Summing Mixers

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{"id":244303200282,"title":"Shadow Hills Industries The Equinox","handle":"shadow-hills-industries-the-equinox","description":"\u003cp\u003e\u003cstrong\u003eShadow Hills Industries The Equinox\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Shadow Hills Equinox is like a complete small-format recording console in just 2 rack spaces. It features 2 GAMA mic preamps, 30 channels of analog summing, and a mastering-grade monitor controller.\u003cbr\u003eMicrophone Preamp\u003cbr\u003e\u003cbr\u003eThe mic preamps are the Golden Age Microphone Amps. Each has 60dB of gain, 24 position gold-plated stepped attenuators, 48V Phantom Power, 20 dB Pad, Phase Reverse, and 1\/4” DI Input. The most exciting feature of the amplifier section is the switchable output transformers, which allow for several different sonic flavors in the same box. The transformers and characteristics are as follows:\u003cbr\u003e\u003cbr\u003eSteel Transformer (hand wound to match a favorite 1970's American output transformer.) Tight and punchy, the most colored with the biggest low end. The sound of rock and roll. Nickel Transformer (hand wound transformer based on a L.A. custom console.) Super clear and wonderful sounding, but with a subtle and musical smoothing of the transients. Iron Transformer (modern version of the classic St. Ives 1166 Neve output transformer.) - Warm and round, with a super detailed and present mid-range.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSumming Network\u003c\/strong\u003e\u003cbr\u003eThe summing buss is a 30-channel mixer utilizing copper buss bars and esoteric resistors, for simply the finest sounding passive summing. DAW inputs 3-24 are STEREO summed and distributed odd to left and even to right, while DAW inputs 25-32 are sent MONO to both channels of the summing network. The summed signal then passes through the Golden Age amplifiers with selectable output transformers. Effectively allowing the user to choose between the sounds of three different consoles on the mix bus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Section\u003c\/strong\u003e\u003cbr\u003eThe monitor section features: choice of 4 input sources, choice of 3 speaker outputs, 24 step Monitor Level control, Monitor Level DIM switch, switch to engage built-in Talkback Mic, Cue output, and Stereo\/Mono switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWith the INPUT SELECT switch IN:\u003c\/strong\u003e\u003cbr\u003eDAW 1-2 position the Equinox monitors the stereo mix output of the user’s DAW. In this mode, the incoming DAW 1-2 signal bypasses the GAMA amplifiers and feeds the Monitor Level control. This allows the user to employ the Equinox’s mic preamps standalone and record\/monitor them through the DAW’s I\/O.\u003cbr\u003e\u003cbr\u003eMIX 3-32 position, the Equinox monitors the summing network after passing through the GAMA’s.\u003cbr\u003e\u003cbr\u003eEXTERNAL position, the Equinox is able to monitor an additional balanced stereo source via rear panel XLR connections.\u003cbr\u003e\u003cbr\u003eMIC PRE position, the Equinox routes the mic preamp output directly to the Monitor Section. This allows the user to monitor the signal coming directly from the preamp, prior to any converter artifacts or intermediate processing.\u003cbr\u003e\u003cbr\u003eThe monitor section also features 3 pairs of Speaker Outputs and a Cue (or headphone) Output. Both reproduce what the Input Select is set to. Only one speaker output pair may be selected at a time. The speaker output level is control by the Monitor Level knob. The Cue Output is unaffected by the Monitor Level, and switches to the Talkback signal when the Talkback Switch is engaged. Simultaneously, the Monitor Level dims when the Talkback Switch is engaged.\u003cbr\u003e\u003cbr\u003eWith all these features in a rugged 2U enclosure the Shadow Hills Equinox is equipped for the demands of modern recording, but styled and crafted to the high standards of a bygone era.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2017-12-24T13:33:20+02:00","created_at":"2017-12-24T13:34:42+02:00","vendor":"Shadow Hills Industries","type":"Mixers","tags":["Channels_32","Price Range_$3000 and Over","Shadow Hills Industries","Shop by brand_Shadow Hills Industries","Shop by category_Summing Mixers","Studio \u0026 Recording","Studio Mixers \u0026 Control Surfaces","Summing Mixers"],"price":484500,"price_min":484500,"price_max":484500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302752649242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Hills Industries The Equinox","public_title":null,"options":["Default Title"],"price":484500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/shadowhills_equinox.jpg?v=1514115313"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/shadowhills_equinox.jpg?v=1514115313","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eShadow Hills Industries The Equinox\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Shadow Hills Equinox is like a complete small-format recording console in just 2 rack spaces. It features 2 GAMA mic preamps, 30 channels of analog summing, and a mastering-grade monitor controller.\u003cbr\u003eMicrophone Preamp\u003cbr\u003e\u003cbr\u003eThe mic preamps are the Golden Age Microphone Amps. Each has 60dB of gain, 24 position gold-plated stepped attenuators, 48V Phantom Power, 20 dB Pad, Phase Reverse, and 1\/4” DI Input. The most exciting feature of the amplifier section is the switchable output transformers, which allow for several different sonic flavors in the same box. The transformers and characteristics are as follows:\u003cbr\u003e\u003cbr\u003eSteel Transformer (hand wound to match a favorite 1970's American output transformer.) Tight and punchy, the most colored with the biggest low end. The sound of rock and roll. Nickel Transformer (hand wound transformer based on a L.A. custom console.) Super clear and wonderful sounding, but with a subtle and musical smoothing of the transients. Iron Transformer (modern version of the classic St. Ives 1166 Neve output transformer.) - Warm and round, with a super detailed and present mid-range.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSumming Network\u003c\/strong\u003e\u003cbr\u003eThe summing buss is a 30-channel mixer utilizing copper buss bars and esoteric resistors, for simply the finest sounding passive summing. DAW inputs 3-24 are STEREO summed and distributed odd to left and even to right, while DAW inputs 25-32 are sent MONO to both channels of the summing network. The summed signal then passes through the Golden Age amplifiers with selectable output transformers. Effectively allowing the user to choose between the sounds of three different consoles on the mix bus.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMonitor Section\u003c\/strong\u003e\u003cbr\u003eThe monitor section features: choice of 4 input sources, choice of 3 speaker outputs, 24 step Monitor Level control, Monitor Level DIM switch, switch to engage built-in Talkback Mic, Cue output, and Stereo\/Mono switch.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWith the INPUT SELECT switch IN:\u003c\/strong\u003e\u003cbr\u003eDAW 1-2 position the Equinox monitors the stereo mix output of the user’s DAW. In this mode, the incoming DAW 1-2 signal bypasses the GAMA amplifiers and feeds the Monitor Level control. This allows the user to employ the Equinox’s mic preamps standalone and record\/monitor them through the DAW’s I\/O.\u003cbr\u003e\u003cbr\u003eMIX 3-32 position, the Equinox monitors the summing network after passing through the GAMA’s.\u003cbr\u003e\u003cbr\u003eEXTERNAL position, the Equinox is able to monitor an additional balanced stereo source via rear panel XLR connections.\u003cbr\u003e\u003cbr\u003eMIC PRE position, the Equinox routes the mic preamp output directly to the Monitor Section. This allows the user to monitor the signal coming directly from the preamp, prior to any converter artifacts or intermediate processing.\u003cbr\u003e\u003cbr\u003eThe monitor section also features 3 pairs of Speaker Outputs and a Cue (or headphone) Output. Both reproduce what the Input Select is set to. Only one speaker output pair may be selected at a time. The speaker output level is control by the Monitor Level knob. The Cue Output is unaffected by the Monitor Level, and switches to the Talkback signal when the Talkback Switch is engaged. Simultaneously, the Monitor Level dims when the Talkback Switch is engaged.\u003cbr\u003e\u003cbr\u003eWith all these features in a rugged 2U enclosure the Shadow Hills Equinox is equipped for the demands of modern recording, but styled and crafted to the high standards of a bygone era.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e"}
Shadow Hills Industries The Equinox

Shadow Hills Industries The Equinox

$4,845.00

Shadow Hills Industries The EquinoxThe Shadow Hills Equinox is like a complete small-format recording console in just 2 rack spaces. It features 2 GAMA mic preamps, 30 channels of analog summing, and a mastering-grade monitor controller.Microphone PreampThe mic preamps are the Golden Age Microphone Amps. Each has 60dB of gain, 24 position gold-p...


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TK Audio S-Blender

Studio Mixers

$1,379.00
{"id":98586984474,"title":"TK Audio S-Blender","handle":"tk-audio-s-blender","description":"\u003cp\u003e\u003cstrong\u003eTK Audio S-Blender\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The S-Blender is a universal tool for parallel\/serial processing, perfect for mixing and mastering.\u003cbr\u003e\u003cbr\u003eThe five-step mode control changes the signal path and numerous combinations can be tested without reconnecting any outboard. The first insert has a semi-fixed position and the second insert can be positioned at four different points in the signal path. At the push of a button the two inserts swap position and by using the mute buttons previewing can be done without altering the level controls.\u003cbr\u003eFor easy integration the S-Blender has a separate monitor section with volume control and mono switch.\u003cbr\u003eIt’s the optimal unit for two-stage compression combining parallel and serial compression in a clean and simple way. Mastering-grade circuits and a switch matrix with goldplated relays guarantee a maximum performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:-\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Noise floor: below 104dBm\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10Hz to 100kHz, less than -0.1dB\u003c\/li\u003e\n\u003cli\u003eDistortion: less than 0.003% THD+N, @ +4dBu\u003c\/li\u003e\n\u003cli\u003eInput impedance: 24kohm\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50ohm\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-09-13T15:46:52+02:00","created_at":"2017-09-13T15:48:27+02:00","vendor":"TK Audio","type":"Studio Mixers","tags":["Price Range_$1000 to $1500","Shop by brand_TK Audio","Shop by category_Summing Mixers","Studio \u0026 Recording","Studio Mixers","Summing Mixers","TK Audio"],"price":137900,"price_min":137900,"price_max":137900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1227256659994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"S-Blender \/ -AL","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"TK Audio S-Blender","public_title":null,"options":["Default Title"],"price":137900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/S-Blender.jpg?v=1505310533"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/S-Blender.jpg?v=1505310533","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eTK Audio S-Blender\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The S-Blender is a universal tool for parallel\/serial processing, perfect for mixing and mastering.\u003cbr\u003e\u003cbr\u003eThe five-step mode control changes the signal path and numerous combinations can be tested without reconnecting any outboard. The first insert has a semi-fixed position and the second insert can be positioned at four different points in the signal path. At the push of a button the two inserts swap position and by using the mute buttons previewing can be done without altering the level controls.\u003cbr\u003eFor easy integration the S-Blender has a separate monitor section with volume control and mono switch.\u003cbr\u003eIt’s the optimal unit for two-stage compression combining parallel and serial compression in a clean and simple way. Mastering-grade circuits and a switch matrix with goldplated relays guarantee a maximum performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:-\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Noise floor: below 104dBm\u003c\/li\u003e\n\u003cli\u003eFrequency response: 10Hz to 100kHz, less than -0.1dB\u003c\/li\u003e\n\u003cli\u003eDistortion: less than 0.003% THD+N, @ +4dBu\u003c\/li\u003e\n\u003cli\u003eInput impedance: 24kohm\u003c\/li\u003e\n\u003cli\u003eOutput impedance: 50ohm\u003c\/li\u003e\n\u003c\/ul\u003e"}
TK Audio S-Blender

TK Audio S-Blender

$1,379.00

TK Audio S-Blender  The S-Blender is a universal tool for parallel/serial processing, perfect for mixing and mastering.The five-step mode control changes the signal path and numerous combinations can be tested without reconnecting any outboard. The first insert has a semi-fixed position and the second insert can be positioned at four different p...


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Solid State Logic Sigma

Analogue processors

$4,590.60
{"id":9454813645,"title":"Solid State Logic Sigma","handle":"ssl-sigma-delta","description":"\u003cp\u003e\u003cstrong\u003eSigma Delta Remote Controlled Analogue Summing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for the DAW user that seeks the legendary big sound of an SSL console while retaining the convenience of working in the box, Sigma δelta is a unique rack mounting SuperAnalogue\u003c\/strong\u003e\u003cstrong\u003e\u003csup\u003eTM\u003c\/sup\u003e\u003c\/strong\u003e\u003cstrong\u003e mixer with full synchronised control via the Sigma Remote Control Application and Delta-Control DAW plug-ins.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSigma δelta seamlessly brings the analogue joy of mixing on an SSL console into your DAW dominated workflow. Using MDAC technology unique to SSL, Sigma takes the SuperAnalogue\u003csup\u003eTM\u003c\/sup\u003e mix buss from SSL's Duality and AWS consoles and delivers it in a 2U rack design, with complete remote control of the analogue signal path, using either a hardware control surface and\/or a simple Remote Control Application, and\/or directly from your DAW using the innovative SSL δelta-Control (δ-Ctrl) plug-in. Now anyone who can drive a DAW can mix on an SSL.\u003c\/p\u003e\n\u003cp\u003eConsistent feedback from the world's leading producers demonstrates that analogue summing still brings a record together in a special way that no emulation plug-in can match. Sigma δelta and SSL's no-compromise approach to designing audio circuits, delivers summing with an extended low-end frequency response, wide stereo imaging, clarity, depth and detail. When it comes to sonic tone and character many leading engineers state that a significant part of their 'sound' is the magic that happens when you drive the analogue mix buss of a console a little too hard...that delicate cohesive distortion only a pushed analogue mix buss brings their mixes. This is exactly the case with Sigma. It is at its best when pushed to that \"sweet spot\", to the point where it yields that extra sonic dimension which has always been part of the legendary SSL sound.\u003c\/p\u003e\n\u003cp\u003eSigma δelta combines its true analogue tone and depth with complete integration into a DAW dominated workflow. In today's commercial environment, fast turnaround of productions, with multiple mix tweaks and revisions, engineers and producers depend upon instant recall of all their settings. Sigma meets this demand. As Sigma's levels are driven from your DAW, the mix recalls instantly upon session load. Furthermore, every setting on Sigma itself (mix buss routing, monitoring section and settings) can be saved and recalled at the click of a button.\u003c\/p\u003e\n\u003cp\u003eSigma’s versatile dual mix buss, individual direct output and insert architecture also provides a streamlined means of applying analogue signal processing within your DAW workflow and simplifies printing processed material back to your DAW.\u003c\/p\u003e\n\u003cp\u003eSigma δelta also features a dual output studio monitor and headphone switcher and talkback system which is completely remote controllable. Sigma is setup from a cross platform Remote App that offers full standalone control of Sigma δelta. Running on a Mac, PC, or iOS tablet the app also performs as a superb remote control for the monitor switcher\/talkback.\u003c\/p\u003e\n\u003cp\u003eSigma Delta offers integration into multiple studio workflows and setups. Sigma Delta plug-ins provide streamlined implementation with Eucon enabled control surfaces such as Avid\u003csup\u003e®\u003c\/sup\u003e S3, S6 and Artist series or the Pro Tools Control app. Sigma Delta’s plug-in parameters map across Eucon control surfaces via the Insert editor, meaning that users can easily move between controlling their summed Sigma mix and their DAW session from the same surface.\u003c\/p\u003e\n\u003cp\u003eThe Sigma δelta mix engine can also be controlled from any SSL MCU-compatible control surface. Sigma’s MCU control requires no DAW software to be active, it simply requires the Sigma Remote to be running and a SSL control surface to be connected via a Network cable to the same DHCP server or router that Sigma is connected to. The Nucleus\/Sigma fusion becomes a fully integrated 32 into 4 automated line mixer, with full monitoring and talkback capabilities. Sigma can also be used in combination with Duality, AWS and Matrix to add additional automated mixing capacity. Inserting Sigma δelta across the insert points of an XL desk, instantly adds automation to the console.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAdvanced δelta-Control automation driven SSL SuperAnalogue™ mix engine\u003c\/li\u003e\n\u003cli\u003eWorks with major DAWs including Pro Tools, Logic, Cubase, Nuendo and Ableton Live\u003c\/li\u003e\n\u003cli\u003eEucon enabled control of Sigma Delta plug-ins via control surfaces such as Avid ® S3, S6 and Artist series or the Pro Tools Control app\u003c\/li\u003e\n\u003cli\u003eSSL MCU Control of Sigma Delta via dedicated Nucleus profile\u003c\/li\u003e\n\u003cli\u003e16 flexible channels individually switchable between stereo or mono for up to 32 channels at mixdown\u003c\/li\u003e\n\u003cli\u003e2 stereo mix busses with individual stereo insert points\u003c\/li\u003e\n\u003cli\u003eIndependent Main and Alternate Monitor outputs\u003c\/li\u003e\n\u003cli\u003eDirect outputs on all channels\u003c\/li\u003e\n\u003cli\u003eTalkback facility with adjustable Dim level\u003c\/li\u003e\n\u003cli\u003eIntuitive cross platform Remote Control app\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHigh speed ‘Logictivity Control’ via single Ethernet cable\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeature Detail\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSigma is powerful and very flexible.\u003c\/strong\u003e\u003cbr\u003eIt has 16 stereo input channels which can be individually switched between being mono or stereo for up to 32 channels at mixdown. There is accurate metering for all channels via LED meters on the Sigma hardware unit. There are two stereo mix busses with dedicated outputs and individual stereo insert points to facilitate implementation of parallel compression or convenient printing of stems back to the DAW with processing applied. Mix Bus B can also be injected into Mix Bus A for final mixdown. Providing further flexibility, Mix Bus A \u0026amp; B inserts also include an 'insert sum' feature to sum the insert return to the mix bus.\u003cbr\u003e\u003cbr\u003eEach input channel also features individual direct outputs for printing individual channels back to your DAW. The inclusion of direct outputs streamlines integration of analogue processing, with a typical configuration connecting DAW I\/O outputs to outboard processor inputs, then processor outputs to Sigma inputs and Sigma direct outputs back to the DAW I\/O. Unlike \"dumb\" analogue summing boxes, with this configuration, the gains of each channel on Sigma are automatable POST the outboard processors eliminating the effects of volume change inside the DAW riding into outboard compressors.\u003c\/p\u003e\n\u003cp\u003e An Artist and Studio monitoring section provides separate Monitor and Headphone circuits. The Main monitor output has Main and Alternative connections to accommodate 2 sets of monitors. A comprehensive switching matrix enables selection of monitor source and output. A large front panel level control uses a push-select mechanism to determine whether it adjusts Mix A, Mix B, Main Monitor or Headphone. There is also a Talkback input with adjustable Dim level. A handy front panel ijack input (3.5mm stereo socket) feeds into the monitoring section.\u003cbr\u003e\u003cbr\u003eThe Sigma Remote app offers full control of all Sigma functions plus store and recall of saved settings. It runs on a Mac, PC, iOS or Android tablet device and connects to your workstation via Ethernet (or wirelessly from a tablet via a wireless router). The user interface provides a series of intuitive pages that makes controlling Sigma's powerful feature set straightforward. Three main screens provide control and setup of the Master Section, Channel Control and Global Settings parameters. Every parameter can be saved for future recall making swapping between projects simple and efficient.\u003cbr\u003e\u003cbr\u003eSigma δelta supports full direct remote control of the mix engine from any SSL MCU-compatible control surface. Supported channel functions are level, pan, solo, mute, mono\/stereo, and mix bus routing. Channel labels as well as volume and pan data are returned to the surface for display. The Dim, Cut, Mono and Alt monitor functions, as well as Talkback, can be controlled from MCU F-Keys. MCU control is via MIDI over Ethernet and shares the same Network link as the Remote app and δelta-Control. Similar functionality is also available with Eucon enabled devices.\u003cbr\u003e\u003cbr\u003eThe Sigma rack unit houses the analogue summing engine, provides connectivity, a set of bright status and level LED's, hardware controls, headphone socket and ijack input. A pair of user assignable dual action push\/hold buttons on the front panel plus a foot-switch input can be assigned to the master section functions. The rear panel provides dedicated XLR connections for the Mix Bus A and the Main and Alt monitor outputs. The individual line inputs and direct outputs are connected via standard 25pin D-Sub. An additional pair of D-Sub connections handle Mix Bus inserts, Mix B output and line level Talkback input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSingle Fader Plug-in\u003c\/strong\u003e\u003cbr\u003eδelta-Control (δ-Ctrl) Single Fader Plug-in is a native AAX\/RTAS\/VST\/VST3 plug-in that allows automation of Sigma channel volume as if it were a DAW plug-in. Inserting 16 instances into the DAW session will allow control of volumes and cuts for all 16 of Sigma’s channels. The automation system in the DAW is used to record and playback Sigma volume control data entered either directly from the fader in the plug-in GUI or from a SSL MCU control surface which is controlling Sigma directly. The δ-Ctrl plug-in is inserted into a DAW mixer audio or aux channel. The plug-in then receives and sends volume data from Sigma Delta via a high speed ethernet network connection. Audio on the DAW track passes through the plug-in slot unprocessed so the plug-in can be combined with other DAW plug-ins. Sigma’s Volume and Mute switch are represented as plug-in parameters in the δ-Ctrl plug-in GUI and their automation data is recorded to the automation lane of the selected DAW channel. In playback, the plug-in converts the stored automation data from the DAW into δ-Ctrl messages and routes these back to Sigma via the SSL Logictivity network connection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSetup Concepts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSigma communicates with your computer a little differently to what you may be used to... it is worth reading this, all of which is covered in detail in the User Guide, before setting up.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSigma is an analogue summing unit which can be controlled from a cross platform Remote app, from a MCU compatible control surface using MIDI control, and from a DAW via the δelta-Control plug-in.\u003c\/li\u003e\n\u003cli\u003eThe Remote app and the δ-Ctrl plugin use a standard Ethernet connection to communicate with Sigma.\u003c\/li\u003e\n\u003cli\u003eMCU control and MIDI control from an SSL control surface uses an application called 'ipMIDI' which runs on your computer to route MIDI data to Sigma via the same ethernet cable that carries the Remote app and δ-Ctrl\u003c\/li\u003e\n\u003cli\u003eδ-Ctrl, the Remote app and IP MIDI require that a network connection exists (via Ethernet) between your computer and Sigma. This is set up in a similar way to configuring a wireless hub and requires selection of appropriate settings in your network control panel in your computer.\u003c\/li\u003e\n\u003cli\u003eTo use a tablet\/smartphone device (iPad etc) to control Sigma you will need a Wireless Router or wireless access point (AP), to which your computer and Sigma are already connected (using physical Ethernet cables). You simply connect to your tablet via WI-FI from the Wireless Router or access point. This allows the Remote app to control Sigma. This is necessary as Sigma does not have a wireless connection of its own.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e              The network and MIDI control aspects of Sigma are entirely separate to the audio side of Sigma. All audio connections are made between the Sigma unit and your Computer audio interface\/converters.\u003c\/p\u003e","published_at":"2017-03-26T15:51:00+02:00","created_at":"2017-03-26T15:52:43+02:00","vendor":"Solid State Logic","type":"Analogue processors","tags":["Price Range_$3000 and Over","Shop by brand_Solid State Logic","Shop by category_Summing Mixers","Solid State Logic","Studio \u0026 Recording","Studio Mixers","Summing Mixers"],"price":459060,"price_min":459060,"price_max":459060,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":34865897869,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Solid State Logic Sigma","public_title":null,"options":["Default Title"],"price":459060,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"729760X1"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sigma-angle.jpg?v=1528769192","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_a92ac4bd-45f3-4135-b1ef-7670acd17223.png?v=1528769192","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sigma-front.jpg?v=1528769192","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sigma-rear.jpg?v=1528769192"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sigma-angle.jpg?v=1528769192","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eSigma Delta Remote Controlled Analogue Summing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesigned for the DAW user that seeks the legendary big sound of an SSL console while retaining the convenience of working in the box, Sigma δelta is a unique rack mounting SuperAnalogue\u003c\/strong\u003e\u003cstrong\u003e\u003csup\u003eTM\u003c\/sup\u003e\u003c\/strong\u003e\u003cstrong\u003e mixer with full synchronised control via the Sigma Remote Control Application and Delta-Control DAW plug-ins.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSigma δelta seamlessly brings the analogue joy of mixing on an SSL console into your DAW dominated workflow. Using MDAC technology unique to SSL, Sigma takes the SuperAnalogue\u003csup\u003eTM\u003c\/sup\u003e mix buss from SSL's Duality and AWS consoles and delivers it in a 2U rack design, with complete remote control of the analogue signal path, using either a hardware control surface and\/or a simple Remote Control Application, and\/or directly from your DAW using the innovative SSL δelta-Control (δ-Ctrl) plug-in. Now anyone who can drive a DAW can mix on an SSL.\u003c\/p\u003e\n\u003cp\u003eConsistent feedback from the world's leading producers demonstrates that analogue summing still brings a record together in a special way that no emulation plug-in can match. Sigma δelta and SSL's no-compromise approach to designing audio circuits, delivers summing with an extended low-end frequency response, wide stereo imaging, clarity, depth and detail. When it comes to sonic tone and character many leading engineers state that a significant part of their 'sound' is the magic that happens when you drive the analogue mix buss of a console a little too hard...that delicate cohesive distortion only a pushed analogue mix buss brings their mixes. This is exactly the case with Sigma. It is at its best when pushed to that \"sweet spot\", to the point where it yields that extra sonic dimension which has always been part of the legendary SSL sound.\u003c\/p\u003e\n\u003cp\u003eSigma δelta combines its true analogue tone and depth with complete integration into a DAW dominated workflow. In today's commercial environment, fast turnaround of productions, with multiple mix tweaks and revisions, engineers and producers depend upon instant recall of all their settings. Sigma meets this demand. As Sigma's levels are driven from your DAW, the mix recalls instantly upon session load. Furthermore, every setting on Sigma itself (mix buss routing, monitoring section and settings) can be saved and recalled at the click of a button.\u003c\/p\u003e\n\u003cp\u003eSigma’s versatile dual mix buss, individual direct output and insert architecture also provides a streamlined means of applying analogue signal processing within your DAW workflow and simplifies printing processed material back to your DAW.\u003c\/p\u003e\n\u003cp\u003eSigma δelta also features a dual output studio monitor and headphone switcher and talkback system which is completely remote controllable. Sigma is setup from a cross platform Remote App that offers full standalone control of Sigma δelta. Running on a Mac, PC, or iOS tablet the app also performs as a superb remote control for the monitor switcher\/talkback.\u003c\/p\u003e\n\u003cp\u003eSigma Delta offers integration into multiple studio workflows and setups. Sigma Delta plug-ins provide streamlined implementation with Eucon enabled control surfaces such as Avid\u003csup\u003e®\u003c\/sup\u003e S3, S6 and Artist series or the Pro Tools Control app. Sigma Delta’s plug-in parameters map across Eucon control surfaces via the Insert editor, meaning that users can easily move between controlling their summed Sigma mix and their DAW session from the same surface.\u003c\/p\u003e\n\u003cp\u003eThe Sigma δelta mix engine can also be controlled from any SSL MCU-compatible control surface. Sigma’s MCU control requires no DAW software to be active, it simply requires the Sigma Remote to be running and a SSL control surface to be connected via a Network cable to the same DHCP server or router that Sigma is connected to. The Nucleus\/Sigma fusion becomes a fully integrated 32 into 4 automated line mixer, with full monitoring and talkback capabilities. Sigma can also be used in combination with Duality, AWS and Matrix to add additional automated mixing capacity. Inserting Sigma δelta across the insert points of an XL desk, instantly adds automation to the console.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAdvanced δelta-Control automation driven SSL SuperAnalogue™ mix engine\u003c\/li\u003e\n\u003cli\u003eWorks with major DAWs including Pro Tools, Logic, Cubase, Nuendo and Ableton Live\u003c\/li\u003e\n\u003cli\u003eEucon enabled control of Sigma Delta plug-ins via control surfaces such as Avid ® S3, S6 and Artist series or the Pro Tools Control app\u003c\/li\u003e\n\u003cli\u003eSSL MCU Control of Sigma Delta via dedicated Nucleus profile\u003c\/li\u003e\n\u003cli\u003e16 flexible channels individually switchable between stereo or mono for up to 32 channels at mixdown\u003c\/li\u003e\n\u003cli\u003e2 stereo mix busses with individual stereo insert points\u003c\/li\u003e\n\u003cli\u003eIndependent Main and Alternate Monitor outputs\u003c\/li\u003e\n\u003cli\u003eDirect outputs on all channels\u003c\/li\u003e\n\u003cli\u003eTalkback facility with adjustable Dim level\u003c\/li\u003e\n\u003cli\u003eIntuitive cross platform Remote Control app\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHigh speed ‘Logictivity Control’ via single Ethernet cable\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeature Detail\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSigma is powerful and very flexible.\u003c\/strong\u003e\u003cbr\u003eIt has 16 stereo input channels which can be individually switched between being mono or stereo for up to 32 channels at mixdown. There is accurate metering for all channels via LED meters on the Sigma hardware unit. There are two stereo mix busses with dedicated outputs and individual stereo insert points to facilitate implementation of parallel compression or convenient printing of stems back to the DAW with processing applied. Mix Bus B can also be injected into Mix Bus A for final mixdown. Providing further flexibility, Mix Bus A \u0026amp; B inserts also include an 'insert sum' feature to sum the insert return to the mix bus.\u003cbr\u003e\u003cbr\u003eEach input channel also features individual direct outputs for printing individual channels back to your DAW. The inclusion of direct outputs streamlines integration of analogue processing, with a typical configuration connecting DAW I\/O outputs to outboard processor inputs, then processor outputs to Sigma inputs and Sigma direct outputs back to the DAW I\/O. Unlike \"dumb\" analogue summing boxes, with this configuration, the gains of each channel on Sigma are automatable POST the outboard processors eliminating the effects of volume change inside the DAW riding into outboard compressors.\u003c\/p\u003e\n\u003cp\u003e An Artist and Studio monitoring section provides separate Monitor and Headphone circuits. The Main monitor output has Main and Alternative connections to accommodate 2 sets of monitors. A comprehensive switching matrix enables selection of monitor source and output. A large front panel level control uses a push-select mechanism to determine whether it adjusts Mix A, Mix B, Main Monitor or Headphone. There is also a Talkback input with adjustable Dim level. A handy front panel ijack input (3.5mm stereo socket) feeds into the monitoring section.\u003cbr\u003e\u003cbr\u003eThe Sigma Remote app offers full control of all Sigma functions plus store and recall of saved settings. It runs on a Mac, PC, iOS or Android tablet device and connects to your workstation via Ethernet (or wirelessly from a tablet via a wireless router). The user interface provides a series of intuitive pages that makes controlling Sigma's powerful feature set straightforward. Three main screens provide control and setup of the Master Section, Channel Control and Global Settings parameters. Every parameter can be saved for future recall making swapping between projects simple and efficient.\u003cbr\u003e\u003cbr\u003eSigma δelta supports full direct remote control of the mix engine from any SSL MCU-compatible control surface. Supported channel functions are level, pan, solo, mute, mono\/stereo, and mix bus routing. Channel labels as well as volume and pan data are returned to the surface for display. The Dim, Cut, Mono and Alt monitor functions, as well as Talkback, can be controlled from MCU F-Keys. MCU control is via MIDI over Ethernet and shares the same Network link as the Remote app and δelta-Control. Similar functionality is also available with Eucon enabled devices.\u003cbr\u003e\u003cbr\u003eThe Sigma rack unit houses the analogue summing engine, provides connectivity, a set of bright status and level LED's, hardware controls, headphone socket and ijack input. A pair of user assignable dual action push\/hold buttons on the front panel plus a foot-switch input can be assigned to the master section functions. The rear panel provides dedicated XLR connections for the Mix Bus A and the Main and Alt monitor outputs. The individual line inputs and direct outputs are connected via standard 25pin D-Sub. An additional pair of D-Sub connections handle Mix Bus inserts, Mix B output and line level Talkback input.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSingle Fader Plug-in\u003c\/strong\u003e\u003cbr\u003eδelta-Control (δ-Ctrl) Single Fader Plug-in is a native AAX\/RTAS\/VST\/VST3 plug-in that allows automation of Sigma channel volume as if it were a DAW plug-in. Inserting 16 instances into the DAW session will allow control of volumes and cuts for all 16 of Sigma’s channels. The automation system in the DAW is used to record and playback Sigma volume control data entered either directly from the fader in the plug-in GUI or from a SSL MCU control surface which is controlling Sigma directly. The δ-Ctrl plug-in is inserted into a DAW mixer audio or aux channel. The plug-in then receives and sends volume data from Sigma Delta via a high speed ethernet network connection. Audio on the DAW track passes through the plug-in slot unprocessed so the plug-in can be combined with other DAW plug-ins. Sigma’s Volume and Mute switch are represented as plug-in parameters in the δ-Ctrl plug-in GUI and their automation data is recorded to the automation lane of the selected DAW channel. In playback, the plug-in converts the stored automation data from the DAW into δ-Ctrl messages and routes these back to Sigma via the SSL Logictivity network connection.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSetup Concepts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSigma communicates with your computer a little differently to what you may be used to... it is worth reading this, all of which is covered in detail in the User Guide, before setting up.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSigma is an analogue summing unit which can be controlled from a cross platform Remote app, from a MCU compatible control surface using MIDI control, and from a DAW via the δelta-Control plug-in.\u003c\/li\u003e\n\u003cli\u003eThe Remote app and the δ-Ctrl plugin use a standard Ethernet connection to communicate with Sigma.\u003c\/li\u003e\n\u003cli\u003eMCU control and MIDI control from an SSL control surface uses an application called 'ipMIDI' which runs on your computer to route MIDI data to Sigma via the same ethernet cable that carries the Remote app and δ-Ctrl\u003c\/li\u003e\n\u003cli\u003eδ-Ctrl, the Remote app and IP MIDI require that a network connection exists (via Ethernet) between your computer and Sigma. This is set up in a similar way to configuring a wireless hub and requires selection of appropriate settings in your network control panel in your computer.\u003c\/li\u003e\n\u003cli\u003eTo use a tablet\/smartphone device (iPad etc) to control Sigma you will need a Wireless Router or wireless access point (AP), to which your computer and Sigma are already connected (using physical Ethernet cables). You simply connect to your tablet via WI-FI from the Wireless Router or access point. This allows the Remote app to control Sigma. This is necessary as Sigma does not have a wireless connection of its own.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e              The network and MIDI control aspects of Sigma are entirely separate to the audio side of Sigma. All audio connections are made between the Sigma unit and your Computer audio interface\/converters.\u003c\/p\u003e"}
Solid State Logic Sigma

Solid State Logic Sigma

$4,590.60

Sigma Delta Remote Controlled Analogue Summing Designed for the DAW user that seeks the legendary big sound of an SSL console while retaining the convenience of working in the box, Sigma δelta is a unique rack mounting SuperAnalogueTM mixer with full synchronised control via the Sigma Remote Control Application and Delta-Control DAW plug-ins. Si...


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The insert send of channels 1-2, and 3-4 has optional talkback assignment for use when feeding channels 1-8 through the 5060 to multichannel queue systems. The insert sends on channels 1-8 may also be used as a pre-fader send to a multi-track recorder.\u003cbr\u003eStereo Inputs Channels 9-24\u003cbr\u003e\u003cbr\u003eEight active stereo inputs with rotary faders for stem and aux inputs.\u003cbr\u003eStereo Buss Master\u003cbr\u003e\u003cbr\u003eA 100mm stereo fader provides level control for the master stereo buss, outputting to both the stereo buss monitor signal and the stereo master output. For adding compression and EQ to the mix buss, there is also a transformer coupled insert engaged by the Insert switch.\u003cbr\u003eTexture \u0026amp; Silk Red \/ Blue\u003cbr\u003e\u003cbr\u003eContinuously variable Texture control for Silk Red and Blue modes allows you to fine tune the harmonic ratio and tonality of both stereo outputs when extra “color” is desired. Both Silk modes reduce the negative feedback on the output transformer, adding harmonic content as the texture is increased. Silk red mode accentuates the saturation in the high-mids and highs, while silk blue mode features more saturation in the lows and low mids.\u003cbr\u003eTalkback\u003cbr\u003e\u003cbr\u003eThe included talkback mic is activated by depressing the Talkback switch. The Talkback has level control, a direct out, and assignment to insert sends 1-2 \u0026amp; 3-4. When the talkback switch is depressed, the speaker output levels are lowered according to the setting of the Dim control. A talkback remote may also be plugged into the ¼” talkback remote input on the back of the 5060.\u003cbr\u003eTransport Controls\u003cbr\u003e\u003cbr\u003eStandard transport functions in DAWs including play, stop, record, fast-forward, rewind, loop, shuttle \/ jog and marker drop are controlled through Midi or USB interconnection. USB mode is compatible with Mac OS X 10.3 and up, and Windows 7 \u0026amp; 8.\u003cbr\u003eMonitor Source Selection\u003cbr\u003e\u003cbr\u003eSelects the monitor source from between the stereo buss and three external monitor inputs.\u003cbr\u003eMonitor Select\u003cbr\u003e\u003cbr\u003eSelects which speaker output is active. By holding the Mon 3 button, the Mon 3 outs will “latch” on, allowing both Mon 1 \u0026amp; 2 for use with subwoofers or speakers in the cutting room.\u003cbr\u003eHeadphone Amplifier\u003cbr\u003e\u003cbr\u003eA reference grade headphone amplifier with headphone level control. The headphone signal follows the selection of the monitor select.\u003cbr\u003eMonitor Level\u003cbr\u003e\u003cbr\u003eA Precision 21 step attenuator provides highly accurate left\/right stereo tracking, perfect repeatability, and determines the level of the monitor output.\u003cbr\u003eMeters\u003cbr\u003e\u003cbr\u003eVU Meters Display the RMS signal level of the selected monitor source, and the peak indicator illuminates red when the peak threshold has been exceeded.\u003cbr\u003eDim\u003cbr\u003e\u003cbr\u003eEngaged when either the Dim or Talkback switch is depressed, Dim reduces the volume of monitor between -6dB and -30dB."}
Rupert Neve Designs 5060 Centerpiece 24x2 Desktop Mixer

Rupert Neve Designs 5060 Centerpiece 24x2 Desktop Mixer

$7,995.00

5060 Centerpiece: Rupert Neve Designed Desktop MixerNew Class-A TopologiesThe new +/- 24V class-A topologies in the 5060 are the key to a more detailed, sweeter and spacious mix buss. With zero crossover distortion and unmatched purity, the 5060 delivers the sound of the 5088 to your desktop. To get more dynamic harmonic content out of the mix b...


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MASELEC MTC-1X Stereo Mastering Console

Stereo Mastering Console

$8,064.00
{"id":108383469594,"title":"MASELEC MTC-1X Stereo Mastering Console","handle":"maselec-mtc-1x-stereo-mastering-console","description":"\u003cp\u003e\u003cstrong\u003eMASELEC MTC-1X Stereo Mastering Console\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe MTC-1 measures 3 U height with a depth ‘behind pa\u003cbr\u003enel’ of 260mm and 8kg weight. \u003cbr\u003eThe front control surface has 42 push-button controls with\u003cbr\u003e LED lights and 11 high quality rotary switches. \u003cbr\u003eGold XLRs are used for all audio connections, assisting the\u003cbr\u003e use of highest quality cables. \u003cbr\u003eConnecting and rearranging external equipment is very e\u003cbr\u003easy.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eMTC-1\u003c\/strong\u003e is structured into four different sections: \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1. The Input section:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput source selection\u003c\/li\u003e\n\u003cli\u003ePhase invert for left and right \u003c\/li\u003e\n\u003cli\u003eSeparate Left and Right gain controls\u003c\/li\u003e\n\u003cli\u003e5dB additional gain selectable for low level sources\u003c\/li\u003e\n\u003cli\u003eLow-cut and High-cut filters\u003c\/li\u003e\n\u003cli\u003eIndependent Cut controls for left and right\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e2. The Insert section has six insert points and offers \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eadditional powerful functions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eM-S with gain control for the ‘difference’ signal\u003c\/li\u003e\n\u003cli\u003eInserts 1 \u0026amp; 2 equipment swap (FLIP)\u003c\/li\u003e\n\u003cli\u003eInsert 4 or Inserts 2-4 cross-fade or additive mix with\u003c\/li\u003e\n\u003cli\u003ethe use of a rotary switch. This function could be\u003c\/li\u003e\n\u003cli\u003eused for ‘parallel’ compression or adding reverb\u003c\/li\u003e\n\u003cli\u003eInserts 4 \u0026amp; 5 equipment swap (FLIP)\u003c\/li\u003e\n\u003cli\u003eInsert 6 can be moved to Post Output. This is the\u003c\/li\u003e\n\u003cli\u003epreferred position for a brick-wall limiter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e3. The Output section:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSeparate Left and Right gain controls\u003c\/li\u003e\n\u003cli\u003eElliptical filter with 20 frequencies\u003c\/li\u003e\n\u003cli\u003eStereo Width control\u003c\/li\u003e\n\u003cli\u003eOutput Cut control\u003c\/li\u003e\n\u003cli\u003eThe stereo image circuits are identical\u003c\/li\u003e\n\u003cli\u003eto the famous controls of the MTC-2.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e4. The Monitor section: \u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e4 external Monitor Sources\u003c\/li\u003e\n\u003cli\u003eMonitor of the Input and Output sections\u003c\/li\u003e\n\u003cli\u003e2 speaker feeds\u003c\/li\u003e\n\u003cli\u003eMonitor of the Stereo-, Left-, Right-, Mono-\u003c\/li\u003e\n\u003cli\u003eor Difference- signal\u003c\/li\u003e\n\u003cli\u003eIndividual Cut controls for Left and Right speakers\u003c\/li\u003e\n\u003cli\u003eProgressive Dim function\u003c\/li\u003e\n\u003cli\u003eMeter output, which follows the monitor source \u003c\/li\u003e\n\u003cli\u003e–6dB, -8dB and –10dB Meter Offsets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e1.    Input Section\u003c\/strong\u003e \u003c\/span\u003e\u003cbr\u003e1.1  Input source. \u003cbr\u003eSwitches S1 and S2 select input SOURCE.  \u003cbr\u003eThis is independent of the MONITOR selection \u003cbr\u003ewhich is located at the right hand side of the panel. \u003cbr\u003e1.2  Input phase. \u003cbr\u003eThe PHASE of the input source can be reversed by \u003cbr\u003edepressing either LEFT or RIGHT switches making it \u003cbr\u003epossible to change the polarity of both channels. \u003cbr\u003eThe phase reverse function does not extend the \u003cbr\u003esignal path or use any additional circuitry. \u003cbr\u003e1.3  Input gain. \u003cbr\u003eThe input GAIN is controlled by a rotary switch with \u003cbr\u003ediscrete precision resistors. The range is +\/-5dB with \u003cbr\u003e0.5dB steps. \u003cbr\u003eThe +5dB switch engages a fixed increased gain on \u003cbr\u003eboth channels without extending the signal path. \u003cbr\u003e1.4  Input cut \u003cbr\u003eThe two CUT switches cuts the signal at the input. \u003cbr\u003eThis function could be useful for setting up and adjustin\u003cbr\u003eg processing equipment in the inserts. \u003cbr\u003e1.5  Low Cut Filter \u003cbr\u003eThe LOW cut filter has a 12 dB\/octave slope. It has a shar\u003cbr\u003eper ‘knee’ at lower frequencies to optimise the \u003cbr\u003esubjective performance. \u003cbr\u003eFrequencies: 20Hz, 25Hz, 30Hz, 40Hz, 50Hz and 60Hz. \u003cbr\u003e1.6  High Cut Filter \u003cbr\u003eThe HIGH cut filter has a 12dB\/octave slope with a gentl\u003cbr\u003ee ‘knee’ for the higher frequency settings. \u003cbr\u003eThis makes even the 27kHz filter useful for normal CD (44\u003cbr\u003e.1K) preparation.  \u003cbr\u003eFrequencies: 12kHz, 14kHz, 16kHz, 18kHz, 22kHz and 27kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e2.    INSERTS\u003c\/strong\u003e \u003c\/span\u003e\u003cbr\u003e2.1  Insert select \u003cbr\u003eInserts in\/out is selected with six large push buttons. \u003cbr\u003eThe insert section is totally bypassed unless at least \u003cbr\u003eone insert is in circuit. This ensures that the signal \u003cbr\u003epath is as pure as possible. \u003cbr\u003e2.2  Gear flip. \u003cbr\u003eThe GEAR FLIP function switches the position of the \u003cbr\u003eequipment connected to the XLR connectors on the \u003cbr\u003eback of the MTC-1. It does not alter the position of th\u003cbr\u003ee \u003cbr\u003einserts. When FLIP 1 and 2 is engaged Insert 1 is still \u003cbr\u003ethe first insert in the chain. This function is also active \u003cbr\u003ewhen M-S is selected. \u003cbr\u003eFlip 4 and 5 works in a similar way. \u003cbr\u003e2.3  Post output \u003cbr\u003eThe POST O.P. function moves insert 6 to post the \u003cbr\u003eoutput section. This positions the insert between the \u003cbr\u003eoutput amplifiers and the output XLRs. \u003cbr\u003eThe monitor of the output is picking up the signal from\u003cbr\u003ethe XLR connectors and correctly monitors the output \u003cbr\u003esignal, post insert 6, when this function is used. \u003cbr\u003e2.4  Insert 1 M-S \u003cbr\u003eINS 1 M-S converts the signal in Insert 1 to MS (sum and \u003cbr\u003edifference). \u003cbr\u003eLeft channel = Sum and Right channel = Difference. \u003cbr\u003eWhen this function is engaged the difference signal gain\u003cbr\u003e can be adjusted +\/-1dB with a rotary switch. \u003cbr\u003eThe DIFF GAIN control is located after the insert. \u003cbr\u003eThe Flip 1 and 2 can be used together with the M-S fu\u003cbr\u003enction. \u003cbr\u003e2.5  Insert 4 Mix \u003cbr\u003eThe INS 4 MIX function makes it possible to mix processed si\u003cbr\u003egnals with the main signal. \u003cbr\u003eThis is done with the 23 position rotary switch. \u003cbr\u003eThe Mix function can be configured in two ways: \u003cbr\u003e2.5.1 Cross-fade. \u003cbr\u003eThe control cross-fades between processed (after insert 4) a\u003cbr\u003end non-processed (before insert 4) signals. \u003cbr\u003eThe output level remains constant in all positions (if th\u003cbr\u003ee two levels are the same). \u003cbr\u003eThis is probably the most convenient way of mixing the sign\u003cbr\u003eals. \u003cbr\u003e2.5.2 Add \u003cbr\u003eWith this control engaged the signal from insert 4 is ad\u003cbr\u003eded to the main signal, much like a reverb return on a \u003cbr\u003emixing console. This could be useful when adding an effe\u003cbr\u003ect or a separate signal to the main programme. \u003cbr\u003e2.6  2-4 \u003cbr\u003eWhen the 2-4 control is engaged, the signal processed in \u003cbr\u003einsert 2, insert 3 and insert 4 is mixed with the \u003cbr\u003enon-processed signal before insert 2. Only the inserts that\u003cbr\u003e are in circuit will of course be mixed. If none of \u003cbr\u003ethese three inserts are in circuit the mix control is tota\u003cbr\u003elly bypassed. \u003cbr\u003eTogether with the FLIP function the INS 4 MIX is a ver\u003cbr\u003ey flexible and powerful tool and could be used for \u003cbr\u003eparallel processing, using the equipment in up to three\u003cbr\u003e different inserts. \u003cbr\u003eThe headroom of the MTC-1 is not affected by this function\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e3.    Output Section\u003c\/strong\u003e \u003c\/span\u003e\u003cbr\u003e3.1  Output Gain \u003cbr\u003eThe output GAIN is controlled by a rotary switch with \u003cbr\u003ediscrete precision resistors. The range is +\/-5dB in \u003cbr\u003e0.5dB steps. \u003cbr\u003e3.2  Output Cut \u003cbr\u003eThe output CUT controls both channels. \u003cbr\u003e3.2  Image \u003cbr\u003eThe IMAGE circuit consists of two functions. Both are \u003cbr\u003econtrolled with rotary switches. \u003cbr\u003e3.2.1 Elliptical Filter \u003cbr\u003eThis FILTER cuts signals that are out of phase and \u003cbr\u003econverts non-correlated signal components to mono \u003cbr\u003ebelow the frequency that the control is set to. \u003cbr\u003eFor example: If a signal below the set frequency is \u003cbr\u003eonly appearing on one side, it is moved to the centre \u003cbr\u003eposition (mono). \u003cbr\u003e3.2.2 Stereo Width \u003cbr\u003eThe WIDTH control adjusts the image in 2 steps, from mon\u003cbr\u003eo to extra wide stereo, without altering the mono \u003cbr\u003esignal. This control does not use an M-S circuit but can be\u003cbr\u003e used to further adjust the image when the M-S \u003cbr\u003efunction is used in Insert 1. \u003cbr\u003eThe image controls are essential tools for vinyl disc cutting\u003cbr\u003e but are equally useful for other applications. \u003cbr\u003eBoth controls are totally mono compatible and do not cha\u003cbr\u003enge the mono signal. \u003cbr\u003eThe MTC-1 headroom is not affected by the image controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4.    Monitor Section\u003c\/strong\u003e \u003cbr\u003e4.1  Monitor Source Select \u003cbr\u003eExternal Sources: \u003cbr\u003eS 1 \u003cbr\u003eS 2 \u003cbr\u003eS 3 \u003cbr\u003eS 4 \/ DAW \u003cbr\u003eInternal Sources: \u003cbr\u003eIP    Input section; post gain and filters. \u003cbr\u003eOP  Output at the XLR connectors. \u003cbr\u003e4.2  Source Mode \u003cbr\u003eThe monitor mode can be selected with five switches: \u003cbr\u003eLEFT \u003cbr\u003eLeft channel only \u003cbr\u003ey \u003cbr\u003eRIGHT \u003cbr\u003eRight channel only \u003cbr\u003eSTEREO \u003cbr\u003eStereo \u003cbr\u003eMONO \u003cbr\u003eMono  \u003cbr\u003eDIFF \u003cbr\u003eDifference \u003cbr\u003eThe MONO and DIFF can be useful to check the compatibilit\u003cbr\u003ey between the channels and monitor the affect of the \u003cbr\u003eM-S insert processing. \u003cbr\u003e4.3  Volume Control \u003cbr\u003eThe volume control is a rotary switch with discrete precision\u003cbr\u003e resistors for tight matching of the channels. \u003cbr\u003eThe gain can be adjusted between –55dB and 0dB in 23 \u003cbr\u003esteps. \u003cbr\u003e4.4  DIM \u003cbr\u003eThe DIM control lowers the output gain progressively. \u003cbr\u003eAt 0dB it lower the gain with 26dB and at –55dB wit\u003cbr\u003eh 6dB.  \u003cbr\u003e4.5  Output Cut \u003cbr\u003eThe two CUT controls, LEFT and RIGHT, disconnect the mon\u003cbr\u003eitor output XLRs from the amplifier outputs. \u003cbr\u003eThis function makes it possible to monitor either channel \u003cbr\u003e(or mono \/ diff) in just one speaker \u003cbr\u003e4.6  Speaker Select \u003cbr\u003eThere are two sets of monitor outputs: MAIN or AUX. \u003cbr\u003eThey are selected with the push buttons in the upper lef\u003cbr\u003et corner. \u003cbr\u003e4.7  Meter Output \u003cbr\u003eThe meter level can be OFFSET with –6dB, -8dB or –10d\u003cbr\u003eB, using the two push buttons located at the top of the\u003cbr\u003emonitor section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5  Mains Power\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eCAUTION!\u003c\/strong\u003e\u003cbr\u003eBefore mains power is connected to the IEC \u003cbr\u003econnector on the back panel; make sure that the \u003cbr\u003evoltage switch is set to the proper voltage. \u003cbr\u003eThe MTC-1 has two power switches: \u003cbr\u003eBack panel: Mains power on\/off \u003cbr\u003eFront panel (above the monitor volume control): \u003cbr\u003ePower on\/off   Blue LED indicator. \u003cbr\u003eThe front control switches the power off to all \u003cbr\u003ecircuits. \u003cbr\u003eFuse: 1.25AT  (slow blow) \u003cbr\u003eThe EARTH plinth on the back panel is connected \u003cbr\u003eto the case and the audio ground. \u003cbr\u003e\u003cstrong\u003eWARNING!\u003c\/strong\u003e \u003cbr\u003eDo not open the case or remove any screws. There \u003cbr\u003eare dangerous voltages inside. \u003cbr\u003eAlways refer servicing to qualified personnel. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio Connections\u003c\/strong\u003e \u003cbr\u003eAll audio connections are via 3 pin Gold Plated Neutrik \u003cbr\u003emetal house XLR connectors. \u003cbr\u003eAll input output circuits are fully balanced. \u003cbr\u003ePin 2 or Pin 3 can be grounded to convert to unbalanced\u003cbr\u003e. \u003cbr\u003eEither Pin 2 or Pin 3 can be used as hot (there is no d\u003cbr\u003eifference in performance). \u003cbr\u003eMaximum signal level: +28dBu (balanced)\u003c\/p\u003e","published_at":"2017-09-17T06:45:30+02:00","created_at":"2017-09-17T06:59:40+02:00","vendor":"MASELEC","type":"Stereo Mastering Console","tags":["MASELEC","Price Range_$3000 and Over","Shop by brand_MASELEC","Shop by category_Summing Mixers","Studio \u0026 Recording","Studio Mixers","Summing Mixers"],"price":806400,"price_min":806400,"price_max":806400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1416669462554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MTC-1X","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MASELEC MTC-1X Stereo Mastering Console","public_title":null,"options":["Default Title"],"price":806400,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"0644221295847"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Capture.JPG?v=1505624630","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/2_e225d9aa-3079-4bc0-8d61-20a6189886de.JPG?v=1505624630","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/3_ad32e453-dd89-4bff-acf7-ee53533b6560.JPG?v=1505624630","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4_6523b1a8-823f-4964-84ba-e36079380ae8.JPG?v=1505624630","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/5.JPG?v=1505624630","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/6_bc25a952-3825-4ea4-9043-86ff2894b4ff.JPG?v=1505624630","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/7.JPG?v=1505624630"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Capture.JPG?v=1505624630","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMASELEC MTC-1X Stereo Mastering Console\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe MTC-1 measures 3 U height with a depth ‘behind pa\u003cbr\u003enel’ of 260mm and 8kg weight. \u003cbr\u003eThe front control surface has 42 push-button controls with\u003cbr\u003e LED lights and 11 high quality rotary switches. \u003cbr\u003eGold XLRs are used for all audio connections, assisting the\u003cbr\u003e use of highest quality cables. \u003cbr\u003eConnecting and rearranging external equipment is very e\u003cbr\u003easy.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eMTC-1\u003c\/strong\u003e is structured into four different sections: \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1. The Input section:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput source selection\u003c\/li\u003e\n\u003cli\u003ePhase invert for left and right \u003c\/li\u003e\n\u003cli\u003eSeparate Left and Right gain controls\u003c\/li\u003e\n\u003cli\u003e5dB additional gain selectable for low level sources\u003c\/li\u003e\n\u003cli\u003eLow-cut and High-cut filters\u003c\/li\u003e\n\u003cli\u003eIndependent Cut controls for left and right\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e2. The Insert section has six insert points and offers \u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eadditional powerful functions:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eM-S with gain control for the ‘difference’ signal\u003c\/li\u003e\n\u003cli\u003eInserts 1 \u0026amp; 2 equipment swap (FLIP)\u003c\/li\u003e\n\u003cli\u003eInsert 4 or Inserts 2-4 cross-fade or additive mix with\u003c\/li\u003e\n\u003cli\u003ethe use of a rotary switch. This function could be\u003c\/li\u003e\n\u003cli\u003eused for ‘parallel’ compression or adding reverb\u003c\/li\u003e\n\u003cli\u003eInserts 4 \u0026amp; 5 equipment swap (FLIP)\u003c\/li\u003e\n\u003cli\u003eInsert 6 can be moved to Post Output. This is the\u003c\/li\u003e\n\u003cli\u003epreferred position for a brick-wall limiter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e3. The Output section:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSeparate Left and Right gain controls\u003c\/li\u003e\n\u003cli\u003eElliptical filter with 20 frequencies\u003c\/li\u003e\n\u003cli\u003eStereo Width control\u003c\/li\u003e\n\u003cli\u003eOutput Cut control\u003c\/li\u003e\n\u003cli\u003eThe stereo image circuits are identical\u003c\/li\u003e\n\u003cli\u003eto the famous controls of the MTC-2.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e4. The Monitor section: \u003c\/strong\u003e \u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e4 external Monitor Sources\u003c\/li\u003e\n\u003cli\u003eMonitor of the Input and Output sections\u003c\/li\u003e\n\u003cli\u003e2 speaker feeds\u003c\/li\u003e\n\u003cli\u003eMonitor of the Stereo-, Left-, Right-, Mono-\u003c\/li\u003e\n\u003cli\u003eor Difference- signal\u003c\/li\u003e\n\u003cli\u003eIndividual Cut controls for Left and Right speakers\u003c\/li\u003e\n\u003cli\u003eProgressive Dim function\u003c\/li\u003e\n\u003cli\u003eMeter output, which follows the monitor source \u003c\/li\u003e\n\u003cli\u003e–6dB, -8dB and –10dB Meter Offsets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e1.    Input Section\u003c\/strong\u003e \u003c\/span\u003e\u003cbr\u003e1.1  Input source. \u003cbr\u003eSwitches S1 and S2 select input SOURCE.  \u003cbr\u003eThis is independent of the MONITOR selection \u003cbr\u003ewhich is located at the right hand side of the panel. \u003cbr\u003e1.2  Input phase. \u003cbr\u003eThe PHASE of the input source can be reversed by \u003cbr\u003edepressing either LEFT or RIGHT switches making it \u003cbr\u003epossible to change the polarity of both channels. \u003cbr\u003eThe phase reverse function does not extend the \u003cbr\u003esignal path or use any additional circuitry. \u003cbr\u003e1.3  Input gain. \u003cbr\u003eThe input GAIN is controlled by a rotary switch with \u003cbr\u003ediscrete precision resistors. The range is +\/-5dB with \u003cbr\u003e0.5dB steps. \u003cbr\u003eThe +5dB switch engages a fixed increased gain on \u003cbr\u003eboth channels without extending the signal path. \u003cbr\u003e1.4  Input cut \u003cbr\u003eThe two CUT switches cuts the signal at the input. \u003cbr\u003eThis function could be useful for setting up and adjustin\u003cbr\u003eg processing equipment in the inserts. \u003cbr\u003e1.5  Low Cut Filter \u003cbr\u003eThe LOW cut filter has a 12 dB\/octave slope. It has a shar\u003cbr\u003eper ‘knee’ at lower frequencies to optimise the \u003cbr\u003esubjective performance. \u003cbr\u003eFrequencies: 20Hz, 25Hz, 30Hz, 40Hz, 50Hz and 60Hz. \u003cbr\u003e1.6  High Cut Filter \u003cbr\u003eThe HIGH cut filter has a 12dB\/octave slope with a gentl\u003cbr\u003ee ‘knee’ for the higher frequency settings. \u003cbr\u003eThis makes even the 27kHz filter useful for normal CD (44\u003cbr\u003e.1K) preparation.  \u003cbr\u003eFrequencies: 12kHz, 14kHz, 16kHz, 18kHz, 22kHz and 27kHz.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e2.    INSERTS\u003c\/strong\u003e \u003c\/span\u003e\u003cbr\u003e2.1  Insert select \u003cbr\u003eInserts in\/out is selected with six large push buttons. \u003cbr\u003eThe insert section is totally bypassed unless at least \u003cbr\u003eone insert is in circuit. This ensures that the signal \u003cbr\u003epath is as pure as possible. \u003cbr\u003e2.2  Gear flip. \u003cbr\u003eThe GEAR FLIP function switches the position of the \u003cbr\u003eequipment connected to the XLR connectors on the \u003cbr\u003eback of the MTC-1. It does not alter the position of th\u003cbr\u003ee \u003cbr\u003einserts. When FLIP 1 and 2 is engaged Insert 1 is still \u003cbr\u003ethe first insert in the chain. This function is also active \u003cbr\u003ewhen M-S is selected. \u003cbr\u003eFlip 4 and 5 works in a similar way. \u003cbr\u003e2.3  Post output \u003cbr\u003eThe POST O.P. function moves insert 6 to post the \u003cbr\u003eoutput section. This positions the insert between the \u003cbr\u003eoutput amplifiers and the output XLRs. \u003cbr\u003eThe monitor of the output is picking up the signal from\u003cbr\u003ethe XLR connectors and correctly monitors the output \u003cbr\u003esignal, post insert 6, when this function is used. \u003cbr\u003e2.4  Insert 1 M-S \u003cbr\u003eINS 1 M-S converts the signal in Insert 1 to MS (sum and \u003cbr\u003edifference). \u003cbr\u003eLeft channel = Sum and Right channel = Difference. \u003cbr\u003eWhen this function is engaged the difference signal gain\u003cbr\u003e can be adjusted +\/-1dB with a rotary switch. \u003cbr\u003eThe DIFF GAIN control is located after the insert. \u003cbr\u003eThe Flip 1 and 2 can be used together with the M-S fu\u003cbr\u003enction. \u003cbr\u003e2.5  Insert 4 Mix \u003cbr\u003eThe INS 4 MIX function makes it possible to mix processed si\u003cbr\u003egnals with the main signal. \u003cbr\u003eThis is done with the 23 position rotary switch. \u003cbr\u003eThe Mix function can be configured in two ways: \u003cbr\u003e2.5.1 Cross-fade. \u003cbr\u003eThe control cross-fades between processed (after insert 4) a\u003cbr\u003end non-processed (before insert 4) signals. \u003cbr\u003eThe output level remains constant in all positions (if th\u003cbr\u003ee two levels are the same). \u003cbr\u003eThis is probably the most convenient way of mixing the sign\u003cbr\u003eals. \u003cbr\u003e2.5.2 Add \u003cbr\u003eWith this control engaged the signal from insert 4 is ad\u003cbr\u003eded to the main signal, much like a reverb return on a \u003cbr\u003emixing console. This could be useful when adding an effe\u003cbr\u003ect or a separate signal to the main programme. \u003cbr\u003e2.6  2-4 \u003cbr\u003eWhen the 2-4 control is engaged, the signal processed in \u003cbr\u003einsert 2, insert 3 and insert 4 is mixed with the \u003cbr\u003enon-processed signal before insert 2. Only the inserts that\u003cbr\u003e are in circuit will of course be mixed. If none of \u003cbr\u003ethese three inserts are in circuit the mix control is tota\u003cbr\u003elly bypassed. \u003cbr\u003eTogether with the FLIP function the INS 4 MIX is a ver\u003cbr\u003ey flexible and powerful tool and could be used for \u003cbr\u003eparallel processing, using the equipment in up to three\u003cbr\u003e different inserts. \u003cbr\u003eThe headroom of the MTC-1 is not affected by this function\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003e3.    Output Section\u003c\/strong\u003e \u003c\/span\u003e\u003cbr\u003e3.1  Output Gain \u003cbr\u003eThe output GAIN is controlled by a rotary switch with \u003cbr\u003ediscrete precision resistors. The range is +\/-5dB in \u003cbr\u003e0.5dB steps. \u003cbr\u003e3.2  Output Cut \u003cbr\u003eThe output CUT controls both channels. \u003cbr\u003e3.2  Image \u003cbr\u003eThe IMAGE circuit consists of two functions. Both are \u003cbr\u003econtrolled with rotary switches. \u003cbr\u003e3.2.1 Elliptical Filter \u003cbr\u003eThis FILTER cuts signals that are out of phase and \u003cbr\u003econverts non-correlated signal components to mono \u003cbr\u003ebelow the frequency that the control is set to. \u003cbr\u003eFor example: If a signal below the set frequency is \u003cbr\u003eonly appearing on one side, it is moved to the centre \u003cbr\u003eposition (mono). \u003cbr\u003e3.2.2 Stereo Width \u003cbr\u003eThe WIDTH control adjusts the image in 2 steps, from mon\u003cbr\u003eo to extra wide stereo, without altering the mono \u003cbr\u003esignal. This control does not use an M-S circuit but can be\u003cbr\u003e used to further adjust the image when the M-S \u003cbr\u003efunction is used in Insert 1. \u003cbr\u003eThe image controls are essential tools for vinyl disc cutting\u003cbr\u003e but are equally useful for other applications. \u003cbr\u003eBoth controls are totally mono compatible and do not cha\u003cbr\u003enge the mono signal. \u003cbr\u003eThe MTC-1 headroom is not affected by the image controls.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4.    Monitor Section\u003c\/strong\u003e \u003cbr\u003e4.1  Monitor Source Select \u003cbr\u003eExternal Sources: \u003cbr\u003eS 1 \u003cbr\u003eS 2 \u003cbr\u003eS 3 \u003cbr\u003eS 4 \/ DAW \u003cbr\u003eInternal Sources: \u003cbr\u003eIP    Input section; post gain and filters. \u003cbr\u003eOP  Output at the XLR connectors. \u003cbr\u003e4.2  Source Mode \u003cbr\u003eThe monitor mode can be selected with five switches: \u003cbr\u003eLEFT \u003cbr\u003eLeft channel only \u003cbr\u003ey \u003cbr\u003eRIGHT \u003cbr\u003eRight channel only \u003cbr\u003eSTEREO \u003cbr\u003eStereo \u003cbr\u003eMONO \u003cbr\u003eMono  \u003cbr\u003eDIFF \u003cbr\u003eDifference \u003cbr\u003eThe MONO and DIFF can be useful to check the compatibilit\u003cbr\u003ey between the channels and monitor the affect of the \u003cbr\u003eM-S insert processing. \u003cbr\u003e4.3  Volume Control \u003cbr\u003eThe volume control is a rotary switch with discrete precision\u003cbr\u003e resistors for tight matching of the channels. \u003cbr\u003eThe gain can be adjusted between –55dB and 0dB in 23 \u003cbr\u003esteps. \u003cbr\u003e4.4  DIM \u003cbr\u003eThe DIM control lowers the output gain progressively. \u003cbr\u003eAt 0dB it lower the gain with 26dB and at –55dB wit\u003cbr\u003eh 6dB.  \u003cbr\u003e4.5  Output Cut \u003cbr\u003eThe two CUT controls, LEFT and RIGHT, disconnect the mon\u003cbr\u003eitor output XLRs from the amplifier outputs. \u003cbr\u003eThis function makes it possible to monitor either channel \u003cbr\u003e(or mono \/ diff) in just one speaker \u003cbr\u003e4.6  Speaker Select \u003cbr\u003eThere are two sets of monitor outputs: MAIN or AUX. \u003cbr\u003eThey are selected with the push buttons in the upper lef\u003cbr\u003et corner. \u003cbr\u003e4.7  Meter Output \u003cbr\u003eThe meter level can be OFFSET with –6dB, -8dB or –10d\u003cbr\u003eB, using the two push buttons located at the top of the\u003cbr\u003emonitor section.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e5  Mains Power\u003c\/strong\u003e \u003cbr\u003e\u003cstrong\u003eCAUTION!\u003c\/strong\u003e\u003cbr\u003eBefore mains power is connected to the IEC \u003cbr\u003econnector on the back panel; make sure that the \u003cbr\u003evoltage switch is set to the proper voltage. \u003cbr\u003eThe MTC-1 has two power switches: \u003cbr\u003eBack panel: Mains power on\/off \u003cbr\u003eFront panel (above the monitor volume control): \u003cbr\u003ePower on\/off   Blue LED indicator. \u003cbr\u003eThe front control switches the power off to all \u003cbr\u003ecircuits. \u003cbr\u003eFuse: 1.25AT  (slow blow) \u003cbr\u003eThe EARTH plinth on the back panel is connected \u003cbr\u003eto the case and the audio ground. \u003cbr\u003e\u003cstrong\u003eWARNING!\u003c\/strong\u003e \u003cbr\u003eDo not open the case or remove any screws. There \u003cbr\u003eare dangerous voltages inside. \u003cbr\u003eAlways refer servicing to qualified personnel. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAudio Connections\u003c\/strong\u003e \u003cbr\u003eAll audio connections are via 3 pin Gold Plated Neutrik \u003cbr\u003emetal house XLR connectors. \u003cbr\u003eAll input output circuits are fully balanced. \u003cbr\u003ePin 2 or Pin 3 can be grounded to convert to unbalanced\u003cbr\u003e. \u003cbr\u003eEither Pin 2 or Pin 3 can be used as hot (there is no d\u003cbr\u003eifference in performance). \u003cbr\u003eMaximum signal level: +28dBu (balanced)\u003c\/p\u003e"}
MASELEC MTC-1X Stereo Mastering Console

MASELEC MTC-1X Stereo Mastering Console

$8,064.00

MASELEC MTC-1X Stereo Mastering Console The MTC-1 measures 3 U height with a depth ‘behind panel’ of 260mm and 8kg weight. The front control surface has 42 push-button controls with LED lights and 11 high quality rotary switches. Gold XLRs are used for all audio connections, assisting the use of highest quality cables. Connecting and rearranging...


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Burl Audio B32 Vancouver

Mixers

$2,399.00
{"id":9865079501,"title":"Burl Audio B32 Vancouver","handle":"burl-audio-b32-vancouver","description":"\u003ch1\u003e\u003cstrong\u003eB32 Vancouver\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eVANCOUVER Island in Canada’s British Columbia is a lush, fertile land of epic proportions. Teaming with wildlife and forests, life thrives in a temperate climate drenched with the precipitation of the North Pacific. The city of VANCOUVER on British Colombia’s mainland is a booming metropolis at the base of the Cascade Coastal Range. Known for its mind altering substances, VANCOUVER is a hot bed for creativity.\u003c\/p\u003e\n\u003cp\u003eBURL AUDIO introduces its latest hot bed of creativity, the B32 VANCOUVER, a 32 channel mix bus. Based on BURL AUDIO’s renowned discrete analog, class-A circuitry, the B32 Mix Bus employs both the transparency of the B26 ORCA, plus the switchable tonality of the new BURL AUDIO BX5 output transformer.\u003c\/p\u003e\n\u003cp\u003eIn addition to the BX5, the B32 VANCOUVER introduces a new concept to the summing amplifier, GAIN BOOST. Adding gain boost with the BX5 will give your mixes that glue that you have been seeking ever since retiring your 2-track analog recorder. With 32 input channels and switchable tonality, the B32 VANCOUVER will allow your mixes to thrive in depth, warmth and clarity. Use the B32 VANCOUVER in conjunction with the B1 MIC PREs, the B80 MOTHERSHIP and the B26 ORCA and you will achieve THE COMPLETE SOLUTION.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures: \u003cbr\u003e \u003c\/strong\u003e• Discrete, class-A signal path \u003cbr\u003e • 8 mono inputs, 24 stereo inputs \u003cbr\u003e • Audiophile 0.1% stepped attenuators \u003cbr\u003e • Switchable BX5 output transformer \u003cbr\u003e • Summing amp GAIN BOOST \u003cbr\u003e • Dual stereo outputs\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-05-04T16:29:50+02:00","created_at":"2017-05-04T16:30:33+02:00","vendor":"Burl Audio","type":"Mixers","tags":["Burl Audio","Channels_32","Price Range_$2000 to $3000","Shop by brand_Burl Audio","Shop by category_Summing Mixers","Studio \u0026 Recording","Studio Mixers","Summing Mixers"],"price":239900,"price_min":239900,"price_max":239900,"available":true,"price_varies":false,"compare_at_price":239900,"compare_at_price_min":239900,"compare_at_price_max":239900,"compare_at_price_varies":false,"variants":[{"id":36900263309,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"B32-VAN","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B32 Vancouver","public_title":null,"options":["Default Title"],"price":239900,"weight":0,"compare_at_price":239900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/B32_Vancouver_1000.png?v=1503488904","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_c4d02670-707b-48c4-8ba5-515117510486.png?v=1503488904","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/B32_REAR_1000.png?v=1503488904"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/B32_Vancouver_1000.png?v=1503488904","options":["Title"],"content":"\u003ch1\u003e\u003cstrong\u003eB32 Vancouver\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eVANCOUVER Island in Canada’s British Columbia is a lush, fertile land of epic proportions. Teaming with wildlife and forests, life thrives in a temperate climate drenched with the precipitation of the North Pacific. The city of VANCOUVER on British Colombia’s mainland is a booming metropolis at the base of the Cascade Coastal Range. Known for its mind altering substances, VANCOUVER is a hot bed for creativity.\u003c\/p\u003e\n\u003cp\u003eBURL AUDIO introduces its latest hot bed of creativity, the B32 VANCOUVER, a 32 channel mix bus. Based on BURL AUDIO’s renowned discrete analog, class-A circuitry, the B32 Mix Bus employs both the transparency of the B26 ORCA, plus the switchable tonality of the new BURL AUDIO BX5 output transformer.\u003c\/p\u003e\n\u003cp\u003eIn addition to the BX5, the B32 VANCOUVER introduces a new concept to the summing amplifier, GAIN BOOST. Adding gain boost with the BX5 will give your mixes that glue that you have been seeking ever since retiring your 2-track analog recorder. With 32 input channels and switchable tonality, the B32 VANCOUVER will allow your mixes to thrive in depth, warmth and clarity. Use the B32 VANCOUVER in conjunction with the B1 MIC PREs, the B80 MOTHERSHIP and the B26 ORCA and you will achieve THE COMPLETE SOLUTION.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures: \u003cbr\u003e \u003c\/strong\u003e• Discrete, class-A signal path \u003cbr\u003e • 8 mono inputs, 24 stereo inputs \u003cbr\u003e • Audiophile 0.1% stepped attenuators \u003cbr\u003e • Switchable BX5 output transformer \u003cbr\u003e • Summing amp GAIN BOOST \u003cbr\u003e • Dual stereo outputs\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Burl Audio B32 Vancouver

Burl Audio B32 Vancouver

$2,399.00

B32 Vancouver VANCOUVER Island in Canada’s British Columbia is a lush, fertile land of epic proportions. Teaming with wildlife and forests, life thrives in a temperate climate drenched with the precipitation of the North Pacific. The city of VANCOUVER on British Colombia’s mainland is a booming metropolis at the base of the Cascade Coastal Range...


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