Signal Processing & 500 Series

Sort by:
{"id":8206633921,"title":"Apogee 16 Analog IN + 16 Optical OUT - Symphony I\/O Module","handle":"apogee-16-analog-in-16-optical-out-symphony-i-o-module","description":"The Symphony I\/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I\/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I\/O module features enhanced C777 clocking performance and lower converter latency. \u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis provides two module slots for a variety of digital audio conversion options with one already being filled with the included module. The front panel of chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain and output levels. \u003cbr\u003e\u003cbr\u003eThe converter has multiple connectivity options that include direct connection to a Symphony 64 PCIe card, a USB equipped Intel Mac, or to Avid's Pro Tools HD and HD-X systems. With the addition of the optional Symphony 64\/Thunderbridge interface, the system acquires direct connectivity to any Thunderbolt equipped Mac computer. Additionally, the unit can function standalone. \u003cbr\u003e\u003cbr\u003eThe module requires optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis from Apogee provides two I\/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I\/O. Elegant and easy to use, the front panel of Symphony I\/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).\u003cbr\u003e\u003cbr\u003eThe rear panel provides access to the two I\/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I\/O connectors and termination, LoopSynch I\/O connectors, and a quiet digitally-controlled fan to keep everything running cool.\u003cbr\u003e\u003cbr\u003eThe Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.\u003cbr\u003e\u003cbr\u003eThe optional five I\/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I\/O.\u003cbr\u003e\u003cbr\u003e ✓ Two input\/output module slots\u003cbr\u003e ✓ Ethernet connector\u003cbr\u003e ✓ USB 2.0 connector\u003cbr\u003e ✓ Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card\u003cbr\u003e ✓ Wordclock I\/O and LoopSync I\/O\u003cbr\u003e ✓ Wordclock termination switch\u003cbr\u003e ✓ Sixteen, 10-segment meters\u003cbr\u003e ✓ Two multi-function encoder knobs\u003cbr\u003e ✓ OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection\u003cbr\u003e ✓ Two 1\/4\" headphone outputs\u003cbr\u003e ✓ 7-segment sample rate display\u003cbr\u003e ✓ Clock source display\u003cbr\u003e ✓ Meter source display\u003cbr\u003e ✓ High-performance, temperature controlled fan\u003cbr\u003e\u003cbr\u003eAI16 - Analog to Optical Digital Audio Module for Symphony I\/O\u003cbr\u003e\u003cbr\u003eThe AI16 from Apogee is a 16-channel analog input and 16-channel digital audio output module for the Symphony I\/O. The module occupies one of the two slots available on the chassis and represents 25 years of Apogee research and design excellence.\u003cbr\u003e\u003cbr\u003eRefined and updated circuitry with fewer, more advanced components allows for a shorter audio path, resulting in more recording clarity and transparency and a more efficient power distribution. The module features enhanced C777 clocking performance and lower converter latency.\u003cbr\u003e\u003cbr\u003eThe analog inputs require optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003e ✓ Analog-to-digital module for the Symphony I\/O system\u003cbr\u003e ✓ 16-channels of balanced analog input and up to 16-channels digital output (optical and S\/PDIF) available simultaneously\u003cbr\u003e ✓ Ultra low latency AD conversion\u003cbr\u003e ✓ Software controlled AD reference setting\u003cbr\u003e ✓ Enhanced C777 clocking performance\u003cbr\u003e ✓ Entire audio path is DC coupled, resulting in ultra flat frequency response and extremely low phase error\u003cbr\u003e ✓ Variable gain input for keyboards\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003e ✓ Connectors 2 x 1\/4\" TRS phone Headphone\u003cbr\u003e 2 x Symphony I\/O PC-32 Ports\u003cbr\u003e 1 x Ethernet\u003cbr\u003e 1 x USB\u003cbr\u003e 2 x BNC Wordclock I\/O\u003cbr\u003e 2 x BNC LoopSync I\/O\u003cbr\u003e\u003cbr\u003e ✓ Headphones THD+N: -105dB @ 19dBu\u003cbr\u003e ✓ Dynamic Range: 119dB, A-weighted\u003cbr\u003e ✓ Output Impedance: 30Ω\u003cbr\u003e ✓ Power Requirements 90~240VAC, 50\/60Hz, 150W\u003cbr\u003e ✓ System Requirements Mac OS X 10.5.8 and above\u003cbr\u003e ✓ Dimensions (WxDxH) 19 x 11.5 x 3.5\" (483 x 292 x 89mm)","published_at":"2016-10-10T06:38:00+02:00","created_at":"2016-10-10T07:58:59+02:00","vendor":"Apogee","type":"Audio Interfaces","tags":["Apogee","Misc Digital Converters","Price Range_$1000 to $1500","Shop by brand_Apogee","Shop by category_Misc Digital Converters","Signal Processing","Studio \u0026 Recording"],"price":149500,"price_min":149500,"price_max":149500,"available":true,"price_varies":false,"compare_at_price":149500,"compare_at_price_min":149500,"compare_at_price_max":149500,"compare_at_price_varies":false,"variants":[{"id":27388153345,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AI16","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Apogee 16 Analog IN + 16 Optical OUT - Symphony I\/O Module","public_title":null,"options":["Default Title"],"price":149500,"weight":2590,"compare_at_price":149500,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":"805676 300795"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SymphAI16-xlarge_5aa4b3f2-eeeb-49e7-b7d8-4ebd1affda10.jpg?v=1528503958","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/qlihlkastinmyj6bf1az.jpg?v=1528503958","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sio-mkii-front-panel-16x16_3b5a383f-d5c7-4031-8674-c56672651b1f.jpg?v=1528503958"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SymphAI16-xlarge_5aa4b3f2-eeeb-49e7-b7d8-4ebd1affda10.jpg?v=1528503958","options":["Title"],"content":"The Symphony I\/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I\/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I\/O module features enhanced C777 clocking performance and lower converter latency. \u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis provides two module slots for a variety of digital audio conversion options with one already being filled with the included module. The front panel of chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain and output levels. \u003cbr\u003e\u003cbr\u003eThe converter has multiple connectivity options that include direct connection to a Symphony 64 PCIe card, a USB equipped Intel Mac, or to Avid's Pro Tools HD and HD-X systems. With the addition of the optional Symphony 64\/Thunderbridge interface, the system acquires direct connectivity to any Thunderbolt equipped Mac computer. Additionally, the unit can function standalone. \u003cbr\u003e\u003cbr\u003eThe module requires optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis from Apogee provides two I\/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I\/O. Elegant and easy to use, the front panel of Symphony I\/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).\u003cbr\u003e\u003cbr\u003eThe rear panel provides access to the two I\/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I\/O connectors and termination, LoopSynch I\/O connectors, and a quiet digitally-controlled fan to keep everything running cool.\u003cbr\u003e\u003cbr\u003eThe Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.\u003cbr\u003e\u003cbr\u003eThe optional five I\/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I\/O.\u003cbr\u003e\u003cbr\u003e ✓ Two input\/output module slots\u003cbr\u003e ✓ Ethernet connector\u003cbr\u003e ✓ USB 2.0 connector\u003cbr\u003e ✓ Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card\u003cbr\u003e ✓ Wordclock I\/O and LoopSync I\/O\u003cbr\u003e ✓ Wordclock termination switch\u003cbr\u003e ✓ Sixteen, 10-segment meters\u003cbr\u003e ✓ Two multi-function encoder knobs\u003cbr\u003e ✓ OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection\u003cbr\u003e ✓ Two 1\/4\" headphone outputs\u003cbr\u003e ✓ 7-segment sample rate display\u003cbr\u003e ✓ Clock source display\u003cbr\u003e ✓ Meter source display\u003cbr\u003e ✓ High-performance, temperature controlled fan\u003cbr\u003e\u003cbr\u003eAI16 - Analog to Optical Digital Audio Module for Symphony I\/O\u003cbr\u003e\u003cbr\u003eThe AI16 from Apogee is a 16-channel analog input and 16-channel digital audio output module for the Symphony I\/O. The module occupies one of the two slots available on the chassis and represents 25 years of Apogee research and design excellence.\u003cbr\u003e\u003cbr\u003eRefined and updated circuitry with fewer, more advanced components allows for a shorter audio path, resulting in more recording clarity and transparency and a more efficient power distribution. The module features enhanced C777 clocking performance and lower converter latency.\u003cbr\u003e\u003cbr\u003eThe analog inputs require optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003e ✓ Analog-to-digital module for the Symphony I\/O system\u003cbr\u003e ✓ 16-channels of balanced analog input and up to 16-channels digital output (optical and S\/PDIF) available simultaneously\u003cbr\u003e ✓ Ultra low latency AD conversion\u003cbr\u003e ✓ Software controlled AD reference setting\u003cbr\u003e ✓ Enhanced C777 clocking performance\u003cbr\u003e ✓ Entire audio path is DC coupled, resulting in ultra flat frequency response and extremely low phase error\u003cbr\u003e ✓ Variable gain input for keyboards\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003e ✓ Connectors 2 x 1\/4\" TRS phone Headphone\u003cbr\u003e 2 x Symphony I\/O PC-32 Ports\u003cbr\u003e 1 x Ethernet\u003cbr\u003e 1 x USB\u003cbr\u003e 2 x BNC Wordclock I\/O\u003cbr\u003e 2 x BNC LoopSync I\/O\u003cbr\u003e\u003cbr\u003e ✓ Headphones THD+N: -105dB @ 19dBu\u003cbr\u003e ✓ Dynamic Range: 119dB, A-weighted\u003cbr\u003e ✓ Output Impedance: 30Ω\u003cbr\u003e ✓ Power Requirements 90~240VAC, 50\/60Hz, 150W\u003cbr\u003e ✓ System Requirements Mac OS X 10.5.8 and above\u003cbr\u003e ✓ Dimensions (WxDxH) 19 x 11.5 x 3.5\" (483 x 292 x 89mm)"}
Apogee 16 Analog IN + 16 Optical OUT - Symphony I/O Module

Apogee 16 Analog IN + 16 Optical OUT - Symphony I/O Module

$1,495.00

The Symphony I/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I/O module features enhanced C777 clocking perfor...


More Info
Bettermaker Mastering Equalizer

Mastering

$3,666.00
{"id":635074510894,"title":"Bettermaker Mastering Equalizer","handle":"bettermaker-mastering-equalizer","description":"\u003cp\u003eBettermaker Mastering Equalizer\u003c\/p\u003e\n\u003cp\u003eADVANCED ANALOG MASTERING EQUALIZER\u003c\/p\u003e\n\u003cp\u003e– 100% analog audio signal path\u003c\/p\u003e\n\u003cp\u003e– USB connectivity with MAC\/PC\u003c\/p\u003e\n\u003cp\u003e– all parameters are digitally controlled via touchscreen and\/or DAW (with dedicated plugin)\u003c\/p\u003e\n\u003cp\u003e– 399 presets, total recall, A\/B comparison\u003c\/p\u003e\n\u003cp\u003e– 5-inch capacitive touchscreen with back-light and multi-touch functionality, four encoders with\u003c\/p\u003e\n\u003cp\u003epush-button action for ease of control\u003c\/p\u003e\n\u003cp\u003e– stereo, dual-mono and mid\/side operation modes with solo function\u003c\/p\u003e\n\u003cp\u003e– stereo 12 or 24dB\/oct high-pass filter with adjustable cutoff frequency (15Hz – 150 hz)\u003c\/p\u003e\n\u003cp\u003eand resonance\u003c\/p\u003e\n\u003cp\u003e– four stereo parametric filters with 15dB boost\/cut range, variable Q (0.2 – 3):\u003c\/p\u003e\n\u003cp\u003e– EQ1: 23Hz – 400Hz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– EQ2: 80Hz – 2kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ3: 400Hz – 10kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ4: 1kHz – 23kHz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– stereo passive equalizer with extended hi-boost section (23 and 28 kHz) and separate frequencies\u003c\/p\u003e\n\u003cp\u003efor low-boost and low-cut sections\u003c\/p\u003e\n\u003cp\u003e– stereo 12dB\/oct low-pass filter with adjustable cutoff frequency\u003c\/p\u003e\n\u003cp\u003e– adjustable output level (+\/- 12dB)\u003c\/p\u003e\n\u003cp\u003e– Gain Lock and Auto-Q functions\u003c\/p\u003e\n\u003cp\u003e– on-board measurement of PEAK\/RMS levels and RTA analyzer\u003c\/p\u003e\n\u003cp\u003e– on-screen live representation of the EQ curve\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnical specification:\u003c\/p\u003e\n\u003cp\u003e– balanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– balanced stereo output (XLR), 23dBu max output level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– Operating Level: +4dBu\u003c\/p\u003e\n\u003cp\u003e– Input impedance (differential): 48kΩ (for balanced signal)\u003c\/p\u003e\n\u003cp\u003e– Output Impedance: 50Ω + 50Ω (electronically balanced)\u003c\/p\u003e\n\u003cp\u003e– Frequency response 5Hz to 30kHz; +\/- 0.1dB\u003c\/p\u003e\n\u003cp\u003e– Dynamic range: 115 dB @ +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– THD+N: CMRR: max 80 dB @ 3 kHz, min 55 dB @ 50Hz, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– Crosstalk: min -90 dB @ 1KHz, max -55 dB @ 30Hz, +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– 2U enclosure, 230mm deep\u003c\/p\u003e\n\u003cp\u003e– 115\/230V switch\u003c\/p\u003e\n\u003cp\u003e– advanced linear power supply with toroidal AC mains transformer\u003c\/p\u003e\n\u003cp\u003e– Maximum power consumption: 30W\u003c\/p\u003e\n\u003cp\u003e– Shipping weight: 5.5 kg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-04-17T13:51:32+02:00","created_at":"2018-04-17T13:39:54+02:00","vendor":"Bettermaker","type":"Mastering","tags":["Bettermaker","Mastering","Shop by brand_Bettermaker","Shop by category_Mastering","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":366600,"price_min":366600,"price_max":366600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7599421587502,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bettermaker Mastering Equalizer","public_title":null,"options":["Default Title"],"price":366600,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0690.jpg?v=1523965210","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0692.jpg?v=1523965251","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A06955.jpg?v=1523965267","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0695.jpg?v=1523965296"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0690.jpg?v=1523965210","options":["Title"],"content":"\u003cp\u003eBettermaker Mastering Equalizer\u003c\/p\u003e\n\u003cp\u003eADVANCED ANALOG MASTERING EQUALIZER\u003c\/p\u003e\n\u003cp\u003e– 100% analog audio signal path\u003c\/p\u003e\n\u003cp\u003e– USB connectivity with MAC\/PC\u003c\/p\u003e\n\u003cp\u003e– all parameters are digitally controlled via touchscreen and\/or DAW (with dedicated plugin)\u003c\/p\u003e\n\u003cp\u003e– 399 presets, total recall, A\/B comparison\u003c\/p\u003e\n\u003cp\u003e– 5-inch capacitive touchscreen with back-light and multi-touch functionality, four encoders with\u003c\/p\u003e\n\u003cp\u003epush-button action for ease of control\u003c\/p\u003e\n\u003cp\u003e– stereo, dual-mono and mid\/side operation modes with solo function\u003c\/p\u003e\n\u003cp\u003e– stereo 12 or 24dB\/oct high-pass filter with adjustable cutoff frequency (15Hz – 150 hz)\u003c\/p\u003e\n\u003cp\u003eand resonance\u003c\/p\u003e\n\u003cp\u003e– four stereo parametric filters with 15dB boost\/cut range, variable Q (0.2 – 3):\u003c\/p\u003e\n\u003cp\u003e– EQ1: 23Hz – 400Hz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– EQ2: 80Hz – 2kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ3: 400Hz – 10kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ4: 1kHz – 23kHz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– stereo passive equalizer with extended hi-boost section (23 and 28 kHz) and separate frequencies\u003c\/p\u003e\n\u003cp\u003efor low-boost and low-cut sections\u003c\/p\u003e\n\u003cp\u003e– stereo 12dB\/oct low-pass filter with adjustable cutoff frequency\u003c\/p\u003e\n\u003cp\u003e– adjustable output level (+\/- 12dB)\u003c\/p\u003e\n\u003cp\u003e– Gain Lock and Auto-Q functions\u003c\/p\u003e\n\u003cp\u003e– on-board measurement of PEAK\/RMS levels and RTA analyzer\u003c\/p\u003e\n\u003cp\u003e– on-screen live representation of the EQ curve\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnical specification:\u003c\/p\u003e\n\u003cp\u003e– balanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– balanced stereo output (XLR), 23dBu max output level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– Operating Level: +4dBu\u003c\/p\u003e\n\u003cp\u003e– Input impedance (differential): 48kΩ (for balanced signal)\u003c\/p\u003e\n\u003cp\u003e– Output Impedance: 50Ω + 50Ω (electronically balanced)\u003c\/p\u003e\n\u003cp\u003e– Frequency response 5Hz to 30kHz; +\/- 0.1dB\u003c\/p\u003e\n\u003cp\u003e– Dynamic range: 115 dB @ +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– THD+N: CMRR: max 80 dB @ 3 kHz, min 55 dB @ 50Hz, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– Crosstalk: min -90 dB @ 1KHz, max -55 dB @ 30Hz, +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– 2U enclosure, 230mm deep\u003c\/p\u003e\n\u003cp\u003e– 115\/230V switch\u003c\/p\u003e\n\u003cp\u003e– advanced linear power supply with toroidal AC mains transformer\u003c\/p\u003e\n\u003cp\u003e– Maximum power consumption: 30W\u003c\/p\u003e\n\u003cp\u003e– Shipping weight: 5.5 kg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Bettermaker Mastering Equalizer

Bettermaker Mastering Equalizer

$3,666.00

Bettermaker Mastering Equalizer ADVANCED ANALOG MASTERING EQUALIZER – 100% analog audio signal path – USB connectivity with MAC/PC – all parameters are digitally controlled via touchscreen and/or DAW (with dedicated plugin) – 399 presets, total recall, A/B comparison – 5-inch capacitive touchscreen with back-light and multi-touch functionality, ...


More Info
Chandler Limited TG12413 Zener Limiter

Studio & Recording

$4,960.00
{"id":10467823501,"title":"Chandler Limited TG12413 Zener Limiter","handle":"chandler-limited-zener-limiter","description":"\u003ch1 id=\"reader-title\"\u003eZener Limiter | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The TG12413 Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter and the 1968 RS168 Zener Limiter. The Zener Limiters were also part of the 1969 TG12345 console channel and the 1974 TG12413. This newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new full featured and flexible unit for modern use.\u003c\/p\u003e\n\u003cp\u003eThe Zener Limiter is being reissued to add features and flexibility to the powerful and vintage sounding TG limiter circuits. Wade has added many new controls including switchable input impedance for hard or soft driving of the unit, 11-position attack, 21-position release, side chain filtering, and Comp 1, Comp 2, and Limit settings.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbbey Road Studios, EMI and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e","published_at":"2018-08-11T20:50:10+02:00","created_at":"2017-07-19T15:33:38+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["Chandler Limited","Chandler Limited TG12413 Zener Limiter","Mastering","Price Range_$3000 and Over","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_Mastering","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":496000,"price_min":496000,"price_max":496000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611548493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG12413","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG12413 Zener Limiter","public_title":null,"options":["Default Title"],"price":496000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_6e5c40e0-86a1-4b61-8979-764d49eef6a9.png?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front_angle_2.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front_angle_1.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_rear.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_zener_limiter_03.png?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_zener_limiter_04.png?v=1534087004"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front.jpg?v=1534087004","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eZener Limiter | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The TG12413 Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter and the 1968 RS168 Zener Limiter. The Zener Limiters were also part of the 1969 TG12345 console channel and the 1974 TG12413. This newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new full featured and flexible unit for modern use.\u003c\/p\u003e\n\u003cp\u003eThe Zener Limiter is being reissued to add features and flexibility to the powerful and vintage sounding TG limiter circuits. Wade has added many new controls including switchable input impedance for hard or soft driving of the unit, 11-position attack, 21-position release, side chain filtering, and Comp 1, Comp 2, and Limit settings.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbbey Road Studios, EMI and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e"}
Chandler Limited TG12413 Zener Limiter

Chandler Limited TG12413 Zener Limiter

$4,960.00

Zener Limiter | Chandler Limited The EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The TG12413 Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition ...


More Info
Chandler Limited TG1 Limiter

Studio & Recording

$3,935.00
{"id":10468102733,"title":"Chandler Limited TG1 Limiter","handle":"chandler-limited-tg1-limiter","description":"\u003ch1 id=\"reader-title\"\u003eTG1 Limiter | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late '60s. These rare pieces were never commercially available, and only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like the Fairchild 660\/670 which was loved by many EMI engineers including Geoff Emerick, but it ended up with its own very special sound.\u003c\/p\u003e\n\u003cp\u003eTG equipment was used on many classic records. The Limiter was featured on every channel of TG consoles used to record The Beatles \"Abbey Road\" and Pink Floyd \"Dark Side of the Moon,\" in addition to albums by Paul McCartney and the Rolling Stones.\u003c\/p\u003e\n\u003cp\u003eThe Limiter\/Compressor features an all discrete circuit with transformer balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTG1 Updates \u0026amp; Modifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHarmonic Distortion Function\u003c\/p\u003e\n\u003cp\u003eNow standard on all Abbey Road Special Edition TG-1's, this option allows bypassing of the compressor\/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of kicking out up to 2% Total Harmonic Distortion. That's more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro! This option is placed on the front panel of the unit with a toggle switch for each channel.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"parallelogram\"\u003e\n\u003ch1\u003eTech Specs\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tech-specs\"\u003e\n\u003ch3\u003e\u003ccite\u003eTG1 LIMITER TECHNICAL SPECIFICATIONS\u003c\/cite\u003e\u003c\/h3\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003eI\/O: XLR\u003cbr\u003eAll Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003eRequires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2018-08-11T20:50:11+02:00","created_at":"2017-07-19T16:15:48+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["Chandler Limited","Chandler Limited TG1 Limiter","Compressors","Compressors \/ Limiters","Limiters","Price Range_$3000 and Over","Shop by brand_Chandler Limited","Shop by category_ Limiters","Shop by category_500 Series","Shop by category_Compressors","Shop by category_Compressors \/ Limiters","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":393500,"price_min":393500,"price_max":393500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40612013389,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG1 Limiter","public_title":null,"options":["Default Title"],"price":393500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_front.jpg?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_430469ae-aa98-4944-9969-19ed37e04fc3.png?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_front_rt_angle.jpg?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_front_lft_angle.jpg?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg1_limiter_rear.jpg?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_03.png?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_04.png?v=1534083465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_05.png?v=1534083465"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg1_limiter_front.jpg?v=1534083465","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eTG1 Limiter | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late '60s. These rare pieces were never commercially available, and only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like the Fairchild 660\/670 which was loved by many EMI engineers including Geoff Emerick, but it ended up with its own very special sound.\u003c\/p\u003e\n\u003cp\u003eTG equipment was used on many classic records. The Limiter was featured on every channel of TG consoles used to record The Beatles \"Abbey Road\" and Pink Floyd \"Dark Side of the Moon,\" in addition to albums by Paul McCartney and the Rolling Stones.\u003c\/p\u003e\n\u003cp\u003eThe Limiter\/Compressor features an all discrete circuit with transformer balanced input and output. The limiting element is a rarely seen diode network that produces smooth, pleasing distortion. The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTG1 Updates \u0026amp; Modifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHarmonic Distortion Function\u003c\/p\u003e\n\u003cp\u003eNow standard on all Abbey Road Special Edition TG-1's, this option allows bypassing of the compressor\/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of kicking out up to 2% Total Harmonic Distortion. That's more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro! This option is placed on the front panel of the unit with a toggle switch for each channel.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"parallelogram\"\u003e\n\u003ch1\u003eTech Specs\u003c\/h1\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"tech-specs\"\u003e\n\u003ch3\u003e\u003ccite\u003eTG1 LIMITER TECHNICAL SPECIFICATIONS\u003c\/cite\u003e\u003c\/h3\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003eI\/O: XLR\u003cbr\u003eAll Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003eRequires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e\n\u003c\/div\u003e"}
Chandler Limited TG1 Limiter

Chandler Limited TG1 Limiter

$3,935.00

TG1 Limiter | Chandler Limited The Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late '60s. These rare pieces were never commercially available, and only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like th...


More Info
Chandler Limited Curve Bender

Studio & Recording

$5,890.00
{"id":10467789325,"title":"Chandler Limited Curve Bender","handle":"chandler-limited-curve-bender","description":"\u003ch1 id=\"reader-title\"\u003eCurve Bender | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe EMI TG12345 Curve Bender is the ultimate TG equalizer issued in celebration of the 75th birthday of Abbey Road Studios. The Curve Bender was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd. This newest EMI equalizer continues the tradition of EMI EQs started in 1954 with the RS57, the 1969 TG12345, and the 1974 TG12412.\u003c\/p\u003e\n\u003cp\u003eWade turned the nine selections of the vintage version into 51 EQ points plus a multiply switch that increases the cut\/boost up to ±13.5dB (as well as sharpening the Q), filters and bell\/shelf selections on the high and low bands.\u003c\/p\u003e\n\u003cp\u003eNOTE: As of 2011, mastering and standard features were combined into a single unit. Setting the multiplier toggle to x1 provides 0.5dB steps for a total of ±5db of boost\/cut per band. Setting the multiplier toggle to x1.5 provides a total of ±13.5db of boost\/cut per band. The master L\/R output switches are always ±0.5db steps for a total of ±5db of boost\/cut.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbbey Road Studios, EMI, Curve Bender and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e","published_at":"2018-08-11T20:50:10+02:00","created_at":"2017-07-19T15:15:53+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["Chandler Limited","Chandler Limited Curve Bender","Parametric EQ","Price Range_$3000 and Over","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_Parametric EQ","Shop by category_Signal Processing \u0026 500 Series","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":589000,"price_min":589000,"price_max":589000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611461645,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG12345","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited Curve Bender","public_title":null,"options":["Default Title"],"price":589000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_curve_bender_front.jpg?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_722c3a59-c9da-4744-85cd-72fbd20fe3b0.png?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_curve_bender_rear.jpg?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_curve_bender_07.png?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_curve_bender_06.png?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_curve_bender_05.png?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_curve_bender_04.png?v=1534033448","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_curve_bender_03.png?v=1534033448"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_curve_bender_front.jpg?v=1534033448","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eCurve Bender | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe EMI TG12345 Curve Bender is the ultimate TG equalizer issued in celebration of the 75th birthday of Abbey Road Studios. The Curve Bender was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd. This newest EMI equalizer continues the tradition of EMI EQs started in 1954 with the RS57, the 1969 TG12345, and the 1974 TG12412.\u003c\/p\u003e\n\u003cp\u003eWade turned the nine selections of the vintage version into 51 EQ points plus a multiply switch that increases the cut\/boost up to ±13.5dB (as well as sharpening the Q), filters and bell\/shelf selections on the high and low bands.\u003c\/p\u003e\n\u003cp\u003eNOTE: As of 2011, mastering and standard features were combined into a single unit. Setting the multiplier toggle to x1 provides 0.5dB steps for a total of ±5db of boost\/cut per band. Setting the multiplier toggle to x1.5 provides a total of ±13.5db of boost\/cut per band. The master L\/R output switches are always ±0.5db steps for a total of ±5db of boost\/cut.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbbey Road Studios, EMI, Curve Bender and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e"}
Chandler Limited Curve Bender

Chandler Limited Curve Bender

$5,890.00

Curve Bender | Chandler Limited The EMI TG12345 Curve Bender is the ultimate TG equalizer issued in celebration of the 75th birthday of Abbey Road Studios. The Curve Bender was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd. This newest EMI equalizer contin...


More Info
Sale
Warm Audio WA-2A
Warm Audio WA-2A

Ube compressor

$899.00 $1,318.80
{"id":9447157901,"title":"Warm Audio WA-2A","handle":"warm-audio","description":"\u003ch1 class=\"ui-title-bar__title\"\u003eWarm Audio WA-2A\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear.  When you hear the bottom-end presence and top-end detail of quality analog gear, the difference can be astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'2A Style Optical Compressor - Made Affordable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic '2A-style optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003cbr\u003e​\u003cbr\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e    •    '2A Style, Transformer balanced, high voltage, opto tube compressor .\u003cbr\u003e    •    Utilizes premium grade input and output CineMag USA Transformers.\u003cbr\u003e    •    Utilizes USA made Kenetek opto attenuator.\u003cbr\u003e    •    Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5\u003cbr\u003e    •    Fully discrete signal path.\u003cbr\u003e    •    Socketed to allow for retro-fitting with other opto-cells.\u003cbr\u003e    •    Variable Pre-emphasis, allows for compression hipass filtering.\u003cbr\u003e    •    Stereo-link capability.\u003cbr\u003e    •    XLR and TRS balanced line level inputs - 600 ohms impedance.\u003cbr\u003e    •    XLR and TRS balanced line level outputs - 600 ohms impedance.\u003cbr\u003e    •    Frequency Response +\/- 1 dB, 15 Hz to 20kHz.\u003cbr\u003e    •    Gain 40 dB ±1dB.\u003cbr\u003e    •    Input Level +16 dB maximum.\u003cbr\u003e    •    Output Level +10 dB nominal, +16 dB maximum.\u003cbr\u003e    •    Distortion Less than 0.1% THD at ±10 dBm.\u003cbr\u003e    •    Noise  = -74dB.\u003cbr\u003e    •    Attack Time - 10 milliseconds.\u003cbr\u003e    •    Release Time - 0.06 seconds for 50% release.\u003cbr\u003e    •    0.5 to 5 seconds for complete release.\u003cbr\u003e    •    Meter shows both dB gain reduction and dB output.\u003cbr\u003e    •    Power - 115\/230 volts (switchable), 50\/60 Hz.\u003cbr\u003e    •    Dimensions - 19\" Rackmount chassis, 2U. 19\" x 7\" x 3.5\".\u003cbr\u003e    •    Weight - 12 lbs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Unit Weight   5.5kg\u003c\/li\u003e\n\u003cli\u003eUnit Size    10x23x6 inch  \/ 26x58x15 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilzing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Four Tube Operation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6P1J.  We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE.  All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","published_at":"2017-03-25T14:47:00+02:00","created_at":"2017-03-25T14:47:52+02:00","vendor":"Warm Audio","type":"Ube compressor","tags":["Compressors \/ Limiters","Price Range_$750 to $1000","Shop by brand_Warm Audio","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording","Warm Audio"],"price":89900,"price_min":89900,"price_max":89900,"available":true,"price_varies":false,"compare_at_price":131880,"compare_at_price_min":131880,"compare_at_price_max":131880,"compare_at_price_varies":false,"variants":[{"id":34812162125,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WA-2A","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA-2A","public_title":null,"options":["Default Title"],"price":89900,"weight":0,"compare_at_price":131880,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"638142859097 "}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_3db301cc84374dc8b0224cd57cba1928_mv2.jpg?v=1490447545","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_9d42394450a24a6c84e3eddcb7819999_mv2.jpg?v=1490447582","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_277af1f75a0c42459bd275c4b4dfd381_mv2.jpg?v=1490447596","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_ce610007afa246228704f5835ca76e61_mv2.jpg?v=1490447623","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_6262f5ed64bc469db7b36632e44494aa_mv2.png?v=1490447803","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_71245a5e0f714827b4151743455b0a65_mv2.png?v=1490447818","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_38a31989d40642df9936206c3c7160bd_mv2.png?v=1490447860"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_3db301cc84374dc8b0224cd57cba1928_mv2.jpg?v=1490447545","options":["Title"],"content":"\u003ch1 class=\"ui-title-bar__title\"\u003eWarm Audio WA-2A\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear.  When you hear the bottom-end presence and top-end detail of quality analog gear, the difference can be astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'2A Style Optical Compressor - Made Affordable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic '2A-style optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003cbr\u003e​\u003cbr\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e    •    '2A Style, Transformer balanced, high voltage, opto tube compressor .\u003cbr\u003e    •    Utilizes premium grade input and output CineMag USA Transformers.\u003cbr\u003e    •    Utilizes USA made Kenetek opto attenuator.\u003cbr\u003e    •    Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5\u003cbr\u003e    •    Fully discrete signal path.\u003cbr\u003e    •    Socketed to allow for retro-fitting with other opto-cells.\u003cbr\u003e    •    Variable Pre-emphasis, allows for compression hipass filtering.\u003cbr\u003e    •    Stereo-link capability.\u003cbr\u003e    •    XLR and TRS balanced line level inputs - 600 ohms impedance.\u003cbr\u003e    •    XLR and TRS balanced line level outputs - 600 ohms impedance.\u003cbr\u003e    •    Frequency Response +\/- 1 dB, 15 Hz to 20kHz.\u003cbr\u003e    •    Gain 40 dB ±1dB.\u003cbr\u003e    •    Input Level +16 dB maximum.\u003cbr\u003e    •    Output Level +10 dB nominal, +16 dB maximum.\u003cbr\u003e    •    Distortion Less than 0.1% THD at ±10 dBm.\u003cbr\u003e    •    Noise  = -74dB.\u003cbr\u003e    •    Attack Time - 10 milliseconds.\u003cbr\u003e    •    Release Time - 0.06 seconds for 50% release.\u003cbr\u003e    •    0.5 to 5 seconds for complete release.\u003cbr\u003e    •    Meter shows both dB gain reduction and dB output.\u003cbr\u003e    •    Power - 115\/230 volts (switchable), 50\/60 Hz.\u003cbr\u003e    •    Dimensions - 19\" Rackmount chassis, 2U. 19\" x 7\" x 3.5\".\u003cbr\u003e    •    Weight - 12 lbs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Unit Weight   5.5kg\u003c\/li\u003e\n\u003cli\u003eUnit Size    10x23x6 inch  \/ 26x58x15 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilzing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Four Tube Operation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6P1J.  We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE.  All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e"}
Warm Audio WA-2A

Warm Audio WA-2A

$899.00

Warm Audio WA-2A Analog Tone. Though digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear.  When you hear the bottom-end presence and top-end detail of quality analog gear, the differenc...


More Info
MASELEC MLA-4 Multiband Compressor / Expander

Multiband Compressor / Expander

$5,065.09
{"id":108393168922,"title":"MASELEC MLA-4 Multiband Compressor \/ Expander","handle":"maselec-mla-4-multiband-compressor-expander","description":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-4 Multiband Compressor \/ Expander\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew multiband Compressor \/ Expander developed from the popular MLA-3 with added expander functions\u003cbr\u003efor all frequencies.\u003cbr\u003eThe MLA-4 is a powerful tool that could be used for:\u003cbr\u003eRestoring and improving over-compressed or\u003cbr\u003euneven mixes.\u003cbr\u003eChanging the tonal balance when ordinary equalizers are unable to do the job.\u003cbr\u003eCreating exciting new sounds with the unique linking that combines compression and expansion.\u003c\/p\u003e\n\u003cp\u003eThe input signal is split into three frequency-bands. Each\u003cbr\u003e band is passed through a stereo \u003cbr\u003ecompressor \/ expander, where gain and processing can be altered. \u003cbr\u003eThe outputs of the compressors \/ expanders are then re-combined and fed to the outputs. \u003cbr\u003eThere are four different frequencies for each of the two crossovers that can be separately \u003cbr\u003eselected for the low-to-mid and the mid-to-high bands.\u003cbr\u003eThe three frequency-band compressors \/ expanders have separate controls so that different \u003cbr\u003eparts of the audio spectrum can be adjusted and tuned. \u003cbr\u003eWith separate gain controls for each frequency-band, the \u003cbr\u003eMLA-4 can also be used as an equalizer. \u003cbr\u003eYou can always adjust the controls for the separate frequency bands to different settings.  \u003cbr\u003eThere is no \u003cbr\u003etechnical \u003cbr\u003ereason why they should be the same for all frequencies. \u003cbr\u003eSeparate Input and Output gain controls, make the MLA-\u003cbr\u003e4 easy to use for different operating levels. \u003cbr\u003eInputs \u003cbr\u003eThe inputs are electronically balanced, virtually ground floating, making them perform as if they \u003cbr\u003eare transformer coupled, but without the associated colouration, low frequency distortion and \u003cbr\u003erestricted bandwidth. \u003cbr\u003eThe input impedance is 100kohm. Maximum input level is \u0026gt;\u003cbr\u003e+29dBu (balanced). \u003cbr\u003eOutputs \u003cbr\u003eThe outputs are electronically balanced and can deliver \u0026gt;+\u003cbr\u003e28dBu into 600ohm (balanced). \u003cbr\u003eOutput impedance is 33ohm (balanced and unbalanced). \u003cbr\u003eThe inputs and outputs can be unbalanced by simply grounding either pin 2 or pin 3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specification:-  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance 100 kohm\u003c\/li\u003e\n\u003cli\u003eMaximum input level +29dBu (0dBu = 0.775V)\u003c\/li\u003e\n\u003cli\u003eThresholds (0dB input gain) -10dBu to +20dBu\u003c\/li\u003e\n\u003cli\u003eTypical THD (ratio 1:1) \u0026lt;-90dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response within 0.05dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eBandwidth greater than 1Hz to 500kHz\u003c\/li\u003e\n\u003cli\u003eTypical Noise -90dBu\u003c\/li\u003e\n\u003cli\u003eMaximum Output level +28dBu\u003c\/li\u003e\n\u003cli\u003eOutput impedance 33 ohm\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-09-17T07:06:43+02:00","created_at":"2017-09-17T07:08:53+02:00","vendor":"MASELEC","type":"Multiband Compressor \/ Expander","tags":["Compressors \/ Limiters","MASELEC","Price Range_$3000 and Over","Shop by brand_MASELEC","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording"],"price":506509,"price_min":506509,"price_max":506509,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1416943829018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MLA-4","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MASELEC MLA-4 Multiband Compressor \/ Expander","public_title":null,"options":["Default Title"],"price":506509,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"0644221295762"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MLA-4.jpg?v=1506263563"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MLA-4.jpg?v=1506263563","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-4 Multiband Compressor \/ Expander\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew multiband Compressor \/ Expander developed from the popular MLA-3 with added expander functions\u003cbr\u003efor all frequencies.\u003cbr\u003eThe MLA-4 is a powerful tool that could be used for:\u003cbr\u003eRestoring and improving over-compressed or\u003cbr\u003euneven mixes.\u003cbr\u003eChanging the tonal balance when ordinary equalizers are unable to do the job.\u003cbr\u003eCreating exciting new sounds with the unique linking that combines compression and expansion.\u003c\/p\u003e\n\u003cp\u003eThe input signal is split into three frequency-bands. Each\u003cbr\u003e band is passed through a stereo \u003cbr\u003ecompressor \/ expander, where gain and processing can be altered. \u003cbr\u003eThe outputs of the compressors \/ expanders are then re-combined and fed to the outputs. \u003cbr\u003eThere are four different frequencies for each of the two crossovers that can be separately \u003cbr\u003eselected for the low-to-mid and the mid-to-high bands.\u003cbr\u003eThe three frequency-band compressors \/ expanders have separate controls so that different \u003cbr\u003eparts of the audio spectrum can be adjusted and tuned. \u003cbr\u003eWith separate gain controls for each frequency-band, the \u003cbr\u003eMLA-4 can also be used as an equalizer. \u003cbr\u003eYou can always adjust the controls for the separate frequency bands to different settings.  \u003cbr\u003eThere is no \u003cbr\u003etechnical \u003cbr\u003ereason why they should be the same for all frequencies. \u003cbr\u003eSeparate Input and Output gain controls, make the MLA-\u003cbr\u003e4 easy to use for different operating levels. \u003cbr\u003eInputs \u003cbr\u003eThe inputs are electronically balanced, virtually ground floating, making them perform as if they \u003cbr\u003eare transformer coupled, but without the associated colouration, low frequency distortion and \u003cbr\u003erestricted bandwidth. \u003cbr\u003eThe input impedance is 100kohm. Maximum input level is \u0026gt;\u003cbr\u003e+29dBu (balanced). \u003cbr\u003eOutputs \u003cbr\u003eThe outputs are electronically balanced and can deliver \u0026gt;+\u003cbr\u003e28dBu into 600ohm (balanced). \u003cbr\u003eOutput impedance is 33ohm (balanced and unbalanced). \u003cbr\u003eThe inputs and outputs can be unbalanced by simply grounding either pin 2 or pin 3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specification:-  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance 100 kohm\u003c\/li\u003e\n\u003cli\u003eMaximum input level +29dBu (0dBu = 0.775V)\u003c\/li\u003e\n\u003cli\u003eThresholds (0dB input gain) -10dBu to +20dBu\u003c\/li\u003e\n\u003cli\u003eTypical THD (ratio 1:1) \u0026lt;-90dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response within 0.05dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eBandwidth greater than 1Hz to 500kHz\u003c\/li\u003e\n\u003cli\u003eTypical Noise -90dBu\u003c\/li\u003e\n\u003cli\u003eMaximum Output level +28dBu\u003c\/li\u003e\n\u003cli\u003eOutput impedance 33 ohm\u003c\/li\u003e\n\u003c\/ul\u003e"}
MASELEC MLA-4 Multiband Compressor / Expander

MASELEC MLA-4 Multiband Compressor / Expander

$5,065.09

MASELEC MLA-4 Multiband Compressor / Expander New multiband Compressor / Expander developed from the popular MLA-3 with added expander functionsfor all frequencies.The MLA-4 is a powerful tool that could be used for:Restoring and improving over-compressed oruneven mixes.Changing the tonal balance when ordinary equalizers are unable to do the job...


More Info
MASELEC MLA-2 Compressor

Compressors

$3,150.00
{"id":108412633114,"title":"MASELEC MLA-2 Compressor","handle":"maselec-mla-2-compressor","description":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-2 Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue compressors have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with digital media. The MLA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MLA-2 has a rear-mounted range control switch that adjusts the threshold range to suit either mastering or recording\/mixing applications.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a compressor that can provide effective dynamic control with minimal side-effects - it is designed to provide a very transparent signal path.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy for the MLA-2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of Leif Mases' experience with the creative process and engineering and technical excellence ensure that the Maselec MLA-2 delivers great-sounding audio in an intuitive and easy-to-use package.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MLA-2\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a very special Compressor that has been designed to provide effective but subtle compression. It uses the principle of a fixed threshold, with adjustable drive (or input gain). This makes for more intuitive operation than an adjustable threshold - turn the drive control clockwise and increase the compression depth.\u003cbr\u003e\u003cbr\u003eThe progression into the compression region is gradual and changes as the ratio is increased. Minimal output gain make-up adjustment is needed as the threshold is slightly modified running through different ratio settings. This creates a consistent gain point with about 2-3dB of compression across the ratio range.\u003cbr\u003e\u003cbr\u003eThe MLA-2 automatically adjusts its attack and release times based on the front panel setting for the most musical result. In addition, a modified release decay is used rather than the conventional exponential curve.\u003cbr\u003e\u003cbr\u003eThe MLA-2 IMAGELINK system provides a stereo side-chain link that allows the gain of the two channels to track so avoiding the risk of stereo image shifting when only one channel is controlled. However, transients that are placed to the extreme right or left can result in a slightly un-natural ducking of the other channel, so the stereo link is controlled to avoid this.\u003cbr\u003e\u003cbr\u003eThe MLA-2 achieves excellent results with speech and other highly dynamic sources, as well as instruments such as piano, saxophone or drums. It has a distinctive character, discernable both sonically and in the unique shape of its progressive compression curves. It provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path.\u003c\/p\u003e","published_at":"2017-09-17T07:25:12+02:00","created_at":"2017-09-17T07:27:37+02:00","vendor":"MASELEC","type":"Compressors","tags":["Compressors \/ Limiters","MASELEC","Price Range_$3000 and Over","Shop by brand_MASELEC","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording"],"price":315000,"price_min":315000,"price_max":315000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1417487220762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MLA-2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MASELEC MLA-2 Compressor","public_title":null,"options":["Default Title"],"price":315000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"0644221295878"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MLA-2_20-_20ang.jpg?v=1505626081"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MLA-2_20-_20ang.jpg?v=1505626081","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-2 Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue compressors have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with digital media. The MLA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MLA-2 has a rear-mounted range control switch that adjusts the threshold range to suit either mastering or recording\/mixing applications.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a compressor that can provide effective dynamic control with minimal side-effects - it is designed to provide a very transparent signal path.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy for the MLA-2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of Leif Mases' experience with the creative process and engineering and technical excellence ensure that the Maselec MLA-2 delivers great-sounding audio in an intuitive and easy-to-use package.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MLA-2\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a very special Compressor that has been designed to provide effective but subtle compression. It uses the principle of a fixed threshold, with adjustable drive (or input gain). This makes for more intuitive operation than an adjustable threshold - turn the drive control clockwise and increase the compression depth.\u003cbr\u003e\u003cbr\u003eThe progression into the compression region is gradual and changes as the ratio is increased. Minimal output gain make-up adjustment is needed as the threshold is slightly modified running through different ratio settings. This creates a consistent gain point with about 2-3dB of compression across the ratio range.\u003cbr\u003e\u003cbr\u003eThe MLA-2 automatically adjusts its attack and release times based on the front panel setting for the most musical result. In addition, a modified release decay is used rather than the conventional exponential curve.\u003cbr\u003e\u003cbr\u003eThe MLA-2 IMAGELINK system provides a stereo side-chain link that allows the gain of the two channels to track so avoiding the risk of stereo image shifting when only one channel is controlled. However, transients that are placed to the extreme right or left can result in a slightly un-natural ducking of the other channel, so the stereo link is controlled to avoid this.\u003cbr\u003e\u003cbr\u003eThe MLA-2 achieves excellent results with speech and other highly dynamic sources, as well as instruments such as piano, saxophone or drums. It has a distinctive character, discernable both sonically and in the unique shape of its progressive compression curves. It provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path.\u003c\/p\u003e"}
MASELEC MLA-2 Compressor

MASELEC MLA-2 Compressor

$3,150.00

MASELEC MLA-2 Compressor  The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.ApplicationsTop recording and mastering engineers still use some analogue signal processing equipment,...


More Info
MASELEC MEA-2 Equalizer

Equalizers

$5,742.59
{"id":108409258010,"title":"MASELEC MEA-2 Equalizer","handle":"maselec-mea-2-equalizer","description":"\u003cp\u003e\u003cstrong\u003eMASELEC MEA-2 Equalizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q\/shelf, frequency and cut\/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue equalizers have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with modern demands. The MEA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MEA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MEA-2 has stepped controls with a fine 0.5dB gain adjustment at low cut\/boost settings. Maximum cut\/boost per band is 8dB.\u003cbr\u003e\u003cbr\u003eThe MEA-2 is an equalizer that can provide precise equalization with minimal side-effects - it is designed to provide a very transparent signal path where only the desired equalization effect is obtained without adding any particular sonic signature.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MEA-2 was developed by Leif Mases in conjunction with recording engineers, producers and mastering engineers to provide a tool for high quality signal processing in the most demanding professional applications. It has been carefully designed to be easy to use and provide a natural warm sound with a great degree of transparancy. The MEA-2 also offers precision controls, which enable exact recalls of previously used configurations. .\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MEA-2\u003c\/strong\u003e\u003cbr\u003eThe MEA-2 is a very special Equalizer that has been designed to achieve a certain sound. It has a distinctive character, discernable both sonically and in the unique shape of its EQ curves.\u003cbr\u003e\u003cbr\u003eWith 4 bands per channel, shelving\/peaking\/Q selection on each and 84 interleaved frequency settings per channel, the MEA-2 provides great flexibility and precision.\u003cbr\u003e\u003cbr\u003eWhen a cut\/boost control is set to 0dB; the associated frequency section is by-passed\u003cbr\u003e\u003cbr\u003eChannel 1 and channel 2 can be by-passed individually with the illuminated push buttons on the front panel.\u003cbr\u003e\u003cbr\u003eThe inputs and outputs can be connected to both balanced or unbalanced equipment and are able to handle up to +29dBu levels.\u003cbr\u003e\u003cbr\u003eThe MEA-2 provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path. All critical components are hand selected and matched.\u003cbr\u003e\u003cbr\u003eGreat sounding EQ is right behind the controls!\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","published_at":"2017-09-17T07:21:04+02:00","created_at":"2017-09-17T07:24:00+02:00","vendor":"MASELEC","type":"Equalizers","tags":["MASELEC","Parametric EQ","Price Range_$3000 and Over","Shop by brand_MASELEC","Shop by category_Parametric EQ","Signal Processing","Studio \u0026 Recording"],"price":574259,"price_min":574259,"price_max":574259,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1417388818458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MEA-2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MASELEC MEA-2 Equalizer","public_title":null,"options":["Default Title"],"price":574259,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"0644221295861"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MEA-2_20-_20angled.jpg?v=1505625873","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mea2_ang_r.jpg?v=1505625880"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MEA-2_20-_20angled.jpg?v=1505625873","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMASELEC MEA-2 Equalizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q\/shelf, frequency and cut\/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue equalizers have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with modern demands. The MEA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MEA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MEA-2 has stepped controls with a fine 0.5dB gain adjustment at low cut\/boost settings. Maximum cut\/boost per band is 8dB.\u003cbr\u003e\u003cbr\u003eThe MEA-2 is an equalizer that can provide precise equalization with minimal side-effects - it is designed to provide a very transparent signal path where only the desired equalization effect is obtained without adding any particular sonic signature.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MEA-2 was developed by Leif Mases in conjunction with recording engineers, producers and mastering engineers to provide a tool for high quality signal processing in the most demanding professional applications. It has been carefully designed to be easy to use and provide a natural warm sound with a great degree of transparancy. The MEA-2 also offers precision controls, which enable exact recalls of previously used configurations. .\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MEA-2\u003c\/strong\u003e\u003cbr\u003eThe MEA-2 is a very special Equalizer that has been designed to achieve a certain sound. It has a distinctive character, discernable both sonically and in the unique shape of its EQ curves.\u003cbr\u003e\u003cbr\u003eWith 4 bands per channel, shelving\/peaking\/Q selection on each and 84 interleaved frequency settings per channel, the MEA-2 provides great flexibility and precision.\u003cbr\u003e\u003cbr\u003eWhen a cut\/boost control is set to 0dB; the associated frequency section is by-passed\u003cbr\u003e\u003cbr\u003eChannel 1 and channel 2 can be by-passed individually with the illuminated push buttons on the front panel.\u003cbr\u003e\u003cbr\u003eThe inputs and outputs can be connected to both balanced or unbalanced equipment and are able to handle up to +29dBu levels.\u003cbr\u003e\u003cbr\u003eThe MEA-2 provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path. All critical components are hand selected and matched.\u003cbr\u003e\u003cbr\u003eGreat sounding EQ is right behind the controls!\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e"}
MASELEC MEA-2 Equalizer

MASELEC MEA-2 Equalizer

$5,742.59

MASELEC MEA-2 Equalizer The MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q/shelf, frequency and cut/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.ApplicationsTop recording and mastering engineers s...


More Info
Burl Audio B2 BOMBER DAC

Signal Processing

From $2,349.00
{"id":9880387661,"title":"Burl Audio B2 BOMBER DAC","handle":"burl-audio-b2-bomber-dac","description":"\u003ch1\u003e\u003cstrong\u003eB2 BOMBER DAC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER DIGITAL \/ ANALOG CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 BOMBER DAC delivers sonic purity and dynamics thus far unheard of.\u003c\/p\u003e\n\u003cp\u003eAs a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cbr\u003e • 44.1k Hz to 192k Hz, 24 bit, 2 channel DAC \u003cbr\u003e • Proprietary custom design BOPA1, all discrete op-amps \u003cbr\u003e • Passive filters \u003cbr\u003e • All class-A \u003cbr\u003e • Zero capacitor signal path \u003cbr\u003e • Audiophile quality 6 position attenuator with standard headroom settings \u003cbr\u003e • High definition metering with simultaneous RMS and peak indication \u003cbr\u003e • Dante, 2 AES, SPDIF and Toslink input \u003cbr\u003e • BNC word clock input with two outputs of extremely low jitter clock \u003cbr\u003e • Frequency response at 48kHz sample rate is 10Hz to 22kHz, +\/- 0.1dB \u003cbr\u003e • Frequency response at 96kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -0.3 dB @ 40kHz \u003cbr\u003e • Frequency response at 192kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -1.5 dB @ 90kHz \u003cbr\u003e • 115dB Dynamic Range \u003cbr\u003e • -96dB THD+N, full scale output = +22dBU \u003cbr\u003e • Rugged, Made in USA design\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-05-06T15:53:27+02:00","created_at":"2017-05-06T15:55:08+02:00","vendor":"Burl Audio","type":"Signal Processing","tags":["Burl Audio","Misc Digital Converters","Price Range_$2000 to $3000","Shop by brand_Burl Audio","Shop by category_Misc Digital Converters","Shop by category_Studio \u0026 Recording","Signal Processing","Studio \u0026 Recording"],"price":234900,"price_min":234900,"price_max":254900,"available":true,"price_varies":true,"compare_at_price":234900,"compare_at_price_min":234900,"compare_at_price_max":254900,"compare_at_price_varies":true,"variants":[{"id":36992831117,"title":"with Dante","option1":"with Dante","option2":null,"option3":null,"sku":"B2-DAC-Dante","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER DAC - with Dante","public_title":"with Dante","options":["with Dante"],"price":254900,"weight":0,"compare_at_price":254900,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":423751352346,"title":"without Dante","option1":"without Dante","option2":null,"option3":null,"sku":"B2-DAC","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER DAC - without Dante","public_title":"without Dante","options":["without Dante"],"price":234900,"weight":0,"compare_at_price":234900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_DAC_Dante_Front.png?v=1503488845","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_8e214134-c5d3-443b-91c1-827a4a1d604e.png?v=1503488845","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_DAC_Dante_Back.png?v=1503488845"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_DAC_Dante_Front.png?v=1503488845","options":["Card"],"content":"\u003ch1\u003e\u003cstrong\u003eB2 BOMBER DAC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER DIGITAL \/ ANALOG CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 BOMBER DAC delivers sonic purity and dynamics thus far unheard of.\u003c\/p\u003e\n\u003cp\u003eAs a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cbr\u003e • 44.1k Hz to 192k Hz, 24 bit, 2 channel DAC \u003cbr\u003e • Proprietary custom design BOPA1, all discrete op-amps \u003cbr\u003e • Passive filters \u003cbr\u003e • All class-A \u003cbr\u003e • Zero capacitor signal path \u003cbr\u003e • Audiophile quality 6 position attenuator with standard headroom settings \u003cbr\u003e • High definition metering with simultaneous RMS and peak indication \u003cbr\u003e • Dante, 2 AES, SPDIF and Toslink input \u003cbr\u003e • BNC word clock input with two outputs of extremely low jitter clock \u003cbr\u003e • Frequency response at 48kHz sample rate is 10Hz to 22kHz, +\/- 0.1dB \u003cbr\u003e • Frequency response at 96kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -0.3 dB @ 40kHz \u003cbr\u003e • Frequency response at 192kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -1.5 dB @ 90kHz \u003cbr\u003e • 115dB Dynamic Range \u003cbr\u003e • -96dB THD+N, full scale output = +22dBU \u003cbr\u003e • Rugged, Made in USA design\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Burl Audio B2 BOMBER DAC

Burl Audio B2 BOMBER DAC

$2,549.00

B2 BOMBER DAC THE B2 BOMBER DIGITAL / ANALOG CONVERTER The B2 BOMBER DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 BOMB...

Card

More Info
Burl Audio B2 BOMBER ADC

Signal Processing

From $2,349.00
{"id":9880634189,"title":"Burl Audio B2 BOMBER ADC","handle":"burl-audio-b2-bomber-adc","description":"\u003cdiv class=\" et_pb_row et_pb_row_1\"\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_1_2 et_pb_column_1\"\u003e\n\u003cdiv class=\"et_pb_text et_pb_module et_pb_bg_layout_light et_pb_text_align_left et_pb_text_1\"\u003e\n\u003ch1\u003e\u003cstrong\u003eB2 Bomber ADC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER ANALOG \/ DIGITAL CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings.\u003c\/p\u003e\n\u003cp\u003eOpen up your best Mic Pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for inter-connectivity with little attention to the analog audio path, or even the conversion, let alone the tone.\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube Mic Pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.\u003c\/p\u003e\n\u003cp\u003eBURL AUDIO has solved this problem by designing an analog audio path that is complimentary to your Mic Pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.\u003c\/p\u003e\n\u003cp\u003eUsing a B2 BOMBER in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.\u003c\/p\u003e\n\u003cp\u003eThe attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 BOMBER hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 BOMBER ADC, the most significant piece of gear in your studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2017-05-06T16:30:58+02:00","created_at":"2017-05-06T16:31:24+02:00","vendor":"Burl Audio","type":"Signal Processing","tags":["Burl Audio","Misc Digital Converters","Price Range_$2000 to $3000","Shop by brand_Burl Audio","Shop by category_Misc Digital Converters","Shop by category_Studio \u0026 Recording","Signal Processing","Studio \u0026 Recording"],"price":234900,"price_min":234900,"price_max":254900,"available":true,"price_varies":true,"compare_at_price":234900,"compare_at_price_min":234900,"compare_at_price_max":254900,"compare_at_price_varies":true,"variants":[{"id":36993823821,"title":"with Dante","option1":"with Dante","option2":null,"option3":null,"sku":"B2-ADC-Dante","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER ADC - with Dante","public_title":"with Dante","options":["with Dante"],"price":254900,"weight":0,"compare_at_price":254900,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":423708164122,"title":"without Dante","option1":"without Dante","option2":null,"option3":null,"sku":"B2-ADC","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER ADC - without Dante","public_title":"without Dante","options":["without Dante"],"price":234900,"weight":0,"compare_at_price":234900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_ADC_Dante_Front.png?v=1503488718","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_2414fdf0-a1f6-4a19-bb5b-05a6df49695f.png?v=1503488718","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_ADC_Dante_Back.png?v=1503488718"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_ADC_Dante_Front.png?v=1503488718","options":["Card"],"content":"\u003cdiv class=\" et_pb_row et_pb_row_1\"\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_1_2 et_pb_column_1\"\u003e\n\u003cdiv class=\"et_pb_text et_pb_module et_pb_bg_layout_light et_pb_text_align_left et_pb_text_1\"\u003e\n\u003ch1\u003e\u003cstrong\u003eB2 Bomber ADC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER ANALOG \/ DIGITAL CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings.\u003c\/p\u003e\n\u003cp\u003eOpen up your best Mic Pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for inter-connectivity with little attention to the analog audio path, or even the conversion, let alone the tone.\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube Mic Pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.\u003c\/p\u003e\n\u003cp\u003eBURL AUDIO has solved this problem by designing an analog audio path that is complimentary to your Mic Pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.\u003c\/p\u003e\n\u003cp\u003eUsing a B2 BOMBER in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.\u003c\/p\u003e\n\u003cp\u003eThe attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 BOMBER hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 BOMBER ADC, the most significant piece of gear in your studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Burl Audio B2 BOMBER ADC

Burl Audio B2 BOMBER ADC

$2,549.00

B2 Bomber ADC THE B2 BOMBER ANALOG / DIGITAL CONVERTER The B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of y...

Card

More Info
Bettermaker Mastering Limiter

Mastering

$2,587.50
{"id":100964859930,"title":"Bettermaker Mastering Limiter","handle":"bettermaker-mastering-limiter","description":"\u003cp\u003e\u003cstrong\u003eBettermaker Mastering Limiter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresenting the Bettermaker Mastering Limiter:\u003cbr\u003eThe Limiter has 3 sections that are essential to make a perfect master. All of them are recallable by the internal memory and a plugin that also handles automation.\u003cbr\u003e\u003cstrong\u003eSection 1\u003c\/strong\u003e: Analog Mastering Limiter\u003cbr\u003e-100% analog signal path\u003cbr\u003e-intelligent and manual release\u003cbr\u003e-variable mix between limiting and clipping\u003cbr\u003e-possibility to turn off the clipping section, so you can clip with you favorite AD or other.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSection 2:\u003c\/strong\u003e Color, for giving that special flavor to your mix\u003cbr\u003e-Two color modules introducing different saturation that can be used simultaneously\u003cbr\u003e-Color 1 with Majority of odd harmonics\u003cbr\u003e-Color 2 with Majority of even harmonics\u003cbr\u003e-Both color sections can be internally EQed so for example you can present more odd harmonics in the low end to give the mix more bite and sweeten the highs with the even harmonics at the top end.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSection 3\u003c\/strong\u003e: Metering, an additional screen in your studio. As it’s a touchscreen it also utilizes control functions of the Mastering Limiter. You can view your gavotte set of stats.\u003cbr\u003e-Input, output and reduction\u003cbr\u003e-VU full screen or scaled\u003cbr\u003e-RMS\u003cbr\u003e-LUFS (Short term, Integral, Loudness Range, view in time)\u003cbr\u003e-K metering\u003cbr\u003e-31 Band FFT analyzer\u003cbr\u003e-Goniometer\u003cbr\u003e-Correlation meter\u003cbr\u003e-Two points of measurement, the output of the Limiter or the plugin\u003cbr\u003e-and more…\u003c\/p\u003e","published_at":"2017-09-14T09:55:22+02:00","created_at":"2017-09-14T09:57:27+02:00","vendor":"Bettermaker","type":"Mastering","tags":["Bettermaker","Mastering","Price Range_$2000 to $3000","Shop by brand_Bettermaker","Shop by category_Mastering","Shop by category_Studio \u0026 Recording","Signal Processing","Studio \u0026 Recording"],"price":258750,"price_min":258750,"price_max":258750,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1284766498842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MastLimit","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bettermaker Mastering Limiter","public_title":null,"options":["Default Title"],"price":258750,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0440.jpg?v=1523965761","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0454.jpg?v=1523965761","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0447.jpg?v=1523965761","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0451.jpg?v=1523965761","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/bettermaker-mastering-limiter-front.jpg?v=1523965761"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0440.jpg?v=1523965761","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eBettermaker Mastering Limiter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresenting the Bettermaker Mastering Limiter:\u003cbr\u003eThe Limiter has 3 sections that are essential to make a perfect master. All of them are recallable by the internal memory and a plugin that also handles automation.\u003cbr\u003e\u003cstrong\u003eSection 1\u003c\/strong\u003e: Analog Mastering Limiter\u003cbr\u003e-100% analog signal path\u003cbr\u003e-intelligent and manual release\u003cbr\u003e-variable mix between limiting and clipping\u003cbr\u003e-possibility to turn off the clipping section, so you can clip with you favorite AD or other.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSection 2:\u003c\/strong\u003e Color, for giving that special flavor to your mix\u003cbr\u003e-Two color modules introducing different saturation that can be used simultaneously\u003cbr\u003e-Color 1 with Majority of odd harmonics\u003cbr\u003e-Color 2 with Majority of even harmonics\u003cbr\u003e-Both color sections can be internally EQed so for example you can present more odd harmonics in the low end to give the mix more bite and sweeten the highs with the even harmonics at the top end.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSection 3\u003c\/strong\u003e: Metering, an additional screen in your studio. As it’s a touchscreen it also utilizes control functions of the Mastering Limiter. You can view your gavotte set of stats.\u003cbr\u003e-Input, output and reduction\u003cbr\u003e-VU full screen or scaled\u003cbr\u003e-RMS\u003cbr\u003e-LUFS (Short term, Integral, Loudness Range, view in time)\u003cbr\u003e-K metering\u003cbr\u003e-31 Band FFT analyzer\u003cbr\u003e-Goniometer\u003cbr\u003e-Correlation meter\u003cbr\u003e-Two points of measurement, the output of the Limiter or the plugin\u003cbr\u003e-and more…\u003c\/p\u003e"}
Bettermaker Mastering Limiter

Bettermaker Mastering Limiter

$2,587.50

Bettermaker Mastering Limiter Presenting the Bettermaker Mastering Limiter:The Limiter has 3 sections that are essential to make a perfect master. All of them are recallable by the internal memory and a plugin that also handles automation.Section 1: Analog Mastering Limiter-100% analog signal path-intelligent and manual release-variable mix betw...


More Info
Bettermaker EQ 232P MKII

Parametric EQ

$2,530.00
{"id":100978819098,"title":"Bettermaker EQ 232P MKII","handle":"bettermaker-eq-232p-mkii","description":"\u003cp\u003e\u003cstrong\u003eBettermaker EQ 232P MKII\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBesides their pure analog signal paths, these units have a full digital recall with 399 cells for your own presets, which you can recall with one touch.\u003cbr\u003e\u003cbr\u003eYou can save your settings in the internal memory of the EQ’s as well as in your D.A.W….AND… in your project with your AUTOMATION.\u003cbr\u003e\u003cbr\u003eYou also have an A\/B comparing function known from plugins.\u003cbr\u003e\u003cbr\u003eBy building these equalizers, Bettermaker wanted to create devices that would have a maximum range of usage and a very characteristic, but clean sound. We picked out the best classic designs and modified them to be more practical. As we  work faster and faster every day, we need to have the highest quality and maximum speed we can get. That was the main motivation to develop the Bettermaker® EQ 232P. Now we took a step forward and presented EQ232P MKII.\u003cbr\u003e\u003cbr\u003eBetween EQ232P and EQ232P MKII we took a huge step improving this amazing EQ even more. There is over 30 changes and improvements in construction, firmware and software. This is by far our most complex and perfect product and by it’s sound and functionality compared to it’s price the unit presents huge value to a professional engineer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHere are some of Bettermaker’s® EQ 232P MKII amazing features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    10 filters (5 on each channel) based on classic designs including 2 famous  Pultec sections, 2 Highpass filters and 4 parametric filters with wide frequency ranges.\u003c\/li\u003e\n\u003cli\u003e    Pultec section- Shelf filters based upon legendary constructions, offered in combined, matched stereo, with all the features including separate boost and attenuation knobs.\u003c\/li\u003e\n\u003cli\u003e    24dB\/Oct Highpass filter, the only one on the market\u003c\/li\u003e\n\u003cli\u003e    4 Parametric filters (2 on each channel) covering form 15Hz to 15kHz.\u003c\/li\u003e\n\u003cli\u003e    Full digital recall with 399 cells for your own presets.\u003c\/li\u003e\n\u003cli\u003e    USB link to use the EQ’s just as you would use a plugin, including Automation.\u003c\/li\u003e\n\u003cli\u003e    AU, VST, RTAS, AAX (32 \u0026amp; 64 bit, WIN, OSX) supported\u003c\/li\u003e\n\u003cli\u003e    A\/B comparing function\u003c\/li\u003e\n\u003cli\u003e    Fully isolated analog and digital path for maximum separation of these two worlds.\u003c\/li\u003e\n\u003cli\u003e    11 presets to have a kick start including 4 Exclusive mastering and bus presets made by Luca Pretolesi form Studio DMI\u003c\/li\u003e\n\u003cli\u003e    24 dB headroom.\u003c\/li\u003e\n\u003cli\u003e    Stereo, Dual Mono, M\/S modes!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eManual:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBettermaker EQ232P MKII manual v2\u003c\/li\u003e\n\u003cli\u003ePresets by Luca Pretolesi:\u003c\/li\u003e\n\u003cli\u003eStudio DMI Presets by Luca Pretolesi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e:\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eModel:\u003c\/strong\u003e     EQ 232P MKII\u003cbr\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e     5Hz to 100kHz (-0.5dB)\u003cbr\u003e\u003cstrong\u003eDynamic range:\u003c\/strong\u003e     more than 106 dB\u003cbr\u003e\u003cstrong\u003eS\/N ratio:\u003c\/strong\u003e     more than 104 dB\u003cbr\u003e\u003cstrong\u003eTHD+N:\u003c\/strong\u003e     less than 0.004%\u003cbr\u003e\u003cstrong\u003eChannels:\u003c\/strong\u003e     2\u003cbr\u003e\u003cstrong\u003eWeight:  \u003c\/strong\u003e   7kg\u003cbr\u003e\u003cstrong\u003eSupply voltage\u003c\/strong\u003e:     110V AC 50\/60Hz or 230V AC 50Hz (depending on model)\u003cbr\u003e\u003cstrong\u003ePower consumption:  \u003c\/strong\u003e   15 W\u003cbr\u003e\u003cstrong\u003eInput impedance:   \u003c\/strong\u003e  10k Ohm unbalanced, 20k Ohm balanced\u003cbr\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e     100 Ohm unbalanced, 200 Ohm balanced\u003cbr\u003e\u003cstrong\u003eMax input level:     \u003c\/strong\u003e+24dBu balanced or +18dBu unbalanced\u003cbr\u003e\u003cstrong\u003eMax output level:\u003c\/strong\u003e     +24dBu balanced or +18dBu unbalanced\u003cbr\u003e\u003cstrong\u003eUnity gain:     balanced:\u003c\/strong\u003e 0dB, unbalanced: -6dB\u003cbr\u003e\u003cstrong\u003eClip detector:\u003c\/strong\u003e     present\u003cbr\u003e\u003cstrong\u003eHigh-pass filter:\u003c\/strong\u003e     24db\/oct 18…200Hz (variable)\u003cbr\u003e\u003cstrong\u003eEQ 1 freq. range:\u003c\/strong\u003e     45…1000Hz\u003cbr\u003e\u003cstrong\u003eEQ 1 gain:     \u003c\/strong\u003e-15…+15dB\u003cbr\u003e\u003cstrong\u003eEQ 1 bandwidth:\u003c\/strong\u003e     0.2oct…3oct\u003cbr\u003e\u003cstrong\u003eEQ 2 freq. range:\u003c\/strong\u003e     650…15000Hz\u003cbr\u003e\u003cstrong\u003eEQ 2 gain:\u003c\/strong\u003e     -15…+15dB\u003cbr\u003e\u003cstrong\u003eEQ 2 bandwidth:\u003c\/strong\u003e     0.2oct…3oct\u003cbr\u003e\u003cstrong\u003eP EQ low freq. range\u003c\/strong\u003e:     20, 30, 60, 100Hz\u003cbr\u003e\u003cstrong\u003eP EQ high freq. range:\u003c\/strong\u003e     3, 4, 5, 6, 10, 12, 16 kHz\u003cbr\u003e\u003cstrong\u003eP EQ high cut freq:\u003c\/strong\u003e     5, 10, 20 kHz 6db\/oct\u003cbr\u003e\u003cstrong\u003ePreset storage capacity:\u003c\/strong\u003e     399 presets\u003c\/p\u003e","published_at":"2017-09-14T10:04:06+02:00","created_at":"2017-09-14T10:05:24+02:00","vendor":"Bettermaker","type":"Parametric EQ","tags":["Bettermaker","Parametric EQ","Price Range_$3000 and Over","Shop by brand_Bettermaker","Shop by category_Parametric EQ","Shop by category_Studio \u0026 Recording","Signal Processing","Studio \u0026 Recording"],"price":253000,"price_min":253000,"price_max":253000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1285252677658,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"EQ232Pmk2R","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bettermaker EQ 232P MKII","public_title":null,"options":["Default Title"],"price":253000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Bettermaker232P.jpg?v=1505398882","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0398.jpg?v=1523966258","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0412.jpg?v=1523966268","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0402.jpg?v=1523966278","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0405.jpg?v=1523966288"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Bettermaker232P.jpg?v=1505398882","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eBettermaker EQ 232P MKII\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBesides their pure analog signal paths, these units have a full digital recall with 399 cells for your own presets, which you can recall with one touch.\u003cbr\u003e\u003cbr\u003eYou can save your settings in the internal memory of the EQ’s as well as in your D.A.W….AND… in your project with your AUTOMATION.\u003cbr\u003e\u003cbr\u003eYou also have an A\/B comparing function known from plugins.\u003cbr\u003e\u003cbr\u003eBy building these equalizers, Bettermaker wanted to create devices that would have a maximum range of usage and a very characteristic, but clean sound. We picked out the best classic designs and modified them to be more practical. As we  work faster and faster every day, we need to have the highest quality and maximum speed we can get. That was the main motivation to develop the Bettermaker® EQ 232P. Now we took a step forward and presented EQ232P MKII.\u003cbr\u003e\u003cbr\u003eBetween EQ232P and EQ232P MKII we took a huge step improving this amazing EQ even more. There is over 30 changes and improvements in construction, firmware and software. This is by far our most complex and perfect product and by it’s sound and functionality compared to it’s price the unit presents huge value to a professional engineer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHere are some of Bettermaker’s® EQ 232P MKII amazing features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    10 filters (5 on each channel) based on classic designs including 2 famous  Pultec sections, 2 Highpass filters and 4 parametric filters with wide frequency ranges.\u003c\/li\u003e\n\u003cli\u003e    Pultec section- Shelf filters based upon legendary constructions, offered in combined, matched stereo, with all the features including separate boost and attenuation knobs.\u003c\/li\u003e\n\u003cli\u003e    24dB\/Oct Highpass filter, the only one on the market\u003c\/li\u003e\n\u003cli\u003e    4 Parametric filters (2 on each channel) covering form 15Hz to 15kHz.\u003c\/li\u003e\n\u003cli\u003e    Full digital recall with 399 cells for your own presets.\u003c\/li\u003e\n\u003cli\u003e    USB link to use the EQ’s just as you would use a plugin, including Automation.\u003c\/li\u003e\n\u003cli\u003e    AU, VST, RTAS, AAX (32 \u0026amp; 64 bit, WIN, OSX) supported\u003c\/li\u003e\n\u003cli\u003e    A\/B comparing function\u003c\/li\u003e\n\u003cli\u003e    Fully isolated analog and digital path for maximum separation of these two worlds.\u003c\/li\u003e\n\u003cli\u003e    11 presets to have a kick start including 4 Exclusive mastering and bus presets made by Luca Pretolesi form Studio DMI\u003c\/li\u003e\n\u003cli\u003e    24 dB headroom.\u003c\/li\u003e\n\u003cli\u003e    Stereo, Dual Mono, M\/S modes!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eManual:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBettermaker EQ232P MKII manual v2\u003c\/li\u003e\n\u003cli\u003ePresets by Luca Pretolesi:\u003c\/li\u003e\n\u003cli\u003eStudio DMI Presets by Luca Pretolesi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e:\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eModel:\u003c\/strong\u003e     EQ 232P MKII\u003cbr\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e     5Hz to 100kHz (-0.5dB)\u003cbr\u003e\u003cstrong\u003eDynamic range:\u003c\/strong\u003e     more than 106 dB\u003cbr\u003e\u003cstrong\u003eS\/N ratio:\u003c\/strong\u003e     more than 104 dB\u003cbr\u003e\u003cstrong\u003eTHD+N:\u003c\/strong\u003e     less than 0.004%\u003cbr\u003e\u003cstrong\u003eChannels:\u003c\/strong\u003e     2\u003cbr\u003e\u003cstrong\u003eWeight:  \u003c\/strong\u003e   7kg\u003cbr\u003e\u003cstrong\u003eSupply voltage\u003c\/strong\u003e:     110V AC 50\/60Hz or 230V AC 50Hz (depending on model)\u003cbr\u003e\u003cstrong\u003ePower consumption:  \u003c\/strong\u003e   15 W\u003cbr\u003e\u003cstrong\u003eInput impedance:   \u003c\/strong\u003e  10k Ohm unbalanced, 20k Ohm balanced\u003cbr\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e     100 Ohm unbalanced, 200 Ohm balanced\u003cbr\u003e\u003cstrong\u003eMax input level:     \u003c\/strong\u003e+24dBu balanced or +18dBu unbalanced\u003cbr\u003e\u003cstrong\u003eMax output level:\u003c\/strong\u003e     +24dBu balanced or +18dBu unbalanced\u003cbr\u003e\u003cstrong\u003eUnity gain:     balanced:\u003c\/strong\u003e 0dB, unbalanced: -6dB\u003cbr\u003e\u003cstrong\u003eClip detector:\u003c\/strong\u003e     present\u003cbr\u003e\u003cstrong\u003eHigh-pass filter:\u003c\/strong\u003e     24db\/oct 18…200Hz (variable)\u003cbr\u003e\u003cstrong\u003eEQ 1 freq. range:\u003c\/strong\u003e     45…1000Hz\u003cbr\u003e\u003cstrong\u003eEQ 1 gain:     \u003c\/strong\u003e-15…+15dB\u003cbr\u003e\u003cstrong\u003eEQ 1 bandwidth:\u003c\/strong\u003e     0.2oct…3oct\u003cbr\u003e\u003cstrong\u003eEQ 2 freq. range:\u003c\/strong\u003e     650…15000Hz\u003cbr\u003e\u003cstrong\u003eEQ 2 gain:\u003c\/strong\u003e     -15…+15dB\u003cbr\u003e\u003cstrong\u003eEQ 2 bandwidth:\u003c\/strong\u003e     0.2oct…3oct\u003cbr\u003e\u003cstrong\u003eP EQ low freq. range\u003c\/strong\u003e:     20, 30, 60, 100Hz\u003cbr\u003e\u003cstrong\u003eP EQ high freq. range:\u003c\/strong\u003e     3, 4, 5, 6, 10, 12, 16 kHz\u003cbr\u003e\u003cstrong\u003eP EQ high cut freq:\u003c\/strong\u003e     5, 10, 20 kHz 6db\/oct\u003cbr\u003e\u003cstrong\u003ePreset storage capacity:\u003c\/strong\u003e     399 presets\u003c\/p\u003e"}
Bettermaker EQ 232P MKII

Bettermaker EQ 232P MKII

$2,530.00

Bettermaker EQ 232P MKII Besides their pure analog signal paths, these units have a full digital recall with 399 cells for your own presets, which you can recall with one touch.You can save your settings in the internal memory of the EQ’s as well as in your D.A.W….AND… in your project with your AUTOMATION.You also have an A/B comparing function ...


More Info
Antelope Trinity

Converter & Clock

$2,995.00
{"id":14170030106,"title":"Antelope Trinity","handle":"antelope-audio-5","description":"\u003ch1 id=\"reader-title\"\u003eTrinity A must-have 384 kHz HD Master Clock\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE BEST SOUNDING MASTER CLOCK\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eA master clock that stands out\u003c\/strong\u003e\u003cbr\u003eIn the fickle world of Audio \u0026amp; Video formats, Trinity is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, Trinity is the best sounding and most versatile Master Clock available anywhere. Installed in some of the most prominent audio and post production facilities around the globe, Trinity is in the roots of great percentage of the contemporary music and movie productions. Trinity is also an integral component of some of the largest live concerts and events nowadays.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEXT LEVEL OF PERFECTION\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStable clocking and advanced jitter management\u003c\/strong\u003e\u003cbr\u003ePowered by an ultra stable oven controlled crystal oscillator, Trinity’s completely redesigned timing engine with 4th generation 64-bit Acoustically Focused Clocking provides supremely low jitter and high stability, with distinct sonic advantages that are immediately apparent.\u003cbr\u003eAn atomic input makes it a perfect match for the 10M Atomic Clock, while user re-calibration and dual redundant power supply will keep the unit running smoothly and prevent costly downtime.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAS PRO AS YOU CAN GO\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eThe features that make it unique\u003c\/strong\u003e\u003cbr\u003eTrinity takes care of requirements that usually would have needed several units. With 3 HD and 2 SD generators the unit locks to and generates all known professional video format, while simultaneously offering 3 independent audio channels capable of 384 kHz with varispeed adjustment in cents or percent!\u003cbr\u003eWith its wealth of connectivity, flexibility, and ease of use, Trinity is the ideal linchpin for a modern studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEASY MONITOR CONTROLLING\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSuited for every environment\u003c\/strong\u003e\u003cbr\u003eThe fully integrated monitor controller employs 0.05 dB accurate gold-plated relay attenuators and provides speaker switching, bass management and cue mix functions with integrated talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-51\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch3\u003eClocking System\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e 64 bit DDS\u003cbr\u003e Oven Controlled Crystal Oscillator\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eStability:\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.02ppm @ 64.5°C\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAgeing\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; 1 ppm per year\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eCalibration\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.001 ppm\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAtomic Clock Input\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e10MHz@1Vpp, BNC\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eBasic sampling rates (kHz)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-52\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eGenerators\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e9 Independent and simultaneous: 3 audio, 3 HD, 3 SD\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eVarispeed\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/-200 cents\u003cbr\u003e +12.246%\u003cbr\u003e -10,910%\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003ePull ups\/downs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/- 0.1% NTSC and\/or +\/- 4% PAL\u003cbr\u003e -0.1% HD\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eInputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUniversal video input on BNC.\u003cbr\u003e Recognizes all video formats automatically\u003cbr\u003e 2 selectable Word Clock on BNC 32kHz – 384kHz\u003cbr\u003e 1 AES\/EBU on XLR. 32kHz – 192kHz @110Ω terminated\u003cbr\u003e 1 S\/PDIF on RCA. 32kHz – 192kHz @75Ω terminated\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e2.0 full-speed\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-53\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOutputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHD Video 6xBNC @75Ω\u003cbr\u003e SD 1 – BNC @75Ω fixed for NTSC video standard. Black Burst\u003cbr\u003e SD 2 – BNC @75Ω fixed for PAL video standard. Black Burst\u003cbr\u003e SD 3 – BNC @75Ω PAL 24\/NTSC 30 selectable.Composite Sync\u003cbr\u003e SD 4 – BNC @75Ω PAL 48\/PAL 47.95 selectable. Composite Sync\u003cbr\u003e Wordclock – 16 BNC, 3Vpp @ 75Ω\u003cbr\u003e AES\/EBU – 4 XLR @ 110Ω\u003cbr\u003e S\/PDIF – 4 RCA @ 75Ω\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOperating Temperature\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e0-50°C, 32-122°F\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eWeight\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4 kg \/ 8.8 lb\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eDimensions (Approx)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e482 mm (W) × 89 mm (H) × 203 mm (D)\u003cbr\u003e 19’’ (W) x 3.5’’ (H) x 8’’ (D)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2017-07-29T16:35:20+02:00","created_at":"2017-07-29T16:37:27+02:00","vendor":"Antelope Audio","type":"Converter \u0026 Clock","tags":["Antelope Audio","Price Range_$2000 to $3000","Shop by brand_Antelope Audio","Shop by category_Synchronizers","Signal Processing","Studio \u0026 Recording","Synchronizers"],"price":299500,"price_min":299500,"price_max":299500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":69997527066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Trinity","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antelope Trinity","public_title":null,"options":["Default Title"],"price":299500,"weight":6710,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/conectivity-trinity-front.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_967ec541-9d2b-4cab-abcb-a27fc0b2f114.png?v=1501339847","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/conectivity-trinity-back.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Trinity-front.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Trinity-back.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/fullwidth-img-trinity-4.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sqaure-image-trinity.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/circle-round-img-trinity2.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/circle-round-img-trinity3.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/circle-round-img-eclipse2.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/fullwidth-img-trinity-5.jpg?v=1501339820"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/conectivity-trinity-front.jpg?v=1501339820","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eTrinity A must-have 384 kHz HD Master Clock\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE BEST SOUNDING MASTER CLOCK\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eA master clock that stands out\u003c\/strong\u003e\u003cbr\u003eIn the fickle world of Audio \u0026amp; Video formats, Trinity is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, Trinity is the best sounding and most versatile Master Clock available anywhere. Installed in some of the most prominent audio and post production facilities around the globe, Trinity is in the roots of great percentage of the contemporary music and movie productions. Trinity is also an integral component of some of the largest live concerts and events nowadays.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEXT LEVEL OF PERFECTION\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStable clocking and advanced jitter management\u003c\/strong\u003e\u003cbr\u003ePowered by an ultra stable oven controlled crystal oscillator, Trinity’s completely redesigned timing engine with 4th generation 64-bit Acoustically Focused Clocking provides supremely low jitter and high stability, with distinct sonic advantages that are immediately apparent.\u003cbr\u003eAn atomic input makes it a perfect match for the 10M Atomic Clock, while user re-calibration and dual redundant power supply will keep the unit running smoothly and prevent costly downtime.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAS PRO AS YOU CAN GO\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eThe features that make it unique\u003c\/strong\u003e\u003cbr\u003eTrinity takes care of requirements that usually would have needed several units. With 3 HD and 2 SD generators the unit locks to and generates all known professional video format, while simultaneously offering 3 independent audio channels capable of 384 kHz with varispeed adjustment in cents or percent!\u003cbr\u003eWith its wealth of connectivity, flexibility, and ease of use, Trinity is the ideal linchpin for a modern studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEASY MONITOR CONTROLLING\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSuited for every environment\u003c\/strong\u003e\u003cbr\u003eThe fully integrated monitor controller employs 0.05 dB accurate gold-plated relay attenuators and provides speaker switching, bass management and cue mix functions with integrated talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-51\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch3\u003eClocking System\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e 64 bit DDS\u003cbr\u003e Oven Controlled Crystal Oscillator\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eStability:\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.02ppm @ 64.5°C\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAgeing\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; 1 ppm per year\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eCalibration\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.001 ppm\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAtomic Clock Input\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e10MHz@1Vpp, BNC\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eBasic sampling rates (kHz)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-52\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eGenerators\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e9 Independent and simultaneous: 3 audio, 3 HD, 3 SD\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eVarispeed\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/-200 cents\u003cbr\u003e +12.246%\u003cbr\u003e -10,910%\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003ePull ups\/downs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/- 0.1% NTSC and\/or +\/- 4% PAL\u003cbr\u003e -0.1% HD\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eInputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUniversal video input on BNC.\u003cbr\u003e Recognizes all video formats automatically\u003cbr\u003e 2 selectable Word Clock on BNC 32kHz – 384kHz\u003cbr\u003e 1 AES\/EBU on XLR. 32kHz – 192kHz @110Ω terminated\u003cbr\u003e 1 S\/PDIF on RCA. 32kHz – 192kHz @75Ω terminated\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e2.0 full-speed\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-53\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOutputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHD Video 6xBNC @75Ω\u003cbr\u003e SD 1 – BNC @75Ω fixed for NTSC video standard. Black Burst\u003cbr\u003e SD 2 – BNC @75Ω fixed for PAL video standard. Black Burst\u003cbr\u003e SD 3 – BNC @75Ω PAL 24\/NTSC 30 selectable.Composite Sync\u003cbr\u003e SD 4 – BNC @75Ω PAL 48\/PAL 47.95 selectable. Composite Sync\u003cbr\u003e Wordclock – 16 BNC, 3Vpp @ 75Ω\u003cbr\u003e AES\/EBU – 4 XLR @ 110Ω\u003cbr\u003e S\/PDIF – 4 RCA @ 75Ω\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOperating Temperature\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e0-50°C, 32-122°F\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eWeight\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4 kg \/ 8.8 lb\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eDimensions (Approx)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e482 mm (W) × 89 mm (H) × 203 mm (D)\u003cbr\u003e 19’’ (W) x 3.5’’ (H) x 8’’ (D)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Antelope Trinity

Antelope Trinity

$2,995.00

Trinity A must-have 384 kHz HD Master Clock THE BEST SOUNDING MASTER CLOCKA master clock that stands outIn the fickle world of Audio & Video formats, Trinity is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, Trinity is the best sounding and mos...


More Info
{"id":1625016959022,"title":"Empirical Labs EL8 Distressor [ USED ]","handle":"empirical-labs-distressor-model-el8-used","description":"\u003ch1 id=\"reader-title\"\u003eEmpirical Labs Distressor - Digitally Controlled Analog Knee Compressor\u003c\/h1\u003e\n\u003cp\u003eThe Distressor is the product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world.  With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time...\u2028if not THE best selling.  A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.\u003cbr\u003e \u003cbr\u003eBesides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit.  This “warmth” or “vintage sound” has become a major issue in the last few decades, as the super clear and linear digital technology does next to nothing to soften “harsh” sounds, nor emphasize the bass frequencies in music sources. Conversely, older analog tape, vinyl records and tube equipment could not be prevented from coloring the sound, often to the frustration of recording engineers. However, many people now realize that this coloring can be extremely pleasant and musical. Digital technology is often referred to as “cold” and “brittle” among other terms (although we prefer “unforgiving”).\u003c\/p\u003e\n\u003cp\u003eAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting - a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.\u003cbr\u003e \u003cbr\u003eAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors \u0026amp; limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing.\u003cbr\u003e \u003cbr\u003eThe Distressor is available in either its original form (EL8), or in a modified version (EL8-X) with two additional functions  - British Mode, and Image Link.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBRITISH MODE\u003c\/strong\u003e\u003cbr\u003eThe concept of British Mode came from an unusual setting on the classic UREI LN1176 limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more “over-the-top”, found that you could make all four buttons stay in if you pressed them just right. What resulted was a very aggressive sound that had some elements of the unit’s 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it “British Mode”, and the name stuck.\u003cbr\u003e \u003cbr\u003eThe EL8-X has the advantage of being able to selectively apply this aggressive characteristic - not just to the new “British” ratio (1:1) - to any of the ratios, simply by engaging the dedicated “British Mode\" switch.\u003c\/p\u003e\n\u003cdiv class=\"product_subhead clearfix colelem\" id=\"u7437-4\" data-muse-uid=\"U7437\" data-muse-type=\"txt_frame\"\u003e\n\u003ch2\u003eIMAGE LINK\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page_text clearfix colelem\" id=\"u7340-4\" data-muse-uid=\"U7340\" data-muse-type=\"txt_frame\"\u003e\n\u003cp\u003eThe original Distressor stereo link function used a summing and phase detection method, which allowed slight stereo image shifting.  Although frequently desirable for its phase correction, and its “thickening” on open room mics and other stereo sources, this approach can sometimes be a problem on stereo program material where the producer\/engineers want to maintain absolute left\/right balance at all times. With the new “Stereo Image Link” option, the EL8-X now has three link options - the original “phase” link, the new Image Link and the combination of the two, phase and image linking - something never before offered on any compressors or limiters.\u003c\/p\u003e\n\u003ch2\u003eGO STEREO\u003c\/h2\u003e\n\u003cp\u003eFor many Distressor owners, one is never enough - in fact, one extremely successful engineer has twelve of them!  For those who want (at least) a stereo pair, ELI offers the EL8-S, a pair of Distressors that are matched at the factory, and come with the cables you need to lock them together.  If you want the Brit Mod and Image Link options, an EL8X-S package is also available.\u003c\/p\u003e\n\u003ch2\u003eSPECIFICATIONS\u003c\/h2\u003e\n\u003cp\u003eFreq. response is 2 Hz to 160 kHz in clean audio mode (+0, -3 dB). Response is shaped in distortion modes (Dist 2, Dist 3).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Dynamic range 110 dB from max. output to min. output in 1:1 mode. Greater than 100 dB signal to noise in distort 3 mode.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Distortion ranges between .02% and 20% depending on distortion mode and release times set on front panel.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• DC coupled output - High quality input caps.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Input impedance is 20K Ohms, Output impedance is \u0026lt; 75 ohms\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Time constants - Attack range 50uS - 50mS. Release range .05 sec to 3.5 seconds, normal modes and up to 20 seconds in 10:1 opto mode. Time constants are dependant on ratio.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Metal Chassis - single height 1.75\" high, 10\" deep, 19\" wide.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Shipping info - 12.1 lbs mono, 24.2 lbs Stereo pair. Mono box dimensions 22.5\" x 18.5\" x 3 1\/4\".\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Stereo Pair box dimensions 22.5\" x 18.5\" x 6 1\/4\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2018-12-16T15:09:45+02:00","created_at":"2018-12-16T15:04:46+02:00","vendor":"Empirical Labs","type":"Compressors","tags":["Compressors \/ Limiters","Computer Audio","Empirical Labs","Price Range_$1000 to $1500","Pro Audio","Shop by brand_Empirical Labs","Shop by category_Compressors \/ Limiters","Shop by category_Studio \u0026 Recording","used","Used Gear"],"price":145000,"price_min":145000,"price_max":145000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14918401654830,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Empirical Labs EL8 Distressor [ USED ]","public_title":null,"options":["Default Title"],"price":145000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/distressor_pair_41f47df8-ac84-4541-80a7-9cae8d80e84c.jpg?v=1544965487","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_9bd29b6c-4141-415c-992e-85cc95734aae.png?v=1544965487","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/distressor_pair_rear_b09e5761-882b-49dc-ae1b-ed5e0dbd24fb.png?v=1544965487","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/distressorel8x_pair_angle_right_73b192c0-6b09-428d-92f3-ae86bd8a61e7.png?v=1544965487","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/image_07d34355-f7c0-4db4-90e4-e95e82a4ebfa.jpg?v=1544965705"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/distressor_pair_41f47df8-ac84-4541-80a7-9cae8d80e84c.jpg?v=1544965487","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eEmpirical Labs Distressor - Digitally Controlled Analog Knee Compressor\u003c\/h1\u003e\n\u003cp\u003eThe Distressor is the product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique and interesting features that have made it a staple for audio engineers all over the world.  With over 28,000 units in the field, it’s safe to say that the Distressor is one of the best selling high end compressors of all time...\u2028if not THE best selling.  A prominent recording engineer recently wagered that there probably was not a top 40 record made in the last five years that didn’t have at least one Distressor on it.\u003cbr\u003e \u003cbr\u003eBesides providing a wide range of control and a unique feature set, the Distressor offers a warm, vintage sound by using a custom designed gain control circuit.  This “warmth” or “vintage sound” has become a major issue in the last few decades, as the super clear and linear digital technology does next to nothing to soften “harsh” sounds, nor emphasize the bass frequencies in music sources. Conversely, older analog tape, vinyl records and tube equipment could not be prevented from coloring the sound, often to the frustration of recording engineers. However, many people now realize that this coloring can be extremely pleasant and musical. Digital technology is often referred to as “cold” and “brittle” among other terms (although we prefer “unforgiving”).\u003c\/p\u003e\n\u003cp\u003eAll eight of the Distressor’s curves are unique and distinctive, from the 1:1 mode that simply warms up signal with low order harmonics without intentional compression, to the “Nuke” setting - a brick wall limiting curve that shines on live drum room mics.  Each curve has its own personality and several actually use different circuitry, and are effectively different compressors. Most exceptional is the 10:1 “Opto” ratio which uses separate detector circuitry to emulate the oldest (and valued) “light controlled” devices, such as the LA-2A.\u003cbr\u003e \u003cbr\u003eAnother large part of the Distressor’s personality and power derive from three modes that color the signal, even without compression. These extended audio modes were designed to allow emulation of some very old and expensive vintage compressors \u0026amp; limiters, and let the Distressor deliver a classic “knee” sound all its own by providing user programmable, warm harmonic distortion. In addition to the basic distortion mode, Distort 2 emphasizes tube-like 2nd order harmonics, while in Distort 3 setting the distortion becomes dominated by 3rd harmonics more closely resembling tape. Two HP filters – one in the audio path, one in the detector path - are also available to help with low frequencies that can cause pumping and breathing.\u003cbr\u003e \u003cbr\u003eThe Distressor is available in either its original form (EL8), or in a modified version (EL8-X) with two additional functions  - British Mode, and Image Link.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBRITISH MODE\u003c\/strong\u003e\u003cbr\u003eThe concept of British Mode came from an unusual setting on the classic UREI LN1176 limiter. The unit was designed to have only four ratios, each ratio being engaged by selecting one of four buttons. However, as early as 1980 (or before), renegade recording engineers, always on the lookout for something a little more “over-the-top”, found that you could make all four buttons stay in if you pressed them just right. What resulted was a very aggressive sound that had some elements of the unit’s 20:1 ratio, but with an unusual knee and new envelope shape. Somewhere along the line, someone called it “British Mode”, and the name stuck.\u003cbr\u003e \u003cbr\u003eThe EL8-X has the advantage of being able to selectively apply this aggressive characteristic - not just to the new “British” ratio (1:1) - to any of the ratios, simply by engaging the dedicated “British Mode\" switch.\u003c\/p\u003e\n\u003cdiv class=\"product_subhead clearfix colelem\" id=\"u7437-4\" data-muse-uid=\"U7437\" data-muse-type=\"txt_frame\"\u003e\n\u003ch2\u003eIMAGE LINK\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"page_text clearfix colelem\" id=\"u7340-4\" data-muse-uid=\"U7340\" data-muse-type=\"txt_frame\"\u003e\n\u003cp\u003eThe original Distressor stereo link function used a summing and phase detection method, which allowed slight stereo image shifting.  Although frequently desirable for its phase correction, and its “thickening” on open room mics and other stereo sources, this approach can sometimes be a problem on stereo program material where the producer\/engineers want to maintain absolute left\/right balance at all times. With the new “Stereo Image Link” option, the EL8-X now has three link options - the original “phase” link, the new Image Link and the combination of the two, phase and image linking - something never before offered on any compressors or limiters.\u003c\/p\u003e\n\u003ch2\u003eGO STEREO\u003c\/h2\u003e\n\u003cp\u003eFor many Distressor owners, one is never enough - in fact, one extremely successful engineer has twelve of them!  For those who want (at least) a stereo pair, ELI offers the EL8-S, a pair of Distressors that are matched at the factory, and come with the cables you need to lock them together.  If you want the Brit Mod and Image Link options, an EL8X-S package is also available.\u003c\/p\u003e\n\u003ch2\u003eSPECIFICATIONS\u003c\/h2\u003e\n\u003cp\u003eFreq. response is 2 Hz to 160 kHz in clean audio mode (+0, -3 dB). Response is shaped in distortion modes (Dist 2, Dist 3).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Dynamic range 110 dB from max. output to min. output in 1:1 mode. Greater than 100 dB signal to noise in distort 3 mode.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Distortion ranges between .02% and 20% depending on distortion mode and release times set on front panel.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• DC coupled output - High quality input caps.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Input impedance is 20K Ohms, Output impedance is \u0026lt; 75 ohms\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Time constants - Attack range 50uS - 50mS. Release range .05 sec to 3.5 seconds, normal modes and up to 20 seconds in 10:1 opto mode. Time constants are dependant on ratio.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Metal Chassis - single height 1.75\" high, 10\" deep, 19\" wide.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Shipping info - 12.1 lbs mono, 24.2 lbs Stereo pair. Mono box dimensions 22.5\" x 18.5\" x 3 1\/4\".\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Stereo Pair box dimensions 22.5\" x 18.5\" x 6 1\/4\u003c\/p\u003e\n\u003c\/div\u003e"}
Empirical Labs EL8 Distressor [ USED ]

Empirical Labs EL8 Distressor [ USED ]

$1,450.00

Empirical Labs Distressor - Digitally Controlled Analog Knee Compressor The Distressor is the product that started it all for Empirical Labs. Born of founder Dave Derr’s love of classic compressors like the 1176, LA-2A and Gain Brain (among others), the Distressor incorporates his favorite sonic characteristics of these, along with other unique ...


More Info
{"id":1624710217774,"title":"Antelope Audio ISOCHRONE TRINITY A must-have 384 kHz HD Master Clock [ USED ]","handle":"antelope-audio-isochrone-trinity-a-must-have-384-khz-hd-master-clock-used","description":"\u003cdiv id=\"specs\" data-midnight=\"light\" data-bottom-percent=\"1%\" data-bg-mobile-hidden=\"\" class=\"wpb_row vc_row-fluid vc_row full-width-section standard_section \"\u003e\n\u003cdiv class=\"col span_12 light left\"\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col centered-text padding-1-percent instance-33\" data-using-bg=\"true\" data-t-w-inherits=\"default\" data-border-radius=\"none\" data-shadow=\"none\" data-border-animation=\"\" data-border-animation-delay=\"\" data-border-width=\"none\" data-border-style=\"solid\" data-border-color=\"\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"true\" data-bg-color=\"#e62b1e\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element \"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch1\u003eTHE BEST SOUNDING MASTER CLOCK\u003c\/h1\u003e\n\u003ch3\u003eA master clock that stands out\u003c\/h3\u003e\n\u003cp\u003eIn the fickle world of Audio \u0026amp; Video formats, Trinity is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, Trinity is the best sounding and most versatile Master Clock available anywhere. Installed in some of the most prominent audio and post production facilities around the globe, Trinity is in the roots of great percentage of the contemporary music and movie productions. Trinity is also an integral component of some of the largest live concerts and events nowadays.\u003c\/p\u003e\n\u003ch3\u003eSPECIFICATIONS\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"fws_5c15718665cd5\" data-midnight=\"dark\" data-bottom-percent=\"5%\" data-bg-mobile-hidden=\"\" class=\"wpb_row vc_row-fluid vc_row standard_section \"\u003e\n\u003cdiv class=\"col span_12 dark left\"\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-36\" data-t-w-inherits=\"default\" data-border-radius=\"none\" data-shadow=\"none\" data-border-animation=\"\" data-border-animation-delay=\"\" data-border-width=\"none\" data-border-style=\"solid\" data-border-color=\"\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\" data-alignment=\"left\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eClocking System\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e64 bit DDS\u003cbr\u003eOven Controlled Crystal Oscillator\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eStability:\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.02ppm @ 64.5°C\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAgeing\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; 1 ppm per year\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eCalibration\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.001 ppm\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAtomic Clock Input\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e10MHz@1Vpp, BNC\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eBasic sampling rates (kHz)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-37\" data-t-w-inherits=\"default\" data-border-radius=\"none\" data-shadow=\"none\" data-border-animation=\"\" data-border-animation-delay=\"\" data-border-width=\"none\" data-border-style=\"solid\" data-border-color=\"\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"column-bg-overlay\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\" data-alignment=\"left\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eGenerators\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e9 Independent and simultaneous: 3 audio, 3 HD, 3 SD\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eVarispeed\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/-200 cents\u003cbr\u003e+12.246%\u003cbr\u003e-10,910%\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003ePull ups\/downs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/- 0.1% NTSC and\/or +\/- 4% PAL\u003cbr\u003e-0.1% HD\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eInputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUniversal video input on BNC.\u003cbr\u003eRecognizes all video formats automatically\u003cbr\u003e2 selectable Word Clock on BNC 32kHz – 384kHz\u003cbr\u003e1 AES\/EBU on XLR. 32kHz – 192kHz @110Ω terminated\u003cbr\u003e1 S\/PDIF on RCA. 32kHz – 192kHz @75Ω terminated\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e2.0 full-speed\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-38\" data-t-w-inherits=\"default\" data-border-radius=\"none\" data-shadow=\"none\" data-border-animation=\"\" data-border-animation-delay=\"\" data-border-width=\"none\" data-border-style=\"solid\" data-border-color=\"\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"column-bg-overlay\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\" data-alignment=\"left\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOutputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHD Video 6xBNC @75Ω\u003cbr\u003eSD 1 – BNC @75Ω fixed for NTSC video standard. Black Burst\u003cbr\u003eSD 2 – BNC @75Ω fixed for PAL video standard. Black Burst\u003cbr\u003eSD 3 – BNC @75Ω PAL 24\/NTSC 30 selectable.Composite Sync\u003cbr\u003eSD 4 – BNC @75Ω PAL 48\/PAL 47.95 selectable. Composite Sync\u003cbr\u003eWordclock – 16 BNC, 3Vpp @ 75Ω\u003cbr\u003eAES\/EBU – 4 XLR @ 110Ω\u003cbr\u003eS\/PDIF – 4 RCA @ 75Ω\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOperating Temperature\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e0-50°C, 32-122°F\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eWeight\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4 kg \/ 8.8 lb\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eDimensions (Approx)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e482 mm (W) × 89 mm (H) × 203 mm (D)\u003cbr\u003e19’’ (W) x 3.5’’ (H) x 8’’ (D)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-12-15T23:28:33+02:00","created_at":"2018-12-15T23:45:04+02:00","vendor":"Antelope Audio","type":"Converter \u0026 Clock","tags":["Antelope Audio","Converter \u0026 Clock","shob by brand_Antelope Audio","Shop by category_Studio \u0026 Recording","Shop by category_Synchronizers","Studio \u0026 Recording","Studio \u0026 Recording Synchronizers","Synchronizers","used","Used Gear"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14917352587310,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antelope Audio ISOCHRONE TRINITY A must-have 384 kHz HD Master Clock [ USED ]","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Trinity-front_f3a963f8-8396-48da-8d63-9c6e9b762922.jpg?v=1544910310","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/fullwidth-img-trinity-4_2a8ccb51-00ac-4c94-9da1-29e6a8ba5b9b.jpg?v=1544910317"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Trinity-front_f3a963f8-8396-48da-8d63-9c6e9b762922.jpg?v=1544910310","options":["Title"],"content":"\u003cdiv id=\"specs\" data-midnight=\"light\" data-bottom-percent=\"1%\" data-bg-mobile-hidden=\"\" class=\"wpb_row vc_row-fluid vc_row full-width-section standard_section \"\u003e\n\u003cdiv class=\"col span_12 light left\"\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col centered-text padding-1-percent instance-33\" data-using-bg=\"true\" data-t-w-inherits=\"default\" data-border-radius=\"none\" data-shadow=\"none\" data-border-animation=\"\" data-border-animation-delay=\"\" data-border-width=\"none\" data-border-style=\"solid\" data-border-color=\"\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"true\" data-bg-color=\"#e62b1e\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"wpb_text_column wpb_content_element \"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003ch1\u003eTHE BEST SOUNDING MASTER CLOCK\u003c\/h1\u003e\n\u003ch3\u003eA master clock that stands out\u003c\/h3\u003e\n\u003cp\u003eIn the fickle world of Audio \u0026amp; Video formats, Trinity is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, Trinity is the best sounding and most versatile Master Clock available anywhere. Installed in some of the most prominent audio and post production facilities around the globe, Trinity is in the roots of great percentage of the contemporary music and movie productions. Trinity is also an integral component of some of the largest live concerts and events nowadays.\u003c\/p\u003e\n\u003ch3\u003eSPECIFICATIONS\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"fws_5c15718665cd5\" data-midnight=\"dark\" data-bottom-percent=\"5%\" data-bg-mobile-hidden=\"\" class=\"wpb_row vc_row-fluid vc_row standard_section \"\u003e\n\u003cdiv class=\"col span_12 dark left\"\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-36\" data-t-w-inherits=\"default\" data-border-radius=\"none\" data-shadow=\"none\" data-border-animation=\"\" data-border-animation-delay=\"\" data-border-width=\"none\" data-border-style=\"solid\" data-border-color=\"\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\" data-alignment=\"left\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eClocking System\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e64 bit DDS\u003cbr\u003eOven Controlled Crystal Oscillator\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eStability:\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.02ppm @ 64.5°C\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAgeing\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; 1 ppm per year\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eCalibration\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.001 ppm\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAtomic Clock Input\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e10MHz@1Vpp, BNC\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eBasic sampling rates (kHz)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-37\" data-t-w-inherits=\"default\" data-border-radius=\"none\" data-shadow=\"none\" data-border-animation=\"\" data-border-animation-delay=\"\" data-border-width=\"none\" data-border-style=\"solid\" data-border-color=\"\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"column-bg-overlay\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\" data-alignment=\"left\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eGenerators\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e9 Independent and simultaneous: 3 audio, 3 HD, 3 SD\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eVarispeed\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/-200 cents\u003cbr\u003e+12.246%\u003cbr\u003e-10,910%\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003ePull ups\/downs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/- 0.1% NTSC and\/or +\/- 4% PAL\u003cbr\u003e-0.1% HD\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eInputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUniversal video input on BNC.\u003cbr\u003eRecognizes all video formats automatically\u003cbr\u003e2 selectable Word Clock on BNC 32kHz – 384kHz\u003cbr\u003e1 AES\/EBU on XLR. 32kHz – 192kHz @110Ω terminated\u003cbr\u003e1 S\/PDIF on RCA. 32kHz – 192kHz @75Ω terminated\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e2.0 full-speed\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-38\" data-t-w-inherits=\"default\" data-border-radius=\"none\" data-shadow=\"none\" data-border-animation=\"\" data-border-animation-delay=\"\" data-border-width=\"none\" data-border-style=\"solid\" data-border-color=\"\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"column-bg-overlay\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\" data-alignment=\"left\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOutputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHD Video 6xBNC @75Ω\u003cbr\u003eSD 1 – BNC @75Ω fixed for NTSC video standard. Black Burst\u003cbr\u003eSD 2 – BNC @75Ω fixed for PAL video standard. Black Burst\u003cbr\u003eSD 3 – BNC @75Ω PAL 24\/NTSC 30 selectable.Composite Sync\u003cbr\u003eSD 4 – BNC @75Ω PAL 48\/PAL 47.95 selectable. Composite Sync\u003cbr\u003eWordclock – 16 BNC, 3Vpp @ 75Ω\u003cbr\u003eAES\/EBU – 4 XLR @ 110Ω\u003cbr\u003eS\/PDIF – 4 RCA @ 75Ω\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOperating Temperature\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e0-50°C, 32-122°F\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eWeight\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4 kg \/ 8.8 lb\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eDimensions (Approx)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e482 mm (W) × 89 mm (H) × 203 mm (D)\u003cbr\u003e19’’ (W) x 3.5’’ (H) x 8’’ (D)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Antelope Audio ISOCHRONE TRINITY A must-have 384 kHz HD Master Clock [ USED ]

Antelope Audio ISOCHRONE TRINITY A must-have 384 kHz HD Master Clock [ USED ]

$0.00

THE BEST SOUNDING MASTER CLOCK A master clock that stands out In the fickle world of Audio & Video formats, Trinity is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, Trinity is the best sounding and most versatile Master Clock available ...


More Info
{"id":1624677449774,"title":"Prismsound ADA-8XR multi-channel modular AD\/DA converter","handle":"prismsound-ada-8xr-multi-channel-modular-ad-da-converter","description":"\u003ch2\u003eOverview\u003c\/h2\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is a multi-channel AD\/DA converter that can be \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/ada8xr\/ada8xr_config.php\"\u003econfigured\u003c\/a\u003e\u003cspan\u003e in numerous ways using \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/ada8xr\/ada8xr_home.php#modules\"\u003eplug-in modules\u003c\/a\u003e\u003cspan\u003e to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD\/DA converter. It can be a \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/support_subs\/apps\/ada8_firewire.php\"\u003emulti-channel FireWire interface\u003c\/a\u003e\u003cspan\u003e, or an AES\/EBU \/ AES3 \/ SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/support_subs\/apps\/ada8_protools.php\"\u003ePro Tools Interface\u003c\/a\u003e\u003cspan\u003e for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eApplications\u003c\/h2\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking \u0026amp; overdubbing, mixing to stereo or surround, mastering and monitoring. The \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eDesign Philosophy\u003c\/h2\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/ada8xr\/ada8xr_spec.php\"\u003eunbeatable performance\u003c\/a\u003e\u003cspan\u003e and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e provides A\/D \u003c\/span\u003e\u003cb\u003eand\u003c\/b\u003e\u003cspan\u003e D\/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eClocking and Synchronization\u003c\/h2\u003e\n\u003cspan\u003eUnlike most other converter systems, the \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e. In addition, the \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e delivers your recordings with perfect transparency, whatever the setup. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eConfiguration options\u003c\/h2\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/ada8xr\/ada8xr_config.php\"\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eConfigurations\u003c\/a\u003e\u003cspan\u003e section. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eADA-8XR Summary\u003c\/h2\u003e\n\u003ch3\u003eChannel Configurations\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 16 channels of state-of-the art\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e24-bit, 192kHz conversion\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ein one great-sounding 2U package.\u003c\/li\u003e\n\u003cli\u003eChoice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations.\u003c\/li\u003e\n\u003cli\u003eDual-path architecture allows independent operation of two 8-channel paths:\n\u003cul\u003e\n\u003cli\u003eEach path (bank of 8 channels) can be assigned to either record or play functions;\u003c\/li\u003e\n\u003cli\u003eEach path can have independent clock references at different sample rates if desired;\u003c\/li\u003e\n\u003cli\u003eEach path is independently configurable;\u003c\/li\u003e\n\u003cli\u003eEach path can drive analogue and digital outputs simultaneously if desired\u003c\/li\u003e\n\u003cli\u003eAllows Source Monitoring with simultaneous A\/D and D\/A conversion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up;\u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs';\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/ada8xr\/ada8xr_config.php#modules\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003ch3\u003eDigital Interface options\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAES3,S\/PDIF up to 192kHz. Handles \u0026amp; converts 2-wire formats for 96k and 192k;\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/support_subs\/apps\/ada8_firewire.php\"\u003eFireWire\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- for direct connection to DAW software on PC or Mac;\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/support_subs\/apps\/ada8_protools.php\"\u003ePro Tools|HD\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- replace 192IO\/96IOs; up to 32 channels in and out per Digi Core\/Process card;\u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO;\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/support_subs\/apps\/ada8_dsd.php\"\u003eDSD - for SACD\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eproduction, with SDIF2\/3 and optional MAC-DSD (Cat5); also allows sample-rate-conversion between any PCM rates;\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cimg src=\"http:\/\/www.prismsound.com\/common\/graphics\/icons\/info_vvs.png\" alt=\"info icon\"\u003e\u003cspan\u003eFor computers without FireWire, the FireWire equipped ADA-8XR \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/studio_news.php?story=0259\" title=\"link to news story\"\u003ecan also be used with Thunderbolt\u003c\/a\u003e\u003cspan\u003eequipped computers via third party Thunderbolt to FireWire adaptors. Of course FireWire adaptors are also available for ExpressCard and various flavours of PCI cards.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch3\u003eClocking and synchronisation\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths;\u003c\/li\u003e\n\u003cli\u003eLocks securely to an external reference working stand-alone or with DAWs.\u003c\/li\u003e\n\u003cli\u003e8-channel LED bargraph with peak hold and status monitoring, switchable between paths.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMonitoring and other features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue line AND digital S\/PDIF outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels;\u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate quality 16-bit \u0026amp; 20-bit transfers;\u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media;\u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' for 24-bit performance on 16-bit media WITHOUT losing tracks;\u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings;\u003c\/li\u003e\n\u003cli\u003eNoise-shaping, MRX or DRE processing functions can be also be carried out in 'D-D' mode, including conversion between different digital interface formats;\u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards;\u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e;\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-12-15T23:12:42+02:00","created_at":"2018-12-15T23:21:08+02:00","vendor":"Prism Sound","type":"AD\/DA Converters","tags":["AD\/DA converter","AD\/DA Converters","Prism Sound","shop by brand_Prism Sound","Shop by category_AD\/DA Converters","used","Used Gear"],"price":0,"price_min":0,"price_max":0,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14917299765294,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Prismsound ADA-8XR multi-channel modular AD\/DA converter","public_title":null,"options":["Default Title"],"price":0,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":"shopify","inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ada8xr_fp_2k.jpg?v=1544908879","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/7438bef54c0d71dcaa899699db0d2030e44c6b3a.png?v=1544908890"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ada8xr_fp_2k.jpg?v=1544908879","options":["Title"],"content":"\u003ch2\u003eOverview\u003c\/h2\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is a multi-channel AD\/DA converter that can be \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/ada8xr\/ada8xr_config.php\"\u003econfigured\u003c\/a\u003e\u003cspan\u003e in numerous ways using \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/ada8xr\/ada8xr_home.php#modules\"\u003eplug-in modules\u003c\/a\u003e\u003cspan\u003e to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD\/DA converter. It can be a \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/support_subs\/apps\/ada8_firewire.php\"\u003emulti-channel FireWire interface\u003c\/a\u003e\u003cspan\u003e, or an AES\/EBU \/ AES3 \/ SPDIF Digital to Analogue or Analogue to Digital converter. It can act as a high resolution \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/support_subs\/apps\/ada8_protools.php\"\u003ePro Tools Interface\u003c\/a\u003e\u003cspan\u003e for recording or post-production. Similarly it can work with a wide range of other popular Digital Audio Workstations (DAWs) including Logic, Cubase, Nuendo and others. In fact, there's not a lot it can't do when it comes to digital audio conversion. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eApplications\u003c\/h2\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is the top professionals' converter of choice in the most exacting applications in music and sound recording, mastering, broadcast and post-production. Offering the cleanest and most transparent conversion available, the \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is ideal for producers, engineers and songwriters wanting to produce top-quality results when recording, tracking \u0026amp; overdubbing, mixing to stereo or surround, mastering and monitoring. The \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is perfect for recording vocal, single instruments, drums or orchestra and is just as much at home providing multiple outputs for external analogue summing. It is in use in the top studios around the world as well as being used in numerous film sound tracks. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eDesign Philosophy\u003c\/h2\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e takes the philosophy of the widely-acclaimed Prism Sound converter range a stage further: Now, the goals of ultimate sound quality, \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/ada8xr\/ada8xr_spec.php\"\u003eunbeatable performance\u003c\/a\u003e\u003cspan\u003e and un-matched versatility have been realised in a modular multi-channel, 24-bit 192kHz-capable format. The \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e provides A\/D \u003c\/span\u003e\u003cb\u003eand\u003c\/b\u003e\u003cspan\u003e D\/A conversion and the essential digital interfaces with a stereo monitor mix output in digital and analogue formats. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eClocking and Synchronization\u003c\/h2\u003e\n\u003cspan\u003eUnlike most other converter systems, the \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is ideal as a master clock for your entire system, whether running from its precision internal reference or from an external source. No external clock source can improve the performance or influence the sound of the \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e. In addition, the \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e can run in Pro Tools Loop Sync mode, or lock to AES3, AES11 or Wordclock. The \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e delivers your recordings with perfect transparency, whatever the setup. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eConfiguration options\u003c\/h2\u003e\n\u003cspan\u003eThe \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is a modular system and this provides great flexibility when creating systems with larger numbers of channels. Whether you need just a few channels of high-quality conversion or large a multi-track setup, the \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e is the natural choice. Using combinations of the basic system options and the range of digital interfaces you can build the system that perfectly matches your requirements. For more detail see the \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/ada8xr\/ada8xr_config.php\"\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eConfigurations\u003c\/a\u003e\u003cspan\u003e section. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch2\u003eADA-8XR Summary\u003c\/h2\u003e\n\u003ch3\u003eChannel Configurations\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 16 channels of state-of-the art\u003cspan\u003e \u003c\/span\u003e\u003cb\u003e24-bit, 192kHz conversion\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ein one great-sounding 2U package.\u003c\/li\u003e\n\u003cli\u003eChoice of 8AD plus 8DA; 16AD; 16DA or D-D only configurations.\u003c\/li\u003e\n\u003cli\u003eDual-path architecture allows independent operation of two 8-channel paths:\n\u003cul\u003e\n\u003cli\u003eEach path (bank of 8 channels) can be assigned to either record or play functions;\u003c\/li\u003e\n\u003cli\u003eEach path can have independent clock references at different sample rates if desired;\u003c\/li\u003e\n\u003cli\u003eEach path is independently configurable;\u003c\/li\u003e\n\u003cli\u003eEach path can drive analogue and digital outputs simultaneously if desired\u003c\/li\u003e\n\u003cli\u003eAllows Source Monitoring with simultaneous A\/D and D\/A conversion.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eElectronically balanced, transformerless, galvanically isolated XLR analogue inputs and outputs ensure freedom from noise pick-up and crosstalk, with software-controlled balance and line-up;\u003c\/li\u003e\n\u003cli\u003ePrism Sound 'Over-killer' selectable on analogue inputs: the best-sounding gentle limiting for louder masters - with no 'overs';\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/products_subs\/ada8xr\/ada8xr_config.php#modules\"\u003e\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003ch3\u003eDigital Interface options\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAES3,S\/PDIF up to 192kHz. Handles \u0026amp; converts 2-wire formats for 96k and 192k;\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/support_subs\/apps\/ada8_firewire.php\"\u003eFireWire\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- for direct connection to DAW software on PC or Mac;\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/support_subs\/apps\/ada8_protools.php\"\u003ePro Tools|HD\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- replace 192IO\/96IOs; up to 32 channels in and out per Digi Core\/Process card;\u003c\/li\u003e\n\u003cli\u003ePro Tools|24 MIX - direct connection in place of 888|IO;\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/support_subs\/apps\/ada8_dsd.php\"\u003eDSD - for SACD\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003eproduction, with SDIF2\/3 and optional MAC-DSD (Cat5); also allows sample-rate-conversion between any PCM rates;\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cimg src=\"http:\/\/www.prismsound.com\/common\/graphics\/icons\/info_vvs.png\" alt=\"info icon\"\u003e\u003cspan\u003eFor computers without FireWire, the FireWire equipped ADA-8XR \u003c\/span\u003e\u003ca href=\"http:\/\/www.prismsound.com\/music_recording\/studio_news.php?story=0259\" title=\"link to news story\"\u003ecan also be used with Thunderbolt\u003c\/a\u003e\u003cspan\u003eequipped computers via third party Thunderbolt to FireWire adaptors. Of course FireWire adaptors are also available for ExpressCard and various flavours of PCI cards.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\n\u003ch3\u003eClocking and synchronisation\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eUltimate Prism Sound clock-stability and jitter-rejection for crystal-clear imaging, with independent multiple PLLs for A\/D and D\/A paths;\u003c\/li\u003e\n\u003cli\u003eLocks securely to an external reference working stand-alone or with DAWs.\u003c\/li\u003e\n\u003cli\u003e8-channel LED bargraph with peak hold and status monitoring, switchable between paths.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMonitoring and other features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eStereo monitor, with headphones and analogue line AND digital S\/PDIF outputs, can monitor any input or output pair, or a panned stereo mix of all eight channels;\u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'SNS' noise-shapers for ultimate quality 16-bit \u0026amp; 20-bit transfers;\u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'MR-X' word-mapping for lossless recording up to 24-bit, 96kHz on standard DA-88 or ADAT MDMs, or other 16 or 20-bit media;\u003c\/li\u003e\n\u003cli\u003eBuilt-in Prism Sound 'DRE' for 24-bit performance on 16-bit media WITHOUT losing tracks;\u003c\/li\u003e\n\u003cli\u003eIntuitive user interface, provides fast access to all I\/O and processing functions; with continuous display of all settings;\u003c\/li\u003e\n\u003cli\u003eNoise-shaping, MRX or DRE processing functions can be also be carried out in 'D-D' mode, including conversion between different digital interface formats;\u003c\/li\u003e\n\u003cli\u003eModular construction allows upgrading of all input and output cards (INCLUDING A\/D, D\/A, and DSP boards); no need to worry about future converter advances or new interface standards;\u003c\/li\u003e\n\u003cli\u003eInternet-upgradeable software - loads from your PC or Mac into 'flash' memory inside the\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eADA-8XR\u003c\/span\u003e;\u003c\/li\u003e\n\u003c\/ul\u003e"}
Prismsound ADA-8XR multi-channel modular AD/DA converter

Prismsound ADA-8XR multi-channel modular AD/DA converter

$0.00

Overview The ADA-8XR is a multi-channel AD/DA converter that can be configured in numerous ways using plug-in modules to suit a very wide variety of applications. It can be a 16 channel AD converter, a 16 Channel DA converter or an 8 channel AD/DA converter. It can be a multi-channel FireWire interface, or an AES/EBU / AES3 / SPDIF Digital to An...


More Info
WAVES Max BCL [ USED ]

Compressors / Limiters

$2,999.00
{"id":1604632281134,"title":"WAVES Max BCL [ USED ]","handle":"waves-max-bcl-used","description":"\u003cdiv class=\"read-more-content\"\u003e\n\u003cdiv class=\"txt\" id=\"plugin-intro-text\"\u003eThree Powerful Processors in One Unit. MaxxBCL is more than just three powerful Waves tools. It’s a solid piece of hardware with state of the art transformers, 48 bit double precision processing, 96 khz, 24 bit, 125 db dynamic range.\u003c\/div\u003e\n\u003cdiv class=\"txt\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"txt\"\u003e\n\u003cdiv class=\"item-features\"\u003e\n\u003cul class=\"list-arrows\"\u003e\n\u003cli\u003eBass enhancement, compression and level maximization in one hardware unit\u003c\/li\u003e\n\u003cli\u003eMaxxBass®, Renaissance Compressor \u0026amp; L2 Ultramaximizer™\u003c\/li\u003e\n\u003cli\u003eRugged \u0026amp; road-ready, with world-class AD\/DA converters\u003c\/li\u003e\n\u003cli\u003ePerfect for live sound, broadcast, post production \u0026amp; more\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"right-box-content\"\u003e\n\u003cdiv class=\"col5\"\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eAnalog input stage:\u003c\/strong\u003e\u003cbr\u003e Maximum Analog Input Gain: 24 dBu\u003cbr\u003e Input Impedance, Balanced Input: 32 kOhm@1kHz\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eAnalog output stage:\u003c\/strong\u003e\u003cbr\u003e Maximum Output: +24dBu\u003cbr\u003e Output Impedance 600 Ω\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eADC (@44.1kHz):\u003c\/strong\u003e\u003cbr\u003e Frequency response: 10Hz - 24 kHz \/ -0.1dB@10Hz \/ 0.01@24k\u003cbr\u003e THD + Noise: ≤ 0.0006 % @ 1kHz @ -1dBFS\u003cbr\u003e THD 3rd Harmonic: -126 dBFS @1kHz, -10dBFS\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eDAC (@44.1kHz):\u003c\/strong\u003e\u003cbr\u003e Frequency response: 20Hz-21kHz \/ - 0.4dB@20Hz \/ 0.05dB@21kHz\u003cbr\u003e Noise: ≤ -108 dB (unweighted)\u003cbr\u003e THD+Noise: ≤ 0.003% @1kHz, -1dBFS\u003cbr\u003e Maximum Output: +24dBu\u003cbr\u003e Output Impedance: 600 ohms @ 1kHz\u003cbr\u003e Crosstalk: ≤ -102 dB (1kHz, 0 dBFS)\u003cbr\u003e THD+N: ≤ 0.003% @ 1kHz un-weighted\u003cbr\u003e Frequency response: -0.4 dB@20Hz \/ 0.05 @ 21kHz\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eLatency (in samples):\u003c\/strong\u003e\u003cbr\u003e Digital to Digital: 133 @44.1, 48kHz, 261 @88.2, 96kHz\u003cbr\u003e Analog to Digital: 176 @44.1, 48kHz, 301 @88.2, 96kHz\u003cbr\u003e Digital to Analog: 182 @44.1, 48kHz, 313 @88.2, 96kHz\u003cbr\u003e Analog to Analog: 225 @44.1, 48kHz, 353 @88.2, 96kHz\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eUser Interface\u003c\/strong\u003e\u003cbr\u003e Clear backlit displays, meters and buttons are visible in all lighting conditions\u003cbr\u003e THD + Noise: ≤ 0.0006 % @ 1kHz @ -1dBFS\u003cbr\u003e Precision Metering with resettable peak hold options (2 sec, infinite)\u003cbr\u003e Accurate, wide range metering covering 90dB for input and output and 12dB for compressor and limiter attenuation\u003cbr\u003e Quick access independent bypass on each processing block\u003cbr\u003e Tactile feedback knobs\u003cbr\u003e 4 easy store\/recall user presets\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eInput \/ Output\u003c\/strong\u003e\u003cbr\u003e Analog, AES\/EBU, SPDIF\u003cbr\u003e Independent rear panel input and output headroom calibration in 6 steps (+9, 12, 15, 18, 20 and 24 dBu)\u003cbr\u003e Passive analog inputs to the A to D converters\u003cbr\u003e Waves analog input transformers\u003cbr\u003e Waves analog output transformers\u003cbr\u003e High performance IDR dithering to 16 or 24 bit output\u003cbr\u003e Precise input level setting using 1% resistor networks\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eProcessing\u003c\/strong\u003e\u003cbr\u003e 48 bit end-to-end internal processing path\u003cbr\u003e Switchable compressor\/MaxxBass® order\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003cbr\u003e Opto\/Electro mode selection\u003cbr\u003e Threshold (0-60dB), Ratio (1:1-12:1) and Attack (0.5, 1, 2, 5, 10, 20, and 50 ms) controls\u003cbr\u003e Proprietary ARC™ Automatic Release Control\u003cbr\u003e Automatic gain makeup.\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eMaxxBass®\u003c\/strong\u003e\u003cbr\u003e Adjustable processor frequency from 25Hz to 120Hz\u003cbr\u003e Adjustable harmonic mix percentage from 0 to 100%\u003cbr\u003e High Pass Filter \"harmonics only\" option\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eLimiter \u003c\/strong\u003e\u003cbr\u003e Overshoot-free Look-ahead processing\u003cbr\u003e Adjustable Threshold (0-18dB)\u003cbr\u003e Adjustable Output Ceiling (0-18dBFS)\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e Length: 48.3cm \/ 19 inches\u003cbr\u003e Height: 8.6 cm \/ 3.4 inches\u003cbr\u003e Depth: 24.7 cm \/ 9.75 inches\u003cbr\u003e Device Weight: 7.66 kg \/ 16.9 lbs\u003cbr\u003e Package Weight: 10.34 kg \/ 22.8 lbs\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-11-27T17:02:07+02:00","created_at":"2018-11-27T17:08:36+02:00","vendor":"Waves","type":"Compressors \/ Limiters","tags":["Compressors \/ Limiters","Mastering","Pro Audio","Shop by brand_Waves","Shop by category_Compressors","Shop by category_Compressors \/ Limiters","Shop by category_Signal Processing \u0026 500 Series","Signal Processing","Studio \u0026 Recording","Used Gear","Waves"],"price":299900,"price_min":299900,"price_max":299900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14792340111406,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"WAVES Max BCL [ USED ]","public_title":null,"options":["Default Title"],"price":299900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/maxxbcl-front.jpg?v=1544510160","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/maxxbcl-back.jpg?v=1544510160","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/WhatsApp_Image_2018-12-02_at_7.14.44_PM_e134ae7e-a378-472c-95d7-7e3425ac33bd.jpeg?v=1544510160"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/maxxbcl-front.jpg?v=1544510160","options":["Title"],"content":"\u003cdiv class=\"read-more-content\"\u003e\n\u003cdiv class=\"txt\" id=\"plugin-intro-text\"\u003eThree Powerful Processors in One Unit. MaxxBCL is more than just three powerful Waves tools. It’s a solid piece of hardware with state of the art transformers, 48 bit double precision processing, 96 khz, 24 bit, 125 db dynamic range.\u003c\/div\u003e\n\u003cdiv class=\"txt\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"txt\"\u003e\n\u003cdiv class=\"item-features\"\u003e\n\u003cul class=\"list-arrows\"\u003e\n\u003cli\u003eBass enhancement, compression and level maximization in one hardware unit\u003c\/li\u003e\n\u003cli\u003eMaxxBass®, Renaissance Compressor \u0026amp; L2 Ultramaximizer™\u003c\/li\u003e\n\u003cli\u003eRugged \u0026amp; road-ready, with world-class AD\/DA converters\u003c\/li\u003e\n\u003cli\u003ePerfect for live sound, broadcast, post production \u0026amp; more\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"right-box-content\"\u003e\n\u003cdiv class=\"col5\"\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eAnalog input stage:\u003c\/strong\u003e\u003cbr\u003e Maximum Analog Input Gain: 24 dBu\u003cbr\u003e Input Impedance, Balanced Input: 32 kOhm@1kHz\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eAnalog output stage:\u003c\/strong\u003e\u003cbr\u003e Maximum Output: +24dBu\u003cbr\u003e Output Impedance 600 Ω\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eADC (@44.1kHz):\u003c\/strong\u003e\u003cbr\u003e Frequency response: 10Hz - 24 kHz \/ -0.1dB@10Hz \/ 0.01@24k\u003cbr\u003e THD + Noise: ≤ 0.0006 % @ 1kHz @ -1dBFS\u003cbr\u003e THD 3rd Harmonic: -126 dBFS @1kHz, -10dBFS\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eDAC (@44.1kHz):\u003c\/strong\u003e\u003cbr\u003e Frequency response: 20Hz-21kHz \/ - 0.4dB@20Hz \/ 0.05dB@21kHz\u003cbr\u003e Noise: ≤ -108 dB (unweighted)\u003cbr\u003e THD+Noise: ≤ 0.003% @1kHz, -1dBFS\u003cbr\u003e Maximum Output: +24dBu\u003cbr\u003e Output Impedance: 600 ohms @ 1kHz\u003cbr\u003e Crosstalk: ≤ -102 dB (1kHz, 0 dBFS)\u003cbr\u003e THD+N: ≤ 0.003% @ 1kHz un-weighted\u003cbr\u003e Frequency response: -0.4 dB@20Hz \/ 0.05 @ 21kHz\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eLatency (in samples):\u003c\/strong\u003e\u003cbr\u003e Digital to Digital: 133 @44.1, 48kHz, 261 @88.2, 96kHz\u003cbr\u003e Analog to Digital: 176 @44.1, 48kHz, 301 @88.2, 96kHz\u003cbr\u003e Digital to Analog: 182 @44.1, 48kHz, 313 @88.2, 96kHz\u003cbr\u003e Analog to Analog: 225 @44.1, 48kHz, 353 @88.2, 96kHz\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eUser Interface\u003c\/strong\u003e\u003cbr\u003e Clear backlit displays, meters and buttons are visible in all lighting conditions\u003cbr\u003e THD + Noise: ≤ 0.0006 % @ 1kHz @ -1dBFS\u003cbr\u003e Precision Metering with resettable peak hold options (2 sec, infinite)\u003cbr\u003e Accurate, wide range metering covering 90dB for input and output and 12dB for compressor and limiter attenuation\u003cbr\u003e Quick access independent bypass on each processing block\u003cbr\u003e Tactile feedback knobs\u003cbr\u003e 4 easy store\/recall user presets\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eInput \/ Output\u003c\/strong\u003e\u003cbr\u003e Analog, AES\/EBU, SPDIF\u003cbr\u003e Independent rear panel input and output headroom calibration in 6 steps (+9, 12, 15, 18, 20 and 24 dBu)\u003cbr\u003e Passive analog inputs to the A to D converters\u003cbr\u003e Waves analog input transformers\u003cbr\u003e Waves analog output transformers\u003cbr\u003e High performance IDR dithering to 16 or 24 bit output\u003cbr\u003e Precise input level setting using 1% resistor networks\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eProcessing\u003c\/strong\u003e\u003cbr\u003e 48 bit end-to-end internal processing path\u003cbr\u003e Switchable compressor\/MaxxBass® order\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eCompressor\u003c\/strong\u003e\u003cbr\u003e Opto\/Electro mode selection\u003cbr\u003e Threshold (0-60dB), Ratio (1:1-12:1) and Attack (0.5, 1, 2, 5, 10, 20, and 50 ms) controls\u003cbr\u003e Proprietary ARC™ Automatic Release Control\u003cbr\u003e Automatic gain makeup.\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eMaxxBass®\u003c\/strong\u003e\u003cbr\u003e Adjustable processor frequency from 25Hz to 120Hz\u003cbr\u003e Adjustable harmonic mix percentage from 0 to 100%\u003cbr\u003e High Pass Filter \"harmonics only\" option\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eLimiter \u003c\/strong\u003e\u003cbr\u003e Overshoot-free Look-ahead processing\u003cbr\u003e Adjustable Threshold (0-18dB)\u003cbr\u003e Adjustable Output Ceiling (0-18dBFS)\u003c\/p\u003e\n\u003cp style=\"margin-bottom: 20px;\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e Length: 48.3cm \/ 19 inches\u003cbr\u003e Height: 8.6 cm \/ 3.4 inches\u003cbr\u003e Depth: 24.7 cm \/ 9.75 inches\u003cbr\u003e Device Weight: 7.66 kg \/ 16.9 lbs\u003cbr\u003e Package Weight: 10.34 kg \/ 22.8 lbs\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
WAVES Max BCL [ USED ]

WAVES Max BCL [ USED ]

$2,999.00

Three Powerful Processors in One Unit. MaxxBCL is more than just three powerful Waves tools. It’s a solid piece of hardware with state of the art transformers, 48 bit double precision processing, 96 khz, 24 bit, 125 db dynamic range. Bass enhancement, compression and level maximization in one hardware unit MaxxBass®, Renaissance Compressor ...


More Info
Avid Pro Tools | SYNC HD [ USED ]

WordClock & Syncronization

$1,995.00
{"id":1604421779502,"title":"Avid Pro Tools | SYNC HD [ USED ]","handle":"avid-pro-tools-sync-hd-used","description":"\u003cp\u003eSync your studio\u003cbr\u003e\u003cbr\u003eKeep your Pro Tools rigs and other connected gear in sync—no matter how massive your media production. Designed for Pro Tools | HD systems, Pro Tools | SYNC HD is the ultimate low-jitter master clock, providing near sample-accurate lock to serial timecode. It's a must when working with large-scale music and soundtrack productions. If you have multiple audio interfaces and digital devices in your studio, SYNC HD offers the stability, consistency, and reliability you need to keep everything running smoothly. And with its new lower price, commanding precision is even easier than ever.\u003cbr\u003e\u003cbr\u003ePRODUCT HIGHLIGHTS\u003cbr\u003e\u003cbr\u003eConnect your sources\u003cbr\u003eSYNC HD provides a wide variety of connections to sync your gear. Get all of the usual suspects to connect to Linear Timecode, Word Clock, NTSC\/PAL sources, black burst generators, digital audio signals, and MachineControl-enabled systems, as well as Bi-Phase, Tach, and Pilot devices.\u003cbr\u003e\u003cbr\u003eSet the clock\u003cbr\u003eEasily select SYNC HD’s clock reference with just the press of a button. The interface supports all major industry-standard clock sources, including Word Clock, HD and SD Video Reference, AES\/EBU, Composite Video In, LTC, and more.\u003cbr\u003e\u003cbr\u003eChoose your frame rate\u003cbr\u003eSelect the timecode frame rate and format (drop-frame or non-drop-frame) with a simple button press. You can scope your current rate by the lit green LED indicator next to 30, 29.97, 25, and 24 fps—or a flashing 24 fps LED indicator when using 23.976 fps. And the “DF” LED will light to indicate drop-frame formats.\u003cbr\u003e\u003cbr\u003eSee and take control\u003cbr\u003eView incoming timecode, as well as various function settings, on the multifunction LED display. See timecode displayed in hours : minutes : seconds : frames. Or use the controls below the display to configure timecode generator settings, PAL\/NTSC selection, sample rate, and more while viewing those modes, parameters, and settings on the LED.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eKey features\u003cbr\u003e\u003cbr\u003eEliminate distortion\u003cbr\u003eMaintain the highest audio fidelity and performance across Pro Tools | HD and all connected devices. With SYNC HD, you have a reliable, low-jitter master clock ensuring that all audio signals are captured and played back with complete precision and accuracy, so you get pristine, distortion-free audio. And it supports all Pro Tools | HD sample rates, from 44.1–192 kHz.\u003cbr\u003e\u003cbr\u003eClock to a variety of sources\u003cbr\u003eSYNC HD supports all major industry-standard clock sources and timecode formats used in audio, video, film, and multimedia production. These include Loop Sync, Video Reference, Linear Timecode, Word Clock, and more.\u003cbr\u003e\u003cbr\u003eSet a positional reference\u003cbr\u003eTo maintain the highest level of sync accuracy over long periods of time, SYNC HD also supports positional reference sources. These include Linear Timecode (LTC), Vertical Interval Timecode (VITC), Serial Timecode, and Bi-phase\/Tach.\u003cbr\u003e\u003cbr\u003eGet locked in\u003cbr\u003eWhen used with Pro Tools | HD systems, SYNC HD provides highly accurate lock to timecode, making it essential for commercial music and post production. If you're using Satellite Link to control multiple Pro Tools | HD systems, you'll need one or more interfaces. You can remotely control the interface from your Pro Tools | HD system, or use SYNC HD standalone. It also provides standard pull-up and pull-down rates, making it easier to work with film and video projects.\u003cbr\u003e\u003cbr\u003eSpecifications \u003cbr\u003e\u003cbr\u003eSYSTEM REQUIREMENTS\u003cbr\u003e\u003cbr\u003e ✓ Pro Tools | HDX, Pro Tools | HD Native, or can be used standalone\u003cbr\u003e\u003cbr\u003eHARDWARE SPECIFICATIONS\u003cbr\u003e\u003cbr\u003e ✓ Please see the Pro Tools | SYNC HD Guide for technical specifications and other details.\u003c\/p\u003e","published_at":"2018-01-09T12:55:29+02:00","created_at":"2018-11-27T12:35:27+02:00","vendor":"Avid","type":"WordClock \u0026 Syncronization","tags":["Avid","Price Range_$1500 to $2000","Shop by brand_Avid","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Shop by category_Synchronizers","Signal Processing \u0026 500 Series","Studio \u0026 Recording","Studio \u0026 Recording Synchronizers","Synchronizers","Used Gear"],"price":199500,"price_min":199500,"price_max":199500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14791128580142,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avid Pro Tools | SYNC HD [ USED ]","public_title":null,"options":["Default Title"],"price":199500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"9900-38924-40"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/protools_sync_hd_left_bda46a91-9de6-437b-8dc9-ed2fbd22f104.jpg?v=1544510555","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/protools_sync_hd_stack_a2bde665-a8b1-47c5-9812-6540ead537de.jpg?v=1544510555","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/WhatsApp_Image_2018-12-02_at_7.15.29_PM.jpeg?v=1544510555"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/protools_sync_hd_left_bda46a91-9de6-437b-8dc9-ed2fbd22f104.jpg?v=1544510555","options":["Title"],"content":"\u003cp\u003eSync your studio\u003cbr\u003e\u003cbr\u003eKeep your Pro Tools rigs and other connected gear in sync—no matter how massive your media production. Designed for Pro Tools | HD systems, Pro Tools | SYNC HD is the ultimate low-jitter master clock, providing near sample-accurate lock to serial timecode. It's a must when working with large-scale music and soundtrack productions. If you have multiple audio interfaces and digital devices in your studio, SYNC HD offers the stability, consistency, and reliability you need to keep everything running smoothly. And with its new lower price, commanding precision is even easier than ever.\u003cbr\u003e\u003cbr\u003ePRODUCT HIGHLIGHTS\u003cbr\u003e\u003cbr\u003eConnect your sources\u003cbr\u003eSYNC HD provides a wide variety of connections to sync your gear. Get all of the usual suspects to connect to Linear Timecode, Word Clock, NTSC\/PAL sources, black burst generators, digital audio signals, and MachineControl-enabled systems, as well as Bi-Phase, Tach, and Pilot devices.\u003cbr\u003e\u003cbr\u003eSet the clock\u003cbr\u003eEasily select SYNC HD’s clock reference with just the press of a button. The interface supports all major industry-standard clock sources, including Word Clock, HD and SD Video Reference, AES\/EBU, Composite Video In, LTC, and more.\u003cbr\u003e\u003cbr\u003eChoose your frame rate\u003cbr\u003eSelect the timecode frame rate and format (drop-frame or non-drop-frame) with a simple button press. You can scope your current rate by the lit green LED indicator next to 30, 29.97, 25, and 24 fps—or a flashing 24 fps LED indicator when using 23.976 fps. And the “DF” LED will light to indicate drop-frame formats.\u003cbr\u003e\u003cbr\u003eSee and take control\u003cbr\u003eView incoming timecode, as well as various function settings, on the multifunction LED display. See timecode displayed in hours : minutes : seconds : frames. Or use the controls below the display to configure timecode generator settings, PAL\/NTSC selection, sample rate, and more while viewing those modes, parameters, and settings on the LED.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eKey features\u003cbr\u003e\u003cbr\u003eEliminate distortion\u003cbr\u003eMaintain the highest audio fidelity and performance across Pro Tools | HD and all connected devices. With SYNC HD, you have a reliable, low-jitter master clock ensuring that all audio signals are captured and played back with complete precision and accuracy, so you get pristine, distortion-free audio. And it supports all Pro Tools | HD sample rates, from 44.1–192 kHz.\u003cbr\u003e\u003cbr\u003eClock to a variety of sources\u003cbr\u003eSYNC HD supports all major industry-standard clock sources and timecode formats used in audio, video, film, and multimedia production. These include Loop Sync, Video Reference, Linear Timecode, Word Clock, and more.\u003cbr\u003e\u003cbr\u003eSet a positional reference\u003cbr\u003eTo maintain the highest level of sync accuracy over long periods of time, SYNC HD also supports positional reference sources. These include Linear Timecode (LTC), Vertical Interval Timecode (VITC), Serial Timecode, and Bi-phase\/Tach.\u003cbr\u003e\u003cbr\u003eGet locked in\u003cbr\u003eWhen used with Pro Tools | HD systems, SYNC HD provides highly accurate lock to timecode, making it essential for commercial music and post production. If you're using Satellite Link to control multiple Pro Tools | HD systems, you'll need one or more interfaces. You can remotely control the interface from your Pro Tools | HD system, or use SYNC HD standalone. It also provides standard pull-up and pull-down rates, making it easier to work with film and video projects.\u003cbr\u003e\u003cbr\u003eSpecifications \u003cbr\u003e\u003cbr\u003eSYSTEM REQUIREMENTS\u003cbr\u003e\u003cbr\u003e ✓ Pro Tools | HDX, Pro Tools | HD Native, or can be used standalone\u003cbr\u003e\u003cbr\u003eHARDWARE SPECIFICATIONS\u003cbr\u003e\u003cbr\u003e ✓ Please see the Pro Tools | SYNC HD Guide for technical specifications and other details.\u003c\/p\u003e"}
Avid Pro Tools | SYNC HD  [ USED ]

Avid Pro Tools | SYNC HD [ USED ]

$1,995.00

Sync your studioKeep your Pro Tools rigs and other connected gear in sync—no matter how massive your media production. Designed for Pro Tools | HD systems, Pro Tools | SYNC HD is the ultimate low-jitter master clock, providing near sample-accurate lock to serial timecode. It's a must when working with large-scale music and soundtrack productions...


More Info
WaveArts MR Gate

Software & Plug-ins

$39.95
{"id":1597105995822,"title":"WaveArts MR Gate","handle":"wavearts-mr-gate","description":"\u003cspan\u003eMR Gate is a full featured expander\/gate that can be used to gate noise during quiet sections. It’s a very comprehensive gate implementation with adjustable lookahead, variable ratio, attack and decay times, etc. In addition, it has a scrolling time display that shows the level of the input signal and the gate attenuation, very handy for setting up the parameters. Also, it has a monitor feature that lets you hear the gated signal which is kind of cool for listening to the background without the foreground.\u003c\/span\u003e","published_at":"2018-11-22T02:37:45+02:00","created_at":"2018-11-22T02:40:22+02:00","vendor":"WaveArts","type":"Software \u0026 Plug-ins","tags":["Download\/Boxed_Download","Expanders \/ Gates","Format_AU","Format_RTAS","Format_VST","Platform_Mac","Platform_Pc","Price Range_$25 to $50","Shop by brand_WaveArts","Shop by category_Software","Shop by category_Software \u0026 Plug-ins","Software \u0026 Plug-ins","Software \u0026 Plug-ins Plug-ins","WaveArts"],"price":3995,"price_min":3995,"price_max":3995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14746208108590,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"WaveArts MR Gate","public_title":null,"options":["Default Title"],"price":3995,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MRGateF-580x203.jpg?v=1542847226"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MRGateF-580x203.jpg?v=1542847226","options":["Title"],"content":"\u003cspan\u003eMR Gate is a full featured expander\/gate that can be used to gate noise during quiet sections. It’s a very comprehensive gate implementation with adjustable lookahead, variable ratio, attack and decay times, etc. In addition, it has a scrolling time display that shows the level of the input signal and the gate attenuation, very handy for setting up the parameters. Also, it has a monitor feature that lets you hear the gated signal which is kind of cool for listening to the background without the foreground.\u003c\/span\u003e"}
WaveArts MR Gate

WaveArts MR Gate

$39.95

MR Gate is a full featured expander/gate that can be used to gate noise during quiet sections. It’s a very comprehensive gate implementation with adjustable lookahead, variable ratio, attack and decay times, etc. In addition, it has a scrolling time display that shows the level of the input signal and the gate attenuation, very handy for setting...


More Info
{"id":1595411071022,"title":"H-Comp Hybrid Compressor","handle":"h-comp-hybrid-compressor","description":"\u003cdiv class=\"item-description\"\u003e\n\u003cdiv class=\"read-more-content\"\u003e\n\u003cdiv class=\"txt\" id=\"plugin-intro-text\"\u003eH-Comp combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plugin can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"read-more-actions\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"item-features\"\u003e\n\u003cul class=\"list-arrows\"\u003e\n\u003cli\u003eHybrid compressor plugin\u003c\/li\u003e\n\u003cli\u003eAnalog modeled release behavior\u003c\/li\u003e\n\u003cli\u003eWet\/dry mix for easy parallel compression\u003c\/li\u003e\n\u003cli\u003eUnique transient pass-through punch control\u003c\/li\u003e\n\u003cli\u003eExclusive BPM-sync release function\u003c\/li\u003e\n\u003cli\u003eAnalog character modes\u003c\/li\u003e\n\u003cli\u003eOutput limiter\/clipper modes\u003c\/li\u003e\n\u003cli\u003eExternal sidechain support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","published_at":"2018-11-21T02:09:59+02:00","created_at":"2018-11-21T02:15:58+02:00","vendor":"Waves","type":"","tags":["Compressors \/ Limiters","plugin","Shop by brand_Waves","Shop by category_Software","Shop by category_Software \u0026 Plug-ins","Software \u0026 Plug-ins","Waves"],"price":2900,"price_min":2900,"price_max":2900,"available":true,"price_varies":false,"compare_at_price":0,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14738310365230,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"H-Comp Hybrid Compressor","public_title":null,"options":["Default Title"],"price":2900,"weight":0,"compare_at_price":0,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/h-comp-hybrid-compressor.png?v=1542759362"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/h-comp-hybrid-compressor.png?v=1542759362","options":["Title"],"content":"\u003cdiv class=\"item-description\"\u003e\n\u003cdiv class=\"read-more-content\"\u003e\n\u003cdiv class=\"txt\" id=\"plugin-intro-text\"\u003eH-Comp combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plugin can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"read-more-actions\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"item-features\"\u003e\n\u003cul class=\"list-arrows\"\u003e\n\u003cli\u003eHybrid compressor plugin\u003c\/li\u003e\n\u003cli\u003eAnalog modeled release behavior\u003c\/li\u003e\n\u003cli\u003eWet\/dry mix for easy parallel compression\u003c\/li\u003e\n\u003cli\u003eUnique transient pass-through punch control\u003c\/li\u003e\n\u003cli\u003eExclusive BPM-sync release function\u003c\/li\u003e\n\u003cli\u003eAnalog character modes\u003c\/li\u003e\n\u003cli\u003eOutput limiter\/clipper modes\u003c\/li\u003e\n\u003cli\u003eExternal sidechain support\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e"}
H-Comp Hybrid Compressor

H-Comp Hybrid Compressor

$29.00

H-Comp combines the modeled behavior of transformers, tubes, and transistors, together with the power and precision that only a plugin can provide. The result is a compressor with capabilities that engineers could only dream about back in the day. H-Comp lends a whole new meaning to the concept of THD: Total Harmonic Distinction. Hybrid c...


More Info
GML Model 2032

Channel Strips

$3,725.00
{"id":1522296127534,"title":"GML Model 2032","handle":"gml-model-2032","description":"\u003ch1\u003e\u003cstrong\u003e1-channel Mic Preamp with 4-Band Parametric Equalizer in a Single Rack Space Case - with Power Supply\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Model 2032 Microphone Preamplifier \/ Parametric Equalizer is a single-channel, multi-input device for high-resolution studio and remote applications. Based on the reference-standard Model 8300 Transformerless Microphone Preamplifier and Model 8200 Parametric Equalizer, this flexible 1U processor continues the GML engineering tradition while bringing the utmost in transparency, detail, and musicality to an affordable, compact form factor. \u003c\/span\u003e\u003cb\u003eThe GML 2032 includes its own internal power supply.\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2018-11-12T21:57:32+02:00","created_at":"2018-11-12T22:02:22+02:00","vendor":"GML","type":"Channel Strips","tags":["Channel Strips","GML","GML Model 2032","Preamps \u0026 Channel Strips","Price Range_$3000 and Over","shop by brand_GML","Shop by category_Channel Strips","Shop by category_Preamps \u0026 Channel Strips","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":372500,"price_min":372500,"price_max":372500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":13778270847022,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"GML2032","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"GML Model 2032","public_title":null,"options":["Default Title"],"price":372500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/GML2032_750.jpg?v=1542052953","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/GML2032Angle_1k.jpg?v=1542052994"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/GML2032_750.jpg?v=1542052953","options":["Title"],"content":"\u003ch1\u003e\u003cstrong\u003e1-channel Mic Preamp with 4-Band Parametric Equalizer in a Single Rack Space Case - with Power Supply\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eThe Model 2032 Microphone Preamplifier \/ Parametric Equalizer is a single-channel, multi-input device for high-resolution studio and remote applications. Based on the reference-standard Model 8300 Transformerless Microphone Preamplifier and Model 8200 Parametric Equalizer, this flexible 1U processor continues the GML engineering tradition while bringing the utmost in transparency, detail, and musicality to an affordable, compact form factor. \u003c\/span\u003e\u003cb\u003eThe GML 2032 includes its own internal power supply.\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e"}
GML Model 2032

GML Model 2032

$3,725.00

1-channel Mic Preamp with 4-Band Parametric Equalizer in a Single Rack Space Case - with Power Supply The Model 2032 Microphone Preamplifier / Parametric Equalizer is a single-channel, multi-input device for high-resolution studio and remote applications. Based on the reference-standard Model 8300 Transformerless Microphone Preamplifier and Mode...


More Info
GML 8200

Parametric EQ

$6,165.00
{"id":1522097913902,"title":"GML 8200","handle":"gml-8200","description":"\u003ch1\u003e\u003cstrong\u003e5-Band Stereo Parametric EQ with Broad Variable Q, 15 dB Boost\/Cut Per Band, and Renowned Sonic Clarity\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBrought to you from the man who invented the term “Parametric Equalization”, the 8200 has been an industry standard for over twenty years, and can be found on virtually every major recording studio’s stereo bus. Each of the five broadly-overlapping bands offers 15dB of Boost or Cut and adjustable bandwidth (or “Q”) from 0.4 to 4. The lowest and highest bands also can be switched to Shelf mode. Quite simply, the 8200 is the archetype Stereo Parametric Equalizer. Its extraordinary resolution, benchmark transparency, generous headroom, and surgical precision have been the reference for many other equalizers but exceeded by no other. The 2U 8200 uses \u003c\/span\u003e\u003cb\u003eone 8355 PSU.\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2018-11-12T18:18:12+02:00","created_at":"2018-11-12T18:20:19+02:00","vendor":"GML","type":"Parametric EQ","tags":["GML","GML 8200","Parametric EQ","Price Range_$3000 and Over","shop by brand_GML","Shop by category_Parametric EQ","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":616500,"price_min":616500,"price_max":616500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":13777559617582,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"GML8200","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"GML 8200","public_title":null,"options":["Default Title"],"price":616500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/GML8200_1k.jpg?v=1542055206","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_341516eb-0ddb-4cc0-a71f-3bb4f158112d.png?v=1542055210","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/gml-8200-stereo-parametric-eq-e19.jpg?v=1542055206"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/GML8200_1k.jpg?v=1542055206","options":["Title"],"content":"\u003ch1\u003e\u003cstrong\u003e5-Band Stereo Parametric EQ with Broad Variable Q, 15 dB Boost\/Cut Per Band, and Renowned Sonic Clarity\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eBrought to you from the man who invented the term “Parametric Equalization”, the 8200 has been an industry standard for over twenty years, and can be found on virtually every major recording studio’s stereo bus. Each of the five broadly-overlapping bands offers 15dB of Boost or Cut and adjustable bandwidth (or “Q”) from 0.4 to 4. The lowest and highest bands also can be switched to Shelf mode. Quite simply, the 8200 is the archetype Stereo Parametric Equalizer. Its extraordinary resolution, benchmark transparency, generous headroom, and surgical precision have been the reference for many other equalizers but exceeded by no other. The 2U 8200 uses \u003c\/span\u003e\u003cb\u003eone 8355 PSU.\u003c\/b\u003e\u003c\/strong\u003e\u003c\/p\u003e"}
GML 8200

GML 8200

$6,165.00

5-Band Stereo Parametric EQ with Broad Variable Q, 15 dB Boost/Cut Per Band, and Renowned Sonic Clarity Brought to you from the man who invented the term “Parametric Equalization”, the 8200 has been an industry standard for over twenty years, and can be found on virtually every major recording studio’s stereo bus. Each of the five broadly-overla...


More Info
Universal Audio LA-2A

Studio & Recording

$3,799.00
{"id":8839787661,"title":"Universal Audio LA-2A","handle":"universal-audio-teletronix-la-2a-classic-leveling-amplifier","description":"\u003cp\u003e\u003cstrong\u003eTrue to the original design, UA’s famed tube-amplified T4 electro-optical compressor.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor over 50 years the Teletronix LA-2A has been revered for its smooth, natural, musical compression. WIth its unique tube-driven electro-optical attenuator system that allows instantaneous gain reduction with no increase in harmonic distortion, the LA-2A massages signals like no other compressor ever made.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOW YOU CAN:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDial-in legendary optical tube compression textures for vocals, bass, drums, and more\u003c\/li\u003e\n\u003cli\u003eRecord your tracks through vintage UA, \"handmade in the USA,\" circuits\u003c\/li\u003e\n\u003cli\u003eEasily add iconic warmth and tube limiting with simple, easy-to-use controls\u003c\/li\u003e\n\u003cli\u003eTrack and mix with a piece of audio recording history\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Real Deal\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eUniversal Audio’s Teletronix LA-2A Classic Leveling Amplifier reissue provides the performance characteristics of the iconic original. With painstaking care, every new LA-2A unit is point-to-point handwired in Scotts Valley, California, with every component carefully evaluated for authenticity. As a result, today’s LA-2A will bring the same legendary compression characteristics of the original to all of your recordings. Demand the original. Accept no copy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue to the original in design, manufacturing and performance\u003c\/li\u003e\n\u003cli\u003eLag free, distortion free optical attenuator system\u003c\/li\u003e\n\u003cli\u003eDistortion less than 0.5% THD\u003c\/li\u003e\n\u003cli\u003e0 to 40 dB gain limiting\u003c\/li\u003e\n\u003cli\u003eBalanced stereo interconnection\u003c\/li\u003e\n\u003cli\u003eFrequency response 1 dB, 30 to 15,000 cps\u003c\/li\u003e\n\u003cli\u003eOutput level of 10 dBm and 40 dB gain\u003c\/li\u003e\n\u003cli\u003eLow noise – less than 70 dB below ±10 dBm output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance 50, 150, 250, 600 ohms\u003c\/li\u003e\n\u003cli\u003eOutput Load Impedance 50, 150, 250, 600 ohms\u003c\/li\u003e\n\u003cli\u003eExternal Connections Jones Barrier terminals and XLR connectors\u003c\/li\u003e\n\u003cli\u003eFrequency Response +0\/-1 dB 30 Hz to 15kHz\u003c\/li\u003e\n\u003cli\u003eGain 40 dB ±1dB\u003c\/li\u003e\n\u003cli\u003eInput Level +16 dB maximum\u003c\/li\u003e\n\u003cli\u003eOutput Level +10 dB nominal, +16 dB maximum\u003c\/li\u003e\n\u003cli\u003eDistortion Less than 0.5% THD (0.25% typical) at ±10 dBm\u003c\/li\u003e\n\u003cli\u003eNoise 70 dB below +10 dBm output level\u003c\/li\u003e\n\u003cli\u003eAttack Time 10 microseconds\u003c\/li\u003e\n\u003cli\u003eRelease Time 0.06 seconds for 50% release; 0.5 to 5 seconds for complete release\u003c\/li\u003e\n\u003cli\u003eMeter dB gain reduction and dB output\u003c\/li\u003e\n\u003cli\u003ePower Requirements 35 watts, 120\/240 volts, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003eEnvironmental\u003c\/li\u003e\n\u003cli\u003eMaximum operating temperature 160°F\u003c\/li\u003e\n\u003cli\u003eDimensions 19\" Rackmount chassis, 3U\u003c\/li\u003e\n\u003cli\u003eWeight 13 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-03-08T16:35:56+02:00","created_at":"2017-01-16T19:28:08+02:00","vendor":"Universal Audio","type":"Studio \u0026 Recording","tags":["Compressors","Limiters","Shop by brand_Universal Audio","Shop by category_ Limiters","Shop by category_Compressors \/ Limiters","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing","Signal Processing \u0026 500 Series","Studio \u0026 Recording","Universal Audio","Universal Audio LA-2A"],"price":379900,"price_min":379900,"price_max":379900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":30365379405,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"LA2A","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Universal Audio LA-2A","public_title":null,"options":["Default Title"],"price":379900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/teletronix_la2a_carousel_1_1.jpg?v=1484587701","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/teletronix_la2a_carousel_2.jpg?v=1484587711","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/teletronix_la2a_carousel_3_1.jpg?v=1484587723"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/teletronix_la2a_carousel_1_1.jpg?v=1484587701","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eTrue to the original design, UA’s famed tube-amplified T4 electro-optical compressor.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor over 50 years the Teletronix LA-2A has been revered for its smooth, natural, musical compression. WIth its unique tube-driven electro-optical attenuator system that allows instantaneous gain reduction with no increase in harmonic distortion, the LA-2A massages signals like no other compressor ever made.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOW YOU CAN:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDial-in legendary optical tube compression textures for vocals, bass, drums, and more\u003c\/li\u003e\n\u003cli\u003eRecord your tracks through vintage UA, \"handmade in the USA,\" circuits\u003c\/li\u003e\n\u003cli\u003eEasily add iconic warmth and tube limiting with simple, easy-to-use controls\u003c\/li\u003e\n\u003cli\u003eTrack and mix with a piece of audio recording history\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe Real Deal\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eUniversal Audio’s Teletronix LA-2A Classic Leveling Amplifier reissue provides the performance characteristics of the iconic original. With painstaking care, every new LA-2A unit is point-to-point handwired in Scotts Valley, California, with every component carefully evaluated for authenticity. As a result, today’s LA-2A will bring the same legendary compression characteristics of the original to all of your recordings. Demand the original. Accept no copy.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eTrue to the original in design, manufacturing and performance\u003c\/li\u003e\n\u003cli\u003eLag free, distortion free optical attenuator system\u003c\/li\u003e\n\u003cli\u003eDistortion less than 0.5% THD\u003c\/li\u003e\n\u003cli\u003e0 to 40 dB gain limiting\u003c\/li\u003e\n\u003cli\u003eBalanced stereo interconnection\u003c\/li\u003e\n\u003cli\u003eFrequency response 1 dB, 30 to 15,000 cps\u003c\/li\u003e\n\u003cli\u003eOutput level of 10 dBm and 40 dB gain\u003c\/li\u003e\n\u003cli\u003eLow noise – less than 70 dB below ±10 dBm output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance 50, 150, 250, 600 ohms\u003c\/li\u003e\n\u003cli\u003eOutput Load Impedance 50, 150, 250, 600 ohms\u003c\/li\u003e\n\u003cli\u003eExternal Connections Jones Barrier terminals and XLR connectors\u003c\/li\u003e\n\u003cli\u003eFrequency Response +0\/-1 dB 30 Hz to 15kHz\u003c\/li\u003e\n\u003cli\u003eGain 40 dB ±1dB\u003c\/li\u003e\n\u003cli\u003eInput Level +16 dB maximum\u003c\/li\u003e\n\u003cli\u003eOutput Level +10 dB nominal, +16 dB maximum\u003c\/li\u003e\n\u003cli\u003eDistortion Less than 0.5% THD (0.25% typical) at ±10 dBm\u003c\/li\u003e\n\u003cli\u003eNoise 70 dB below +10 dBm output level\u003c\/li\u003e\n\u003cli\u003eAttack Time 10 microseconds\u003c\/li\u003e\n\u003cli\u003eRelease Time 0.06 seconds for 50% release; 0.5 to 5 seconds for complete release\u003c\/li\u003e\n\u003cli\u003eMeter dB gain reduction and dB output\u003c\/li\u003e\n\u003cli\u003ePower Requirements 35 watts, 120\/240 volts, 50\/60 Hz\u003c\/li\u003e\n\u003cli\u003eEnvironmental\u003c\/li\u003e\n\u003cli\u003eMaximum operating temperature 160°F\u003c\/li\u003e\n\u003cli\u003eDimensions 19\" Rackmount chassis, 3U\u003c\/li\u003e\n\u003cli\u003eWeight 13 lbs.\u003c\/li\u003e\n\u003c\/ul\u003e"}
Universal Audio LA-2A

Universal Audio LA-2A

$3,799.00

True to the original design, UA’s famed tube-amplified T4 electro-optical compressor. For over 50 years the Teletronix LA-2A has been revered for its smooth, natural, musical compression. WIth its unique tube-driven electro-optical attenuator system that allows instantaneous gain reduction with no increase in harmonic distortion, the LA-2A massa...


More Info