Rupert Neve Designs | MBC Dual Path A-D Converter & Limiter

Rupert Neve Designs | MBC Dual Path A-D Converter & Limiter

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MASTER BUSS CONVERTER

Dual Path A-D Converter & Limiter

The ultimate tool for creating digital signals with the tone, transparency, and power expected from Rupert Neve Designs.

Whether you’re tracking, printing mixes or mastering, the Master Buss Converter is a revelation in quality and functionality of A-D conversion technology. The analog drive circuitry allows the MBC’s converter to be fed by either a class-A transformerless path for maximum transparency, or by custom interstage audio transformers with variable Silk for a wide variety of tonal enhancements. Coupled with an astonishingly musical limiter, the MBC is always the best choice to capture your analog signals with breathtakingly three-dimensional accuracy.

“The new RND converter is the one you want. It has replaced several high end converters in my rig.”

— CHRIS ATHENS / DRAKE, BEASTIE BOYS, DJ KHALED

A Long Time Coming

With over seven decades of analog circuit design experience, Mr. Rupert Neve had never considered a converter worthy of his hallmark until the release of the RMP-D8 Dante-connected microphone preamplifier in 2018.

While the RMP was primarily designed as a mic preamp, its adoption by engineers at the highest levels of recording, mastering, and touring as their preferred converter led to the development of the MBC, creating a new standard for PCM conversion quality.

Dual Path Analog Design

As the last link in the analog chain before digitization, converter drive circuitry is critical in determining the imprinted digital sound quality. From the ground up, the MBC was designed for reference performance regardless of genre or desired sonic character, and the key to this lies in the quality and adaptability of the analog drive circuitry.

For a bolder, more powerful imprint, a custom-designed inter-stage transformer with Rupert’s acclaimed Silk circuitry can be inserted to recreate the classic tonality of his vintage designs. Uniquely, unlike our audio transformers intended for line-level output, this new transformer is designed to achieve output transformer harmonic content characteristics at a level appropriate for input to the converter itself.

With the addition of variable Silk, the engineer is able to precisely dial in the desired amount of harmonic content – with the Red mode highlighting harmonics in the mid and high frequencies, and the Blue mode accentuating harmonics in the low-end. From a subtle transformer tonality without Silk, to significantly more color than vintage modules with the Silk / Texture circuit fully pushed, the selectable transformer path fills your tracks with enhanced dimensionality and power.

When maximum transparency and fidelity is desired, the transformerless path provides extraordinary detail and clarity. While many transformerless circuits suffer from thin tonal balance and a lack of punch, the MBC’s Class-A circuitry was painstakingly designed to deliver a beautiful sense of clarity, with vibrant detail at both high and low frequencies. As an additional tonal palette to capture your tracks, the transformerless path is an essential complement to the weighty, classic sound of the transformer path.

No matter what sonic character you’re seeking, the MBC can provide it at the push of a button.

Compound Active Release Analog Limiter

The challenge here was to design a limiter that could act as both a musical sculpting tool exceeding the quality of available plug-in limiters, while also being able to act as a transparent safety limiter for tracking or live performance & broadcast.

To further adapt the sound of the limiter, we’ve added a number of controls to fine-tune its response: The built-in sweepable side chain high-pass filter minimizes the limiter’s reaction to low frequencies to let your bass come through full-force, the class-A line amp stage adds up to 20dB of ultra-clean gain, and the MBC can even be used as a dual mono design (rather than stereo linked) for high-fidelity instrument tracking purposes.

Mastering-Grade Conversion

The MBC’s 24-bit/192kHz converters were developed after years of careful listening, and represent a further advancement of the design within the RMP-D8. The precision controlled internal clock’s minimal jitter and phase noise allow the converters to capture the complete performance of your music with a great degree of accuracy – simply put, the MBC creates an uncanny digital representation of your analog signals.

To connect into your interface or digital console, the MBC is equipped with AES, S/PDIF and TOSLINK outputs capable of simultaneous output to multiple destinations. The word clock output allows the MBC to act as high-end master clock for your entire setup, and the word clock input allows external sync to a separate master clock if desired. Finally, to seamlessly integrate the MBC into a multichannel conversion environment, four standard levels from -14dBFS to -20dBFS can be selected to accurately match your other converters. These Reference Level calibration standards are implemented with a superb degree of accuracy via high-precision resistors and relay-controlled stepped attenuation.

Ultra-Precise Metering

Lastly, a pair of 22-segment meters provide extremely precise level metering of the input to the converter stage, utilizing a new design that represents the highest resolution LED metering in a Rupert Neve Designs product to date. For monitoring of the limiter’s gain reduction, there are 8-segment gain reduction meters designed to display transient reductions with a superb degree of accuracy. The level meters can be further customized with a 1-second or 3-second peak hold option.

With legendary sound and a groundbreaking feature set, the MBC is a new digital standard from the master of analog – and the ultimate tool for capturing your tracks, mixes, and masters.

SELECTABLE ANALOG DRIVE PATHS

The very best of class-A transformer-less and custom transformer-coupled designs at the touch of a button.

TRANSFORMER PATH WITH SILK / TEXTURE
Add weight and punch with a dedicated custom inter-stage transformer before the converter. Silk / Texture allows you to dial in the harmonic content and drive saturation of this signal path.

CLASS-A TRANSFORMER-LESS PATH
Maximizes clarity and transparency of the input signal.

SIDE CHAIN HPF
Tighten the response of your limiting with a 12dB / Octave SC HPF sweepable from 20Hz to 250Hz.

24-BIT / 192kHz REFERENCE CONVERSION
Unparalleled analog capture with precision clocking using top-of-the-line chips.

MULTISTANDARD CONNECTIVITY
Connect to any of your digital devices with AES, S/PDIF and TOSLINK all simultaneously available.

PRECISION CLOCKING
Maximum accuracy with minimal jitter and phase noise, able to operate as a master clock or sync from another master.

SPECIFICATIONS

XLR LINE INPUT TO AES3 DIGITAL OUTPUT
Limiter Bypassed
zSource = 40 Ohm Balanced

INPUT IMPEDANCE
9.9K Ohm

COMMON MODE REJECTION
@ 1 kHz 105 dB typical

TRANSFORMER-LESS PATH

FREQUENCY RESPONSE (20 Hz to 70 kHz)
+/- 0.025 dB typical

THD+N (10 Hz - 22 kHz BW)
@ 1 kHz @ -2 dBFS: 0.0009% typical

NOISE (10 Hz - 22 kHz BW)
10 Hz - 22 kHz BW.
-108 dBFS typical

TRANSFORMER PATH

FREQUENCY RESPONSE (20 Hz to 70 kHz)
+/- 0.1 dB typical

THD+N (10 Hz - 22 kHz BW)
@ 1 kHz @ -2 dBFS: 0.002% typical

NOISE (10 Hz - 22 kHz BW)
-114 dBFS typical

LIMITER SPECIFICATIONS
Transformer-less Path Selected, zSource = 40 Ohm Balanced

FREQUENCY RESPONSE (20 Hz to 70 kHz)
+/- 0.1 dB typical

NOISE (10 Hz - 22 kHz BW)
@ 0 dB Make-Up Gain: -107 dBFS typical
@ +20 dB Make-Up Gain: -97 dBFS typical

SHIPPING WEIGHT
10 lbs. (4.5 kg)

SHIPPING DIMENSIONS
24” (61 cm) x 13” (33 cm) x 4” (10.2 cm)

PRODUCT DIMENSIONS
19” (48.3 cm) x 9” (22.9 cm) x 1.65” (4.2 cm)

DOWNLOADS

USER MANUAL

FREQUENTLY ASKED QUESTIONS

How do I get the MBC audio into my computer?

The MBC has analog inputs and digital audio outputs. To get the digital audio from the MBC into a DAW you will have to use the digital audio input on your interface.

I have AES, SPDIF RCA and SPDIF Optical; which connection should I use?

We would recommend using AES as the first choice. For SPDIF, we recommend using the shortest possible cables (no more than 2 meters).

My interface has ADAT optical inputs, would that work?

No, you would need to convert the ADAT signal to SPDIF. Some interfaces can switch between ADAT and SPDIF protocols on their optical outputs.

Which ADC calibration setting should I use?

Many people use the calibration setting that best conforms to their existing converters. If you don’t need conformity, -20dB will give you the highest possible level through the transformer, which allows you to saturate it further.

Is the limiter on the MBC the same as in the Master Buss Processor?

The limiter on the MBC is similar to that in the MBP, but it has been refined slightly and has more available controls to fine-tune the response.

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