Bass Guitar Pedals & Effects
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{"id":244287373338,"title":"Joe Gore CULT GERMANIUM OVERDRIVE","handle":"joe-gore-cult-germanium-overdrive","description":"\u003cp\u003e\u003cstrong\u003eJoe Gore CULT GERMANIUM OVERDRIVE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e \"The most dynamic overdrive we've heard.\" —Guitar Player magazine\u003c\/strong\u003e\u003cbr\u003eWhen Joe Gore delved into the germanium booster designs of the 1960s, he was astonished. How the hell did these electrifying, supremely dynamic circuits fall into disuse? Joe studied every schematic and made dozens of clones. He felt like he'd been indoctrinated into some weird germanium cult. So when he developed his own take on those circuits, Joe named it Cult.\u003cbr\u003e\u003cbr\u003eBut Cult is no '60s clone: It departs dramatically from the original '60s circuits, providing fatter lows, fewer piercing highs, and more responsive dynamics. It just seems to \"gush\" more.\u003cbr\u003e\u003cbr\u003eYou probably know that 90% of today's overdrives are related to a pedal whose name rhymes with Lube Reamer. These pedals employ an IC chip rather a discrete transistor. They compress your signal, making note attacks less prominent and limiting your dynamic range. The results are smooth and consistent—nothing wrong with that!\u003cbr\u003e\u003cbr\u003eBut Cult goes in the opposite direction, dramatically expanding your dynamic range. Note attacks crack like knuckles. Your phrases have an electrifying presence that seems to lunge from the speakers. When you hit the input hard, the bold, harmonically rich distortion maintains its edge, even in crowded musical contexts. Cult doesn't go \"squish.\" It barks.\u003cbr\u003e\u003cbr\u003eThe dynamic response is simply astounding—you can go from crystalline to meltdown by touch and guitar knob settings alone. With your guitar volume rolled back, the tone is nearly indistinguishable from bypass, so you can literally leave Cult on all night and conjure a huge range of overdrive\/distortion tones directly from your guitar.\u003cbr\u003e\u003cbr\u003eCult isn't for everyone. If you're looking for an overdrive to smooth out your sound for consistent, predictable results, run away! But if you're the sort of player who likes sculpting sounds via touch and dynamics, or if you enjoy tones that walk the tightrope between clean and distorted, Cult can be a revelation.\u003cbr\u003e\u003cbr\u003e\"Every once in awhile I come across a pedal that just blows me away. The Cult pedal by Joe Gore is indeed one of those. This is the first overdrive I've heard in a long while that has its own voice, yet is rooted in familiarity. It pushes your amp in the perfect way. It's more expressive than anything else I've encountered. It responds like a great amp. Clean to nasty just by how much attack you use. So I don't even need to go to my volume knob. Incredibly expressive, and it's voiced beautifully. Definitely the type of thing you can leave on all night and simply make a good amp great. Is this the perfect overdrive? No, that doesn't exist, but it's the closest thing I've found. I can see this being one of my \"must bring\" pedals for all scenarios for many years to come. It's instantly become an essential part of my tone. Well done!\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Richard Fortus (Guns N' Roses, Crystal Method, Pink, BT, Dead Daisies)\u003c\/strong\u003e\u003cbr\u003e\"I'm always searching for interesting sounds, and I hit the bullseye. I love Cult, which I used on 'Earthquake Driver' and 'Elvis Goes to Hollywood' from the latest Counting Crows album, Somewhere Under Wonderland.. I love Joe's ethos of simplicity. That's the way I like it too.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Dan Vickrey (Counting Crows)\u003c\/strong\u003e\u003cbr\u003e\"Damn,this thing packs a wallop! Once you turn it on, you basically want to keep it on. I you turn it off and after having it on for a while, you'll hear how starved and shriveled your original tone is. It's extra responsive to volume adjustments too.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Avi Bortnik (John Scofield band, solo artist)\u003c\/strong\u003e\u003cbr\u003e\"I don't think I could describe Cult in one word (other than, you know,\u003cbr\u003ebitchin'), but if I had two words, I'd pick 'huge' and 'musical.' It doesn't alter the sonic personalities of my guitars. My Strat still sounds like a Strat. My PRS still sounds like God. Cult provides what so many of us are looking for: the ability to go from full-toned clean sounds to harmonically rich distortion with a simple nudge of the guitar's volume knob. My first reaction: Why would you turn it off?\"\u003cbr\u003e—Tom Wheeler (longtime Editor-in-Chief of Guitar Player magazine and author of The Soul of Tone: Celebrating 60 Years of Fender Amps and American Guitars: An Illustrated Histor)y\u003cbr\u003e\u003cbr\u003e\"Joe Gore has made a pedal that is exactly like he is: unassuming, self-effacing, and quietly virtuosic. You plug this thing in and the qualities you look for in a stompbox—uniqueness of tone, responsiveness to your own playing, robustness of build—are immediately felt. There is nuance to its breadth of tone, and you will be seduced.\"\u003cbr\u003e—Tony Berg, producer and session guitarist (Peter Gabriel, Weezer, Aimee Mann, Michael Penn, X, Squeeze, P.I.L., Wendy \u0026amp; Lisa, Lisa Loeb, Cracker)\u003cbr\u003e\u003cbr\u003e\"This pedal has changed my life and given me a whole new tone that I have been looking for. I can get a nice fat tone with plenty of bite and no mud. I can't even think of plugging in my guitar without the Cult pedal.\"\u003cbr\u003e—Greg Ingraham, Avengers guitarist and O.G. punk-rock god (Joe's description, not Greg's. He's way too modest to talk like that.)\u003cbr\u003e\u003cbr\u003e\"The Cult pedal is an incredible addition to my tonal arsenal. I have a vintage Ampeg Jet, and this pedal turned my rig into a screamer. It also has a great tonal roll-off that changes character in a very musical way. Level boost and tone madness—love it!\"\u003cbr\u003e—Dave LeBolt, composer and session musician (David Bowie, Billy Joel, Foreigner, Julian Lennon), and former general manager of Avid\/Digidesign\u003c\/p\u003e","published_at":"2017-12-24T12:34:10+02:00","created_at":"2017-12-24T12:36:04+02:00","vendor":"Joe Gore","type":"dynamic booster","tags":["Boost \u0026 Fuzz Pedals","Distortion","Guitar Pedals \u0026 Effects","Guitars","Joe Gore","Overdrive","Price Range_$100 to $200","Shop by brand_Joe Gore","Shop by category_Guitar Pedals \u0026 Effects"],"price":19900,"price_min":19900,"price_max":19900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302680133658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joe Gore CULT GERMANIUM OVERDRIVE","public_title":null,"options":["Default Title"],"price":19900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Joe_Gore_Cult_Pedal.jpg?v=1514111777","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_31f418d4-4001-46cf-b16f-40b9f54bdf37.png?v=1514111797"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Joe_Gore_Cult_Pedal.jpg?v=1514111777","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eJoe Gore CULT GERMANIUM OVERDRIVE\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e \"The most dynamic overdrive we've heard.\" —Guitar Player magazine\u003c\/strong\u003e\u003cbr\u003eWhen Joe Gore delved into the germanium booster designs of the 1960s, he was astonished. How the hell did these electrifying, supremely dynamic circuits fall into disuse? Joe studied every schematic and made dozens of clones. He felt like he'd been indoctrinated into some weird germanium cult. So when he developed his own take on those circuits, Joe named it Cult.\u003cbr\u003e\u003cbr\u003eBut Cult is no '60s clone: It departs dramatically from the original '60s circuits, providing fatter lows, fewer piercing highs, and more responsive dynamics. It just seems to \"gush\" more.\u003cbr\u003e\u003cbr\u003eYou probably know that 90% of today's overdrives are related to a pedal whose name rhymes with Lube Reamer. These pedals employ an IC chip rather a discrete transistor. They compress your signal, making note attacks less prominent and limiting your dynamic range. The results are smooth and consistent—nothing wrong with that!\u003cbr\u003e\u003cbr\u003eBut Cult goes in the opposite direction, dramatically expanding your dynamic range. Note attacks crack like knuckles. Your phrases have an electrifying presence that seems to lunge from the speakers. When you hit the input hard, the bold, harmonically rich distortion maintains its edge, even in crowded musical contexts. Cult doesn't go \"squish.\" It barks.\u003cbr\u003e\u003cbr\u003eThe dynamic response is simply astounding—you can go from crystalline to meltdown by touch and guitar knob settings alone. With your guitar volume rolled back, the tone is nearly indistinguishable from bypass, so you can literally leave Cult on all night and conjure a huge range of overdrive\/distortion tones directly from your guitar.\u003cbr\u003e\u003cbr\u003eCult isn't for everyone. If you're looking for an overdrive to smooth out your sound for consistent, predictable results, run away! But if you're the sort of player who likes sculpting sounds via touch and dynamics, or if you enjoy tones that walk the tightrope between clean and distorted, Cult can be a revelation.\u003cbr\u003e\u003cbr\u003e\"Every once in awhile I come across a pedal that just blows me away. The Cult pedal by Joe Gore is indeed one of those. This is the first overdrive I've heard in a long while that has its own voice, yet is rooted in familiarity. It pushes your amp in the perfect way. It's more expressive than anything else I've encountered. It responds like a great amp. Clean to nasty just by how much attack you use. So I don't even need to go to my volume knob. Incredibly expressive, and it's voiced beautifully. Definitely the type of thing you can leave on all night and simply make a good amp great. Is this the perfect overdrive? No, that doesn't exist, but it's the closest thing I've found. I can see this being one of my \"must bring\" pedals for all scenarios for many years to come. It's instantly become an essential part of my tone. Well done!\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Richard Fortus (Guns N' Roses, Crystal Method, Pink, BT, Dead Daisies)\u003c\/strong\u003e\u003cbr\u003e\"I'm always searching for interesting sounds, and I hit the bullseye. I love Cult, which I used on 'Earthquake Driver' and 'Elvis Goes to Hollywood' from the latest Counting Crows album, Somewhere Under Wonderland.. I love Joe's ethos of simplicity. That's the way I like it too.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Dan Vickrey (Counting Crows)\u003c\/strong\u003e\u003cbr\u003e\"Damn,this thing packs a wallop! Once you turn it on, you basically want to keep it on. I you turn it off and after having it on for a while, you'll hear how starved and shriveled your original tone is. It's extra responsive to volume adjustments too.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e—Avi Bortnik (John Scofield band, solo artist)\u003c\/strong\u003e\u003cbr\u003e\"I don't think I could describe Cult in one word (other than, you know,\u003cbr\u003ebitchin'), but if I had two words, I'd pick 'huge' and 'musical.' It doesn't alter the sonic personalities of my guitars. My Strat still sounds like a Strat. My PRS still sounds like God. Cult provides what so many of us are looking for: the ability to go from full-toned clean sounds to harmonically rich distortion with a simple nudge of the guitar's volume knob. My first reaction: Why would you turn it off?\"\u003cbr\u003e—Tom Wheeler (longtime Editor-in-Chief of Guitar Player magazine and author of The Soul of Tone: Celebrating 60 Years of Fender Amps and American Guitars: An Illustrated Histor)y\u003cbr\u003e\u003cbr\u003e\"Joe Gore has made a pedal that is exactly like he is: unassuming, self-effacing, and quietly virtuosic. You plug this thing in and the qualities you look for in a stompbox—uniqueness of tone, responsiveness to your own playing, robustness of build—are immediately felt. There is nuance to its breadth of tone, and you will be seduced.\"\u003cbr\u003e—Tony Berg, producer and session guitarist (Peter Gabriel, Weezer, Aimee Mann, Michael Penn, X, Squeeze, P.I.L., Wendy \u0026amp; Lisa, Lisa Loeb, Cracker)\u003cbr\u003e\u003cbr\u003e\"This pedal has changed my life and given me a whole new tone that I have been looking for. I can get a nice fat tone with plenty of bite and no mud. I can't even think of plugging in my guitar without the Cult pedal.\"\u003cbr\u003e—Greg Ingraham, Avengers guitarist and O.G. punk-rock god (Joe's description, not Greg's. He's way too modest to talk like that.)\u003cbr\u003e\u003cbr\u003e\"The Cult pedal is an incredible addition to my tonal arsenal. I have a vintage Ampeg Jet, and this pedal turned my rig into a screamer. It also has a great tonal roll-off that changes character in a very musical way. Level boost and tone madness—love it!\"\u003cbr\u003e—Dave LeBolt, composer and session musician (David Bowie, Billy Joel, Foreigner, Julian Lennon), and former general manager of Avid\/Digidesign\u003c\/p\u003e"}
Joe Gore CULT GERMANIUM OVERDRIVE
$199.00
Joe Gore CULT GERMANIUM OVERDRIVE "The most dynamic overdrive we've heard." —Guitar Player magazineWhen Joe Gore delved into the germanium booster designs of the 1960s, he was astonished. How the hell did these electrifying, supremely dynamic circuits fall into disuse? Joe studied every schematic and made dozens of clones. He felt like he'd been...
{"id":10467307597,"title":"Chandler Limited Little Devil Colored Boost","handle":"chandler-limited","description":"\u003ch1 id=\"reader-title\"\u003eLittle Devil Colored Boost | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eWade called this pedal a Colored Boost for a reason! It's not a clean boost, though it's not a fuzz either. The Little Devil Colored Boost can gently color your Fender or drive your old Marshall into oblivion.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-stickies\"\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\n\u003cp class=\"wps-spotcontent\"\u003eTrue bypass, full bypass, or hardwire bypass. Whichever term you like!\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to the amplifier or other source such as computer input.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to guitar, bass or keyboard.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSets the overall brightness of the pedal. We found this useful when using amps of different sizes especially when combined with the boost range. Small bright combos can be fine tuned easily or a muddy stack brightened up with a throw of the toggle. Smooth, bright and very bright.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelect the frequency response of the pedal here. This is at the beginning of the pedal circuit to keep the sound as focused as possible. Highs - Similar to old school treble boosters. Just the high frequency is boosted. Mids – A broader range treble boost adding in high mid range and just a touch of low mid range. Full – The widest range boost, covering the low mid and into the low frequency. We left out just enough of the lows to keep the sound tight. This is also a great setting for bass and keyboards.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelects both the negative feedback and bias of the circuit. Negative feedback will change the gain, frequency response, clipping and harmonic distortion of the pedal. Bias changes the operation of the gain transistor and effects many sound properties of the pedal especially the clipping and distortion. There are 5 Feedback settings. See the manual for the incredible effect these settings have on the tone.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eThis is the amount of gain you can select from the pedal. Depending on the feedback\/bias setting, you can get as much as 37DB of boost. The colored boost control is not linear in its sound. The pedal gets brighter as you boost more. You will find it important to use the boost range in conjunction with boost to tailor your sound to your needs.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eAccepts 9 to 9.6V power adaptors on the front. On the inside is an optional battery clip. This is a solid chassis mount clip for long term use. Four screws on the side panel must be removed to change the battery. Please use a phillips screwdriver with a proper fit to avoid stripping the screws. Current draw 40MA.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-disabledbox-container\"\u003e\n\u003cp class=\"wps-disabledbox\"\u003eDisable wpStickies on this image\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe soul of the Little Devil Colored Boost is the Class A amplifier design and the selectable Feedback\/Bias control. The six presets range from slightly fuzzy to a \"in your face\" Plexi sound. Each preset has its own style of harmonic distortion and clipping with different effects on a sine wave signal. Soft clipping, hard clipping, clipping on the top, bottom, or both sides of a sine wave, and significant changes in frequency happen with each click of the Feedback\/Bias switch. Capable of 39db of boost, the Little Devil Colored Boost can easily range from gentle sustain to screaming vintage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFORMAT: Pedal\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Class A\u003c\/p\u003e\n\u003cp\u003eBYPASS: True Bypass\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: 1\/4\"\u003c\/p\u003e\n\u003cp\u003ePOWER: 9-volt “BOSS” style power supply or single 9-volt battery\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-08-11T20:50:07+02:00","created_at":"2017-07-19T12:47:39+02:00","vendor":"Chandler Limited","type":"Guitar Pedal","tags":["Boost \u0026 Fuzz","Chandler Limited","Distortion-Overdrive-Boost \u0026 Fuzz Pedals","Guitar Pedals \u0026 Effects","Guitar Pedals \u0026 Effects Distortion","Guitars","Overdrive","Price Range_$300 to $500","Shop by brand_Chandler Limited","Shop by category_Distortion-Overdrive-Boost \u0026 Fuzz Pedals","Shop by category_Guitar Pedals \u0026 Effects","Shop by category_Guitars"],"price":33500,"price_min":33500,"price_max":33500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40609384525,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Little Devil Boost","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited Little Devil Colored Boost","public_title":null,"options":["Default Title"],"price":33500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_little_devil_colored_boost_front.jpg?v=1534038068","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_e8ee6f75-a70c-40e3-8afb-7ccab413b45f.png?v=1534038068","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_little_devil_colored_boost_rear.jpg?v=1534038068","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_little_devil_colored_boost_inside.jpg?v=1534038068"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_little_devil_colored_boost_front.jpg?v=1534038068","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eLittle Devil Colored Boost | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eWade called this pedal a Colored Boost for a reason! It's not a clean boost, though it's not a fuzz either. The Little Devil Colored Boost can gently color your Fender or drive your old Marshall into oblivion.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-stickies\"\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\n\u003cp class=\"wps-spotcontent\"\u003eTrue bypass, full bypass, or hardwire bypass. Whichever term you like!\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to the amplifier or other source such as computer input.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to guitar, bass or keyboard.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSets the overall brightness of the pedal. We found this useful when using amps of different sizes especially when combined with the boost range. Small bright combos can be fine tuned easily or a muddy stack brightened up with a throw of the toggle. Smooth, bright and very bright.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelect the frequency response of the pedal here. This is at the beginning of the pedal circuit to keep the sound as focused as possible. Highs - Similar to old school treble boosters. Just the high frequency is boosted. Mids – A broader range treble boost adding in high mid range and just a touch of low mid range. Full – The widest range boost, covering the low mid and into the low frequency. We left out just enough of the lows to keep the sound tight. This is also a great setting for bass and keyboards.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelects both the negative feedback and bias of the circuit. Negative feedback will change the gain, frequency response, clipping and harmonic distortion of the pedal. Bias changes the operation of the gain transistor and effects many sound properties of the pedal especially the clipping and distortion. There are 5 Feedback settings. See the manual for the incredible effect these settings have on the tone.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eThis is the amount of gain you can select from the pedal. Depending on the feedback\/bias setting, you can get as much as 37DB of boost. The colored boost control is not linear in its sound. The pedal gets brighter as you boost more. You will find it important to use the boost range in conjunction with boost to tailor your sound to your needs.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eAccepts 9 to 9.6V power adaptors on the front. On the inside is an optional battery clip. This is a solid chassis mount clip for long term use. Four screws on the side panel must be removed to change the battery. Please use a phillips screwdriver with a proper fit to avoid stripping the screws. Current draw 40MA.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-disabledbox-container\"\u003e\n\u003cp class=\"wps-disabledbox\"\u003eDisable wpStickies on this image\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe soul of the Little Devil Colored Boost is the Class A amplifier design and the selectable Feedback\/Bias control. The six presets range from slightly fuzzy to a \"in your face\" Plexi sound. Each preset has its own style of harmonic distortion and clipping with different effects on a sine wave signal. Soft clipping, hard clipping, clipping on the top, bottom, or both sides of a sine wave, and significant changes in frequency happen with each click of the Feedback\/Bias switch. Capable of 39db of boost, the Little Devil Colored Boost can easily range from gentle sustain to screaming vintage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFORMAT: Pedal\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Class A\u003c\/p\u003e\n\u003cp\u003eBYPASS: True Bypass\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: 1\/4\"\u003c\/p\u003e\n\u003cp\u003ePOWER: 9-volt “BOSS” style power supply or single 9-volt battery\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Chandler Limited Little Devil Colored Boost
$335.00
Little Devil Colored Boost | Chandler Limited Wade called this pedal a Colored Boost for a reason! It's not a clean boost, though it's not a fuzz either. The Little Devil Colored Boost can gently color your Fender or drive your old Marshall into oblivion. True bypass, full bypass, or hardwire bypass. Whichever term you like! Connects to the ...
{"id":10467198285,"title":"Chandler Limited Germanium Drive","handle":"chandler-limited-germanium-drive","description":"\u003ch1 id=\"reader-title\"\u003eGermanium Drive | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Germanium Drive is really a germanium pedal like none you've used before. It has all the tone and color you would expect from a germanium but none of the mud and none of the fat - only an intense colored germanium tone.\u003c\/p\u003e\n\u003cp\u003eTrue bypass, full bypass, or hardwire bypass. Whichever term you like!\u003c\/p\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelect the frequency response of the pedal here. This is at the beginning of the pedal circuit to keep the sound as focused as possible. Highs - Similar to old school treble boosters. Just the high frequency is boosted. Mids – A broader range treble boost adding in high mid range and just a touch of low mid range. Full – The widest range boost, covering the low mid and into the low frequency. We left out just enough of the lows to keep the sound tight. This is also a great setting for bass and keyboards.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSets the overall brightness of the pedal. We found this useful when using amps of different sizes especially when combined with the boost range. Small bright combos can be fine tuned easily or a muddy stack brightened up with a throw of the toggle. Smooth, bright and very bright.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelects the negative feedback of the circuit. Negative feedback will change the gain, frequency response, clipping, and harmonic distortion of the pedal. There are 5 Feedback settings. See the manual for the incredible effect these settings have on the tone.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eThis is the amount of gain you can select from the pedal. Depending on the feedback\/bias setting you can get as much as 37DB of boost. The colored boost control is not linear in its sound. The pedal gets brighter as you boost more. You will find it important to use the boost range in conjunction with boost to tailor your sound to your needs.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to the amplifier or other source such as computer input.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eAccepts 9 to 9.6V power adaptors on the front. While the power uses + and – 9 Volts it is arranged to accept two standard 9 volt power adaptors. Simply plug in any two 9 volt power supplies and the pedal will take care of the work. We decided that this was a better solution than using expensive and custom power supplies. Likewise, with battery use, simply plug two standard 9 volts into the internal battery clips. One interesting option on the power is you can power the germ drive with a single 9-volt supply or battery. Doing so changes how the feedback and bias effect the pedal operation and in essence gives you another “bank” of the feedback settings on the fedback switch. The settings with less feedback (1-3) are more effected by this and become quite fuzzy.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to guitar, bass or keyboard.\u003c\/p\u003e\n\u003cp\u003eThis pedal was inspired by our Germanium pre amps and our work with other germanium amplifiers, but has even more to it. The five feedback selections on the Germanium Drive modify the tone, harmonic distortion and clipping of the pedal and offer a nice range of uses from tighter, lightly driven to slightly fuzzy, to full on germanium hell!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFORMAT: Pedal\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Class A\u003c\/p\u003e\n\u003cp\u003eBYPASS: True Bypass\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: 1\/4\"\u003c\/p\u003e\n\u003cp\u003ePOWER: two 9-volt “BOSS” style power supplies or two 9-volt batteries\u003c\/p\u003e\n\u003cp\u003eNOTE ON POWER: \u003cspan class=\"s1\"\u003eRequires a power supply with isolated outputs, such as VooDoo Labs pedal power, or two 9 volt batteries; MXR DC Brick is non-isolated and is not compatible. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-08-11T20:50:06+02:00","created_at":"2017-07-19T12:22:12+02:00","vendor":"Chandler Limited","type":"Guitar Pedal","tags":["Boost \u0026 Fuzz","Chandler Limited","Distortion","Distortion-Overdrive-Boost \u0026 Fuzz Pedals","Guitar Pedals \u0026 Effects","Guitars","Overdrive","Price Range_$300 to $500","Shop by brand_Chandler Limited","Shop by category_Distortion-Overdrive-Boost \u0026 Fuzz Pedals","Shop by category_Guitar Pedals \u0026 Effects","Shop by category_Guitars"],"price":33500,"price_min":33500,"price_max":33500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40608765197,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Germanium Drive","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited Germanium Drive","public_title":null,"options":["Default Title"],"price":33500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germanium_drive_front.jpg?v=1534037335","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_21e8c8b7-1c54-45e7-a3c6-ef3918d6fc63.png?v=1534037335","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germanium_drive_rear.jpg?v=1534037335","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germanium_drive_02.png?v=1534037335"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germanium_drive_front.jpg?v=1534037335","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eGermanium Drive | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Germanium Drive is really a germanium pedal like none you've used before. It has all the tone and color you would expect from a germanium but none of the mud and none of the fat - only an intense colored germanium tone.\u003c\/p\u003e\n\u003cp\u003eTrue bypass, full bypass, or hardwire bypass. Whichever term you like!\u003c\/p\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelect the frequency response of the pedal here. This is at the beginning of the pedal circuit to keep the sound as focused as possible. Highs - Similar to old school treble boosters. Just the high frequency is boosted. Mids – A broader range treble boost adding in high mid range and just a touch of low mid range. Full – The widest range boost, covering the low mid and into the low frequency. We left out just enough of the lows to keep the sound tight. This is also a great setting for bass and keyboards.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSets the overall brightness of the pedal. We found this useful when using amps of different sizes especially when combined with the boost range. Small bright combos can be fine tuned easily or a muddy stack brightened up with a throw of the toggle. Smooth, bright and very bright.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eSelects the negative feedback of the circuit. Negative feedback will change the gain, frequency response, clipping, and harmonic distortion of the pedal. There are 5 Feedback settings. See the manual for the incredible effect these settings have on the tone.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eThis is the amount of gain you can select from the pedal. Depending on the feedback\/bias setting you can get as much as 37DB of boost. The colored boost control is not linear in its sound. The pedal gets brighter as you boost more. You will find it important to use the boost range in conjunction with boost to tailor your sound to your needs.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to the amplifier or other source such as computer input.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eAccepts 9 to 9.6V power adaptors on the front. While the power uses + and – 9 Volts it is arranged to accept two standard 9 volt power adaptors. Simply plug in any two 9 volt power supplies and the pedal will take care of the work. We decided that this was a better solution than using expensive and custom power supplies. Likewise, with battery use, simply plug two standard 9 volts into the internal battery clips. One interesting option on the power is you can power the germ drive with a single 9-volt supply or battery. Doing so changes how the feedback and bias effect the pedal operation and in essence gives you another “bank” of the feedback settings on the fedback switch. The settings with less feedback (1-3) are more effected by this and become quite fuzzy.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eConnects to guitar, bass or keyboard.\u003c\/p\u003e\n\u003cp\u003eThis pedal was inspired by our Germanium pre amps and our work with other germanium amplifiers, but has even more to it. The five feedback selections on the Germanium Drive modify the tone, harmonic distortion and clipping of the pedal and offer a nice range of uses from tighter, lightly driven to slightly fuzzy, to full on germanium hell!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFORMAT: Pedal\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Class A\u003c\/p\u003e\n\u003cp\u003eBYPASS: True Bypass\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: 1\/4\"\u003c\/p\u003e\n\u003cp\u003ePOWER: two 9-volt “BOSS” style power supplies or two 9-volt batteries\u003c\/p\u003e\n\u003cp\u003eNOTE ON POWER: \u003cspan class=\"s1\"\u003eRequires a power supply with isolated outputs, such as VooDoo Labs pedal power, or two 9 volt batteries; MXR DC Brick is non-isolated and is not compatible. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Chandler Limited Germanium Drive
$335.00
Germanium Drive | Chandler Limited The Germanium Drive is really a germanium pedal like none you've used before. It has all the tone and color you would expect from a germanium but none of the mud and none of the fat - only an intense colored germanium tone. True bypass, full bypass, or hardwire bypass. Whichever term you like! Select the f...
{"id":9478158605,"title":"AMS Neve 1073N","handle":"ams-neve-1073n","description":"\u003cp\u003e\u003cstrong\u003e1073N\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandalone mono mic preamp and eq module\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaunched in 1970, the Neve 1073 Classic soon became the first choice mic preamp for leading producers and artists.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned and built in England, the modern-day 1073N is produced to the exact specifications of the original, matching components to ensure the sound remains true. The Class A design 1073N microphone preamplifier has 3-band EQ (fixed HF plus two switchable bands with cut\/boost capability) and a high pass filter. The Neve 1073N mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and captures a more precise image – embodying, think many engineers and producers, the essence of the Neve sound.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eBuilding on the 1073 classic module features, the 1073N introduces extra functionality with an integrated DI input, I\/O connectors for direct connection of microphones and instruments and other equipment, phantom power for powered microphones and a PSU for standalone use. It can also be fitted into compatible racks\/housings or retrofit into 80 Series Neve Classic consoles. Neve – no question.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic transformer microphone preamp amp (Class A design) with integral DI input and Phantom Power\u003c\/li\u003e\n\u003cli\u003e3 EQ bands \u0026amp; HP filter\u003c\/li\u003e\n\u003cli\u003eDesigned and built in England\u003c\/li\u003e\n\u003cli\u003eNeve designed hand-wound transformers\u003c\/li\u003e\n\u003cli\u003eCan be used as a standalone module or inserted into a compatible rack or console\u003c\/li\u003e\n\u003cli\u003eMic \u0026amp; Line inputs are transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eMicrophone Input: Gain +80db to +20dB in 5dB steps.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eLine Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps.\u003c\/li\u003e\n\u003cli\u003eDI Input: Input impedance 10M Ohms (PAD off) \/ 10K Ohms (PAD on) Gain +80dB to +20dB in 5dB steps.\u003c\/li\u003e\n\u003cli\u003eOutput: Maximum output is \u0026gt;+26dBu into 600Ω.\u003c\/li\u003e\n\u003cli\u003eOutput is transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output\u003c\/li\u003e\n\u003cli\u003e(80kHz bandwidth) into 600Ω.\u003c\/li\u003e\n\u003cli\u003eFreq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-03-28T19:11:00+02:00","created_at":"2017-03-28T19:11:41+02:00","vendor":"AMS Neve","type":"Mic Preamp","tags":["1073N thomann Mono Mic Pre","AMS Neve","EQ","Preamps","Price Range_$1000 to $1500","Shop by brand_AMS Neve","Shop by category_Preamps","Studio Equipment"],"price":179500,"price_min":179500,"price_max":179500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35020403469,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"1073N","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"AMS Neve 1073N","public_title":null,"options":["Default Title"],"price":179500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_front-750x150.jpg?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_6f7f0f4a-f90c-4a73-b078-06aa011529f8.png?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_rear_400x350_625a35f5-5193-4765-92a5-ffb76fab5de9.jpg?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_open_side_400x350_38303bb4-7e27-4907-ab9a-330b9ac359ea.jpg?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_angle_right_400x350_2347fa5f-a3bf-4ae3-b47c-bf899481af48.jpg?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_angle_focus_400x350_e6881830-d60b-4d5e-99a9-bbeaa60c23e4.jpg?v=1490721485","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_enclosure_front_400x350_3a3988f1-279b-4c73-a2ec-5b174f9a0d6c.jpg?v=1490721485"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1073N_front-750x150.jpg?v=1490721485","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003e1073N\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStandalone mono mic preamp and eq module\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLaunched in 1970, the Neve 1073 Classic soon became the first choice mic preamp for leading producers and artists.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDesigned and built in England, the modern-day 1073N is produced to the exact specifications of the original, matching components to ensure the sound remains true. The Class A design 1073N microphone preamplifier has 3-band EQ (fixed HF plus two switchable bands with cut\/boost capability) and a high pass filter. The Neve 1073N mic pre and EQ combination adds warmth and depth to recordings, brings out subtle ambience, maintains spatial positioning, and captures a more precise image – embodying, think many engineers and producers, the essence of the Neve sound.\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003eBuilding on the 1073 classic module features, the 1073N introduces extra functionality with an integrated DI input, I\/O connectors for direct connection of microphones and instruments and other equipment, phantom power for powered microphones and a PSU for standalone use. It can also be fitted into compatible racks\/housings or retrofit into 80 Series Neve Classic consoles. Neve – no question.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eClassic transformer microphone preamp amp (Class A design) with integral DI input and Phantom Power\u003c\/li\u003e\n\u003cli\u003e3 EQ bands \u0026amp; HP filter\u003c\/li\u003e\n\u003cli\u003eDesigned and built in England\u003c\/li\u003e\n\u003cli\u003eNeve designed hand-wound transformers\u003c\/li\u003e\n\u003cli\u003eCan be used as a standalone module or inserted into a compatible rack or console\u003c\/li\u003e\n\u003cli\u003eMic \u0026amp; Line inputs are transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eMicrophone Input: Gain +80db to +20dB in 5dB steps.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eLine Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps.\u003c\/li\u003e\n\u003cli\u003eDI Input: Input impedance 10M Ohms (PAD off) \/ 10K Ohms (PAD on) Gain +80dB to +20dB in 5dB steps.\u003c\/li\u003e\n\u003cli\u003eOutput: Maximum output is \u0026gt;+26dBu into 600Ω.\u003c\/li\u003e\n\u003cli\u003eOutput is transformer balanced and earth free\u003c\/li\u003e\n\u003cli\u003eDistortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output\u003c\/li\u003e\n\u003cli\u003e(80kHz bandwidth) into 600Ω.\u003c\/li\u003e\n\u003cli\u003eFreq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out.\u003c\/li\u003e\n\u003c\/ul\u003e"}
AMS Neve 1073N
$1,795.00
1073NStandalone mono mic preamp and eq moduleLaunched in 1970, the Neve 1073 Classic soon became the first choice mic preamp for leading producers and artists. Designed and built in England, the modern-day 1073N is produced to the exact specifications of the original, matching components to ensure the sound remains true. The Class A design 1073N...
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{"id":8462120973,"title":"Moog MF-101 Moogerfooger Low Pass Filter","handle":"mf-101","description":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF-101 Lowpass Filter | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\n\u003cp\u003eThe award-winning MF-101 Lowpass Filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal.\u003c\/p\u003e\n\u003cp\u003eThe moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the Lowpass Filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.\u003c\/p\u003e\n\u003cp\u003eA lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the Cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 Lowpass Filter does the same sort of thing to the sound spectrum with its Cutoff Control.\u003c\/p\u003e\n\u003cbr\u003e As you turn up the Resonance control, the overtones near the cutoff frequency are boosted. Resonance gives the moogerfooger filter the same classic Moog filter sound as the Minimoog; and Moog modular synthesizers.\n\u003cp\u003eThe envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the CUTOFF knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.\u003c\/p\u003e\n\u003cbr\u003e SPECS\u003c\/div\u003e\n\u003cdiv xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\u003c\/div\u003e\n\u003cdiv xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003eMF-101 Lowpass Filter\u003cbr\u003eProduct Specifications\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e* CUTOFF rotary control, which varies the filter's cutoff frequency over an eight-octave range.\u003cbr\u003e* RESONANCE rotary control, which varies the shape of the filter's response, from pure lowpass to actual oscillation.\u003cbr\u003e* ENVELOPE AMOUNT rotary control, which adjusts the amount that the input signal's envelope sweeps the filter cutoff frequency.\u003cbr\u003e* MIX rotary control, which crossfades continuously from unfiltered to filtered audio.\u003cbr\u003e* DRIVE rotary control, which adjusts the gain of the audio input.\u003cbr\u003e* SMOOTH-FAST rocker switch, which chooses between smooth and fast envelope follower response.\u003cbr\u003e* 2-POLE 4-POLE rocker switch, which chooses between 2-pole (bright) and 4-pole (deep) filter frequency\u003cbr\u003e* response.\u003cbr\u003e* LEVEL, a three-color LED that is used to set the DRIVE control.\u003cbr\u003e* ENV, a LED that indicates the strength of the envelope voltage.\u003cbr\u003e* BYPASS, a two-color LED that tells whether the filter is on or bypassed.\u003cbr\u003e* ON\/BYPASS, a rugged, smooth-acting 'stomp switch.'\u003cbr\u003eJack Panel Features\u003cbr\u003e* AUDIO IN 1\/4\" phone jack - accepts any instrument-level or line-level audio signal from -16 dBm to +4 dbm.\u003cbr\u003e* AUDIO OUT 1\/4\" phone jack - -4 dBm nominal output level.\u003cbr\u003e* CUTOFF, RESONANCE, AMOUNT, MIX, all of which are stereo 1\/4\" jacks that accept moogerfooger EP1 (or equivalent) expression pedals, or control voltages from either two-circuit or three-circuit 1\/4\" jacks.\u003cbr\u003e* ENVELOPE OUT jack - delivers the Envelope Control voltage for use by other voltage-controlled devices.\u003cbr\u003e* +9V POWER INPUT jack - accepts standard 9 volt power adaptors (power adaptor included).\u003cbr\u003e\u003cbr\u003eGeneral Specifications\u003cbr\u003e* CASE: Black panel with hardwood sides - classic analog appearance.\u003cbr\u003e* DIMENSIONS: 9\" x 6\" x 2-1\/2\"\u003cbr\u003e* NET WEIGHT: 2 lb\u003cbr\u003e* SHIPPING WEIGHT: 4 lb, including power adaptor and instruction manual.\u003cbr\u003e* POWER REQUIREMENTS: 105-125AC, 5W. 220AC 50Hz either European or UK style power adaptor available on special order.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-11-19T17:05:00+02:00","created_at":"2016-11-19T17:06:09+02:00","vendor":"Moog","type":"Moogerfoogers","tags":["Guitar Pedals \u0026 Effects","Guitars","Moog","Price Range_$200 to $300","Shop by brand_Moog","Shop by category_Guitar Pedals \u0026 Effects","Shop by category_Wahs and Filters","Wahs and Filters"],"price":28900,"price_min":28900,"price_max":28900,"available":true,"price_varies":false,"compare_at_price":29900,"compare_at_price_min":29900,"compare_at_price_max":29900,"compare_at_price_varies":false,"variants":[{"id":28589082893,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MF-101-00","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moog MF-101 Moogerfooger Low Pass Filter","public_title":null,"options":["Default Title"],"price":28900,"weight":0,"compare_at_price":29900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"094922033093"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Moogerfooger_MF-101_Low_20Pass_20Filter_1.jpg?v=1479568031","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Moogerfooger_MF-101_Low_20Pass_20Filter_2.jpg?v=1479568040","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Moogerfooger_MF-101_Low_20Pass_20Filter_3.jpg?v=1479568050"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Moogerfooger_MF-101_Low_20Pass_20Filter_1.jpg?v=1479568031","options":["Title"],"content":"\u003cdiv id=\"container\"\u003e\n\u003cdiv id=\"reader-header\" dir=\"ltr\"\u003e\n\u003ca id=\"reader-domain\" href=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\u003c\/a\u003e\n\u003ch1 id=\"reader-title\"\u003eMF-101 Lowpass Filter | Moog Music Inc\u003c\/h1\u003e\n\u003cdiv id=\"reader-credits\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv id=\"moz-reader-content\" dir=\"ltr\"\u003e\n\u003cdiv id=\"readability-page-1\" xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\n\u003cp\u003eThe award-winning MF-101 Lowpass Filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal.\u003c\/p\u003e\n\u003cp\u003eThe moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount, and envelope amount. All of the Lowpass Filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1\/4\" jacks are provided for audio input and output, pedal\/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.\u003c\/p\u003e\n\u003cp\u003eA lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the Cutoff, the more muted the tone sounds. Imagine a window shade. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 Lowpass Filter does the same sort of thing to the sound spectrum with its Cutoff Control.\u003c\/p\u003e\n\u003cbr\u003e As you turn up the Resonance control, the overtones near the cutoff frequency are boosted. Resonance gives the moogerfooger filter the same classic Moog filter sound as the Minimoog; and Moog modular synthesizers.\n\u003cp\u003eThe envelope follower tracks the loudness contour (envelope) of a sound, and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the CUTOFF knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.\u003c\/p\u003e\n\u003cbr\u003e SPECS\u003c\/div\u003e\n\u003cdiv xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003e\u003c\/div\u003e\n\u003cdiv xml:base=\"https:\/\/www.moogmusic.com\/products\/moogerfoogers\/mf-101-lowpass-filter\"\u003eMF-101 Lowpass Filter\u003cbr\u003eProduct Specifications\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e* CUTOFF rotary control, which varies the filter's cutoff frequency over an eight-octave range.\u003cbr\u003e* RESONANCE rotary control, which varies the shape of the filter's response, from pure lowpass to actual oscillation.\u003cbr\u003e* ENVELOPE AMOUNT rotary control, which adjusts the amount that the input signal's envelope sweeps the filter cutoff frequency.\u003cbr\u003e* MIX rotary control, which crossfades continuously from unfiltered to filtered audio.\u003cbr\u003e* DRIVE rotary control, which adjusts the gain of the audio input.\u003cbr\u003e* SMOOTH-FAST rocker switch, which chooses between smooth and fast envelope follower response.\u003cbr\u003e* 2-POLE 4-POLE rocker switch, which chooses between 2-pole (bright) and 4-pole (deep) filter frequency\u003cbr\u003e* response.\u003cbr\u003e* LEVEL, a three-color LED that is used to set the DRIVE control.\u003cbr\u003e* ENV, a LED that indicates the strength of the envelope voltage.\u003cbr\u003e* BYPASS, a two-color LED that tells whether the filter is on or bypassed.\u003cbr\u003e* ON\/BYPASS, a rugged, smooth-acting 'stomp switch.'\u003cbr\u003eJack Panel Features\u003cbr\u003e* AUDIO IN 1\/4\" phone jack - accepts any instrument-level or line-level audio signal from -16 dBm to +4 dbm.\u003cbr\u003e* AUDIO OUT 1\/4\" phone jack - -4 dBm nominal output level.\u003cbr\u003e* CUTOFF, RESONANCE, AMOUNT, MIX, all of which are stereo 1\/4\" jacks that accept moogerfooger EP1 (or equivalent) expression pedals, or control voltages from either two-circuit or three-circuit 1\/4\" jacks.\u003cbr\u003e* ENVELOPE OUT jack - delivers the Envelope Control voltage for use by other voltage-controlled devices.\u003cbr\u003e* +9V POWER INPUT jack - accepts standard 9 volt power adaptors (power adaptor included).\u003cbr\u003e\u003cbr\u003eGeneral Specifications\u003cbr\u003e* CASE: Black panel with hardwood sides - classic analog appearance.\u003cbr\u003e* DIMENSIONS: 9\" x 6\" x 2-1\/2\"\u003cbr\u003e* NET WEIGHT: 2 lb\u003cbr\u003e* SHIPPING WEIGHT: 4 lb, including power adaptor and instruction manual.\u003cbr\u003e* POWER REQUIREMENTS: 105-125AC, 5W. 220AC 50Hz either European or UK style power adaptor available on special order.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}
Moog MF-101 Moogerfooger Low Pass Filter
$289.00
MF-101 Lowpass Filter | Moog Music Inc The award-winning MF-101 Lowpass Filter is a direct descendant of the original Moog modular synthesizers. It contains two complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal. The moogerfooger filter's...
{"id":10021800653,"title":"API TranZformer LX Bass Pedal","handle":"api-tranzformer-lx-bass-pedal","description":"\u003ch1 id=\"reader-title\"\u003eAPI : TranZformer LX Bass Pedal\u003c\/h1\u003e\n\u003cp class=\"article_h2\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTraditional fully discrete API circuit design\u003c\/li\u003e\n\u003cli\u003eVariable Compressor with in\/out switching\u003c\/li\u003e\n\u003cli\u003e3-Band +\/- 15dB Equalizer with in\/out switching\u003c\/li\u003e\n\u003cli\u003eInput Gain control with +30dB of gain\u003c\/li\u003e\n\u003cli\u003eBalanced and Unbalanced Output Phase reverse\u003c\/li\u003e\n\u003cli\u003eBalanced Output Ground lift\u003c\/li\u003e\n\u003cli\u003eIncluded 18 volt external power supply optimizes performance\u003c\/li\u003e\n\u003cli\u003eHard wire bypass switch\u003c\/li\u003e\n\u003cli\u003eUniversal +18VDC power supply\u003c\/li\u003e\n\u003cli\u003eClip LED monitors Input and Output stage clipping\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe TranZformer LX is a multifunction pedal that is designed to easily and affordably bring the world-famous analog sound of API to your bass. Offering the user an unsurpassed level of sonic control, the TranZformer LX combines an API 525 feedback-type compressor with a bass-optimized 3 band equalizer, both independently in\/out switchable. The unit also features phase invert switches on each output, ground lift, clip indicator, transformer output and a hard wire bypass switch. Like all API products, the TranZformer LX is built to API's exacting standards and remains true to the design philosophy that has made API the leader in professional analog gear for nearly 50 years.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"specspages\" cellspacing=\"1\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_header_td\" colspan=\"2\"\u003e\u003cspan class=\"specspages_header_txt\"\u003eSpecifications\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eInput connection:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e1\/4\" Hi-Z unbalanced instrument input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eInput Impedance:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e~500kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eMaximum Hi-Z instrument input level before clipping:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e+13dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eOutput connections:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e1\/4\" Hi-Z unbalanced output w\/ variable level control \u003cbr\u003e \u003cbr\u003eXLR Male balanced line output, fixed level \u003cbr\u003e \u003cbr\u003e\u003ci\u003eBalanced line output level is +6dB higher than Hi-Z output with Level control fully clockwise.\u003c\/i\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eOutput Impedance:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eHi-Z output: 7.5kΩ \u003cbr\u003eBalanced Line output: Less than 75Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eGain Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e9.2dB - 30dB, Variable, Hi-Z output \u003cbr\u003e15.2dB - 36dB, Variable, Balanced line output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eLevel Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e-inf. to 0dB, Variable, Hi-Z output only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eMaximum output level before clipping:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eHi-Z Output: +21dBu \u003cbr\u003eBalanced Line Out: +27dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eFrequency Response:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e+0, -0.5, 20-20kHz, both outputs, low-capacitance cable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eNoise:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e-75dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eTHD+N:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eLess than 0.01%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eTone Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e100Hz, 400Hz, 2000Hz Peaking, continuously-variable boost\/cut, +\/-16dB range.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eCompressor:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eRatio (fixed): Varies from 2:1 to 20:1 depending on compressor control setting. \u003cbr\u003e \u003cbr\u003eAttack (fixed): Less than 5ms \u003cbr\u003e \u003cbr\u003eRelease (fixed): 100ms average (frequency-dependent for natural envelope tracking) \u003cbr\u003e \u003cbr\u003eCompressor Control (6 Switchable settings): 1 = subtle compression, 6 = maximum compression. Turning clockwise Increases gain reduction (lower threshold) while simultaneously raising output level to match.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e18VAC @ 1A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eSize:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e8\" x 5.5\" x 4\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eSize (Boxed for Shipping):\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e10\" x 8\" x 8\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eActual Weight:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e4lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eShipping Weight:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e6lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","published_at":"2017-05-16T19:42:35+02:00","created_at":"2017-05-16T19:43:43+02:00","vendor":"API","type":"Accessories","tags":["API","Bass","Bass Guitar Pedals \u0026 Effects","Price Range_$300 to $500","Shop by brand_API","Shop by category_Bass Guitar Pedals \u0026 Effects","Shop by category_Guitar Pedals \u0026 Effects"],"price":49215,"price_min":49215,"price_max":49215,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37624495501,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TRANZFORMERLX","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"API TranZformer LX Bass Pedal","public_title":null,"options":["Default Title"],"price":49215,"weight":2720,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_XFMRLX_1_l.jpg?v=1494956714","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_XFMRLX_2_l.jpg?v=1494956724","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_XFMRLX_3_l.jpg?v=1494956739"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_XFMRLX_1_l.jpg?v=1494956714","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eAPI : TranZformer LX Bass Pedal\u003c\/h1\u003e\n\u003cp class=\"article_h2\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTraditional fully discrete API circuit design\u003c\/li\u003e\n\u003cli\u003eVariable Compressor with in\/out switching\u003c\/li\u003e\n\u003cli\u003e3-Band +\/- 15dB Equalizer with in\/out switching\u003c\/li\u003e\n\u003cli\u003eInput Gain control with +30dB of gain\u003c\/li\u003e\n\u003cli\u003eBalanced and Unbalanced Output Phase reverse\u003c\/li\u003e\n\u003cli\u003eBalanced Output Ground lift\u003c\/li\u003e\n\u003cli\u003eIncluded 18 volt external power supply optimizes performance\u003c\/li\u003e\n\u003cli\u003eHard wire bypass switch\u003c\/li\u003e\n\u003cli\u003eUniversal +18VDC power supply\u003c\/li\u003e\n\u003cli\u003eClip LED monitors Input and Output stage clipping\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe TranZformer LX is a multifunction pedal that is designed to easily and affordably bring the world-famous analog sound of API to your bass. Offering the user an unsurpassed level of sonic control, the TranZformer LX combines an API 525 feedback-type compressor with a bass-optimized 3 band equalizer, both independently in\/out switchable. The unit also features phase invert switches on each output, ground lift, clip indicator, transformer output and a hard wire bypass switch. Like all API products, the TranZformer LX is built to API's exacting standards and remains true to the design philosophy that has made API the leader in professional analog gear for nearly 50 years.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable class=\"specspages\" cellspacing=\"1\" cellpadding=\"0\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_header_td\" colspan=\"2\"\u003e\u003cspan class=\"specspages_header_txt\"\u003eSpecifications\u003c\/span\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eInput connection:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e1\/4\" Hi-Z unbalanced instrument input\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eInput Impedance:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e~500kΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eMaximum Hi-Z instrument input level before clipping:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e+13dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eOutput connections:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e1\/4\" Hi-Z unbalanced output w\/ variable level control \u003cbr\u003e \u003cbr\u003eXLR Male balanced line output, fixed level \u003cbr\u003e \u003cbr\u003e\u003ci\u003eBalanced line output level is +6dB higher than Hi-Z output with Level control fully clockwise.\u003c\/i\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eOutput Impedance:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eHi-Z output: 7.5kΩ \u003cbr\u003eBalanced Line output: Less than 75Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eGain Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e9.2dB - 30dB, Variable, Hi-Z output \u003cbr\u003e15.2dB - 36dB, Variable, Balanced line output\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eLevel Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e-inf. to 0dB, Variable, Hi-Z output only\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eMaximum output level before clipping:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eHi-Z Output: +21dBu \u003cbr\u003eBalanced Line Out: +27dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eFrequency Response:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e+0, -0.5, 20-20kHz, both outputs, low-capacitance cable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eNoise:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e-75dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eTHD+N:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eLess than 0.01%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eTone Control:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e100Hz, 400Hz, 2000Hz Peaking, continuously-variable boost\/cut, +\/-16dB range.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eCompressor:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003eRatio (fixed): Varies from 2:1 to 20:1 depending on compressor control setting. \u003cbr\u003e \u003cbr\u003eAttack (fixed): Less than 5ms \u003cbr\u003e \u003cbr\u003eRelease (fixed): 100ms average (frequency-dependent for natural envelope tracking) \u003cbr\u003e \u003cbr\u003eCompressor Control (6 Switchable settings): 1 = subtle compression, 6 = maximum compression. Turning clockwise Increases gain reduction (lower threshold) while simultaneously raising output level to match.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003ePower Supply:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e18VAC @ 1A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eSize:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e8\" x 5.5\" x 4\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eSize (Boxed for Shipping):\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e10\" x 8\" x 8\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eActual Weight:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e4lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e\u003cb\u003eShipping Weight:\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"specspages_tds\" valign=\"top\"\u003e6lbs.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e"}
API TranZformer LX Bass Pedal
$492.15
API : TranZformer LX Bass Pedal Features Traditional fully discrete API circuit design Variable Compressor with in/out switching 3-Band +/- 15dB Equalizer with in/out switching Input Gain control with +30dB of gain Balanced and Unbalanced Output Phase reverse Balanced Output Ground lift Included 18 volt external power supply optimizes performan...
