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PreSonus StudioLive 16.0.2 USB

Digital Mixers

$969.00
{"id":539982037038,"title":"PreSonus StudioLive 16.0.2 USB","handle":"presonus-studiolive-16-0-2-usb","description":"StudioLive 16.0.2 USB\u003cbr\u003e\u003cbr\u003eThe ease of analog meets the power of digital.\u003cbr\u003eWhen you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive® 16.0.2 USB’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in menus or layers. Our design philosophy is simple: One fader for every mono or stereo channel; one output for every bus. Add to that easily accessed, color-coded function buttons; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. But don’t let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control, and more.\u003cbr\u003e\u003cbr\u003eSmall size. Bigger possibilities.\u003cbr\u003eIn a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I\/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.\u003cbr\u003e\u003cbr\u003eYou’ll never run out of signal processors.\u003cbr\u003eStudioLive 16.0.2 USB mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay\/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.\u003cbr\u003e\u003cbr\u003eSuperior sound.\u003cbr\u003eConnect a StudioLive 16.0.2 USB mixer and you’ll instantly hear details and clarity you’d expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.\u003cbr\u003e\u003cbr\u003eRecording is in StudioLive 16.0.2 USB’s DNA.\u003cbr\u003eThe StudioLive 16.0.2 USB’s built-in 18x16 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 16 channels and the main mix continuously stream to your USB-connected Mac or Windows PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive mixers, recording is simple and easy: Just launch the included, preconfigured Capture™ software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease.\u003cbr\u003e\u003cbr\u003eIntegrated, multiplatform software for flexible control and one-click recording.\u003cbr\u003eLike all PreSonus StudioLive mixers, the StudioLive 16.0.2 USB is tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android™, and iPad®. Control individual monitor mixes onstage with QMix®-UC for iPhone®\/iPod® touch and Android™. Automate virtual soundchecks and record shows with Capture™ for Mac and Windows. Edit, sweeten, and digitally release your recordings with Studio One Artist. StudioLive 16.0.2 USB mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003e\u003cbr\u003eDedicated analog connections for predictable signal flow.\u003cbr\u003eTake a look at back panel of a StudioLive 16.0.2 USB mixer, and you’ll find the robust connections you’d expect from an analog mixer: balanced mic inputs on each of the 8 mono channels; 8 balanced ¼-inch line inputs; 4 unbalanced RCA line inputs; and dedicated balanced outputs for each of the 4 aux buses and the main stereo bus. Every input channel and bus send has its own dedicated jack—no sharing, no compromises—so you always know what’s flowing from each output.\u003cbr\u003e\u003cbr\u003eAdd excitement to performances with MIDI control.\u003cbr\u003eBeing able to control the StudioLive 16.0.2 USB from an iPad®, iPhone®, iPod touch®, or Android device is cool—unless your hands are busy playing your instrument. That’s why the StudioLive 16.0.2 USB offers MIDI In and Out. Use a MIDI footpedal or DAW to recall scenes using MIDI Program Changes, control the main output volume and effects level, mute effects between songs, switch from lots of reverb to a little bit of delay, and change the mix for a solo. You can even automate these features with a DAW! It’s a great way to make your performances more exciting and varied, even if you don’t have a separate soundperson.\u003cbr\u003e\u003cbr\u003eBetter mixing with StudioLive family values.\u003cbr\u003eIt's easy to love this portable powerhouse. To learn more, visit the Media tab on the upper section of this page ​and watch our StudioLive 16.0.2 USB videos. Better yet, try a StudioLive 16.0.2 USB at your nearest PreSonus dealer. You’ll see what we mean about intuitive ease-of-use. You’ll hear what we mean about Class A preamps, rich DSP effects, and overall sound quality. And you'll come to believe in StudioLive family values.\u003cbr\u003e\u003cbr\u003eNow includes Studio Magic Plug-in Suite.\u003cbr\u003eThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003e8 mono mic\/line channel inputs, each with:\u003cbr\u003e ✓ High-headroom Class A XMAX mic preamplifier\u003cbr\u003e ✓ XLR mic and balanced ¼-inch line inputs\u003cbr\u003e ✓ 60 mm precision fader\u003cbr\u003e\u003cbr\u003e4 stereo line channel inputs, with:\u003cbr\u003e ✓ High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)\u003cbr\u003e ✓ XLR mic inputs (Ch. 9, 11, 13, and 15)\u003cbr\u003e ✓ Balanced ¼-inch line inputs (Ch. 9-16)\u003cbr\u003e ✓ Unbalanced RCA line inputs (Ch. 13-16)\u003cbr\u003e ✓ 60 mm precision fader (4 stereo)\u003cbr\u003e ✓ 4 Auxiliary buses (pre\/post-fader send)\u003cbr\u003e\u003cbr\u003e2 Internal FX buses\u003cbr\u003e2 stereo 32-bit digital effects processors with customizable reverb and delay presets\u003cbr\u003eFat Channel signal processing on all channels and buses, with:\u003cbr\u003e ✓ 3-band semi-parametric EQ (individual band on\/off)\u003cbr\u003e ✓ Full-featured compressor\u003cbr\u003e ✓ Standard downward expander\u003cbr\u003e ✓ Limiter\u003cbr\u003e ✓ Phase reverse (12 mic preamplifiers only)\u003cbr\u003e ✓ Pan with dedicated 15-LED display\u003cbr\u003e ✓ Stereo link for input channels and aux buses\u003cbr\u003e ✓ Highpass filter\u003cbr\u003e\u003cbr\u003eOne 31-band stereo graphic EQ (on main outputs only)\u003cbr\u003e18-in\/16-out USB recording interface (24-bit\/44.1 kHz and 48 kHz)\u003cbr\u003e ✓ Compatible with most audio software via ASIO, Windows Audio, Core Audio\u003cbr\u003e\u003cbr\u003eScene store and recall\u003cbr\u003eSettings can be copied among channels and buses and saved as user presets.\u003cbr\u003eSoftware bundle includes:\u003cbr\u003e ✓ PreSonus® Studio One® Artist digital audio workstation for Mac® and Windows ®\u003cbr\u003e ✓ PreSonus Capture™ live-recording software for Mac and Windows\u003cbr\u003e ✓ PreSonus UC Surface mixer-control software for Mac, Windows, Android™, and iPad®\u003cbr\u003e ✓ Free downloadable PreSonus QMix®-UC software for iPhone®\/iPod touch® and Android™ provides wireless remote control of aux mixes\u003cbr\u003e\u003cbr\u003eLockout mode protects your settings from meddlers and accidents\u003cbr\u003eMIDI Control Mode provides control over:\u003cbr\u003e ✓ Scene and FX Preset recall\u003cbr\u003e ✓ Main Volume, FXA, and FXB output levels\u003cbr\u003e ✓ FXA and FXB assign\/unassign to Mains\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e ✓ Mac® OS X 10.8.5 64-bit or later\u003cbr\u003e ✓ Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e ✓ 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e ✓ Windows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e ✓ Intel Core 2 Duo (Intel Core i3 or faster recommended)\u003cbr\u003e ✓ 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e ✓ USB 2.0 port\u003cbr\u003e ✓ Internet connection\u003cbr\u003e ✓ Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e ✓ 30 GB hard disk space\u003cbr\u003e ✓ Monitor with 1366x768 resolution\u003cbr\u003e\u003cbr\u003eiOS\u003cbr\u003e ✓ iOS 9.3 or later\u003cbr\u003e ✓ iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003cbr\u003e ✓ Android\u003cbr\u003e ✓ Android™ 5.0 (Lollipop) or later\u003cbr\u003e ✓ Android smartphone (QMix-UC)\u003cbr\u003e ✓ Android tablet (8-inch) with 1024x768 resolution (UC Surface)\u003cbr\u003e\u003cbr\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003e\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eMicrophone Preamp\u003cbr\u003e ✓ Type XLR Female, Balanced\u003cbr\u003e ✓ Frequency Response to Direct Output (at unity gain) 20 Hz-20 kHz, 0 \/ -0.5 dBu\u003cbr\u003e ✓ Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ±0.5 dBu\u003cbr\u003e ✓ Input Impedance (Balanced) 1 kΩ\u003cbr\u003e ✓ THD to Direct Output (1 kHz at unity gain) \u0026lt;0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd\u003cbr\u003e ✓ THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e ✓ EIN to Direct Output +125 dB unwtd, +130 dB A-wtd\u003cbr\u003e ✓ S\/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -102 dB\u003cbr\u003e ✓ S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -95 dB\u003cbr\u003e ✓ Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB\u003cbr\u003e ✓ Gain Control Range (± 1 dB) -16 dB to +67 dB\u003cbr\u003e ✓ Maximum Input Level (unity gain) +16 dBu\u003cbr\u003e ✓ Phantom Power (± 2 VDC) +48 VDC\u003cbr\u003e\u003cbr\u003eLine Inputs, Balanced\u003cbr\u003e ✓ Type ¼\" TRS Female, balanced mono\u003cbr\u003e ✓ Frequency Response to Direct Outputs (at unity gain) 10 Hz-20 kHz, 0 \/ -0.5 dBu\u003cbr\u003e ✓ Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0\/-0.5 dBu\u003cbr\u003e ✓ Input Impedance 10 kΩ\u003cbr\u003e ✓ THD to Direct Output (1 kHz at unity gain) \u0026lt;0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e ✓ THD to Main Output (1 kHz at unity gain) \u0026lt;0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e ✓ S\/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB\u003cbr\u003e ✓ S\/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -95 dB\u003cbr\u003e ✓ Gain Control Range (± 1 dB) -20 dB to +20 dB\u003cbr\u003e ✓ Maximum Input level (unity gain) +22 dBu\u003cbr\u003e\u003cbr\u003eLine Inputs, Unbalanced\u003cbr\u003e ✓ Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e ✓ Maximum Input Level +22 dBu\u003cbr\u003e\u003cbr\u003eMain Outputs\u003cbr\u003e ✓ Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)\u003cbr\u003e ✓ Rated Output Level +24 dBu\u003cbr\u003e ✓ Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eAux Outputs\u003cbr\u003e ✓ Type ¼” TRS Female, balanced (mono)\u003cbr\u003e ✓ Rated Output Level +18 dBu\u003cbr\u003e ✓ Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eMonitor Outputs\u003cbr\u003e ✓ Type ¼” TRS Female, balanced (stereo pair)\u003cbr\u003e ✓ Rated Output Level z +18 dBu\u003cbr\u003e ✓ Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e ✓ Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu\u003cbr\u003e ✓ Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu\u003cbr\u003e\u003cbr\u003eNoise Gate (Expander)\u003cbr\u003e ✓ Threshold Range -84 dB to 0 dB\u003cbr\u003e ✓ Attack Time Adaptive (0.2 - 2.5 ms)\u003cbr\u003e ✓ Release Time 70 ms\u003cbr\u003e ✓ Expander Attenuation Range 2:1\u003cbr\u003e ✓ \u003cbr\u003e ✓ Compressor\u003cbr\u003e ✓ Threshold Range -56 dB to 0 dB\u003cbr\u003e ✓ Ratio 1:1 to 14:1\u003cbr\u003e ✓ Response Time (Attack\/Release 0.2 ms \/ 1.0s (“Tight”) to 180 ms \/ 1.0s (“Smooth”)\u003cbr\u003e ✓ Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e ✓ Curve Types hard and soft knee\u003cbr\u003e\u003cbr\u003eEQ\u003cbr\u003e ✓ Type 2nd-order shelving filter (Q = 0.55)\u003cbr\u003e ✓ Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e ✓ Mid 260 Hz to 3.5 kHz, ±15 dB\u003cbr\u003e ✓ High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e ✓ Host Interface USB 2.0\u003cbr\u003e ✓ ADC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e ✓ DAC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e ✓ Internal Processing 32-bit, floating point\u003cbr\u003e ✓ Sampling Rate 44.1, 48 kHz\u003cbr\u003e ✓ A\/D\/A Bit Depth 24 bits\u003cbr\u003e ✓ Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e ✓ Jitter \u0026lt;20 ps rms (20 Hz - 20 kHz)\u003cbr\u003e ✓ Jitter Attenuation \u0026gt;60 dB (1 ns in ≈ 1 ps out)\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e ✓ Connector IEC\u003cbr\u003e ✓ Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)\u003cbr\u003e ✓ Power Requirements (continuous) 100W\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e ✓ Length 15.56 inches (397 mm)\u003cbr\u003e ✓ Width 16 inches (406 mm)\u003cbr\u003e ✓ Maximum Height 5.5 inches (140 mm)\u003cbr\u003e ✓ Weight 20 lbs.","published_at":"2018-03-14T15:58:19+02:00","created_at":"2018-03-15T11:16:14+02:00","vendor":"PreSonus","type":"Digital Mixers","tags":["Channels_16","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$750 to $1000","Shop by brand_PreSonus","Shop by category_Digital Mixers","Shop by category_Live Sound \u0026 Lighting","Shop by category_Live Sound Mixers"],"price":96900,"price_min":96900,"price_max":96900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7149874315310,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive 16.0.2 USB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive 16.0.2 USB","public_title":null,"options":["Default Title"],"price":96900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_1602_usb-top_big.jpg?v=1521105977","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/studiolive_1602_usb-04.png?v=1521105977","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/studiolive_1602_usb-07.png?v=1521105977","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/studiolive_1602_usb-02.png?v=1521105977","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/studiolive_1602_usb-03.png?v=1521105977","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/studiolive_1602_usb-08.png?v=1521105977"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_1602_usb-top_big.jpg?v=1521105977","options":["Title"],"content":"StudioLive 16.0.2 USB\u003cbr\u003e\u003cbr\u003eThe ease of analog meets the power of digital.\u003cbr\u003eWhen you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive® 16.0.2 USB’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in menus or layers. Our design philosophy is simple: One fader for every mono or stereo channel; one output for every bus. Add to that easily accessed, color-coded function buttons; rotary trim controls; and clearly labeled, individual knobs for EQ and dynamics processing. Aux sends have their own physical controls. Every channel has a big, bright meter display. But don’t let the analog feel fool you: The StudioLive 16.0.2 USB offers the power of modern digital mixing, multitrack recording, wireless remote control, and more.\u003cbr\u003e\u003cbr\u003eSmall size. Bigger possibilities.\u003cbr\u003eIn a footprint of less than 2 square feet (0.19 square meters), the compact, 16-channel StudioLive 16.0.2 USB offers 8 mono input channels, 4 stereo channels, and 4 aux buses, each with a high-quality, 60 mm fader. You get generous analog I\/O, 12 XMAX Class A solid-state mic preamps, a Talkback input with Class A mic preamp, extensive signal processing with physical controls, MIDI control, accurate metering, and a built-in multichannel recording interface. As with all StudioLive mixers, the 16.0.2 USB comes with a suite of tightly integrated recording, control, and audio analysis software. And it’s so lightweight and compact that you can easily hold it in one hand and tuck it under your arm.\u003cbr\u003e\u003cbr\u003eYou’ll never run out of signal processors.\u003cbr\u003eStudioLive 16.0.2 USB mixers provide plenty of DSP power, with no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander, and 3-band semi-parametric EQ on every channel and bus; a highpass filter on each channel; phase reverse for the channel mic preamps; a library of professionally crafted presets; and the ability to save and selectively recall processor settings. A stereo, 31-band graphic EQ sits on the main bus. To top it off, you get two 32-bit delay\/reverb effects processors, each with its own dedicated mix bus and a library of useful effects presets.\u003cbr\u003e\u003cbr\u003eSuperior sound.\u003cbr\u003eConnect a StudioLive 16.0.2 USB mixer and you’ll instantly hear details and clarity you’d expect to find only in a much more expensive console. StudioLive mixers operate at up to 48 kHz for high-definition mixing and recording. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.\u003cbr\u003e\u003cbr\u003eRecording is in StudioLive 16.0.2 USB’s DNA.\u003cbr\u003eThe StudioLive 16.0.2 USB’s built-in 18x16 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 16 channels and the main mix continuously stream to your USB-connected Mac or Windows PC. Each channel can independently access its analog input or its dedicated digital return from your computer. And with StudioLive mixers, recording is simple and easy: Just launch the included, preconfigured Capture™ software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease.\u003cbr\u003e\u003cbr\u003eIntegrated, multiplatform software for flexible control and one-click recording.\u003cbr\u003eLike all PreSonus StudioLive mixers, the StudioLive 16.0.2 USB is tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android™, and iPad®. Control individual monitor mixes onstage with QMix®-UC for iPhone®\/iPod® touch and Android™. Automate virtual soundchecks and record shows with Capture™ for Mac and Windows. Edit, sweeten, and digitally release your recordings with Studio One Artist. StudioLive 16.0.2 USB mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003e\u003cbr\u003eDedicated analog connections for predictable signal flow.\u003cbr\u003eTake a look at back panel of a StudioLive 16.0.2 USB mixer, and you’ll find the robust connections you’d expect from an analog mixer: balanced mic inputs on each of the 8 mono channels; 8 balanced ¼-inch line inputs; 4 unbalanced RCA line inputs; and dedicated balanced outputs for each of the 4 aux buses and the main stereo bus. Every input channel and bus send has its own dedicated jack—no sharing, no compromises—so you always know what’s flowing from each output.\u003cbr\u003e\u003cbr\u003eAdd excitement to performances with MIDI control.\u003cbr\u003eBeing able to control the StudioLive 16.0.2 USB from an iPad®, iPhone®, iPod touch®, or Android device is cool—unless your hands are busy playing your instrument. That’s why the StudioLive 16.0.2 USB offers MIDI In and Out. Use a MIDI footpedal or DAW to recall scenes using MIDI Program Changes, control the main output volume and effects level, mute effects between songs, switch from lots of reverb to a little bit of delay, and change the mix for a solo. You can even automate these features with a DAW! It’s a great way to make your performances more exciting and varied, even if you don’t have a separate soundperson.\u003cbr\u003e\u003cbr\u003eBetter mixing with StudioLive family values.\u003cbr\u003eIt's easy to love this portable powerhouse. To learn more, visit the Media tab on the upper section of this page ​and watch our StudioLive 16.0.2 USB videos. Better yet, try a StudioLive 16.0.2 USB at your nearest PreSonus dealer. You’ll see what we mean about intuitive ease-of-use. You’ll hear what we mean about Class A preamps, rich DSP effects, and overall sound quality. And you'll come to believe in StudioLive family values.\u003cbr\u003e\u003cbr\u003eNow includes Studio Magic Plug-in Suite.\u003cbr\u003eThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003e8 mono mic\/line channel inputs, each with:\u003cbr\u003e ✓ High-headroom Class A XMAX mic preamplifier\u003cbr\u003e ✓ XLR mic and balanced ¼-inch line inputs\u003cbr\u003e ✓ 60 mm precision fader\u003cbr\u003e\u003cbr\u003e4 stereo line channel inputs, with:\u003cbr\u003e ✓ High-headroom Class A XMAX mic preamplifier (Ch. 9, 11, 13, and 15)\u003cbr\u003e ✓ XLR mic inputs (Ch. 9, 11, 13, and 15)\u003cbr\u003e ✓ Balanced ¼-inch line inputs (Ch. 9-16)\u003cbr\u003e ✓ Unbalanced RCA line inputs (Ch. 13-16)\u003cbr\u003e ✓ 60 mm precision fader (4 stereo)\u003cbr\u003e ✓ 4 Auxiliary buses (pre\/post-fader send)\u003cbr\u003e\u003cbr\u003e2 Internal FX buses\u003cbr\u003e2 stereo 32-bit digital effects processors with customizable reverb and delay presets\u003cbr\u003eFat Channel signal processing on all channels and buses, with:\u003cbr\u003e ✓ 3-band semi-parametric EQ (individual band on\/off)\u003cbr\u003e ✓ Full-featured compressor\u003cbr\u003e ✓ Standard downward expander\u003cbr\u003e ✓ Limiter\u003cbr\u003e ✓ Phase reverse (12 mic preamplifiers only)\u003cbr\u003e ✓ Pan with dedicated 15-LED display\u003cbr\u003e ✓ Stereo link for input channels and aux buses\u003cbr\u003e ✓ Highpass filter\u003cbr\u003e\u003cbr\u003eOne 31-band stereo graphic EQ (on main outputs only)\u003cbr\u003e18-in\/16-out USB recording interface (24-bit\/44.1 kHz and 48 kHz)\u003cbr\u003e ✓ Compatible with most audio software via ASIO, Windows Audio, Core Audio\u003cbr\u003e\u003cbr\u003eScene store and recall\u003cbr\u003eSettings can be copied among channels and buses and saved as user presets.\u003cbr\u003eSoftware bundle includes:\u003cbr\u003e ✓ PreSonus® Studio One® Artist digital audio workstation for Mac® and Windows ®\u003cbr\u003e ✓ PreSonus Capture™ live-recording software for Mac and Windows\u003cbr\u003e ✓ PreSonus UC Surface mixer-control software for Mac, Windows, Android™, and iPad®\u003cbr\u003e ✓ Free downloadable PreSonus QMix®-UC software for iPhone®\/iPod touch® and Android™ provides wireless remote control of aux mixes\u003cbr\u003e\u003cbr\u003eLockout mode protects your settings from meddlers and accidents\u003cbr\u003eMIDI Control Mode provides control over:\u003cbr\u003e ✓ Scene and FX Preset recall\u003cbr\u003e ✓ Main Volume, FXA, and FXB output levels\u003cbr\u003e ✓ FXA and FXB assign\/unassign to Mains\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface, QMix-UC, and Studio One®.\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e ✓ Mac® OS X 10.8.5 64-bit or later\u003cbr\u003e ✓ Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e ✓ 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e ✓ Windows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e ✓ Intel Core 2 Duo (Intel Core i3 or faster recommended)\u003cbr\u003e ✓ 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e ✓ USB 2.0 port\u003cbr\u003e ✓ Internet connection\u003cbr\u003e ✓ Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e ✓ 30 GB hard disk space\u003cbr\u003e ✓ Monitor with 1366x768 resolution\u003cbr\u003e\u003cbr\u003eiOS\u003cbr\u003e ✓ iOS 9.3 or later\u003cbr\u003e ✓ iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003cbr\u003e ✓ Android\u003cbr\u003e ✓ Android™ 5.0 (Lollipop) or later\u003cbr\u003e ✓ Android smartphone (QMix-UC)\u003cbr\u003e ✓ Android tablet (8-inch) with 1024x768 resolution (UC Surface)\u003cbr\u003e\u003cbr\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003e\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eMicrophone Preamp\u003cbr\u003e ✓ Type XLR Female, Balanced\u003cbr\u003e ✓ Frequency Response to Direct Output (at unity gain) 20 Hz-20 kHz, 0 \/ -0.5 dBu\u003cbr\u003e ✓ Frequency Response to Main Output (at unity gain) 20 Hz-20 kHz, ±0.5 dBu\u003cbr\u003e ✓ Input Impedance (Balanced) 1 kΩ\u003cbr\u003e ✓ THD to Direct Output (1 kHz at unity gain) \u0026lt;0.005%, +4 dBu, 20 Hz–20 kHz, unity gain, unwtd\u003cbr\u003e ✓ THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e ✓ EIN to Direct Output +125 dB unwtd, +130 dB A-wtd\u003cbr\u003e ✓ S\/N Ratio to Direct Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -102 dB\u003cbr\u003e ✓ S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) -95 dB\u003cbr\u003e ✓ Common Mode Rejection Ratio (1 kHz at unity gain) +65 dB\u003cbr\u003e ✓ Gain Control Range (± 1 dB) -16 dB to +67 dB\u003cbr\u003e ✓ Maximum Input Level (unity gain) +16 dBu\u003cbr\u003e ✓ Phantom Power (± 2 VDC) +48 VDC\u003cbr\u003e\u003cbr\u003eLine Inputs, Balanced\u003cbr\u003e ✓ Type ¼\" TRS Female, balanced mono\u003cbr\u003e ✓ Frequency Response to Direct Outputs (at unity gain) 10 Hz-20 kHz, 0 \/ -0.5 dBu\u003cbr\u003e ✓ Frequency Response to Main Outputs (at unity gain) 20 Hz-20 kHz, 0\/-0.5 dBu\u003cbr\u003e ✓ Input Impedance 10 kΩ\u003cbr\u003e ✓ THD to Direct Output (1 kHz at unity gain) \u0026lt;0.0007%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e ✓ THD to Main Output (1 kHz at unity gain) \u0026lt;0.005%, +4 dBu, 20 Hz-20 kHz, unity gain, unwtd\u003cbr\u003e ✓ S\/N Ratio to Direct Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -105 dB\u003cbr\u003e ✓ S\/N Ratio to Main Output (Ref = +4 dBu, 20 kHz BW, unity gain, A-wtd) -95 dB\u003cbr\u003e ✓ Gain Control Range (± 1 dB) -20 dB to +20 dB\u003cbr\u003e ✓ Maximum Input level (unity gain) +22 dBu\u003cbr\u003e\u003cbr\u003eLine Inputs, Unbalanced\u003cbr\u003e ✓ Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e ✓ Maximum Input Level +22 dBu\u003cbr\u003e\u003cbr\u003eMain Outputs\u003cbr\u003e ✓ Type XLR Male, balanced (stereo pair); ¼” TRS Female, balanced (stereo pair)\u003cbr\u003e ✓ Rated Output Level +24 dBu\u003cbr\u003e ✓ Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eAux Outputs\u003cbr\u003e ✓ Type ¼” TRS Female, balanced (mono)\u003cbr\u003e ✓ Rated Output Level +18 dBu\u003cbr\u003e ✓ Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eMonitor Outputs\u003cbr\u003e ✓ Type ¼” TRS Female, balanced (stereo pair)\u003cbr\u003e ✓ Rated Output Level z +18 dBu\u003cbr\u003e ✓ Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e ✓ Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu\u003cbr\u003e ✓ Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu\u003cbr\u003e\u003cbr\u003eNoise Gate (Expander)\u003cbr\u003e ✓ Threshold Range -84 dB to 0 dB\u003cbr\u003e ✓ Attack Time Adaptive (0.2 - 2.5 ms)\u003cbr\u003e ✓ Release Time 70 ms\u003cbr\u003e ✓ Expander Attenuation Range 2:1\u003cbr\u003e ✓ \u003cbr\u003e ✓ Compressor\u003cbr\u003e ✓ Threshold Range -56 dB to 0 dB\u003cbr\u003e ✓ Ratio 1:1 to 14:1\u003cbr\u003e ✓ Response Time (Attack\/Release 0.2 ms \/ 1.0s (“Tight”) to 180 ms \/ 1.0s (“Smooth”)\u003cbr\u003e ✓ Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e ✓ Curve Types hard and soft knee\u003cbr\u003e\u003cbr\u003eEQ\u003cbr\u003e ✓ Type 2nd-order shelving filter (Q = 0.55)\u003cbr\u003e ✓ Low (Low-pass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e ✓ Mid 260 Hz to 3.5 kHz, ±15 dB\u003cbr\u003e ✓ High (High-pass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e ✓ Host Interface USB 2.0\u003cbr\u003e ✓ ADC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e ✓ DAC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e ✓ Internal Processing 32-bit, floating point\u003cbr\u003e ✓ Sampling Rate 44.1, 48 kHz\u003cbr\u003e ✓ A\/D\/A Bit Depth 24 bits\u003cbr\u003e ✓ Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e ✓ Jitter \u0026lt;20 ps rms (20 Hz - 20 kHz)\u003cbr\u003e ✓ Jitter Attenuation \u0026gt;60 dB (1 ns in ≈ 1 ps out)\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e ✓ Connector IEC\u003cbr\u003e ✓ Input-Voltage Range 100 to 240 VAC (factory-configured for country of destination)\u003cbr\u003e ✓ Power Requirements (continuous) 100W\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e ✓ Length 15.56 inches (397 mm)\u003cbr\u003e ✓ Width 16 inches (406 mm)\u003cbr\u003e ✓ Maximum Height 5.5 inches (140 mm)\u003cbr\u003e ✓ Weight 20 lbs."}
PreSonus StudioLive 16.0.2 USB

PreSonus StudioLive 16.0.2 USB

$969.00

StudioLive 16.0.2 USBThe ease of analog meets the power of digital.When you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive® 16.0.2 USB’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in menus or layers. Our design philosophy is simple: O...


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Avid VENUE | S6L System

Digital Mixers

From $62,266.50
{"id":262295224346,"title":"Avid VENUE | S6L System","handle":"avid-venue-s6l-system","description":"The next stage in live sound\u003cbr\u003e\u003cbr\u003eAvid VENUE has long been one of the most requested live mixing systems in the world. And now the legacy continues with VENUE | S6L. Gain unprecedented processing capabilities with over 300 processing channels. Get unrelenting performance and reliability through its advanced engine design. Mix faster and easier through modern touchscreen workflows. And work with way more plug-ins and Pro Tools track counts than ever before. When you need to present the best mixes possible, S6L delivers unmatched power, clarity, and customization to meet the demands of any gig. And with support for the new VENUE | On-Stage iOS app in VENUE 5.6, you can control monitor mixes remotely.\u003cbr\u003e\u003cbr\u003ePRODUCT HIGHLIGHTS\u003cbr\u003e\u003cbr\u003eMeet any live sound challenge\u003cbr\u003eS6L delivers unrelenting performance and reliability through its advanced engine design and backs it up with highly efficient touchscreen workflows and easy scalability to meet even the most demanding live productions. Like all Avid VENUE systems, S6L provides onboard industry-standard plug-ins and Pro Tools integration, but with more processing power and track counts than ever before. Plus, with a comprehensive array of network and I\/O offerings, as well as new remote monitor mixing capabilities with the new VENUE | On-Stage iOS app, you can easily configure the system for any application.\u003cbr\u003e\u003cbr\u003eGet the renowned sound of VENUE\u003cbr\u003eArtists and engineers alike use VENUE systems because of their amazing sound quality and clarity. S6L is no different—yet it elevates your live sound possibilities even further. Present the best sound quality possible with high-performance preamps running at high sample rates. Get incredible clarity, warmth, and presence throughout the signal path. And easily re-create the sound of the studio—live—using the same audio plug-ins used in countless recording studios.\u003cbr\u003e\u003cbr\u003ePump up performances with massive power\u003cbr\u003eConcert tours. Broadway shows. Broadcast events. Today’s stage productions are bigger and more complex than ever. That’s why we designed a groundbreaking new engine for S6L—the VENUE | E6L—which combines two powerhouse technologies that work in concert together. With a state-of-the-art real-time processing engine and dedicated DSP plug-in processing, you get unrivaled processing capabilities to handle an extraordinary number of channels—without the complication or stress.\u003cbr\u003e\u003cbr\u003eGet the flexibility and reliability you need\u003cbr\u003eFreely configure the modular system components and I\/O for any type of show. Seamlessly integrate Pro Tools recording and playback into any performance. Save hours of prep and pre-show time with Virtual Soundcheck. Interface with a range of network and I\/O formats, including Ethernet AVB, Dante, and MADI. And share I\/O across multiple networked systems with advanced gain tracking and per-option card output sharing.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003eNew features\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eMix monitors on your iPhone or iPad—just added\u003c\/li\u003e\n\u003cli\u003eAccelerate monitor mixing—just added\u003c\/li\u003e\n\u003cli\u003eGain more I\/O flexibility\u003c\/li\u003e\n\u003cli\u003eGet better insight into your mix\u003c\/li\u003e\n\u003cli\u003eAccess key commands faster\u003c\/li\u003e\n\u003cli\u003eMix theater productions with ease\u003c\/li\u003e\n\u003cli\u003eTake ownership of any output\u003c\/li\u003e\n\u003cli\u003eMix faster, the way you want\u003c\/li\u003e\n\u003c\/ul\u003e\nSystem features\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eTake intelligent control of your mix\u003c\/li\u003e\n\u003cli\u003eExperience unprecedented power\u003c\/li\u003e\n\u003cli\u003eAchieve pristine sound—live\u003c\/li\u003e\n\u003cli\u003eExpand your creativity\u003c\/li\u003e\n\u003cli\u003eCreate your dream system\u003c\/li\u003e\n\u003cli\u003eHave peace of mind\u003c\/li\u003e\n\u003cli\u003eChoose your ins and outs\u003c\/li\u003e\n\u003cli\u003eConnect with everything\u003c\/li\u003e\n\u003cli\u003eShare I\/O\u003c\/li\u003e\n\u003cli\u003eMix monitors with ease\u003c\/li\u003e\n\u003c\/ul\u003e\nSoftware features\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eLearn once, mix anywhere\u003c\/li\u003e\n\u003cli\u003eRecord straight into Pro Tools\u003c\/li\u003e\n\u003cli\u003eSave time with Virtual Soundcheck\u003c\/li\u003e\n\u003cli\u003eBoost your efficiency\u003c\/li\u003e\n\u003cli\u003eTake your mix to go\u003c\/li\u003e\n\u003cli\u003eExpand your sonic palette\u003c\/li\u003e\n\u003c\/ul\u003e\nSpecifications\u003cbr\u003e\u003cbr\u003eHARDWARE SPECIFICATIONS\u003cbr\u003e\u003cbr\u003e ✓ CONTROL SURFACE S6L-32D S6L-24D S6L-24\u003cbr\u003e ✓ Daylight-visible touchscreens 12.1\" touchscreen x 4 12.1\" touchscreen x 3 12.1\" touchscreen x 1\u003cbr\u003e ✓ Faders 32 + 2 24 + 2 24 + 2\u003cbr\u003e ✓ Knob Modules 3 x 32, each with high-resolution OLEDs and tri-color function indicator \u003cbr\u003e ✓ 2 x 32, each with high-resolution OLEDs and tri-color function indicator\u003cbr\u003e ✓ Master Live Module Graphic TFTs with soft buttons; Touch and Turn assignable encoder; 2 assignable faders; monitoring, layout and snapshot controls; transport controls and function buttons\u003cbr\u003e ✓ Metering 30-segment meters per channel, with pre- and post-fade metering options; Nominal indicator, Expander\/Gate status and Compressor\/Limiter gain reduction meters\u003cbr\u003e ✓ Analog inputs 8 XLR mic\/line inputs with 48V and signal present LEDs\u003cbr\u003e ✓ Analog outputs 8 XLR outputs with mute and signal present LEDs\u003cbr\u003e ✓ Digital inputs 4 pairs of XLR stereo AES\/EBU (8 channels total)\u003cbr\u003e ✓ Digital outputs 4 pairs of XLR stereo AES\/EBU (8 channels total)\u003cbr\u003e ✓ Headphone outputs 2 independent 1\/4\" TRS stereo headphone jacks\u003cbr\u003e ✓ Ancillary I\/O DVI-D video out, 5 USB 2.0 (2 rear, 2 front, 1 internal), ECx Ethernet port for wired\/wireless remote control, GPIO (8 in\/8 out), 2 footswitch, Linear Time Code input, MIDI I\/O\u003cbr\u003e ✓ Ethernet AVB ports 2 etherCON (copper), 2 selectable as etherCON (copper) or SFP (fiber); redundant ring topology\u003cbr\u003e ✓ Power supply Dual redundant, internal hot-swappable PSUs\u003cbr\u003e ✓ Height (front, rear) 3.6 x 15.3 inches (91 x 388 mm)\u003cbr\u003e ✓ Width 51.3 inches (1,304 mm) 38.9 inches (989 mm) 38.9 inches (989 mm)\u003cbr\u003e ✓ Depth 31 inches (787 mm)\u003cbr\u003e ✓ Weight 155 lbs (70 kg) 119 lbs (54 kg) 119 lbs (54 kg)\u003cbr\u003e\u003cbr\u003eENGINE E6L-192 E6L-144\u003cbr\u003e ✓ Sample rates 96 kHz 96 kHz\u003cbr\u003e ✓ Input channels 192 144\u003cbr\u003e ✓ Input processing HPF, LPF, 4-band PEQ, Expander\/Gate, Compressor\/Limiter, Delay, 4 plug-in inserts, hardware insert\u003cbr\u003e ✓ Mix busses 96 + LCR 64 + LCR\u003cbr\u003e ✓ Output processing 7-band PEQ, Compressor\/Limiter, Delay, 4 plug-in inserts, hardware insert\u003cbr\u003e ✓ Matrix 24 x 24 16 x 16\u003cbr\u003e ✓ VCAs 32 24\u003cbr\u003e ✓ Stereo solo busses 2, with independent control\u003cbr\u003e ✓ Graphic EQs (31-band) 32\u003cbr\u003e ✓ Digital signal processing Supports up to four HDX-192 DSP Expansion Cards for plug-in processing Supports up to two HDX-192 DSP Expansion Cards for plug-in processing\u003cbr\u003e ✓ Plug-in support 64-bit AAX DSP; also supports Waves SoundGrid systems over MADI\u003cbr\u003e ✓ Plug-in slots 200 125\u003cbr\u003e ✓ Pro Tools integration Record\/play back up to 128 audio tracks via Ethernet AVB\u003cbr\u003e ✓ Ethernet AVB ports Includes one AVB-192 Ethernet AVB Network Card with two ports (up to two AVB cards supported), selectable as etherCON (copper) or SFP (fiber), with redundant ring topology Includes one AVB-192 Ethernet AVB Network Card with two ports (up to two AVB cards supported), selectable as etherCON (copper) or SFP (fiber), with redundant ring topology\u003cbr\u003e ✓ I\/O sharing Supports up to three Stage 64 and four Stage 16 racks, up to 192 inputs total (requires two AVB-192 Ethernet AVB Network Cards to share I\/O) \u003cbr\u003e ✓ Word Clock I\/O Clock I\/O BNC, 75 Ohm coaxial\u003cbr\u003e ✓ USB ports 5 USB 2.0 ports (2 front, 2 back, 1 internal)\u003cbr\u003e ✓ Power supply N+1 redundant, internal hot-swappable PSUs\u003cbr\u003e ✓ Dimensions (H x W x D) 8.6 x 16.9 x 19 inches (218 x 430 x 483 mm)\u003cbr\u003e ✓ Rack spaces 5U\u003cbr\u003e ✓ Weight 74 lbs (33 kg)\u003cbr\u003e\u003cbr\u003eI\/O STAGE 64 STAGE 16\u003cbr\u003e ✓ Maximum I\/O 64 input channels, 32 output channels @ 96 kHz with one Stage 64 rack; up to 192 inputs\/96 outputs supported with three Stage 64 racks (64 ins\/32 outs each) \u003cbr\u003e ✓ 16 XLR mic inputs\/preamps, 8 XLR line outputs, 4 channels of AES3 output\u003cbr\u003e ✓ I\/O card slots 12 n\/a\u003cbr\u003e ✓ Sample rates 96 kHz 96 kHz**\u003cbr\u003e ✓ Ethernet AVB ports 2, selectable as etherCON (copper) or SFP (fiber), with redundant ring topology 2 Gigabit Ethernet AVB ports\u003cbr\u003e ✓ Maximum cable length Copper: 100 meters (328 feet); Fiber: 500 meters (1,640.4 feet) 100 meters (328 feet) \u003cbr\u003e ✓ MADI Dual MADI output offers direct split of all 64 inputs n\/a\u003cbr\u003e ✓ Headphone confidence monitor 1\/4\" TRS stereo headphone jack with volume control; display for channel selection n\/a\u003cbr\u003e ✓ Word Clock I\/O BNC, 75 Ohm coaxial n\/a\u003cbr\u003e ✓ Power supply Dual redundant internal PSUs Single internal PSU \u003cbr\u003e ✓ Dimensions (H x W x D) 17.5 x 17 x 12.2 inches (445 x 432 x 310 mm) 6.9 x 19 x 8.1 inches (175 x 483 x 206 mm) with ears\/handles out (rackmount configuration)\u003cbr\u003e ✓ Rack spaces 10U 4U\u003cbr\u003e ✓ Weight\u003cbr\u003e ✓ 69 lbs (31 kg) 15.8 lbs (7.1 kg)\u003cbr\u003e\u003cbr\u003eThe specifications listed above are provided for informational purposes only and subject to change without notice.\u003cbr\u003e* Option cards are available as separate purchases and not included with core systems.\u003cbr\u003e\u003cbr\u003e** when connected to Avid VENUE | S6L—operates at 48 kHz when connected to Avid VENUE | S3L-X\u003cbr\u003e\u003cbr\u003e","published_at":"2018-01-10T01:09:56+02:00","created_at":"2018-01-09T15:23:31+02:00","vendor":"Avid","type":"Digital Mixers","tags":["Avid","Channels_24","Channels_32","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","Price Range_$3000 and Over","Shop by brand_Avid","Shop by category_Digital 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24D-144","public_title":"24D-144","options":["24D-144"],"price":6973650,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"9935-65968-00"},{"id":3400344043546,"title":"24-192","option1":"24-192","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avid VENUE | S6L System - 24-192","public_title":"24-192","options":["24-192"],"price":6928650,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"9935-65969-00"},{"id":3400344076314,"title":"24-144","option1":"24-144","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avid VENUE | S6L System - 24-144","public_title":"24-144","options":["24-144"],"price":6226650,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"9935-65880-00"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/venue_s6l_system_front.jpg?v=1515504529","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_83e588fe-846e-4e9a-b481-107a3838afa7.png?v=1515504573"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/venue_s6l_system_front.jpg?v=1515504529","options":["Model"],"content":"The next stage in live sound\u003cbr\u003e\u003cbr\u003eAvid VENUE has long been one of the most requested live mixing systems in the world. And now the legacy continues with VENUE | S6L. Gain unprecedented processing capabilities with over 300 processing channels. Get unrelenting performance and reliability through its advanced engine design. Mix faster and easier through modern touchscreen workflows. And work with way more plug-ins and Pro Tools track counts than ever before. When you need to present the best mixes possible, S6L delivers unmatched power, clarity, and customization to meet the demands of any gig. And with support for the new VENUE | On-Stage iOS app in VENUE 5.6, you can control monitor mixes remotely.\u003cbr\u003e\u003cbr\u003ePRODUCT HIGHLIGHTS\u003cbr\u003e\u003cbr\u003eMeet any live sound challenge\u003cbr\u003eS6L delivers unrelenting performance and reliability through its advanced engine design and backs it up with highly efficient touchscreen workflows and easy scalability to meet even the most demanding live productions. Like all Avid VENUE systems, S6L provides onboard industry-standard plug-ins and Pro Tools integration, but with more processing power and track counts than ever before. Plus, with a comprehensive array of network and I\/O offerings, as well as new remote monitor mixing capabilities with the new VENUE | On-Stage iOS app, you can easily configure the system for any application.\u003cbr\u003e\u003cbr\u003eGet the renowned sound of VENUE\u003cbr\u003eArtists and engineers alike use VENUE systems because of their amazing sound quality and clarity. S6L is no different—yet it elevates your live sound possibilities even further. Present the best sound quality possible with high-performance preamps running at high sample rates. Get incredible clarity, warmth, and presence throughout the signal path. And easily re-create the sound of the studio—live—using the same audio plug-ins used in countless recording studios.\u003cbr\u003e\u003cbr\u003ePump up performances with massive power\u003cbr\u003eConcert tours. Broadway shows. Broadcast events. Today’s stage productions are bigger and more complex than ever. That’s why we designed a groundbreaking new engine for S6L—the VENUE | E6L—which combines two powerhouse technologies that work in concert together. With a state-of-the-art real-time processing engine and dedicated DSP plug-in processing, you get unrivaled processing capabilities to handle an extraordinary number of channels—without the complication or stress.\u003cbr\u003e\u003cbr\u003eGet the flexibility and reliability you need\u003cbr\u003eFreely configure the modular system components and I\/O for any type of show. Seamlessly integrate Pro Tools recording and playback into any performance. Save hours of prep and pre-show time with Virtual Soundcheck. Interface with a range of network and I\/O formats, including Ethernet AVB, Dante, and MADI. And share I\/O across multiple networked systems with advanced gain tracking and per-option card output sharing.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003eNew features\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eMix monitors on your iPhone or iPad—just added\u003c\/li\u003e\n\u003cli\u003eAccelerate monitor mixing—just added\u003c\/li\u003e\n\u003cli\u003eGain more I\/O flexibility\u003c\/li\u003e\n\u003cli\u003eGet better insight into your mix\u003c\/li\u003e\n\u003cli\u003eAccess key commands faster\u003c\/li\u003e\n\u003cli\u003eMix theater productions with ease\u003c\/li\u003e\n\u003cli\u003eTake ownership of any output\u003c\/li\u003e\n\u003cli\u003eMix faster, the way you want\u003c\/li\u003e\n\u003c\/ul\u003e\nSystem features\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eTake intelligent control of your mix\u003c\/li\u003e\n\u003cli\u003eExperience unprecedented power\u003c\/li\u003e\n\u003cli\u003eAchieve pristine sound—live\u003c\/li\u003e\n\u003cli\u003eExpand your creativity\u003c\/li\u003e\n\u003cli\u003eCreate your dream system\u003c\/li\u003e\n\u003cli\u003eHave peace of mind\u003c\/li\u003e\n\u003cli\u003eChoose your ins and outs\u003c\/li\u003e\n\u003cli\u003eConnect with everything\u003c\/li\u003e\n\u003cli\u003eShare I\/O\u003c\/li\u003e\n\u003cli\u003eMix monitors with ease\u003c\/li\u003e\n\u003c\/ul\u003e\nSoftware features\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eLearn once, mix anywhere\u003c\/li\u003e\n\u003cli\u003eRecord straight into Pro Tools\u003c\/li\u003e\n\u003cli\u003eSave time with Virtual Soundcheck\u003c\/li\u003e\n\u003cli\u003eBoost your efficiency\u003c\/li\u003e\n\u003cli\u003eTake your mix to go\u003c\/li\u003e\n\u003cli\u003eExpand your sonic palette\u003c\/li\u003e\n\u003c\/ul\u003e\nSpecifications\u003cbr\u003e\u003cbr\u003eHARDWARE SPECIFICATIONS\u003cbr\u003e\u003cbr\u003e ✓ CONTROL SURFACE S6L-32D S6L-24D S6L-24\u003cbr\u003e ✓ Daylight-visible touchscreens 12.1\" touchscreen x 4 12.1\" touchscreen x 3 12.1\" touchscreen x 1\u003cbr\u003e ✓ Faders 32 + 2 24 + 2 24 + 2\u003cbr\u003e ✓ Knob Modules 3 x 32, each with high-resolution OLEDs and tri-color function indicator \u003cbr\u003e ✓ 2 x 32, each with high-resolution OLEDs and tri-color function indicator\u003cbr\u003e ✓ Master Live Module Graphic TFTs with soft buttons; Touch and Turn assignable encoder; 2 assignable faders; monitoring, layout and snapshot controls; transport controls and function buttons\u003cbr\u003e ✓ Metering 30-segment meters per channel, with pre- and post-fade metering options; Nominal indicator, Expander\/Gate status and Compressor\/Limiter gain reduction meters\u003cbr\u003e ✓ Analog inputs 8 XLR mic\/line inputs with 48V and signal present LEDs\u003cbr\u003e ✓ Analog outputs 8 XLR outputs with mute and signal present LEDs\u003cbr\u003e ✓ Digital inputs 4 pairs of XLR stereo AES\/EBU (8 channels total)\u003cbr\u003e ✓ Digital outputs 4 pairs of XLR stereo AES\/EBU (8 channels total)\u003cbr\u003e ✓ Headphone outputs 2 independent 1\/4\" TRS stereo headphone jacks\u003cbr\u003e ✓ Ancillary I\/O DVI-D video out, 5 USB 2.0 (2 rear, 2 front, 1 internal), ECx Ethernet port for wired\/wireless remote control, GPIO (8 in\/8 out), 2 footswitch, Linear Time Code input, MIDI I\/O\u003cbr\u003e ✓ Ethernet AVB ports 2 etherCON (copper), 2 selectable as etherCON (copper) or SFP (fiber); redundant ring topology\u003cbr\u003e ✓ Power supply Dual redundant, internal hot-swappable PSUs\u003cbr\u003e ✓ Height (front, rear) 3.6 x 15.3 inches (91 x 388 mm)\u003cbr\u003e ✓ Width 51.3 inches (1,304 mm) 38.9 inches (989 mm) 38.9 inches (989 mm)\u003cbr\u003e ✓ Depth 31 inches (787 mm)\u003cbr\u003e ✓ Weight 155 lbs (70 kg) 119 lbs (54 kg) 119 lbs (54 kg)\u003cbr\u003e\u003cbr\u003eENGINE E6L-192 E6L-144\u003cbr\u003e ✓ Sample rates 96 kHz 96 kHz\u003cbr\u003e ✓ Input channels 192 144\u003cbr\u003e ✓ Input processing HPF, LPF, 4-band PEQ, Expander\/Gate, Compressor\/Limiter, Delay, 4 plug-in inserts, hardware insert\u003cbr\u003e ✓ Mix busses 96 + LCR 64 + LCR\u003cbr\u003e ✓ Output processing 7-band PEQ, Compressor\/Limiter, Delay, 4 plug-in inserts, hardware insert\u003cbr\u003e ✓ Matrix 24 x 24 16 x 16\u003cbr\u003e ✓ VCAs 32 24\u003cbr\u003e ✓ Stereo solo busses 2, with independent control\u003cbr\u003e ✓ Graphic EQs (31-band) 32\u003cbr\u003e ✓ Digital signal processing Supports up to four HDX-192 DSP Expansion Cards for plug-in processing Supports up to two HDX-192 DSP Expansion Cards for plug-in processing\u003cbr\u003e ✓ Plug-in support 64-bit AAX DSP; also supports Waves SoundGrid systems over MADI\u003cbr\u003e ✓ Plug-in slots 200 125\u003cbr\u003e ✓ Pro Tools integration Record\/play back up to 128 audio tracks via Ethernet AVB\u003cbr\u003e ✓ Ethernet AVB ports Includes one AVB-192 Ethernet AVB Network Card with two ports (up to two AVB cards supported), selectable as etherCON (copper) or SFP (fiber), with redundant ring topology Includes one AVB-192 Ethernet AVB Network Card with two ports (up to two AVB cards supported), selectable as etherCON (copper) or SFP (fiber), with redundant ring topology\u003cbr\u003e ✓ I\/O sharing Supports up to three Stage 64 and four Stage 16 racks, up to 192 inputs total (requires two AVB-192 Ethernet AVB Network Cards to share I\/O) \u003cbr\u003e ✓ Word Clock I\/O Clock I\/O BNC, 75 Ohm coaxial\u003cbr\u003e ✓ USB ports 5 USB 2.0 ports (2 front, 2 back, 1 internal)\u003cbr\u003e ✓ Power supply N+1 redundant, internal hot-swappable PSUs\u003cbr\u003e ✓ Dimensions (H x W x D) 8.6 x 16.9 x 19 inches (218 x 430 x 483 mm)\u003cbr\u003e ✓ Rack spaces 5U\u003cbr\u003e ✓ Weight 74 lbs (33 kg)\u003cbr\u003e\u003cbr\u003eI\/O STAGE 64 STAGE 16\u003cbr\u003e ✓ Maximum I\/O 64 input channels, 32 output channels @ 96 kHz with one Stage 64 rack; up to 192 inputs\/96 outputs supported with three Stage 64 racks (64 ins\/32 outs each) \u003cbr\u003e ✓ 16 XLR mic inputs\/preamps, 8 XLR line outputs, 4 channels of AES3 output\u003cbr\u003e ✓ I\/O card slots 12 n\/a\u003cbr\u003e ✓ Sample rates 96 kHz 96 kHz**\u003cbr\u003e ✓ Ethernet AVB ports 2, selectable as etherCON (copper) or SFP (fiber), with redundant ring topology 2 Gigabit Ethernet AVB ports\u003cbr\u003e ✓ Maximum cable length Copper: 100 meters (328 feet); Fiber: 500 meters (1,640.4 feet) 100 meters (328 feet) \u003cbr\u003e ✓ MADI Dual MADI output offers direct split of all 64 inputs n\/a\u003cbr\u003e ✓ Headphone confidence monitor 1\/4\" TRS stereo headphone jack with volume control; display for channel selection n\/a\u003cbr\u003e ✓ Word Clock I\/O BNC, 75 Ohm coaxial n\/a\u003cbr\u003e ✓ Power supply Dual redundant internal PSUs Single internal PSU \u003cbr\u003e ✓ Dimensions (H x W x D) 17.5 x 17 x 12.2 inches (445 x 432 x 310 mm) 6.9 x 19 x 8.1 inches (175 x 483 x 206 mm) with ears\/handles out (rackmount configuration)\u003cbr\u003e ✓ Rack spaces 10U 4U\u003cbr\u003e ✓ Weight\u003cbr\u003e ✓ 69 lbs (31 kg) 15.8 lbs (7.1 kg)\u003cbr\u003e\u003cbr\u003eThe specifications listed above are provided for informational purposes only and subject to change without notice.\u003cbr\u003e* Option cards are available as separate purchases and not included with core systems.\u003cbr\u003e\u003cbr\u003e** when connected to Avid VENUE | S6L—operates at 48 kHz when connected to Avid VENUE | S3L-X\u003cbr\u003e\u003cbr\u003e"}
Avid  VENUE | S6L System

Avid VENUE | S6L System

$88,006.50

The next stage in live soundAvid VENUE has long been one of the most requested live mixing systems in the world. And now the legacy continues with VENUE | S6L. Gain unprecedented processing capabilities with over 300 processing channels. Get unrelenting performance and reliability through its advanced engine design. Mix faster and easier through...

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Avid Avid VENUE | S3L-X System

Digital Mixers

From $20,685.00
{"id":260038688794,"title":"Avid Avid VENUE | S3L-X System","handle":"avid-avid-venue-s3l-x-system","description":"The power of Avid VENUE—everywhere\u003cbr\u003e\u003cbr\u003eGo from stage to studio and beyond. With Avid VENUE | S3L-X, you get the incredible sound clarity, power, and efficiency of VENUE in an ultra compact system. But that’s not all. Archive shows directly to Pro Tools. Streamline FOH, monitor, and broadcast workflows by sharing the same I\/O across multiple networked systems. You can even set up a mobile recording\/mixing studio using just the control surface and Pro Tools on your laptop, making S3L-X the most versatile system in live sound.\u003cbr\u003e\u003cbr\u003ePRODUCT HIGHLIGHTS\u003cbr\u003e\u003cbr\u003eMix big on a small surface\u003cbr\u003eFrom major festivals to small clubs, S3L-X gives you the power and flexibility to handle anything. Scale the modular, Ethernet AVB-networked system to accommodate any size performance—from 16–64 mic preamps. Easily fit the control surface into the tightest FOH spaces. And get great versatility, reliability, and value for the stage, studio, and beyond.\u003cbr\u003e\u003cbr\u003eGet the renowned sound of VENUE\u003cbr\u003eArtists and engineers alike use VENUE because of its amazing sound quality and clarity. S3L-X is no different. From its premium mic preamps and digital converters, to supporting the same audio plug-ins used in countless recording studios, S3L-X makes it easy to re-create the sound of the studio—live.\u003cbr\u003e\u003cbr\u003eGo from stage to studio\u003cbr\u003eS3L-X is more than just a powerful yet easy-to-use live mixing system. The S3 control surface also does double duty as a full-featured recording studio. Just pair it with Pro Tools running on your laptop. Then connect mics, instruments, and more to the built-in audio interface for direct recording, editing, and mixing. It’s the ideal cost-effective mixing\/recording setup to take to any gig—in any size space—as it easily loads into a car, bus, or plane.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eSystem features\u003cbr\u003e\u003cbr\u003eMix anything, anywhere\u003cbr\u003eAchieve incredible sound—live\u003cbr\u003eSet up a mobile studio\u003cbr\u003eReduce complexity and cost\u003cbr\u003eScale up without being weighed down\u003cbr\u003eGet quick ’n’ easy USB drive recording\u003cbr\u003e\u003cbr\u003eSoftware features\u003cbr\u003e\u003cbr\u003eLearn once, mix anywhere\u003cbr\u003eTackle any challenge\u003cbr\u003eGet studio-quality sound—live\u003cbr\u003eRecord straight into Pro Tools\u003cbr\u003eSave time with Virtual Soundcheck\u003cbr\u003eBoost your efficiency\u003cbr\u003eTake your mix to go\u003cbr\u003eExpand your sonic palette\u003cbr\u003e\u003cbr\u003eSpecifications\u003cbr\u003eHARDWARE SPECIFICATIONS\u003cbr\u003e\u003cbr\u003eS3 CONTROL SURFACE \u003cbr\u003e ✓ Channel strips\/faders 16 (up to 6 fader banks) \u003cbr\u003e ✓ Encoders 32 total (each with high-resolution OLEDs and tri-color function indicator)—16 assignable encoders, 8 channel control encoders, 8 global control encoders \u003cbr\u003e ✓ Metering 16 10-segment meters, with pre- and post-fade metering options \u003cbr\u003e ✓ Analog inputs \u003cbr\u003e ✓ 4 total—2 XLR mic\/line inputs and 2 TRS line inputs for connecting talkback, audience mics, or playback devices for live applications;\u003cbr\u003e ✓ or mics, instruments, and other devices for studio recording\u003cbr\u003e ✓ Analog outputs \u003cbr\u003e ✓ 4 total—2 XLR line outputs and 2 TRS line outputs for connecting recording devices or near-field monitors \u003cbr\u003e ✓ Headphone output 1 (1\/4-inch TRS) with level control \u003cbr\u003e ✓ Ancillary I\/O \u003cbr\u003e ✓ 2 Gigabit Ethernet AVB ports, 2 USB 2.0 ports (for connecting a keyboard and mouse only), 1 footswitch port (1\/4-inch TRS),\u003cbr\u003e ✓ 2 console light ports, Kensington lock slot \u003cbr\u003e ✓ EUCON integration Use S3 as a standalone control surface to record, edit, and mix Pro Tools (included) and other \u003cbr\u003e ✓ Height (front, rear w\/knobs) 1.3 inches, 2.8 inches (3.2 cm, 7.2 cm) \u003cbr\u003e ✓ Width 28 inches (71 cm) \u003cbr\u003e ✓ Depth 14.3 inches (36.3 cm) \u003cbr\u003e\u003cbr\u003e E3 ENGINE \u003cbr\u003e ✓ Software Runs Avid VENUE software on built-in 64-bit Windows OS \u003cbr\u003e ✓ Input channels 64 (with full processing) \u003cbr\u003e ✓ Busses 24 aux busses, LCR, plus 8 mono matrixes and 8 VCAs\u003cbr\u003e ✓ Onboard EQ 4-band parametric EQ on every input and output channel \u003cbr\u003e ✓ Graphic EQs 16 \u003cbr\u003e ✓ Onboard dynamics Compressor\/limiter and expander\/gate on every input and output channel \u003cbr\u003e ✓ DSP HDX, 32-bit floating point \u003cbr\u003e ✓ Plug-in support \u003cbr\u003e ✓ AAX DSP (supports Avid and third-party AAX DSP plug-ins, \u003cbr\u003e ✓ with 64-bit support in VENUE 4.5) \u003cbr\u003e ✓ Pro Tools integration \u003cbr\u003e ✓ Record\/play back up to 64 audio tracks on a computer over \u003cbr\u003e ✓ the Ethernet AVB network— no Pro Tools interface\u003cbr\u003e ✓ required (computer not included) \u003cbr\u003e ✓ 2-track USB \u003cbr\u003e ✓ Stereo record\/playback via USB Flash drive \u003cbr\u003e ✓ (transport and playlist integrated into VENUE software) \u003cbr\u003e ✓ Analog inputs 4 XLR mic\/line inputs \u003cbr\u003e ✓ Analog outputs \u003cbr\u003e ✓ \u003cbr\u003e ✓ 4 XLR line outputs \u003cbr\u003e ✓ Digital I\/O 4 channels of AES3 input and output (XLR) \u003cbr\u003e ✓ Ancillary I\/O GPIO (2 in\/2 out), Word Clock in\/out \u003cbr\u003e ✓ Additional connections \u003cbr\u003e ✓ 3 Gigabit Ethernet AVB ports, 1 ECx Ethernet port \u003cbr\u003e ✓ (for wired\/wireless remote control), 1 DVI video port, \u003cbr\u003e ✓ 4 USB 2.0 ports (2 rear, 1 front, 1 internal) \u003cbr\u003e ✓ Dimensions (H x W x D) 3.5 x 19 x 14.6 inches (8.8 x 48.3 x 37.1 cm) \u003cbr\u003e ✓ Rack spaces 2U \u003cbr\u003e ✓ Weight 21 lbs (9.5 kg) \u003cbr\u003e\u003cbr\u003eSTAGE 16 REMOTE I\/O \u003cbr\u003e ✓ Analog inputs 16 XLR mic inputs\/preamps \u003cbr\u003e ✓ Analog outputs 8 XLR line outputs \u003cbr\u003e ✓ Digital outputs 4 channels of AES3 output \u003cbr\u003e ✓ Dimensions (H x W x D) \u003cbr\u003e ✓ 6.9 x 19 x 8.1 inches (17.6 x 48.3 x 20.6 cm) with ears\/handles out\u003cbr\u003e ✓ (rackmount configuration) \u003cbr\u003e ✓ Rack spaces 4U \u003cbr\u003e ✓ Weight 15.8 lbs (7.1 kg) \u003cbr\u003e ✓ Connections 2 Gigabit Ethernet AVB ports (up to four Stage 16 boxes can be daisy-chained) \u003cbr\u003e ✓ Snake cable type Shielded 350 MHz Cat5e or better (Neutrik etherCON connectors required) \u003cbr\u003e ✓ Maximum snake cable length \u003cbr\u003e ✓ 328 feet (100 meters)\u003cbr\u003e\u003cbr\u003e","published_at":"2018-01-09T01:45:13+02:00","created_at":"2018-01-07T07:32:43+02:00","vendor":"Avid","type":"Digital Mixers","tags":["Avid","Channels_16","Channels_32","Channels_48","Channels_64","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","Price Range_$3000 and Over","Shop by brand_Avid","Shop by category_Digital Mixers"],"price":2068500,"price_min":2068500,"price_max":3455000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3382329671706,"title":"16","option1":"16","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avid Avid VENUE | S3L-X System - 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VENUE—everywhere\u003cbr\u003e\u003cbr\u003eGo from stage to studio and beyond. With Avid VENUE | S3L-X, you get the incredible sound clarity, power, and efficiency of VENUE in an ultra compact system. But that’s not all. Archive shows directly to Pro Tools. Streamline FOH, monitor, and broadcast workflows by sharing the same I\/O across multiple networked systems. You can even set up a mobile recording\/mixing studio using just the control surface and Pro Tools on your laptop, making S3L-X the most versatile system in live sound.\u003cbr\u003e\u003cbr\u003ePRODUCT HIGHLIGHTS\u003cbr\u003e\u003cbr\u003eMix big on a small surface\u003cbr\u003eFrom major festivals to small clubs, S3L-X gives you the power and flexibility to handle anything. Scale the modular, Ethernet AVB-networked system to accommodate any size performance—from 16–64 mic preamps. Easily fit the control surface into the tightest FOH spaces. And get great versatility, reliability, and value for the stage, studio, and beyond.\u003cbr\u003e\u003cbr\u003eGet the renowned sound of VENUE\u003cbr\u003eArtists and engineers alike use VENUE because of its amazing sound quality and clarity. S3L-X is no different. From its premium mic preamps and digital converters, to supporting the same audio plug-ins used in countless recording studios, S3L-X makes it easy to re-create the sound of the studio—live.\u003cbr\u003e\u003cbr\u003eGo from stage to studio\u003cbr\u003eS3L-X is more than just a powerful yet easy-to-use live mixing system. The S3 control surface also does double duty as a full-featured recording studio. Just pair it with Pro Tools running on your laptop. Then connect mics, instruments, and more to the built-in audio interface for direct recording, editing, and mixing. It’s the ideal cost-effective mixing\/recording setup to take to any gig—in any size space—as it easily loads into a car, bus, or plane.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eSystem features\u003cbr\u003e\u003cbr\u003eMix anything, anywhere\u003cbr\u003eAchieve incredible sound—live\u003cbr\u003eSet up a mobile studio\u003cbr\u003eReduce complexity and cost\u003cbr\u003eScale up without being weighed down\u003cbr\u003eGet quick ’n’ easy USB drive recording\u003cbr\u003e\u003cbr\u003eSoftware features\u003cbr\u003e\u003cbr\u003eLearn once, mix anywhere\u003cbr\u003eTackle any challenge\u003cbr\u003eGet studio-quality sound—live\u003cbr\u003eRecord straight into Pro Tools\u003cbr\u003eSave time with Virtual Soundcheck\u003cbr\u003eBoost your efficiency\u003cbr\u003eTake your mix to go\u003cbr\u003eExpand your sonic palette\u003cbr\u003e\u003cbr\u003eSpecifications\u003cbr\u003eHARDWARE SPECIFICATIONS\u003cbr\u003e\u003cbr\u003eS3 CONTROL SURFACE \u003cbr\u003e ✓ Channel strips\/faders 16 (up to 6 fader banks) \u003cbr\u003e ✓ Encoders 32 total (each with high-resolution OLEDs and tri-color function indicator)—16 assignable encoders, 8 channel control encoders, 8 global control encoders \u003cbr\u003e ✓ Metering 16 10-segment meters, with pre- and post-fade metering options \u003cbr\u003e ✓ Analog inputs \u003cbr\u003e ✓ 4 total—2 XLR mic\/line inputs and 2 TRS line inputs for connecting talkback, audience mics, or playback devices for live applications;\u003cbr\u003e ✓ or mics, instruments, and other devices for studio recording\u003cbr\u003e ✓ Analog outputs \u003cbr\u003e ✓ 4 total—2 XLR line outputs and 2 TRS line outputs for connecting recording devices or near-field monitors \u003cbr\u003e ✓ Headphone output 1 (1\/4-inch TRS) with level control \u003cbr\u003e ✓ Ancillary I\/O \u003cbr\u003e ✓ 2 Gigabit Ethernet AVB ports, 2 USB 2.0 ports (for connecting a keyboard and mouse only), 1 footswitch port (1\/4-inch TRS),\u003cbr\u003e ✓ 2 console light ports, Kensington lock slot \u003cbr\u003e ✓ EUCON integration Use S3 as a standalone control surface to record, edit, and mix Pro Tools (included) and other \u003cbr\u003e ✓ Height (front, rear w\/knobs) 1.3 inches, 2.8 inches (3.2 cm, 7.2 cm) \u003cbr\u003e ✓ Width 28 inches (71 cm) \u003cbr\u003e ✓ Depth 14.3 inches (36.3 cm) \u003cbr\u003e\u003cbr\u003e E3 ENGINE \u003cbr\u003e ✓ Software Runs Avid VENUE software on built-in 64-bit Windows OS \u003cbr\u003e ✓ Input channels 64 (with full processing) \u003cbr\u003e ✓ Busses 24 aux busses, LCR, plus 8 mono matrixes and 8 VCAs\u003cbr\u003e ✓ Onboard EQ 4-band parametric EQ on every input and output channel \u003cbr\u003e ✓ Graphic EQs 16 \u003cbr\u003e ✓ Onboard dynamics Compressor\/limiter and expander\/gate on every input and output channel \u003cbr\u003e ✓ DSP HDX, 32-bit floating point \u003cbr\u003e ✓ Plug-in support \u003cbr\u003e ✓ AAX DSP (supports Avid and third-party AAX DSP plug-ins, \u003cbr\u003e ✓ with 64-bit support in VENUE 4.5) \u003cbr\u003e ✓ Pro Tools integration \u003cbr\u003e ✓ Record\/play back up to 64 audio tracks on a computer over \u003cbr\u003e ✓ the Ethernet AVB network— no Pro Tools interface\u003cbr\u003e ✓ required (computer not included) \u003cbr\u003e ✓ 2-track USB \u003cbr\u003e ✓ Stereo record\/playback via USB Flash drive \u003cbr\u003e ✓ (transport and playlist integrated into VENUE software) \u003cbr\u003e ✓ Analog inputs 4 XLR mic\/line inputs \u003cbr\u003e ✓ Analog outputs \u003cbr\u003e ✓ \u003cbr\u003e ✓ 4 XLR line outputs \u003cbr\u003e ✓ Digital I\/O 4 channels of AES3 input and output (XLR) \u003cbr\u003e ✓ Ancillary I\/O GPIO (2 in\/2 out), Word Clock in\/out \u003cbr\u003e ✓ Additional connections \u003cbr\u003e ✓ 3 Gigabit Ethernet AVB ports, 1 ECx Ethernet port \u003cbr\u003e ✓ (for wired\/wireless remote control), 1 DVI video port, \u003cbr\u003e ✓ 4 USB 2.0 ports (2 rear, 1 front, 1 internal) \u003cbr\u003e ✓ Dimensions (H x W x D) 3.5 x 19 x 14.6 inches (8.8 x 48.3 x 37.1 cm) \u003cbr\u003e ✓ Rack spaces 2U \u003cbr\u003e ✓ Weight 21 lbs (9.5 kg) \u003cbr\u003e\u003cbr\u003eSTAGE 16 REMOTE I\/O \u003cbr\u003e ✓ Analog inputs 16 XLR mic inputs\/preamps \u003cbr\u003e ✓ Analog outputs 8 XLR line outputs \u003cbr\u003e ✓ Digital outputs 4 channels of AES3 output \u003cbr\u003e ✓ Dimensions (H x W x D) \u003cbr\u003e ✓ 6.9 x 19 x 8.1 inches (17.6 x 48.3 x 20.6 cm) with ears\/handles out\u003cbr\u003e ✓ (rackmount configuration) \u003cbr\u003e ✓ Rack spaces 4U \u003cbr\u003e ✓ Weight 15.8 lbs (7.1 kg) \u003cbr\u003e ✓ Connections 2 Gigabit Ethernet AVB ports (up to four Stage 16 boxes can be daisy-chained) \u003cbr\u003e ✓ Snake cable type Shielded 350 MHz Cat5e or better (Neutrik etherCON connectors required) \u003cbr\u003e ✓ Maximum snake cable length \u003cbr\u003e ✓ 328 feet (100 meters)\u003cbr\u003e\u003cbr\u003e"}
Avid Avid VENUE | S3L-X System

Avid Avid VENUE | S3L-X System

$20,685.00

The power of Avid VENUE—everywhereGo from stage to studio and beyond. With Avid VENUE | S3L-X, you get the incredible sound clarity, power, and efficiency of VENUE in an ultra compact system. But that’s not all. Archive shows directly to Pro Tools. Streamline FOH, monitor, and broadcast workflows by sharing the same I/O across multiple networked...

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PreSonus StudioLive 16R

Digital Mixers

$729.00
{"id":254330765338,"title":"PreSonus StudioLive 16R","handle":"presonus-studiolive-16r","description":"\u003cp\u003eThe perfect partner for a StudioLive Series III console.\u003c\/p\u003e\n\u003cp\u003eThe StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console\/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U).\u003cbr\u003e\u003cbr\u003eThe most powerful rack mixer in its class.When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R\u0026amp;D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box\/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA third-generation Fat Channel\u003c\/p\u003e\n\u003cp\u003eStudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003eWith StudioLive Series III, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to six FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 6 FlexMixes are in addition to the 2 internal effects sends and the stereo main bus, giving you a total of 10 mix buses, not counting the solo buses. We also provided eight Filter DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eIntegrated software package with professional DAW, remote-control apps, and one-touch recording.\u003cbr\u003ePreSonus StudioLive Series III mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive Series III mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003e\u003cbr\u003eNetwork-ready, with a choice of recording methods.\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 16R Series III rack mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive Series III mixers and compatible computers and stream up to 32 channels of audio to and from a Mac or Windows PC. You also get 18x18 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. Alternatively, quickly and easily record the main mix—or any other stereo mix—to the built-in SD Card recorder. Upload a show for fans, give the band a reference recording, and more, no computer required. You can even simultaneously multitrack record to your laptop via USB or AVB and record in stereo to SD.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive Series III rack mixers sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, iPad®, and Android ™ tablet. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android device without the need for large monitor networks. Go wireless, wired, or both.\u003c\/p\u003e\n\u003cp\u003eSimple but versatile audio connections.\u003cbr\u003eWe kept the StudioLive Series III rack mixers’ front and rear panels clean and simple, yet they have all the connections you need. All 16 channel inputs on the StudioLive 16R use locking combo jacks to accept microphone- or line-level signals. You also get a pair of unbalanced RCA jacks as additional inputs for Channels 15 and 16 for easy connectivity to smartphones, media players, and other consumer audio sources. In addition to main L\/R outputs and headphone jack, you get six FlexMix outputs that can each be independently configured as subgroups, monitor outputs, or matrix outputs. The result is a versatile set of connections that provide the access you need in a compact, 1U package.\u003cbr\u003e\u003cbr\u003eSuperior sound.\u003cbr\u003eConnect a StudioLive Series III rack mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console.​ We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing StudioLive Series III consoles and rack mixers. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, StudioLive Series III mixers deliver the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003eNow includes Studio Magic Plug-in Suite.\u003cbr\u003eThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003eLocal Inputs and Outputs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e18 total inputs\u003c\/li\u003e\n\u003cli\u003e16 mic\/line channel inputs + 2 RCA inputs\u003c\/li\u003e\n\u003cli\u003e6 ¼-inch TRS FlexMix outputs\u003c\/li\u003e\n\u003cli\u003e2 XLR (L\/R) Main outputs\u003c\/li\u003e\n\u003cli\u003eStereo headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChannels and Buses\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16 input channels\u003c\/li\u003e\n\u003cli\u003e1 stereo digital return (SD Card, AVB, or USB)\u003c\/li\u003e\n\u003cli\u003e10 buses:\u003c\/li\u003e\n\u003cli\u003e6 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003c\/li\u003e\n\u003cli\u003e2 internal effects sends\u003c\/li\u003e\n\u003cli\u003eStereo main bus\u003c\/li\u003e\n\u003cli\u003e6 Filter DCAs for easily and flexibly controlling groups of channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNetworking Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Ethernet control network port\u003c\/li\u003e\n\u003cli\u003eDynamic, Self Assigned, and Manual IP address modes\u003c\/li\u003e\n\u003cli\u003e1 Locking XLR Ethernet AVB audio network port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecording\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOnboard stereo SD recorder\u003c\/li\u003e\n\u003cli\u003e18x18 USB recording interface\u003c\/li\u003e\n\u003cli\u003e32x32 AVB recording interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSignal Processing\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntuitive Fat Channel signal processing on every channel with:\u003c\/li\u003e\n\u003cli\u003eA\/B settings comparison\u003c\/li\u003e\n\u003cli\u003eHighpass filter and polarity reverse\u003c\/li\u003e\n\u003cli\u003eGate\/expander with sidechain\u003c\/li\u003e\n\u003cli\u003eCompressor with sidechain\u003c\/li\u003e\n\u003cli\u003e4-band parametric EQ on inputs\u003c\/li\u003e\n\u003cli\u003e6-band parametric EQ on outputs\u003c\/li\u003e\n\u003cli\u003eLimiter\u003c\/li\u003e\n\u003cli\u003eDelay on every input\u003c\/li\u003e\n\u003cli\u003eDelay on every output\u003c\/li\u003e\n\u003cli\u003eProfessionally programmed library of presets\u003c\/li\u003e\n\u003cli\u003eVintage EQ and compressor models available on every input\u003c\/li\u003e\n\u003cli\u003ePassive EQ\u003c\/li\u003e\n\u003cli\u003eVintage EQ\u003c\/li\u003e\n\u003cli\u003eTube compressor\u003c\/li\u003e\n\u003cli\u003eFET compressor\u003c\/li\u003e\n\u003cli\u003e8 31-band graphic EQs\u003c\/li\u003e\n\u003cli\u003e2 internal effects buses: combination of reverbs and delays with modern and vintage options\u003c\/li\u003e\n\u003cli\u003eBuilt-in real-time analyzer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eScenes and Presets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCreate, save, and edit up to 100 scenes\u003c\/li\u003e\n\u003cli\u003eScene management with:\u003c\/li\u003e\n\u003cli\u003eScene Safe—prevents a scene change from affecting designated “safe” channels\u003c\/li\u003e\n\u003cli\u003eCreate, save, and edit channel settings and copy\/paste between channels\u003c\/li\u003e\n\u003cli\u003eAdvanced channel preset options can save and recall:\u003c\/li\u003e\n\u003cli\u003eChannel type and name\u003c\/li\u003e\n\u003cli\u003eInput settings (preamp, +48V phantom power, polarity, pan)\u003c\/li\u003e\n\u003cli\u003eFat Channel A \u0026amp; B settings\u003c\/li\u003e\n\u003cli\u003eBus assignments\u003c\/li\u003e\n\u003cli\u003eAux and effects send levels and pan\u003c\/li\u003e\n\u003cli\u003eSelect button color\u003c\/li\u003e\n\u003cli\u003e8 Quick Scenes\u003c\/li\u003e\n\u003cli\u003e8 Mute groups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDigital\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudio-quality converters with 115 dB dynamic range\u003c\/li\u003e\n\u003cli\u003e48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003c\/li\u003e\n\u003cli\u003eActively Integrated Software\u003c\/li\u003e\n\u003cli\u003eUC Surface touch control software for Mac®, Windows®, iPad®, and Android ™\u003c\/li\u003e\n\u003cli\u003eStudio One® Artist digital audio workstation software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eCapture™ multitrack recording software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eQMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store and Google Play\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e • Mac® OS X 10.8.5 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003eWindows\u003cbr\u003e • Windows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e • \u003cbr\u003eMac and Windows Systems\u003cbr\u003e • USB 2.0 port\u003cbr\u003e • Internet connection\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • 34 GB hard disk space\u003cbr\u003e • Monitor with 1366x768 resolution\u003cbr\u003e\u003cbr\u003eiOS\u003cbr\u003e • iOS 9.3 or later\u003cbr\u003e • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003cbr\u003eAndroid (QMix-UC)\u003cbr\u003e • Android™ 5.0 (Lollipop) or later\u003cbr\u003e • Android smartphone (QMix-UC)\u003cbr\u003e • Android tablet (8-inch) with 1024x768 resolution (UC Surface)\u003cbr\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003e\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003c\/p\u003e","published_at":"2017-12-31T00:23:34+02:00","created_at":"2017-12-31T01:19:07+02:00","vendor":"PreSonus","type":"Digital Mixers","tags":["Channels_16","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$500 to $750","Shop by brand_PreSonus","Shop by category_Digital Mixers"],"price":72900,"price_min":72900,"price_max":72900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3351732191258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive 16R","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive 16R","public_title":null,"options":["Default Title"],"price":72900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_16r-front_big.jpg?v=1514676568","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_16r-back_big.jpg?v=1514676616","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/StudioLive_24R-05_f77b87d2-f477-407c-8c65-42f24e208ff4.png?v=1514676644","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/studiolive_16r-10.jpg?v=1514676660"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_16r-front_big.jpg?v=1514676568","options":["Title"],"content":"\u003cp\u003eThe perfect partner for a StudioLive Series III console.\u003c\/p\u003e\n\u003cp\u003eThe StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console\/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 16R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 16R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 16R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just one rackspace. (1U).\u003cbr\u003e\u003cbr\u003eThe most powerful rack mixer in its class.When we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R\u0026amp;D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box\/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA third-generation Fat Channel\u003c\/p\u003e\n\u003cp\u003eStudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003eWith StudioLive Series III, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to six FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 6 FlexMixes are in addition to the 2 internal effects sends and the stereo main bus, giving you a total of 10 mix buses, not counting the solo buses. We also provided eight Filter DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eIntegrated software package with professional DAW, remote-control apps, and one-touch recording.\u003cbr\u003ePreSonus StudioLive Series III mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive Series III mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003e\u003cbr\u003eNetwork-ready, with a choice of recording methods.\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 16R Series III rack mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive Series III mixers and compatible computers and stream up to 32 channels of audio to and from a Mac or Windows PC. You also get 18x18 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. Alternatively, quickly and easily record the main mix—or any other stereo mix—to the built-in SD Card recorder. Upload a show for fans, give the band a reference recording, and more, no computer required. You can even simultaneously multitrack record to your laptop via USB or AVB and record in stereo to SD.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive Series III rack mixers sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, iPad®, and Android ™ tablet. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android device without the need for large monitor networks. Go wireless, wired, or both.\u003c\/p\u003e\n\u003cp\u003eSimple but versatile audio connections.\u003cbr\u003eWe kept the StudioLive Series III rack mixers’ front and rear panels clean and simple, yet they have all the connections you need. All 16 channel inputs on the StudioLive 16R use locking combo jacks to accept microphone- or line-level signals. You also get a pair of unbalanced RCA jacks as additional inputs for Channels 15 and 16 for easy connectivity to smartphones, media players, and other consumer audio sources. In addition to main L\/R outputs and headphone jack, you get six FlexMix outputs that can each be independently configured as subgroups, monitor outputs, or matrix outputs. The result is a versatile set of connections that provide the access you need in a compact, 1U package.\u003cbr\u003e\u003cbr\u003eSuperior sound.\u003cbr\u003eConnect a StudioLive Series III rack mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console.​ We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing StudioLive Series III consoles and rack mixers. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, StudioLive Series III mixers deliver the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003eNow includes Studio Magic Plug-in Suite.\u003cbr\u003eThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003eLocal Inputs and Outputs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e18 total inputs\u003c\/li\u003e\n\u003cli\u003e16 mic\/line channel inputs + 2 RCA inputs\u003c\/li\u003e\n\u003cli\u003e6 ¼-inch TRS FlexMix outputs\u003c\/li\u003e\n\u003cli\u003e2 XLR (L\/R) Main outputs\u003c\/li\u003e\n\u003cli\u003eStereo headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChannels and Buses\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e16 input channels\u003c\/li\u003e\n\u003cli\u003e1 stereo digital return (SD Card, AVB, or USB)\u003c\/li\u003e\n\u003cli\u003e10 buses:\u003c\/li\u003e\n\u003cli\u003e6 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003c\/li\u003e\n\u003cli\u003e2 internal effects sends\u003c\/li\u003e\n\u003cli\u003eStereo main bus\u003c\/li\u003e\n\u003cli\u003e6 Filter DCAs for easily and flexibly controlling groups of channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNetworking Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Ethernet control network port\u003c\/li\u003e\n\u003cli\u003eDynamic, Self Assigned, and Manual IP address modes\u003c\/li\u003e\n\u003cli\u003e1 Locking XLR Ethernet AVB audio network port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecording\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOnboard stereo SD recorder\u003c\/li\u003e\n\u003cli\u003e18x18 USB recording interface\u003c\/li\u003e\n\u003cli\u003e32x32 AVB recording interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSignal Processing\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntuitive Fat Channel signal processing on every channel with:\u003c\/li\u003e\n\u003cli\u003eA\/B settings comparison\u003c\/li\u003e\n\u003cli\u003eHighpass filter and polarity reverse\u003c\/li\u003e\n\u003cli\u003eGate\/expander with sidechain\u003c\/li\u003e\n\u003cli\u003eCompressor with sidechain\u003c\/li\u003e\n\u003cli\u003e4-band parametric EQ on inputs\u003c\/li\u003e\n\u003cli\u003e6-band parametric EQ on outputs\u003c\/li\u003e\n\u003cli\u003eLimiter\u003c\/li\u003e\n\u003cli\u003eDelay on every input\u003c\/li\u003e\n\u003cli\u003eDelay on every output\u003c\/li\u003e\n\u003cli\u003eProfessionally programmed library of presets\u003c\/li\u003e\n\u003cli\u003eVintage EQ and compressor models available on every input\u003c\/li\u003e\n\u003cli\u003ePassive EQ\u003c\/li\u003e\n\u003cli\u003eVintage EQ\u003c\/li\u003e\n\u003cli\u003eTube compressor\u003c\/li\u003e\n\u003cli\u003eFET compressor\u003c\/li\u003e\n\u003cli\u003e8 31-band graphic EQs\u003c\/li\u003e\n\u003cli\u003e2 internal effects buses: combination of reverbs and delays with modern and vintage options\u003c\/li\u003e\n\u003cli\u003eBuilt-in real-time analyzer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eScenes and Presets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCreate, save, and edit up to 100 scenes\u003c\/li\u003e\n\u003cli\u003eScene management with:\u003c\/li\u003e\n\u003cli\u003eScene Safe—prevents a scene change from affecting designated “safe” channels\u003c\/li\u003e\n\u003cli\u003eCreate, save, and edit channel settings and copy\/paste between channels\u003c\/li\u003e\n\u003cli\u003eAdvanced channel preset options can save and recall:\u003c\/li\u003e\n\u003cli\u003eChannel type and name\u003c\/li\u003e\n\u003cli\u003eInput settings (preamp, +48V phantom power, polarity, pan)\u003c\/li\u003e\n\u003cli\u003eFat Channel A \u0026amp; B settings\u003c\/li\u003e\n\u003cli\u003eBus assignments\u003c\/li\u003e\n\u003cli\u003eAux and effects send levels and pan\u003c\/li\u003e\n\u003cli\u003eSelect button color\u003c\/li\u003e\n\u003cli\u003e8 Quick Scenes\u003c\/li\u003e\n\u003cli\u003e8 Mute groups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDigital\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudio-quality converters with 115 dB dynamic range\u003c\/li\u003e\n\u003cli\u003e48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003c\/li\u003e\n\u003cli\u003eActively Integrated Software\u003c\/li\u003e\n\u003cli\u003eUC Surface touch control software for Mac®, Windows®, iPad®, and Android ™\u003c\/li\u003e\n\u003cli\u003eStudio One® Artist digital audio workstation software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eCapture™ multitrack recording software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eQMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store and Google Play\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e • Mac® OS X 10.8.5 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003eWindows\u003cbr\u003e • Windows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e • \u003cbr\u003eMac and Windows Systems\u003cbr\u003e • USB 2.0 port\u003cbr\u003e • Internet connection\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • 34 GB hard disk space\u003cbr\u003e • Monitor with 1366x768 resolution\u003cbr\u003e\u003cbr\u003eiOS\u003cbr\u003e • iOS 9.3 or later\u003cbr\u003e • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003cbr\u003eAndroid (QMix-UC)\u003cbr\u003e • Android™ 5.0 (Lollipop) or later\u003cbr\u003e • Android smartphone (QMix-UC)\u003cbr\u003e • Android tablet (8-inch) with 1024x768 resolution (UC Surface)\u003cbr\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003e\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003c\/p\u003e"}
PreSonus StudioLive 16R

PreSonus StudioLive 16R

$729.00

The perfect partner for a StudioLive Series III console. The StudioLive 16R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive...


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PreSonus StudioLive 32R

Digital Mixers

$1,349.00
{"id":253861855258,"title":"PreSonus StudioLive 32R","handle":"presonus-studiolive-32r","description":"\u003cp\u003eThe perfect partner for a StudioLive Series III console.\u003cbr\u003eThe StudioLive 32R Series III rack mixer is a perfect partner for your StudioLive Series III console\/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 32R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 32R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 32R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just two rackspaces (2U).\u003cbr\u003e\u003cbr\u003eThe most powerful rack mixer in its class.\u003cbr\u003eWhen we say the StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R\u0026amp;D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box\/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.\u003cbr\u003e\u003cbr\u003eA third-generation Fat Channel.\u003cbr\u003eStudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system.\u003cbr\u003e\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003eWith StudioLive Series III, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 16 FlexMixes are in addition to the 4 fixed subgroups giving you a total of 20 mix buses, not counting the main mix and solo buses. We also provided 24 Filter DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eIntegrated software package with professional DAW, remote-control apps, and one-touch recording.\u003cbr\u003ePreSonus StudioLive Series III mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive Series III mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003e\u003cbr\u003eNetwork-ready, with a choice of recording methods.\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 32R Series III rack mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive Series III mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 40x40 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. Alternatively, quickly and easily record the main mix—or any other stereo mix—to the built-in SD Card recorder. Upload a show for fans, give the band a reference recording, and more, no computer required. You can even simultaneously multitrack record to your laptop via USB or AVB and record in stereo to SD.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive Series III rack mixers sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, iPad®, and Android ™ tablet. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android device without the need for large monitor networks. Go wireless, wired, or both\u003cbr\u003e\u003cbr\u003eSimple but versatile audio connections.\u003cbr\u003eWe kept the StudioLive Series III rack mixers’ front and rear panels clean and simple, yet they have all the connections you need. All 32 channel inputs on the StudioLive 32R use locking combo jacks to accept microphone- or line-level signals. You also get a pair of unbalanced RCA jacks as additional inputs for Channels 31 and 32 for easy connectivity to smartphones, media players, and other consumer audio sources. In addition to main L\/R outputs and headphone jack, you get 16 FlexMix outputs that can each be independently configured as subgroups, monitor outputs, or matrix outputs. The result is a versatile set of connections that provide the access you need in a compact, 2U package.\u003cbr\u003e\u003cbr\u003eSuperior sound.\u003cbr\u003eConnect a StudioLive Series III rack mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console.​ We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing StudioLive Series III consoles and rack mixers. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, StudioLive Series III mixers deliver the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003e\u003cbr\u003eNow includes Studio Magic Plug-in Suite.\u003cbr\u003eThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cp\u003eLocal Inputs and Outputs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e34 total inputs\u003c\/li\u003e\n\u003cli\u003e32 min\/line channel inputs + 2 RCA inputs\u003c\/li\u003e\n\u003cli\u003e16 ¼-inch TRS FlexMix outputs\u003c\/li\u003e\n\u003cli\u003e2 XLR (L\/R) Main outputs\u003c\/li\u003e\n\u003cli\u003eStereo headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChannels and Buses\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e32 input channels\u003c\/li\u003e\n\u003cli\u003e2 stereo aux inputs (AVB or USB)\u003c\/li\u003e\n\u003cli\u003e1 stereo digital return (SD Card, AVB, or USB)\u003c\/li\u003e\n\u003cli\u003e26 buses:\u003c\/li\u003e\n\u003cli\u003e16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003c\/li\u003e\n\u003cli\u003e4 dedicated subgroups\u003c\/li\u003e\n\u003cli\u003e4 internal effects sends\u003c\/li\u003e\n\u003cli\u003eStereo main bus\u003c\/li\u003e\n\u003cli\u003e24 Filter DCAs for easily and flexibly controlling groups of channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNetworking Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Ethernet control network port\u003c\/li\u003e\n\u003cli\u003eDynamic, Self Assigned, and Manual IP address modes\u003c\/li\u003e\n\u003cli\u003e1 Locking XLR Ethernet AVB audio network port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecording\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOnboard stereo SD recorder\u003c\/li\u003e\n\u003cli\u003e40x40 USB recording interface\u003c\/li\u003e\n\u003cli\u003e55x55 AVB recording interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSignal Processing\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntuitive Fat Channel signal processing on every channel with:\u003c\/li\u003e\n\u003cli\u003eA\/B settings comparison\u003c\/li\u003e\n\u003cli\u003eHighpass filter and polarity reverse\u003c\/li\u003e\n\u003cli\u003eGate\/expander with sidechain\u003c\/li\u003e\n\u003cli\u003eCompressor with sidechain\u003c\/li\u003e\n\u003cli\u003e4-band parametric EQ on inputs\u003c\/li\u003e\n\u003cli\u003e6-band parametric EQ on outputs\u003c\/li\u003e\n\u003cli\u003eLimiter\u003c\/li\u003e\n\u003cli\u003eDelay on every input\u003c\/li\u003e\n\u003cli\u003eDelay on every output\u003c\/li\u003e\n\u003cli\u003eProfessionally programmed library of presets\u003c\/li\u003e\n\u003cli\u003eVintage EQ and compressor models available on every input\u003c\/li\u003e\n\u003cli\u003ePassive EQ\u003c\/li\u003e\n\u003cli\u003eVintage EQ\u003c\/li\u003e\n\u003cli\u003eTube compressor\u003c\/li\u003e\n\u003cli\u003eFET compressor\u003c\/li\u003e\n\u003cli\u003e8 31-band graphic EQs\u003c\/li\u003e\n\u003cli\u003e4 internal effects buses: combination of reverbs and delays with modern and vintage options\u003c\/li\u003e\n\u003cli\u003eBuilt-in real-time analyzer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eScenes and Presets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCreate, save, and edit up to 100 scenes\u003c\/li\u003e\n\u003cli\u003eScene management with:\u003c\/li\u003e\n\u003cli\u003eScene Safe—prevents a scene change from affecting designated “safe” channels\u003c\/li\u003e\n\u003cli\u003eCreate, save, and edit channel settings and copy\/paste between channels\u003c\/li\u003e\n\u003cli\u003eAdvanced channel preset options can save and recall:\u003c\/li\u003e\n\u003cli\u003eChannel type and name\u003c\/li\u003e\n\u003cli\u003eInput settings (preamp, +48V phantom power, polarity, pan)\u003c\/li\u003e\n\u003cli\u003eFat Channel A \u0026amp; B settings\u003c\/li\u003e\n\u003cli\u003eBus assignments\u003c\/li\u003e\n\u003cli\u003eAux and effects send levels and pan\u003c\/li\u003e\n\u003cli\u003eSelect button color\u003c\/li\u003e\n\u003cli\u003e8 Quick Scenes\u003c\/li\u003e\n\u003cli\u003e8 Mute groups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDigital\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudio-quality converters with 115 dB dynamic range\u003c\/li\u003e\n\u003cli\u003e48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003c\/li\u003e\n\u003cli\u003eActively Integrated Software\u003c\/li\u003e\n\u003cli\u003eUC Surface touch control software for Mac®, Windows®, iPad®, and Android ™\u003c\/li\u003e\n\u003cli\u003eStudio One® Artist digital audio workstation software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eCapture™ multitrack recording software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eQMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store and Google Play\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eComputer system requirements:\u003c\/p\u003e\n\u003cp\u003eBelow are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.\u003c\/p\u003e\n\u003cp\u003eMac\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMac® OS X 10.8.5 64-bit or later\u003c\/li\u003e\n\u003cli\u003eIntel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003c\/li\u003e\n\u003cli\u003e4 GB RAM (8 GB or more recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWindows\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWindows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003c\/li\u003e\n\u003cli\u003eIntel Core 2 Duo (Intel Core i3 or faster recommended)\u003c\/li\u003e\n\u003cli\u003e4 GB RAM (8 GB or more recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMac and Windows Systems\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUSB 2.0 port\u003c\/li\u003e\n\u003cli\u003eInternet connection\u003c\/li\u003e\n\u003cli\u003eInternal or external 7200 RPM storage drive highly recommended\u003c\/li\u003e\n\u003cli\u003e34 GB hard disk space\u003c\/li\u003e\n\u003cli\u003eMonitor with 1366x768 resolution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eiOS\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eiOS 9.3 or later\u003c\/li\u003e\n\u003cli\u003eiPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAndroid (QMix-UC)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAndroid™ 5.0 (Lollipop) or later\u003c\/li\u003e\n\u003cli\u003eAndroid smartphone (QMix-UC)\u003c\/li\u003e\n\u003cli\u003eAndroid tablet (8-inch) with 1024x768 resolution (UC Surface)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003c\/p\u003e\n\u003cp\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003c\/p\u003e","published_at":"2017-12-30T17:14:54+02:00","created_at":"2017-12-30T17:48:50+02:00","vendor":"PreSonus","type":"Digital Mixers","tags":["Channels_32","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$1000 to $1500","Shop by brand_PreSonus","Shop by category_Digital Mixers"],"price":134900,"price_min":134900,"price_max":134900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3348879835162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive 32R","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive 32R","public_title":null,"options":["Default Title"],"price":134900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_32r-front_big.jpg?v=1514650796","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/studiolive_32r-09.png?v=1514650796","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/studiolive_32r-10.png?v=1514650796","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/StudioLive_24R-05_6597075a-ce6a-48c0-be58-40efffc0b2b1.png?v=1514650796"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_32r-front_big.jpg?v=1514650796","options":["Title"],"content":"\u003cp\u003eThe perfect partner for a StudioLive Series III console.\u003cbr\u003eThe StudioLive 32R Series III rack mixer is a perfect partner for your StudioLive Series III console\/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 32R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 32R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 32R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just two rackspaces (2U).\u003cbr\u003e\u003cbr\u003eThe most powerful rack mixer in its class.\u003cbr\u003eWhen we say the StudioLive® 32R Series III stage box and rack mixer is by far the most powerful rackmount digital mixer in its class, that’s no idle claim. The result of ten years of R\u0026amp;D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box\/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.\u003cbr\u003e\u003cbr\u003eA third-generation Fat Channel.\u003cbr\u003eStudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system.\u003cbr\u003e\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003eWith StudioLive Series III, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 16 FlexMixes are in addition to the 4 fixed subgroups giving you a total of 20 mix buses, not counting the main mix and solo buses. We also provided 24 Filter DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eIntegrated software package with professional DAW, remote-control apps, and one-touch recording.\u003cbr\u003ePreSonus StudioLive Series III mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive Series III mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003e\u003cbr\u003eNetwork-ready, with a choice of recording methods.\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 32R Series III rack mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive Series III mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 40x40 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. Alternatively, quickly and easily record the main mix—or any other stereo mix—to the built-in SD Card recorder. Upload a show for fans, give the band a reference recording, and more, no computer required. You can even simultaneously multitrack record to your laptop via USB or AVB and record in stereo to SD.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive Series III rack mixers sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, iPad®, and Android ™ tablet. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android device without the need for large monitor networks. Go wireless, wired, or both\u003cbr\u003e\u003cbr\u003eSimple but versatile audio connections.\u003cbr\u003eWe kept the StudioLive Series III rack mixers’ front and rear panels clean and simple, yet they have all the connections you need. All 32 channel inputs on the StudioLive 32R use locking combo jacks to accept microphone- or line-level signals. You also get a pair of unbalanced RCA jacks as additional inputs for Channels 31 and 32 for easy connectivity to smartphones, media players, and other consumer audio sources. In addition to main L\/R outputs and headphone jack, you get 16 FlexMix outputs that can each be independently configured as subgroups, monitor outputs, or matrix outputs. The result is a versatile set of connections that provide the access you need in a compact, 2U package.\u003cbr\u003e\u003cbr\u003eSuperior sound.\u003cbr\u003eConnect a StudioLive Series III rack mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console.​ We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing StudioLive Series III consoles and rack mixers. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, StudioLive Series III mixers deliver the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003e\u003cbr\u003eNow includes Studio Magic Plug-in Suite.\u003cbr\u003eThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cp\u003eLocal Inputs and Outputs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e34 total inputs\u003c\/li\u003e\n\u003cli\u003e32 min\/line channel inputs + 2 RCA inputs\u003c\/li\u003e\n\u003cli\u003e16 ¼-inch TRS FlexMix outputs\u003c\/li\u003e\n\u003cli\u003e2 XLR (L\/R) Main outputs\u003c\/li\u003e\n\u003cli\u003eStereo headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChannels and Buses\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e32 input channels\u003c\/li\u003e\n\u003cli\u003e2 stereo aux inputs (AVB or USB)\u003c\/li\u003e\n\u003cli\u003e1 stereo digital return (SD Card, AVB, or USB)\u003c\/li\u003e\n\u003cli\u003e26 buses:\u003c\/li\u003e\n\u003cli\u003e16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003c\/li\u003e\n\u003cli\u003e4 dedicated subgroups\u003c\/li\u003e\n\u003cli\u003e4 internal effects sends\u003c\/li\u003e\n\u003cli\u003eStereo main bus\u003c\/li\u003e\n\u003cli\u003e24 Filter DCAs for easily and flexibly controlling groups of channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNetworking Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Ethernet control network port\u003c\/li\u003e\n\u003cli\u003eDynamic, Self Assigned, and Manual IP address modes\u003c\/li\u003e\n\u003cli\u003e1 Locking XLR Ethernet AVB audio network port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecording\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOnboard stereo SD recorder\u003c\/li\u003e\n\u003cli\u003e40x40 USB recording interface\u003c\/li\u003e\n\u003cli\u003e55x55 AVB recording interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSignal Processing\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntuitive Fat Channel signal processing on every channel with:\u003c\/li\u003e\n\u003cli\u003eA\/B settings comparison\u003c\/li\u003e\n\u003cli\u003eHighpass filter and polarity reverse\u003c\/li\u003e\n\u003cli\u003eGate\/expander with sidechain\u003c\/li\u003e\n\u003cli\u003eCompressor with sidechain\u003c\/li\u003e\n\u003cli\u003e4-band parametric EQ on inputs\u003c\/li\u003e\n\u003cli\u003e6-band parametric EQ on outputs\u003c\/li\u003e\n\u003cli\u003eLimiter\u003c\/li\u003e\n\u003cli\u003eDelay on every input\u003c\/li\u003e\n\u003cli\u003eDelay on every output\u003c\/li\u003e\n\u003cli\u003eProfessionally programmed library of presets\u003c\/li\u003e\n\u003cli\u003eVintage EQ and compressor models available on every input\u003c\/li\u003e\n\u003cli\u003ePassive EQ\u003c\/li\u003e\n\u003cli\u003eVintage EQ\u003c\/li\u003e\n\u003cli\u003eTube compressor\u003c\/li\u003e\n\u003cli\u003eFET compressor\u003c\/li\u003e\n\u003cli\u003e8 31-band graphic EQs\u003c\/li\u003e\n\u003cli\u003e4 internal effects buses: combination of reverbs and delays with modern and vintage options\u003c\/li\u003e\n\u003cli\u003eBuilt-in real-time analyzer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eScenes and Presets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCreate, save, and edit up to 100 scenes\u003c\/li\u003e\n\u003cli\u003eScene management with:\u003c\/li\u003e\n\u003cli\u003eScene Safe—prevents a scene change from affecting designated “safe” channels\u003c\/li\u003e\n\u003cli\u003eCreate, save, and edit channel settings and copy\/paste between channels\u003c\/li\u003e\n\u003cli\u003eAdvanced channel preset options can save and recall:\u003c\/li\u003e\n\u003cli\u003eChannel type and name\u003c\/li\u003e\n\u003cli\u003eInput settings (preamp, +48V phantom power, polarity, pan)\u003c\/li\u003e\n\u003cli\u003eFat Channel A \u0026amp; B settings\u003c\/li\u003e\n\u003cli\u003eBus assignments\u003c\/li\u003e\n\u003cli\u003eAux and effects send levels and pan\u003c\/li\u003e\n\u003cli\u003eSelect button color\u003c\/li\u003e\n\u003cli\u003e8 Quick Scenes\u003c\/li\u003e\n\u003cli\u003e8 Mute groups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDigital\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudio-quality converters with 115 dB dynamic range\u003c\/li\u003e\n\u003cli\u003e48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003c\/li\u003e\n\u003cli\u003eActively Integrated Software\u003c\/li\u003e\n\u003cli\u003eUC Surface touch control software for Mac®, Windows®, iPad®, and Android ™\u003c\/li\u003e\n\u003cli\u003eStudio One® Artist digital audio workstation software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eCapture™ multitrack recording software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eQMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store and Google Play\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eComputer system requirements:\u003c\/p\u003e\n\u003cp\u003eBelow are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.\u003c\/p\u003e\n\u003cp\u003eMac\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMac® OS X 10.8.5 64-bit or later\u003c\/li\u003e\n\u003cli\u003eIntel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003c\/li\u003e\n\u003cli\u003e4 GB RAM (8 GB or more recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWindows\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWindows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003c\/li\u003e\n\u003cli\u003eIntel Core 2 Duo (Intel Core i3 or faster recommended)\u003c\/li\u003e\n\u003cli\u003e4 GB RAM (8 GB or more recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMac and Windows Systems\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUSB 2.0 port\u003c\/li\u003e\n\u003cli\u003eInternet connection\u003c\/li\u003e\n\u003cli\u003eInternal or external 7200 RPM storage drive highly recommended\u003c\/li\u003e\n\u003cli\u003e34 GB hard disk space\u003c\/li\u003e\n\u003cli\u003eMonitor with 1366x768 resolution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eiOS\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eiOS 9.3 or later\u003c\/li\u003e\n\u003cli\u003eiPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAndroid (QMix-UC)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAndroid™ 5.0 (Lollipop) or later\u003c\/li\u003e\n\u003cli\u003eAndroid smartphone (QMix-UC)\u003c\/li\u003e\n\u003cli\u003eAndroid tablet (8-inch) with 1024x768 resolution (UC Surface)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003c\/p\u003e\n\u003cp\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003c\/p\u003e"}
PreSonus StudioLive 32R

PreSonus StudioLive 32R

$1,349.00

The perfect partner for a StudioLive Series III console.The StudioLive 32R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive ...


More Info
PreSonus StudioLive 24R

Digital Mixers

$969.00
{"id":253795860506,"title":"PreSonus StudioLive 24R","handle":"presonus-studiolive-24r","description":"\u003cp\u003eThe perfect partner for a StudioLive Series III console.\u003cbr\u003eThe StudioLive 24R Series III rack mixer is a perfect partner for your StudioLive Series III console\/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 24R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 24R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 24R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just two rackspaces (2U).\u003cbr\u003e\u003cbr\u003eThe most powerful rack mixer in its class.\u003cbr\u003eWhen we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R\u0026amp;D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box\/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.\u003cbr\u003e\u003cbr\u003eA third-generation Fat Channel.\u003cbr\u003eStudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system.\u003cbr\u003e\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003eWith StudioLive Series III, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 16 FlexMixes are in addition to the 4 fixed subgroups giving you a total of 20 mix buses, not counting the main mix and solo buses. We also provided 24 Filter DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eIntegrated software package with professional DAW, remote-control apps, and one-touch recording.\u003cbr\u003ePreSonus StudioLive Series III mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive Series III mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003e\u003cbr\u003eNetwork-ready, with a choice of recording methods.\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 24R Series III rack mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive Series III mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 40x40 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. Alternatively, quickly and easily record the main mix—or any other stereo mix—to the built-in SD Card recorder. Upload a show for fans, give the band a reference recording, and more, no computer required. You can even simultaneously multitrack record to your laptop via USB or AVB and record in stereo to SD.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive Series III rack mixers sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, iPad®, and Android ™ tablet. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android device without the need for large monitor networks. Go wireless, wired, or both.\u003cbr\u003e\u003cbr\u003eSimple but versatile audio connections.\u003cbr\u003eWe kept the StudioLive Series III rack mixers’ front and rear panels clean and simple, yet they have all the connections you need. All 24 channel inputs on the StudioLive 24R use locking combo jacks to accept microphone- or line-level signals. You also get a pair of unbalanced RCA jacks as additional inputs for Channels 23 and 24 for easy connectivity to smartphones, media players, and other consumer audio sources. In addition to main L\/R outputs and headphone jack, you get 12 FlexMix outputs that can each be independently configured as subgroups, monitor outputs, or matrix outputs. The result is a versatile set of connections that provide the access you need in a compact, 2U package.\u003cbr\u003e\u003cbr\u003eSuperior sound.\u003cbr\u003eConnect a StudioLive Series III rack mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console.​ We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing StudioLive Series III consoles and rack mixers. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, StudioLive Series III mixers deliver the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003e\u003cbr\u003eNow includes Studio Magic Plug-in Suite.\u003cbr\u003eThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cp\u003eLocal Inputs and Outputs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e26 total inputs\u003c\/li\u003e\n\u003cli\u003e24 mic\/line channel inputs + 2 RCA inputs\u003c\/li\u003e\n\u003cli\u003e12 ¼-inch TRS FlexMix outputs\u003c\/li\u003e\n\u003cli\u003e2 XLR (L\/R) Main outputs\u003c\/li\u003e\n\u003cli\u003eStereo headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChannels and Buses\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e32 input channels\u003c\/li\u003e\n\u003cli\u003e24 analog, AVB, or USB\u003c\/li\u003e\n\u003cli\u003e8 AVB or USB\u003c\/li\u003e\n\u003cli\u003e2 stereo aux inputs (AVB or USB)\u003c\/li\u003e\n\u003cli\u003e1 stereo digital return (SD Card, AVB, or USB)\u003c\/li\u003e\n\u003cli\u003e26 buses:\u003c\/li\u003e\n\u003cli\u003e16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003c\/li\u003e\n\u003cli\u003e4 dedicated subgroups\u003c\/li\u003e\n\u003cli\u003e4 internal effects sends\u003c\/li\u003e\n\u003cli\u003eStereo main bus\u003c\/li\u003e\n\u003cli\u003e24 Filter DCAs for easily and flexibly controlling groups of channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNetworking Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Ethernet control network port\u003c\/li\u003e\n\u003cli\u003eDynamic, Self Assigned, and Manual IP address modes\u003c\/li\u003e\n\u003cli\u003e1 Locking XLR Ethernet AVB audio network port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecording\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOnboard stereo SD recorder\u003c\/li\u003e\n\u003cli\u003e40x40 USB recording interface\u003c\/li\u003e\n\u003cli\u003e55x55 AVB recording interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSignal Processing\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntuitive Fat Channel signal processing on every channel with:\u003c\/li\u003e\n\u003cli\u003eA\/B settings comparison\u003c\/li\u003e\n\u003cli\u003eHighpass filter and polarity reverse\u003c\/li\u003e\n\u003cli\u003eGate\/expander with sidechain\u003c\/li\u003e\n\u003cli\u003eCompressor with sidechain\u003c\/li\u003e\n\u003cli\u003e4-band parametric EQ on inputs\u003c\/li\u003e\n\u003cli\u003e6-band parametric EQ on outputs\u003c\/li\u003e\n\u003cli\u003eLimiter\u003c\/li\u003e\n\u003cli\u003eDelay on every input\u003c\/li\u003e\n\u003cli\u003eDelay on every output\u003c\/li\u003e\n\u003cli\u003eProfessionally programmed library of presets\u003c\/li\u003e\n\u003cli\u003eVintage EQ and compressor models available on every input\u003c\/li\u003e\n\u003cli\u003ePassive EQ\u003c\/li\u003e\n\u003cli\u003eVintage EQ\u003c\/li\u003e\n\u003cli\u003eTube compressor\u003c\/li\u003e\n\u003cli\u003eFET compressor\u003c\/li\u003e\n\u003cli\u003e8 31-band graphic EQs\u003c\/li\u003e\n\u003cli\u003e4 internal effects buses: combination of reverbs and delays with modern and vintage options\u003c\/li\u003e\n\u003cli\u003eBuilt-in real-time analyzer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eScenes and Presets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCreate, save, and edit up to 100 scenes\u003c\/li\u003e\n\u003cli\u003eScene management with:\u003c\/li\u003e\n\u003cli\u003eScene Safe—prevents a scene change from affecting designated “safe” channels\u003c\/li\u003e\n\u003cli\u003eCreate, save, and edit channel settings and copy\/paste between channels\u003c\/li\u003e\n\u003cli\u003eAdvanced channel preset options can save and recall:\u003c\/li\u003e\n\u003cli\u003eChannel type and name\u003c\/li\u003e\n\u003cli\u003eInput settings (preamp, +48V phantom power, polarity, pan)\u003c\/li\u003e\n\u003cli\u003eFat Channel A \u0026amp; B settings\u003c\/li\u003e\n\u003cli\u003eBus assignments\u003c\/li\u003e\n\u003cli\u003eAux and effects send levels and pan\u003c\/li\u003e\n\u003cli\u003eSelect button color\u003c\/li\u003e\n\u003cli\u003e8 Quick Scenes\u003c\/li\u003e\n\u003cli\u003e8 Mute groups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDigital\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudio-quality converters with 115 dB dynamic range\u003c\/li\u003e\n\u003cli\u003e48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eActively Integrated Software\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUC Surface touch control software for Mac®, Windows®, iPad®, and Android ™\u003c\/li\u003e\n\u003cli\u003eStudio One® Artist digital audio workstation software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eCapture™ multitrack recording software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eQMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store and Google Play\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eComputer system requirements:\u003c\/p\u003e\n\u003cp\u003eBelow are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.\u003c\/p\u003e\n\u003cp\u003eMac\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMac® OS X 10.8.5 64-bit or later\u003c\/li\u003e\n\u003cli\u003eIntel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003c\/li\u003e\n\u003cli\u003e4 GB RAM (8 GB or more recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWindows\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWindows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003c\/li\u003e\n\u003cli\u003eIntel Core 2 Duo (Intel Core i3 or faster recommended)\u003c\/li\u003e\n\u003cli\u003e4 GB RAM (8 GB or more recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMac and Windows Systems\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUSB 2.0 port\u003c\/li\u003e\n\u003cli\u003eInternet connection\u003c\/li\u003e\n\u003cli\u003eInternal or external 7200 RPM storage drive highly recommended\u003c\/li\u003e\n\u003cli\u003e34 GB hard disk space\u003c\/li\u003e\n\u003cli\u003eMonitor with 1366x768 resolution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eiOS\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eiOS 9.3 or later\u003c\/li\u003e\n\u003cli\u003eiPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAndroid (QMix-UC)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAndroid™ 5.0 (Lollipop) or later\u003c\/li\u003e\n\u003cli\u003eAndroid smartphone (QMix-UC)\u003c\/li\u003e\n\u003cli\u003eAndroid tablet (8-inch) with 1024x768 resolution (UC Surface)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003c\/p\u003e\n\u003cp\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003c\/p\u003e","published_at":"2017-12-30T16:27:32+02:00","created_at":"2017-12-30T16:44:14+02:00","vendor":"PreSonus","type":"Digital Mixers","tags":["Channels_24","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$750 to $1000","Shop by brand_PreSonus","Shop by category_Digital Mixers"],"price":96900,"price_min":96900,"price_max":96900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3348337786906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive 24R","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive 24R","public_title":null,"options":["Default Title"],"price":96900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_24r-front_big.jpg?v=1514646539","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_24r-back_big.jpg?v=1514646539","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/StudioLive_24R-10.png?v=1514646539","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/StudioLive_24R-05.png?v=1514646539"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_24r-front_big.jpg?v=1514646539","options":["Title"],"content":"\u003cp\u003eThe perfect partner for a StudioLive Series III console.\u003cbr\u003eThe StudioLive 24R Series III rack mixer is a perfect partner for your StudioLive Series III console\/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive 24R to a Series III front-of-house console with one lightweight CAT5e or CAT6 Ethernet cable, eliminating the need for a heavy, expensive copper snake—and the signal degradation that goes with long analog cable runs. You can even remote control the StudioLive 24R’s preamps and phantom power from your networked Series III console. In stage box + monitor mixer mode, the StudioLive 24R not only serves as an excellent networked stage box, it is a full blown monitor mixer with far more processing and mixing power than any mixer in its class—all packed into just two rackspaces (2U).\u003cbr\u003e\u003cbr\u003eThe most powerful rack mixer in its class.\u003cbr\u003eWhen we say the StudioLive® Series III stage boxes and rack mixers are by far the most powerful rackmount digital mixers in their class, that’s no idle claim. The result of ten years of R\u0026amp;D, third-generation StudioLive Series III rack mixers are fully recallable, including remote-controlled XMAX preamps. Yet despite their extensive features, StudioLive Series III rack mixers actually improve upon PreSonus®’ legendary ease of use while letting you customize their workflow and operations in software to fit the way you work. The coveted StudioLive sound is better than ever, including third-generation Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, multitrack recording via USB 2.0 and AVB, onboard stereo recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that’s equally formidable as a stage box\/monitor mixer, as a rackmount front-of-house mixer controlled from a touchscreen computer or tablet, and as the heart of your studio.\u003cbr\u003e\u003cbr\u003eA third-generation Fat Channel.\u003cbr\u003eStudioLive Series III rack mixers boast the same third-generation Fat Channel processing found in StudioLive Series III consoles. Delivering digital precision with the heart and soul of analog, the Series III Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. In addition to channel processing, all StudioLive Series III mixers offer 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording, mixing monitors, or even running the front-of-house system.\u003cbr\u003e\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003eWith StudioLive Series III, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 16 FlexMixes are in addition to the 4 fixed subgroups giving you a total of 20 mix buses, not counting the main mix and solo buses. We also provided 24 Filter DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive Series III rack mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eIntegrated software package with professional DAW, remote-control apps, and one-touch recording.\u003cbr\u003ePreSonus StudioLive Series III mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, Android, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive Series III mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003e\u003cbr\u003eNetwork-ready, with a choice of recording methods.\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 24R Series III rack mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive Series III mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 40x40 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. Alternatively, quickly and easily record the main mix—or any other stereo mix—to the built-in SD Card recorder. Upload a show for fans, give the band a reference recording, and more, no computer required. You can even simultaneously multitrack record to your laptop via USB or AVB and record in stereo to SD.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive Series III rack mixers sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, iPad®, and Android ™ tablet. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android device without the need for large monitor networks. Go wireless, wired, or both.\u003cbr\u003e\u003cbr\u003eSimple but versatile audio connections.\u003cbr\u003eWe kept the StudioLive Series III rack mixers’ front and rear panels clean and simple, yet they have all the connections you need. All 24 channel inputs on the StudioLive 24R use locking combo jacks to accept microphone- or line-level signals. You also get a pair of unbalanced RCA jacks as additional inputs for Channels 23 and 24 for easy connectivity to smartphones, media players, and other consumer audio sources. In addition to main L\/R outputs and headphone jack, you get 12 FlexMix outputs that can each be independently configured as subgroups, monitor outputs, or matrix outputs. The result is a versatile set of connections that provide the access you need in a compact, 2U package.\u003cbr\u003e\u003cbr\u003eSuperior sound.\u003cbr\u003eConnect a StudioLive Series III rack mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console.​ We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing StudioLive Series III consoles and rack mixers. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, StudioLive Series III mixers deliver the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003e\u003cbr\u003eNow includes Studio Magic Plug-in Suite.\u003cbr\u003eThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cp\u003eLocal Inputs and Outputs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e26 total inputs\u003c\/li\u003e\n\u003cli\u003e24 mic\/line channel inputs + 2 RCA inputs\u003c\/li\u003e\n\u003cli\u003e12 ¼-inch TRS FlexMix outputs\u003c\/li\u003e\n\u003cli\u003e2 XLR (L\/R) Main outputs\u003c\/li\u003e\n\u003cli\u003eStereo headphone output\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eChannels and Buses\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e32 input channels\u003c\/li\u003e\n\u003cli\u003e24 analog, AVB, or USB\u003c\/li\u003e\n\u003cli\u003e8 AVB or USB\u003c\/li\u003e\n\u003cli\u003e2 stereo aux inputs (AVB or USB)\u003c\/li\u003e\n\u003cli\u003e1 stereo digital return (SD Card, AVB, or USB)\u003c\/li\u003e\n\u003cli\u003e26 buses:\u003c\/li\u003e\n\u003cli\u003e16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003c\/li\u003e\n\u003cli\u003e4 dedicated subgroups\u003c\/li\u003e\n\u003cli\u003e4 internal effects sends\u003c\/li\u003e\n\u003cli\u003eStereo main bus\u003c\/li\u003e\n\u003cli\u003e24 Filter DCAs for easily and flexibly controlling groups of channels\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNetworking Connections\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 Ethernet control network port\u003c\/li\u003e\n\u003cli\u003eDynamic, Self Assigned, and Manual IP address modes\u003c\/li\u003e\n\u003cli\u003e1 Locking XLR Ethernet AVB audio network port\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRecording\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eOnboard stereo SD recorder\u003c\/li\u003e\n\u003cli\u003e40x40 USB recording interface\u003c\/li\u003e\n\u003cli\u003e55x55 AVB recording interface\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSignal Processing\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIntuitive Fat Channel signal processing on every channel with:\u003c\/li\u003e\n\u003cli\u003eA\/B settings comparison\u003c\/li\u003e\n\u003cli\u003eHighpass filter and polarity reverse\u003c\/li\u003e\n\u003cli\u003eGate\/expander with sidechain\u003c\/li\u003e\n\u003cli\u003eCompressor with sidechain\u003c\/li\u003e\n\u003cli\u003e4-band parametric EQ on inputs\u003c\/li\u003e\n\u003cli\u003e6-band parametric EQ on outputs\u003c\/li\u003e\n\u003cli\u003eLimiter\u003c\/li\u003e\n\u003cli\u003eDelay on every input\u003c\/li\u003e\n\u003cli\u003eDelay on every output\u003c\/li\u003e\n\u003cli\u003eProfessionally programmed library of presets\u003c\/li\u003e\n\u003cli\u003eVintage EQ and compressor models available on every input\u003c\/li\u003e\n\u003cli\u003ePassive EQ\u003c\/li\u003e\n\u003cli\u003eVintage EQ\u003c\/li\u003e\n\u003cli\u003eTube compressor\u003c\/li\u003e\n\u003cli\u003eFET compressor\u003c\/li\u003e\n\u003cli\u003e8 31-band graphic EQs\u003c\/li\u003e\n\u003cli\u003e4 internal effects buses: combination of reverbs and delays with modern and vintage options\u003c\/li\u003e\n\u003cli\u003eBuilt-in real-time analyzer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eScenes and Presets\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCreate, save, and edit up to 100 scenes\u003c\/li\u003e\n\u003cli\u003eScene management with:\u003c\/li\u003e\n\u003cli\u003eScene Safe—prevents a scene change from affecting designated “safe” channels\u003c\/li\u003e\n\u003cli\u003eCreate, save, and edit channel settings and copy\/paste between channels\u003c\/li\u003e\n\u003cli\u003eAdvanced channel preset options can save and recall:\u003c\/li\u003e\n\u003cli\u003eChannel type and name\u003c\/li\u003e\n\u003cli\u003eInput settings (preamp, +48V phantom power, polarity, pan)\u003c\/li\u003e\n\u003cli\u003eFat Channel A \u0026amp; B settings\u003c\/li\u003e\n\u003cli\u003eBus assignments\u003c\/li\u003e\n\u003cli\u003eAux and effects send levels and pan\u003c\/li\u003e\n\u003cli\u003eSelect button color\u003c\/li\u003e\n\u003cli\u003e8 Quick Scenes\u003c\/li\u003e\n\u003cli\u003e8 Mute groups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDigital\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eStudio-quality converters with 115 dB dynamic range\u003c\/li\u003e\n\u003cli\u003e48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eActively Integrated Software\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUC Surface touch control software for Mac®, Windows®, iPad®, and Android ™\u003c\/li\u003e\n\u003cli\u003eStudio One® Artist digital audio workstation software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eCapture™ multitrack recording software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eQMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store and Google Play\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eComputer system requirements:\u003c\/p\u003e\n\u003cp\u003eBelow are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.\u003c\/p\u003e\n\u003cp\u003eMac\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMac® OS X 10.8.5 64-bit or later\u003c\/li\u003e\n\u003cli\u003eIntel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003c\/li\u003e\n\u003cli\u003e4 GB RAM (8 GB or more recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eWindows\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWindows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003c\/li\u003e\n\u003cli\u003eIntel Core 2 Duo (Intel Core i3 or faster recommended)\u003c\/li\u003e\n\u003cli\u003e4 GB RAM (8 GB or more recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMac and Windows Systems\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUSB 2.0 port\u003c\/li\u003e\n\u003cli\u003eInternet connection\u003c\/li\u003e\n\u003cli\u003eInternal or external 7200 RPM storage drive highly recommended\u003c\/li\u003e\n\u003cli\u003e34 GB hard disk space\u003c\/li\u003e\n\u003cli\u003eMonitor with 1366x768 resolution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eiOS\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eiOS 9.3 or later\u003c\/li\u003e\n\u003cli\u003eiPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAndroid (QMix-UC)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAndroid™ 5.0 (Lollipop) or later\u003c\/li\u003e\n\u003cli\u003eAndroid smartphone (QMix-UC)\u003c\/li\u003e\n\u003cli\u003eAndroid tablet (8-inch) with 1024x768 resolution (UC Surface)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003c\/p\u003e\n\u003cp\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003c\/p\u003e"}
PreSonus StudioLive 24R

PreSonus StudioLive 24R

$969.00

The perfect partner for a StudioLive Series III console.The StudioLive 24R Series III rack mixer is a perfect partner for your StudioLive Series III console/recorder, serving as either a simple stage box or a combination stage box and monitor mixer. Since Series III rack mixers and consoles can network using AVB, you can connect your StudioLive ...


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PreSonus StudioLive RML16AI
PreSonus StudioLive RML16AI

Mixers

$1,165.00 $1,558.80
{"id":8258372609,"title":"PreSonus StudioLive RML16AI","handle":"presonus-rml16ai-16-ch-digital-rackmounted-mixer","description":"\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eVersatile and flexible for live and recorded sound.\u003c\/h2\u003e\n\u003cp\u003eEqually at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus\u003csup\u003e®\u003c\/sup\u003e StudioLive® RML16AI rack-mount Active Integration\u003csup\u003e™\u003c\/sup\u003e digital mixer is a versatile and flexible solution for live sound and recording. These versatile 25-bus mixers offer 8 mic inputs, 8 combo mic\/line inputs, and 16 digital inputs via FireWire, AVB, or Dante, for a total of 32 input channels, expandable up to 64. StudioLive RML16AI mixers are flawlessly integrated with state-of-the-art software and boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eNetworking provides remote control, recording, and more.\u003c\/h2\u003e\n\u003cp\u003ePowerful, real-time, wired and Wi-Fi networking enables recording and remote control over all StudioLive RML16AI features. Use the included AVB networking connection or choose optional Dante networking. Control your StudioLive RML16AI wirelessly from anywhere in the venue using free Mac\u003csup\u003e®\u003c\/sup\u003e, Windows\u003csup\u003e®\u003c\/sup\u003e, and iOS\u003csup\u003e®\u003c\/sup\u003e software. Network the RML16AI to a StudioLive AI-series front-of-house console, using the rack-mount mixer as a stage box and monitor mixer. Send and receive networked audio via optional Dante for multitrack recording. Connect to hundreds of Dante-enabled products. Once you’ve used a networked StudioLive RML16AI, you’ll never go back to the old way of mixing!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eControl the mixer with hardware and software—from anywhere.\u003c\/h2\u003e\n\u003cp\u003eThanks to PreSonus Active Integration, StudioLive RML16AI mixers can be controlled in multiple ways simultaneously so you can customize your system to suit your needs and workflow. Control the mixer over a wired or wireless network using an array of integrated software for Mac, Windows, and iPad. Add physical control with PreSonus’ StudioLive CS18AI Ethernet\/AVB control surface, which features high-quality, touch-sensitive, motorized faders and far more mixer-control features than we can list here—and can control Studio One, too!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eIntegrated, multiplatform software for flexible control and one-click recording.\u003c\/h2\u003e\n\u003cp\u003ePreSonus StudioLive RML-series mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad\u003csup\u003e®\u003c\/sup\u003e. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One\u003csup\u003e®\u003c\/sup\u003e Artist for low-latency recording with effects. Musicians control their monitor mixes onstage with QMix\u003csup\u003e™\u003c\/sup\u003e-AI for iPhone\u003csup\u003e®\u003c\/sup\u003e\/iPod\u003csup\u003e®\u003c\/sup\u003e touch. Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture\u003csup\u003e™\u003c\/sup\u003e. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart\u003csup\u003e®\u003c\/sup\u003e wizards, RTA, and spectrograph. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive RML-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eRecording is in StudioLive AI’s DNA.\u003c\/h2\u003e\n\u003cp\u003eThe StudioLive RML16AI’s built-in 54x34 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 32 channels and your choice of buses continuously stream to your FireWire- or Dante\u003csup\u003e™\u003c\/sup\u003e-connected Mac or PC. Each of the first 16 channels can independently access its analog input or its dedicated digital return from your computer. The 16 digital input channels can receive multitrack inputs from a computer, perfect for backing tracks and effects. And with StudioLive RML mixers, recording is simple and easy: Just launch the included, preconfigured Capture\u003csup\u003e™\u003c\/sup\u003e software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease—only with StudioLive.\u003c\/p\u003e\n\u003cdiv class=\"container product-features\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e8 locking XLR mic inputs and 8 combo locking XLR mic-¼” TRS line inputs, each with:\n\u003cul\u003e\n\u003cli\u003eRecallable XMAX Class A analog mic preamps\u003c\/li\u003e\n\u003cli\u003e+48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo tape input (RCA jacks)\u003c\/li\u003e\n\u003cli\u003e8 XLR line-level Mix outputs\n\u003cul\u003e\n\u003cli\u003eFour 300 ms alignment delays on the last four Mix outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1 DB25 jack mirrors 8 line-level Mix outputs\u003c\/li\u003e\n\u003cli\u003e3 XLR main outputs (left, right, mono\/center) with analog trim pots\u003c\/li\u003e\n\u003cli\u003eS\/PDIF digital output on removable option card\u003c\/li\u003e\n\u003cli\u003eHeadphone output with volume knob and selectable source\u003c\/li\u003e\n\u003cli\u003e1x1 MIDI I\/O (for future implementation)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eChannels and Buses\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e32 internal channels\u003c\/li\u003e\n\u003cli\u003e25 mix buses\n\u003cul\u003e\n\u003cli\u003e16 aux mix buses\u003c\/li\u003e\n\u003cli\u003e3 main mix buses (left, right, mono\/center)\u003c\/li\u003e\n\u003cli\u003eStereo solo bus\u003c\/li\u003e\n\u003cli\u003e4 internal FX buses (2 reverb, 2 delay)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFully integrated, continuously bidirectional, 52-in\/34-out, FireWire 800 direct recording interface (24-bit, 44.1\/48\/88.2\/96 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eUC Surface Live Mixing and Control Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eDesigned specifically for live sound mixing\u003c\/li\u003e\n\u003cli\u003eMultiplatform support for Mac \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e , Windows \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e , and iPad \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 8\/10 multi-touch-compatible for large touchscreen mixing\u003c\/li\u003e\n\u003cli\u003eFlexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eContextual-based navigation for quick, intuitive access to all mixing functions\u003c\/li\u003e\n\u003cli\u003e8 Mute Groups with All On and All Off\u003c\/li\u003e\n\u003cli\u003eScene Store and Recall\n\u003cul\u003e\n\u003cli\u003eGlobal Scene Storage: all current StudioLive RML settings\u003c\/li\u003e\n\u003cli\u003eUp to 99 at a time\u003c\/li\u003e\n\u003cli\u003e8 Quick Scenes for instant scene save\/recall—like “speed dial” for scenes\u003c\/li\u003e\n\u003cli\u003eAutomatic Global AutoStore\u003c\/li\u003e\n\u003cli\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eIndividual channel-strip setting storage\n\u003cul\u003e\n\u003cli\u003eUp to 100 at a time, plus…\u003c\/li\u003e\n\u003cli\u003e50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals\u003c\/li\u003e\n\u003cli\u003eCopy and paste among channels and buses\u003c\/li\u003e\n\u003cli\u003eCan be saved as user presets\u003c\/li\u003e\n\u003cli\u003eCan be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eContextual Presets System\n\u003cul\u003e\n\u003cli\u003ePresets filtered by Channel Types\u003c\/li\u003e\n\u003cli\u003eQuickly audition presets on the fly\u003c\/li\u003e\n\u003cli\u003eEdit auditioned preset before loading\u003c\/li\u003e\n\u003cli\u003eExit Audition mode with out loading to return to previous settings\u003c\/li\u003e\n\u003cli\u003eSave and load presets on all platforms including iOS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFilter DCAs\n\u003cul\u003e\n\u003cli\u003eUnlimited groups\u003c\/li\u003e\n\u003cli\u003eAutomatic group creation using Channel Types\u003c\/li\u003e\n\u003cli\u003eCustom groups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSecurity features to monitor and restrict access to the mixer’s controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eOther Actively Integrated Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eCapture™ one-click recording software with true virtual soundcheck (Mac\/Windows)\u003c\/li\u003e\n\u003cli\u003eStudio One \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e Artist full-featured digital audio workstation software (Mac\/Windows)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eQMix \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e -AI wireless monitor-mix control from an iPhone \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e \/iPod \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e touch\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNetworking Connections\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter.\u003c\/li\u003e\n\u003cli\u003eSL-Dante-Mix option card available separately\u003c\/li\u003e\n\u003cli\u003eUse AVB to cascade two RM\/RML-series mixers to create a larger system (up to 64 channels) or connect the RML mixer to a StudioLive \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e AI-series front-of-house console\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSignal Processing\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eDual Fat Channel signal processing on all channels and buses with:\u003c\/li\u003e\n\u003cli\u003eVariable highpass filter -6 dB\/oct., sweepable from Off to 1 kHz (main channels and auxes only)\u003c\/li\u003e\n\u003cli\u003eVariable lowpass filter on the mono\/center bus\u003c\/li\u003e\n\u003cli\u003e4-band fully parametric EQ\n\u003cul\u003e\n\u003cli\u003eLow EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eLow Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eMaster EQ On\/Off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003c\/li\u003e\n\u003cli\u003eGate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec\u003c\/li\u003e\n\u003cli\u003eBandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003c\/li\u003e\n\u003cli\u003eLimiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003cli\u003eStereo link for input channels and aux buses\u003c\/li\u003e\n\u003cli\u003ePolarity reverse (input channels only)\u003c\/li\u003e\n\u003cli\u003eQuick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003c\/li\u003e\n\u003cli\u003e15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono\/center buses)\u003c\/li\u003e\n\u003cli\u003e4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHardware Controls\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e32 LED meter grid\u003c\/li\u003e\n\u003cli\u003eFront-panel Mute All button temporarily mutes all inputs and outputs\u003c\/li\u003e\n\u003cli\u003e+48V Meters button to display phantom power assignment on the meter grid\u003c\/li\u003e\n\u003cli\u003eHeadphone source selection between Main and Cue\u003c\/li\u003e\n\u003cli\u003eStudioLive CS18AI AVB control surface available separately\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigital\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eHigh-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003c\/li\u003e\n\u003cli\u003eUnlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003c\/li\u003e\n\u003cli\u003eInternal sample frequency 44.1, 48, 88.2, 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e3U rack-mount steel chassis\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone Preamp\u003cbr\u003e \u003cbr\u003e • Input Type 8 locking XLR Female, balanced; 8 combo locking XLR mic-¼” TRS line\u003cbr\u003e • Frequency Response to Direct Output (at unity gain) 20-40 kHz, ±0.5 dBu\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e • Gain Control Range (±1 dB) 0 dB to +65 dB\u003cbr\u003e • Maximum Input Level (unity gain) +22 dBu\u003cbr\u003e • Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female (via Combo), Balanced\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) + 18 dBu, ±0.5 dB\u003cbr\u003e • Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB\u003cbr\u003e • Dynamic Range (min. gain, A-wtd) \u0026gt; 114 dB\u003cbr\u003e • Dynamic Range (mid. gain, unwtd) \u0026gt; 105 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.005%\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e \u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +12 dBu\u003cbr\u003e\u003cbr\u003eMain Outputs\u003cbr\u003e \u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eMix Outputs\u003cbr\u003e \u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, active stereo\u003cbr\u003e • Maximum Output 100 mW\/ch. @ 60Ω load\u003cbr\u003e • Frequency Response 20 Hz – 20 kHz (± 0.5 dB)\u003cbr\u003e • THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e • S\/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e • Input to Output -90 dB (Ref = +4 dBu, 1 kHz, unwtd)\u003cbr\u003e • Adjacent Channels -87 dB (Ref = +4 dBu, 1 kHz, unwtd)\u003cbr\u003e\u003cbr\u003eNoise Gate \/ Expander\u003cbr\u003e \u003cbr\u003e • Threshold Range -84 dB to 0 dB\u003cbr\u003e • Attack Time 0.02s to 500 ms \/ 0.5 ms\u003cbr\u003e • Release Time 0.05s to 2s\u003cbr\u003e • Expander Attenuation Range 2:1 (fixed)\u003cbr\u003e • Noise Gate Attenuation Range -84 to 0 dB\u003cbr\u003e • Key Filter 2nd-order, resonant bypass; Q=0.7\u003cbr\u003e • Key Listen Off, 40 Hz to 16 kHz\u003cbr\u003e\u003cbr\u003eCompressor\u003cbr\u003e \u003cbr\u003e • Threshold Range -56 dB to 0 dB\u003cbr\u003e • Ratio 1:1 to 14:1\u003cbr\u003e • Attack Time 0.2 ms to 150 ms\u003cbr\u003e • Release Time 40 ms to 1,000 ms\u003cbr\u003e • Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e • Curve Types hard and soft knee\u003cbr\u003e\u003cbr\u003eLimiter\u003cbr\u003e \u003cbr\u003e • Threshold -56 dB to 0 dB \/ -28 dBFS\u003cbr\u003e • Ratio ∞:1\u003cbr\u003e • Attack 20 ms\u003cbr\u003e • Hold 10 ms\u003cbr\u003e • Release 20 ms\u003cbr\u003e\u003cbr\u003eParametric EQ\u003cbr\u003e \u003cbr\u003e • Type 2nd-order shelving filter\u003cbr\u003e • Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e • Low Mid (Bandpass) 90 Hz to 1.2 kHz, ±15 dB\u003cbr\u003e • High Mid (Bandpass) 380 Hz to 5 kHz, ±15 dB\u003cbr\u003e • High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e • Q (sweepable for each band) 0.1 to 4 \/ Low Q= 0.55, Hi Q=2.0\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e \u003cbr\u003e • 31-Band 1\/3-Octave Controls Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.\u003cbr\u003e • Gain\/Attenuation ±15 dB\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e \u003cbr\u003e • ADC Dynamic Range 118 dB (A-wtd, 48 kHz)\u003cbr\u003e • DAC Dynamic Range 118 dB (A-wtd, 48 kHz)\u003cbr\u003e • FireWire S800, 800 Mb\/s\u003cbr\u003e • S\/PDIF Output RCA Female\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 44.1, 48, 88.2, 96 kHz\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e \u003cbr\u003e • Type JetPLL™\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in, 1 ps out)\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e \u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 90 to 240 VAC\u003cbr\u003e • Power Requirements (continuous) 200W\u003cbr\u003e • Recommended Ambient Operating Temperature 0° to 40° Celsius \/ 32° to 104° Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e • Rackspaces 3U\u003cbr\u003e • Height 5.25” (13.34 cm)\u003cbr\u003e • Width 19” (48.26 cm)\u003cbr\u003e • Depth 10.5” (26.67 cm)\u003cbr\u003e • Weight 19 lbs. (8.62 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-10-16T10:12:00+02:00","created_at":"2016-10-16T10:14:27+02:00","vendor":"PreSonus","type":"Mixers","tags":["Channels_32","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$1000 to $1500","Shop by brand_PreSonus","Shop by category_Digital Mixers","Shop by category_Live Sound Mixers"],"price":116500,"price_min":116500,"price_max":116500,"available":true,"price_varies":false,"compare_at_price":155880,"compare_at_price_min":155880,"compare_at_price_max":155880,"compare_at_price_varies":false,"variants":[{"id":27640300353,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive RML16AI","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive RML16AI","public_title":null,"options":["Default Title"],"price":116500,"weight":8618,"compare_at_price":155880,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_rml16ai-front_big_25b36de9-9ab0-4784-be2e-27c1db2852a1.jpg?v=1500914845","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_rml16ai-back_big_acb204a9-2e29-451f-8097-2a33d7aa9dcc.jpg?v=1500914845","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_rml16ai-34left_big_da7351f8-e025-466c-af9a-4d87615aff3b.jpg?v=1500914845"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_rml16ai-front_big_25b36de9-9ab0-4784-be2e-27c1db2852a1.jpg?v=1500914845","options":["Title"],"content":"\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eVersatile and flexible for live and recorded sound.\u003c\/h2\u003e\n\u003cp\u003eEqually at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus\u003csup\u003e®\u003c\/sup\u003e StudioLive® RML16AI rack-mount Active Integration\u003csup\u003e™\u003c\/sup\u003e digital mixer is a versatile and flexible solution for live sound and recording. These versatile 25-bus mixers offer 8 mic inputs, 8 combo mic\/line inputs, and 16 digital inputs via FireWire, AVB, or Dante, for a total of 32 input channels, expandable up to 64. StudioLive RML16AI mixers are flawlessly integrated with state-of-the-art software and boast an integrated multitrack recording interface, advanced AVB or Dante networking, and multiple control options. Yet they’re easy to use, with a workflow that will let you focus on mixing, without being distracted by the technology\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eNetworking provides remote control, recording, and more.\u003c\/h2\u003e\n\u003cp\u003ePowerful, real-time, wired and Wi-Fi networking enables recording and remote control over all StudioLive RML16AI features. Use the included AVB networking connection or choose optional Dante networking. Control your StudioLive RML16AI wirelessly from anywhere in the venue using free Mac\u003csup\u003e®\u003c\/sup\u003e, Windows\u003csup\u003e®\u003c\/sup\u003e, and iOS\u003csup\u003e®\u003c\/sup\u003e software. Network the RML16AI to a StudioLive AI-series front-of-house console, using the rack-mount mixer as a stage box and monitor mixer. Send and receive networked audio via optional Dante for multitrack recording. Connect to hundreds of Dante-enabled products. Once you’ve used a networked StudioLive RML16AI, you’ll never go back to the old way of mixing!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eControl the mixer with hardware and software—from anywhere.\u003c\/h2\u003e\n\u003cp\u003eThanks to PreSonus Active Integration, StudioLive RML16AI mixers can be controlled in multiple ways simultaneously so you can customize your system to suit your needs and workflow. Control the mixer over a wired or wireless network using an array of integrated software for Mac, Windows, and iPad. Add physical control with PreSonus’ StudioLive CS18AI Ethernet\/AVB control surface, which features high-quality, touch-sensitive, motorized faders and far more mixer-control features than we can list here—and can control Studio One, too!\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eIntegrated, multiplatform software for flexible control and one-click recording.\u003c\/h2\u003e\n\u003cp\u003ePreSonus StudioLive RML-series mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad\u003csup\u003e®\u003c\/sup\u003e. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One\u003csup\u003e®\u003c\/sup\u003e Artist for low-latency recording with effects. Musicians control their monitor mixes onstage with QMix\u003csup\u003e™\u003c\/sup\u003e-AI for iPhone\u003csup\u003e®\u003c\/sup\u003e\/iPod\u003csup\u003e®\u003c\/sup\u003e touch. Completely automate virtual soundchecks and record shows at up to 96 kHz with Capture\u003csup\u003e™\u003c\/sup\u003e. Tune your system to the room and watch for problems in your mix with UC Surface’s integrated Smaart\u003csup\u003e®\u003c\/sup\u003e wizards, RTA, and spectrograph. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive RML-series mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eRecording is in StudioLive AI’s DNA.\u003c\/h2\u003e\n\u003cp\u003eThe StudioLive RML16AI’s built-in 54x34 multitrack recording interface is tightly integrated with the rest of the mixer—not an afterthought we tacked on. All 32 channels and your choice of buses continuously stream to your FireWire- or Dante\u003csup\u003e™\u003c\/sup\u003e-connected Mac or PC. Each of the first 16 channels can independently access its analog input or its dedicated digital return from your computer. The 16 digital input channels can receive multitrack inputs from a computer, perfect for backing tracks and effects. And with StudioLive RML mixers, recording is simple and easy: Just launch the included, preconfigured Capture\u003csup\u003e™\u003c\/sup\u003e software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or any recording software that supports ASIO or Core Audio. Now you can record in the studio or at the gig with equal ease—only with StudioLive.\u003c\/p\u003e\n\u003cdiv class=\"container product-features\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e8 locking XLR mic inputs and 8 combo locking XLR mic-¼” TRS line inputs, each with:\n\u003cul\u003e\n\u003cli\u003eRecallable XMAX Class A analog mic preamps\u003c\/li\u003e\n\u003cli\u003e+48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo tape input (RCA jacks)\u003c\/li\u003e\n\u003cli\u003e8 XLR line-level Mix outputs\n\u003cul\u003e\n\u003cli\u003eFour 300 ms alignment delays on the last four Mix outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1 DB25 jack mirrors 8 line-level Mix outputs\u003c\/li\u003e\n\u003cli\u003e3 XLR main outputs (left, right, mono\/center) with analog trim pots\u003c\/li\u003e\n\u003cli\u003eS\/PDIF digital output on removable option card\u003c\/li\u003e\n\u003cli\u003eHeadphone output with volume knob and selectable source\u003c\/li\u003e\n\u003cli\u003e1x1 MIDI I\/O (for future implementation)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eChannels and Buses\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e32 internal channels\u003c\/li\u003e\n\u003cli\u003e25 mix buses\n\u003cul\u003e\n\u003cli\u003e16 aux mix buses\u003c\/li\u003e\n\u003cli\u003e3 main mix buses (left, right, mono\/center)\u003c\/li\u003e\n\u003cli\u003eStereo solo bus\u003c\/li\u003e\n\u003cli\u003e4 internal FX buses (2 reverb, 2 delay)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFully integrated, continuously bidirectional, 52-in\/34-out, FireWire 800 direct recording interface (24-bit, 44.1\/48\/88.2\/96 kHz)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eUC Surface Live Mixing and Control Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eDesigned specifically for live sound mixing\u003c\/li\u003e\n\u003cli\u003eMultiplatform support for Mac \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e , Windows \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e , and iPad \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003eWindows 8\/10 multi-touch-compatible for large touchscreen mixing\u003c\/li\u003e\n\u003cli\u003eFlexible and expandable computing options: Use a laptop with or without a touchscreen, an iPad, or any combination\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eContextual-based navigation for quick, intuitive access to all mixing functions\u003c\/li\u003e\n\u003cli\u003e8 Mute Groups with All On and All Off\u003c\/li\u003e\n\u003cli\u003eScene Store and Recall\n\u003cul\u003e\n\u003cli\u003eGlobal Scene Storage: all current StudioLive RML settings\u003c\/li\u003e\n\u003cli\u003eUp to 99 at a time\u003c\/li\u003e\n\u003cli\u003e8 Quick Scenes for instant scene save\/recall—like “speed dial” for scenes\u003c\/li\u003e\n\u003cli\u003eAutomatic Global AutoStore\u003c\/li\u003e\n\u003cli\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eIndividual channel-strip setting storage\n\u003cul\u003e\n\u003cli\u003eUp to 100 at a time, plus…\u003c\/li\u003e\n\u003cli\u003e50 channel-strip presets included for drums, bass, guitars, keyboards, and vocals\u003c\/li\u003e\n\u003cli\u003eCopy and paste among channels and buses\u003c\/li\u003e\n\u003cli\u003eCan be saved as user presets\u003c\/li\u003e\n\u003cli\u003eCan be browsed by category (Drums, Vocals, Horns, Guitar, Bass, and more)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eContextual Presets System\n\u003cul\u003e\n\u003cli\u003ePresets filtered by Channel Types\u003c\/li\u003e\n\u003cli\u003eQuickly audition presets on the fly\u003c\/li\u003e\n\u003cli\u003eEdit auditioned preset before loading\u003c\/li\u003e\n\u003cli\u003eExit Audition mode with out loading to return to previous settings\u003c\/li\u003e\n\u003cli\u003eSave and load presets on all platforms including iOS\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eFilter DCAs\n\u003cul\u003e\n\u003cli\u003eUnlimited groups\u003c\/li\u003e\n\u003cli\u003eAutomatic group creation using Channel Types\u003c\/li\u003e\n\u003cli\u003eCustom groups\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eSecurity features to monitor and restrict access to the mixer’s controls\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eOther Actively Integrated Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eCapture™ one-click recording software with true virtual soundcheck (Mac\/Windows)\u003c\/li\u003e\n\u003cli\u003eStudio One \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e Artist full-featured digital audio workstation software (Mac\/Windows)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eQMix \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e -AI wireless monitor-mix control from an iPhone \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e \/iPod \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e touch\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eNetworking Connections\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e2 FireWire S800 ports and 1 Ethernet control port with AVB Networking on removable option card. FireWire ports fully compatible with Apple Thunderbolt-to-FireWire adapter.\u003c\/li\u003e\n\u003cli\u003eSL-Dante-Mix option card available separately\u003c\/li\u003e\n\u003cli\u003eUse AVB to cascade two RM\/RML-series mixers to create a larger system (up to 64 channels) or connect the RML mixer to a StudioLive \u003cspan class=\"s4\"\u003e\u003csup\u003e®\u003c\/sup\u003e AI-series front-of-house console\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSignal Processing\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eDual Fat Channel signal processing on all channels and buses with:\u003c\/li\u003e\n\u003cli\u003eVariable highpass filter -6 dB\/oct., sweepable from Off to 1 kHz (main channels and auxes only)\u003c\/li\u003e\n\u003cli\u003eVariable lowpass filter on the mono\/center bus\u003c\/li\u003e\n\u003cli\u003e4-band fully parametric EQ\n\u003cul\u003e\n\u003cli\u003eLow EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eLow Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eMaster EQ On\/Off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eCompressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003c\/li\u003e\n\u003cli\u003eGate with sidechain: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec\u003c\/li\u003e\n\u003cli\u003eBandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003c\/li\u003e\n\u003cli\u003eLimiter: Variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003cli\u003eStereo link for input channels and aux buses\u003c\/li\u003e\n\u003cli\u003ePolarity reverse (input channels only)\u003c\/li\u003e\n\u003cli\u003eQuick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003c\/li\u003e\n\u003cli\u003e15 graphic EQs (for the first 12 aux buses plus the Main left, right, and mono\/center buses)\u003c\/li\u003e\n\u003cli\u003e4 32-bit floating point effects processors (2 reverb, 2 delay) on dedicated buses\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eHardware Controls\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e32 LED meter grid\u003c\/li\u003e\n\u003cli\u003eFront-panel Mute All button temporarily mutes all inputs and outputs\u003c\/li\u003e\n\u003cli\u003e+48V Meters button to display phantom power assignment on the meter grid\u003c\/li\u003e\n\u003cli\u003eHeadphone source selection between Main and Cue\u003c\/li\u003e\n\u003cli\u003eStudioLive CS18AI AVB control surface available separately\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigital\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eHigh-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003c\/li\u003e\n\u003cli\u003eUnlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003c\/li\u003e\n\u003cli\u003eInternal sample frequency 44.1, 48, 88.2, 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e3U rack-mount steel chassis\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone Preamp\u003cbr\u003e \u003cbr\u003e • Input Type 8 locking XLR Female, balanced; 8 combo locking XLR mic-¼” TRS line\u003cbr\u003e • Frequency Response to Direct Output (at unity gain) 20-40 kHz, ±0.5 dBu\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • THD to Main Output (1 kHz at unity gain) 0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e • Gain Control Range (±1 dB) 0 dB to +65 dB\u003cbr\u003e • Maximum Input Level (unity gain) +22 dBu\u003cbr\u003e • Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female (via Combo), Balanced\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) + 18 dBu, ±0.5 dB\u003cbr\u003e • Frequency Response (A-D) 20 Hz to 20 kHz, ±0.2 dB\u003cbr\u003e • Dynamic Range (min. gain, A-wtd) \u0026gt; 114 dB\u003cbr\u003e • Dynamic Range (mid. gain, unwtd) \u0026gt; 105 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.005%\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e \u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +12 dBu\u003cbr\u003e\u003cbr\u003eMain Outputs\u003cbr\u003e \u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eMix Outputs\u003cbr\u003e \u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, active stereo\u003cbr\u003e • Maximum Output 100 mW\/ch. @ 60Ω load\u003cbr\u003e • Frequency Response 20 Hz – 20 kHz (± 0.5 dB)\u003cbr\u003e • THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e • S\/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e • Input to Output -90 dB (Ref = +4 dBu, 1 kHz, unwtd)\u003cbr\u003e • Adjacent Channels -87 dB (Ref = +4 dBu, 1 kHz, unwtd)\u003cbr\u003e\u003cbr\u003eNoise Gate \/ Expander\u003cbr\u003e \u003cbr\u003e • Threshold Range -84 dB to 0 dB\u003cbr\u003e • Attack Time 0.02s to 500 ms \/ 0.5 ms\u003cbr\u003e • Release Time 0.05s to 2s\u003cbr\u003e • Expander Attenuation Range 2:1 (fixed)\u003cbr\u003e • Noise Gate Attenuation Range -84 to 0 dB\u003cbr\u003e • Key Filter 2nd-order, resonant bypass; Q=0.7\u003cbr\u003e • Key Listen Off, 40 Hz to 16 kHz\u003cbr\u003e\u003cbr\u003eCompressor\u003cbr\u003e \u003cbr\u003e • Threshold Range -56 dB to 0 dB\u003cbr\u003e • Ratio 1:1 to 14:1\u003cbr\u003e • Attack Time 0.2 ms to 150 ms\u003cbr\u003e • Release Time 40 ms to 1,000 ms\u003cbr\u003e • Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e • Curve Types hard and soft knee\u003cbr\u003e\u003cbr\u003eLimiter\u003cbr\u003e \u003cbr\u003e • Threshold -56 dB to 0 dB \/ -28 dBFS\u003cbr\u003e • Ratio ∞:1\u003cbr\u003e • Attack 20 ms\u003cbr\u003e • Hold 10 ms\u003cbr\u003e • Release 20 ms\u003cbr\u003e\u003cbr\u003eParametric EQ\u003cbr\u003e \u003cbr\u003e • Type 2nd-order shelving filter\u003cbr\u003e • Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e • Low Mid (Bandpass) 90 Hz to 1.2 kHz, ±15 dB\u003cbr\u003e • High Mid (Bandpass) 380 Hz to 5 kHz, ±15 dB\u003cbr\u003e • High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e • Q (sweepable for each band) 0.1 to 4 \/ Low Q= 0.55, Hi Q=2.0\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e \u003cbr\u003e • 31-Band 1\/3-Octave Controls Center frequencies (Hz): 20, 25, 32, 40, 50, 63, 80, 100, 125, 160, 200, 250, 320, 400, 500, 640, 800, 1k, 1.3k, 1.6k, 2k, 2.5k, 3.2k, 4k, 5k, 6.4k, 8k, 10k, 13k, 16k, 20k. Each band has a constant Q.\u003cbr\u003e • Gain\/Attenuation ±15 dB\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e \u003cbr\u003e • ADC Dynamic Range 118 dB (A-wtd, 48 kHz)\u003cbr\u003e • DAC Dynamic Range 118 dB (A-wtd, 48 kHz)\u003cbr\u003e • FireWire S800, 800 Mb\/s\u003cbr\u003e • S\/PDIF Output RCA Female\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 44.1, 48, 88.2, 96 kHz\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e \u003cbr\u003e • Type JetPLL™\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in, 1 ps out)\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e \u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 90 to 240 VAC\u003cbr\u003e • Power Requirements (continuous) 200W\u003cbr\u003e • Recommended Ambient Operating Temperature 0° to 40° Celsius \/ 32° to 104° Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e • Rackspaces 3U\u003cbr\u003e • Height 5.25” (13.34 cm)\u003cbr\u003e • Width 19” (48.26 cm)\u003cbr\u003e • Depth 10.5” (26.67 cm)\u003cbr\u003e • Weight 19 lbs. (8.62 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
PreSonus StudioLive RML16AI

PreSonus StudioLive RML16AI

$1,165.00

Versatile and flexible for live and recorded sound. Equally at home in houses of worship, schools, broadcast facilities, live venues, touring rigs, and recording studios, the PreSonus® StudioLive® RML16AI rack-mount Active Integration™ digital mixer is a versatile and flexible solution for live sound and recording. These versatile 25-bus mixe...


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PreSonus StudioLive 32 Series 3
PreSonus StudioLive 32 Series 3

Mixers

$2,899.00 $3,958.80
{"id":10493515725,"title":"PreSonus StudioLive 32 Series 3","handle":"presonus-studiolive-32-series-3-tm","description":"\u003cp\u003eThe most powerful mixer in its class.\u003cbr\u003e\u003cbr\u003eThe StudioLive® 32 digital console\/recorder is by far the most powerful mixer in its class. The result of nine years of R\u0026amp;D, our third-generation StudioLive mixer is fully recallable, with 33 touch-sensitive, motorized faders and 33 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 32 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations to fit the way you work. The coveted StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.\u003cbr\u003eIntegrated multitrack recording and virtual soundcheck — no computer required.\u003cbr\u003e\u003cbr\u003ePreSonus Capture recording software is an intuitive, rock-solid multitrack recording application with virtual soundcheck. It's installed directly into the StudioLive 32 so you can leave your laptop at home. Capture's one-touch recording makes it easy to record to the StudioLive 32's onboard SD multitrack recorder. When you're finished recording, open your Capture session in Studio One® Professional for Mac® and Windows® (included), and the entire mix scene will transfer to your Studio One session, including fader levels, Fat Channel setting, and yes, any drum solos that you may have had to endure that night.\u003cbr\u003eA re-envisioned Fat Channel.\u003cbr\u003e\u003cbr\u003eThe StudioLive 32's Fat Channel has received a major overhaul while continuing to offer digital precision with the heart and soul of analog. Our new Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. And in addition to channel processing, the StudioLive 32 offers 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording on location or running shows on the road!\u003cbr\u003eDefine your own layouts, views, and workflows.\u003cbr\u003e\u003cbr\u003eStudioLive 32 goes above and beyond in providing ways to customize things to best fit the way you work. User layers for the channel faders let you place any channel or bus fader anywhere you want — and they're easy to set up. But we didn't stop there. How about customizing your Fat Channel layout, putting the parameters you care about most right at your fingertips? There are even several workflow options to personalize your mixing experience. For instance, you can control the mixer with multiple iPads and –optionally– a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time.\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003e\u003cbr\u003eWith StudioLive 32, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe, which enables you to protect individual channels from parameter changes when recalling a scene. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with new FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 16 FlexMixes are in addition to the 4 fixed subgroups giving you a total of 20 mix buses, not counting the main mix and solo buses. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. To top it off, you can choose between 1-to-1 or split-layer workflows: Assign all channels to the top layer, with one fader per input channel, or split the faders between inputs and outputs, including DCAs and aux outputs. These are only a few of the many ways you can customize your StudioLive 32 mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eStudio One Professional included.\u003cbr\u003eFor years, we've included Studio One Artist with our hardware interfaces and mixers. But with the StudioLive 32, we know you're looking to go big or go home—so we chose to bundle the Professional edition of Studio One with each StudioLive 32. Not only will you enjoy Professional-only features like Melodyne Integration, the mastering Project Page, Note FX, and Macro Controls, you'll also get tight hardware integration between Studio One and your mixer, including remote preamp control from directly within Studio One.\u003cbr\u003eIntegrated, multiplatform software for flexible control and one-click recording.\u003cbr\u003e\u003cbr\u003ePreSonus StudioLive 32 mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere, using UC Surface touch-control software for Mac, Windows, and iPad®. Control your monitor (aux) mixes with QMix-UC for iPhone, iPod touch, and Android devices. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Professional for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Professional. StudioLive 32 mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003eNetwork-ready, with a choice of computer recording methods.\u003cbr\u003e\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 32 mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive 32 mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 38x38 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. And recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Professional DAW—or with any recording software that supports ASIO or Core Audio.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive 32 consoles sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, and iPad®. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android™ device without the need for large monitor networks. Go wireless, wired, or both.\u003cbr\u003e\u003cbr\u003eExtensive connections for flexible signal flow.\u003cbr\u003eThe back panel of a StudioLive 32 console sports all of the connections you need for live sound and studio production. With flexible connectivity, superior audio quality, the ability to customize for your workflow, and powerful processing, mixing, and routing capabilities, you’ll create your mixes in whatever manner works best for you. We just provide the tools.\u003cbr\u003eSuperior sound.\u003cbr\u003e\u003cbr\u003eConnect a StudioLive 32 mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing the StudioLive 32. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, the StudioLive 32 delivers the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003eNow includes Studio Magic plug-in suite.\u003cbr\u003e\u003cbr\u003eThis suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll find yourself relying on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eSoftware Library\u003cbr\u003eUC Surface\u003cbr\u003e\u003cbr\u003eBattle-ready control software\u003cbr\u003eDesigned primarily for live mixing but also well suited to the studio, free UC Surface touch-control software for Mac®, Windows®, and iPad® provides bidirectional control and editor\/librarian functions for all StudioLive® Series III and StudioLive RML-series digital mixers. You can control the mixer with multiple iPads and—optionally—a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time. UC Surface supports Windows touchscreens and networks via wired or wireless connections. \u003cbr\u003e\u003cbr\u003eQMix®-UC\u003cbr\u003e\u003cbr\u003eWireless Aux-Mix Control Software for iPhone® or iPod® touch\u003cbr\u003eWith free PreSonus QMix®-UC software, up to 14 musicians can simultaneously control their StudioLive mixer’s monitor (aux) mixes using an iPhone®, iPod® touch, or Android™ smartphone. If you have a PreSonus Studio 192 or Studio 192 Mobile audio interface, you can use QMix-UC to control the interface’s monitor outputs too!\u003cbr\u003eCapture™\u003cbr\u003e\u003cbr\u003eLive Recording Software\u003cbr\u003eDesigned exclusively for StudioLive mixers, free Capture multitrack recording software for Mac® and Windows® allows instant setup and one-click recording of up to 34 tracks at up to 48 kHz, directly from the mixer, with no configuration. Capture simplifies your live-recording environment, providing only the tools necessary to do a true virtual soundcheck and record a great performance, without placing huge demands on your CPU. And because Capture looks and operates like a classic multitrack hard-disk recorder, it’s instantly familiar. Best of all, Capture uses the highly lauded, 64-bit, Studio One® audio engine, so your tracks will sound amazing!\u003cbr\u003eStudio One® Professional\u003cbr\u003e\u003cbr\u003eCreative Music Production Environment\u003cbr\u003eStudio One is a completely modern professional environment for music recording, mixing, mastering, sharing, and collaboration. It’s Internet-savvy and provides a complete solution, combining the features you really need with the ease of use you always dreamed of. Based on an elegant user interface and a content browser with powerful drag-and-drop functionality, feature-rich Studio One will let you work quickly and stay focused on your inspiration.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003eGeneral Controls\u003cbr\u003e\u003cbr\u003e • 33 touch-sensitive, motorized faders with choice of:\u003cbr\u003e • 1-to-1 workflow—assign all channels to the top layer, with one fader per input channel\u003cbr\u003e • Split-layer workflow—split the faders between inputs and outputs, including DCAs and Aux outputs\u003cbr\u003e • RGB Select buttons with user-assignable colors\u003cbr\u003e • Transport control\u003cbr\u003e • 8 user-assignable buttons for mute groups, scenes, and more\u003cbr\u003e • All-new Fat Channel controls including\u003cbr\u003e • 8 scribble strips, encoders, and multicolor buttons\u003cbr\u003e • Customizable user layer\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • DAW control (Studio One, MCU, and HUI) coming soon\u003cbr\u003e\u003cbr\u003eInputs and Outputs\u003cbr\u003e • 40 total inputs\u003cbr\u003e • 32 channel inputs: 16 mic, 16 mic\/line\u003cbr\u003e • 1 XLR Talkback mic input with recallable XMAX Class A preamp\u003cbr\u003e • 2 stereo Aux inputs\u003cbr\u003e • 16 FlexMix outputs: 12 XLR, 4 balanced TRS\u003cbr\u003e • 4 TRS subgroup outputs\u003cbr\u003e • Unbalanced stereo (RCA) tape input and output\u003cbr\u003e • Bluetooth™ 4.1 wireless tape input\u003cbr\u003e • Stereo AES\/EBU digital output\u003cbr\u003e • 2 XLR (L\/R) Main outputs\u003cbr\u003e • XLR Main summed mono output\u003cbr\u003e • 2 TRS monitor outputs\u003cbr\u003e • Stereo headphone output\u003c\/p\u003e\n\u003cp\u003eChannels and Buses\u003cbr\u003e • 32 input channels with recallable XMAX Class A mic preamps\u003cbr\u003e • 2 stereo aux inputs\u003cbr\u003e • 26 buses:\u003cbr\u003e • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003cbr\u003e • 4 dedicated subgroups\u003cbr\u003e • 4 internal effects sends\u003cbr\u003e • Stereo main bus\u003cbr\u003e • 24 Filter DCAs for easily and flexibly controlling groups of channels\u003cbr\u003e\u003cbr\u003eNetworking Connections\u003cbr\u003e • 1 Ethernet control network port\u003cbr\u003e • Dynamic, Self Assigned, and Manual IP address modes\u003cbr\u003e • 1 Ethercon AVB audio network port\u003cbr\u003e • Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017\u003cbr\u003e\u003cbr\u003eRecording\u003cbr\u003e • Onboard 34x34 SD recorder (using Capture™)\u003cbr\u003e • 38x38 USB recording interface\u003cbr\u003e • 55x55 AVB recording interface\u003cbr\u003e\u003cbr\u003eSignal Processing\u003cbr\u003e • Intuitive Fat Channel signal processing on every channel with:\u003cbr\u003e • A\/B settings comparison\u003cbr\u003e • Highpass filter and polarity reverse\u003cbr\u003e • Gate\/expander with sidechain\u003cbr\u003e • Compressor with sidechain\u003cbr\u003e • 4-band parametric EQ on inputs\u003cbr\u003e • 6-band parametric EQ on outputs\u003cbr\u003e • Limiter\u003cbr\u003e • Delay on every input\u003cbr\u003e • Delay on every output\u003cbr\u003e • Professionally programmed library of presets\u003cbr\u003e • Vintage EQ and compressor models available on every input\u003cbr\u003e • Passive EQ\u003cbr\u003e • Vintage EQ\u003cbr\u003e • Tube compressor\u003cbr\u003e • FET compressor\u003cbr\u003e • 8 31-band graphic EQs\u003cbr\u003e • 4 internal effects buses: combination of reverbs and delays with modern and vintage options\u003cbr\u003e • Built-in real-time analyzer and signal generator\u003cbr\u003e\u003cbr\u003eMetering\/Displays\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • Input meter on every channel\u003cbr\u003e • Full-size Fat Channel metering\u003cbr\u003e • Input meter\u003cbr\u003e • Gate gain reduction meter\u003cbr\u003e • Compressor gain reduction meter\u003cbr\u003e • Full-size stereo Main output meters\u003cbr\u003e\u003cbr\u003eScenes and Presets\u003cbr\u003e • Create, save, and edit up to 100 scenes\u003cbr\u003e • Scene management with:\u003cbr\u003e • Scene Safe—prevents a scene change from affecting designated “safe” channels\u003cbr\u003e • Create, save, and edit channel settings and copy\/paste between channels\u003cbr\u003e • Advanced channel preset options can save and recall:\u003cbr\u003e • Channel type and name\u003cbr\u003e • Input settings (preamp, +48V phantom power, polarity, pan)\u003cbr\u003e • Fat Channel A \u0026amp; B settings\u003cbr\u003e • Bus assignments\u003cbr\u003e • Aux and effects send levels and pan\u003cbr\u003e • Select button color\u003cbr\u003e • 8 Quick Scenes\u003cbr\u003e\u003cbr\u003eDigital\u003cbr\u003e • Studio-quality converters with 115 dB dynamic range\u003cbr\u003e • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003cbr\u003e\u003cbr\u003eActively Integrated Software\u003cbr\u003e • UC Surface touch control software for Mac®, Windows®, and iPad®\u003cbr\u003e • Studio One® Professional digital audio workstation software for Mac and Windows\u003cbr\u003e • Capture™ multitrack recording software for Mac and Windows\u003cbr\u003e • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e • Mac® OS X 10.8.5 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e • Windows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo or AMD Athlon™ X2 processor (Intel Core i3 or Athlon X4 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e • USB 2.0 port\u003cbr\u003e • Internet connection\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • 30 GB hard disk space\u003cbr\u003e • Monitor with 1366x768 resolution\u003cbr\u003e\u003cbr\u003eiOS\u003cbr\u003e • iOS 9.3 or later\u003cbr\u003e • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003cbr\u003e\u003cbr\u003eAndroid (QMix-UC)\u003cbr\u003e • Android™ 5.0 (Lollipop) or later\u003cbr\u003e • Android smartphone or tablet\u003cbr\u003e\u003cbr\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003c\/p\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eMi​crophone Preamplifier\u003cbr\u003e • Input Type XLR Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e • Gain Control Range (±1 dB) 0 dB to +60 dB\u003cbr\u003e • Maximum Input Level (unity gain) +12 dBu\u003cbr\u003e • Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Maximum Input Level +18 dBu\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +12 dBu, ±0.5 dBu\u003cbr\u003e\u003cbr\u003eXLR Outputs\u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Maximum Output Level +24 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eLine Outputs\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eTape Outputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003c\/p\u003e\nHeadphone Output\u003cbr\u003e • Type ¼” TRS Female, active stereo\u003cbr\u003e • Maximum Output 100 mW\/ch. @ 60Ω load\u003cbr\u003e • Frequency Response 20 Hz – 20 kHz (± 0.5 dB)\u003cbr\u003e • THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e • S\/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e • Input to Output -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e • Adjacent Channels -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e\u003cbr\u003eDigital Audio and Control\u003cbr\u003e • ADC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • DAC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • USB Recording Port USB 2.0, Type-B\u003cbr\u003e • Bluetooth™ Input 4.1, stereo\u003cbr\u003e • AES\/EBU Output XLR Male\u003cbr\u003e • Network Control Port RJ-45\u003cbr\u003e • AVB Audio Network Port Ethercon\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 48 kHz (44.1 kHz coming soon)\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e • Total System Latency 1.9 ms (local routing, analog in-analog out, all processing active)\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in, 1 ps out)\u003cbr\u003e\u003cbr\u003ePower \/ Environmental\u003cbr\u003e ▪ Connector IEC\u003cbr\u003e ▪ Input-Voltage Range 90 to 230 VAC (±10%)\u003cbr\u003e ▪ Power Requirements (continuous) 85W\u003cbr\u003e ▪ Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e • Height 6.51” (165.36 mm)\u003cbr\u003e • Width 32.37” (822.21 mm)\u003cbr\u003e • Depth 22.97” (583.48 mm)\u003cbr\u003e • Weight 37.2 lbs. (16.9 kg)","published_at":"2017-07-24T18:52:44+02:00","created_at":"2017-07-24T18:53:02+02:00","vendor":"PreSonus","type":"Mixers","tags":["Channels_32","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$2000 to $3000","Shop by brand_PreSonus","Shop by category_Digital Mixers","Shop by category_Live Sound Mixers"],"price":289900,"price_min":289900,"price_max":289900,"available":true,"price_varies":false,"compare_at_price":395880,"compare_at_price_min":395880,"compare_at_price_max":395880,"compare_at_price_varies":false,"variants":[{"id":40846693261,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive 32 Series 3","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive 32 Series 3","public_title":null,"options":["Default Title"],"price":289900,"weight":0,"compare_at_price":395880,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_32-environmental.jpg?v=1501527382","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_32-ipad_mounts.jpg?v=1501527382","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_32-back.jpg?v=1501527382","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_32-macro01.jpg?v=1501527382","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_32-left34.jpg?v=1501527382","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_32-macro02.jpg?v=1501527382","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_32-top.jpg?v=1501527382"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_32-environmental.jpg?v=1501527382","options":["Title"],"content":"\u003cp\u003eThe most powerful mixer in its class.\u003cbr\u003e\u003cbr\u003eThe StudioLive® 32 digital console\/recorder is by far the most powerful mixer in its class. The result of nine years of R\u0026amp;D, our third-generation StudioLive mixer is fully recallable, with 33 touch-sensitive, motorized faders and 33 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 32 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations to fit the way you work. The coveted StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.\u003cbr\u003eIntegrated multitrack recording and virtual soundcheck — no computer required.\u003cbr\u003e\u003cbr\u003ePreSonus Capture recording software is an intuitive, rock-solid multitrack recording application with virtual soundcheck. It's installed directly into the StudioLive 32 so you can leave your laptop at home. Capture's one-touch recording makes it easy to record to the StudioLive 32's onboard SD multitrack recorder. When you're finished recording, open your Capture session in Studio One® Professional for Mac® and Windows® (included), and the entire mix scene will transfer to your Studio One session, including fader levels, Fat Channel setting, and yes, any drum solos that you may have had to endure that night.\u003cbr\u003eA re-envisioned Fat Channel.\u003cbr\u003e\u003cbr\u003eThe StudioLive 32's Fat Channel has received a major overhaul while continuing to offer digital precision with the heart and soul of analog. Our new Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. And in addition to channel processing, the StudioLive 32 offers 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording on location or running shows on the road!\u003cbr\u003eDefine your own layouts, views, and workflows.\u003cbr\u003e\u003cbr\u003eStudioLive 32 goes above and beyond in providing ways to customize things to best fit the way you work. User layers for the channel faders let you place any channel or bus fader anywhere you want — and they're easy to set up. But we didn't stop there. How about customizing your Fat Channel layout, putting the parameters you care about most right at your fingertips? There are even several workflow options to personalize your mixing experience. For instance, you can control the mixer with multiple iPads and –optionally– a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time.\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003e\u003cbr\u003eWith StudioLive 32, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe, which enables you to protect individual channels from parameter changes when recalling a scene. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with new FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. These 16 FlexMixes are in addition to the 4 fixed subgroups giving you a total of 20 mix buses, not counting the main mix and solo buses. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. To top it off, you can choose between 1-to-1 or split-layer workflows: Assign all channels to the top layer, with one fader per input channel, or split the faders between inputs and outputs, including DCAs and aux outputs. These are only a few of the many ways you can customize your StudioLive 32 mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eStudio One Professional included.\u003cbr\u003eFor years, we've included Studio One Artist with our hardware interfaces and mixers. But with the StudioLive 32, we know you're looking to go big or go home—so we chose to bundle the Professional edition of Studio One with each StudioLive 32. Not only will you enjoy Professional-only features like Melodyne Integration, the mastering Project Page, Note FX, and Macro Controls, you'll also get tight hardware integration between Studio One and your mixer, including remote preamp control from directly within Studio One.\u003cbr\u003eIntegrated, multiplatform software for flexible control and one-click recording.\u003cbr\u003e\u003cbr\u003ePreSonus StudioLive 32 mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere, using UC Surface touch-control software for Mac, Windows, and iPad®. Control your monitor (aux) mixes with QMix-UC for iPhone, iPod touch, and Android devices. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Professional for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Professional. StudioLive 32 mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003eNetwork-ready, with a choice of computer recording methods.\u003cbr\u003e\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 32 mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive 32 mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 38x38 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. And recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Professional DAW—or with any recording software that supports ASIO or Core Audio.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive 32 consoles sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, and iPad®. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android™ device without the need for large monitor networks. Go wireless, wired, or both.\u003cbr\u003e\u003cbr\u003eExtensive connections for flexible signal flow.\u003cbr\u003eThe back panel of a StudioLive 32 console sports all of the connections you need for live sound and studio production. With flexible connectivity, superior audio quality, the ability to customize for your workflow, and powerful processing, mixing, and routing capabilities, you’ll create your mixes in whatever manner works best for you. We just provide the tools.\u003cbr\u003eSuperior sound.\u003cbr\u003e\u003cbr\u003eConnect a StudioLive 32 mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing the StudioLive 32. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, the StudioLive 32 delivers the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003eNow includes Studio Magic plug-in suite.\u003cbr\u003e\u003cbr\u003eThis suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll find yourself relying on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eSoftware Library\u003cbr\u003eUC Surface\u003cbr\u003e\u003cbr\u003eBattle-ready control software\u003cbr\u003eDesigned primarily for live mixing but also well suited to the studio, free UC Surface touch-control software for Mac®, Windows®, and iPad® provides bidirectional control and editor\/librarian functions for all StudioLive® Series III and StudioLive RML-series digital mixers. You can control the mixer with multiple iPads and—optionally—a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time. UC Surface supports Windows touchscreens and networks via wired or wireless connections. \u003cbr\u003e\u003cbr\u003eQMix®-UC\u003cbr\u003e\u003cbr\u003eWireless Aux-Mix Control Software for iPhone® or iPod® touch\u003cbr\u003eWith free PreSonus QMix®-UC software, up to 14 musicians can simultaneously control their StudioLive mixer’s monitor (aux) mixes using an iPhone®, iPod® touch, or Android™ smartphone. If you have a PreSonus Studio 192 or Studio 192 Mobile audio interface, you can use QMix-UC to control the interface’s monitor outputs too!\u003cbr\u003eCapture™\u003cbr\u003e\u003cbr\u003eLive Recording Software\u003cbr\u003eDesigned exclusively for StudioLive mixers, free Capture multitrack recording software for Mac® and Windows® allows instant setup and one-click recording of up to 34 tracks at up to 48 kHz, directly from the mixer, with no configuration. Capture simplifies your live-recording environment, providing only the tools necessary to do a true virtual soundcheck and record a great performance, without placing huge demands on your CPU. And because Capture looks and operates like a classic multitrack hard-disk recorder, it’s instantly familiar. Best of all, Capture uses the highly lauded, 64-bit, Studio One® audio engine, so your tracks will sound amazing!\u003cbr\u003eStudio One® Professional\u003cbr\u003e\u003cbr\u003eCreative Music Production Environment\u003cbr\u003eStudio One is a completely modern professional environment for music recording, mixing, mastering, sharing, and collaboration. It’s Internet-savvy and provides a complete solution, combining the features you really need with the ease of use you always dreamed of. Based on an elegant user interface and a content browser with powerful drag-and-drop functionality, feature-rich Studio One will let you work quickly and stay focused on your inspiration.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003eGeneral Controls\u003cbr\u003e\u003cbr\u003e • 33 touch-sensitive, motorized faders with choice of:\u003cbr\u003e • 1-to-1 workflow—assign all channels to the top layer, with one fader per input channel\u003cbr\u003e • Split-layer workflow—split the faders between inputs and outputs, including DCAs and Aux outputs\u003cbr\u003e • RGB Select buttons with user-assignable colors\u003cbr\u003e • Transport control\u003cbr\u003e • 8 user-assignable buttons for mute groups, scenes, and more\u003cbr\u003e • All-new Fat Channel controls including\u003cbr\u003e • 8 scribble strips, encoders, and multicolor buttons\u003cbr\u003e • Customizable user layer\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • DAW control (Studio One, MCU, and HUI) coming soon\u003cbr\u003e\u003cbr\u003eInputs and Outputs\u003cbr\u003e • 40 total inputs\u003cbr\u003e • 32 channel inputs: 16 mic, 16 mic\/line\u003cbr\u003e • 1 XLR Talkback mic input with recallable XMAX Class A preamp\u003cbr\u003e • 2 stereo Aux inputs\u003cbr\u003e • 16 FlexMix outputs: 12 XLR, 4 balanced TRS\u003cbr\u003e • 4 TRS subgroup outputs\u003cbr\u003e • Unbalanced stereo (RCA) tape input and output\u003cbr\u003e • Bluetooth™ 4.1 wireless tape input\u003cbr\u003e • Stereo AES\/EBU digital output\u003cbr\u003e • 2 XLR (L\/R) Main outputs\u003cbr\u003e • XLR Main summed mono output\u003cbr\u003e • 2 TRS monitor outputs\u003cbr\u003e • Stereo headphone output\u003c\/p\u003e\n\u003cp\u003eChannels and Buses\u003cbr\u003e • 32 input channels with recallable XMAX Class A mic preamps\u003cbr\u003e • 2 stereo aux inputs\u003cbr\u003e • 26 buses:\u003cbr\u003e • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003cbr\u003e • 4 dedicated subgroups\u003cbr\u003e • 4 internal effects sends\u003cbr\u003e • Stereo main bus\u003cbr\u003e • 24 Filter DCAs for easily and flexibly controlling groups of channels\u003cbr\u003e\u003cbr\u003eNetworking Connections\u003cbr\u003e • 1 Ethernet control network port\u003cbr\u003e • Dynamic, Self Assigned, and Manual IP address modes\u003cbr\u003e • 1 Ethercon AVB audio network port\u003cbr\u003e • Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017\u003cbr\u003e\u003cbr\u003eRecording\u003cbr\u003e • Onboard 34x34 SD recorder (using Capture™)\u003cbr\u003e • 38x38 USB recording interface\u003cbr\u003e • 55x55 AVB recording interface\u003cbr\u003e\u003cbr\u003eSignal Processing\u003cbr\u003e • Intuitive Fat Channel signal processing on every channel with:\u003cbr\u003e • A\/B settings comparison\u003cbr\u003e • Highpass filter and polarity reverse\u003cbr\u003e • Gate\/expander with sidechain\u003cbr\u003e • Compressor with sidechain\u003cbr\u003e • 4-band parametric EQ on inputs\u003cbr\u003e • 6-band parametric EQ on outputs\u003cbr\u003e • Limiter\u003cbr\u003e • Delay on every input\u003cbr\u003e • Delay on every output\u003cbr\u003e • Professionally programmed library of presets\u003cbr\u003e • Vintage EQ and compressor models available on every input\u003cbr\u003e • Passive EQ\u003cbr\u003e • Vintage EQ\u003cbr\u003e • Tube compressor\u003cbr\u003e • FET compressor\u003cbr\u003e • 8 31-band graphic EQs\u003cbr\u003e • 4 internal effects buses: combination of reverbs and delays with modern and vintage options\u003cbr\u003e • Built-in real-time analyzer and signal generator\u003cbr\u003e\u003cbr\u003eMetering\/Displays\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • Input meter on every channel\u003cbr\u003e • Full-size Fat Channel metering\u003cbr\u003e • Input meter\u003cbr\u003e • Gate gain reduction meter\u003cbr\u003e • Compressor gain reduction meter\u003cbr\u003e • Full-size stereo Main output meters\u003cbr\u003e\u003cbr\u003eScenes and Presets\u003cbr\u003e • Create, save, and edit up to 100 scenes\u003cbr\u003e • Scene management with:\u003cbr\u003e • Scene Safe—prevents a scene change from affecting designated “safe” channels\u003cbr\u003e • Create, save, and edit channel settings and copy\/paste between channels\u003cbr\u003e • Advanced channel preset options can save and recall:\u003cbr\u003e • Channel type and name\u003cbr\u003e • Input settings (preamp, +48V phantom power, polarity, pan)\u003cbr\u003e • Fat Channel A \u0026amp; B settings\u003cbr\u003e • Bus assignments\u003cbr\u003e • Aux and effects send levels and pan\u003cbr\u003e • Select button color\u003cbr\u003e • 8 Quick Scenes\u003cbr\u003e\u003cbr\u003eDigital\u003cbr\u003e • Studio-quality converters with 115 dB dynamic range\u003cbr\u003e • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003cbr\u003e\u003cbr\u003eActively Integrated Software\u003cbr\u003e • UC Surface touch control software for Mac®, Windows®, and iPad®\u003cbr\u003e • Studio One® Professional digital audio workstation software for Mac and Windows\u003cbr\u003e • Capture™ multitrack recording software for Mac and Windows\u003cbr\u003e • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e • Mac® OS X 10.8.5 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e • Windows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo or AMD Athlon™ X2 processor (Intel Core i3 or Athlon X4 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e • USB 2.0 port\u003cbr\u003e • Internet connection\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • 30 GB hard disk space\u003cbr\u003e • Monitor with 1366x768 resolution\u003cbr\u003e\u003cbr\u003eiOS\u003cbr\u003e • iOS 9.3 or later\u003cbr\u003e • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003cbr\u003e\u003cbr\u003eAndroid (QMix-UC)\u003cbr\u003e • Android™ 5.0 (Lollipop) or later\u003cbr\u003e • Android smartphone or tablet\u003cbr\u003e\u003cbr\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003c\/p\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eMi​crophone Preamplifier\u003cbr\u003e • Input Type XLR Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e • Gain Control Range (±1 dB) 0 dB to +60 dB\u003cbr\u003e • Maximum Input Level (unity gain) +12 dBu\u003cbr\u003e • Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Maximum Input Level +18 dBu\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +12 dBu, ±0.5 dBu\u003cbr\u003e\u003cbr\u003eXLR Outputs\u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Maximum Output Level +24 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eLine Outputs\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eTape Outputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003c\/p\u003e\nHeadphone Output\u003cbr\u003e • Type ¼” TRS Female, active stereo\u003cbr\u003e • Maximum Output 100 mW\/ch. @ 60Ω load\u003cbr\u003e • Frequency Response 20 Hz – 20 kHz (± 0.5 dB)\u003cbr\u003e • THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e • S\/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e • Input to Output -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e • Adjacent Channels -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e\u003cbr\u003eDigital Audio and Control\u003cbr\u003e • ADC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • DAC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • USB Recording Port USB 2.0, Type-B\u003cbr\u003e • Bluetooth™ Input 4.1, stereo\u003cbr\u003e • AES\/EBU Output XLR Male\u003cbr\u003e • Network Control Port RJ-45\u003cbr\u003e • AVB Audio Network Port Ethercon\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 48 kHz (44.1 kHz coming soon)\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e • Total System Latency 1.9 ms (local routing, analog in-analog out, all processing active)\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in, 1 ps out)\u003cbr\u003e\u003cbr\u003ePower \/ Environmental\u003cbr\u003e ▪ Connector IEC\u003cbr\u003e ▪ Input-Voltage Range 90 to 230 VAC (±10%)\u003cbr\u003e ▪ Power Requirements (continuous) 85W\u003cbr\u003e ▪ Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e • Height 6.51” (165.36 mm)\u003cbr\u003e • Width 32.37” (822.21 mm)\u003cbr\u003e • Depth 22.97” (583.48 mm)\u003cbr\u003e • Weight 37.2 lbs. (16.9 kg)"}
PreSonus StudioLive 32 Series 3

PreSonus StudioLive 32 Series 3

$2,899.00

The most powerful mixer in its class.The StudioLive® 32 digital console/recorder is by far the most powerful mixer in its class. The result of nine years of R&D, our third-generation StudioLive mixer is fully recallable, with 33 touch-sensitive, motorized faders and 33 recallable XMAX preamps. Yet despite its extensive features, the StudioLi...


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PreSonus StudioLive 24.4.2AI

Mixers

$2,698.80
{"id":8258346561,"title":"PreSonus StudioLive 24.4.2AI","handle":"presonus-studiolive-24-4-2ai","description":"\u003ch2\u003eOnly with StudioLive AI.\u003c\/h2\u003e\n\u003cp\u003eStudioLive\u003csup\u003e®\u003c\/sup\u003e AI Active Integration mixing consoles combine a familiar, analog-like mixing surface with the power of digital mixing. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, they deliver the most creative environment possible for both live performance and studio music production. Loaded with no-compromises signal processing on every channel, easy store and recall of every setting, high-end converters and preamps, and an integrated multitrack recording interface, StudioLive AI mixers are expandable and boast advanced networking capabilities unmatched in their price class. Yet they operate so much like an analog mixer that you’ll immediately feel at home.\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eThe ease of analog meets the power of digital.\u003c\/h2\u003e\n\u003cp\u003eWhen you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive AI’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in multiple menus or layers. Our design philosophy is simple: One fader for every channel, one output for every bus. This is the power of a surface-driven workflow. But don’t let the analog feel fool you: StudioLive AI mixers offer all of the features you expect in professional-class digital mixers and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eYou’ll never run out of signal processors.\u003c\/h2\u003e\n\u003cp\u003eStudioLive AI mixers provide more DSP power than any other mixer in their class. There are no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander\/gate, and parametric EQ on every channel and bus; a highpass filter on each channel; a library of professionally crafted, useful presets; and the ability to save, selectively recall, and A\/B-compare processor settings. You also get four effects processors, each with their own dedicated mix bus; a 31-band graphic EQ on every aux mix plus the mains; and 500 ms of delay available to each of the four subgroups.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eSuperior sound.\u003c\/h2\u003e\n\u003cp\u003eConnect a StudioLive AI mixer and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. StudioLive AI mixers operate at up to 96 kHz for high-definition mixing and recording. They use the same high-quality 64-bit summing engine found in our Studio One\u003csup\u003e®\u003c\/sup\u003e DAW, which consistently receives rave reviews for sound quality. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003e24 input channels, each with:\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eXLR mic and ¼” line inputs\u003c\/li\u003e\n\u003cli\u003eHigh-headroom Class A XMAX mic preamplifiers\u003c\/li\u003e\n\u003cli\u003eAnalog ¼\" inserts (rear panel)\u003c\/li\u003e\n\u003cli\u003eTrim control with –20 to +20 dBV line \/ -15 to +65 dBu mic gain range (80 dB!)\u003c\/li\u003e\n\u003cli\u003e+48V phantom power switch for condenser microphones\u003c\/li\u003e\n\u003cli\u003eDigital Audio Input Select\u003c\/li\u003e\n\u003cli\u003e100 mm precision faders\u003c\/li\u003e\n\u003cli\u003ePhase reverse, highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter—all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003eCascade two StudioLive\u003csup\u003e®\u003c\/sup\u003e AI mixers of any frame size to create custom-sized mixing consoles.\u003c\/li\u003e\n\u003cli\u003e40 in x 26 out FireWire s800 direct digital recording interface (24-bit\/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz) compatible with Apple Thunderbolt to FireWire Adapter\u003c\/li\u003e\n\u003cli\u003eCompatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others\u003c\/li\u003e\n\u003cli\u003e20 dedicated mix buses for easy configuration\u003c\/li\u003e\n\u003cli\u003e10 aux buses with analog outputs\u003c\/li\u003e\n\u003cli\u003e4 internal FX buses\u003c\/li\u003e\n\u003cli\u003e4 subgroups with analog outputs\u003c\/li\u003e\n\u003cli\u003eStereo main bus with analog outputs\u003c\/li\u003e\n\u003cli\u003eAccess to Fat Channel functions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour subgroup buses, each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced TRS output\u003c\/li\u003e\n\u003cli\u003eSolo\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e300 ms output delay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTen aux buses, each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced TRS output\u003c\/li\u003e\n\u003cli\u003eSolo\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePre1\/Pre2\/post-fader send\u003c\/li\u003e\n\u003cli\u003eOutput-level control\u003c\/li\u003e\n\u003cli\u003eHighpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e31-band graphic EQ with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003eAvailable sources: 24 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour internal effects sends (two reverbs, two delay effects), each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePre1\/Pre2\/post-fader send\u003c\/li\u003e\n\u003cli\u003eOutput-level control\u003c\/li\u003e\n\u003cli\u003eHighpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eStereo main bus with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced XLR outputs\u003c\/li\u003e\n\u003cli\u003eBalanced TRS outputs\u003c\/li\u003e\n\u003cli\u003eMono sum XLR output\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e31-band graphic EQ with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMaster section\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eAux Input A and B\u003c\/li\u003e\n\u003cli\u003eLevel Control and stereo pan\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTalkback System\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eMic Level control\u003c\/li\u003e\n\u003cli\u003eOutput Select (Auxes, Main)\u003c\/li\u003e\n\u003cli\u003eTalk button\u003c\/li\u003e\n\u003cli\u003eRear-panel XLR mic input with trim control and continuous 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e2-Track in\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eLevel control\u003c\/li\u003e\n\u003cli\u003eTape Input to Mains button\u003c\/li\u003e\n\u003cli\u003eMain Digital Audio Return on\/off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSolo bus\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eCue Mix volume control\u003c\/li\u003e\n\u003cli\u003ePFL\/AFL and Solo In Place (SIP) buttons\u003c\/li\u003e\n\u003cli\u003eLatch, Radio, and CR Modes\u003c\/li\u003e\n\u003cli\u003eSolo Clear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMonitor bus\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eHeadphone-output level control\u003c\/li\u003e\n\u003cli\u003eControl-room monitor-level control\u003c\/li\u003e\n\u003cli\u003eSolo Bus to Monitor button\u003c\/li\u003e\n\u003cli\u003eTape Input to Monitor button\u003c\/li\u003e\n\u003cli\u003eMain Digital Audio Return to Monitor button\u003c\/li\u003e\n\u003cli\u003eMain Mix to Monitor button\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFat Channel with rotary encoders:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003ePan with dedicated 15-LED display\u003c\/li\u003e\n\u003cli\u003eStereo link for input channels, aux buses, and subgroups\u003c\/li\u003e\n\u003cli\u003ePhase reverse (input channels only)\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter: -6 dB\/oct., sweepable from Off to 1 kHz (main channels and aux's only)\u003c\/li\u003e\n\u003cli\u003eGate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003c\/li\u003e\n\u003cli\u003eCompressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003c\/li\u003e\n\u003cli\u003e4-band fully parametric equalizer\n\u003cul\u003e\n\u003cli\u003eLow EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eLow Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eMaster EQ On\/Off button\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003c\/li\u003e\n\u003cli\u003eAlt EQ \u0026amp; Dyn button for quick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003c\/li\u003e\n\u003cli\u003eOutput Assign: 4 subgroups and main\u003c\/li\u003e\n\u003cli\u003eAll settings can be copied among channels and buses and can be saved as user presets.\u003c\/li\u003e\n\u003cli\u003e50 channel-strip presets for drums, bass, guitars, keyboards, and vocals\u003c\/li\u003e\n\u003cli\u003eQuick Parameter Null easily zeroes out any Fat Channel parameter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour internal digital effects-processors (two reverbs, two delays), each with 50 customizable presets\u003c\/h3\u003e\n\u003ch3\u003eTwelve 31-band graphic equalizers\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e6 Quick Scene buttons for instant Scene save\/recall—like “speed dial” for Scenes\u003c\/li\u003e\n\u003cli\u003eAutomatic Global AutoStore\u003c\/li\u003e\n\u003cli\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIndividual channel-strip setting storage\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eUp to 48 at a time, plus…\u003c\/li\u003e\n\u003cli\u003e50 factory presets for instruments and vocal\u003c\/li\u003e\n\u003cli\u003eCopy and Paste between channels\u003c\/li\u003e\n\u003cli\u003eCan be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLockout mode to keep inspired amateurs from changing your settings\u003c\/h3\u003e\n\u003ch3\u003eMetering\/Displays\u003c\/h3\u003e\n\u003ch3\u003eInput\/Output\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e24 x 16- LED Fat Channel matrix:\n\u003cul\u003e\n\u003cli\u003ePre-dynamics\/pre-fader input\u003c\/li\u003e\n\u003cli\u003ePost-dynamics\/post-fader output\u003c\/li\u003e\n\u003cli\u003eGain reduction\u003c\/li\u003e\n\u003cli\u003eAux 1-14 and EFX A-D output\u003c\/li\u003e\n\u003cli\u003eFader-position recall\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e8 x 15-LED main meter bank\n\u003cul\u003e\n\u003cli\u003eSelected channel level\u003c\/li\u003e\n\u003cli\u003eSelected channel gain reduction\u003c\/li\u003e\n\u003cli\u003eSub buses 1 to 4\u003c\/li\u003e\n\u003cli\u003eMain stereo outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e15-LED horizontal Pan\/Balance display\u003c\/li\u003e\n\u003cli\u003e64 x 194 LCD matrix\n\u003cul\u003e\n\u003cli\u003eEffects parameters\u003c\/li\u003e\n\u003cli\u003eScene creation, storage, and recall\u003c\/li\u003e\n\u003cli\u003eSystem menus\u003c\/li\u003e\n\u003cli\u003eChannel Info page with custom naming\u003c\/li\u003e\n\u003cli\u003eGEQ Select\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2-digit Channel Selected display\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e24 main inputs, each with XLR mic, ¼\" line, and ¼\" inserts\u003c\/li\u003e\n\u003cli\u003e2 ¼\" balanced stereo (L\/R) aux inputs\u003c\/li\u003e\n\u003cli\u003e1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control\u003c\/li\u003e\n\u003cli\u003eUnbalanced RCA stereo (L\/R) tape inputs and outputs\u003c\/li\u003e\n\u003cli\u003eXLR stereo (L\/R) main outputs with level control\u003c\/li\u003e\n\u003cli\u003e¼\" balanced stereo (L\/R) main outputs\u003c\/li\u003e\n\u003cli\u003eXLR mono output with level control\u003c\/li\u003e\n\u003cli\u003e¼\" balanced stereo (L\/R) control-room outputs\u003c\/li\u003e\n\u003cli\u003e¼\" headphone output\u003c\/li\u003e\n\u003cli\u003e4 ¼\" balanced subgroup outputs\u003c\/li\u003e\n\u003cli\u003e10 ¼\" balanced aux outputs\u003c\/li\u003e\n\u003cli\u003e24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 sockets\u003c\/li\u003e\n\u003cli\u003eDedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications\u003c\/li\u003e\n\u003cli\u003eInstalled Option Card with:\n\u003cul\u003e\n\u003cli\u003eS\/PDIF digital out\u003c\/li\u003e\n\u003cli\u003e2 FireWire S800 ports (fully compatible with Apple Thunderbolt to FireWire Adapter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOptional Networking cards\n\u003cul\u003e\n\u003cli\u003eDante™ (SL-Dante-Mix)\u003c\/li\u003e\n\u003cli\u003eAVB (SL-AVB-Mix)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIntegrated software\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eUC Surface Control Software with Smaart Measurement Technology™\u003c\/li\u003e\n\u003cli\u003eStudio One\u003csup\u003e®\u003c\/sup\u003e Artist Digital Audio Workstation software for Mac\u003csup\u003e®\u003c\/sup\u003e and Windows\u003csup\u003e®\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eCapture™ multitrack recording software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eQMix\u003csup\u003e®\u003c\/sup\u003e-AI aux-control software for iPhone\u003csup\u003e®\u003c\/sup\u003e and iPod\u003csup\u003e®\u003c\/sup\u003e touch available free from Apple App Store\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigitalia\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eHigh-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003c\/li\u003e\n\u003cli\u003eUnlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003c\/li\u003e\n\u003cli\u003eInternal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eRugged, non-flex steel chassis\u003c\/li\u003e\n\u003cli\u003e100 mm long-throw faders\u003c\/li\u003e\n\u003cli\u003eMilitary-grade, quick-touch buttons\u003c\/li\u003e\n\u003cli\u003eBNC 12V lamp socket\u003c\/li\u003e\n\u003cli\u003eOptional dust covers available\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003e24 input channels, each with:\u003cbr\u003e\u003cbr\u003e • XLR mic and ¼” line inputs\u003cbr\u003e • High-headroom Class A XMAX mic preamplifiers\u003cbr\u003e • Analog ¼\" inserts (rear panel)\u003cbr\u003e • Trim control with –20 to +20 dBV line \/ -15 to +65 dBu mic gain range (80 dB!)\u003cbr\u003e • +48V phantom power switch for condenser microphones\u003cbr\u003e • Digital Audio Input Select\u003cbr\u003e • 100 mm precision faders\u003cbr\u003e • Phase reverse, highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter—all with A\/B and Quick Null\u003cbr\u003e • Cascade two StudioLive® AI mixers of any frame size to create custom-sized mixing consoles.\u003cbr\u003e • 40 in x 26 out FireWire s800 direct digital recording interface (24-bit\/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz) compatible with Apple Thunderbolt to FireWire Adapter\u003cbr\u003e • Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others\u003cbr\u003e • 20 dedicated mix buses for easy configuration\u003cbr\u003e • 10 aux buses with analog outputs\u003cbr\u003e • 4 internal FX buses\u003cbr\u003e • 4 subgroups with analog outputs\u003cbr\u003e • Stereo main bus with analog outputs\u003cbr\u003e • Access to Fat Channel functions\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour subgroup buses, each with:\u003cbr\u003e\u003cbr\u003e • Balanced TRS output\u003cbr\u003e • Solo\u003cbr\u003e • Mute\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 300 ms output delay\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTen aux buses, each with:\u003cbr\u003e\u003cbr\u003e • Balanced TRS output\u003cbr\u003e • Solo\u003cbr\u003e • Mute\u003cbr\u003e • Pre1\/Pre2\/post-fader send\u003cbr\u003e • Output-level control\u003cbr\u003e • Highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 31-band graphic EQ with A\/B and Quick Null\u003cbr\u003e • Available sources: 24 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour internal effects sends (two reverbs, two delay effects), each with:\u003cbr\u003e\u003cbr\u003e • Mute\u003cbr\u003e • Pre1\/Pre2\/post-fader send\u003cbr\u003e • Output-level control\u003cbr\u003e • Highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eStereo main bus with:\u003cbr\u003e\u003cbr\u003e • Balanced XLR outputs\u003cbr\u003e • Balanced TRS outputs\u003cbr\u003e • Mono sum XLR output\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 31-band graphic EQ with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMaster section\u003cbr\u003e\u003cbr\u003e • Aux Input A and B\u003cbr\u003e • Level Control and stereo pan\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTalkback System\u003cbr\u003e\u003cbr\u003e • Mic Level control\u003cbr\u003e • Output Select (Auxes, Main)\u003cbr\u003e • Talk button\u003cbr\u003e • Rear-panel XLR mic input with trim control and continuous 48V phantom power\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-Track in\u003cbr\u003e\u003cbr\u003e • Level control\u003cbr\u003e • Tape Input to Mains button\u003cbr\u003e • Main Digital Audio Return on\/off\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSolo bus\u003cbr\u003e\u003cbr\u003e • Cue Mix volume control\u003cbr\u003e • PFL\/AFL and Solo In Place (SIP) buttons\u003cbr\u003e • Latch, Radio, and CR Modes\u003cbr\u003e • Solo Clear\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMonitor bus\u003cbr\u003e\u003cbr\u003e • Headphone-output level control\u003cbr\u003e • Control-room monitor-level control\u003cbr\u003e • Solo Bus to Monitor button\u003cbr\u003e • Tape Input to Monitor button\u003cbr\u003e • Main Digital Audio Return to Monitor button\u003cbr\u003e • Main Mix to Monitor button\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFat Channel with rotary encoders:\u003cbr\u003e\u003cbr\u003e • Pan with dedicated 15-LED display\u003cbr\u003e • Stereo link for input channels, aux buses, and subgroups\u003cbr\u003e • Phase reverse (input channels only)\u003cbr\u003e • High-pass filter: -6 dB\/oct., sweepable from Off to 1 kHz (main channels and aux's only)\u003cbr\u003e • Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003cbr\u003e • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003cbr\u003e • 4-band fully parametric equalizer\u003cbr\u003e • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003cbr\u003e • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003cbr\u003e • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003cbr\u003e • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003cbr\u003e • Master EQ On\/Off button\u003cbr\u003e • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003cbr\u003e • Alt EQ \u0026amp; Dyn button for quick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003cbr\u003e • Output Assign: 4 subgroups and main\u003cbr\u003e • All settings can be copied among channels and buses and can be saved as user presets.\u003cbr\u003e • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals\u003cbr\u003e • Quick Parameter Null easily zeroes out any Fat Channel parameter\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour internal digital effects-processors (two reverbs, two delays), each with 50 customizable presets\u003cbr\u003e\u003cbr\u003eTwelve 31-band graphic equalizers\u003cbr\u003e\u003cbr\u003e6 Quick Scene buttons for instant Scene save\/recall—like “speed dial” for Scenes\u003cbr\u003eAutomatic Global AutoStore\u003cbr\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIndividual channel-strip setting storage\u003cbr\u003e\u003cbr\u003e • Up to 48 at a time, plus…\u003cbr\u003e • 50 factory presets for instruments and vocal\u003cbr\u003e • Copy and Paste between channels\u003cbr\u003e • Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLockout mode to keep inspired amateurs from changing your settings\u003cbr\u003e\u003cbr\u003eMetering\/Displays\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e\u003cbr\u003e • 24 x 16- LED Fat Channel matrix:\u003cbr\u003e • Pre-dynamics\/pre-fader input\u003cbr\u003e • Post-dynamics\/post-fader output\u003cbr\u003e • Gain reduction\u003cbr\u003e • Aux 1-14 and EFX A-D output\u003cbr\u003e • Fader-position recall\u003cbr\u003e • 8 x 15-LED main meter bank\u003cbr\u003e • Selected channel level\u003cbr\u003e • Selected channel gain reduction\u003cbr\u003e • Sub buses 1 to 4\u003cbr\u003e • Main stereo outputs\u003cbr\u003e • 15-LED horizontal Pan\/Balance display\u003cbr\u003e • 64 x 194 LCD matrix\u003cbr\u003e • Effects parameters\u003cbr\u003e • Scene creation, storage, and recall\u003cbr\u003e • System menus\u003cbr\u003e • Channel Info page with custom naming\u003cbr\u003e • GEQ Select\u003cbr\u003e • 2-digit Channel Selected display\u003cbr\u003e • 24 main inputs, each with XLR mic, ¼\" line, and ¼\" inserts\u003cbr\u003e • 2 ¼\" balanced stereo (L\/R) aux inputs\u003cbr\u003e • 1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control\u003cbr\u003e • Unbalanced RCA stereo (L\/R) tape inputs and outputs\u003cbr\u003e • XLR stereo (L\/R) main outputs with level control\u003cbr\u003e • ¼\" balanced stereo (L\/R) main outputs\u003cbr\u003e • XLR mono output with level control\u003cbr\u003e • ¼\" balanced stereo (L\/R) control-room outputs\u003cbr\u003e • ¼\" headphone output\u003cbr\u003e • 4 ¼\" balanced subgroup outputs\u003cbr\u003e • 10 ¼\" balanced aux outputs\u003cbr\u003e • 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 sockets\u003cbr\u003e • Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications\u003cbr\u003e • Installed Option Card with:\u003cbr\u003e • S\/PDIF digital out\u003cbr\u003e • 2 FireWire S800 ports (fully compatible with Apple Thunderbolt to FireWire Adapter)\u003cbr\u003e • Optional Networking cards\u003cbr\u003e • Dante™ (SL-Dante-Mix)\u003cbr\u003e • AVB (SL-AVB-Mix)\u003cbr\u003e • \u003cbr\u003e\u003cbr\u003eIntegrated software\u003cbr\u003e\u003cbr\u003e • UC Surface Control Software with Smaart Measurement Technology™\u003cbr\u003e • Studio One® Artist Digital Audio Workstation software for Mac® and Windows®\u003cbr\u003e • Capture™ multitrack recording software for Mac and Windows\u003cbr\u003e • QMix®-AI aux-control software for iPhone® and iPod® touch available free from Apple App Store\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDigitalia\u003cbr\u003e\u003cbr\u003e • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003cbr\u003e • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003cbr\u003e • Internal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e\u003cbr\u003e • Rugged, non-flex steel chassis\u003cbr\u003e • 100 mm long-throw faders\u003cbr\u003e • Military-grade, quick-touch buttons\u003cbr\u003e • BNC 12V lamp socket\u003cbr\u003e • Optional dust covers available\u003cbr\u003e\u003cbr\u003eStudioLive 24.4.2AI\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003e\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface.\u003cbr\u003e\u003cbr\u003eApple iPad\u003cbr\u003e\u003cbr\u003e • iPad® Air, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), or iPad 2\u003cbr\u003e • ​​iOS® 7.03 or later\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e\u003cbr\u003e • Mac® OS X 10.8 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e\u003cbr\u003e • Windows® 7 x64\/x86 SP1, Windows 8 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e\u003cbr\u003e • Wired or wireless network connection\u003cbr\u003e • Internet connection\u003cbr\u003e • For Capture™ and Studio One®:\u003cbr\u003e • FireWire S800 (IEEE 1394b) port\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • Monitor with 1280x800 resolution\u003cbr\u003e • Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals.\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e • Microphone Preamps (XLR Balanced)\u003cbr\u003e • Type XLR Female, Balanced\u003cbr\u003e • Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5 dBu\u003cbr\u003e • Frequency Response to Main Output 20 Hz to 20 kHz ±0.5 dBu\u003cbr\u003e • Input Impedance (Balanced) 1 kΩ\u003cbr\u003e • THD to Direct Output \u0026lt; 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • EIN to Direct Output +125 dB unwtd, +130 dB A-wtd\u003cbr\u003e • S\/N Ratio to Direct Output 105 dB\u003cbr\u003e • S\/N Ratio to Main Output 94 dB\u003cbr\u003e • Common Mode Rejection Ratio 65 dB\u003cbr\u003e • Gain Control Range -15 dB to +65 dB (± 1 dB)\u003cbr\u003e • Maximum Input Level (unity gain) +22 dBu\u003cbr\u003e • Phantom Power +48 VDC\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e • Type ¼\" TRS Female, balanced mono\u003cbr\u003e • Frequency Response to Direct Outputs 10-40 kHz, 0 \/ -0.5 dBu\u003cbr\u003e • Frequency Response to Main Outputs 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e • THD to Direct Output \u0026lt;0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Direct Output 105 dB\u003cbr\u003e • S\/N Ratio to Main Output 94 dB\u003cbr\u003e • Gain Control Range (±1 dB) -20 dB to +20 dB\u003cbr\u003e • Maximum Input level (unity gain) +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAuxiliary Inputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (2 stereo pairs)\u003cbr\u003e • Maximum Input Level +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMain Outputs\u003cbr\u003e • Type Male, balanced (stereo pair); ¼\" TRS Female, balanced (stereo pair); XLR Male, balanced (mono)\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAux Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (mono)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSubgroup Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (mono)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTape Outputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eControl Room Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (stereo pair)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e • Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu\u003cbr\u003e • Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eNoise Gate \/ Expander\u003cbr\u003e • Threshold Range -84 dB to 0 dB\u003cbr\u003e • Attack Time 0.02s to 500 ms \/ 0.5 ms\u003cbr\u003e • Release Time 0.05s to 2s\u003cbr\u003e • Expander Attenuation Range 2:1\u003cbr\u003e • Gate Attenuation Range -84 dB to 0 dB \/ ∞\u003cbr\u003e • Key Listen Filter 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLimiter\u003cbr\u003e • Threshold -56 dB to 0 dB \/ -28 dBFS\u003cbr\u003e • Ratio ∞:1\u003cbr\u003e • Attack 20 ms\u003cbr\u003e • Hold 10 ms\u003cbr\u003e • Release 20 ms\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCompressor\u003cbr\u003e • Threshold Range -56 dB to 0 dB\u003cbr\u003e • Ratio 1:1 to 14:1\u003cbr\u003e • Attack Time 0.2 ms to 150 ms\u003cbr\u003e • Release Time 40 ms to 1000 ms\u003cbr\u003e • Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e • Curve Types hard and soft knee\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eParametric EQ\u003cbr\u003e • Type 2nd-order shelving filter (Q = 0.55)\u003cbr\u003e • Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e • Low Mid 90 Hz to 1.2 kHz, ±15 dB\u003cbr\u003e • High Mid 380 Hz to 5 kHz, ±15 dB\u003cbr\u003e • High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e • Q 0.1 to 4\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e • 31-Band 1\/3rd Octave Controls Curve-fitting algorithm\u003cbr\u003e • Gain\/Attenuation ±15 dB\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e • ADC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e • DAC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e • FireWire s800, 800 Mb\/s\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 44.1, 48 kHz\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in ≈ 1 ps out)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 100 to 230V, 50-60 Hz\u003cbr\u003e • Power Requirements 200W\u003cbr\u003e • Temperature Range 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e • Length 21.31\" (54.13 cm)\u003cbr\u003e • Width (chassis only) 25.19\" (63.98 cm)\u003cbr\u003e • Maximum Height 7.02\" (17.82 cm)\u003cbr\u003e • Weight 30 lbs. (13.6 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-10-16T09:54:00+02:00","created_at":"2016-10-16T09:56:16+02:00","vendor":"PreSonus","type":"Mixers","tags":["Channels_24","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$2000 to $3000","Shop by brand_PreSonus","Shop by category_Digital Mixers","Shop by category_Live Sound Mixers"],"price":269880,"price_min":269880,"price_max":269880,"available":true,"price_varies":false,"compare_at_price":269880,"compare_at_price_min":269880,"compare_at_price_max":269880,"compare_at_price_varies":false,"variants":[{"id":27640213697,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive 24.4.2 AI","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive 24.4.2AI","public_title":null,"options":["Default Title"],"price":269880,"weight":13608,"compare_at_price":269880,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus_sl2442ai-top_big_271e50c3-0f89-4bf1-b683-b3f015211e2f.jpg?v=1501090447","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus_sl2442ai-back_big_c6dc5c4c-f91c-42f5-bc74-baa22635b136.jpg?v=1501090447","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/StudioLive_2024_4_2AI-04.png?v=1501090472"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus_sl2442ai-top_big_271e50c3-0f89-4bf1-b683-b3f015211e2f.jpg?v=1501090447","options":["Title"],"content":"\u003ch2\u003eOnly with StudioLive AI.\u003c\/h2\u003e\n\u003cp\u003eStudioLive\u003csup\u003e®\u003c\/sup\u003e AI Active Integration mixing consoles combine a familiar, analog-like mixing surface with the power of digital mixing. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, they deliver the most creative environment possible for both live performance and studio music production. Loaded with no-compromises signal processing on every channel, easy store and recall of every setting, high-end converters and preamps, and an integrated multitrack recording interface, StudioLive AI mixers are expandable and boast advanced networking capabilities unmatched in their price class. Yet they operate so much like an analog mixer that you’ll immediately feel at home.\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eThe ease of analog meets the power of digital.\u003c\/h2\u003e\n\u003cp\u003eWhen you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive AI’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in multiple menus or layers. Our design philosophy is simple: One fader for every channel, one output for every bus. This is the power of a surface-driven workflow. But don’t let the analog feel fool you: StudioLive AI mixers offer all of the features you expect in professional-class digital mixers and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eYou’ll never run out of signal processors.\u003c\/h2\u003e\n\u003cp\u003eStudioLive AI mixers provide more DSP power than any other mixer in their class. There are no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander\/gate, and parametric EQ on every channel and bus; a highpass filter on each channel; a library of professionally crafted, useful presets; and the ability to save, selectively recall, and A\/B-compare processor settings. You also get four effects processors, each with their own dedicated mix bus; a 31-band graphic EQ on every aux mix plus the mains; and 500 ms of delay available to each of the four subgroups.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eSuperior sound.\u003c\/h2\u003e\n\u003cp\u003eConnect a StudioLive AI mixer and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. StudioLive AI mixers operate at up to 96 kHz for high-definition mixing and recording. They use the same high-quality 64-bit summing engine found in our Studio One\u003csup\u003e®\u003c\/sup\u003e DAW, which consistently receives rave reviews for sound quality. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003e24 input channels, each with:\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eXLR mic and ¼” line inputs\u003c\/li\u003e\n\u003cli\u003eHigh-headroom Class A XMAX mic preamplifiers\u003c\/li\u003e\n\u003cli\u003eAnalog ¼\" inserts (rear panel)\u003c\/li\u003e\n\u003cli\u003eTrim control with –20 to +20 dBV line \/ -15 to +65 dBu mic gain range (80 dB!)\u003c\/li\u003e\n\u003cli\u003e+48V phantom power switch for condenser microphones\u003c\/li\u003e\n\u003cli\u003eDigital Audio Input Select\u003c\/li\u003e\n\u003cli\u003e100 mm precision faders\u003c\/li\u003e\n\u003cli\u003ePhase reverse, highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter—all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003eCascade two StudioLive\u003csup\u003e®\u003c\/sup\u003e AI mixers of any frame size to create custom-sized mixing consoles.\u003c\/li\u003e\n\u003cli\u003e40 in x 26 out FireWire s800 direct digital recording interface (24-bit\/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz) compatible with Apple Thunderbolt to FireWire Adapter\u003c\/li\u003e\n\u003cli\u003eCompatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others\u003c\/li\u003e\n\u003cli\u003e20 dedicated mix buses for easy configuration\u003c\/li\u003e\n\u003cli\u003e10 aux buses with analog outputs\u003c\/li\u003e\n\u003cli\u003e4 internal FX buses\u003c\/li\u003e\n\u003cli\u003e4 subgroups with analog outputs\u003c\/li\u003e\n\u003cli\u003eStereo main bus with analog outputs\u003c\/li\u003e\n\u003cli\u003eAccess to Fat Channel functions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour subgroup buses, each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced TRS output\u003c\/li\u003e\n\u003cli\u003eSolo\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e300 ms output delay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTen aux buses, each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced TRS output\u003c\/li\u003e\n\u003cli\u003eSolo\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePre1\/Pre2\/post-fader send\u003c\/li\u003e\n\u003cli\u003eOutput-level control\u003c\/li\u003e\n\u003cli\u003eHighpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e31-band graphic EQ with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003eAvailable sources: 24 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour internal effects sends (two reverbs, two delay effects), each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePre1\/Pre2\/post-fader send\u003c\/li\u003e\n\u003cli\u003eOutput-level control\u003c\/li\u003e\n\u003cli\u003eHighpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eStereo main bus with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced XLR outputs\u003c\/li\u003e\n\u003cli\u003eBalanced TRS outputs\u003c\/li\u003e\n\u003cli\u003eMono sum XLR output\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e31-band graphic EQ with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMaster section\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eAux Input A and B\u003c\/li\u003e\n\u003cli\u003eLevel Control and stereo pan\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTalkback System\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eMic Level control\u003c\/li\u003e\n\u003cli\u003eOutput Select (Auxes, Main)\u003c\/li\u003e\n\u003cli\u003eTalk button\u003c\/li\u003e\n\u003cli\u003eRear-panel XLR mic input with trim control and continuous 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e2-Track in\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eLevel control\u003c\/li\u003e\n\u003cli\u003eTape Input to Mains button\u003c\/li\u003e\n\u003cli\u003eMain Digital Audio Return on\/off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSolo bus\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eCue Mix volume control\u003c\/li\u003e\n\u003cli\u003ePFL\/AFL and Solo In Place (SIP) buttons\u003c\/li\u003e\n\u003cli\u003eLatch, Radio, and CR Modes\u003c\/li\u003e\n\u003cli\u003eSolo Clear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMonitor bus\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eHeadphone-output level control\u003c\/li\u003e\n\u003cli\u003eControl-room monitor-level control\u003c\/li\u003e\n\u003cli\u003eSolo Bus to Monitor button\u003c\/li\u003e\n\u003cli\u003eTape Input to Monitor button\u003c\/li\u003e\n\u003cli\u003eMain Digital Audio Return to Monitor button\u003c\/li\u003e\n\u003cli\u003eMain Mix to Monitor button\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFat Channel with rotary encoders:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003ePan with dedicated 15-LED display\u003c\/li\u003e\n\u003cli\u003eStereo link for input channels, aux buses, and subgroups\u003c\/li\u003e\n\u003cli\u003ePhase reverse (input channels only)\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter: -6 dB\/oct., sweepable from Off to 1 kHz (main channels and aux's only)\u003c\/li\u003e\n\u003cli\u003eGate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003c\/li\u003e\n\u003cli\u003eCompressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003c\/li\u003e\n\u003cli\u003e4-band fully parametric equalizer\n\u003cul\u003e\n\u003cli\u003eLow EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eLow Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eMaster EQ On\/Off button\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003c\/li\u003e\n\u003cli\u003eAlt EQ \u0026amp; Dyn button for quick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003c\/li\u003e\n\u003cli\u003eOutput Assign: 4 subgroups and main\u003c\/li\u003e\n\u003cli\u003eAll settings can be copied among channels and buses and can be saved as user presets.\u003c\/li\u003e\n\u003cli\u003e50 channel-strip presets for drums, bass, guitars, keyboards, and vocals\u003c\/li\u003e\n\u003cli\u003eQuick Parameter Null easily zeroes out any Fat Channel parameter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour internal digital effects-processors (two reverbs, two delays), each with 50 customizable presets\u003c\/h3\u003e\n\u003ch3\u003eTwelve 31-band graphic equalizers\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e6 Quick Scene buttons for instant Scene save\/recall—like “speed dial” for Scenes\u003c\/li\u003e\n\u003cli\u003eAutomatic Global AutoStore\u003c\/li\u003e\n\u003cli\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIndividual channel-strip setting storage\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eUp to 48 at a time, plus…\u003c\/li\u003e\n\u003cli\u003e50 factory presets for instruments and vocal\u003c\/li\u003e\n\u003cli\u003eCopy and Paste between channels\u003c\/li\u003e\n\u003cli\u003eCan be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLockout mode to keep inspired amateurs from changing your settings\u003c\/h3\u003e\n\u003ch3\u003eMetering\/Displays\u003c\/h3\u003e\n\u003ch3\u003eInput\/Output\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e24 x 16- LED Fat Channel matrix:\n\u003cul\u003e\n\u003cli\u003ePre-dynamics\/pre-fader input\u003c\/li\u003e\n\u003cli\u003ePost-dynamics\/post-fader output\u003c\/li\u003e\n\u003cli\u003eGain reduction\u003c\/li\u003e\n\u003cli\u003eAux 1-14 and EFX A-D output\u003c\/li\u003e\n\u003cli\u003eFader-position recall\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e8 x 15-LED main meter bank\n\u003cul\u003e\n\u003cli\u003eSelected channel level\u003c\/li\u003e\n\u003cli\u003eSelected channel gain reduction\u003c\/li\u003e\n\u003cli\u003eSub buses 1 to 4\u003c\/li\u003e\n\u003cli\u003eMain stereo outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e15-LED horizontal Pan\/Balance display\u003c\/li\u003e\n\u003cli\u003e64 x 194 LCD matrix\n\u003cul\u003e\n\u003cli\u003eEffects parameters\u003c\/li\u003e\n\u003cli\u003eScene creation, storage, and recall\u003c\/li\u003e\n\u003cli\u003eSystem menus\u003c\/li\u003e\n\u003cli\u003eChannel Info page with custom naming\u003c\/li\u003e\n\u003cli\u003eGEQ Select\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2-digit Channel Selected display\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e24 main inputs, each with XLR mic, ¼\" line, and ¼\" inserts\u003c\/li\u003e\n\u003cli\u003e2 ¼\" balanced stereo (L\/R) aux inputs\u003c\/li\u003e\n\u003cli\u003e1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control\u003c\/li\u003e\n\u003cli\u003eUnbalanced RCA stereo (L\/R) tape inputs and outputs\u003c\/li\u003e\n\u003cli\u003eXLR stereo (L\/R) main outputs with level control\u003c\/li\u003e\n\u003cli\u003e¼\" balanced stereo (L\/R) main outputs\u003c\/li\u003e\n\u003cli\u003eXLR mono output with level control\u003c\/li\u003e\n\u003cli\u003e¼\" balanced stereo (L\/R) control-room outputs\u003c\/li\u003e\n\u003cli\u003e¼\" headphone output\u003c\/li\u003e\n\u003cli\u003e4 ¼\" balanced subgroup outputs\u003c\/li\u003e\n\u003cli\u003e10 ¼\" balanced aux outputs\u003c\/li\u003e\n\u003cli\u003e24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 sockets\u003c\/li\u003e\n\u003cli\u003eDedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications\u003c\/li\u003e\n\u003cli\u003eInstalled Option Card with:\n\u003cul\u003e\n\u003cli\u003eS\/PDIF digital out\u003c\/li\u003e\n\u003cli\u003e2 FireWire S800 ports (fully compatible with Apple Thunderbolt to FireWire Adapter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOptional Networking cards\n\u003cul\u003e\n\u003cli\u003eDante™ (SL-Dante-Mix)\u003c\/li\u003e\n\u003cli\u003eAVB (SL-AVB-Mix)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIntegrated software\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eUC Surface Control Software with Smaart Measurement Technology™\u003c\/li\u003e\n\u003cli\u003eStudio One\u003csup\u003e®\u003c\/sup\u003e Artist Digital Audio Workstation software for Mac\u003csup\u003e®\u003c\/sup\u003e and Windows\u003csup\u003e®\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eCapture™ multitrack recording software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eQMix\u003csup\u003e®\u003c\/sup\u003e-AI aux-control software for iPhone\u003csup\u003e®\u003c\/sup\u003e and iPod\u003csup\u003e®\u003c\/sup\u003e touch available free from Apple App Store\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigitalia\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eHigh-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003c\/li\u003e\n\u003cli\u003eUnlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003c\/li\u003e\n\u003cli\u003eInternal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eRugged, non-flex steel chassis\u003c\/li\u003e\n\u003cli\u003e100 mm long-throw faders\u003c\/li\u003e\n\u003cli\u003eMilitary-grade, quick-touch buttons\u003c\/li\u003e\n\u003cli\u003eBNC 12V lamp socket\u003c\/li\u003e\n\u003cli\u003eOptional dust covers available\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003e24 input channels, each with:\u003cbr\u003e\u003cbr\u003e • XLR mic and ¼” line inputs\u003cbr\u003e • High-headroom Class A XMAX mic preamplifiers\u003cbr\u003e • Analog ¼\" inserts (rear panel)\u003cbr\u003e • Trim control with –20 to +20 dBV line \/ -15 to +65 dBu mic gain range (80 dB!)\u003cbr\u003e • +48V phantom power switch for condenser microphones\u003cbr\u003e • Digital Audio Input Select\u003cbr\u003e • 100 mm precision faders\u003cbr\u003e • Phase reverse, highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter—all with A\/B and Quick Null\u003cbr\u003e • Cascade two StudioLive® AI mixers of any frame size to create custom-sized mixing consoles.\u003cbr\u003e • 40 in x 26 out FireWire s800 direct digital recording interface (24-bit\/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz) compatible with Apple Thunderbolt to FireWire Adapter\u003cbr\u003e • Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others\u003cbr\u003e • 20 dedicated mix buses for easy configuration\u003cbr\u003e • 10 aux buses with analog outputs\u003cbr\u003e • 4 internal FX buses\u003cbr\u003e • 4 subgroups with analog outputs\u003cbr\u003e • Stereo main bus with analog outputs\u003cbr\u003e • Access to Fat Channel functions\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour subgroup buses, each with:\u003cbr\u003e\u003cbr\u003e • Balanced TRS output\u003cbr\u003e • Solo\u003cbr\u003e • Mute\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 300 ms output delay\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTen aux buses, each with:\u003cbr\u003e\u003cbr\u003e • Balanced TRS output\u003cbr\u003e • Solo\u003cbr\u003e • Mute\u003cbr\u003e • Pre1\/Pre2\/post-fader send\u003cbr\u003e • Output-level control\u003cbr\u003e • Highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 31-band graphic EQ with A\/B and Quick Null\u003cbr\u003e • Available sources: 24 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour internal effects sends (two reverbs, two delay effects), each with:\u003cbr\u003e\u003cbr\u003e • Mute\u003cbr\u003e • Pre1\/Pre2\/post-fader send\u003cbr\u003e • Output-level control\u003cbr\u003e • Highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eStereo main bus with:\u003cbr\u003e\u003cbr\u003e • Balanced XLR outputs\u003cbr\u003e • Balanced TRS outputs\u003cbr\u003e • Mono sum XLR output\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 31-band graphic EQ with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMaster section\u003cbr\u003e\u003cbr\u003e • Aux Input A and B\u003cbr\u003e • Level Control and stereo pan\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTalkback System\u003cbr\u003e\u003cbr\u003e • Mic Level control\u003cbr\u003e • Output Select (Auxes, Main)\u003cbr\u003e • Talk button\u003cbr\u003e • Rear-panel XLR mic input with trim control and continuous 48V phantom power\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-Track in\u003cbr\u003e\u003cbr\u003e • Level control\u003cbr\u003e • Tape Input to Mains button\u003cbr\u003e • Main Digital Audio Return on\/off\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSolo bus\u003cbr\u003e\u003cbr\u003e • Cue Mix volume control\u003cbr\u003e • PFL\/AFL and Solo In Place (SIP) buttons\u003cbr\u003e • Latch, Radio, and CR Modes\u003cbr\u003e • Solo Clear\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMonitor bus\u003cbr\u003e\u003cbr\u003e • Headphone-output level control\u003cbr\u003e • Control-room monitor-level control\u003cbr\u003e • Solo Bus to Monitor button\u003cbr\u003e • Tape Input to Monitor button\u003cbr\u003e • Main Digital Audio Return to Monitor button\u003cbr\u003e • Main Mix to Monitor button\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFat Channel with rotary encoders:\u003cbr\u003e\u003cbr\u003e • Pan with dedicated 15-LED display\u003cbr\u003e • Stereo link for input channels, aux buses, and subgroups\u003cbr\u003e • Phase reverse (input channels only)\u003cbr\u003e • High-pass filter: -6 dB\/oct., sweepable from Off to 1 kHz (main channels and aux's only)\u003cbr\u003e • Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003cbr\u003e • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003cbr\u003e • 4-band fully parametric equalizer\u003cbr\u003e • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003cbr\u003e • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003cbr\u003e • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003cbr\u003e • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003cbr\u003e • Master EQ On\/Off button\u003cbr\u003e • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003cbr\u003e • Alt EQ \u0026amp; Dyn button for quick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003cbr\u003e • Output Assign: 4 subgroups and main\u003cbr\u003e • All settings can be copied among channels and buses and can be saved as user presets.\u003cbr\u003e • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals\u003cbr\u003e • Quick Parameter Null easily zeroes out any Fat Channel parameter\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour internal digital effects-processors (two reverbs, two delays), each with 50 customizable presets\u003cbr\u003e\u003cbr\u003eTwelve 31-band graphic equalizers\u003cbr\u003e\u003cbr\u003e6 Quick Scene buttons for instant Scene save\/recall—like “speed dial” for Scenes\u003cbr\u003eAutomatic Global AutoStore\u003cbr\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIndividual channel-strip setting storage\u003cbr\u003e\u003cbr\u003e • Up to 48 at a time, plus…\u003cbr\u003e • 50 factory presets for instruments and vocal\u003cbr\u003e • Copy and Paste between channels\u003cbr\u003e • Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLockout mode to keep inspired amateurs from changing your settings\u003cbr\u003e\u003cbr\u003eMetering\/Displays\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e\u003cbr\u003e • 24 x 16- LED Fat Channel matrix:\u003cbr\u003e • Pre-dynamics\/pre-fader input\u003cbr\u003e • Post-dynamics\/post-fader output\u003cbr\u003e • Gain reduction\u003cbr\u003e • Aux 1-14 and EFX A-D output\u003cbr\u003e • Fader-position recall\u003cbr\u003e • 8 x 15-LED main meter bank\u003cbr\u003e • Selected channel level\u003cbr\u003e • Selected channel gain reduction\u003cbr\u003e • Sub buses 1 to 4\u003cbr\u003e • Main stereo outputs\u003cbr\u003e • 15-LED horizontal Pan\/Balance display\u003cbr\u003e • 64 x 194 LCD matrix\u003cbr\u003e • Effects parameters\u003cbr\u003e • Scene creation, storage, and recall\u003cbr\u003e • System menus\u003cbr\u003e • Channel Info page with custom naming\u003cbr\u003e • GEQ Select\u003cbr\u003e • 2-digit Channel Selected display\u003cbr\u003e • 24 main inputs, each with XLR mic, ¼\" line, and ¼\" inserts\u003cbr\u003e • 2 ¼\" balanced stereo (L\/R) aux inputs\u003cbr\u003e • 1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control\u003cbr\u003e • Unbalanced RCA stereo (L\/R) tape inputs and outputs\u003cbr\u003e • XLR stereo (L\/R) main outputs with level control\u003cbr\u003e • ¼\" balanced stereo (L\/R) main outputs\u003cbr\u003e • XLR mono output with level control\u003cbr\u003e • ¼\" balanced stereo (L\/R) control-room outputs\u003cbr\u003e • ¼\" headphone output\u003cbr\u003e • 4 ¼\" balanced subgroup outputs\u003cbr\u003e • 10 ¼\" balanced aux outputs\u003cbr\u003e • 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 sockets\u003cbr\u003e • Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications\u003cbr\u003e • Installed Option Card with:\u003cbr\u003e • S\/PDIF digital out\u003cbr\u003e • 2 FireWire S800 ports (fully compatible with Apple Thunderbolt to FireWire Adapter)\u003cbr\u003e • Optional Networking cards\u003cbr\u003e • Dante™ (SL-Dante-Mix)\u003cbr\u003e • AVB (SL-AVB-Mix)\u003cbr\u003e • \u003cbr\u003e\u003cbr\u003eIntegrated software\u003cbr\u003e\u003cbr\u003e • UC Surface Control Software with Smaart Measurement Technology™\u003cbr\u003e • Studio One® Artist Digital Audio Workstation software for Mac® and Windows®\u003cbr\u003e • Capture™ multitrack recording software for Mac and Windows\u003cbr\u003e • QMix®-AI aux-control software for iPhone® and iPod® touch available free from Apple App Store\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDigitalia\u003cbr\u003e\u003cbr\u003e • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003cbr\u003e • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003cbr\u003e • Internal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e\u003cbr\u003e • Rugged, non-flex steel chassis\u003cbr\u003e • 100 mm long-throw faders\u003cbr\u003e • Military-grade, quick-touch buttons\u003cbr\u003e • BNC 12V lamp socket\u003cbr\u003e • Optional dust covers available\u003cbr\u003e\u003cbr\u003eStudioLive 24.4.2AI\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003e\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface.\u003cbr\u003e\u003cbr\u003eApple iPad\u003cbr\u003e\u003cbr\u003e • iPad® Air, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), or iPad 2\u003cbr\u003e • ​​iOS® 7.03 or later\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e\u003cbr\u003e • Mac® OS X 10.8 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e\u003cbr\u003e • Windows® 7 x64\/x86 SP1, Windows 8 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e\u003cbr\u003e • Wired or wireless network connection\u003cbr\u003e • Internet connection\u003cbr\u003e • For Capture™ and Studio One®:\u003cbr\u003e • FireWire S800 (IEEE 1394b) port\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • Monitor with 1280x800 resolution\u003cbr\u003e • Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals.\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e • Microphone Preamps (XLR Balanced)\u003cbr\u003e • Type XLR Female, Balanced\u003cbr\u003e • Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5 dBu\u003cbr\u003e • Frequency Response to Main Output 20 Hz to 20 kHz ±0.5 dBu\u003cbr\u003e • Input Impedance (Balanced) 1 kΩ\u003cbr\u003e • THD to Direct Output \u0026lt; 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • EIN to Direct Output +125 dB unwtd, +130 dB A-wtd\u003cbr\u003e • S\/N Ratio to Direct Output 105 dB\u003cbr\u003e • S\/N Ratio to Main Output 94 dB\u003cbr\u003e • Common Mode Rejection Ratio 65 dB\u003cbr\u003e • Gain Control Range -15 dB to +65 dB (± 1 dB)\u003cbr\u003e • Maximum Input Level (unity gain) +22 dBu\u003cbr\u003e • Phantom Power +48 VDC\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e • Type ¼\" TRS Female, balanced mono\u003cbr\u003e • Frequency Response to Direct Outputs 10-40 kHz, 0 \/ -0.5 dBu\u003cbr\u003e • Frequency Response to Main Outputs 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e • THD to Direct Output \u0026lt;0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Direct Output 105 dB\u003cbr\u003e • S\/N Ratio to Main Output 94 dB\u003cbr\u003e • Gain Control Range (±1 dB) -20 dB to +20 dB\u003cbr\u003e • Maximum Input level (unity gain) +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAuxiliary Inputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (2 stereo pairs)\u003cbr\u003e • Maximum Input Level +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMain Outputs\u003cbr\u003e • Type Male, balanced (stereo pair); ¼\" TRS Female, balanced (stereo pair); XLR Male, balanced (mono)\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAux Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (mono)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSubgroup Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (mono)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTape Outputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eControl Room Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (stereo pair)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e • Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu\u003cbr\u003e • Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eNoise Gate \/ Expander\u003cbr\u003e • Threshold Range -84 dB to 0 dB\u003cbr\u003e • Attack Time 0.02s to 500 ms \/ 0.5 ms\u003cbr\u003e • Release Time 0.05s to 2s\u003cbr\u003e • Expander Attenuation Range 2:1\u003cbr\u003e • Gate Attenuation Range -84 dB to 0 dB \/ ∞\u003cbr\u003e • Key Listen Filter 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLimiter\u003cbr\u003e • Threshold -56 dB to 0 dB \/ -28 dBFS\u003cbr\u003e • Ratio ∞:1\u003cbr\u003e • Attack 20 ms\u003cbr\u003e • Hold 10 ms\u003cbr\u003e • Release 20 ms\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCompressor\u003cbr\u003e • Threshold Range -56 dB to 0 dB\u003cbr\u003e • Ratio 1:1 to 14:1\u003cbr\u003e • Attack Time 0.2 ms to 150 ms\u003cbr\u003e • Release Time 40 ms to 1000 ms\u003cbr\u003e • Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e • Curve Types hard and soft knee\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eParametric EQ\u003cbr\u003e • Type 2nd-order shelving filter (Q = 0.55)\u003cbr\u003e • Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e • Low Mid 90 Hz to 1.2 kHz, ±15 dB\u003cbr\u003e • High Mid 380 Hz to 5 kHz, ±15 dB\u003cbr\u003e • High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e • Q 0.1 to 4\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e • 31-Band 1\/3rd Octave Controls Curve-fitting algorithm\u003cbr\u003e • Gain\/Attenuation ±15 dB\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e • ADC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e • DAC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e • FireWire s800, 800 Mb\/s\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 44.1, 48 kHz\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in ≈ 1 ps out)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 100 to 230V, 50-60 Hz\u003cbr\u003e • Power Requirements 200W\u003cbr\u003e • Temperature Range 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e • Length 21.31\" (54.13 cm)\u003cbr\u003e • Width (chassis only) 25.19\" (63.98 cm)\u003cbr\u003e • Maximum Height 7.02\" (17.82 cm)\u003cbr\u003e • Weight 30 lbs. (13.6 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}
PreSonus StudioLive 24.4.2AI

PreSonus StudioLive 24.4.2AI

$2,698.80

Only with StudioLive AI. StudioLive® AI Active Integration mixing consoles combine a familiar, analog-like mixing surface with the power of digital mixing. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, they deliver the most creative environment possible for both live performance and studio music produc...


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PreSonus StudioLive 24 Series 3
PreSonus StudioLive 24 Series 3

Mixers

$2,319.00 $3,238.80
{"id":10493510669,"title":"PreSonus StudioLive 24 Series 3","handle":"presonus-studiolive-24-series-3-tm","description":"\u003cp\u003eThe most powerful mixer in its class.\u003cbr\u003e\u003cbr\u003eThe StudioLive® 24 digital console\/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 25 touch-sensitive, motorized faders and 25 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 24 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.\u003cbr\u003e\u003cbr\u003eIntegrated multitrack recording and virtual soundcheck — no computer required.\u003cbr\u003ePreSonus Capture™ recording software is an intuitive, rock-solid multitrack recording application with virtual soundcheck. It’s installed directly into the StudioLive 24 so you can leave your laptop at home. Capture’s one-touch recording makes it easy to record to the StudioLive 24’s onboard SD multitrack recorder. When you're finished recording, open your Capture session in Studio One® for Mac® and Windows® (included), and the entire mix scene will transfer to your Studio One session, including fader levels, Fat Channel settings, and, yes, any drum solos that you may have had to endure that night.\u003cbr\u003eA re-envisioned Fat Channel.\u003cbr\u003e\u003cbr\u003eThe StudioLive 24’s Fat Channel has received a major overhaul while continuing to offer digital precision with the heart and soul of analog. Our new Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. And in addition to channel processing, the StudioLive 24 offers 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording on location or running shows on the road!\u003cbr\u003eDefine your own layouts, views, and workflows.\u003cbr\u003e\u003cbr\u003eStudioLive 24 goes above and beyond in providing ways to customize things to best fit the way you work. Now you can customize your Fat Channel layout, putting the parameters you care about most right at your fingertips. There are even several workflow options to personalize your mixing experience. For instance, you can control the mixer with a multiple iPads and—optionally—a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time.\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003e\u003cbr\u003eWith StudioLive 24, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with new FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. You get a total of 10 FlexMixes on analog outputs, 6 on XLR connectors, and 4 on ¼-inch TRS; the other 6 are routed over USB or AVB. These 16 FlexMixes are in addition to the 4 fixed subgroups that also are available via USB or AVB, giving you a total of 20 mix buses, not counting the main mix, solo, and FX buses. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive 24 mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eWorld-class recording software included.\u003cbr\u003eSeamlessly integrated with the included PreSonus Studio One® Artist DAW, the StudioLive 24 Series III mixer works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.\u003cbr\u003eIntegrated software package with professional DAW, remote-control apps, and one-touch recording.\u003cbr\u003e\u003cbr\u003ePreSonus StudioLive 24 mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture ™. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive 24 mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003eNetwork-ready, with a choice of computer recording methods.\u003cbr\u003e\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 24 mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive 24 mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 38x38 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. And recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or with any recording software that supports ASIO or Core Audio.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive 24 consoles sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, and iPad®. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android™ device without the need for large monitor networks. Go wireless, wired, or both.\u003cbr\u003e\u003cbr\u003eExtensive connections for flexible signal flow.\u003cbr\u003eThe back panel of a StudioLive 24 console sports all of the connections you need for live sound and studio production. With flexible connectivity, superior audio quality, the ability to customize for your workflow, and powerful processing, mixing, and routing capabilities, you’ll create your mixes in whatever manner works best for you. We just provide the tools.\u003cbr\u003eSuperior sound.\u003cbr\u003e\u003cbr\u003eConnect a StudioLive 24 mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing the StudioLive 24. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, the StudioLive 24 delivers the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003eNow includes Studio Magic plug-in suite.\u003cbr\u003e\u003cbr\u003eThis suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll find yourself relying on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003eGeneral Controls\u003cbr\u003e\u003cbr\u003e • 25 touch-sensitive, motorized faders 1-to-1 workflow\u003cbr\u003e • RGB Select buttons with user-assignable colors\u003cbr\u003e • Transport control\u003cbr\u003e • All-new Fat Channel controls including\u003cbr\u003e • 8 scribble strips, encoders, and multicolor buttons\u003cbr\u003e • Customizable user layer\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • DAW control (Studio One, MCU, and HUI) coming soon\u003cbr\u003e\u003cbr\u003eInputs and Outputs\u003cbr\u003e\u003cbr\u003e • 32 total inputs\u003cbr\u003e • 24 channel inputs: 16 mic, 8 mic\/line\u003cbr\u003e • 1 XLR Talkback mic input with recallable XMAX Class A preamp\u003cbr\u003e • 2 stereo Aux inputs\u003cbr\u003e • 10 FlexMix outputs: 6 XLR, 4 balanced TRS\u003cbr\u003e • Unbalanced stereo (RCA) tape input and output\u003cbr\u003e • Bluetooth™ 4.1 wireless tape input\u003cbr\u003e • Stereo AES\/EBU digital output\u003cbr\u003e • 2 XLR (L\/R) Main outputs\u003cbr\u003e • XLR Main summed mono output\u003cbr\u003e • 2 TRS monitor outputs\u003cbr\u003e • Stereo headphone output\u003cbr\u003e\u003cbr\u003eChannels and Buses\u003cbr\u003e\u003cbr\u003e • 32 input channels\u003cbr\u003e • 24 with recallable XMAX Class A mic preamps\u003cbr\u003e • 8 via USB and AVB only\u003cbr\u003e • 2 stereo aux inputs\u003cbr\u003e • 26 buses:\u003cbr\u003e • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003cbr\u003e • 4 dedicated subgroups\u003cbr\u003e • 4 internal effects sends\u003cbr\u003e • Stereo main bus\u003cbr\u003e • 24 Filter DCAs for easily and flexibly controlling groups of channels\u003cbr\u003e\u003cbr\u003eNetworking Connections\u003cbr\u003e\u003cbr\u003e • 1 Ethernet control network port\u003cbr\u003e • Dynamic, Self Assigned, and Manual IP address modes\u003cbr\u003e • 1 Ethercon AVB audio network port\u003cbr\u003e • Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017\u003cbr\u003e\u003cbr\u003eRecording\u003cbr\u003e\u003cbr\u003e • Onboard 34x34 SD recorder (using Capture™)\u003cbr\u003e • 38x38 USB recording interface\u003cbr\u003e • 55x55 AVB recording interface\u003cbr\u003e\u003cbr\u003eSignal Processing\u003cbr\u003e\u003cbr\u003e ▪ Intuitive Fat Channel signal processing on every channel with:\u003cbr\u003e • A\/B settings comparison\u003cbr\u003e • Highpass filter and polarity reverse\u003cbr\u003e • Gate\/expander with sidechain\u003cbr\u003e • Compressor with sidechain\u003cbr\u003e • 4-band parametric EQ on inputs\u003cbr\u003e • 6-band parametric EQ on outputs\u003cbr\u003e • Limiter\u003cbr\u003e • Delay on every input\u003cbr\u003e • Delay on every output\u003cbr\u003e • Professionally programmed library of presets\u003cbr\u003e ▪ Vintage EQ and compressor models available on every input\u003cbr\u003e • Passive EQ\u003cbr\u003e • Vintage EQ\u003cbr\u003e • Tube compressor\u003cbr\u003e • FET compressor\u003cbr\u003e • 8 31-band graphic EQs\u003cbr\u003e • 4 internal effects buses: combination of reverbs and delays with modern and vintage options\u003cbr\u003e • Built-in real-time analyzer\u003cbr\u003e\u003cbr\u003eMetering\/Displays\u003cbr\u003e\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • Input meter on every channel\u003cbr\u003e • Full-size Fat Channel metering\u003cbr\u003e • Input meter\u003cbr\u003e • Gate gain reduction meter\u003cbr\u003e • Compressor gain reduction meter\u003cbr\u003e • Full-size stereo Main output meters\u003cbr\u003e\u003cbr\u003eScenes and Presets\u003cbr\u003e\u003cbr\u003e • Create, save, and edit up to 100 scenes\u003cbr\u003e • Scene management with:\u003cbr\u003e • Scene Safe—prevents a scene change from affecting designated “safe” channels\u003cbr\u003e • Create, save, and edit channel settings and copy\/paste between channels\u003cbr\u003e • Advanced channel preset options can save and recall:\u003cbr\u003e • Channel type and name\u003cbr\u003e • Input settings (preamp, +48V phantom power, polarity, pan)\u003cbr\u003e • Fat Channel A \u0026amp; B settings\u003cbr\u003e • Bus assignments\u003cbr\u003e • Aux and effects send levels and pan\u003cbr\u003e • Select button color\u003cbr\u003e • 8 Quick Scenes\u003cbr\u003e\u003cbr\u003eDigital\u003cbr\u003e\u003cbr\u003e • Studio-quality converters with 115 dB dynamic range\u003cbr\u003e • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003cbr\u003e\u003cbr\u003eActively Integrated Software\u003cbr\u003e\u003cbr\u003e • UC Surface touch control software for Mac®, Windows®, and iPad®\u003cbr\u003e • Studio One® Artist digital audio workstation software for Mac and Windows\u003cbr\u003e • Capture™ multitrack recording software for Mac and Windows\u003cbr\u003e • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store\u003c\/p\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface and Studio One®.\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e\u003cbr\u003e • Mac® OS X 10.8.5 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e\u003cbr\u003e • Windows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo or AMD Athlon™ X2 processor (Intel Core i3 or Athlon X4 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e\u003cbr\u003e • USB 2.0 port\u003cbr\u003e • Internet connection\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • 30 GB hard disk space\u003cbr\u003e • Monitor with 1366x768 resolution\u003cbr\u003e\u003cbr\u003eiOS\u003cbr\u003e\u003cbr\u003e • iOS 8 or later\u003cbr\u003e • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003cbr\u003e\u003cbr\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003c\/p\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eMi​crophone Preamplifier\u003cbr\u003e\u003cbr\u003e • Input Type XLR Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e • Gain Control Range (±1 dB) 0 dB to +60 dB\u003cbr\u003e • Maximum Input Level (unity gain) +12 dBu\u003cbr\u003e • Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Maximum Input Level +18 dBu\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +12 dBu, ±0.5 dBu\u003cbr\u003e\u003cbr\u003eXLR Outputs\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Maximum Output Level +24 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eLine Outputs\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eTape Outputs\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Type ¼” TRS Female, active stereo\u003cbr\u003e • Maximum Output 100 mW\/ch. @ 60Ω load\u003cbr\u003e • Frequency Response 20 Hz – 20 kHz (± 0.5 dB)\u003cbr\u003e • THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e • S\/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Input to Output -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e • Adjacent Channels -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e\u003cbr\u003eDigital Audio and Control\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • ADC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • DAC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • USB Recording Port USB 2.0, Type-B\u003cbr\u003e • Bluetooth™ Input 4.1, stereo\u003cbr\u003e • AES\/EBU Output XLR Male\u003cbr\u003e • Network Control Port RJ-45\u003cbr\u003e • AVB Audio Network Port Ethercon\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 48 kHz (44.1 kHz coming soon)\u003cbr\u003e • A\/D\/A Bit Depth2 4\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e • Total System Latency 1.9 ms (local routing, analog in-analog out, all processing active)\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in, 1 ps out)\u003cbr\u003e\u003cbr\u003ePower \/ Environmental\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 90 to 230 VAC (±10%)\u003cbr\u003e • Power Requirements (continuous) 85W\u003cbr\u003e • Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Height 7” (179mm)\u003cbr\u003e • Width 25.6” (650mm)\u003cbr\u003e • Depth 23” (584mm)\u003cbr\u003e • Weight 30 lbs. (13.6 kg)\u003c\/p\u003e","published_at":"2017-07-24T18:51:32+02:00","created_at":"2017-07-24T18:51:48+02:00","vendor":"PreSonus","type":"Mixers","tags":["Channels_24","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$2000 to $3000","Shop by brand_PreSonus","Shop by category_Digital Mixers","Shop by category_Live Sound Mixers"],"price":231900,"price_min":231900,"price_max":231900,"available":true,"price_varies":false,"compare_at_price":323880,"compare_at_price_min":323880,"compare_at_price_max":323880,"compare_at_price_varies":false,"variants":[{"id":40846663885,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive 24 Series 3","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive 24 Series 3","public_title":null,"options":["Default Title"],"price":231900,"weight":0,"compare_at_price":323880,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_24-environmental.jpg?v=1501527660","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_24-top.jpg?v=1501527660","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_24-environmental_02.jpg?v=1501527660","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/studiolive_24-10.png?v=1501527660","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_24-back.jpg?v=1501527660","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_24-macro.jpg?v=1501527660"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_24-environmental.jpg?v=1501527660","options":["Title"],"content":"\u003cp\u003eThe most powerful mixer in its class.\u003cbr\u003e\u003cbr\u003eThe StudioLive® 24 digital console\/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 25 touch-sensitive, motorized faders and 25 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 24 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.\u003cbr\u003e\u003cbr\u003eIntegrated multitrack recording and virtual soundcheck — no computer required.\u003cbr\u003ePreSonus Capture™ recording software is an intuitive, rock-solid multitrack recording application with virtual soundcheck. It’s installed directly into the StudioLive 24 so you can leave your laptop at home. Capture’s one-touch recording makes it easy to record to the StudioLive 24’s onboard SD multitrack recorder. When you're finished recording, open your Capture session in Studio One® for Mac® and Windows® (included), and the entire mix scene will transfer to your Studio One session, including fader levels, Fat Channel settings, and, yes, any drum solos that you may have had to endure that night.\u003cbr\u003eA re-envisioned Fat Channel.\u003cbr\u003e\u003cbr\u003eThe StudioLive 24’s Fat Channel has received a major overhaul while continuing to offer digital precision with the heart and soul of analog. Our new Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. And in addition to channel processing, the StudioLive 24 offers 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording on location or running shows on the road!\u003cbr\u003eDefine your own layouts, views, and workflows.\u003cbr\u003e\u003cbr\u003eStudioLive 24 goes above and beyond in providing ways to customize things to best fit the way you work. Now you can customize your Fat Channel layout, putting the parameters you care about most right at your fingertips. There are even several workflow options to personalize your mixing experience. For instance, you can control the mixer with a multiple iPads and—optionally—a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time.\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003e\u003cbr\u003eWith StudioLive 24, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with new FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. You get a total of 10 FlexMixes on analog outputs, 6 on XLR connectors, and 4 on ¼-inch TRS; the other 6 are routed over USB or AVB. These 16 FlexMixes are in addition to the 4 fixed subgroups that also are available via USB or AVB, giving you a total of 20 mix buses, not counting the main mix, solo, and FX buses. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive 24 mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eWorld-class recording software included.\u003cbr\u003eSeamlessly integrated with the included PreSonus Studio One® Artist DAW, the StudioLive 24 Series III mixer works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.\u003cbr\u003eIntegrated software package with professional DAW, remote-control apps, and one-touch recording.\u003cbr\u003e\u003cbr\u003ePreSonus StudioLive 24 mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere using UC Surface touch-control software for Mac, Windows, and iPad®. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One Artist for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture ™. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive 24 mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003eNetwork-ready, with a choice of computer recording methods.\u003cbr\u003e\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 24 mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive 24 mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 38x38 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. And recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or with any recording software that supports ASIO or Core Audio.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive 24 consoles sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, and iPad®. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix®-UC for iPhone®, iPod® touch, or Android™ device without the need for large monitor networks. Go wireless, wired, or both.\u003cbr\u003e\u003cbr\u003eExtensive connections for flexible signal flow.\u003cbr\u003eThe back panel of a StudioLive 24 console sports all of the connections you need for live sound and studio production. With flexible connectivity, superior audio quality, the ability to customize for your workflow, and powerful processing, mixing, and routing capabilities, you’ll create your mixes in whatever manner works best for you. We just provide the tools.\u003cbr\u003eSuperior sound.\u003cbr\u003e\u003cbr\u003eConnect a StudioLive 24 mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing the StudioLive 24. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, the StudioLive 24 delivers the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003eNow includes Studio Magic plug-in suite.\u003cbr\u003e\u003cbr\u003eThis suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll find yourself relying on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003eGeneral Controls\u003cbr\u003e\u003cbr\u003e • 25 touch-sensitive, motorized faders 1-to-1 workflow\u003cbr\u003e • RGB Select buttons with user-assignable colors\u003cbr\u003e • Transport control\u003cbr\u003e • All-new Fat Channel controls including\u003cbr\u003e • 8 scribble strips, encoders, and multicolor buttons\u003cbr\u003e • Customizable user layer\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • DAW control (Studio One, MCU, and HUI) coming soon\u003cbr\u003e\u003cbr\u003eInputs and Outputs\u003cbr\u003e\u003cbr\u003e • 32 total inputs\u003cbr\u003e • 24 channel inputs: 16 mic, 8 mic\/line\u003cbr\u003e • 1 XLR Talkback mic input with recallable XMAX Class A preamp\u003cbr\u003e • 2 stereo Aux inputs\u003cbr\u003e • 10 FlexMix outputs: 6 XLR, 4 balanced TRS\u003cbr\u003e • Unbalanced stereo (RCA) tape input and output\u003cbr\u003e • Bluetooth™ 4.1 wireless tape input\u003cbr\u003e • Stereo AES\/EBU digital output\u003cbr\u003e • 2 XLR (L\/R) Main outputs\u003cbr\u003e • XLR Main summed mono output\u003cbr\u003e • 2 TRS monitor outputs\u003cbr\u003e • Stereo headphone output\u003cbr\u003e\u003cbr\u003eChannels and Buses\u003cbr\u003e\u003cbr\u003e • 32 input channels\u003cbr\u003e • 24 with recallable XMAX Class A mic preamps\u003cbr\u003e • 8 via USB and AVB only\u003cbr\u003e • 2 stereo aux inputs\u003cbr\u003e • 26 buses:\u003cbr\u003e • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003cbr\u003e • 4 dedicated subgroups\u003cbr\u003e • 4 internal effects sends\u003cbr\u003e • Stereo main bus\u003cbr\u003e • 24 Filter DCAs for easily and flexibly controlling groups of channels\u003cbr\u003e\u003cbr\u003eNetworking Connections\u003cbr\u003e\u003cbr\u003e • 1 Ethernet control network port\u003cbr\u003e • Dynamic, Self Assigned, and Manual IP address modes\u003cbr\u003e • 1 Ethercon AVB audio network port\u003cbr\u003e • Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017\u003cbr\u003e\u003cbr\u003eRecording\u003cbr\u003e\u003cbr\u003e • Onboard 34x34 SD recorder (using Capture™)\u003cbr\u003e • 38x38 USB recording interface\u003cbr\u003e • 55x55 AVB recording interface\u003cbr\u003e\u003cbr\u003eSignal Processing\u003cbr\u003e\u003cbr\u003e ▪ Intuitive Fat Channel signal processing on every channel with:\u003cbr\u003e • A\/B settings comparison\u003cbr\u003e • Highpass filter and polarity reverse\u003cbr\u003e • Gate\/expander with sidechain\u003cbr\u003e • Compressor with sidechain\u003cbr\u003e • 4-band parametric EQ on inputs\u003cbr\u003e • 6-band parametric EQ on outputs\u003cbr\u003e • Limiter\u003cbr\u003e • Delay on every input\u003cbr\u003e • Delay on every output\u003cbr\u003e • Professionally programmed library of presets\u003cbr\u003e ▪ Vintage EQ and compressor models available on every input\u003cbr\u003e • Passive EQ\u003cbr\u003e • Vintage EQ\u003cbr\u003e • Tube compressor\u003cbr\u003e • FET compressor\u003cbr\u003e • 8 31-band graphic EQs\u003cbr\u003e • 4 internal effects buses: combination of reverbs and delays with modern and vintage options\u003cbr\u003e • Built-in real-time analyzer\u003cbr\u003e\u003cbr\u003eMetering\/Displays\u003cbr\u003e\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • Input meter on every channel\u003cbr\u003e • Full-size Fat Channel metering\u003cbr\u003e • Input meter\u003cbr\u003e • Gate gain reduction meter\u003cbr\u003e • Compressor gain reduction meter\u003cbr\u003e • Full-size stereo Main output meters\u003cbr\u003e\u003cbr\u003eScenes and Presets\u003cbr\u003e\u003cbr\u003e • Create, save, and edit up to 100 scenes\u003cbr\u003e • Scene management with:\u003cbr\u003e • Scene Safe—prevents a scene change from affecting designated “safe” channels\u003cbr\u003e • Create, save, and edit channel settings and copy\/paste between channels\u003cbr\u003e • Advanced channel preset options can save and recall:\u003cbr\u003e • Channel type and name\u003cbr\u003e • Input settings (preamp, +48V phantom power, polarity, pan)\u003cbr\u003e • Fat Channel A \u0026amp; B settings\u003cbr\u003e • Bus assignments\u003cbr\u003e • Aux and effects send levels and pan\u003cbr\u003e • Select button color\u003cbr\u003e • 8 Quick Scenes\u003cbr\u003e\u003cbr\u003eDigital\u003cbr\u003e\u003cbr\u003e • Studio-quality converters with 115 dB dynamic range\u003cbr\u003e • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003cbr\u003e\u003cbr\u003eActively Integrated Software\u003cbr\u003e\u003cbr\u003e • UC Surface touch control software for Mac®, Windows®, and iPad®\u003cbr\u003e • Studio One® Artist digital audio workstation software for Mac and Windows\u003cbr\u003e • Capture™ multitrack recording software for Mac and Windows\u003cbr\u003e • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store\u003c\/p\u003e\n\u003cp\u003eComputer system requirements:\u003cbr\u003e\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface and Studio One®.\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e\u003cbr\u003e • Mac® OS X 10.8.5 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e\u003cbr\u003e • Windows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo or AMD Athlon™ X2 processor (Intel Core i3 or Athlon X4 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e\u003cbr\u003e • USB 2.0 port\u003cbr\u003e • Internet connection\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • 30 GB hard disk space\u003cbr\u003e • Monitor with 1366x768 resolution\u003cbr\u003e\u003cbr\u003eiOS\u003cbr\u003e\u003cbr\u003e • iOS 8 or later\u003cbr\u003e • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003cbr\u003e\u003cbr\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003c\/p\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eMi​crophone Preamplifier\u003cbr\u003e\u003cbr\u003e • Input Type XLR Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e • Gain Control Range (±1 dB) 0 dB to +60 dB\u003cbr\u003e • Maximum Input Level (unity gain) +12 dBu\u003cbr\u003e • Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Maximum Input Level +18 dBu\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +12 dBu, ±0.5 dBu\u003cbr\u003e\u003cbr\u003eXLR Outputs\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Maximum Output Level +24 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eLine Outputs\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eTape Outputs\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Type ¼” TRS Female, active stereo\u003cbr\u003e • Maximum Output 100 mW\/ch. @ 60Ω load\u003cbr\u003e • Frequency Response 20 Hz – 20 kHz (± 0.5 dB)\u003cbr\u003e • THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e • S\/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Input to Output -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e • Adjacent Channels -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e\u003cbr\u003eDigital Audio and Control\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • ADC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • DAC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • USB Recording Port USB 2.0, Type-B\u003cbr\u003e • Bluetooth™ Input 4.1, stereo\u003cbr\u003e • AES\/EBU Output XLR Male\u003cbr\u003e • Network Control Port RJ-45\u003cbr\u003e • AVB Audio Network Port Ethercon\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 48 kHz (44.1 kHz coming soon)\u003cbr\u003e • A\/D\/A Bit Depth2 4\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e • Total System Latency 1.9 ms (local routing, analog in-analog out, all processing active)\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in, 1 ps out)\u003cbr\u003e\u003cbr\u003ePower \/ Environmental\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 90 to 230 VAC (±10%)\u003cbr\u003e • Power Requirements (continuous) 85W\u003cbr\u003e • Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e\u003cbr\u003e • Height 7” (179mm)\u003cbr\u003e • Width 25.6” (650mm)\u003cbr\u003e • Depth 23” (584mm)\u003cbr\u003e • Weight 30 lbs. (13.6 kg)\u003c\/p\u003e"}
PreSonus StudioLive 24 Series 3

PreSonus StudioLive 24 Series 3

$2,319.00

The most powerful mixer in its class.The StudioLive® 24 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 25 touch-sensitive, motorized faders and 25 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 24 actually improves upon PreSonu...


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PreSonus StudioLive 16 Series 3
PreSonus StudioLive 16 Series 3

Mixers

$1,929.00 $2,638.80
{"id":10493506061,"title":"PreSonus StudioLive 16 Series 3","handle":"presonus-studiolive-16-series-3-tm","description":"\u003cp\u003eThe most powerful mixer in its class.\u003cbr\u003e\u003cbr\u003eThe StudioLive® 16 digital console\/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.\u003cbr\u003e\u003cbr\u003eIntegrated multitrack recording and virtual soundcheck — no computer required.\u003cbr\u003ePreSonus Capture™ recording software is an intuitive, rock-solid multitrack recording application with virtual soundcheck. It’s installed directly into the StudioLive 16 so you can leave your laptop at home. Capture’s one-touch recording makes it easy to record to the StudioLive 16’s onboard SD multitrack recorder. When you're finished recording, open your Capture session in Studio One® for Mac® and Windows® (included), and the entire mix scene will transfer to your Studio One session, including fader levels, Fat Channel settings, and, yes, any drum solos that you may have had to endure that night.\u003cbr\u003e\u003cbr\u003eA re-envisioned Fat Channel.\u003cbr\u003eThe StudioLive 16’s Fat Channel has received a major overhaul while continuing to offer digital precision with the heart and soul of analog. Our new Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. And in addition to channel processing, the StudioLive 16 offers 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording on location or running shows on the road!\u003cbr\u003e\u003cbr\u003eDefine your own layouts, views, and workflows.\u003cbr\u003eStudioLive 16 goes above and beyond in providing ways to customize things to best fit the way you work. Now you can customize your Fat Channel layout, putting the parameters you care about most right at your fingertips. There are even several workflow options to personalize your mixing experience. For instance, you can control the mixer with a multiple iPads and—optionally—a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time.\u003cbr\u003e\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003eWith StudioLive 16, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with new FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. You get a total of 10 FlexMixes on analog outputs, six on XLR connectors, and four on ¼-inch TRS; the other six are routed over USB or AVB. These 16 FlexMixes are in addition to the 4 fixed subgroups that also are available via USB or AVB, giving you a total of 20 mix buses, not counting the main mix, solo, and FX buses. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive 16 mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eWorld-class recording software included.\u003cbr\u003eSeamlessly integrated with the included PreSonus Studio One® Artist DAW, the StudioLive 16 Series III mixer works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.\u003cbr\u003e\u003cbr\u003eIntegrated, multiplatform software for flexible control and one-click recording.\u003cbr\u003ePreSonus StudioLive 16 mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere, using UC Surface touch-control software for Mac, Windows, and iPad®. Control your monitor (aux) mixes with QMix-UC. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive 16 mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003e\u003cbr\u003eNetwork-ready, with a choice of computer recording methods.\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 16 mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive 16 mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 38x38 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. And recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or with any recording software that supports ASIO or Core Audio.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive 16 consoles sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, and iPad®. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix® UC for iPhone®, iPod® touch, or Android™ device without the need for large monitor networks. Go wireless, wired, or both.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eExtensive connections for flexible signal flow.\u003cbr\u003eThe back panel of a StudioLive 16 console sports all of the connections you need for live sound and studio production. With flexible connectivity, superior audio quality, the ability to customize for your workflow, and powerful processing, mixing, and routing capabilities, you’ll create your mixes in whatever manner works best for you. We just provide the tools.\u003cbr\u003e\u003cbr\u003eSuperior sound.\u003cbr\u003eConnect a StudioLive 16 mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing the StudioLive 16. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, the StudioLive 16 delivers the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003eNow includes Studio Magic plug-in suite.\u003cbr\u003e\u003cbr\u003eThis suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll find yourself relying on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003eGeneral Controls\u003cbr\u003e • 17 touch-sensitive, motorized faders with 1-to-1 workflow\u003cbr\u003e • RGB Select buttons with user-assignable colors\u003cbr\u003e • Transport control\u003cbr\u003e • All-new Fat Channel controls including\u003cbr\u003e • 8 scribble strips, encoders, and multicolor buttons\u003cbr\u003e • Customizable user layer\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • DAW control (Studio One, MCU, and HUI) coming soon\u003cbr\u003e\u003cbr\u003eInputs and Outputs\u003cbr\u003e • 24 total inputs\u003cbr\u003e • 16 channel inputs: 8 mic, 8 mic\/line\u003cbr\u003e • 1 XLR Talkback mic input with recallable XMAX Class A preamp\u003cbr\u003e • 2 stereo Aux inputs\u003cbr\u003e • 10 FlexMix outputs: 6 XLR, 4 balanced TRS\u003cbr\u003e • Unbalanced stereo (RCA) tape input and output\u003cbr\u003e • Bluetooth™ 4.1 wireless tape input\u003cbr\u003e • Stereo AES\/EBU digital output\u003cbr\u003e • 2 XLR (L\/R) Main outputs\u003cbr\u003e • XLR Main summed mono output\u003cbr\u003e • 2 TRS monitor outputs\u003cbr\u003e • Stereo headphone output\u003cbr\u003e\u003cbr\u003eChannels and Buses\u003cbr\u003e • 32 input channels\u003cbr\u003e • 16 with recallable XMAX Class A mic preamps\u003cbr\u003e • 16 via USB and AVB\u003cbr\u003e • 2 stereo aux inputs\u003cbr\u003e • 26 buses:\u003cbr\u003e • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003cbr\u003e • 4 dedicated subgroups\u003cbr\u003e • 4 internal effects sends\u003cbr\u003e • Stereo main bus\u003cbr\u003e • 24 Filter DCAs for easily and flexibly controlling groups of channels\u003cbr\u003e\u003cbr\u003eNetworking Connections\u003cbr\u003e • 1 Ethernet control network port\u003cbr\u003e • Dynamic, Self Assigned, and Manual IP address modes\u003cbr\u003e • 1 Ethercon AVB audio network port\u003cbr\u003e • Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017\u003cbr\u003e\u003cbr\u003eRecording\u003cbr\u003e • Onboard 34x34 SD recorder (using Capture™)\u003cbr\u003e • 38x38 USB recording interface\u003cbr\u003e • 55x55 AVB recording interface\u003cbr\u003e\u003cbr\u003eSignal Processing\u003cbr\u003e • Intuitive Fat Channel signal processing on every channel with:\u003cbr\u003e • A\/B settings comparison\u003cbr\u003e • Highpass filter and polarity reverse\u003cbr\u003e • Gate\/expander with sidechain\u003cbr\u003e • Compressor with sidechain\u003cbr\u003e • 4-band parametric EQ on inputs\u003cbr\u003e • 6-band parametric EQ on outputs\u003cbr\u003e • Limiter\u003cbr\u003e • Delay on every input\u003cbr\u003e • Delay on every output\u003cbr\u003e • Professionally programmed library of presets\u003cbr\u003e ▪ Vintage EQ and compressor models available on every input\u003cbr\u003e • Passive EQ\u003cbr\u003e • Vintage EQ\u003cbr\u003e • Tube compressor\u003cbr\u003e • FET compressor\u003cbr\u003e • 8 31-band graphic EQs\u003cbr\u003e • 4 internal effects buses: combination of reverbs and delays with modern and vintage options\u003cbr\u003e • Built-in real-time analyzer\u003cbr\u003e\u003cbr\u003eMetering\/Displays\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • Input meter on every channel\u003cbr\u003e • Full-size Fat Channel metering\u003cbr\u003e • Input meter\u003cbr\u003e • Gate gain reduction meter\u003cbr\u003e • Compressor gain reduction meter\u003cbr\u003e • Full-size stereo Main output meters\u003cbr\u003e\u003cbr\u003eScenes and Presets\u003cbr\u003e • Create, save, and edit up to 100 scenes\u003cbr\u003e • Scene management with:\u003cbr\u003e • Scene Safe—prevents a scene change from affecting designated “safe” channels\u003cbr\u003e • Create, save, and edit channel settings and copy\/paste between channels\u003cbr\u003e • Advanced channel preset options can save and recall:\u003cbr\u003e • Channel type and name\u003cbr\u003e • Input settings (preamp, +48V phantom power, polarity, pan)\u003cbr\u003e • Fat Channel A \u0026amp; B settings\u003cbr\u003e • Bus assignments\u003cbr\u003e • Aux and effects send levels and pan\u003cbr\u003e • Select button color\u003cbr\u003e • 8 Quick Scenes\u003cbr\u003e\u003cbr\u003eDigital\u003cbr\u003e • Studio-quality converters with 115 dB dynamic range\u003cbr\u003e • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003cbr\u003e\u003cbr\u003eActively Integrated Software\u003cbr\u003e • UC Surface touch control software for Mac®, Windows®, and iPad®\u003cbr\u003e • Studio One® Artist digital audio workstation software for Mac and Windows\u003cbr\u003e • Capture™ multitrack recording software for Mac and Windows\u003cbr\u003e • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.\u003cbr\u003eMac\u003cbr\u003e • Mac® OS X 10.8.5 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003eWindows\u003cbr\u003e • Windows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo or AMD Athlon™ X2 processor (Intel Core i3 or Athlon X4 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e • USB 2.0 port\u003cbr\u003e • Internet connection\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • 30 GB hard disk space\u003cbr\u003e • Monitor with 1366x768 resolution\u003cbr\u003e\u003cbr\u003eiOS\u003cbr\u003e • iOS 9.3 or later\u003cbr\u003e • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003cbr\u003e\u003cbr\u003eAndroid (QMix-UC)\u003cbr\u003e • Android 5.0 (Lollipop) or higher\u003cbr\u003e • Android™ smartphone or tablet\u003cbr\u003e\u003cbr\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003eMi​crophone Preamplifier\u003cbr\u003e • Input Type XLR Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e • Gain Control Range (±1 dB) 0 dB to +60 dB\u003cbr\u003e • Maximum Input Level (unity gain) +12 dBu\u003cbr\u003e • Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Maximum Input Level +18 dBu\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +12 dBu, ±0.5 dBu\u003cbr\u003e\u003cbr\u003eXLR Outputs\u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Maximum Output Level +24 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eLine Outputs\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eTape Outputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003c\/p\u003e\n\u003cp\u003eHeadphone Output\u003cbr\u003e • Type ¼” TRS Female, active stereo\u003cbr\u003e • Maximum Output 100 mW\/ch. @ 60Ω load\u003cbr\u003e • Frequency Response 20 Hz – 20 kHz (± 0.5 dB)\u003cbr\u003e • THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e • S\/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e • Input to Output -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e • Adjacent Channels -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e\u003cbr\u003eDigital Audio and Control\u003cbr\u003e • ADC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • DAC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • USB Recording Port USB 2.0, Type-B\u003cbr\u003e • Bluetooth™ Input 4.1, stereo\u003cbr\u003e • AES\/EBU Output XLR Male\u003cbr\u003e • Network Control Port RJ-45\u003cbr\u003e • AVB Audio Network Port Ethercon\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 48 kHz (44.1 kHz coming soon)\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e • Total System Latency 1.9 ms (local routing, analog in-analog out, all processing active)\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in, 1 ps out)\u003cbr\u003e\u003cbr\u003ePower \/ Environmental\u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 90 to 230 VAC (±10%)\u003cbr\u003e • Power Requirements (continuous) 85W\u003cbr\u003e • Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e • Height 6.51” (165.36 mm)\u003cbr\u003e • Width 17.59” (446.66 mm)\u003cbr\u003e • Depth 22.97” (583.48 mm)\u003cbr\u003e • Weight 23.15 lbs. (10.5 kg)\u003c\/p\u003e","published_at":"2017-07-24T18:50:23+02:00","created_at":"2017-07-24T18:50:44+02:00","vendor":"PreSonus","type":"Mixers","tags":["Channels_16","Digital Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$1500 to $2000","Shop by brand_PreSonus","Shop by category_Digital Mixers","Shop by category_Live Sound Mixers"],"price":192900,"price_min":192900,"price_max":192900,"available":true,"price_varies":false,"compare_at_price":263880,"compare_at_price_min":263880,"compare_at_price_max":263880,"compare_at_price_varies":false,"variants":[{"id":40846640781,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive 16 Series 3","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive 16 Series 3","public_title":null,"options":["Default Title"],"price":192900,"weight":0,"compare_at_price":263880,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_16-environmental.jpg?v=1501523858","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_16-ipad_mount.jpg?v=1501523858","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/studiolive_16-04_93c9b42c-1f66-4de6-a0f0-f376bf2a8710.jpg?v=1501523858","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_16-macro02.jpg?v=1501523858","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_16-back.jpg?v=1501523858","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_16-macro01.jpg?v=1501523858","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_16-top.jpg?v=1501523858"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_16-environmental.jpg?v=1501523858","options":["Title"],"content":"\u003cp\u003eThe most powerful mixer in its class.\u003cbr\u003e\u003cbr\u003eThe StudioLive® 16 digital console\/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonus®' legendary ease of use while letting you customize its workflow and operations. The StudioLive sound is better than ever, including all-new Fat Channel processing, re-engineered from the ground up, and vintage-style EQs and compressors. Add built-in AVB networking, onboard multitrack Capture™ recording to SD Card, and a complete suite of software, and you have a mixing and recording powerhouse that's equally formidable in live and studio applications.\u003cbr\u003e\u003cbr\u003eIntegrated multitrack recording and virtual soundcheck — no computer required.\u003cbr\u003ePreSonus Capture™ recording software is an intuitive, rock-solid multitrack recording application with virtual soundcheck. It’s installed directly into the StudioLive 16 so you can leave your laptop at home. Capture’s one-touch recording makes it easy to record to the StudioLive 16’s onboard SD multitrack recorder. When you're finished recording, open your Capture session in Studio One® for Mac® and Windows® (included), and the entire mix scene will transfer to your Studio One session, including fader levels, Fat Channel settings, and, yes, any drum solos that you may have had to endure that night.\u003cbr\u003e\u003cbr\u003eA re-envisioned Fat Channel.\u003cbr\u003eThe StudioLive 16’s Fat Channel has received a major overhaul while continuing to offer digital precision with the heart and soul of analog. Our new Fat Channel implements a plug-in-style workflow that features vintage-style EQ and compression options on every channel, from classic tube limiters to passive EQs. And in addition to channel processing, the StudioLive 16 offers 6-band, fully parametric EQ on all mix outputs. Enjoy extensive, studio-style processing when recording on location or running shows on the road!\u003cbr\u003e\u003cbr\u003eDefine your own layouts, views, and workflows.\u003cbr\u003eStudioLive 16 goes above and beyond in providing ways to customize things to best fit the way you work. Now you can customize your Fat Channel layout, putting the parameters you care about most right at your fingertips. There are even several workflow options to personalize your mixing experience. For instance, you can control the mixer with a multiple iPads and—optionally—a computer, each running UC Surface with a different view, enabling you to see and touch all of the controls you need at a given time.\u003cbr\u003e\u003cbr\u003eCustomize scenes and presets in new and powerful ways—including your way.\u003cbr\u003eWith StudioLive 16, we’ve upped the ante and given you more flexibility when working with scenes and presets. Mixer scenes now include Scene Safe. Similarly, we’ve expanded the concept of Fat Channel presets so that presets have, for practical purposes, become like scenes for individual channels, not only saving input and Fat Channel settings but also aux send and bus assignments. Of course you can also use preset filters to choose what you want to recall.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCreate buses and groups to suit your workflow with new FlexMixes.\u003cbr\u003eDon’t you hate it when you’re setting up for a show and find you have an unused subgroup—but you’re short one monitor mix? That’s not a problem anymore, thanks to 16 FlexMixes that can be individually designated as aux, subgroup, or matrix mixes. You get a total of 10 FlexMixes on analog outputs, six on XLR connectors, and four on ¼-inch TRS; the other six are routed over USB or AVB. These 16 FlexMixes are in addition to the 4 fixed subgroups that also are available via USB or AVB, giving you a total of 20 mix buses, not counting the main mix, solo, and FX buses. We also provided 24 DCAs so you can more easily and flexibly control groups of channels. These are only a few of the many ways you can customize your StudioLive 16 mixer exactly to your needs and workflow.\u003cbr\u003e\u003cbr\u003eWorld-class recording software included.\u003cbr\u003eSeamlessly integrated with the included PreSonus Studio One® Artist DAW, the StudioLive 16 Series III mixer works with virtually all Mac and Windows audio-recording software. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. Studio One also enjoys a robust online community of enthusiastic and helpful users you can turn to for advice. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.\u003cbr\u003e\u003cbr\u003eIntegrated, multiplatform software for flexible control and one-click recording.\u003cbr\u003ePreSonus StudioLive 16 mixers are tightly integrated with an entire suite of state-of-the-art software. Mix wirelessly or over a wired network from anywhere, using UC Surface touch-control software for Mac, Windows, and iPad®. Control your monitor (aux) mixes with QMix-UC. Remote control the mixer’s recallable XMAX preamps and Fat Channel processing with Studio One for low-latency recording with effects. (Reverb-drowned singers: rejoice!) Completely automate virtual soundchecks and record shows with Capture. Save mixer scenes with your live recordings in Capture and edit both in Studio One Artist. StudioLive 16 mixers and software work together to form a cohesive ecosystem that helps you achieve your creative vision.\u003cbr\u003e\u003cbr\u003eNetwork-ready, with a choice of computer recording methods.\u003cbr\u003eNetworking isn’t the future of professional audio systems; it’s here now. StudioLive 16 mixers come equipped with an AVB Ethernet connection that enables you to network multiple StudioLive 16 mixers and compatible computers and stream up to 55 channels of audio to and from a Mac or Windows PC. You also get 38x38 recording via USB 2.0, giving you a choice of computer recording methods. Each channel can independently access its analog input or its dedicated digital return from your computer. And recording is simple and easy: Just launch the included, preconfigured Capture software for one-click recording of all channel inputs and your main mix. Or record with the included Studio One Artist DAW—or with any recording software that supports ASIO or Core Audio.\u003cbr\u003e\u003cbr\u003eRemote mix control available on a plethora of both wired and wireless devices.\u003cbr\u003eIn addition to the AVB recording connection, StudioLive 16 consoles sport a 1 Gb Ethernet port that can connect to a wireless router or directly to a computer, providing remote control of virtually all features. Mix wirelessly or over a wired network from anywhere using UC Surface for Mac®, Windows®, and iPad®. Even add a second—or third, or even fourth!—screen for fast workflow. Musicians can control their monitor mixes onstage with QMix® UC for iPhone®, iPod® touch, or Android™ device without the need for large monitor networks. Go wireless, wired, or both.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eExtensive connections for flexible signal flow.\u003cbr\u003eThe back panel of a StudioLive 16 console sports all of the connections you need for live sound and studio production. With flexible connectivity, superior audio quality, the ability to customize for your workflow, and powerful processing, mixing, and routing capabilities, you’ll create your mixes in whatever manner works best for you. We just provide the tools.\u003cbr\u003e\u003cbr\u003eSuperior sound.\u003cbr\u003eConnect a StudioLive 16 mixer, and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. We built our reputation designing great-sounding analog circuits, including our famous XMAX solid-state, Class A preamps, and we put all of that experience into designing the StudioLive 16. We didn’t cut corners on components, and we just say “No!” to noisy, crosstalk-y ribbon cables. As a result, the StudioLive 16 delivers the high-end audio quality you need to preserve your hard-earned reputation for producing great-sounding mixes and recordings.\u003cbr\u003eNow includes Studio Magic plug-in suite.\u003cbr\u003e\u003cbr\u003eThis suite of plug-ins brings extended sonic functionality into Studio One. Cherry-picked from the first names in virtual instruments and effects, each one brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll find yourself relying on for countless mixes.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003eGeneral Controls\u003cbr\u003e • 17 touch-sensitive, motorized faders with 1-to-1 workflow\u003cbr\u003e • RGB Select buttons with user-assignable colors\u003cbr\u003e • Transport control\u003cbr\u003e • All-new Fat Channel controls including\u003cbr\u003e • 8 scribble strips, encoders, and multicolor buttons\u003cbr\u003e • Customizable user layer\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • DAW control (Studio One, MCU, and HUI) coming soon\u003cbr\u003e\u003cbr\u003eInputs and Outputs\u003cbr\u003e • 24 total inputs\u003cbr\u003e • 16 channel inputs: 8 mic, 8 mic\/line\u003cbr\u003e • 1 XLR Talkback mic input with recallable XMAX Class A preamp\u003cbr\u003e • 2 stereo Aux inputs\u003cbr\u003e • 10 FlexMix outputs: 6 XLR, 4 balanced TRS\u003cbr\u003e • Unbalanced stereo (RCA) tape input and output\u003cbr\u003e • Bluetooth™ 4.1 wireless tape input\u003cbr\u003e • Stereo AES\/EBU digital output\u003cbr\u003e • 2 XLR (L\/R) Main outputs\u003cbr\u003e • XLR Main summed mono output\u003cbr\u003e • 2 TRS monitor outputs\u003cbr\u003e • Stereo headphone output\u003cbr\u003e\u003cbr\u003eChannels and Buses\u003cbr\u003e • 32 input channels\u003cbr\u003e • 16 with recallable XMAX Class A mic preamps\u003cbr\u003e • 16 via USB and AVB\u003cbr\u003e • 2 stereo aux inputs\u003cbr\u003e • 26 buses:\u003cbr\u003e • 16 FlexMixes (can be designated as aux, subgroup, or matrix mixes)\u003cbr\u003e • 4 dedicated subgroups\u003cbr\u003e • 4 internal effects sends\u003cbr\u003e • Stereo main bus\u003cbr\u003e • 24 Filter DCAs for easily and flexibly controlling groups of channels\u003cbr\u003e\u003cbr\u003eNetworking Connections\u003cbr\u003e • 1 Ethernet control network port\u003cbr\u003e • Dynamic, Self Assigned, and Manual IP address modes\u003cbr\u003e • 1 Ethercon AVB audio network port\u003cbr\u003e • Complete ecosystem of AVB solutions, including stageboxes and personal monitor mixers, will be available in 2017\u003cbr\u003e\u003cbr\u003eRecording\u003cbr\u003e • Onboard 34x34 SD recorder (using Capture™)\u003cbr\u003e • 38x38 USB recording interface\u003cbr\u003e • 55x55 AVB recording interface\u003cbr\u003e\u003cbr\u003eSignal Processing\u003cbr\u003e • Intuitive Fat Channel signal processing on every channel with:\u003cbr\u003e • A\/B settings comparison\u003cbr\u003e • Highpass filter and polarity reverse\u003cbr\u003e • Gate\/expander with sidechain\u003cbr\u003e • Compressor with sidechain\u003cbr\u003e • 4-band parametric EQ on inputs\u003cbr\u003e • 6-band parametric EQ on outputs\u003cbr\u003e • Limiter\u003cbr\u003e • Delay on every input\u003cbr\u003e • Delay on every output\u003cbr\u003e • Professionally programmed library of presets\u003cbr\u003e ▪ Vintage EQ and compressor models available on every input\u003cbr\u003e • Passive EQ\u003cbr\u003e • Vintage EQ\u003cbr\u003e • Tube compressor\u003cbr\u003e • FET compressor\u003cbr\u003e • 8 31-band graphic EQs\u003cbr\u003e • 4 internal effects buses: combination of reverbs and delays with modern and vintage options\u003cbr\u003e • Built-in real-time analyzer\u003cbr\u003e\u003cbr\u003eMetering\/Displays\u003cbr\u003e • 7-inch color touchscreen\u003cbr\u003e • Input meter on every channel\u003cbr\u003e • Full-size Fat Channel metering\u003cbr\u003e • Input meter\u003cbr\u003e • Gate gain reduction meter\u003cbr\u003e • Compressor gain reduction meter\u003cbr\u003e • Full-size stereo Main output meters\u003cbr\u003e\u003cbr\u003eScenes and Presets\u003cbr\u003e • Create, save, and edit up to 100 scenes\u003cbr\u003e • Scene management with:\u003cbr\u003e • Scene Safe—prevents a scene change from affecting designated “safe” channels\u003cbr\u003e • Create, save, and edit channel settings and copy\/paste between channels\u003cbr\u003e • Advanced channel preset options can save and recall:\u003cbr\u003e • Channel type and name\u003cbr\u003e • Input settings (preamp, +48V phantom power, polarity, pan)\u003cbr\u003e • Fat Channel A \u0026amp; B settings\u003cbr\u003e • Bus assignments\u003cbr\u003e • Aux and effects send levels and pan\u003cbr\u003e • Select button color\u003cbr\u003e • 8 Quick Scenes\u003cbr\u003e\u003cbr\u003eDigital\u003cbr\u003e • Studio-quality converters with 115 dB dynamic range\u003cbr\u003e • 48 kHz operation with 24-bit resolution (44.1 kHz option coming soon)\u003cbr\u003e\u003cbr\u003eActively Integrated Software\u003cbr\u003e • UC Surface touch control software for Mac®, Windows®, and iPad®\u003cbr\u003e • Studio One® Artist digital audio workstation software for Mac and Windows\u003cbr\u003e • Capture™ multitrack recording software for Mac and Windows\u003cbr\u003e • QMix®-UC aux-control software for iOS® and Android™ available free from Apple App Store, Google Play, and Amazon App Store\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface, QMix®-UC, and Studio One®.\u003cbr\u003eMac\u003cbr\u003e • Mac® OS X 10.8.5 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003eWindows\u003cbr\u003e • Windows® 7 x64\/x86 SP1 + platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo or AMD Athlon™ X2 processor (Intel Core i3 or Athlon X4 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e • USB 2.0 port\u003cbr\u003e • Internet connection\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • 30 GB hard disk space\u003cbr\u003e • Monitor with 1366x768 resolution\u003cbr\u003e\u003cbr\u003eiOS\u003cbr\u003e • iOS 9.3 or later\u003cbr\u003e • iPad Pro, iPad Air 2, iPad Air, iPad mini 4, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), iPad 2\u2028\u003cbr\u003e\u003cbr\u003eAndroid (QMix-UC)\u003cbr\u003e • Android 5.0 (Lollipop) or higher\u003cbr\u003e • Android™ smartphone or tablet\u003cbr\u003e\u003cbr\u003eNote: The minimum system requirements may differ for DAWs other than Studio One. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eTechnical Specifications\u003cbr\u003eMi​crophone Preamplifier\u003cbr\u003e • Input Type XLR Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz at unity gain) 65 dB\u003cbr\u003e • Gain Control Range (±1 dB) 0 dB to +60 dB\u003cbr\u003e • Maximum Input Level (unity gain) +12 dBu\u003cbr\u003e • Phantom Power (±2 VDC) 48 VDC, switchable per channel\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Frequency Response to Main Output (at unity gain) 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Main Output (Ref = +4 dB, 20 kHz BW, unity gain, A-wtd) 94 dB\u003cbr\u003e • Maximum Input Level +18 dBu\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +12 dBu, ±0.5 dBu\u003cbr\u003e\u003cbr\u003eXLR Outputs\u003cbr\u003e • Type XLR Male, balanced\u003cbr\u003e • Maximum Output Level +24 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eLine Outputs\u003cbr\u003e • Type ¼” TRS Female, balanced\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003eTape Outputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Output Level +18 dBu, ±0.5 dBu\u003cbr\u003e • Output Impedance 100Ω\u003c\/p\u003e\n\u003cp\u003eHeadphone Output\u003cbr\u003e • Type ¼” TRS Female, active stereo\u003cbr\u003e • Maximum Output 100 mW\/ch. @ 60Ω load\u003cbr\u003e • Frequency Response 20 Hz – 20 kHz (± 0.5 dB)\u003cbr\u003e • THD+N 0.01%, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e • S\/N Ratio 96 dB, 1 kHz, max gain, 20 Hz BW, unwtd\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e • Input to Output -90 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e • Adjacent Channels -87 dB (Ref = +4 dBu, 20 Hz-20 kHz, unwtd)\u003cbr\u003e\u003cbr\u003eDigital Audio and Control\u003cbr\u003e • ADC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • DAC Dynamic Range 115 dB (A-wtd, 48 kHz)\u003cbr\u003e • USB Recording Port USB 2.0, Type-B\u003cbr\u003e • Bluetooth™ Input 4.1, stereo\u003cbr\u003e • AES\/EBU Output XLR Male\u003cbr\u003e • Network Control Port RJ-45\u003cbr\u003e • AVB Audio Network Port Ethercon\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 48 kHz (44.1 kHz coming soon)\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e • Total System Latency 1.9 ms (local routing, analog in-analog out, all processing active)\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in, 1 ps out)\u003cbr\u003e\u003cbr\u003ePower \/ Environmental\u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 90 to 230 VAC (±10%)\u003cbr\u003e • Power Requirements (continuous) 85W\u003cbr\u003e • Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e • Height 6.51” (165.36 mm)\u003cbr\u003e • Width 17.59” (446.66 mm)\u003cbr\u003e • Depth 22.97” (583.48 mm)\u003cbr\u003e • Weight 23.15 lbs. (10.5 kg)\u003c\/p\u003e"}
PreSonus StudioLive 16 Series 3

PreSonus StudioLive 16 Series 3

$1,929.00

The most powerful mixer in its class.The StudioLive® 16 digital console/recorder is by far the most powerful mixer in its class. This third-generation StudioLive mixer is fully recallable, with 17 touch-sensitive, motorized faders and 17 recallable XMAX preamps. Yet despite its extensive features, the StudioLive 16 actually improves upon PreSonu...


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