artists.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned and built in England, the modern-day 1073N is produced to the exact specifications of the original, matching components to ensure the sound remains true. The Class A design 1073N microphone preamplifier has 3-band EQ (fixed HF plus two switchable bands with cut\/boost capability) and a high pass filter. 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EQ Out.\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-03-28T19:11:00+02:00","created_at":"2017-03-28T19:11:41+02:00","vendor":"AMS Neve","type":"Mic Preamp","tags":["1073N thomann Mono Mic Pre","AMS Neve","EQ","Preamps","Price Range_$1000 to $1500","Shop by brand_AMS Neve","Shop by category_Preamps","Studio Equipment"],"price":197900,"price_min":197900,"price_max":197900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35020403469,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"1073N","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"AMS Neve 1073N","public_title":null,"options":["Default Title"],"price":197900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_front-750x150.jpg?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_6f7f0f4a-f90c-4a73-b078-06aa011529f8.png?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_rear_400x350_625a35f5-5193-4765-92a5-ffb76fab5de9.jpg?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_open_side_400x350_38303bb4-7e27-4907-ab9a-330b9ac359ea.jpg?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_angle_right_400x350_2347fa5f-a3bf-4ae3-b47c-bf899481af48.jpg?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_angle_focus_400x350_e6881830-d60b-4d5e-99a9-bbeaa60c23e4.jpg?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_enclosure_front_400x350_3a3988f1-279b-4c73-a2ec-5b174f9a0d6c.jpg?v=1490721485"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_front-750x150.jpg?v=1490721485","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003e1073N\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandalone mono mic preamp and eq module\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaunched in 1970, the Neve 1073 Classic soon became the first choice mic preamp for leading producers and artists.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned and built in England, the modern-day 1073N is produced to the exact specifications of the original, matching components to ensure the sound remains true. The Class A design 1073N microphone preamplifier has 3-band EQ (fixed HF plus two switchable bands with cut\/boost capability) and a high pass filter. The Neve 1073N mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and captures a more precise image – embodying, think many engineers and producers, the essence of the Neve sound.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eBuilding on the 1073 classic module features, the 1073N introduces extra functionality with an integrated DI input, I\/O connectors for direct connection of microphones and instruments and other equipment, phantom power for powered microphones and a PSU for standalone use. It can also be fitted into compatible racks\/housings or retrofit into 80 Series Neve Classic consoles. Neve – no question.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic transformer microphone preamp amp (Class A design) with integral DI input and Phantom Power\u003c\/li\u003e\n\u003cli\u003e3 EQ bands \u0026amp; HP filter\u003c\/li\u003e\n\u003cli\u003eDesigned and built in England\u003c\/li\u003e\n\u003cli\u003eNeve designed hand-wound transformers\u003c\/li\u003e\n\u003cli\u003eCan be used as a standalone module or inserted into a compatible rack or console\u003c\/li\u003e\n\u003cli\u003eMic \u0026amp; Line inputs are transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eMicrophone Input: Gain +80db to +20dB in 5dB steps.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eLine Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps.\u003c\/li\u003e\n\u003cli\u003eDI Input: Input impedance 10M Ohms (PAD off) \/ 10K Ohms (PAD on) Gain +80dB to +20dB in 5dB steps.\u003c\/li\u003e\n\u003cli\u003eOutput: Maximum output is \u0026gt;+26dBu into 600Ω.\u003c\/li\u003e\n\u003cli\u003eOutput is transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output\u003c\/li\u003e\n\u003cli\u003e(80kHz bandwidth) into 600Ω.\u003c\/li\u003e\n\u003cli\u003eFreq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.\u003c\/li\u003e\n\u003c\/ul\u003e"}
AMS Neve 1073N
$1,979.00
1073NStandalone mono mic preamp and eq moduleLaunched in 1970, the Neve 1073 Classic soon became the first choice mic preamp for leading producers and artists. Designed and built in England, the modern-day 1073N is produced to the exact specifications of the original, matching components to ensure the sound remains true. The Class A design 1073N...
{"id":8462167245,"title":"Moog Minifooger Ring Modulator","handle":"mfs-ring-02","description":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-ring\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF Ring | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-ring\"\u003e\n\u003cdiv id=\"info-tab\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe MF Ring is an analog ring modulator that is based on the best selling Ring Mod in the world, the Moogerfooger MF-102. Its unique tone voicing circuit adds a new musical dimension to ring modification, making it easy dial in everything from octaves and choral dissonance to harmonic undertones and synthesized lead lines. The expression pedal input provides hands-free control of the Freq control for sound sweeps, pitch shifting effects, and playing between two scales on the fly. Unlike other ring modulation pedals, the MF Ring can also be battery powered.\u003c\/p\u003e\n\u003cp\u003eCONTROLS\u003c\/p\u003e\n\u003cp\u003eFREQ- Tunes the frequency of a carrier oscillator to the root note in a scale. The range of this control has been refined to be extremely musical. At lower settings chorus and octaves occur on notes within a chosen scale, while beating and extreme dissonance occur on notes played outside of that scale. At Mid position the sound is buzzy and tight. This is great when paired with the MD Drive for octave-fuzz sounds. At the maximum position the sound is much more synthesized and robotic.\u003c\/p\u003e\n\u003cp\u003eMIX- Sets the amount of input versus modulated signal. A ring modulator outputs the sum and difference frequencies of your instrument and a carrier oscillator (FREQ). At lower to medium levels, the MF Ring can be used to accompany and accentuate notes. As Mix is increased, you will notice more synthesized and bell-type sounds. At maximum, the input signal is completely gone and only the sum and difference frequencies are heard. This is perfect for creating unpredictable synthesized and electronic sounds.\u003c\/p\u003e\n\u003cp\u003eTONE- A filter circuit only applied to the effected signal. This allows you to leave in the MF Ring’s natural high frequency chime and buzz, or dial it down for a warmer, more musical character. Because the tracking of the MF Ring is so accurate, this control is particularly useful for dialing in sounds that accompany lead lines, bends, and even chords. It is the perfect way to add unique texture to an idea without it overtaking the sound of your instrument.\u003c\/p\u003e\n\u003cp\u003eEXPRESSION PEDAL INPUT- This input is assigned to the Freq control. Use it to specify two independent playing keys or create classic sci-fi swells, bit reduction effects, and whammy dives. This input is additive and will allow you to go past the panel settings.\u003c\/p\u003e\n\u003cp\u003e • True Bypass\u003c\/p\u003e\n\u003cp\u003e• Tone control adds musical flexibility to the sonic capabilities of ring modulation\u003c\/p\u003e\n\u003cp\u003e• Easily go from octaves, beating, and chorus in a scale to electro-insanity\u003c\/p\u003e\n\u003cp\u003e• Easily tune and voice the Freq control to your key of choice\u003c\/p\u003e\n\u003cp\u003e• CAN BE BATTERY POWERED\u003c\/p\u003e\n\u003cp\u003e• Expression pedal input control of Frequency for key changes and sound effects\u003c\/p\u003e\n\u003cp\u003e • Designed to perform with any Guitar, Amp, or Bass guitar configuration\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs-tab\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIGNAL PATH:100% Analog\u003c\/p\u003e\n\u003cp\u003eBYPASS TYPE: True bypass\u003c\/p\u003e\n\u003cp\u003ePOWER:+9VDC\u003c\/p\u003e\n\u003cp\u003eWEIGHT:18oz (0.5kg)\u003c\/p\u003e\n\u003cp\u003eENCLOSURE: Cast aluminum\u003c\/p\u003e\n\u003cp\u003eDIMENSIONS: D=5.75” (14.4 cm) W=3.25” (8.3 cm) H=2.25” (5.8 cm)\u003c\/p\u003e\n\u003cp\u003eFREQUENCY CONTROL: Oscillator range is 90Hz - 1.5KHz nominal; Max with expression 12KHz\u003c\/p\u003e\n\u003cp\u003eTONE CONTROL:165 Hz - 20KHz Lowpass Filter 6dB\/Octave (wet signal only)\u003c\/p\u003e\n\u003cp\u003eEXPRESSION: Controls Freq (Max Input level +5VDC. Response of internal oscillator is not linear above +4V input)\u003c\/p\u003e\n\u003cp\u003eINPUT IMPEDANCE: 1 MegaOhm\u003c\/p\u003e\n\u003cp\u003eOUTPUT IMPEDANCE: 200 Ohm\u003c\/p\u003e\n\u003cp\u003eCURRENT: 12mA \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-11-19T17:31:00+02:00","created_at":"2016-11-19T17:32:45+02:00","vendor":"Moog","type":"Minifoogers","tags":["Guitar Pedals \u0026 Effects","Guitars","Moog","Price Range_$100 to $200","Shop by brand_Moog","Shop by category_Guitar Pedals \u0026 Effects","Shop by category_Wahs and Filters","Wahs and Filters"],"price":15900,"price_min":15900,"price_max":15900,"available":true,"price_varies":false,"compare_at_price":15900,"compare_at_price_min":15900,"compare_at_price_max":15900,"compare_at_price_varies":false,"variants":[{"id":28589191565,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MFS-RING-02","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moog Minifooger Ring Modulator","public_title":null,"options":["Default Title"],"price":15900,"weight":0,"compare_at_price":15900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"094922033000"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ring_3-4_black_lores.jpg?v=1479569622","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ring_top_black.jpg?v=1479569633","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ring_rear_black_new_lr.jpg?v=1479569645"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ring_3-4_black_lores.jpg?v=1479569622","options":["Title"],"content":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-ring\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF Ring | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-ring\"\u003e\n\u003cdiv id=\"info-tab\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe MF Ring is an analog ring modulator that is based on the best selling Ring Mod in the world, the Moogerfooger MF-102. Its unique tone voicing circuit adds a new musical dimension to ring modification, making it easy dial in everything from octaves and choral dissonance to harmonic undertones and synthesized lead lines. The expression pedal input provides hands-free control of the Freq control for sound sweeps, pitch shifting effects, and playing between two scales on the fly. Unlike other ring modulation pedals, the MF Ring can also be battery powered.\u003c\/p\u003e\n\u003cp\u003eCONTROLS\u003c\/p\u003e\n\u003cp\u003eFREQ- Tunes the frequency of a carrier oscillator to the root note in a scale. The range of this control has been refined to be extremely musical. At lower settings chorus and octaves occur on notes within a chosen scale, while beating and extreme dissonance occur on notes played outside of that scale. At Mid position the sound is buzzy and tight. This is great when paired with the MD Drive for octave-fuzz sounds. At the maximum position the sound is much more synthesized and robotic.\u003c\/p\u003e\n\u003cp\u003eMIX- Sets the amount of input versus modulated signal. A ring modulator outputs the sum and difference frequencies of your instrument and a carrier oscillator (FREQ). At lower to medium levels, the MF Ring can be used to accompany and accentuate notes. As Mix is increased, you will notice more synthesized and bell-type sounds. At maximum, the input signal is completely gone and only the sum and difference frequencies are heard. This is perfect for creating unpredictable synthesized and electronic sounds.\u003c\/p\u003e\n\u003cp\u003eTONE- A filter circuit only applied to the effected signal. This allows you to leave in the MF Ring’s natural high frequency chime and buzz, or dial it down for a warmer, more musical character. Because the tracking of the MF Ring is so accurate, this control is particularly useful for dialing in sounds that accompany lead lines, bends, and even chords. It is the perfect way to add unique texture to an idea without it overtaking the sound of your instrument.\u003c\/p\u003e\n\u003cp\u003eEXPRESSION PEDAL INPUT- This input is assigned to the Freq control. Use it to specify two independent playing keys or create classic sci-fi swells, bit reduction effects, and whammy dives. This input is additive and will allow you to go past the panel settings.\u003c\/p\u003e\n\u003cp\u003e • True Bypass\u003c\/p\u003e\n\u003cp\u003e• Tone control adds musical flexibility to the sonic capabilities of ring modulation\u003c\/p\u003e\n\u003cp\u003e• Easily go from octaves, beating, and chorus in a scale to electro-insanity\u003c\/p\u003e\n\u003cp\u003e• Easily tune and voice the Freq control to your key of choice\u003c\/p\u003e\n\u003cp\u003e• CAN BE BATTERY POWERED\u003c\/p\u003e\n\u003cp\u003e• Expression pedal input control of Frequency for key changes and sound effects\u003c\/p\u003e\n\u003cp\u003e • Designed to perform with any Guitar, Amp, or Bass guitar configuration\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs-tab\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIGNAL PATH:100% Analog\u003c\/p\u003e\n\u003cp\u003eBYPASS TYPE: True bypass\u003c\/p\u003e\n\u003cp\u003ePOWER:+9VDC\u003c\/p\u003e\n\u003cp\u003eWEIGHT:18oz (0.5kg)\u003c\/p\u003e\n\u003cp\u003eENCLOSURE: Cast aluminum\u003c\/p\u003e\n\u003cp\u003eDIMENSIONS: D=5.75” (14.4 cm) W=3.25” (8.3 cm) H=2.25” (5.8 cm)\u003c\/p\u003e\n\u003cp\u003eFREQUENCY CONTROL: Oscillator range is 90Hz - 1.5KHz nominal; Max with expression 12KHz\u003c\/p\u003e\n\u003cp\u003eTONE CONTROL:165 Hz - 20KHz Lowpass Filter 6dB\/Octave (wet signal only)\u003c\/p\u003e\n\u003cp\u003eEXPRESSION: Controls Freq (Max Input level +5VDC. Response of internal oscillator is not linear above +4V input)\u003c\/p\u003e\n\u003cp\u003eINPUT IMPEDANCE: 1 MegaOhm\u003c\/p\u003e\n\u003cp\u003eOUTPUT IMPEDANCE: 200 Ohm\u003c\/p\u003e\n\u003cp\u003eCURRENT: 12mA \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}
Moog Minifooger Ring Modulator
$159.00
MF Ring | Moog Music Inc The MF Ring is an analog ring modulator that is based on the best selling Ring Mod in the world, the Moogerfooger MF-102. Its unique tone voicing circuit adds a new musical dimension to ring modification, making it easy dial in everything from octaves and choral dissonance to harmonic undertones and synthesiz...
{"id":8462188941,"title":"Moog Minifooger MF-Chorus","handle":"mfs-chorus-02","description":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-chorus\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF Chorus | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-chorus\"\u003e\n\u003cdiv id=\"info-tab\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe MF Chorus a 100% analog BBD based time modulation pedal capable of spawning a boundless array of sonic shifting in mono or stereo output modes. Use it as an all analog Vibrato pedal or drop the Mix switch to shift into ultra-thick, swirling analog chorus. Crank the Time and Feedback controls to transform your sound into a multi-octave modulate-able slap delay with near-infinite echo trails.\u003c\/p\u003e\n\u003cp\u003eTIME – Minimum position is perfect for vibrato and bright chorus, while mid position shifts the tone to a deep choral motion. At maximum position, beautiful modulated slap delay is achieved. \u003c\/p\u003e\n\u003cp\u003eFEEDBACK - At low settings this control adds a slight resonance to the motion of a sound. At mid position, a more focused peak is created, and at maximum position with Time set to maximum - slap delay with beautiful echoes is achieved. \u003c\/p\u003e\n\u003cp\u003eMIX – In the down position the chorus sound is open and natural. At middle position the sound becomes thick and warmth is increased. In the up position (Vibrato ) position, only the wet signal is heard. \u003c\/p\u003e\n\u003cp\u003eDEPTH – Determines the amount of modulation applied to the delay time. As this control is increased, the motion transforms from subtle vibrato to chorus, and then into multi-octave time modulation. \u003c\/p\u003e\n\u003cp\u003eRATE - Specifies the rate at which the LFO (Low Frequency Oscillator) modulates the analog delay time. Slower settings area ideal for large classic sweeps, while faster settings create spinning, rotary and film projector effects. \u003c\/p\u003e\n\u003cp\u003eEXPRESSION PEDAL INPUT- This input is assigned to the Rate control. Use it to sweep from slow shifts to chopping musical extremes. With Rate set to maximum, audio rate modulation is possible.\u003c\/p\u003e\n\u003cp\u003eMONO\/STEREO SWITCH- To access both outputs (in bypass), you will need to remove the bottom of the MF Chorus and set this switch to Stereo. Then use a ¼” TRS to TS insert cable or TRS to TS splitter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs-tab\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIGNAL PATH: 100% Analog\u003c\/p\u003e\n\u003cp\u003eBYPASS TYPE: True bypass\u003c\/p\u003e\n\u003cp\u003ePOWER: +9VDC WEIGHT: 18oz (0.5kg)\u003c\/p\u003e\n\u003cp\u003eENCLOSURE: Cast aluminum\u003c\/p\u003e\n\u003cp\u003eDIMENSIONS: D=5.75” (14.4 cm) W=3.25” (8.3 cm) H=2.25” (5.8 cm)\u003c\/p\u003e\n\u003cp\u003eDELAY TIME: \u0026lt;3.2mS – 60mS (2mS – 70mS with Modulation)\u003c\/p\u003e\n\u003cp\u003eLFO RATE : \u0026lt;.05Hz - \u0026gt;13Hz (\u0026gt;25Hz With expression)\u003c\/p\u003e\n\u003cp\u003eLFO SHAPE: Exponentiated Triangle\u003c\/p\u003e\n\u003cp\u003eEXPRESSION: Controls Rate (Max Input level +5VDC)\u003c\/p\u003e\n\u003cp\u003eINPUT IMPEDANCE: \u0026gt;1 MegaOhm\u003c\/p\u003e\n\u003cp\u003eOUTPUT IMPEDANCE: 1000 Ohm\u003c\/p\u003e\n\u003cp\u003eMAX INPUT LEVEL: +7.5dBμ\u003c\/p\u003e\n\u003cp\u003eMAX OUTPUT LEVEL: +10dBμ CURRENT: 16mA Nominal \/ 20mA Max\u003c\/p\u003e\n\u003cp\u003eOUTPUT STEREO: Left (Mono) = Dry + Wet \/ Right = Dry - Wet\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-05-01T01:26:49+02:00","created_at":"2016-11-19T17:57:50+02:00","vendor":"Moog","type":"Minifoogers","tags":["Chorus Pedals","Guitar Pedals \u0026 Effects","Guitars","Moog","Price Range_$100 to $200","Shop by brand_Moog","Shop by category_Chorus Pedals","Shop by category_Guitar Pedals \u0026 Effects"],"price":20900,"price_min":20900,"price_max":20900,"available":true,"price_varies":false,"compare_at_price":20900,"compare_at_price_min":20900,"compare_at_price_max":20900,"compare_at_price_varies":false,"variants":[{"id":28589373069,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MFS-Chorus-02","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moog Minifooger MF-Chorus","public_title":null,"options":["Default Title"],"price":20900,"weight":0,"compare_at_price":20900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"040232216688 "}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chorus_3-4_black_lores.jpg?v=1479571133","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chorus_top_black_lr.jpg?v=1479571145","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chorus_rear_black_new_lr.jpg?v=1479571160"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chorus_3-4_black_lores.jpg?v=1479571133","options":["Title"],"content":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-chorus\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF Chorus | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-chorus\"\u003e\n\u003cdiv id=\"info-tab\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe MF Chorus a 100% analog BBD based time modulation pedal capable of spawning a boundless array of sonic shifting in mono or stereo output modes. Use it as an all analog Vibrato pedal or drop the Mix switch to shift into ultra-thick, swirling analog chorus. Crank the Time and Feedback controls to transform your sound into a multi-octave modulate-able slap delay with near-infinite echo trails.\u003c\/p\u003e\n\u003cp\u003eTIME – Minimum position is perfect for vibrato and bright chorus, while mid position shifts the tone to a deep choral motion. At maximum position, beautiful modulated slap delay is achieved. \u003c\/p\u003e\n\u003cp\u003eFEEDBACK - At low settings this control adds a slight resonance to the motion of a sound. At mid position, a more focused peak is created, and at maximum position with Time set to maximum - slap delay with beautiful echoes is achieved. \u003c\/p\u003e\n\u003cp\u003eMIX – In the down position the chorus sound is open and natural. At middle position the sound becomes thick and warmth is increased. In the up position (Vibrato ) position, only the wet signal is heard. \u003c\/p\u003e\n\u003cp\u003eDEPTH – Determines the amount of modulation applied to the delay time. As this control is increased, the motion transforms from subtle vibrato to chorus, and then into multi-octave time modulation. \u003c\/p\u003e\n\u003cp\u003eRATE - Specifies the rate at which the LFO (Low Frequency Oscillator) modulates the analog delay time. Slower settings area ideal for large classic sweeps, while faster settings create spinning, rotary and film projector effects. \u003c\/p\u003e\n\u003cp\u003eEXPRESSION PEDAL INPUT- This input is assigned to the Rate control. Use it to sweep from slow shifts to chopping musical extremes. With Rate set to maximum, audio rate modulation is possible.\u003c\/p\u003e\n\u003cp\u003eMONO\/STEREO SWITCH- To access both outputs (in bypass), you will need to remove the bottom of the MF Chorus and set this switch to Stereo. Then use a ¼” TRS to TS insert cable or TRS to TS splitter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs-tab\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIGNAL PATH: 100% Analog\u003c\/p\u003e\n\u003cp\u003eBYPASS TYPE: True bypass\u003c\/p\u003e\n\u003cp\u003ePOWER: +9VDC WEIGHT: 18oz (0.5kg)\u003c\/p\u003e\n\u003cp\u003eENCLOSURE: Cast aluminum\u003c\/p\u003e\n\u003cp\u003eDIMENSIONS: D=5.75” (14.4 cm) W=3.25” (8.3 cm) H=2.25” (5.8 cm)\u003c\/p\u003e\n\u003cp\u003eDELAY TIME: \u0026lt;3.2mS – 60mS (2mS – 70mS with Modulation)\u003c\/p\u003e\n\u003cp\u003eLFO RATE : \u0026lt;.05Hz - \u0026gt;13Hz (\u0026gt;25Hz With expression)\u003c\/p\u003e\n\u003cp\u003eLFO SHAPE: Exponentiated Triangle\u003c\/p\u003e\n\u003cp\u003eEXPRESSION: Controls Rate (Max Input level +5VDC)\u003c\/p\u003e\n\u003cp\u003eINPUT IMPEDANCE: \u0026gt;1 MegaOhm\u003c\/p\u003e\n\u003cp\u003eOUTPUT IMPEDANCE: 1000 Ohm\u003c\/p\u003e\n\u003cp\u003eMAX INPUT LEVEL: +7.5dBμ\u003c\/p\u003e\n\u003cp\u003eMAX OUTPUT LEVEL: +10dBμ CURRENT: 16mA Nominal \/ 20mA Max\u003c\/p\u003e\n\u003cp\u003eOUTPUT STEREO: Left (Mono) = Dry + Wet \/ Right = Dry - Wet\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}
Moog Minifooger MF-Chorus
$209.00
MF Chorus | Moog Music Inc The MF Chorus a 100% analog BBD based time modulation pedal capable of spawning a boundless array of sonic shifting in mono or stereo output modes. Use it as an all analog Vibrato pedal or drop the Mix switch to shift into ultra-thick, swirling analog chorus. Crank the Time and Feedback controls to transform...
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{"id":8462175117,"title":"Moog Minifooger Drive Pedal","handle":"mfs-drive-02","description":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-drive\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF Drive | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-drive\"\u003e\n\u003cdiv id=\"info-tab\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe MF Drive is a unique, filter-based overdrive pedal that employs a Moog Ladder Filter, boutique FET amplifiers, and classic OTAs in its drive section making it highly reactive to input gain and picking dynamics. The bi-polar tone control and sweep-able filter work with input gain to offer each player completely customizable sounds from creamy British overdrive to cranked American tube amplifier and even fuzz. When the filter Peak switch is engaged and an expression pedal is connected, the harmonic content is shifted to the filter’s cutoff position adding tonal and dirty wah performance possibilities not found elsewhere.\u003c\/p\u003e\n\u003cp\u003eCONTROLS\u003c\/p\u003e\n\u003cp\u003eGAIN- Sets the input level sent through the OTA before passing through the 4-pole Moog Ladder filter. At lower settings, the MF Drive is cleaner with a smooth breakup. As Gain increases, OTA and filter distortion increase causing the MF Drive to become more aggressive and reactive to picking dynamics\u003c\/p\u003e\n\u003cp\u003eDRIVE - In the down position the Gain knob range is from +6.8dB to +48dB. In the up position the gain range is from +16dB to +57dB. This allows for extended control over gain-staging the input of the MF Drive.\u003c\/p\u003e\n\u003cp\u003eFILTER- Interacts heavily with the Tone knob and filter Peak switch. With Peak off, the filter can be used to reduce top end and add heft to an amplifier. With Peak engaged, the filter can be used to add low, mid, or high frequency boost to your instrument. The MF-Drive by nature has a large bottom end, so this position is extremely useful for dialing in a more focused guitar tone.\u003c\/p\u003e\n\u003cp\u003ePEAK- When engaged, Peak creates a +15dB boost at the Filter cutoff. It is extremely useful for accentuating mid-range or high frequencies. When paired with an expression pedal, Peak unlocks a whole new range of performance sounds.\u003c\/p\u003e\n\u003cp\u003eTONE- A variable Lowpass\/Mid-Scoop\/Highpass voicing section sent through a boutique FET for color. At minimum, the sound is dark and full. Approaching the Mid position the sound varies from a slightly scooped American tube amp to a more British, mid-forward tone. At maximum position, the sound is present and articulate with a smooth, rolled of low-end.\u003c\/p\u003e\n\u003cp\u003eOUTPUT- The output level of the MF-DRIVE is extremely hot to offer a wide range of tones from clean to dirty. With proper gain-staging, the MF Drive can also be used as a boost or wah pedal.\u003c\/p\u003e\n\u003cp\u003eEXPRESSION PEDAL INPUT- This input is assigned to Filter cutoff. Use it for massive swells or engage filter Peak to create a tunable dirty wah. This setting sounds amazing on bass guitar.\u003c\/p\u003e\n\u003cp\u003e• True Bypass \u003c\/p\u003e\n\u003cp\u003e• Designed to sound and feel like a cranked tube amplifier without the noise\u003c\/p\u003e\n\u003cp\u003e• Extremely reactive to input volume and picking dynamics.\u003c\/p\u003e\n\u003cp\u003e• American and British amplifier versatility that when pushed approaches Fuzz\u003c\/p\u003e\n\u003cp\u003e• Works great as a dirty boost for high gain amplifiers\u003c\/p\u003e\n\u003cp\u003e• Expression pedal control of the filter creates a tunable, dirty wah\u003c\/p\u003e\n\u003cp\u003e• Designed to perform with any Guitar, Amp, or Bass guitar configuration\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs-tab\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIGNAL PATH:100% Analog\u003c\/p\u003e\n\u003cp\u003eBYPASS TYPE:True bypass\u003c\/p\u003e\n\u003cp\u003ePOWER:+9VDC\u003c\/p\u003e\n\u003cp\u003eWEIGHT:18oz (0.5kg)\u003c\/p\u003e\n\u003cp\u003eENCLOSURE:Cast aluminum\u003c\/p\u003e\n\u003cp\u003eDIMENSIONS:D=5.75” (14.4 cm) W=3.25” (8.3 cm) H=2.25” (5.8 cm)\u003c\/p\u003e\n\u003cp\u003eDRIVE SWITCH:Down+6.8dB to +48dB gain \/Up +16dB to +57dB gain\u003c\/p\u003e\n\u003cp\u003ePEAK:+15dB resonance peak at the filter cutoff frequency\u003c\/p\u003e\n\u003cp\u003eTONE CONTROL:(Min): Lowpass -6dB at ~ 1KHz, (Center): -6dB Scoop at 800Hz, (Max): Highpass -6dB at ~ 1KHz (-18dB shelf)\u003c\/p\u003e\n\u003cp\u003eLADDER FILTER: 2-Pole 12dB\/octave 100Hz to 17.5KHz \u003c\/p\u003e\n\u003cp\u003eEXPRESSION:Controls Filter (Max Input level +5VDC)\u003c\/p\u003e\n\u003cp\u003eINPUT IMPEDANCE:\u0026gt;1 MegaOhm\u003c\/p\u003e\n\u003cp\u003eOUTPUT IMPEDANCE:\u0026lt;500 Ohm\u003c\/p\u003e\n\u003cp\u003eCURRENT:10mA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-05-01T01:24:54+02:00","created_at":"2016-11-19T17:44:04+02:00","vendor":"Moog","type":"Minifoogers","tags":["Boost \u0026 Fuzz","Distortion","Guitar Pedals \u0026 Effects","Guitars","Moog","Overdrive","Price Range_$100 to $200","Shop by brand_Moog","Shop by category_Guitar Pedals \u0026 Effects"],"price":16900,"price_min":16900,"price_max":16900,"available":true,"price_varies":false,"compare_at_price":17900,"compare_at_price_min":17900,"compare_at_price_max":17900,"compare_at_price_varies":false,"variants":[{"id":28589266957,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MFS-DRIVE-02","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moog Minifooger Drive Pedal","public_title":null,"options":["Default Title"],"price":16900,"weight":0,"compare_at_price":17900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"040232216671"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/drive_3-4_black_lores.jpg?v=1479570334","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/drive_top_black_USE.jpg?v=1479570347","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/drive_rear_black_new_lr.jpg?v=1479570358"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/drive_3-4_black_lores.jpg?v=1479570334","options":["Title"],"content":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-drive\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF Drive | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-drive\"\u003e\n\u003cdiv id=\"info-tab\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe MF Drive is a unique, filter-based overdrive pedal that employs a Moog Ladder Filter, boutique FET amplifiers, and classic OTAs in its drive section making it highly reactive to input gain and picking dynamics. The bi-polar tone control and sweep-able filter work with input gain to offer each player completely customizable sounds from creamy British overdrive to cranked American tube amplifier and even fuzz. When the filter Peak switch is engaged and an expression pedal is connected, the harmonic content is shifted to the filter’s cutoff position adding tonal and dirty wah performance possibilities not found elsewhere.\u003c\/p\u003e\n\u003cp\u003eCONTROLS\u003c\/p\u003e\n\u003cp\u003eGAIN- Sets the input level sent through the OTA before passing through the 4-pole Moog Ladder filter. At lower settings, the MF Drive is cleaner with a smooth breakup. As Gain increases, OTA and filter distortion increase causing the MF Drive to become more aggressive and reactive to picking dynamics\u003c\/p\u003e\n\u003cp\u003eDRIVE - In the down position the Gain knob range is from +6.8dB to +48dB. In the up position the gain range is from +16dB to +57dB. This allows for extended control over gain-staging the input of the MF Drive.\u003c\/p\u003e\n\u003cp\u003eFILTER- Interacts heavily with the Tone knob and filter Peak switch. With Peak off, the filter can be used to reduce top end and add heft to an amplifier. With Peak engaged, the filter can be used to add low, mid, or high frequency boost to your instrument. The MF-Drive by nature has a large bottom end, so this position is extremely useful for dialing in a more focused guitar tone.\u003c\/p\u003e\n\u003cp\u003ePEAK- When engaged, Peak creates a +15dB boost at the Filter cutoff. It is extremely useful for accentuating mid-range or high frequencies. When paired with an expression pedal, Peak unlocks a whole new range of performance sounds.\u003c\/p\u003e\n\u003cp\u003eTONE- A variable Lowpass\/Mid-Scoop\/Highpass voicing section sent through a boutique FET for color. At minimum, the sound is dark and full. Approaching the Mid position the sound varies from a slightly scooped American tube amp to a more British, mid-forward tone. At maximum position, the sound is present and articulate with a smooth, rolled of low-end.\u003c\/p\u003e\n\u003cp\u003eOUTPUT- The output level of the MF-DRIVE is extremely hot to offer a wide range of tones from clean to dirty. With proper gain-staging, the MF Drive can also be used as a boost or wah pedal.\u003c\/p\u003e\n\u003cp\u003eEXPRESSION PEDAL INPUT- This input is assigned to Filter cutoff. Use it for massive swells or engage filter Peak to create a tunable dirty wah. This setting sounds amazing on bass guitar.\u003c\/p\u003e\n\u003cp\u003e• True Bypass \u003c\/p\u003e\n\u003cp\u003e• Designed to sound and feel like a cranked tube amplifier without the noise\u003c\/p\u003e\n\u003cp\u003e• Extremely reactive to input volume and picking dynamics.\u003c\/p\u003e\n\u003cp\u003e• American and British amplifier versatility that when pushed approaches Fuzz\u003c\/p\u003e\n\u003cp\u003e• Works great as a dirty boost for high gain amplifiers\u003c\/p\u003e\n\u003cp\u003e• Expression pedal control of the filter creates a tunable, dirty wah\u003c\/p\u003e\n\u003cp\u003e• Designed to perform with any Guitar, Amp, or Bass guitar configuration\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs-tab\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIGNAL PATH:100% Analog\u003c\/p\u003e\n\u003cp\u003eBYPASS TYPE:True bypass\u003c\/p\u003e\n\u003cp\u003ePOWER:+9VDC\u003c\/p\u003e\n\u003cp\u003eWEIGHT:18oz (0.5kg)\u003c\/p\u003e\n\u003cp\u003eENCLOSURE:Cast aluminum\u003c\/p\u003e\n\u003cp\u003eDIMENSIONS:D=5.75” (14.4 cm) W=3.25” (8.3 cm) H=2.25” (5.8 cm)\u003c\/p\u003e\n\u003cp\u003eDRIVE SWITCH:Down+6.8dB to +48dB gain \/Up +16dB to +57dB gain\u003c\/p\u003e\n\u003cp\u003ePEAK:+15dB resonance peak at the filter cutoff frequency\u003c\/p\u003e\n\u003cp\u003eTONE CONTROL:(Min): Lowpass -6dB at ~ 1KHz, (Center): -6dB Scoop at 800Hz, (Max): Highpass -6dB at ~ 1KHz (-18dB shelf)\u003c\/p\u003e\n\u003cp\u003eLADDER FILTER: 2-Pole 12dB\/octave 100Hz to 17.5KHz \u003c\/p\u003e\n\u003cp\u003eEXPRESSION:Controls Filter (Max Input level +5VDC)\u003c\/p\u003e\n\u003cp\u003eINPUT IMPEDANCE:\u0026gt;1 MegaOhm\u003c\/p\u003e\n\u003cp\u003eOUTPUT IMPEDANCE:\u0026lt;500 Ohm\u003c\/p\u003e\n\u003cp\u003eCURRENT:10mA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}
Moog Minifooger Drive Pedal
$169.00
MF Drive | Moog Music Inc The MF Drive is a unique, filter-based overdrive pedal that employs a Moog Ladder Filter, boutique FET amplifiers, and classic OTAs in its drive section making it highly reactive to input gain and picking dynamics. The bi-polar tone control and sweep-able filter work with input gain to offer each player compl...
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{"id":8462173069,"title":"Moog Minifooger Boost Pedal","handle":"mfs-boost-02","description":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-boost\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF Boost | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-boost\"\u003e\n\u003cdiv id=\"info-tab\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe MF Boost is an Expression enhanced, twin topology boost pedal that allows you to select between an articulate VCA signal path and a colored OTA signal path. This completely unique boost design works with your guitar and amplifier to conjure boutique sound and responsiveness from any guitar\/amplifier combination. Its natural compression and sound enhancement also bring out the best tone and performance in other effects pedals. When paired with an expression pedal, the MF Boost can be used as a tone enhancing volume pedal or sweepable-gain boost pedal. The expression pedal input also provides access to higher gain values not available on the panel. \u003c\/p\u003e\n\u003cp\u003eCONTROLS\u003c\/p\u003e\n\u003cp\u003eGAIN- Sets the input gain from off to maximum. With the Boost switch in the down position (VCA mode), this knob should be set to maximum. In this setting you will notice tighter bottom, focused midrange, and a more open top end. With Boost in the up position (clipped OTA mode), the sound is creamy and lightly compressed with a slightly more forward midrange.\u003c\/p\u003e\n\u003cp\u003eBOOST - In the down position, signal is sent through the VCA signal path providing clean, articulate tonal enhancement with a subtle 6dB boost (12dB+ w\/ expression). This setting feels and sounds like a boutique amp in a pedal. With the switch in the up position, signal is sent through the clipped OTA path providing 12dB of boost (18dB+ w\/ expression). This path has a creamy, classic tone that bonds guitar and amplifier for everything from subtle bite and drive to singing leads. Both settings have a naturally occurring musical compression.\u003c\/p\u003e\n\u003cp\u003eTONE- At higher settings this control adds openness, note articulation and picking detail. In this setting the top-end in your amplifier is sweetened while remaining smooth, the mids become focused, and the bottom end appears more robust and tight. At lower settings the Tone control can be used to fatten up an amp or tame harsh top-end.\u003c\/p\u003e\n\u003cp\u003eLEVEL- Level allows you to trim the output of the Boost while maintaining input gain coloration. This control does not go completely off.\u003c\/p\u003e\n\u003cp\u003eEXPRESSION PEDAL INPUT - This input is assigned to Gain. With Gain set to minimum, an expression pedal can be used as a volume pedal. At the mid setting in clipped OTA mode, the expression pedal allows you to swell in and out boost levels musically. At maximum, use an expression pedal to add input Gain not available on the panel of your MF Boost and overdrive your amp.\u003c\/p\u003e\n\u003cp\u003e• Articulate tone enhancement tool that you leave engaged\u003c\/p\u003e\n\u003cp\u003e• Two selectable signal paths with natural compression\u003c\/p\u003e\n\u003cp\u003e• Transparent tone circuit adds articulation, Nashville cluck, or removes harshness\u003c\/p\u003e\n\u003cp\u003e• Can be used as a clean boost pedal, a dirty boost pedal AND a volume pedal\u003c\/p\u003e\n\u003cp\u003e• Expression pedal adds gain past the panel setting\u003c\/p\u003e\n\u003cp\u003e• True Bypass\u003c\/p\u003e\n\u003cp\u003e• Designed to perform with any Guitar, Amp, or Bass guitar configuration\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs-tab\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIGNAL PATH:100% Analog\u003c\/p\u003e\n\u003cp\u003eBYPASS TYPE: True bypass\u003c\/p\u003e\n\u003cp\u003ePOWER: +9VDC\u003c\/p\u003e\n\u003cp\u003eWEIGHT:18oz (0.5kg)\u003c\/p\u003e\n\u003cp\u003eENCLOSURE: Cast aluminum\u003c\/p\u003e\n\u003cp\u003eDIMENSIONS: D=5.75” (14.4 cm) W=3.25” (8.3 cm) H=2.25” (5.8 cm)\u003c\/p\u003e\n\u003cp\u003eGAIN: -65dB - +18dB\u003c\/p\u003e\n\u003cp\u003eTONE CONTROL: 165 Hz - 20KHz Lowpass Filter 6dB\/Octave (wet signal only)\u003c\/p\u003e\n\u003cp\u003eEXPRESSION: Controls Gain (Max Input level +5VDC)\u003c\/p\u003e\n\u003cp\u003eINPUT IMPEDANCE:1 MegaOhm\u003c\/p\u003e\n\u003cp\u003eOUTPUT IMPEDANCE: 100 Ohm minimum\u003c\/p\u003e\n\u003cp\u003eCURRENT:8mA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-11-19T17:40:00+02:00","created_at":"2016-11-19T17:41:21+02:00","vendor":"Moog","type":"Minifoogers","tags":["Boost \u0026 Fuzz","Distortion","Guitar Pedals \u0026 Effects","Guitars","Moog","Overdrive","Price Range_$100 to $200","Shop by brand_Moog","Shop by category_Guitar Pedals \u0026 Effects"],"price":13900,"price_min":13900,"price_max":13900,"available":true,"price_varies":false,"compare_at_price":14900,"compare_at_price_min":14900,"compare_at_price_max":14900,"compare_at_price_varies":false,"variants":[{"id":28589240077,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MFS-BOOST-02","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moog Minifooger Boost Pedal","public_title":null,"options":["Default Title"],"price":13900,"weight":0,"compare_at_price":14900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"040232216657"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/boost_3-4_black_lores.jpg?v=1479570102","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/boost_top_black_new_lr.jpg?v=1479570130","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/boost_rear_black_new_lr.jpg?v=1479570143"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/boost_3-4_black_lores.jpg?v=1479570102","options":["Title"],"content":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-boost\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF Boost | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/minifoogers\/mf-boost\"\u003e\n\u003cdiv id=\"info-tab\"\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe MF Boost is an Expression enhanced, twin topology boost pedal that allows you to select between an articulate VCA signal path and a colored OTA signal path. This completely unique boost design works with your guitar and amplifier to conjure boutique sound and responsiveness from any guitar\/amplifier combination. Its natural compression and sound enhancement also bring out the best tone and performance in other effects pedals. When paired with an expression pedal, the MF Boost can be used as a tone enhancing volume pedal or sweepable-gain boost pedal. The expression pedal input also provides access to higher gain values not available on the panel. \u003c\/p\u003e\n\u003cp\u003eCONTROLS\u003c\/p\u003e\n\u003cp\u003eGAIN- Sets the input gain from off to maximum. With the Boost switch in the down position (VCA mode), this knob should be set to maximum. In this setting you will notice tighter bottom, focused midrange, and a more open top end. With Boost in the up position (clipped OTA mode), the sound is creamy and lightly compressed with a slightly more forward midrange.\u003c\/p\u003e\n\u003cp\u003eBOOST - In the down position, signal is sent through the VCA signal path providing clean, articulate tonal enhancement with a subtle 6dB boost (12dB+ w\/ expression). This setting feels and sounds like a boutique amp in a pedal. With the switch in the up position, signal is sent through the clipped OTA path providing 12dB of boost (18dB+ w\/ expression). This path has a creamy, classic tone that bonds guitar and amplifier for everything from subtle bite and drive to singing leads. Both settings have a naturally occurring musical compression.\u003c\/p\u003e\n\u003cp\u003eTONE- At higher settings this control adds openness, note articulation and picking detail. In this setting the top-end in your amplifier is sweetened while remaining smooth, the mids become focused, and the bottom end appears more robust and tight. At lower settings the Tone control can be used to fatten up an amp or tame harsh top-end.\u003c\/p\u003e\n\u003cp\u003eLEVEL- Level allows you to trim the output of the Boost while maintaining input gain coloration. This control does not go completely off.\u003c\/p\u003e\n\u003cp\u003eEXPRESSION PEDAL INPUT - This input is assigned to Gain. With Gain set to minimum, an expression pedal can be used as a volume pedal. At the mid setting in clipped OTA mode, the expression pedal allows you to swell in and out boost levels musically. At maximum, use an expression pedal to add input Gain not available on the panel of your MF Boost and overdrive your amp.\u003c\/p\u003e\n\u003cp\u003e• Articulate tone enhancement tool that you leave engaged\u003c\/p\u003e\n\u003cp\u003e• Two selectable signal paths with natural compression\u003c\/p\u003e\n\u003cp\u003e• Transparent tone circuit adds articulation, Nashville cluck, or removes harshness\u003c\/p\u003e\n\u003cp\u003e• Can be used as a clean boost pedal, a dirty boost pedal AND a volume pedal\u003c\/p\u003e\n\u003cp\u003e• Expression pedal adds gain past the panel setting\u003c\/p\u003e\n\u003cp\u003e• True Bypass\u003c\/p\u003e\n\u003cp\u003e• Designed to perform with any Guitar, Amp, or Bass guitar configuration\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"specs-tab\"\u003e\n\u003cdiv\u003e\n\u003cp\u003eSIGNAL PATH:100% Analog\u003c\/p\u003e\n\u003cp\u003eBYPASS TYPE: True bypass\u003c\/p\u003e\n\u003cp\u003ePOWER: +9VDC\u003c\/p\u003e\n\u003cp\u003eWEIGHT:18oz (0.5kg)\u003c\/p\u003e\n\u003cp\u003eENCLOSURE: Cast aluminum\u003c\/p\u003e\n\u003cp\u003eDIMENSIONS: D=5.75” (14.4 cm) W=3.25” (8.3 cm) H=2.25” (5.8 cm)\u003c\/p\u003e\n\u003cp\u003eGAIN: -65dB - +18dB\u003c\/p\u003e\n\u003cp\u003eTONE CONTROL: 165 Hz - 20KHz Lowpass Filter 6dB\/Octave (wet signal only)\u003c\/p\u003e\n\u003cp\u003eEXPRESSION: Controls Gain (Max Input level +5VDC)\u003c\/p\u003e\n\u003cp\u003eINPUT IMPEDANCE:1 MegaOhm\u003c\/p\u003e\n\u003cp\u003eOUTPUT IMPEDANCE: 100 Ohm minimum\u003c\/p\u003e\n\u003cp\u003eCURRENT:8mA\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}
Moog Minifooger Boost Pedal
$139.00
MF Boost | Moog Music Inc The MF Boost is an Expression enhanced, twin topology boost pedal that allows you to select between an articulate VCA signal path and a colored OTA signal path. This completely unique boost design works with your guitar and amplifier to conjure boutique sound and responsiveness from any guitar/amplifier combi...
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{"id":8462120973,"title":"Moog MF-101 Moogerfooger Low Pass Filter","handle":"mf-101","description":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF-101 Lowpass Filter | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\n\u003cp\u003eThe award-winning MF-101 Lowpass Filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal.\u003c\/p\u003e\n\u003cp\u003eThe moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the Lowpass Filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.\u003c\/p\u003e\n\u003cp\u003eA lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the Cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 Lowpass Filter does the same sort of thing to the sound spectrum with its Cutoff Control.\u003c\/p\u003e\n\u003cbr\u003e As you turn up the Resonance control, the overtones near the cutoff frequency are boosted. Resonance gives the moogerfooger filter the same classic Moog filter sound as the Minimoog; and Moog modular synthesizers.\n\u003cp\u003eThe envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the CUTOFF knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.\u003c\/p\u003e\n\u003cbr\u003e SPECS\u003c\/div\u003e\n\u003cdiv xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\u003c\/div\u003e\n\u003cdiv xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003eMF-101 Lowpass Filter\u003cbr\u003eProduct Specifications\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e* CUTOFF rotary control, which varies the filter's cutoff frequency over an eight-octave range.\u003cbr\u003e* RESONANCE rotary control, which varies the shape of the filter's response, from pure lowpass to actual oscillation.\u003cbr\u003e* ENVELOPE AMOUNT rotary control, which adjusts the amount that the input signal's envelope sweeps the filter cutoff frequency.\u003cbr\u003e* MIX rotary control, which crossfades continuously from unfiltered to filtered audio.\u003cbr\u003e* DRIVE rotary control, which adjusts the gain of the audio input.\u003cbr\u003e* SMOOTH-FAST rocker switch, which chooses between smooth and fast envelope follower response.\u003cbr\u003e* 2-POLE 4-POLE rocker switch, which chooses between 2-pole (bright) and 4-pole (deep) filter frequency\u003cbr\u003e* response.\u003cbr\u003e* LEVEL, a three-color LED that is used to set the DRIVE control.\u003cbr\u003e* ENV, a LED that indicates the strength of the envelope voltage.\u003cbr\u003e* BYPASS, a two-color LED that tells whether the filter is on or bypassed.\u003cbr\u003e* ON\/BYPASS, a rugged, smooth-acting 'stomp switch.'\u003cbr\u003eJack Panel Features\u003cbr\u003e* AUDIO IN 1\/4\" phone jack - accepts any instrument-level or line-level audio signal from -16 dBm to +4 dbm.\u003cbr\u003e* AUDIO OUT 1\/4\" phone jack - -4 dBm nominal output level.\u003cbr\u003e* CUTOFF, RESONANCE, AMOUNT, MIX, all of which are stereo 1\/4\" jacks that accept moogerfooger EP1 (or equivalent) expression pedals, or control voltages from either two-circuit or three-circuit 1\/4\" jacks.\u003cbr\u003e* ENVELOPE OUT jack - delivers the Envelope Control voltage for use by other voltage-controlled devices.\u003cbr\u003e* +9V POWER INPUT jack - accepts standard 9 volt power adaptors (power adaptor included).\u003cbr\u003e\u003cbr\u003eGeneral Specifications\u003cbr\u003e* CASE: Black panel with hardwood sides - classic analog appearance.\u003cbr\u003e* DIMENSIONS: 9\" x 6\" x 2-1\/2\"\u003cbr\u003e* NET WEIGHT: 2 lb\u003cbr\u003e* SHIPPING WEIGHT: 4 lb, including power adaptor and instruction manual.\u003cbr\u003e* POWER REQUIREMENTS: 105-125AC, 5W. 220AC 50Hz either European or UK style power adaptor available on special order.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-11-19T17:05:00+02:00","created_at":"2016-11-19T17:06:09+02:00","vendor":"Moog","type":"Moogerfoogers","tags":["Guitar Pedals \u0026 Effects","Guitars","Moog","Price Range_$200 to $300","Shop by brand_Moog","Shop by category_Guitar Pedals \u0026 Effects","Shop by category_Wahs and Filters","Wahs and Filters"],"price":28900,"price_min":28900,"price_max":28900,"available":true,"price_varies":false,"compare_at_price":29900,"compare_at_price_min":29900,"compare_at_price_max":29900,"compare_at_price_varies":false,"variants":[{"id":28589082893,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MF-101","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moog MF-101 Moogerfooger Low Pass Filter","public_title":null,"options":["Default Title"],"price":28900,"weight":0,"compare_at_price":29900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"094922033093"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Moogerfooger_MF-101_Low_20Pass_20Filter_1.jpg?v=1479568031","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Moogerfooger_MF-101_Low_20Pass_20Filter_2.jpg?v=1479568040","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Moogerfooger_MF-101_Low_20Pass_20Filter_3.jpg?v=1479568050"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Moogerfooger_MF-101_Low_20Pass_20Filter_1.jpg?v=1479568031","options":["Title"],"content":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF-101 Lowpass Filter | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\n\u003cp\u003eThe award-winning MF-101 Lowpass Filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal.\u003c\/p\u003e\n\u003cp\u003eThe moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the Lowpass Filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.\u003c\/p\u003e\n\u003cp\u003eA lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the Cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 Lowpass Filter does the same sort of thing to the sound spectrum with its Cutoff Control.\u003c\/p\u003e\n\u003cbr\u003e As you turn up the Resonance control, the overtones near the cutoff frequency are boosted. Resonance gives the moogerfooger filter the same classic Moog filter sound as the Minimoog; and Moog modular synthesizers.\n\u003cp\u003eThe envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the CUTOFF knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.\u003c\/p\u003e\n\u003cbr\u003e SPECS\u003c\/div\u003e\n\u003cdiv xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\u003c\/div\u003e\n\u003cdiv xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003eMF-101 Lowpass Filter\u003cbr\u003eProduct Specifications\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e* CUTOFF rotary control, which varies the filter's cutoff frequency over an eight-octave range.\u003cbr\u003e* RESONANCE rotary control, which varies the shape of the filter's response, from pure lowpass to actual oscillation.\u003cbr\u003e* ENVELOPE AMOUNT rotary control, which adjusts the amount that the input signal's envelope sweeps the filter cutoff frequency.\u003cbr\u003e* MIX rotary control, which crossfades continuously from unfiltered to filtered audio.\u003cbr\u003e* DRIVE rotary control, which adjusts the gain of the audio input.\u003cbr\u003e* SMOOTH-FAST rocker switch, which chooses between smooth and fast envelope follower response.\u003cbr\u003e* 2-POLE 4-POLE rocker switch, which chooses between 2-pole (bright) and 4-pole (deep) filter frequency\u003cbr\u003e* response.\u003cbr\u003e* LEVEL, a three-color LED that is used to set the DRIVE control.\u003cbr\u003e* ENV, a LED that indicates the strength of the envelope voltage.\u003cbr\u003e* BYPASS, a two-color LED that tells whether the filter is on or bypassed.\u003cbr\u003e* ON\/BYPASS, a rugged, smooth-acting 'stomp switch.'\u003cbr\u003eJack Panel Features\u003cbr\u003e* AUDIO IN 1\/4\" phone jack - accepts any instrument-level or line-level audio signal from -16 dBm to +4 dbm.\u003cbr\u003e* AUDIO OUT 1\/4\" phone jack - -4 dBm nominal output level.\u003cbr\u003e* CUTOFF, RESONANCE, AMOUNT, MIX, all of which are stereo 1\/4\" jacks that accept moogerfooger EP1 (or equivalent) expression pedals, or control voltages from either two-circuit or three-circuit 1\/4\" jacks.\u003cbr\u003e* ENVELOPE OUT jack - delivers the Envelope Control voltage for use by other voltage-controlled devices.\u003cbr\u003e* +9V POWER INPUT jack - accepts standard 9 volt power adaptors (power adaptor included).\u003cbr\u003e\u003cbr\u003eGeneral Specifications\u003cbr\u003e* CASE: Black panel with hardwood sides - classic analog appearance.\u003cbr\u003e* DIMENSIONS: 9\" x 6\" x 2-1\/2\"\u003cbr\u003e* NET WEIGHT: 2 lb\u003cbr\u003e* SHIPPING WEIGHT: 4 lb, including power adaptor and instruction manual.\u003cbr\u003e* POWER REQUIREMENTS: 105-125AC, 5W. 220AC 50Hz either European or UK style power adaptor available on special order.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}
Moog MF-101 Moogerfooger Low Pass Filter
$289.00
MF-101 Lowpass Filter | Moog Music Inc The award-winning MF-101 Lowpass Filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal. The moogerfooger filter's...
{"id":10021800653,"title":"API TranZformer LX Bass Pedal","handle":"api-tranzformer-lx-bass-pedal","description":"\u003ch1 id=\"reader-title\"\u003eAPI : TranZformer LX Bass Pedal\u003c\/h1\u003e\n\u003cp class=\"article_h2\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTraditional fully discrete API circuit design\u003c\/li\u003e\n\u003cli\u003eVariable Compressor with in\/out switching\u003c\/li\u003e\n\u003cli\u003e3-Band +\/- 15dB Equalizer with in\/out switching\u003c\/li\u003e\n\u003cli\u003eInput Gain control with +30dB of gain\u003c\/li\u003e\n\u003cli\u003eBalanced and Unbalanced Output Phase reverse\u003c\/li\u003e\n\u003cli\u003eBalanced Output Ground lift\u003c\/li\u003e\n\u003cli\u003eIncluded 18 volt external power supply optimizes performance\u003c\/li\u003e\n\u003cli\u003eHard wire bypass switch\u003c\/li\u003e\n\u003cli\u003eUniversal +18VDC power supply\u003c\/li\u003e\n\u003cli\u003eClip LED monitors Input and Output stage clipping\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe TranZformer LX is a multifunction pedal that is designed to easily and affordably bring the world-famous analog sound of API to your bass. Offering the user an unsurpassed level of sonic control, the TranZformer LX combines an API 525 feedback-type compressor with a bass-optimized 3 band equalizer, both independently in\/out switchable. The unit also features phase invert switches on each output, ground lift, clip indicator, transformer output and a hard wire bypass switch. Like all API products, the TranZformer LX is built to API's exacting standards and remains true to the design philosophy that has made API the leader in professional analog gear for nearly 50 years.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"specspages\" cellspacing=\"1\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_header_td\" colspan=\"2\"\u003e\u003cspan class=\"specspages_header_txt\"\u003eSpecifications\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eInput connection:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e1\/4\" Hi-Z unbalanced instrument input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eInput Impedance:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e~500kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eMaximum Hi-Z instrument input level before clipping:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e+13dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eOutput connections:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e1\/4\" Hi-Z unbalanced output w\/ variable level control \u003cbr\u003e \u003cbr\u003eXLR Male balanced line output, fixed level \u003cbr\u003e \u003cbr\u003e\u003ci\u003eBalanced line output level is +6dB higher than Hi-Z output with Level control fully clockwise.\u003c\/i\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eOutput Impedance:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eHi-Z output: 7.5kΩ \u003cbr\u003eBalanced Line output: Less than 75Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eGain Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e9.2dB - 30dB, Variable, Hi-Z output \u003cbr\u003e15.2dB - 36dB, Variable, Balanced line output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eLevel Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e-inf. to 0dB, Variable, Hi-Z output only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eMaximum output level before clipping:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eHi-Z Output: +21dBu \u003cbr\u003eBalanced Line Out: +27dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eFrequency Response:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e+0, -0.5, 20-20kHz, both outputs, low-capacitance cable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eNoise:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e-75dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eTHD+N:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eLess than 0.01%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eTone Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e100Hz, 400Hz, 2000Hz Peaking, continuously-variable boost\/cut, +\/-16dB range.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eCompressor:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eRatio (fixed): Varies from 2:1 to 20:1 depending on compressor control setting. \u003cbr\u003e \u003cbr\u003eAttack (fixed): Less than 5ms \u003cbr\u003e \u003cbr\u003eRelease (fixed): 100ms average (frequency-dependent for natural envelope tracking) \u003cbr\u003e \u003cbr\u003eCompressor Control (6 Switchable settings): 1 = subtle compression, 6 = maximum compression. Turning clockwise Increases gain reduction (lower threshold) while simultaneously raising output level to match.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e18VAC @ 1A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eSize:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e8\" x 5.5\" x 4\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eSize (Boxed for Shipping):\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e10\" x 8\" x 8\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eActual Weight:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e4lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eShipping Weight:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e6lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","published_at":"2017-05-16T19:42:35+02:00","created_at":"2017-05-16T19:43:43+02:00","vendor":"API","type":"Accessories","tags":["API","Bass","Bass Guitar Pedals \u0026 Effects","Price Range_$300 to $500","Shop by brand_API","Shop by category_Bass Guitar Pedals \u0026 Effects","Shop by category_Guitar Pedals \u0026 Effects"],"price":49215,"price_min":49215,"price_max":49215,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37624495501,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TRANZFORMERLX","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"API TranZformer LX Bass Pedal","public_title":null,"options":["Default Title"],"price":49215,"weight":2720,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_XFMRLX_1_l.jpg?v=1494956714","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_XFMRLX_2_l.jpg?v=1494956724","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_XFMRLX_3_l.jpg?v=1494956739"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_XFMRLX_1_l.jpg?v=1494956714","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eAPI : TranZformer LX Bass Pedal\u003c\/h1\u003e\n\u003cp class=\"article_h2\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTraditional fully discrete API circuit design\u003c\/li\u003e\n\u003cli\u003eVariable Compressor with in\/out switching\u003c\/li\u003e\n\u003cli\u003e3-Band +\/- 15dB Equalizer with in\/out switching\u003c\/li\u003e\n\u003cli\u003eInput Gain control with +30dB of gain\u003c\/li\u003e\n\u003cli\u003eBalanced and Unbalanced Output Phase reverse\u003c\/li\u003e\n\u003cli\u003eBalanced Output Ground lift\u003c\/li\u003e\n\u003cli\u003eIncluded 18 volt external power supply optimizes performance\u003c\/li\u003e\n\u003cli\u003eHard wire bypass switch\u003c\/li\u003e\n\u003cli\u003eUniversal +18VDC power supply\u003c\/li\u003e\n\u003cli\u003eClip LED monitors Input and Output stage clipping\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe TranZformer LX is a multifunction pedal that is designed to easily and affordably bring the world-famous analog sound of API to your bass. Offering the user an unsurpassed level of sonic control, the TranZformer LX combines an API 525 feedback-type compressor with a bass-optimized 3 band equalizer, both independently in\/out switchable. The unit also features phase invert switches on each output, ground lift, clip indicator, transformer output and a hard wire bypass switch. Like all API products, the TranZformer LX is built to API's exacting standards and remains true to the design philosophy that has made API the leader in professional analog gear for nearly 50 years.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"specspages\" cellspacing=\"1\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_header_td\" colspan=\"2\"\u003e\u003cspan class=\"specspages_header_txt\"\u003eSpecifications\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eInput connection:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e1\/4\" Hi-Z unbalanced instrument input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eInput Impedance:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e~500kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eMaximum Hi-Z instrument input level before clipping:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e+13dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eOutput connections:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e1\/4\" Hi-Z unbalanced output w\/ variable level control \u003cbr\u003e \u003cbr\u003eXLR Male balanced line output, fixed level \u003cbr\u003e \u003cbr\u003e\u003ci\u003eBalanced line output level is +6dB higher than Hi-Z output with Level control fully clockwise.\u003c\/i\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eOutput Impedance:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eHi-Z output: 7.5kΩ \u003cbr\u003eBalanced Line output: Less than 75Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eGain Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e9.2dB - 30dB, Variable, Hi-Z output \u003cbr\u003e15.2dB - 36dB, Variable, Balanced line output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eLevel Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e-inf. to 0dB, Variable, Hi-Z output only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eMaximum output level before clipping:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eHi-Z Output: +21dBu \u003cbr\u003eBalanced Line Out: +27dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eFrequency Response:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e+0, -0.5, 20-20kHz, both outputs, low-capacitance cable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eNoise:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e-75dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eTHD+N:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eLess than 0.01%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eTone Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e100Hz, 400Hz, 2000Hz Peaking, continuously-variable boost\/cut, +\/-16dB range.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eCompressor:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eRatio (fixed): Varies from 2:1 to 20:1 depending on compressor control setting. \u003cbr\u003e \u003cbr\u003eAttack (fixed): Less than 5ms \u003cbr\u003e \u003cbr\u003eRelease (fixed): 100ms average (frequency-dependent for natural envelope tracking) \u003cbr\u003e \u003cbr\u003eCompressor Control (6 Switchable settings): 1 = subtle compression, 6 = maximum compression. Turning clockwise Increases gain reduction (lower threshold) while simultaneously raising output level to match.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e18VAC @ 1A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eSize:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e8\" x 5.5\" x 4\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eSize (Boxed for Shipping):\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e10\" x 8\" x 8\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eActual Weight:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e4lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eShipping Weight:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e6lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e"}
API TranZformer LX Bass Pedal
$492.15
API : TranZformer LX Bass Pedal Features Traditional fully discrete API circuit design Variable Compressor with in/out switching 3-Band +/- 15dB Equalizer with in/out switching Input Gain control with +30dB of gain Balanced and Unbalanced Output Phase reverse Balanced Output Ground lift Included 18 volt external power supply optimizes performan...
