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{"id":8206633921,"title":"Apogee 16 Analog IN + 16 Optical OUT - Symphony I\/O Module","handle":"apogee-16-analog-in-16-optical-out-symphony-i-o-module","description":"The Symphony I\/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I\/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I\/O module features enhanced C777 clocking performance and lower converter latency. \u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis provides two module slots for a variety of digital audio conversion options with one already being filled with the included module. The front panel of chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain and output levels. \u003cbr\u003e\u003cbr\u003eThe converter has multiple connectivity options that include direct connection to a Symphony 64 PCIe card, a USB equipped Intel Mac, or to Avid's Pro Tools HD and HD-X systems. With the addition of the optional Symphony 64\/Thunderbridge interface, the system acquires direct connectivity to any Thunderbolt equipped Mac computer. Additionally, the unit can function standalone. \u003cbr\u003e\u003cbr\u003eThe module requires optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis from Apogee provides two I\/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I\/O. Elegant and easy to use, the front panel of Symphony I\/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).\u003cbr\u003e\u003cbr\u003eThe rear panel provides access to the two I\/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I\/O connectors and termination, LoopSynch I\/O connectors, and a quiet digitally-controlled fan to keep everything running cool.\u003cbr\u003e\u003cbr\u003eThe Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.\u003cbr\u003e\u003cbr\u003eThe optional five I\/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I\/O.\u003cbr\u003e\u003cbr\u003e ✓ Two input\/output module slots\u003cbr\u003e ✓ Ethernet connector\u003cbr\u003e ✓ USB 2.0 connector\u003cbr\u003e ✓ Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card\u003cbr\u003e ✓ Wordclock I\/O and LoopSync I\/O\u003cbr\u003e ✓ Wordclock termination switch\u003cbr\u003e ✓ Sixteen, 10-segment meters\u003cbr\u003e ✓ Two multi-function encoder knobs\u003cbr\u003e ✓ OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection\u003cbr\u003e ✓ Two 1\/4\" headphone outputs\u003cbr\u003e ✓ 7-segment sample rate display\u003cbr\u003e ✓ Clock source display\u003cbr\u003e ✓ Meter source display\u003cbr\u003e ✓ High-performance, temperature controlled fan\u003cbr\u003e\u003cbr\u003eAI16 - Analog to Optical Digital Audio Module for Symphony I\/O\u003cbr\u003e\u003cbr\u003eThe AI16 from Apogee is a 16-channel analog input and 16-channel digital audio output module for the Symphony I\/O. The module occupies one of the two slots available on the chassis and represents 25 years of Apogee research and design excellence.\u003cbr\u003e\u003cbr\u003eRefined and updated circuitry with fewer, more advanced components allows for a shorter audio path, resulting in more recording clarity and transparency and a more efficient power distribution. The module features enhanced C777 clocking performance and lower converter latency.\u003cbr\u003e\u003cbr\u003eThe analog inputs require optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003e ✓ Analog-to-digital module for the Symphony I\/O system\u003cbr\u003e ✓ 16-channels of balanced analog input and up to 16-channels digital output (optical and S\/PDIF) available simultaneously\u003cbr\u003e ✓ Ultra low latency AD conversion\u003cbr\u003e ✓ Software controlled AD reference setting\u003cbr\u003e ✓ Enhanced C777 clocking performance\u003cbr\u003e ✓ Entire audio path is DC coupled, resulting in ultra flat frequency response and extremely low phase error\u003cbr\u003e ✓ Variable gain input for keyboards\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003e ✓ Connectors 2 x 1\/4\" TRS phone Headphone\u003cbr\u003e 2 x Symphony I\/O PC-32 Ports\u003cbr\u003e 1 x Ethernet\u003cbr\u003e 1 x USB\u003cbr\u003e 2 x BNC Wordclock I\/O\u003cbr\u003e 2 x BNC LoopSync I\/O\u003cbr\u003e\u003cbr\u003e ✓ Headphones THD+N: -105dB @ 19dBu\u003cbr\u003e ✓ Dynamic Range: 119dB, A-weighted\u003cbr\u003e ✓ Output Impedance: 30Ω\u003cbr\u003e ✓ Power Requirements 90~240VAC, 50\/60Hz, 150W\u003cbr\u003e ✓ System Requirements Mac OS X 10.5.8 and above\u003cbr\u003e ✓ Dimensions (WxDxH) 19 x 11.5 x 3.5\" (483 x 292 x 89mm)","published_at":"2016-10-10T06:38:00+02:00","created_at":"2016-10-10T07:58:59+02:00","vendor":"Apogee","type":"Audio Interfaces","tags":["Apogee","Misc Digital Converters","Price Range_$1000 to $1500","Shop by brand_Apogee","Shop by category_Misc Digital Converters","Signal Processing","Studio \u0026 Recording"],"price":149500,"price_min":149500,"price_max":149500,"available":true,"price_varies":false,"compare_at_price":149500,"compare_at_price_min":149500,"compare_at_price_max":149500,"compare_at_price_varies":false,"variants":[{"id":27388153345,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AI16","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Apogee 16 Analog IN + 16 Optical OUT - Symphony I\/O Module","public_title":null,"options":["Default Title"],"price":149500,"weight":2590,"compare_at_price":149500,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":"805676 300795"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SymphAI16-xlarge_5aa4b3f2-eeeb-49e7-b7d8-4ebd1affda10.jpg?v=1528503958","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/qlihlkastinmyj6bf1az.jpg?v=1528503958","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sio-mkii-front-panel-16x16_3b5a383f-d5c7-4031-8674-c56672651b1f.jpg?v=1528503958"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SymphAI16-xlarge_5aa4b3f2-eeeb-49e7-b7d8-4ebd1affda10.jpg?v=1528503958","options":["Title"],"content":"The Symphony I\/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I\/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I\/O module features enhanced C777 clocking performance and lower converter latency. \u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis provides two module slots for a variety of digital audio conversion options with one already being filled with the included module. The front panel of chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain and output levels. \u003cbr\u003e\u003cbr\u003eThe converter has multiple connectivity options that include direct connection to a Symphony 64 PCIe card, a USB equipped Intel Mac, or to Avid's Pro Tools HD and HD-X systems. With the addition of the optional Symphony 64\/Thunderbridge interface, the system acquires direct connectivity to any Thunderbolt equipped Mac computer. Additionally, the unit can function standalone. \u003cbr\u003e\u003cbr\u003eThe module requires optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis from Apogee provides two I\/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I\/O. Elegant and easy to use, the front panel of Symphony I\/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).\u003cbr\u003e\u003cbr\u003eThe rear panel provides access to the two I\/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I\/O connectors and termination, LoopSynch I\/O connectors, and a quiet digitally-controlled fan to keep everything running cool.\u003cbr\u003e\u003cbr\u003eThe Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.\u003cbr\u003e\u003cbr\u003eThe optional five I\/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I\/O.\u003cbr\u003e\u003cbr\u003e ✓ Two input\/output module slots\u003cbr\u003e ✓ Ethernet connector\u003cbr\u003e ✓ USB 2.0 connector\u003cbr\u003e ✓ Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card\u003cbr\u003e ✓ Wordclock I\/O and LoopSync I\/O\u003cbr\u003e ✓ Wordclock termination switch\u003cbr\u003e ✓ Sixteen, 10-segment meters\u003cbr\u003e ✓ Two multi-function encoder knobs\u003cbr\u003e ✓ OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection\u003cbr\u003e ✓ Two 1\/4\" headphone outputs\u003cbr\u003e ✓ 7-segment sample rate display\u003cbr\u003e ✓ Clock source display\u003cbr\u003e ✓ Meter source display\u003cbr\u003e ✓ High-performance, temperature controlled fan\u003cbr\u003e\u003cbr\u003eAI16 - Analog to Optical Digital Audio Module for Symphony I\/O\u003cbr\u003e\u003cbr\u003eThe AI16 from Apogee is a 16-channel analog input and 16-channel digital audio output module for the Symphony I\/O. The module occupies one of the two slots available on the chassis and represents 25 years of Apogee research and design excellence.\u003cbr\u003e\u003cbr\u003eRefined and updated circuitry with fewer, more advanced components allows for a shorter audio path, resulting in more recording clarity and transparency and a more efficient power distribution. The module features enhanced C777 clocking performance and lower converter latency.\u003cbr\u003e\u003cbr\u003eThe analog inputs require optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003e ✓ Analog-to-digital module for the Symphony I\/O system\u003cbr\u003e ✓ 16-channels of balanced analog input and up to 16-channels digital output (optical and S\/PDIF) available simultaneously\u003cbr\u003e ✓ Ultra low latency AD conversion\u003cbr\u003e ✓ Software controlled AD reference setting\u003cbr\u003e ✓ Enhanced C777 clocking performance\u003cbr\u003e ✓ Entire audio path is DC coupled, resulting in ultra flat frequency response and extremely low phase error\u003cbr\u003e ✓ Variable gain input for keyboards\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003e ✓ Connectors 2 x 1\/4\" TRS phone Headphone\u003cbr\u003e 2 x Symphony I\/O PC-32 Ports\u003cbr\u003e 1 x Ethernet\u003cbr\u003e 1 x USB\u003cbr\u003e 2 x BNC Wordclock I\/O\u003cbr\u003e 2 x BNC LoopSync I\/O\u003cbr\u003e\u003cbr\u003e ✓ Headphones THD+N: -105dB @ 19dBu\u003cbr\u003e ✓ Dynamic Range: 119dB, A-weighted\u003cbr\u003e ✓ Output Impedance: 30Ω\u003cbr\u003e ✓ Power Requirements 90~240VAC, 50\/60Hz, 150W\u003cbr\u003e ✓ System Requirements Mac OS X 10.5.8 and above\u003cbr\u003e ✓ Dimensions (WxDxH) 19 x 11.5 x 3.5\" (483 x 292 x 89mm)"}
Apogee 16 Analog IN + 16 Optical OUT - Symphony I/O Module

Apogee 16 Analog IN + 16 Optical OUT - Symphony I/O Module

$1,495.00

The Symphony I/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I/O module features enhanced C777 clocking perfor...


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Bettermaker Mastering Equalizer

Mastering

$3,666.00
{"id":635074510894,"title":"Bettermaker Mastering Equalizer","handle":"bettermaker-mastering-equalizer","description":"\u003cp\u003eBettermaker Mastering Equalizer\u003c\/p\u003e\n\u003cp\u003eADVANCED ANALOG MASTERING EQUALIZER\u003c\/p\u003e\n\u003cp\u003e– 100% analog audio signal path\u003c\/p\u003e\n\u003cp\u003e– USB connectivity with MAC\/PC\u003c\/p\u003e\n\u003cp\u003e– all parameters are digitally controlled via touchscreen and\/or DAW (with dedicated plugin)\u003c\/p\u003e\n\u003cp\u003e– 399 presets, total recall, A\/B comparison\u003c\/p\u003e\n\u003cp\u003e– 5-inch capacitive touchscreen with back-light and multi-touch functionality, four encoders with\u003c\/p\u003e\n\u003cp\u003epush-button action for ease of control\u003c\/p\u003e\n\u003cp\u003e– stereo, dual-mono and mid\/side operation modes with solo function\u003c\/p\u003e\n\u003cp\u003e– stereo 12 or 24dB\/oct high-pass filter with adjustable cutoff frequency (15Hz – 150 hz)\u003c\/p\u003e\n\u003cp\u003eand resonance\u003c\/p\u003e\n\u003cp\u003e– four stereo parametric filters with 15dB boost\/cut range, variable Q (0.2 – 3):\u003c\/p\u003e\n\u003cp\u003e– EQ1: 23Hz – 400Hz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– EQ2: 80Hz – 2kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ3: 400Hz – 10kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ4: 1kHz – 23kHz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– stereo passive equalizer with extended hi-boost section (23 and 28 kHz) and separate frequencies\u003c\/p\u003e\n\u003cp\u003efor low-boost and low-cut sections\u003c\/p\u003e\n\u003cp\u003e– stereo 12dB\/oct low-pass filter with adjustable cutoff frequency\u003c\/p\u003e\n\u003cp\u003e– adjustable output level (+\/- 12dB)\u003c\/p\u003e\n\u003cp\u003e– Gain Lock and Auto-Q functions\u003c\/p\u003e\n\u003cp\u003e– on-board measurement of PEAK\/RMS levels and RTA analyzer\u003c\/p\u003e\n\u003cp\u003e– on-screen live representation of the EQ curve\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnical specification:\u003c\/p\u003e\n\u003cp\u003e– balanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– balanced stereo output (XLR), 23dBu max output level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– Operating Level: +4dBu\u003c\/p\u003e\n\u003cp\u003e– Input impedance (differential): 48kΩ (for balanced signal)\u003c\/p\u003e\n\u003cp\u003e– Output Impedance: 50Ω + 50Ω (electronically balanced)\u003c\/p\u003e\n\u003cp\u003e– Frequency response 5Hz to 30kHz; +\/- 0.1dB\u003c\/p\u003e\n\u003cp\u003e– Dynamic range: 115 dB @ +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– THD+N: CMRR: max 80 dB @ 3 kHz, min 55 dB @ 50Hz, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– Crosstalk: min -90 dB @ 1KHz, max -55 dB @ 30Hz, +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– 2U enclosure, 230mm deep\u003c\/p\u003e\n\u003cp\u003e– 115\/230V switch\u003c\/p\u003e\n\u003cp\u003e– advanced linear power supply with toroidal AC mains transformer\u003c\/p\u003e\n\u003cp\u003e– Maximum power consumption: 30W\u003c\/p\u003e\n\u003cp\u003e– Shipping weight: 5.5 kg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-04-17T13:51:32+02:00","created_at":"2018-04-17T13:39:54+02:00","vendor":"Bettermaker","type":"Mastering","tags":["Bettermaker","Mastering","Shop by brand_Bettermaker","Shop by category_Mastering","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":366600,"price_min":366600,"price_max":366600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7599421587502,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bettermaker Mastering Equalizer","public_title":null,"options":["Default Title"],"price":366600,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0690.jpg?v=1523965210","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0692.jpg?v=1523965251","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A06955.jpg?v=1523965267","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0695.jpg?v=1523965296"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0690.jpg?v=1523965210","options":["Title"],"content":"\u003cp\u003eBettermaker Mastering Equalizer\u003c\/p\u003e\n\u003cp\u003eADVANCED ANALOG MASTERING EQUALIZER\u003c\/p\u003e\n\u003cp\u003e– 100% analog audio signal path\u003c\/p\u003e\n\u003cp\u003e– USB connectivity with MAC\/PC\u003c\/p\u003e\n\u003cp\u003e– all parameters are digitally controlled via touchscreen and\/or DAW (with dedicated plugin)\u003c\/p\u003e\n\u003cp\u003e– 399 presets, total recall, A\/B comparison\u003c\/p\u003e\n\u003cp\u003e– 5-inch capacitive touchscreen with back-light and multi-touch functionality, four encoders with\u003c\/p\u003e\n\u003cp\u003epush-button action for ease of control\u003c\/p\u003e\n\u003cp\u003e– stereo, dual-mono and mid\/side operation modes with solo function\u003c\/p\u003e\n\u003cp\u003e– stereo 12 or 24dB\/oct high-pass filter with adjustable cutoff frequency (15Hz – 150 hz)\u003c\/p\u003e\n\u003cp\u003eand resonance\u003c\/p\u003e\n\u003cp\u003e– four stereo parametric filters with 15dB boost\/cut range, variable Q (0.2 – 3):\u003c\/p\u003e\n\u003cp\u003e– EQ1: 23Hz – 400Hz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– EQ2: 80Hz – 2kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ3: 400Hz – 10kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ4: 1kHz – 23kHz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– stereo passive equalizer with extended hi-boost section (23 and 28 kHz) and separate frequencies\u003c\/p\u003e\n\u003cp\u003efor low-boost and low-cut sections\u003c\/p\u003e\n\u003cp\u003e– stereo 12dB\/oct low-pass filter with adjustable cutoff frequency\u003c\/p\u003e\n\u003cp\u003e– adjustable output level (+\/- 12dB)\u003c\/p\u003e\n\u003cp\u003e– Gain Lock and Auto-Q functions\u003c\/p\u003e\n\u003cp\u003e– on-board measurement of PEAK\/RMS levels and RTA analyzer\u003c\/p\u003e\n\u003cp\u003e– on-screen live representation of the EQ curve\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnical specification:\u003c\/p\u003e\n\u003cp\u003e– balanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– balanced stereo output (XLR), 23dBu max output level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– Operating Level: +4dBu\u003c\/p\u003e\n\u003cp\u003e– Input impedance (differential): 48kΩ (for balanced signal)\u003c\/p\u003e\n\u003cp\u003e– Output Impedance: 50Ω + 50Ω (electronically balanced)\u003c\/p\u003e\n\u003cp\u003e– Frequency response 5Hz to 30kHz; +\/- 0.1dB\u003c\/p\u003e\n\u003cp\u003e– Dynamic range: 115 dB @ +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– THD+N: CMRR: max 80 dB @ 3 kHz, min 55 dB @ 50Hz, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– Crosstalk: min -90 dB @ 1KHz, max -55 dB @ 30Hz, +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– 2U enclosure, 230mm deep\u003c\/p\u003e\n\u003cp\u003e– 115\/230V switch\u003c\/p\u003e\n\u003cp\u003e– advanced linear power supply with toroidal AC mains transformer\u003c\/p\u003e\n\u003cp\u003e– Maximum power consumption: 30W\u003c\/p\u003e\n\u003cp\u003e– Shipping weight: 5.5 kg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Bettermaker Mastering Equalizer

Bettermaker Mastering Equalizer

$3,666.00

Bettermaker Mastering Equalizer ADVANCED ANALOG MASTERING EQUALIZER – 100% analog audio signal path – USB connectivity with MAC/PC – all parameters are digitally controlled via touchscreen and/or DAW (with dedicated plugin) – 399 presets, total recall, A/B comparison – 5-inch capacitive touchscreen with back-light and multi-touch functionality, ...


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{"id":10467823501,"title":"Chandler Limited TG12413 Zener Limiter","handle":"chandler-limited-zener-limiter","description":"\u003ch1 id=\"reader-title\"\u003eZener Limiter | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The TG12413 Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition of EMI Limiters started in 1954 with the RS114 tube limiter and the 1968 RS168 Zener Limiter. The Zener Limiters were also part of the 1969 TG12345 console channel and the 1974 TG12413. This newest version borrows from the RS168 Zener Limiter and TG12345 console strip to make a new full featured and flexible unit for modern use.\u003c\/p\u003e\n\u003cp\u003eThe Zener Limiter is being reissued to add features and flexibility to the powerful and vintage sounding TG limiter circuits. Wade has added many new controls including switchable input impedance for hard or soft driving of the unit, 11-position attack, 21-position release, side chain filtering, and Comp 1, Comp 2, and Limit settings.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbbey Road Studios, EMI and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e","published_at":"2018-08-11T20:50:10+02:00","created_at":"2017-07-19T15:33:38+02:00","vendor":"Chandler Limited","type":"Limiter","tags":["Chandler Limited","Mastering","Price Range_$3000 and Over","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_Mastering","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":496000,"price_min":496000,"price_max":496000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40611548493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG12413","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG12413 Zener Limiter","public_title":null,"options":["Default Title"],"price":496000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_6e5c40e0-86a1-4b61-8979-764d49eef6a9.png?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front_angle_2.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front_angle_1.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_rear.jpg?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_zener_limiter_03.png?v=1534087004","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_zener_limiter_04.png?v=1534087004"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_zener_limiter_front.jpg?v=1534087004","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eZener Limiter | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. 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The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAbbey Road Studios, EMI and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Stereo \/ Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e"}
Chandler Limited TG12413 Zener Limiter

Chandler Limited TG12413 Zener Limiter

$4,960.00

Zener Limiter | Chandler Limited The EMI TG12413 Zener Limiter is the ultimate TG limiter issued in celebration of the 75th birthday of Abbey Road Studios. The TG12413 Zener Limiter was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI circuits used to record The Beatles and Pink Floyd. It continues the tradition ...


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Chandler Limited TG1 Limiter

Limiter

$3,935.00
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This option is placed on the front panel of the unit with a toggle switch for each channel.\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). 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The warm open sound, often compared to a Fairchild 670 set to stun, is very audible and squishy sounding while maintaining its clarity and high frequency response.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTG1 Updates \u0026amp; Modifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHarmonic Distortion Function\u003c\/p\u003e\n\u003cp\u003eNow standard on all Abbey Road Special Edition TG-1's, this option allows bypassing of the compressor\/limiter threshold but leaves all circuits in the signal path, turning the unit into a powerful Harmonic Distortion generator capable of kicking out up to 2% Total Harmonic Distortion. That's more than 2 times the amount of analog tape! And all with 100% discrete transformer balanced circuits. Adjust the input for amount of THD and the output to match level. Try running Distortion on one channel and hard limiting on the other. The ultimate in retro! 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Chandler Limited TG1 Limiter

Chandler Limited TG1 Limiter

$3,935.00

TG1 Limiter | Chandler Limited The Chandler Limited TG1 is a recreation of the classic EMI TG12413 Limiter used in custom EMI and Abbey Road recording and mastering consoles from the late '60s. These rare pieces were never commercially available, and only EMI owned studios had access to them. The TG1 Limiter was originally designed to be like th...


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Chandler Limited Curve Bender

Equalizers

$5,890.00
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Chandler Limited Curve Bender

Chandler Limited Curve Bender

$5,890.00

Curve Bender | Chandler Limited The EMI TG12345 Curve Bender is the ultimate TG equalizer issued in celebration of the 75th birthday of Abbey Road Studios. The Curve Bender was conceived by Chandler Limited designer Wade Goeke and is based on the vintage EMI TG12345 desk used to record The Beatles and Pink Floyd. This newest EMI equalizer contin...


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Warm Audio WA-2A
Warm Audio WA-2A

Ube compressor

$899.00 $1,318.80
{"id":9447157901,"title":"Warm Audio WA-2A","handle":"warm-audio","description":"\u003ch1 class=\"ui-title-bar__title\"\u003eWarm Audio WA-2A\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear.  When you hear the bottom-end presence and top-end detail of quality analog gear, the difference can be astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'2A Style Optical Compressor - Made Affordable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic '2A-style optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003cbr\u003e​\u003cbr\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e    •    '2A Style, Transformer balanced, high voltage, opto tube compressor .\u003cbr\u003e    •    Utilizes premium grade input and output CineMag USA Transformers.\u003cbr\u003e    •    Utilizes USA made Kenetek opto attenuator.\u003cbr\u003e    •    Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5\u003cbr\u003e    •    Fully discrete signal path.\u003cbr\u003e    •    Socketed to allow for retro-fitting with other opto-cells.\u003cbr\u003e    •    Variable Pre-emphasis, allows for compression hipass filtering.\u003cbr\u003e    •    Stereo-link capability.\u003cbr\u003e    •    XLR and TRS balanced line level inputs - 600 ohms impedance.\u003cbr\u003e    •    XLR and TRS balanced line level outputs - 600 ohms impedance.\u003cbr\u003e    •    Frequency Response +\/- 1 dB, 15 Hz to 20kHz.\u003cbr\u003e    •    Gain 40 dB ±1dB.\u003cbr\u003e    •    Input Level +16 dB maximum.\u003cbr\u003e    •    Output Level +10 dB nominal, +16 dB maximum.\u003cbr\u003e    •    Distortion Less than 0.1% THD at ±10 dBm.\u003cbr\u003e    •    Noise  = -74dB.\u003cbr\u003e    •    Attack Time - 10 milliseconds.\u003cbr\u003e    •    Release Time - 0.06 seconds for 50% release.\u003cbr\u003e    •    0.5 to 5 seconds for complete release.\u003cbr\u003e    •    Meter shows both dB gain reduction and dB output.\u003cbr\u003e    •    Power - 115\/230 volts (switchable), 50\/60 Hz.\u003cbr\u003e    •    Dimensions - 19\" Rackmount chassis, 2U. 19\" x 7\" x 3.5\".\u003cbr\u003e    •    Weight - 12 lbs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Unit Weight   5.5kg\u003c\/li\u003e\n\u003cli\u003eUnit Size    10x23x6 inch  \/ 26x58x15 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilzing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Four Tube Operation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6P1J.  We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE.  All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","published_at":"2017-03-25T14:47:00+02:00","created_at":"2017-03-25T14:47:52+02:00","vendor":"Warm Audio","type":"Ube compressor","tags":["Compressors \/ Limiters","Price Range_$750 to $1000","Shop by brand_Warm Audio","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording","Warm Audio"],"price":89900,"price_min":89900,"price_max":89900,"available":true,"price_varies":false,"compare_at_price":131880,"compare_at_price_min":131880,"compare_at_price_max":131880,"compare_at_price_varies":false,"variants":[{"id":34812162125,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WA-2A","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA-2A","public_title":null,"options":["Default Title"],"price":89900,"weight":0,"compare_at_price":131880,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"638142859097 "}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_3db301cc84374dc8b0224cd57cba1928_mv2.jpg?v=1490447545","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_9d42394450a24a6c84e3eddcb7819999_mv2.jpg?v=1490447582","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_277af1f75a0c42459bd275c4b4dfd381_mv2.jpg?v=1490447596","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_ce610007afa246228704f5835ca76e61_mv2.jpg?v=1490447623","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_6262f5ed64bc469db7b36632e44494aa_mv2.png?v=1490447803","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_71245a5e0f714827b4151743455b0a65_mv2.png?v=1490447818","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_38a31989d40642df9936206c3c7160bd_mv2.png?v=1490447860"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_3db301cc84374dc8b0224cd57cba1928_mv2.jpg?v=1490447545","options":["Title"],"content":"\u003ch1 class=\"ui-title-bar__title\"\u003eWarm Audio WA-2A\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear.  When you hear the bottom-end presence and top-end detail of quality analog gear, the difference can be astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'2A Style Optical Compressor - Made Affordable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic '2A-style optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003cbr\u003e​\u003cbr\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e    •    '2A Style, Transformer balanced, high voltage, opto tube compressor .\u003cbr\u003e    •    Utilizes premium grade input and output CineMag USA Transformers.\u003cbr\u003e    •    Utilizes USA made Kenetek opto attenuator.\u003cbr\u003e    •    Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5\u003cbr\u003e    •    Fully discrete signal path.\u003cbr\u003e    •    Socketed to allow for retro-fitting with other opto-cells.\u003cbr\u003e    •    Variable Pre-emphasis, allows for compression hipass filtering.\u003cbr\u003e    •    Stereo-link capability.\u003cbr\u003e    •    XLR and TRS balanced line level inputs - 600 ohms impedance.\u003cbr\u003e    •    XLR and TRS balanced line level outputs - 600 ohms impedance.\u003cbr\u003e    •    Frequency Response +\/- 1 dB, 15 Hz to 20kHz.\u003cbr\u003e    •    Gain 40 dB ±1dB.\u003cbr\u003e    •    Input Level +16 dB maximum.\u003cbr\u003e    •    Output Level +10 dB nominal, +16 dB maximum.\u003cbr\u003e    •    Distortion Less than 0.1% THD at ±10 dBm.\u003cbr\u003e    •    Noise  = -74dB.\u003cbr\u003e    •    Attack Time - 10 milliseconds.\u003cbr\u003e    •    Release Time - 0.06 seconds for 50% release.\u003cbr\u003e    •    0.5 to 5 seconds for complete release.\u003cbr\u003e    •    Meter shows both dB gain reduction and dB output.\u003cbr\u003e    •    Power - 115\/230 volts (switchable), 50\/60 Hz.\u003cbr\u003e    •    Dimensions - 19\" Rackmount chassis, 2U. 19\" x 7\" x 3.5\".\u003cbr\u003e    •    Weight - 12 lbs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Unit Weight   5.5kg\u003c\/li\u003e\n\u003cli\u003eUnit Size    10x23x6 inch  \/ 26x58x15 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilzing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Four Tube Operation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6P1J.  We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE.  All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e"}
Warm Audio WA-2A

Warm Audio WA-2A

$899.00

Warm Audio WA-2A Analog Tone. Though digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear.  When you hear the bottom-end presence and top-end detail of quality analog gear, the differenc...


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MASELEC MLA-4 Multiband Compressor / Expander

Multiband Compressor / Expander

$4,592.00
{"id":108393168922,"title":"MASELEC MLA-4 Multiband Compressor \/ Expander","handle":"maselec-mla-4-multiband-compressor-expander","description":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-4 Multiband Compressor \/ Expander\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew multiband Compressor \/ Expander developed from the popular MLA-3 with added expander functions\u003cbr\u003efor all frequencies.\u003cbr\u003eThe MLA-4 is a powerful tool that could be used for:\u003cbr\u003eRestoring and improving over-compressed or\u003cbr\u003euneven mixes.\u003cbr\u003eChanging the tonal balance when ordinary equalizers are unable to do the job.\u003cbr\u003eCreating exciting new sounds with the unique linking that combines compression and expansion.\u003c\/p\u003e\n\u003cp\u003eThe input signal is split into three frequency-bands. 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Maximum input level is \u0026gt;\u003cbr\u003e+29dBu (balanced). \u003cbr\u003eOutputs \u003cbr\u003eThe outputs are electronically balanced and can deliver \u0026gt;+\u003cbr\u003e28dBu into 600ohm (balanced). \u003cbr\u003eOutput impedance is 33ohm (balanced and unbalanced). \u003cbr\u003eThe inputs and outputs can be unbalanced by simply grounding either pin 2 or pin 3\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specification:-  \u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInput Impedance 100 kohm\u003c\/li\u003e\n\u003cli\u003eMaximum input level +29dBu (0dBu = 0.775V)\u003c\/li\u003e\n\u003cli\u003eThresholds (0dB input gain) -10dBu to +20dBu\u003c\/li\u003e\n\u003cli\u003eTypical THD (ratio 1:1) \u0026lt;-90dB\u003c\/li\u003e\n\u003cli\u003eFrequency Response within 0.05dB 20Hz to 20kHz\u003c\/li\u003e\n\u003cli\u003eBandwidth greater than 1Hz to 500kHz\u003c\/li\u003e\n\u003cli\u003eTypical Noise -90dBu\u003c\/li\u003e\n\u003cli\u003eMaximum Output level +28dBu\u003c\/li\u003e\n\u003cli\u003eOutput impedance 33 ohm\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-09-17T07:06:43+02:00","created_at":"2017-09-17T07:08:53+02:00","vendor":"MASELEC","type":"Multiband Compressor \/ Expander","tags":["Compressors \/ Limiters","MASELEC","Price Range_$3000 and Over","Shop by brand_MASELEC","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording"],"price":459200,"price_min":459200,"price_max":459200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1416943829018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MLA-4","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MASELEC MLA-4 Multiband Compressor \/ Expander","public_title":null,"options":["Default Title"],"price":459200,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"0644221295762"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MLA-4.jpg?v=1506263563"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/MLA-4.jpg?v=1506263563","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-4 Multiband Compressor \/ Expander\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNew multiband Compressor \/ Expander developed from the popular MLA-3 with added expander functions\u003cbr\u003efor all frequencies.\u003cbr\u003eThe MLA-4 is a powerful tool that could be used for:\u003cbr\u003eRestoring and improving over-compressed or\u003cbr\u003euneven mixes.\u003cbr\u003eChanging the tonal balance when ordinary equalizers are unable to do the job.\u003cbr\u003eCreating exciting new sounds with the unique linking that combines compression and expansion.\u003c\/p\u003e\n\u003cp\u003eThe input signal is split into three frequency-bands. Each\u003cbr\u003e band is passed through a stereo \u003cbr\u003ecompressor \/ expander, where gain and processing can be altered. \u003cbr\u003eThe outputs of the compressors \/ expanders are then re-combined and fed to the outputs. \u003cbr\u003eThere are four different frequencies for each of the two crossovers that can be separately \u003cbr\u003eselected for the low-to-mid and the mid-to-high bands.\u003cbr\u003eThe three frequency-band compressors \/ expanders have separate controls so that different \u003cbr\u003eparts of the audio spectrum can be adjusted and tuned. \u003cbr\u003eWith separate gain controls for each frequency-band, the \u003cbr\u003eMLA-4 can also be used as an equalizer. \u003cbr\u003eYou can always adjust the controls for the separate frequency bands to different settings.  \u003cbr\u003eThere is no \u003cbr\u003etechnical \u003cbr\u003ereason why they should be the same for all frequencies. \u003cbr\u003eSeparate Input and Output gain controls, make the MLA-\u003cbr\u003e4 easy to use for different operating levels. \u003cbr\u003eInputs \u003cbr\u003eThe inputs are electronically balanced, virtually ground floating, making them perform as if they \u003cbr\u003eare transformer coupled, but without the associated colouration, low frequency distortion and \u003cbr\u003erestricted bandwidth. \u003cbr\u003eThe input impedance is 100kohm. 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MASELEC MLA-4 Multiband Compressor / Expander

MASELEC MLA-4 Multiband Compressor / Expander

$4,592.00

MASELEC MLA-4 Multiband Compressor / Expander New multiband Compressor / Expander developed from the popular MLA-3 with added expander functionsfor all frequencies.The MLA-4 is a powerful tool that could be used for:Restoring and improving over-compressed oruneven mixes.Changing the tonal balance when ordinary equalizers are unable to do the job...


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MASELEC MLA-2 Compressor

Compressors

$3,150.00
{"id":108412633114,"title":"MASELEC MLA-2 Compressor","handle":"maselec-mla-2-compressor","description":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-2 Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue compressors have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with digital media. The MLA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MLA-2 has a rear-mounted range control switch that adjusts the threshold range to suit either mastering or recording\/mixing applications.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a compressor that can provide effective dynamic control with minimal side-effects - it is designed to provide a very transparent signal path.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy for the MLA-2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of Leif Mases' experience with the creative process and engineering and technical excellence ensure that the Maselec MLA-2 delivers great-sounding audio in an intuitive and easy-to-use package.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MLA-2\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a very special Compressor that has been designed to provide effective but subtle compression. It uses the principle of a fixed threshold, with adjustable drive (or input gain). This makes for more intuitive operation than an adjustable threshold - turn the drive control clockwise and increase the compression depth.\u003cbr\u003e\u003cbr\u003eThe progression into the compression region is gradual and changes as the ratio is increased. Minimal output gain make-up adjustment is needed as the threshold is slightly modified running through different ratio settings. This creates a consistent gain point with about 2-3dB of compression across the ratio range.\u003cbr\u003e\u003cbr\u003eThe MLA-2 automatically adjusts its attack and release times based on the front panel setting for the most musical result. In addition, a modified release decay is used rather than the conventional exponential curve.\u003cbr\u003e\u003cbr\u003eThe MLA-2 IMAGELINK system provides a stereo side-chain link that allows the gain of the two channels to track so avoiding the risk of stereo image shifting when only one channel is controlled. However, transients that are placed to the extreme right or left can result in a slightly un-natural ducking of the other channel, so the stereo link is controlled to avoid this.\u003cbr\u003e\u003cbr\u003eThe MLA-2 achieves excellent results with speech and other highly dynamic sources, as well as instruments such as piano, saxophone or drums. It has a distinctive character, discernable both sonically and in the unique shape of its progressive compression curves. It provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path.\u003c\/p\u003e","published_at":"2017-09-17T07:25:12+02:00","created_at":"2017-09-17T07:27:37+02:00","vendor":"MASELEC","type":"Compressors","tags":["Compressors \/ Limiters","MASELEC","Price Range_$3000 and Over","Shop by brand_MASELEC","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording"],"price":315000,"price_min":315000,"price_max":315000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1417487220762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MLA-2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MASELEC MLA-2 Compressor","public_title":null,"options":["Default Title"],"price":315000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"0644221295878"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MLA-2_20-_20ang.jpg?v=1505626081"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MLA-2_20-_20ang.jpg?v=1505626081","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMASELEC MLA-2 Compressor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue compressors have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with digital media. The MLA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MLA-2 has a rear-mounted range control switch that adjusts the threshold range to suit either mastering or recording\/mixing applications.\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a compressor that can provide effective dynamic control with minimal side-effects - it is designed to provide a very transparent signal path.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy for the MLA-2\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of Leif Mases' experience with the creative process and engineering and technical excellence ensure that the Maselec MLA-2 delivers great-sounding audio in an intuitive and easy-to-use package.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MLA-2\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe MLA-2 is a very special Compressor that has been designed to provide effective but subtle compression. It uses the principle of a fixed threshold, with adjustable drive (or input gain). This makes for more intuitive operation than an adjustable threshold - turn the drive control clockwise and increase the compression depth.\u003cbr\u003e\u003cbr\u003eThe progression into the compression region is gradual and changes as the ratio is increased. Minimal output gain make-up adjustment is needed as the threshold is slightly modified running through different ratio settings. This creates a consistent gain point with about 2-3dB of compression across the ratio range.\u003cbr\u003e\u003cbr\u003eThe MLA-2 automatically adjusts its attack and release times based on the front panel setting for the most musical result. In addition, a modified release decay is used rather than the conventional exponential curve.\u003cbr\u003e\u003cbr\u003eThe MLA-2 IMAGELINK system provides a stereo side-chain link that allows the gain of the two channels to track so avoiding the risk of stereo image shifting when only one channel is controlled. However, transients that are placed to the extreme right or left can result in a slightly un-natural ducking of the other channel, so the stereo link is controlled to avoid this.\u003cbr\u003e\u003cbr\u003eThe MLA-2 achieves excellent results with speech and other highly dynamic sources, as well as instruments such as piano, saxophone or drums. It has a distinctive character, discernable both sonically and in the unique shape of its progressive compression curves. It provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path.\u003c\/p\u003e"}
MASELEC MLA-2 Compressor

MASELEC MLA-2 Compressor

$3,150.00

MASELEC MLA-2 Compressor  The MLA-2 is a stereo or 2-channel compressor with stepped drive (input gain), ratio, attack and release time and output gain controls. For optimum transparency and freedom from noise the MLA-2 employs a non-VCA design.ApplicationsTop recording and mastering engineers still use some analogue signal processing equipment,...


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MASELEC MEA-2 Equalizer

Equalizers

$6,915.00
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It has been carefully designed to be easy to use and provide a natural warm sound with a great degree of transparancy. The MEA-2 also offers precision controls, which enable exact recalls of previously used configurations. .\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUsing the MEA-2\u003c\/strong\u003e\u003cbr\u003eThe MEA-2 is a very special Equalizer that has been designed to achieve a certain sound. It has a distinctive character, discernable both sonically and in the unique shape of its EQ curves.\u003cbr\u003e\u003cbr\u003eWith 4 bands per channel, shelving\/peaking\/Q selection on each and 84 interleaved frequency settings per channel, the MEA-2 provides great flexibility and precision.\u003cbr\u003e\u003cbr\u003eWhen a cut\/boost control is set to 0dB; the associated frequency section is by-passed\u003cbr\u003e\u003cbr\u003eChannel 1 and channel 2 can be by-passed individually with the illuminated push buttons on the front panel.\u003cbr\u003e\u003cbr\u003eThe inputs and outputs can be connected to both balanced or unbalanced equipment and are able to handle up to +29dBu levels.\u003cbr\u003e\u003cbr\u003eThe MEA-2 provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path. All critical components are hand selected and matched.\u003cbr\u003e\u003cbr\u003eGreat sounding EQ is right behind the controls!\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e","published_at":"2017-09-17T07:21:04+02:00","created_at":"2017-09-17T07:24:00+02:00","vendor":"MASELEC","type":"Equalizers","tags":["MASELEC","Parametric EQ","Price Range_$3000 and Over","Shop by brand_MASELEC","Shop by category_Parametric EQ","Signal Processing","Studio \u0026 Recording"],"price":691500,"price_min":691500,"price_max":691500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1417388818458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MEA-2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"MASELEC MEA-2 Equalizer","public_title":null,"options":["Default Title"],"price":691500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"0644221295861"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MEA-2_20-_20angled.jpg?v=1505625873","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mea2_ang_r.jpg?v=1505625880"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Maselec_20MEA-2_20-_20angled.jpg?v=1505625873","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMASELEC MEA-2 Equalizer\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q\/shelf, frequency and cut\/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTop recording and mastering engineers still use some analogue signal processing equipment, finding the familiar correlation between sound and control better to work with. However, most analogue equalizers have either continuously variable controls, making precise adjustments difficult, or just a few coarsely-stepped controls. Many fail to meet the standards of audio performance consistent with modern demands. The MEA-2 provides fully-stepped controls for precision and repeatability for ALL parameters.\u003cbr\u003e\u003cbr\u003eThe MEA-2 is extensively used in mastering but also works well on an insertion point in recording or mixing. The MEA-2 has stepped controls with a fine 0.5dB gain adjustment at low cut\/boost settings. Maximum cut\/boost per band is 8dB.\u003cbr\u003e\u003cbr\u003eThe MEA-2 is an equalizer that can provide precise equalization with minimal side-effects - it is designed to provide a very transparent signal path where only the desired equalization effect is obtained without adding any particular sonic signature.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePedigree and design philosophy\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe MEA-2 was developed by Leif Mases in conjunction with recording engineers, producers and mastering engineers to provide a tool for high quality signal processing in the most demanding professional applications. It has been carefully designed to be easy to use and provide a natural warm sound with a great degree of transparancy. 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It has a distinctive character, discernable both sonically and in the unique shape of its EQ curves.\u003cbr\u003e\u003cbr\u003eWith 4 bands per channel, shelving\/peaking\/Q selection on each and 84 interleaved frequency settings per channel, the MEA-2 provides great flexibility and precision.\u003cbr\u003e\u003cbr\u003eWhen a cut\/boost control is set to 0dB; the associated frequency section is by-passed\u003cbr\u003e\u003cbr\u003eChannel 1 and channel 2 can be by-passed individually with the illuminated push buttons on the front panel.\u003cbr\u003e\u003cbr\u003eThe inputs and outputs can be connected to both balanced or unbalanced equipment and are able to handle up to +29dBu levels.\u003cbr\u003e\u003cbr\u003eThe MEA-2 provides the warmth, punch or air you need with a minimum of effort and without compromising the signal path. All critical components are hand selected and matched.\u003cbr\u003e\u003cbr\u003eGreat sounding EQ is right behind the controls!\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e"}
MASELEC MEA-2 Equalizer

MASELEC MEA-2 Equalizer

$6,915.00

MASELEC MEA-2 Equalizer The MEA-2 is a stereo or 2-channel, four-band precision analogue equalizer with stepped Q/shelf, frequency and cut/boost controls on each band. It is designed for recording and mastering applications where ultimate sonic performance, musicality and precision are required.ApplicationsTop recording and mastering engineers s...


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Burl Audio B2 BOMBER DAC

Signal Processing

From $2,349.00
{"id":9880387661,"title":"Burl Audio B2 BOMBER DAC","handle":"burl-audio-b2-bomber-dac","description":"\u003ch1\u003e\u003cstrong\u003eB2 BOMBER DAC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER DIGITAL \/ ANALOG CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 BOMBER DAC delivers sonic purity and dynamics thus far unheard of.\u003c\/p\u003e\n\u003cp\u003eAs a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cbr\u003e • 44.1k Hz to 192k Hz, 24 bit, 2 channel DAC \u003cbr\u003e • Proprietary custom design BOPA1, all discrete op-amps \u003cbr\u003e • Passive filters \u003cbr\u003e • All class-A \u003cbr\u003e • Zero capacitor signal path \u003cbr\u003e • Audiophile quality 6 position attenuator with standard headroom settings \u003cbr\u003e • High definition metering with simultaneous RMS and peak indication \u003cbr\u003e • Dante, 2 AES, SPDIF and Toslink input \u003cbr\u003e • BNC word clock input with two outputs of extremely low jitter clock \u003cbr\u003e • Frequency response at 48kHz sample rate is 10Hz to 22kHz, +\/- 0.1dB \u003cbr\u003e • Frequency response at 96kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -0.3 dB @ 40kHz \u003cbr\u003e • Frequency response at 192kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -1.5 dB @ 90kHz \u003cbr\u003e • 115dB Dynamic Range \u003cbr\u003e • -96dB THD+N, full scale output = +22dBU \u003cbr\u003e • Rugged, Made in USA design\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-05-06T15:53:27+02:00","created_at":"2017-05-06T15:55:08+02:00","vendor":"Burl Audio","type":"Signal Processing","tags":["Burl Audio","Misc Digital Converters","Price Range_$2000 to $3000","Shop by brand_Burl Audio","Shop by category_Misc Digital Converters","Shop by category_Studio \u0026 Recording","Signal Processing","Studio \u0026 Recording"],"price":234900,"price_min":234900,"price_max":254900,"available":true,"price_varies":true,"compare_at_price":234900,"compare_at_price_min":234900,"compare_at_price_max":254900,"compare_at_price_varies":true,"variants":[{"id":36992831117,"title":"with Dante","option1":"with Dante","option2":null,"option3":null,"sku":"B2-DAC-Dante","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER DAC - with Dante","public_title":"with Dante","options":["with Dante"],"price":254900,"weight":0,"compare_at_price":254900,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":423751352346,"title":"without Dante","option1":"without Dante","option2":null,"option3":null,"sku":"B2-DAC","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER DAC - without Dante","public_title":"without Dante","options":["without Dante"],"price":234900,"weight":0,"compare_at_price":234900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_DAC_Dante_Front.png?v=1503488845","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_8e214134-c5d3-443b-91c1-827a4a1d604e.png?v=1503488845","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_DAC_Dante_Back.png?v=1503488845"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_DAC_Dante_Front.png?v=1503488845","options":["Card"],"content":"\u003ch1\u003e\u003cstrong\u003eB2 BOMBER DAC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER DIGITAL \/ ANALOG CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 BOMBER DAC delivers sonic purity and dynamics thus far unheard of.\u003c\/p\u003e\n\u003cp\u003eAs a compliment to the B2 ADC, the B2 DAC punches you in the chest with low end while the 3D spaciality and stereo spread give you amazing detail throughout the spectrum. Add to that a sweet tone that is easy on your ears, and you have a unit that you will instantly fall in love with! Both the B2 ADC and B2 DAC feature identical, incredibly low jitter clocking, precision metering and stepped attenuators. Couple the B2 ADC with the B2 DAC and you have the B2 Bomber Master Signal Chain, a force to be reckoned with!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e \u003cbr\u003e • 44.1k Hz to 192k Hz, 24 bit, 2 channel DAC \u003cbr\u003e • Proprietary custom design BOPA1, all discrete op-amps \u003cbr\u003e • Passive filters \u003cbr\u003e • All class-A \u003cbr\u003e • Zero capacitor signal path \u003cbr\u003e • Audiophile quality 6 position attenuator with standard headroom settings \u003cbr\u003e • High definition metering with simultaneous RMS and peak indication \u003cbr\u003e • Dante, 2 AES, SPDIF and Toslink input \u003cbr\u003e • BNC word clock input with two outputs of extremely low jitter clock \u003cbr\u003e • Frequency response at 48kHz sample rate is 10Hz to 22kHz, +\/- 0.1dB \u003cbr\u003e • Frequency response at 96kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -0.3 dB @ 40kHz \u003cbr\u003e • Frequency response at 192kHz sample rate is 10Hz to 30kHz, +\/- 0.1dB, -1.5 dB @ 90kHz \u003cbr\u003e • 115dB Dynamic Range \u003cbr\u003e • -96dB THD+N, full scale output = +22dBU \u003cbr\u003e • Rugged, Made in USA design\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Burl Audio B2 BOMBER DAC

Burl Audio B2 BOMBER DAC

$2,549.00

B2 BOMBER DAC THE B2 BOMBER DIGITAL / ANALOG CONVERTER The B2 BOMBER DAC is the result of tireless digital to analog research and development. As a result the B2 DAC features unique class-A, discrete op-amps with passive filtering. This makes the B2 DAC ideal for monitoring. Couple this with state of the art conversion technology and the B2 BOMB...

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Burl Audio B2 BOMBER ADC

Signal Processing

From $2,349.00
{"id":9880634189,"title":"Burl Audio B2 BOMBER ADC","handle":"burl-audio-b2-bomber-adc","description":"\u003cdiv class=\" et_pb_row et_pb_row_1\"\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_1_2 et_pb_column_1\"\u003e\n\u003cdiv class=\"et_pb_text et_pb_module et_pb_bg_layout_light et_pb_text_align_left et_pb_text_1\"\u003e\n\u003ch1\u003e\u003cstrong\u003eB2 Bomber ADC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER ANALOG \/ DIGITAL CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings.\u003c\/p\u003e\n\u003cp\u003eOpen up your best Mic Pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for inter-connectivity with little attention to the analog audio path, or even the conversion, let alone the tone.\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube Mic Pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.\u003c\/p\u003e\n\u003cp\u003eBURL AUDIO has solved this problem by designing an analog audio path that is complimentary to your Mic Pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.\u003c\/p\u003e\n\u003cp\u003eUsing a B2 BOMBER in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.\u003c\/p\u003e\n\u003cp\u003eThe attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 BOMBER hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 BOMBER ADC, the most significant piece of gear in your studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2017-05-06T16:30:58+02:00","created_at":"2017-05-06T16:31:24+02:00","vendor":"Burl Audio","type":"Signal Processing","tags":["Burl Audio","Misc Digital Converters","Price Range_$2000 to $3000","Shop by brand_Burl Audio","Shop by category_Misc Digital Converters","Shop by category_Studio \u0026 Recording","Signal Processing","Studio \u0026 Recording"],"price":234900,"price_min":234900,"price_max":254900,"available":true,"price_varies":true,"compare_at_price":234900,"compare_at_price_min":234900,"compare_at_price_max":254900,"compare_at_price_varies":true,"variants":[{"id":36993823821,"title":"with Dante","option1":"with Dante","option2":null,"option3":null,"sku":"B2-ADC-Dante","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER ADC - with Dante","public_title":"with Dante","options":["with Dante"],"price":254900,"weight":0,"compare_at_price":254900,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":423708164122,"title":"without Dante","option1":"without Dante","option2":null,"option3":null,"sku":"B2-ADC","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Burl Audio B2 BOMBER ADC - without Dante","public_title":"without Dante","options":["without Dante"],"price":234900,"weight":0,"compare_at_price":234900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_ADC_Dante_Front.png?v=1503488718","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_2414fdf0-a1f6-4a19-bb5b-05a6df49695f.png?v=1503488718","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_ADC_Dante_Back.png?v=1503488718"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Burl_B2_ADC_Dante_Front.png?v=1503488718","options":["Card"],"content":"\u003cdiv class=\" et_pb_row et_pb_row_1\"\u003e\n\u003cdiv class=\"et_pb_column et_pb_column_1_2 et_pb_column_1\"\u003e\n\u003cdiv class=\"et_pb_text et_pb_module et_pb_bg_layout_light et_pb_text_align_left et_pb_text_1\"\u003e\n\u003ch1\u003e\u003cstrong\u003eB2 Bomber ADC\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE B2 BOMBER ANALOG \/ DIGITAL CONVERTER\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of your recordings.\u003c\/p\u003e\n\u003cp\u003eOpen up your best Mic Pre and look inside. You will see high quality components like tubes, large transformers and high quality capacitors. Open up your ADC and you will find cheap 10 cent capacitors and run-of-the-mill 25 cent op-amps, even when you’ve spent a lot of money on your interface. Most DAW hardware interfaces are designed for inter-connectivity with little attention to the analog audio path, or even the conversion, let alone the tone.\u003c\/p\u003e\n\u003cp\u003eThe B2 BOMBER is designed for great specifications, but more importantly, it is designed to give you the ultimate in recording tone. For years now people have been trying to figure out why their digital recordings don’t have the warmth and feel of analog tape recordings. We try using tube Mic Pres and great compressors, but there is still something missing. There is still that blurriness, that graininess and lack of depth that comes with digital recordings.\u003c\/p\u003e\n\u003cp\u003eBURL AUDIO has solved this problem by designing an analog audio path that is complimentary to your Mic Pre and to the analog to digital process. By using a revolutionary hybrid circuit with a proprietary transformer, the BURL AUDIO BX1, and a discrete class-A, zero feedback, zero capacitor signal path, we have achieved dynamic and tonal balance.\u003c\/p\u003e\n\u003cp\u003eUsing a B2 BOMBER in the studio is like taking the governor off of your recordings. And, the B2 is not just for tracking. Mix down and mastering were the main focus of the B2′s layout and design. With 30 segment peak amplitude and RMS metering, the B2 lets you know exactly how hot you are running your signal which is critical for mastering.\u003c\/p\u003e\n\u003cp\u003eThe attenuator settings on the front easily allow you to change input headroom giving you the ability to hit the front end hotter or colder depending on what the material calls for. And don’t be afraid to run the B2 BOMBER hot, it only sounds better. Couple that with an extremely low jitter clock source, and you have the B2 BOMBER ADC, the most significant piece of gear in your studio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Burl Audio B2 BOMBER ADC

Burl Audio B2 BOMBER ADC

$2,549.00

B2 Bomber ADC THE B2 BOMBER ANALOG / DIGITAL CONVERTER The B2 BOMBER ADC from BURL AUDIO is the most significant piece of audio gear in your studio, and you don’t even own it yet. You’ve spent a fortune on great mics, great mic pres, and a kick ass DAW, but unfortunately you are missing one key component; an ADC with an audio path worthy of y...

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Bettermaker Mastering Limiter

Mastering

$2,587.50
{"id":100964859930,"title":"Bettermaker Mastering Limiter","handle":"bettermaker-mastering-limiter","description":"\u003cp\u003e\u003cstrong\u003eBettermaker Mastering Limiter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePresenting the Bettermaker Mastering Limiter:\u003cbr\u003eThe Limiter has 3 sections that are essential to make a perfect master. All of them are recallable by the internal memory and a plugin that also handles automation.\u003cbr\u003e\u003cstrong\u003eSection 1\u003c\/strong\u003e: Analog Mastering Limiter\u003cbr\u003e-100% analog signal path\u003cbr\u003e-intelligent and manual release\u003cbr\u003e-variable mix between limiting and clipping\u003cbr\u003e-possibility to turn off the clipping section, so you can clip with you favorite AD or other.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSection 2:\u003c\/strong\u003e Color, for giving that special flavor to your mix\u003cbr\u003e-Two color modules introducing different saturation that can be used simultaneously\u003cbr\u003e-Color 1 with Majority of odd harmonics\u003cbr\u003e-Color 2 with Majority of even harmonics\u003cbr\u003e-Both color sections can be internally EQed so for example you can present more odd harmonics in the low end to give the mix more bite and sweeten the highs with the even harmonics at the top end.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSection 3\u003c\/strong\u003e: Metering, an additional screen in your studio. As it’s a touchscreen it also utilizes control functions of the Mastering Limiter. 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Bettermaker Mastering Limiter

Bettermaker Mastering Limiter

$2,587.50

Bettermaker Mastering Limiter Presenting the Bettermaker Mastering Limiter:The Limiter has 3 sections that are essential to make a perfect master. All of them are recallable by the internal memory and a plugin that also handles automation.Section 1: Analog Mastering Limiter-100% analog signal path-intelligent and manual release-variable mix betw...


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Bettermaker EQ 232P MKII

Parametric EQ

$2,530.00
{"id":100978819098,"title":"Bettermaker EQ 232P MKII","handle":"bettermaker-eq-232p-mkii","description":"\u003cp\u003e\u003cstrong\u003eBettermaker EQ 232P MKII\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBesides their pure analog signal paths, these units have a full digital recall with 399 cells for your own presets, which you can recall with one touch.\u003cbr\u003e\u003cbr\u003eYou can save your settings in the internal memory of the EQ’s as well as in your D.A.W….AND… in your project with your AUTOMATION.\u003cbr\u003e\u003cbr\u003eYou also have an A\/B comparing function known from plugins.\u003cbr\u003e\u003cbr\u003eBy building these equalizers, Bettermaker wanted to create devices that would have a maximum range of usage and a very characteristic, but clean sound. We picked out the best classic designs and modified them to be more practical. As we  work faster and faster every day, we need to have the highest quality and maximum speed we can get. 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touch.\u003cbr\u003e\u003cbr\u003eYou can save your settings in the internal memory of the EQ’s as well as in your D.A.W….AND… in your project with your AUTOMATION.\u003cbr\u003e\u003cbr\u003eYou also have an A\/B comparing function known from plugins.\u003cbr\u003e\u003cbr\u003eBy building these equalizers, Bettermaker wanted to create devices that would have a maximum range of usage and a very characteristic, but clean sound. We picked out the best classic designs and modified them to be more practical. As we  work faster and faster every day, we need to have the highest quality and maximum speed we can get. That was the main motivation to develop the Bettermaker® EQ 232P. Now we took a step forward and presented EQ232P MKII.\u003cbr\u003e\u003cbr\u003eBetween EQ232P and EQ232P MKII we took a huge step improving this amazing EQ even more. There is over 30 changes and improvements in construction, firmware and software. This is by far our most complex and perfect product and by it’s sound and functionality compared to it’s price the unit presents huge value to a professional engineer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHere are some of Bettermaker’s® EQ 232P MKII amazing features:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    10 filters (5 on each channel) based on classic designs including 2 famous  Pultec sections, 2 Highpass filters and 4 parametric filters with wide frequency ranges.\u003c\/li\u003e\n\u003cli\u003e    Pultec section- Shelf filters based upon legendary constructions, offered in combined, matched stereo, with all the features including separate boost and attenuation knobs.\u003c\/li\u003e\n\u003cli\u003e    24dB\/Oct Highpass filter, the only one on the market\u003c\/li\u003e\n\u003cli\u003e    4 Parametric filters (2 on each channel) covering form 15Hz to 15kHz.\u003c\/li\u003e\n\u003cli\u003e    Full digital recall with 399 cells for your own presets.\u003c\/li\u003e\n\u003cli\u003e    USB link to use the EQ’s just as you would use a plugin, including Automation.\u003c\/li\u003e\n\u003cli\u003e    AU, VST, RTAS, AAX (32 \u0026amp; 64 bit, WIN, OSX) supported\u003c\/li\u003e\n\u003cli\u003e    A\/B comparing function\u003c\/li\u003e\n\u003cli\u003e    Fully isolated analog and digital path for maximum separation of these two worlds.\u003c\/li\u003e\n\u003cli\u003e    11 presets to have a kick start including 4 Exclusive mastering and bus presets made by Luca Pretolesi form Studio DMI\u003c\/li\u003e\n\u003cli\u003e    24 dB headroom.\u003c\/li\u003e\n\u003cli\u003e    Stereo, Dual Mono, M\/S modes!\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eManual:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBettermaker EQ232P MKII manual v2\u003c\/li\u003e\n\u003cli\u003ePresets by Luca Pretolesi:\u003c\/li\u003e\n\u003cli\u003eStudio DMI Presets by Luca Pretolesi\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e:\u003cbr\u003e \u003cbr\u003e\u003cstrong\u003eModel:\u003c\/strong\u003e     EQ 232P MKII\u003cbr\u003e\u003cstrong\u003eFrequency response:\u003c\/strong\u003e     5Hz to 100kHz (-0.5dB)\u003cbr\u003e\u003cstrong\u003eDynamic range:\u003c\/strong\u003e     more than 106 dB\u003cbr\u003e\u003cstrong\u003eS\/N ratio:\u003c\/strong\u003e     more than 104 dB\u003cbr\u003e\u003cstrong\u003eTHD+N:\u003c\/strong\u003e     less than 0.004%\u003cbr\u003e\u003cstrong\u003eChannels:\u003c\/strong\u003e     2\u003cbr\u003e\u003cstrong\u003eWeight:  \u003c\/strong\u003e   7kg\u003cbr\u003e\u003cstrong\u003eSupply voltage\u003c\/strong\u003e:     110V AC 50\/60Hz or 230V AC 50Hz (depending on model)\u003cbr\u003e\u003cstrong\u003ePower consumption:  \u003c\/strong\u003e   15 W\u003cbr\u003e\u003cstrong\u003eInput impedance:   \u003c\/strong\u003e  10k Ohm unbalanced, 20k Ohm balanced\u003cbr\u003e\u003cstrong\u003eOutput impedance:\u003c\/strong\u003e     100 Ohm unbalanced, 200 Ohm balanced\u003cbr\u003e\u003cstrong\u003eMax input level:     \u003c\/strong\u003e+24dBu balanced or +18dBu unbalanced\u003cbr\u003e\u003cstrong\u003eMax output level:\u003c\/strong\u003e     +24dBu balanced or +18dBu unbalanced\u003cbr\u003e\u003cstrong\u003eUnity gain:     balanced:\u003c\/strong\u003e 0dB, unbalanced: -6dB\u003cbr\u003e\u003cstrong\u003eClip detector:\u003c\/strong\u003e     present\u003cbr\u003e\u003cstrong\u003eHigh-pass filter:\u003c\/strong\u003e     24db\/oct 18…200Hz (variable)\u003cbr\u003e\u003cstrong\u003eEQ 1 freq. range:\u003c\/strong\u003e     45…1000Hz\u003cbr\u003e\u003cstrong\u003eEQ 1 gain:     \u003c\/strong\u003e-15…+15dB\u003cbr\u003e\u003cstrong\u003eEQ 1 bandwidth:\u003c\/strong\u003e     0.2oct…3oct\u003cbr\u003e\u003cstrong\u003eEQ 2 freq. range:\u003c\/strong\u003e     650…15000Hz\u003cbr\u003e\u003cstrong\u003eEQ 2 gain:\u003c\/strong\u003e     -15…+15dB\u003cbr\u003e\u003cstrong\u003eEQ 2 bandwidth:\u003c\/strong\u003e     0.2oct…3oct\u003cbr\u003e\u003cstrong\u003eP EQ low freq. range\u003c\/strong\u003e:     20, 30, 60, 100Hz\u003cbr\u003e\u003cstrong\u003eP EQ high freq. range:\u003c\/strong\u003e     3, 4, 5, 6, 10, 12, 16 kHz\u003cbr\u003e\u003cstrong\u003eP EQ high cut freq:\u003c\/strong\u003e     5, 10, 20 kHz 6db\/oct\u003cbr\u003e\u003cstrong\u003ePreset storage capacity:\u003c\/strong\u003e     399 presets\u003c\/p\u003e"}
Bettermaker EQ 232P MKII

Bettermaker EQ 232P MKII

$2,530.00

Bettermaker EQ 232P MKII Besides their pure analog signal paths, these units have a full digital recall with 399 cells for your own presets, which you can recall with one touch.You can save your settings in the internal memory of the EQ’s as well as in your D.A.W….AND… in your project with your AUTOMATION.You also have an A/B comparing function ...


More Info
Antelope Trinity

Converter & Clock

$2,995.00
{"id":14170030106,"title":"Antelope Trinity","handle":"antelope-audio-5","description":"\u003ch1 id=\"reader-title\"\u003eTrinity A must-have 384 kHz HD Master Clock\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE BEST SOUNDING MASTER CLOCK\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eA master clock that stands out\u003c\/strong\u003e\u003cbr\u003eIn the fickle world of Audio \u0026amp; Video formats, Trinity is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, Trinity is the best sounding and most versatile Master Clock available anywhere. Installed in some of the most prominent audio and post production facilities around the globe, Trinity is in the roots of great percentage of the contemporary music and movie productions. Trinity is also an integral component of some of the largest live concerts and events nowadays.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEXT LEVEL OF PERFECTION\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStable clocking and advanced jitter management\u003c\/strong\u003e\u003cbr\u003ePowered by an ultra stable oven controlled crystal oscillator, Trinity’s completely redesigned timing engine with 4th generation 64-bit Acoustically Focused Clocking provides supremely low jitter and high stability, with distinct sonic advantages that are immediately apparent.\u003cbr\u003eAn atomic input makes it a perfect match for the 10M Atomic Clock, while user re-calibration and dual redundant power supply will keep the unit running smoothly and prevent costly downtime.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAS PRO AS YOU CAN GO\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eThe features that make it unique\u003c\/strong\u003e\u003cbr\u003eTrinity takes care of requirements that usually would have needed several units. With 3 HD and 2 SD generators the unit locks to and generates all known professional video format, while simultaneously offering 3 independent audio channels capable of 384 kHz with varispeed adjustment in cents or percent!\u003cbr\u003eWith its wealth of connectivity, flexibility, and ease of use, Trinity is the ideal linchpin for a modern studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEASY MONITOR CONTROLLING\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSuited for every environment\u003c\/strong\u003e\u003cbr\u003eThe fully integrated monitor controller employs 0.05 dB accurate gold-plated relay attenuators and provides speaker switching, bass management and cue mix functions with integrated talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-51\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch3\u003eClocking System\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e 64 bit DDS\u003cbr\u003e Oven Controlled Crystal Oscillator\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eStability:\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.02ppm @ 64.5°C\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAgeing\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; 1 ppm per year\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eCalibration\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.001 ppm\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAtomic Clock Input\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e10MHz@1Vpp, BNC\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eBasic sampling rates (kHz)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-52\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eGenerators\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e9 Independent and simultaneous: 3 audio, 3 HD, 3 SD\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eVarispeed\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/-200 cents\u003cbr\u003e +12.246%\u003cbr\u003e -10,910%\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003ePull ups\/downs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/- 0.1% NTSC and\/or +\/- 4% PAL\u003cbr\u003e -0.1% HD\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eInputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUniversal video input on BNC.\u003cbr\u003e Recognizes all video formats automatically\u003cbr\u003e 2 selectable Word Clock on BNC 32kHz – 384kHz\u003cbr\u003e 1 AES\/EBU on XLR. 32kHz – 192kHz @110Ω terminated\u003cbr\u003e 1 S\/PDIF on RCA. 32kHz – 192kHz @75Ω terminated\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e2.0 full-speed\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-53\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOutputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHD Video 6xBNC @75Ω\u003cbr\u003e SD 1 – BNC @75Ω fixed for NTSC video standard. Black Burst\u003cbr\u003e SD 2 – BNC @75Ω fixed for PAL video standard. Black Burst\u003cbr\u003e SD 3 – BNC @75Ω PAL 24\/NTSC 30 selectable.Composite Sync\u003cbr\u003e SD 4 – BNC @75Ω PAL 48\/PAL 47.95 selectable. Composite Sync\u003cbr\u003e Wordclock – 16 BNC, 3Vpp @ 75Ω\u003cbr\u003e AES\/EBU – 4 XLR @ 110Ω\u003cbr\u003e S\/PDIF – 4 RCA @ 75Ω\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOperating Temperature\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e0-50°C, 32-122°F\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eWeight\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4 kg \/ 8.8 lb\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eDimensions (Approx)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e482 mm (W) × 89 mm (H) × 203 mm (D)\u003cbr\u003e 19’’ (W) x 3.5’’ (H) x 8’’ (D)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2017-07-29T16:35:20+02:00","created_at":"2017-07-29T16:37:27+02:00","vendor":"Antelope Audio","type":"Converter \u0026 Clock","tags":["Antelope Audio","Price Range_$2000 to $3000","Shop by brand_Antelope Audio","Shop by category_Synchronizers","Signal Processing","Studio \u0026 Recording","Synchronizers"],"price":299500,"price_min":299500,"price_max":299500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":69997527066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"Trinity","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antelope Trinity","public_title":null,"options":["Default Title"],"price":299500,"weight":6710,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/conectivity-trinity-front.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_967ec541-9d2b-4cab-abcb-a27fc0b2f114.png?v=1501339847","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/conectivity-trinity-back.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Trinity-front.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Trinity-back.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/fullwidth-img-trinity-4.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sqaure-image-trinity.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/circle-round-img-trinity2.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/circle-round-img-trinity3.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/circle-round-img-eclipse2.jpg?v=1501339820","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/fullwidth-img-trinity-5.jpg?v=1501339820"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/conectivity-trinity-front.jpg?v=1501339820","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eTrinity A must-have 384 kHz HD Master Clock\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTHE BEST SOUNDING MASTER CLOCK\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eA master clock that stands out\u003c\/strong\u003e\u003cbr\u003eIn the fickle world of Audio \u0026amp; Video formats, Trinity is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, Trinity is the best sounding and most versatile Master Clock available anywhere. Installed in some of the most prominent audio and post production facilities around the globe, Trinity is in the roots of great percentage of the contemporary music and movie productions. Trinity is also an integral component of some of the largest live concerts and events nowadays.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNEXT LEVEL OF PERFECTION\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eStable clocking and advanced jitter management\u003c\/strong\u003e\u003cbr\u003ePowered by an ultra stable oven controlled crystal oscillator, Trinity’s completely redesigned timing engine with 4th generation 64-bit Acoustically Focused Clocking provides supremely low jitter and high stability, with distinct sonic advantages that are immediately apparent.\u003cbr\u003eAn atomic input makes it a perfect match for the 10M Atomic Clock, while user re-calibration and dual redundant power supply will keep the unit running smoothly and prevent costly downtime.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAS PRO AS YOU CAN GO\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eThe features that make it unique\u003c\/strong\u003e\u003cbr\u003eTrinity takes care of requirements that usually would have needed several units. With 3 HD and 2 SD generators the unit locks to and generates all known professional video format, while simultaneously offering 3 independent audio channels capable of 384 kHz with varispeed adjustment in cents or percent!\u003cbr\u003eWith its wealth of connectivity, flexibility, and ease of use, Trinity is the ideal linchpin for a modern studio.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEASY MONITOR CONTROLLING\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSuited for every environment\u003c\/strong\u003e\u003cbr\u003eThe fully integrated monitor controller employs 0.05 dB accurate gold-plated relay attenuators and provides speaker switching, bass management and cue mix functions with integrated talkback.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSPECIFICATIONS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-51\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ch3\u003eClocking System\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e 64 bit DDS\u003cbr\u003e Oven Controlled Crystal Oscillator\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eStability:\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.02ppm @ 64.5°C\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAgeing\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; 1 ppm per year\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eCalibration\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u0026lt; +\/-0.001 ppm\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eAtomic Clock Input\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e10MHz@1Vpp, BNC\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eBasic sampling rates (kHz)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-52\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eGenerators\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e9 Independent and simultaneous: 3 audio, 3 HD, 3 SD\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eVarispeed\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/-200 cents\u003cbr\u003e +12.246%\u003cbr\u003e -10,910%\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003ePull ups\/downs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e+\/- 0.1% NTSC and\/or +\/- 4% PAL\u003cbr\u003e -0.1% HD\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eInputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003eUniversal video input on BNC.\u003cbr\u003e Recognizes all video formats automatically\u003cbr\u003e 2 selectable Word Clock on BNC 32kHz – 384kHz\u003cbr\u003e 1 AES\/EBU on XLR. 32kHz – 192kHz @110Ω terminated\u003cbr\u003e 1 S\/PDIF on RCA. 32kHz – 192kHz @75Ω terminated\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eUSB\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e2.0 full-speed\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"vc_col-sm-4 wpb_column column_container vc_column_container col padding-3-percent instance-53\" data-bg-cover=\"\" data-padding-pos=\"all\" data-has-bg-color=\"false\" data-bg-color=\"\" data-bg-opacity=\"1\" data-hover-bg=\"\" data-hover-bg-opacity=\"1\" data-animation=\"\" data-delay=\"0\"\u003e\n\u003cdiv class=\"vc_column-inner\"\u003e\n\u003cdiv class=\"wpb_wrapper\"\u003e\n\u003cdiv class=\"nectar-fancy-ul\" data-list-icon=\"icon-ok\" data-animation=\"false\" data-animation-delay=\"0\" data-color=\"accent-color\"\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOutputs\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003eHD Video 6xBNC @75Ω\u003cbr\u003e SD 1 – BNC @75Ω fixed for NTSC video standard. Black Burst\u003cbr\u003e SD 2 – BNC @75Ω fixed for PAL video standard. Black Burst\u003cbr\u003e SD 3 – BNC @75Ω PAL 24\/NTSC 30 selectable.Composite Sync\u003cbr\u003e SD 4 – BNC @75Ω PAL 48\/PAL 47.95 selectable. Composite Sync\u003cbr\u003e Wordclock – 16 BNC, 3Vpp @ 75Ω\u003cbr\u003e AES\/EBU – 4 XLR @ 110Ω\u003cbr\u003e S\/PDIF – 4 RCA @ 75Ω\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eOperating Temperature\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e0-50°C, 32-122°F\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eWeight\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e4 kg \/ 8.8 lb\u003c\/p\u003e\n\u003cul\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003ci class=\"icon-default-style icon-ok accent-color\"\u003e\u003c\/i\u003e\n\u003ch3\u003eDimensions (Approx)\u003c\/h3\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/ul\u003e\n\u003cp\u003e482 mm (W) × 89 mm (H) × 203 mm (D)\u003cbr\u003e 19’’ (W) x 3.5’’ (H) x 8’’ (D)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Antelope Trinity

Antelope Trinity

$2,995.00

Trinity A must-have 384 kHz HD Master Clock THE BEST SOUNDING MASTER CLOCKA master clock that stands outIn the fickle world of Audio & Video formats, Trinity is the Master Clock that stands out from the crowd, with the kind of features that others can only aspire to. With dedicated functions and controls, Trinity is the best sounding and mos...


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{"id":768030048302,"title":"Chandler Limited Germ 500 MkII Microphone Preamp","handle":"chandler-limited-germ-500-mkii-microphone-preamp","description":"CHANDLER LIMITED\u003cbr\u003eGerm 500 MKII Pre Amp\u003cbr\u003e\u003cbr\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003cbr\u003e\u003cbr\u003eThe Germ 500 MKII is an updated version of our original Germ 500. This unit has an improved faceplate layout and nicer look. It uses classic germanium transistors in all Class A, transformer balanced circuits. The Germ 500 MKII is our well-known Germanium Preamp adapted for 500 series racks. We use the same transformers and amp blocks to assure the sound is consistent with our rack version. We've updated the power on the MKII so there no known power-up issues with current lunchboxes and rack systems.\u003cbr\u003e\u003cbr\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks: API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003cbr\u003e\u003cbr\u003eTech Specs\u003cbr\u003e\u003cbr\u003e ✓ GERM 500 MKII PRE AMP TECHNICAL SPECIFICATIONS\u003cbr\u003e ✓ FORMAT: 500 Series\u003cbr\u003e ✓ CHANNELS: Mono\u003cbr\u003e ✓ CIRCUIT: Class A, Discrete, Transistor\u003cbr\u003e ✓ GAIN: -5db to +65db\u003cbr\u003e ✓ CONNECTIONS\u003cbr\u003e ✓ I\/O: 500 Series Enclosure\u003cbr\u003e ✓ Mic Input: Transformer Balanced, Input Impedance: 300 Ohm\u003cbr\u003e ✓ DI: 1\/4\" Unbalanced, Input Impedance: 100k\u003cbr\u003e ✓ PHANTOM POWER: +48v","published_at":"2018-08-11T20:02:32+02:00","created_at":"2018-08-11T20:18:20+02:00","vendor":"Chandler Limited","type":"Preamps","tags":["500 Series","500 Series Preamps","Chandler Limited","Price Range_$750 to $1000","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_500 Series Preamps","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":99500,"price_min":99500,"price_max":99500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8245798305838,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"GERM 500 MKII","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited Germ 500 MkII Microphone Preamp","public_title":null,"options":["Default Title"],"price":99500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germ_500_MKII_pre_amp_front.jpg?v=1534034764","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_72758157-79f4-4f54-97f2-0575fb96d568.png?v=1534034764","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germ_500_MKII_pre_amp_inside.jpg?v=1534034764"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germ_500_MKII_pre_amp_front.jpg?v=1534034764","options":["Title"],"content":"CHANDLER LIMITED\u003cbr\u003eGerm 500 MKII Pre Amp\u003cbr\u003e\u003cbr\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003cbr\u003e\u003cbr\u003eThe Germ 500 MKII is an updated version of our original Germ 500. This unit has an improved faceplate layout and nicer look. It uses classic germanium transistors in all Class A, transformer balanced circuits. The Germ 500 MKII is our well-known Germanium Preamp adapted for 500 series racks. We use the same transformers and amp blocks to assure the sound is consistent with our rack version. We've updated the power on the MKII so there no known power-up issues with current lunchboxes and rack systems.\u003cbr\u003e\u003cbr\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks: API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003cbr\u003e\u003cbr\u003eTech Specs\u003cbr\u003e\u003cbr\u003e ✓ GERM 500 MKII PRE AMP TECHNICAL SPECIFICATIONS\u003cbr\u003e ✓ FORMAT: 500 Series\u003cbr\u003e ✓ CHANNELS: Mono\u003cbr\u003e ✓ CIRCUIT: Class A, Discrete, Transistor\u003cbr\u003e ✓ GAIN: -5db to +65db\u003cbr\u003e ✓ CONNECTIONS\u003cbr\u003e ✓ I\/O: 500 Series Enclosure\u003cbr\u003e ✓ Mic Input: Transformer Balanced, Input Impedance: 300 Ohm\u003cbr\u003e ✓ DI: 1\/4\" Unbalanced, Input Impedance: 100k\u003cbr\u003e ✓ PHANTOM POWER: +48v"}
Chandler Limited Germ 500 MkII Microphone Preamp

Chandler Limited Germ 500 MkII Microphone Preamp

$995.00

CHANDLER LIMITEDGerm 500 MKII Pre AmpCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandl...


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{"id":10468194893,"title":"Chandler Limited TG2-500 Pre Amp","handle":"chandler-limited-6","description":"\u003ch1 id=\"reader-title\"\u003eTG2-500 Pre Amp | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG2-500 pre-amp is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road Studios recording and mastering consoles from the late 60s and early 70s. The sound of the EMI\/Abbey Road Studios equipment is world renowned, and imparts a unique and pleasing sonic character as heard on many famous recordings done at Abbey Road including The Beatles’ “Abbey Road” and Pink Floyd’s “Dark Side of the Moon” albums. For the first time ever, the legendary TG2 pre-amp sound is available in 500 Series format.\u003c\/p\u003e\n\u003cp\u003eThe TG2-500 microphone pre-amplifier features the same discrete, transformer-balanced amplifiers as Chandler Limited’s TG series: TG2 Pre Amp\/DI, TG Channel MKII, and TG1 Limiter.\u003c\/p\u003e\n\u003cp\u003eWe’ve taken the microphone pre-amplifier and line amplifier from our highly acclaimed TG2 Pre Amp\/DI and packaged it for the industry standard 500 Series format, while retaining the sound of Chandler Limited’s TG2 Pre Amp\/DI. The aural quality has often been characterized as a creamy, smooth tone with a surprisingly open, clear top-end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact, the TG2-500 microphone preamplifier does have a small rise in its top-end frequency response and some warmth inducing distortion, which contributes to its sound.\u003c\/p\u003e\n\u003cp\u003eBring the sound of the Chandler Limited TG2-500 pre amp and EMI\/Abbey Road Studios home to your 500 Series rack today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003ccite\u003eTG2-500 Pre Amp Technical Specifications\u003c\/cite\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFEATURES\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels:\u003c\/td\u003e\n\u003ctd\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCircuit:\u003c\/td\u003e\n\u003ctd\u003eDiscrete, Transistor, Transformer Balanced I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Gain:\u003c\/td\u003e\n\u003ctd\u003e+60db\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoarse Gain:\u003c\/td\u003e\n\u003ctd\u003e+20db to +50db (stepped, 5db)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFine Gain:\u003c\/td\u003e\n\u003ctd\u003e±10db (variable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput:\u003c\/td\u003e\n\u003ctd\u003eMic\/Line switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance:\u003c\/td\u003e\n\u003ctd\u003e1200\/300 Ohm switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Power:\u003c\/td\u003e\n\u003ctd\u003e+48v switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase:\u003c\/td\u003e\n\u003ctd\u003e0\/180º, switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003eCONNECTIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eI\/O:\u003c\/td\u003e\n\u003ctd\u003e500 Series format (frame dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003ePOWER\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e500 Series format:\u003c\/td\u003e\n\u003ctd\u003e+\/-16v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMax. current draw:\u003c\/td\u003e\n\u003ctd\u003e+16v @ 110ma \/ -16v @ 80ma\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","published_at":"2018-08-11T20:50:12+02:00","created_at":"2017-07-19T16:44:21+02:00","vendor":"Chandler Limited","type":"Preamps","tags":["500 Series","500 Series Preamps","Chandler Limited","Chandler Little Devil Pre Amp","Channel Strips \u0026 Preamps","Microphone Preamps","Price Range_$750 to $1000","Pro Audio","Recording","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_500 Series Preamps","Shop by category_Channel Strips","Shop by category_Preamps","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":99500,"price_min":99500,"price_max":99500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40612214349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG2-500","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG2-500 Pre Amp","public_title":null,"options":["Default Title"],"price":99500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_vertical_f_3qtr.png?v=1534090703","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_1bb3f992-82cb-4a90-b943-198c67d4842b.png?v=1534090703","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_front.png?v=1534090703","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_inside_3qtr_f.png?v=1534090703"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_vertical_f_3qtr.png?v=1534090703","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eTG2-500 Pre Amp | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG2-500 pre-amp is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road Studios recording and mastering consoles from the late 60s and early 70s. The sound of the EMI\/Abbey Road Studios equipment is world renowned, and imparts a unique and pleasing sonic character as heard on many famous recordings done at Abbey Road including The Beatles’ “Abbey Road” and Pink Floyd’s “Dark Side of the Moon” albums. For the first time ever, the legendary TG2 pre-amp sound is available in 500 Series format.\u003c\/p\u003e\n\u003cp\u003eThe TG2-500 microphone pre-amplifier features the same discrete, transformer-balanced amplifiers as Chandler Limited’s TG series: TG2 Pre Amp\/DI, TG Channel MKII, and TG1 Limiter.\u003c\/p\u003e\n\u003cp\u003eWe’ve taken the microphone pre-amplifier and line amplifier from our highly acclaimed TG2 Pre Amp\/DI and packaged it for the industry standard 500 Series format, while retaining the sound of Chandler Limited’s TG2 Pre Amp\/DI. The aural quality has often been characterized as a creamy, smooth tone with a surprisingly open, clear top-end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact, the TG2-500 microphone preamplifier does have a small rise in its top-end frequency response and some warmth inducing distortion, which contributes to its sound.\u003c\/p\u003e\n\u003cp\u003eBring the sound of the Chandler Limited TG2-500 pre amp and EMI\/Abbey Road Studios home to your 500 Series rack today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003ccite\u003eTG2-500 Pre Amp Technical Specifications\u003c\/cite\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFEATURES\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels:\u003c\/td\u003e\n\u003ctd\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCircuit:\u003c\/td\u003e\n\u003ctd\u003eDiscrete, Transistor, Transformer Balanced I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Gain:\u003c\/td\u003e\n\u003ctd\u003e+60db\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoarse Gain:\u003c\/td\u003e\n\u003ctd\u003e+20db to +50db (stepped, 5db)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFine Gain:\u003c\/td\u003e\n\u003ctd\u003e±10db (variable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput:\u003c\/td\u003e\n\u003ctd\u003eMic\/Line switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance:\u003c\/td\u003e\n\u003ctd\u003e1200\/300 Ohm switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Power:\u003c\/td\u003e\n\u003ctd\u003e+48v switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase:\u003c\/td\u003e\n\u003ctd\u003e0\/180º, switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003eCONNECTIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eI\/O:\u003c\/td\u003e\n\u003ctd\u003e500 Series format (frame dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003ePOWER\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e500 Series format:\u003c\/td\u003e\n\u003ctd\u003e+\/-16v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMax. current draw:\u003c\/td\u003e\n\u003ctd\u003e+16v @ 110ma \/ -16v @ 80ma\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e"}
Chandler Limited TG2-500 Pre Amp

Chandler Limited TG2-500 Pre Amp

$995.00

TG2-500 Pre Amp | Chandler Limited The Chandler Limited TG2-500 pre-amp is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road Studios recording and mastering consoles from the late 60s and early 70s. The sound of the EMI/Abbey Road Studios equipment is world renowned, and imparts a unique and pleasing sonic character as heard on...


More Info
Chandler Limited RS124 Compressor

Compressors

From $2,875.00
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Present on virtually every Beatles session, the RS124 left its remarkable signature across most of the catalog.\u003c\/p\u003e\n\u003cp\u003eThe RS124's undeniably smooth character and ability to tame transients without muffling the sound at steep compression levels, quickly became popular with Abbey Road Studios engineers and widely used throughout the now historic studio, for tracking, buss compression, mixing, and mastering. They were so integral to the recording and mixing process that a pair can be seen in almost every control room photo in Abbey Road Studios during the 60s period.\u003c\/p\u003e\n\u003cp\u003eThe RS124 Compressor was built for use at Abbey Road Studios, and was never commercially available.\u003c\/p\u003e\n\u003cp\u003eThrough the years, from incomplete information and supposition, some have tried to recreate the holy grail of tube compressors, though never fully capturing the elusive Abbey Road RS124 in all its glory.\u003c\/p\u003e\n\u003cp\u003eSchematics themselves only told part of the story, and access to Abbey Road Studios’ historic units and various hand written modification notes would prove paramount towards understanding the true nature of the Abbey Road RS124 compressor and variances between units.\u003c\/p\u003e\n\u003cp\u003eMany revisions were carried out since its inception, and as a result, the Abbey Road RS124 valve compressor has remained a mystery for decades, until now.\u003c\/p\u003e\n\u003cp\u003eAvailable now, for the first time ever, the Chandler Limited RS124 Compressor harnesses the sound and personalities of Abbey Road Studios’ favorite historic RS124 Compressors (Ser. No’s \u003cstrong\u003e60070B\u003c\/strong\u003e, \u003cstrong\u003e60050A\u003c\/strong\u003e, and \u003cstrong\u003e61010B\u003c\/strong\u003e) still in use at the famed studio to this day, all in a single unit.\u003c\/p\u003e\n\u003cp\u003eAlong with features traditionally found on the original counterparts, Input control, Output attenuation, ‘Recovery’ (release) control and the unique ‘HOLD’ setting, the Chandler Limited RS124 Compressor includes modern facilities such as adjustable attack, selectable output impedance, and a special twist, dubbed the ‘SuperFuse’.\u003c\/p\u003e\n\u003cp\u003eBring home the sound of a legend reimagined for the modern era, today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE:\u003c\/strong\u003e Standard units come with variable Input and Output control. Stepped Input and Output controls are available via special request for an additional fee– notify your dealer prior to order.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-08-11T20:50:13+02:00","created_at":"2017-07-19T18:04:11+02:00","vendor":"Chandler Limited","type":"Compressors","tags":["Chandler Limited","Chandler RS124","Compressors","Dynamics Processors","Limiters","Price Range_$2000 to $3000","Price Range_$3000 and Over","Pro Audio","Recording","Shop by brand_Chandler Limited","Shop by category_ Limiters","Shop by category_Compressors","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":287500,"price_min":287500,"price_max":645000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40613223117,"title":"STANDARD","option1":"STANDARD","option2":null,"option3":null,"sku":"RS124","requires_shipping":true,"taxable":true,"featured_image":{"id":25910087629,"product_id":10468358797,"position":1,"created_at":"2017-07-19T18:28:43+02:00","updated_at":"2017-07-19T18:29:27+02:00","alt":null,"width":903,"height":168,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_01.png?v=1500481767","variant_ids":[40613223117]},"available":true,"name":"Chandler Limited RS124 Compressor - 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MASTERING MATCHED PAIR","public_title":"MASTERING MATCHED PAIR","options":["MASTERING MATCHED PAIR"],"price":645000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_01.png?v=1500481767","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_60c5ae34-7c5e-4e43-92bd-c30778289fdf.png?v=1500481767","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_02.png?v=1500481767","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_03.png?v=1500481767","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_04.png?v=1500481767","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler-rs124-compressor-front_1.jpg?v=1534009310","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_rs124_matched_pair.jpg?v=1534009418"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_01.png?v=1500481767","options":["Model"],"content":"\u003ch1 id=\"reader-title\"\u003eRS124 Compressor | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited RS124 Compressor is a recreation of one of the most coveted audio valve compressors of all time, the legendary EMI\/Abbey Road RS124, reimagined for use in the modern studio environment.\u003c\/p\u003e\n\u003cp\u003eFirst designed in 1960 by Abbey Road Head of Technical Bill Livy, Deputy Head Len Page and seasoned EMI Audio Designer Mike Bachelor, the Abbey Road RS124 compressor is one of the most desired and mysterious pieces of recording gear ever developed.\u003c\/p\u003e\n\u003cp\u003eBorn out of the insufficient Altec 436Bs acquired by EMI in the late 1950s for Abbey Road, the RS124 compressor is most closely associated with recordings made by The Beatles at Abbey Road Studios. Present on virtually every Beatles session, the RS124 left its remarkable signature across most of the catalog.\u003c\/p\u003e\n\u003cp\u003eThe RS124's undeniably smooth character and ability to tame transients without muffling the sound at steep compression levels, quickly became popular with Abbey Road Studios engineers and widely used throughout the now historic studio, for tracking, buss compression, mixing, and mastering. They were so integral to the recording and mixing process that a pair can be seen in almost every control room photo in Abbey Road Studios during the 60s period.\u003c\/p\u003e\n\u003cp\u003eThe RS124 Compressor was built for use at Abbey Road Studios, and was never commercially available.\u003c\/p\u003e\n\u003cp\u003eThrough the years, from incomplete information and supposition, some have tried to recreate the holy grail of tube compressors, though never fully capturing the elusive Abbey Road RS124 in all its glory.\u003c\/p\u003e\n\u003cp\u003eSchematics themselves only told part of the story, and access to Abbey Road Studios’ historic units and various hand written modification notes would prove paramount towards understanding the true nature of the Abbey Road RS124 compressor and variances between units.\u003c\/p\u003e\n\u003cp\u003eMany revisions were carried out since its inception, and as a result, the Abbey Road RS124 valve compressor has remained a mystery for decades, until now.\u003c\/p\u003e\n\u003cp\u003eAvailable now, for the first time ever, the Chandler Limited RS124 Compressor harnesses the sound and personalities of Abbey Road Studios’ favorite historic RS124 Compressors (Ser. No’s \u003cstrong\u003e60070B\u003c\/strong\u003e, \u003cstrong\u003e60050A\u003c\/strong\u003e, and \u003cstrong\u003e61010B\u003c\/strong\u003e) still in use at the famed studio to this day, all in a single unit.\u003c\/p\u003e\n\u003cp\u003eAlong with features traditionally found on the original counterparts, Input control, Output attenuation, ‘Recovery’ (release) control and the unique ‘HOLD’ setting, the Chandler Limited RS124 Compressor includes modern facilities such as adjustable attack, selectable output impedance, and a special twist, dubbed the ‘SuperFuse’.\u003c\/p\u003e\n\u003cp\u003eBring home the sound of a legend reimagined for the modern era, today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE:\u003c\/strong\u003e Standard units come with variable Input and Output control. Stepped Input and Output controls are available via special request for an additional fee– notify your dealer prior to order.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Chandler Limited RS124 Compressor

Chandler Limited RS124 Compressor

$2,875.00

RS124 Compressor | Chandler Limited The Chandler Limited RS124 Compressor is a recreation of one of the most coveted audio valve compressors of all time, the legendary EMI/Abbey Road RS124, reimagined for use in the modern studio environment. First designed in 1960 by Abbey Road Head of Technical Bill Livy, Deputy Head Len Page and seasoned EMI ...

Model

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Chandler Limited LTD-1

Preamps

$2,575.00
{"id":10468217997,"title":"Chandler Limited LTD-1","handle":"chandler-limited-ltd-1-eq-pre-amp","description":"\u003ch1 id=\"reader-title\"\u003eLTD-1 EQ\/Pre Amp | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited LTD-1 is a hand wired and handmade 10-series equalizer and pre amp using parts and build techniques from the original manufacture of the modules. Grounding, wiring techniques, original transformers, transistors, and inductors have been used to attribute to the special sound in each LTD-1.\u003c\/p\u003e\n\u003cp\u003eIn addition to the classic 10-series sound we added all the modern functions you would expect and expanded the EQ section giving a much larger palate to choose from. Features include high impedance direct in, 48v switching, output fader, EQ in\/out, phase reverse, balanced mic in, balanced line in, overbuilt power supply to ensure maximum headroom, and nine additional EQ points.\u003c\/p\u003e\n\u003cp\u003eAll LTD units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003eNOTE: Early LTD-1 units used a Neutrik style input receptacle for the DI connection, as seen in pictures on this page. Current models feature a standard 1\/4\" input jack. This has no effect on the sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eMic Input: -20db to -80db, 5db increments\u003cbr\u003e Line Input: +10db to -20db\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR, Transformer Balanced, Pin 2 Hot\u003cbr\u003e DI, 1\/4\" Unbalanced, 100k input impedance\u003c\/p\u003e\n\u003cp\u003ePOWER\u003cbr\u003e Phantom Power: +48v\u003cbr\u003e Power: ±28v\u003cbr\u003e Requires the Chandler Limited PSU-1 MKII power supply\u003c\/p\u003e","published_at":"2018-08-11T20:50:12+02:00","created_at":"2017-07-19T16:54:43+02:00","vendor":"Chandler Limited","type":"Preamps","tags":["Chandler Limited","Channel Strips","Preamps \u0026 Channel Strips","Price Range_$2000 to $3000","Shop by brand_Chandler Limited","Shop by category_Channel Strips","Shop by category_Preamps","Shop by category_Preamps \u0026 Channel Strips","Shop by category_Studio Monitors","Studio \u0026 Recording"],"price":257500,"price_min":257500,"price_max":257500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40612346125,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"LTD-1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited LTD-1","public_title":null,"options":["Default Title"],"price":257500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_ltd_1_eq_pre_amp_front.jpg?v=1534072694","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_ltd_1_eq_pre_amp_angle_2.jpg?v=1534072694","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_ltd_1_eq_pre_amp_angle_1.jpg?v=1534072694","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_ltd_1_eq_pre_amp_02.png?v=1534072694","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_ltd_1_eq_pre_amp_04.png?v=1534072694","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_ltd_1_eq_pre_amp_05.png?v=1534072694"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_ltd_1_eq_pre_amp_front.jpg?v=1534072694","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eLTD-1 EQ\/Pre Amp | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited LTD-1 is a hand wired and handmade 10-series equalizer and pre amp using parts and build techniques from the original manufacture of the modules. Grounding, wiring techniques, original transformers, transistors, and inductors have been used to attribute to the special sound in each LTD-1.\u003c\/p\u003e\n\u003cp\u003eIn addition to the classic 10-series sound we added all the modern functions you would expect and expanded the EQ section giving a much larger palate to choose from. Features include high impedance direct in, 48v switching, output fader, EQ in\/out, phase reverse, balanced mic in, balanced line in, overbuilt power supply to ensure maximum headroom, and nine additional EQ points.\u003c\/p\u003e\n\u003cp\u003eAll LTD units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003eNOTE: Early LTD-1 units used a Neutrik style input receptacle for the DI connection, as seen in pictures on this page. Current models feature a standard 1\/4\" input jack. This has no effect on the sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eMic Input: -20db to -80db, 5db increments\u003cbr\u003e Line Input: +10db to -20db\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR, Transformer Balanced, Pin 2 Hot\u003cbr\u003e DI, 1\/4\" Unbalanced, 100k input impedance\u003c\/p\u003e\n\u003cp\u003ePOWER\u003cbr\u003e Phantom Power: +48v\u003cbr\u003e Power: ±28v\u003cbr\u003e Requires the Chandler Limited PSU-1 MKII power supply\u003c\/p\u003e"}
Chandler Limited LTD-1

Chandler Limited LTD-1

$2,575.00

LTD-1 EQ/Pre Amp | Chandler Limited The Chandler Limited LTD-1 is a hand wired and handmade 10-series equalizer and pre amp using parts and build techniques from the original manufacture of the modules. Grounding, wiring techniques, original transformers, transistors, and inductors have been used to attribute to the special sound in each LTD-1. ...


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{"id":693941796910,"title":"Rupert Neve Designs R10 10-slot 500 Series Rack","handle":"rupert-neve-designs-r10-ten-space-500-series-rack","description":"\u003cp\u003eOverview\u003c\/p\u003e\n\u003cp\u003eR10\u003c\/p\u003e\n\u003cp\u003e10 Space 500 Series Rack\u003c\/p\u003e\n\u003cp\u003eWith abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks.\u003c\/p\u003e\n\u003cp\u003ePower You Can Trust\u003c\/p\u003e\n\u003cp\u003ePower-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. 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Enabling link allows compatible compressor modules like the 543 to share VCA control when their links are enabled. Matching blank panels are also available to cover any empty slots.\u003c\/p\u003e\n\u003cp\u003eIf you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R10 is the serious rack for the serious sound you want.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDouble Voltage Power\u003c\/li\u003e\n\u003cli\u003eMore than double the required power for the 500 series standard\u003c\/li\u003e\n\u003cli\u003eDual Inputs\u003c\/li\u003e\n\u003cli\u003eDual XLR and TRS inputs for both inputs and outputs\u003c\/li\u003e\n\u003cli\u003eCurrent Metering\u003c\/li\u003e\n\u003cli\u003eLED meters monitor your current usage\u003c\/li\u003e\n\u003cli\u003eWorldwide Power Supply\u003c\/li\u003e\n\u003cli\u003eThe auto-switching high-performance supply is at home anywhere in the world from 90V-240\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-05-30T06:27:28+02:00","created_at":"2018-05-30T06:54:14+02:00","vendor":"Rupert Neve Designs","type":"500 Series Chassis","tags":["500 Series","500 Series Chassis","Price Range_$750 to $1000","Rupert Neve Designs","Shop by brand_Rupert Neve Designs","Shop by category_500 Series","Shop by category_500 Series Chassis","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":89500,"price_min":89500,"price_max":89500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7914160554030,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"R10","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rupert Neve Designs R10 10-slot 500 Series Rack","public_title":null,"options":["Default Title"],"price":89500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"752423657384"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-straight-white-1024x459.jpg?v=1527656250","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_f5be9042-bc61-4b7b-b0d4-1b043fbf2aa8.png?v=1527656274","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10--1024x481.jpg?v=1527656250","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6722-1024x685.jpg?v=1527656338","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6756-1024x683.jpg?v=1527656360","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/R10-header-wide-1024x430.jpg?v=1527656682","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6770-1024x682.jpg?v=1527656697","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6767-1024x682.jpg?v=1527656920","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6724-1024x727.jpg?v=1527657105","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/R10-frontpage-1024x838.jpg?v=1527657121"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-straight-white-1024x459.jpg?v=1527656250","options":["Title"],"content":"\u003cp\u003eOverview\u003c\/p\u003e\n\u003cp\u003eR10\u003c\/p\u003e\n\u003cp\u003e10 Space 500 Series Rack\u003c\/p\u003e\n\u003cp\u003eWith abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks.\u003c\/p\u003e\n\u003cp\u003ePower You Can Trust\u003c\/p\u003e\n\u003cp\u003ePower-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003eSolid Steel Construction\u003c\/p\u003e\n\u003cp\u003eThe chassis is comprised of solid steel with sliding nuts to accommodate various manufacturers modules. All connectors and fittings are of the highest quality to ensure that the R10 will hold up to many years of use.\u003c\/p\u003e\n\u003cp\u003eA New Level of Confidence in the 500 Series\u003c\/p\u003e\n\u003cp\u003eBecause the R10 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R10 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series VCA buss link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 or 9-10. Enabling link allows compatible compressor modules like the 543 to share VCA control when their links are enabled. 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Rupert Neve Designs R10 10-slot 500 Series Rack

Rupert Neve Designs R10 10-slot 500 Series Rack

$895.00

Overview R10 10 Space 500 Series Rack With abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks. Power You Can Trust Power-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under ...


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Waves DiGiGrid MGO

Signal Processing & 500 Series

$1,489.00
{"id":673978646574,"title":"Waves DiGiGrid MGO","handle":"waves-digigrid-mgo","description":"\u003cp\u003eDiGiGrid MGO Optical MADI interface allows you to connect any MADI-enabled device to the SoundGrid network. Record, process and playback up to 128 channels with Waves and third-party SoundGrid-compatible plugins in high-fidelity at a super low-latency of 0.8 milliseconds! Moreover, the DiGiGrid MGO can record to two computers simultaneously – one for virtual soundcheck, the other for backup.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI-to-SoundGrid interface\u003c\/li\u003e\n\u003cli\u003ePlug any MADI-enabled device into SoundGrid\u003c\/li\u003e\n\u003cli\u003eRecord, process and playback up to 128 channels\u003c\/li\u003e\n\u003cli\u003eRecord to two computers simultaneously\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSpecs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI Optical I\/O (SFP Optics cartridges)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1, 48, 88.2, 96 kHz\u003c\/li\u003e\n\u003cli\u003e112\/128 channel I\/O @ 48kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e56\/64 channel I\/O @ 96kHz\u003c\/li\u003e\n\u003cli\u003eSupport for 64chn and 56chn modes\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for double wire (48k frame) and single wire (96k frame) @ 96kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eClock Synchronisation via (in fallback order): Word Clock input, MADI (port A), SoundGrid (SoE), Internal 1 SoundGrid port (RJ45)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eReset switch\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for channel 57 controls – DiGiCo-specific, will be used to connect a DiGiCo stage rack and control it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePackage Contents\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiGiGrid MGO unit\u003c\/li\u003e\n\u003cli\u003eUniversal power adaptor with interchangeable plugs (UK, US, EU, AU) (100-240V)\u003c\/li\u003e\n\u003cli\u003eEthernet cable: Cat 5e (2 meters)\u003c\/li\u003e\n\u003cli\u003eRegistration card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10.6 cm \/ 4.17 inches\u003c\/li\u003e\n\u003cli\u003eHeight: 14.82 cm \/ 5.83 inches\u003c\/li\u003e\n\u003cli\u003eDepth: 2.9 cm \/ 1.14 inches\u003c\/li\u003e\n\u003cli\u003eDevice Weight: 0.4 kg \/ 0.88 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-05-15T01:14:56+02:00","created_at":"2018-05-15T01:30:12+02:00","vendor":"Waves","type":"Signal Processing \u0026 500 Series","tags":["Misc Digital Converters","Price Range_$1000 to $1500","Shop by brand_Waves","Shop by category_Misc Digital Converters","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording","Waves"],"price":148900,"price_min":148900,"price_max":148900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7786503831598,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MGO","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Waves DiGiGrid MGO","public_title":null,"options":["Default Title"],"price":148900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgo-1.jpg?v=1526340633","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgo-3.jpg?v=1526340645"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgo-1.jpg?v=1526340633","options":["Title"],"content":"\u003cp\u003eDiGiGrid MGO Optical MADI interface allows you to connect any MADI-enabled device to the SoundGrid network. Record, process and playback up to 128 channels with Waves and third-party SoundGrid-compatible plugins in high-fidelity at a super low-latency of 0.8 milliseconds! Moreover, the DiGiGrid MGO can record to two computers simultaneously – one for virtual soundcheck, the other for backup.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI-to-SoundGrid interface\u003c\/li\u003e\n\u003cli\u003ePlug any MADI-enabled device into SoundGrid\u003c\/li\u003e\n\u003cli\u003eRecord, process and playback up to 128 channels\u003c\/li\u003e\n\u003cli\u003eRecord to two computers simultaneously\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSpecs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI Optical I\/O (SFP Optics cartridges)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1, 48, 88.2, 96 kHz\u003c\/li\u003e\n\u003cli\u003e112\/128 channel I\/O @ 48kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e56\/64 channel I\/O @ 96kHz\u003c\/li\u003e\n\u003cli\u003eSupport for 64chn and 56chn modes\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for double wire (48k frame) and single wire (96k frame) @ 96kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eClock Synchronisation via (in fallback order): Word Clock input, MADI (port A), SoundGrid (SoE), Internal 1 SoundGrid port (RJ45)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eReset switch\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for channel 57 controls – DiGiCo-specific, will be used to connect a DiGiCo stage rack and control it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePackage Contents\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiGiGrid MGO unit\u003c\/li\u003e\n\u003cli\u003eUniversal power adaptor with interchangeable plugs (UK, US, EU, AU) (100-240V)\u003c\/li\u003e\n\u003cli\u003eEthernet cable: Cat 5e (2 meters)\u003c\/li\u003e\n\u003cli\u003eRegistration card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10.6 cm \/ 4.17 inches\u003c\/li\u003e\n\u003cli\u003eHeight: 14.82 cm \/ 5.83 inches\u003c\/li\u003e\n\u003cli\u003eDepth: 2.9 cm \/ 1.14 inches\u003c\/li\u003e\n\u003cli\u003eDevice Weight: 0.4 kg \/ 0.88 lbs\u003c\/li\u003e\n\u003c\/ul\u003e"}
Waves DiGiGrid MGO

Waves DiGiGrid MGO

$1,489.00

DiGiGrid MGO Optical MADI interface allows you to connect any MADI-enabled device to the SoundGrid network. Record, process and playback up to 128 channels with Waves and third-party SoundGrid-compatible plugins in high-fidelity at a super low-latency of 0.8 milliseconds! Moreover, the DiGiGrid MGO can record to two computers simultaneously – on...


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Waves DiGiGrid MGB

Signal Processing & 500 Series

$1,489.00
{"id":672311705646,"title":"Waves DiGiGrid MGB","handle":"waves-digigrid-mgb","description":"\u003cp\u003eThe DiGiGrid MGB interface allows you to connect any Coaxial MADI-enabled device to the SoundGrid network. Now, you can record, process and playback up to 128 channels with Waves and third-party SoundGrid-compatible plugins in high-fidelity at a super-low latency of 0.8 milliseconds! In addition to simplifying your routing, the MGB interface enables recording to two computers simultaneously, for virtual soundcheck and backup.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI-to-SoundGrid interface\u003c\/li\u003e\n\u003cli\u003ePlug any MADI-enabled device into SoundGrid\u003c\/li\u003e\n\u003cli\u003eRecord, process and playback up to 128 channels\u003c\/li\u003e\n\u003cli\u003eRecord to two computers simultaneously\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSpecs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI Coaxial I\/O (BNCs)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1, 48, 88.2, 96 kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e112\/128 channel I\/O @ 48kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e56\/64 channel I\/O @ 96kHz\u003c\/li\u003e\n\u003cli\u003eSupport for 64chn and 56chn modes\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for double wire (48k frame) and single wire (96k frame) @ 96kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eClock Synchronisation via (in fallback order): Word Clock input, MADI (port A), SoundGrid (SoE), Internal 1 SoundGrid port (RJ45)\u003c\/li\u003e\n\u003cli\u003eReset switch\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for channel 57 controls – DiGiCo-specific, will be used to connect a DiGiCo stage rack and control it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePackage Contents\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMGB unit\u003c\/li\u003e\n\u003cli\u003eUniversal power adaptor with interchangeable plugs (UK, US, EU, AU) (100-240V)\u003c\/li\u003e\n\u003cli\u003eEthernet cable: Cat 5e (2 meters)\u003c\/li\u003e\n\u003cli\u003eRegistration card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10.6 cm \/ 4.17 inches\u003c\/li\u003e\n\u003cli\u003eHeight: 14.82 cm \/ 5.83 inches\u003c\/li\u003e\n\u003cli\u003eDepth: 2.9 cm \/ 1.14 inches\u003c\/li\u003e\n\u003cli\u003eDevice Weight: 0.4 kg \/ 0.88 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-05-14T04:59:10+02:00","created_at":"2018-05-14T05:59:16+02:00","vendor":"Waves","type":"Signal Processing \u0026 500 Series","tags":["Misc Digital Converters","Price Range_$1000 to $1500","Shop by brand_Waves","Shop by category_Misc Digital Converters","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording","Waves"],"price":148900,"price_min":148900,"price_max":148900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7777142505518,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MGB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Waves DiGiGrid MGB","public_title":null,"options":["Default Title"],"price":148900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgb-1.jpg?v=1526270545","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgb-3.jpg?v=1526270873"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgb-1.jpg?v=1526270545","options":["Title"],"content":"\u003cp\u003eThe DiGiGrid MGB interface allows you to connect any Coaxial MADI-enabled device to the SoundGrid network. Now, you can record, process and playback up to 128 channels with Waves and third-party SoundGrid-compatible plugins in high-fidelity at a super-low latency of 0.8 milliseconds! In addition to simplifying your routing, the MGB interface enables recording to two computers simultaneously, for virtual soundcheck and backup.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI-to-SoundGrid interface\u003c\/li\u003e\n\u003cli\u003ePlug any MADI-enabled device into SoundGrid\u003c\/li\u003e\n\u003cli\u003eRecord, process and playback up to 128 channels\u003c\/li\u003e\n\u003cli\u003eRecord to two computers simultaneously\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSpecs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI Coaxial I\/O (BNCs)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1, 48, 88.2, 96 kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e112\/128 channel I\/O @ 48kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e56\/64 channel I\/O @ 96kHz\u003c\/li\u003e\n\u003cli\u003eSupport for 64chn and 56chn modes\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for double wire (48k frame) and single wire (96k frame) @ 96kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eClock Synchronisation via (in fallback order): Word Clock input, MADI (port A), SoundGrid (SoE), Internal 1 SoundGrid port (RJ45)\u003c\/li\u003e\n\u003cli\u003eReset switch\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for channel 57 controls – DiGiCo-specific, will be used to connect a DiGiCo stage rack and control it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePackage Contents\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMGB unit\u003c\/li\u003e\n\u003cli\u003eUniversal power adaptor with interchangeable plugs (UK, US, EU, AU) (100-240V)\u003c\/li\u003e\n\u003cli\u003eEthernet cable: Cat 5e (2 meters)\u003c\/li\u003e\n\u003cli\u003eRegistration card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10.6 cm \/ 4.17 inches\u003c\/li\u003e\n\u003cli\u003eHeight: 14.82 cm \/ 5.83 inches\u003c\/li\u003e\n\u003cli\u003eDepth: 2.9 cm \/ 1.14 inches\u003c\/li\u003e\n\u003cli\u003eDevice Weight: 0.4 kg \/ 0.88 lbs\u003c\/li\u003e\n\u003c\/ul\u003e"}
Waves DiGiGrid MGB

Waves DiGiGrid MGB

$1,489.00

The DiGiGrid MGB interface allows you to connect any Coaxial MADI-enabled device to the SoundGrid network. Now, you can record, process and playback up to 128 channels with Waves and third-party SoundGrid-compatible plugins in high-fidelity at a super-low latency of 0.8 milliseconds! In addition to simplifying your routing, the MGB interface ena...


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{"id":525596983342,"title":"Universal Audio 4-710d Four-Channel Tone-Blending Mic Pre","handle":"universal-audio-4-710d-four-channel-tone-blending-mic-pre","description":"Classic tube and solid-state tones with 1176-style compression and professional A\/D conversion.\u003cbr\u003e\u003cbr\u003eBy merging the best of UA’s classic analog design with smart modern features and workflow enhancements, the 4-710d is the most flexible microphone preamp in the UA lineup.\u003cbr\u003e\u003cbr\u003eFeaturing four high-end mic\/line preamps with a unique tube\/solid-state tone blending circuit, as well as classic 1176-style compression on each mic channel, the 4-710d also offers tons of digital I\/O to expand your setup.\u003cbr\u003e\u003cbr\u003eNOW YOU CAN:\u003cbr\u003e ✓ Track through meticulously designed UA tube preamp circuitry\u003cbr\u003e ✓ Blend tube and solid-state textures for tons of flexibility\u003cbr\u003e ✓ Harness classic 1176-style compression on each mic channel\u003cbr\u003e ✓ Add 8 inputs to any Apollo interface via ADAT optical connection\u003cbr\u003e\u003cbr\u003eBring your Mic Collection to Life with a Wide Range of UA Preamp Tones\u003cbr\u003e\u003cbr\u003eAt the core of the 4-710d are four channels of tone-blending “Twin-Finity” mic preamps. Each channel offers 100% tube and 100% solid-state signal path, as well as the ability to continuously blend between the two circuits. This gives you tons of textures — from creamy to crunchy — and lets you dial in the perfect amount of tube grit or solid-state sheen.\u003cbr\u003e\u003cbr\u003eA Legendary Compression Circuit\u003cbr\u003e\u003cbr\u003eEach of the 4-710d’s four channels features true-bypass 1176-style compression, including specially tuned \"fast\" and \"slow\" settings. This enables quick, on-the-fly tweaking for fattening up a vocal, hold a bass guitar in place, or for adding sizzle and texture to synths and horns.\u003cbr\u003e\u003cbr\u003eAdd Inputs and Professional A\/D Conversion\u003cbr\u003e\u003cbr\u003eWith eight analog inputs, the 4-710d is perfect for expanding your studio. Digitized via ultra high-quality 24-bit A\/D converters at selectable sample rates up to 192 kHz, the 4-710d easily connects to most interfaces with its dual ADAT optical or AES\/EBU DB-25 connectors.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","published_at":"2018-03-08T16:35:57+02:00","created_at":"2018-03-03T13:40:31+02:00","vendor":"Universal Audio","type":"Mic Preamp","tags":["Channel Strips","Preamps \u0026 Channel Strips","Shop by brand_Universal Audio","Shop by category_Mic Preamp","Shop by category_Mic Preamp with Eq","Studio \u0026 Recording","Universal Audio"],"price":199900,"price_min":199900,"price_max":199900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7035853209646,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"4710D","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Universal Audio 4-710d Four-Channel Tone-Blending Mic Pre","public_title":null,"options":["Default Title"],"price":199900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4_710d_tone_dyn_carousel_1.jpg?v=1520077339","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_a3532772-c7a7-4671-9f3f-a80d9cf53c43.png?v=1520077339","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4_710d_tone_dyn_carousel_2.jpg?v=1520077339"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4_710d_tone_dyn_carousel_1.jpg?v=1520077339","options":["Title"],"content":"Classic tube and solid-state tones with 1176-style compression and professional A\/D conversion.\u003cbr\u003e\u003cbr\u003eBy merging the best of UA’s classic analog design with smart modern features and workflow enhancements, the 4-710d is the most flexible microphone preamp in the UA lineup.\u003cbr\u003e\u003cbr\u003eFeaturing four high-end mic\/line preamps with a unique tube\/solid-state tone blending circuit, as well as classic 1176-style compression on each mic channel, the 4-710d also offers tons of digital I\/O to expand your setup.\u003cbr\u003e\u003cbr\u003eNOW YOU CAN:\u003cbr\u003e ✓ Track through meticulously designed UA tube preamp circuitry\u003cbr\u003e ✓ Blend tube and solid-state textures for tons of flexibility\u003cbr\u003e ✓ Harness classic 1176-style compression on each mic channel\u003cbr\u003e ✓ Add 8 inputs to any Apollo interface via ADAT optical connection\u003cbr\u003e\u003cbr\u003eBring your Mic Collection to Life with a Wide Range of UA Preamp Tones\u003cbr\u003e\u003cbr\u003eAt the core of the 4-710d are four channels of tone-blending “Twin-Finity” mic preamps. Each channel offers 100% tube and 100% solid-state signal path, as well as the ability to continuously blend between the two circuits. This gives you tons of textures — from creamy to crunchy — and lets you dial in the perfect amount of tube grit or solid-state sheen.\u003cbr\u003e\u003cbr\u003eA Legendary Compression Circuit\u003cbr\u003e\u003cbr\u003eEach of the 4-710d’s four channels features true-bypass 1176-style compression, including specially tuned \"fast\" and \"slow\" settings. This enables quick, on-the-fly tweaking for fattening up a vocal, hold a bass guitar in place, or for adding sizzle and texture to synths and horns.\u003cbr\u003e\u003cbr\u003eAdd Inputs and Professional A\/D Conversion\u003cbr\u003e\u003cbr\u003eWith eight analog inputs, the 4-710d is perfect for expanding your studio. Digitized via ultra high-quality 24-bit A\/D converters at selectable sample rates up to 192 kHz, the 4-710d easily connects to most interfaces with its dual ADAT optical or AES\/EBU DB-25 connectors.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e"}
Universal Audio 4-710d Four-Channel Tone-Blending Mic Pre

Universal Audio 4-710d Four-Channel Tone-Blending Mic Pre

$1,999.00

Classic tube and solid-state tones with 1176-style compression and professional A/D conversion.By merging the best of UA’s classic analog design with smart modern features and workflow enhancements, the 4-710d is the most flexible microphone preamp in the UA lineup.Featuring four high-end mic/line preamps with a unique tube/solid-state tone blen...


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Overstayer Stereo Field Effect Model 3706

Compressors / Limiters

$1,895.00
{"id":244299694106,"title":"Overstayer Stereo Field Effect Model 3706","handle":"overstayer-stereo-field-effect-model-3707","description":"\u003cstrong\u003eOverstayer Stereo Field Effect Model 3706\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWe love FET compression! In fact, some say we’re slightly obsessed with it. They might be right.\u003cbr\u003e\u003cbr\u003eThe Overstayer Stereo Field Effect Model 3706 Limiter\/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo unit with ganged controls that combines compression and limiting, with analog tone shaping and harmonics stages to evoke the tonality of a classic analog recording and mixing chain.\u003cbr\u003e\u003cbr\u003eClassic FET ratios, as well as subtle low and hard limit ratios, allow the balance of compression to harmonics to be tailored, while wide-ranging attack and release options allow the envelope to shape exactly what hits the harmonics stages. The integrated sidechain filter and tone shaping of the discrete harmonics stages allows the signal to remain full even with large amounts of gain reduction. The Nonlinear mode engages an alternate aggressive personality, giving you new and unique dynamic textures.","published_at":"2017-12-24T13:19:12+02:00","created_at":"2017-12-24T13:20:35+02:00","vendor":"Overstayer","type":"Compressors \/ Limiters","tags":["Compressors \/ Limiters","Overstayer","Price Range_$1500 to $2000","Shop by brand_Overstayer","Shop by category_Compressors \/ Limiters"],"price":189500,"price_min":189500,"price_max":189500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302742458394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Overstayer Stereo Field Effect Model 3706","public_title":null,"options":["Default Title"],"price":189500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/overstayer_3706_front.jpg?v=1514114552"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/overstayer_3706_front.jpg?v=1514114552","options":["Title"],"content":"\u003cstrong\u003eOverstayer Stereo Field Effect Model 3706\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWe love FET compression! In fact, some say we’re slightly obsessed with it. They might be right.\u003cbr\u003e\u003cbr\u003eThe Overstayer Stereo Field Effect Model 3706 Limiter\/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo unit with ganged controls that combines compression and limiting, with analog tone shaping and harmonics stages to evoke the tonality of a classic analog recording and mixing chain.\u003cbr\u003e\u003cbr\u003eClassic FET ratios, as well as subtle low and hard limit ratios, allow the balance of compression to harmonics to be tailored, while wide-ranging attack and release options allow the envelope to shape exactly what hits the harmonics stages. The integrated sidechain filter and tone shaping of the discrete harmonics stages allows the signal to remain full even with large amounts of gain reduction. The Nonlinear mode engages an alternate aggressive personality, giving you new and unique dynamic textures."}
Overstayer Stereo Field Effect Model 3706

Overstayer Stereo Field Effect Model 3706

$1,895.00

Overstayer Stereo Field Effect Model 3706We love FET compression! In fact, some say we’re slightly obsessed with it. They might be right.The Overstayer Stereo Field Effect Model 3706 Limiter/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo unit with ga...


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Avid Pro Tools | SYNC HD

Signal Processing & 500 Series

$2,095.00
{"id":257445560346,"title":"Avid Pro Tools | SYNC HD","handle":"avid-pro-tools-sync-hd","description":"Sync your studio\u003cbr\u003e\u003cbr\u003eKeep your Pro Tools rigs and other connected gear in sync—no matter how massive your media production. Designed for Pro Tools | HD systems, Pro Tools | SYNC HD is the ultimate low-jitter master clock, providing near sample-accurate lock to serial timecode. It's a must when working with large-scale music and soundtrack productions. If you have multiple audio interfaces and digital devices in your studio, SYNC HD offers the stability, consistency, and reliability you need to keep everything running smoothly. And with its new lower price, commanding precision is even easier than ever.\u003cbr\u003e\u003cbr\u003ePRODUCT HIGHLIGHTS\u003cbr\u003e\u003cbr\u003eConnect your sources\u003cbr\u003eSYNC HD provides a wide variety of connections to sync your gear. Get all of the usual suspects to connect to Linear Timecode, Word Clock, NTSC\/PAL sources, black burst generators, digital audio signals, and MachineControl-enabled systems, as well as Bi-Phase, Tach, and Pilot devices.\u003cbr\u003e\u003cbr\u003eSet the clock\u003cbr\u003eEasily select SYNC HD’s clock reference with just the press of a button. The interface supports all major industry-standard clock sources, including Word Clock, HD and SD Video Reference, AES\/EBU, Composite Video In, LTC, and more.\u003cbr\u003e\u003cbr\u003eChoose your frame rate\u003cbr\u003eSelect the timecode frame rate and format (drop-frame or non-drop-frame) with a simple button press. You can scope your current rate by the lit green LED indicator next to 30, 29.97, 25, and 24 fps—or a flashing 24 fps LED indicator when using 23.976 fps. And the “DF” LED will light to indicate drop-frame formats.\u003cbr\u003e\u003cbr\u003eSee and take control\u003cbr\u003eView incoming timecode, as well as various function settings, on the multifunction LED display. See timecode displayed in hours : minutes : seconds : frames. Or use the controls below the display to configure timecode generator settings, PAL\/NTSC selection, sample rate, and more while viewing those modes, parameters, and settings on the LED.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eKey features\u003cbr\u003e\u003cbr\u003eEliminate distortion\u003cbr\u003eMaintain the highest audio fidelity and performance across Pro Tools | HD and all connected devices. With SYNC HD, you have a reliable, low-jitter master clock ensuring that all audio signals are captured and played back with complete precision and accuracy, so you get pristine, distortion-free audio. And it supports all Pro Tools | HD sample rates, from 44.1–192 kHz.\u003cbr\u003e\u003cbr\u003eClock to a variety of sources\u003cbr\u003eSYNC HD supports all major industry-standard clock sources and timecode formats used in audio, video, film, and multimedia production. These include Loop Sync, Video Reference, Linear Timecode, Word Clock, and more.\u003cbr\u003e\u003cbr\u003eSet a positional reference\u003cbr\u003eTo maintain the highest level of sync accuracy over long periods of time, SYNC HD also supports positional reference sources. These include Linear Timecode (LTC), Vertical Interval Timecode (VITC), Serial Timecode, and Bi-phase\/Tach.\u003cbr\u003e\u003cbr\u003eGet locked in\u003cbr\u003eWhen used with Pro Tools | HD systems, SYNC HD provides highly accurate lock to timecode, making it essential for commercial music and post production. If you're using Satellite Link to control multiple Pro Tools | HD systems, you'll need one or more interfaces. You can remotely control the interface from your Pro Tools | HD system, or use SYNC HD standalone. It also provides standard pull-up and pull-down rates, making it easier to work with film and video projects.\u003cbr\u003e\u003cbr\u003eSpecifications \u003cbr\u003e\u003cbr\u003eSYSTEM REQUIREMENTS\u003cbr\u003e\u003cbr\u003e ✓ Pro Tools | HDX, Pro Tools | HD Native, or can be used standalone\u003cbr\u003e\u003cbr\u003eHARDWARE SPECIFICATIONS\u003cbr\u003e\u003cbr\u003e ✓ Please see the Pro Tools | SYNC HD Guide for technical specifications and other details.","published_at":"2018-01-09T12:55:29+02:00","created_at":"2018-01-04T10:38:00+02:00","vendor":"Avid","type":"Signal Processing \u0026 500 Series","tags":["Avid","Price Range_$2000 to $3000","Shop by brand_Avid","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording","Synchronizers"],"price":209500,"price_min":209500,"price_max":209500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3371040079898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avid Pro Tools | SYNC HD","public_title":null,"options":["Default Title"],"price":209500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"9900-38924-40"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/protools_sync_hd_left.jpg?v=1515055094","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/protools_sync_hd_stack.jpg?v=1515055103"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/protools_sync_hd_left.jpg?v=1515055094","options":["Title"],"content":"Sync your studio\u003cbr\u003e\u003cbr\u003eKeep your Pro Tools rigs and other connected gear in sync—no matter how massive your media production. Designed for Pro Tools | HD systems, Pro Tools | SYNC HD is the ultimate low-jitter master clock, providing near sample-accurate lock to serial timecode. It's a must when working with large-scale music and soundtrack productions. If you have multiple audio interfaces and digital devices in your studio, SYNC HD offers the stability, consistency, and reliability you need to keep everything running smoothly. And with its new lower price, commanding precision is even easier than ever.\u003cbr\u003e\u003cbr\u003ePRODUCT HIGHLIGHTS\u003cbr\u003e\u003cbr\u003eConnect your sources\u003cbr\u003eSYNC HD provides a wide variety of connections to sync your gear. Get all of the usual suspects to connect to Linear Timecode, Word Clock, NTSC\/PAL sources, black burst generators, digital audio signals, and MachineControl-enabled systems, as well as Bi-Phase, Tach, and Pilot devices.\u003cbr\u003e\u003cbr\u003eSet the clock\u003cbr\u003eEasily select SYNC HD’s clock reference with just the press of a button. The interface supports all major industry-standard clock sources, including Word Clock, HD and SD Video Reference, AES\/EBU, Composite Video In, LTC, and more.\u003cbr\u003e\u003cbr\u003eChoose your frame rate\u003cbr\u003eSelect the timecode frame rate and format (drop-frame or non-drop-frame) with a simple button press. You can scope your current rate by the lit green LED indicator next to 30, 29.97, 25, and 24 fps—or a flashing 24 fps LED indicator when using 23.976 fps. And the “DF” LED will light to indicate drop-frame formats.\u003cbr\u003e\u003cbr\u003eSee and take control\u003cbr\u003eView incoming timecode, as well as various function settings, on the multifunction LED display. See timecode displayed in hours : minutes : seconds : frames. Or use the controls below the display to configure timecode generator settings, PAL\/NTSC selection, sample rate, and more while viewing those modes, parameters, and settings on the LED.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eKey features\u003cbr\u003e\u003cbr\u003eEliminate distortion\u003cbr\u003eMaintain the highest audio fidelity and performance across Pro Tools | HD and all connected devices. With SYNC HD, you have a reliable, low-jitter master clock ensuring that all audio signals are captured and played back with complete precision and accuracy, so you get pristine, distortion-free audio. And it supports all Pro Tools | HD sample rates, from 44.1–192 kHz.\u003cbr\u003e\u003cbr\u003eClock to a variety of sources\u003cbr\u003eSYNC HD supports all major industry-standard clock sources and timecode formats used in audio, video, film, and multimedia production. These include Loop Sync, Video Reference, Linear Timecode, Word Clock, and more.\u003cbr\u003e\u003cbr\u003eSet a positional reference\u003cbr\u003eTo maintain the highest level of sync accuracy over long periods of time, SYNC HD also supports positional reference sources. These include Linear Timecode (LTC), Vertical Interval Timecode (VITC), Serial Timecode, and Bi-phase\/Tach.\u003cbr\u003e\u003cbr\u003eGet locked in\u003cbr\u003eWhen used with Pro Tools | HD systems, SYNC HD provides highly accurate lock to timecode, making it essential for commercial music and post production. If you're using Satellite Link to control multiple Pro Tools | HD systems, you'll need one or more interfaces. You can remotely control the interface from your Pro Tools | HD system, or use SYNC HD standalone. It also provides standard pull-up and pull-down rates, making it easier to work with film and video projects.\u003cbr\u003e\u003cbr\u003eSpecifications \u003cbr\u003e\u003cbr\u003eSYSTEM REQUIREMENTS\u003cbr\u003e\u003cbr\u003e ✓ Pro Tools | HDX, Pro Tools | HD Native, or can be used standalone\u003cbr\u003e\u003cbr\u003eHARDWARE SPECIFICATIONS\u003cbr\u003e\u003cbr\u003e ✓ Please see the Pro Tools | SYNC HD Guide for technical specifications and other details."}
Avid Pro Tools | SYNC HD

Avid Pro Tools | SYNC HD

$2,095.00

Sync your studioKeep your Pro Tools rigs and other connected gear in sync—no matter how massive your media production. Designed for Pro Tools | HD systems, Pro Tools | SYNC HD is the ultimate low-jitter master clock, providing near sample-accurate lock to serial timecode. It's a must when working with large-scale music and soundtrack productions...


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