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AKG K271 MKII

HEADPHONES

$82.00
{"id":645238718510,"title":"AKG K271 MKII","handle":"akg-k271-mkii","description":"\u003cstrong\u003eAKG K271 MKII\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUniversal genius\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe K271 MKIIs are professional over-ear headphones for studio and live use. They combine the comfort of an over-the-ear design and the benefits of closed-back technology for best possible sound reproduction. The sealed design ensures low signal bleeding into microphones in the studio and maximum isolation for live mixing applications. The K271 MKIIs feature a switch in the headband that mutes the audio just as soon as the headphones are taken off. They provide a professional mini XLR connector for quick replacement of the cable. 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They combine the comfort of an over-the-ear design and the benefits of closed-back technology for best possible sound reproduction. The sealed design ensures low signal bleeding into microphones in the studio and maximum isolation for live mixing applications. The K271 MKIIs feature a switch in the headband that mutes the audio just as soon as the headphones are taken off. They provide a professional mini XLR connector for quick replacement of the cable. The package includes a 3m (10ft) straight and 5m (16ft) coiled cable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHeadphone type closed-back\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMax. 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AKG K271 MKII

AKG K271 MKII

$82.00

AKG K271 MKIIUniversal geniusThe K271 MKIIs are professional over-ear headphones for studio and live use. They combine the comfort of an over-the-ear design and the benefits of closed-back technology for best possible sound reproduction. The sealed design ensures low signal bleeding into microphones in the studio and maximum isolation for live m...


More Info
Kii Audio Kii THREE BXT System PRO

Speakers

From $26,627.16
{"id":698630963246,"title":"Kii Audio Kii THREE BXT System PRO","handle":"kii-audio-kii-three-bxt-system","description":"\u003cp\u003e Kii THREE BXT\u003cbr\u003eTurn your Kii THREE into a floor standing loudspeaker\u003cbr\u003e\u003cbr\u003eModularity is Kii\u003cbr\u003eKii THREE BXT\u003cbr\u003eThe BXT is an extension module which turns the Kii THREE into a veritable floor standing loudspeaker with 16 additional drivers and a total of 7000 Watts.\u003cbr\u003e\u003cbr\u003eKii THREE BXT System:\u003cbr\u003e\u003cbr\u003eFloor standing DSP controlled High-End playback system.\u003cbr\u003eConsisting of:\u003cbr\u003e2 x Kii THREE speakers in high gloss white, graphite matt metallic or any custom color of your choice \u003cbr\u003e2 x BXT modules in the same or a contrasting color\u003cbr\u003e1 x Kii Control offers volume control, input selection with touch switch operation, additional software menu, OLED display and is IR ready. \u003cbr\u003eInputs: USB, SPDIF, TOSLINK, AES, ANALOGUE\u003cbr\u003e\u003cbr\u003eAll necessary cables are included\u003cbr\u003ePLEASE NOTE: Footplates are not final\u003c\/p\u003e\n\u003cp\u003eElegant but powerful\u003c\/p\u003e\n\u003cp\u003eKii THREE BXT System in glossy white\u003c\/p\u003e\n\u003cp\u003eThe BXT makes full use of the Kii THREEs technology and adds more frequency range and SPL to the game while still being a cardioid system that, despite its size, does not interact with the room. Astoundingly enough small rooms profit a lot from the line source concept.\u003c\/p\u003e\n\u003cp\u003ePlease note that existing Kii THREEs can be upgraded at any time with the BXTs giving you full investment security. Also the Kii THREEs are still transportable and can be run by themselves just by detaching them from the BXT. The Kii THREEs will detect the presence of a BXT and automatically adjust the software accordingly.\u003c\/p\u003e\n\u003cp\u003eKii Technology\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE holds 6x250W power amplifier boards, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003c\/p\u003e\n\u003cp\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003c\/p\u003e\n\u003cp\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003c\/p\u003e\n\u003cp\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003c\/p\u003e\n\u003cp\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact DSP controlled monitor speaker\u003c\/li\u003e\n\u003cli\u003e4x 6.5\" woofer,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x5\" midrange,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\" waveguided tweeter, all individually driven\u003c\/li\u003e\n\u003cli\u003eAmplification: 6 x 250W full-custom Ncore\u003c\/li\u003e\n\u003cli\u003eActive Wave Focusing crossover filter\u003c\/li\u003e\n\u003cli\u003eFrequency response:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- 25 kHz\u003c\/li\u003e\n\u003cli\u003eBass extension -3dB@30Hz, -6dB@20Hz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eResponse flatness +\/- 0.5dB (1\/12th octave)\u003c\/li\u003e\n\u003cli\u003ePhase response: minimum (best possible time coherence).\u003c\/li\u003e\n\u003cli\u003eLong term SPL(*): 105dB\u003c\/li\u003e\n\u003cli\u003eShort term SPL(*): 110dBPeak\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPL: 115dB\u003c\/li\u003e\n\u003cli\u003eControlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003c\/li\u003e\n\u003cli\u003eSize: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003c\/li\u003e\n\u003cli\u003eWeight: 19 KG\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue, AES\/EBU\u003c\/li\u003e\n\u003cli\u003eSPDIF, TOSLink, USB on Kii Control.\u003c\/li\u003e\n\u003cli\u003eSelectable correction for free-standing, near wall or in corner\u003c\/li\u003e\n\u003cli\u003e(*)IEC60268-5 Paragraph 20.6\u003c\/li\u003e\n\u003cli\u003e\"Specifications are subject to change without notice\"\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-06-02T20:35:06+02:00","created_at":"2018-06-03T01:13:12+02:00","vendor":"Kii Audio","type":"Speakers","tags":["Active Monitors","Kii Audio","Price Range_$3000 and Over","Shop by brand_Kii Audio","Shop by category_Active Monitors","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":2662716,"price_min":2662716,"price_max":2969848,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8222836097070,"title":"White","option1":"White","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":2710984687662,"product_id":698630963246,"position":1,"created_at":"2018-08-08T01:53:14+02:00","updated_at":"2018-08-08T01:54:17+02:00","alt":null,"width":650,"height":1154,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemstandardwhiteglosspair500px_c4407b21-9535-4f79-be3b-b7e51989f9c9.jpg?v=1533686057","variant_ids":[8222836097070]},"available":true,"name":"Kii Audio Kii THREE BXT System PRO - 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Astoundingly enough small rooms profit a lot from the line source concept.\u003c\/p\u003e\n\u003cp\u003ePlease note that existing Kii THREEs can be upgraded at any time with the BXTs giving you full investment security. Also the Kii THREEs are still transportable and can be run by themselves just by detaching them from the BXT. The Kii THREEs will detect the presence of a BXT and automatically adjust the software accordingly.\u003c\/p\u003e\n\u003cp\u003eKii Technology\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE holds 6x250W power amplifier boards, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003c\/p\u003e\n\u003cp\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003c\/p\u003e\n\u003cp\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003c\/p\u003e\n\u003cp\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003c\/p\u003e\n\u003cp\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact DSP controlled monitor speaker\u003c\/li\u003e\n\u003cli\u003e4x 6.5\" woofer,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x5\" midrange,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\" waveguided tweeter, all individually driven\u003c\/li\u003e\n\u003cli\u003eAmplification: 6 x 250W full-custom Ncore\u003c\/li\u003e\n\u003cli\u003eActive Wave Focusing crossover filter\u003c\/li\u003e\n\u003cli\u003eFrequency response:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- 25 kHz\u003c\/li\u003e\n\u003cli\u003eBass extension -3dB@30Hz, -6dB@20Hz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eResponse flatness +\/- 0.5dB (1\/12th octave)\u003c\/li\u003e\n\u003cli\u003ePhase response: minimum (best possible time coherence).\u003c\/li\u003e\n\u003cli\u003eLong term SPL(*): 105dB\u003c\/li\u003e\n\u003cli\u003eShort term SPL(*): 110dBPeak\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPL: 115dB\u003c\/li\u003e\n\u003cli\u003eControlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003c\/li\u003e\n\u003cli\u003eSize: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003c\/li\u003e\n\u003cli\u003eWeight: 19 KG\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue, AES\/EBU\u003c\/li\u003e\n\u003cli\u003eSPDIF, TOSLink, USB on Kii Control.\u003c\/li\u003e\n\u003cli\u003eSelectable correction for free-standing, near wall or in corner\u003c\/li\u003e\n\u003cli\u003e(*)IEC60268-5 Paragraph 20.6\u003c\/li\u003e\n\u003cli\u003e\"Specifications are subject to change without notice\"\u003c\/li\u003e\n\u003c\/ul\u003e"}
Kii Audio Kii THREE BXT System PRO

Kii Audio Kii THREE BXT System PRO

$26,627.16

 Kii THREE BXTTurn your Kii THREE into a floor standing loudspeakerModularity is KiiKii THREE BXTThe BXT is an extension module which turns the Kii THREE into a veritable floor standing loudspeaker with 16 additional drivers and a total of 7000 Watts.Kii THREE BXT System:Floor standing DSP controlled High-End playback system.Consisting of:2 x Ki...

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PSI Audio AVAA C20 (Active Bass Trap)

Studio Monitors

$2,279.00
{"id":9858638477,"title":"PSI Audio AVAA C20 (Active Bass Trap)","handle":"psi-audio-5","description":"\u003ch1 itemprop=\"name\" class=\"product_title entry-title\"\u003eAVAA C20 (Active Bass Trap) \u003c\/h1\u003e\n\u003ch3\u003eAVAA (Active Velocity Acoustic Absorber) works like an active bass trap and is the solution for room mode problems between 15 – 120 Hz.\u003c\/h3\u003e\n\u003cp\u003e“My review in Stereophile has been published in the June issue! I wish I had had more pages to describe the virtues of the AVAA. It’s amazing the precision, beauty, tightness and control of the bass in my mastering room, thanks to PSI Audio.” – Bob Katz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eKey points:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe AVAA absorbs room modes between 15 and 150 Hz\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 AVAAs will make a significant difference in normal sized studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4 AVAAs will allow to achieve even better results in large studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdequate AVAA positioning is easily achieved after a few trials\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNo setting are required only ON\/OFF\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA do?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe AVAA is a solution for room mode problems. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is designed to absorb the standing modes between 15 and 150 Hz in a room. It will do so just like passive absorbers but in a much more efficient way and using up much less space. Each operating AVAA will have the same effect as a hole in the wall much larger than the dimensions of the AVAA (that is 0.2 m\u003csup\u003e2\u003c\/sup\u003e). The exact ratio will depend on the frequency and environment but typically range between 5 and 20.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will affect the impedance of the air and “suck” low frequencies around it.\u003c\/p\u003e\n\u003cp\u003eTherefore the best position to place an AVAA is in the most rigid corners as that is where all room modes will be most present.\u003c\/p\u003e\n\u003cp\u003eIt is important to work on the positioning of loudspeakers and listening, as the AVAA will have little effect on inevitable first reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow does it work?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA microphone will measure the acoustic pressure in front of an acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eThe acoustic resistance is designed to let air through but reducing significantly the pressure.\u003c\/p\u003e\n\u003cp\u003eBehind the acoustic resistance, a transducer membrane is driven to absorb the volume of air going through the acoustic resistance as well as ensuring a specific acoustic impedance in front of this acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eWhen in function, this acoustic impedance in front of the acoustic resistance is significantly lower than in ambient air and therefore acts as a pressure sink.\u003c\/p\u003e\n\u003cp\u003eThe acoustic impedance of the air is affected typically over a radius of 1 to 1.5 m around the AVAA. This explains how the AVAA can be more absorbent that its actual surface of perfect absorber.\u003c\/p\u003e\n\u003cp\u003eIt is designed to absorb frequencies between15 and 150 Hz and is most effective on room modes that are the result of multiple reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA not do?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is a solution for room modes below 150 Hz and absorbs low frequencies only. It is therefore not a total solution for acoustically bad rooms. For best results, it needs to be combined with passive absorption in higher frequencies.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will only absorb pressure waves within a radius of 1 to 1.5 m around it in these frequencies. It is therefore not a solution for the first reflections a room might have. Correct positioning of speakers and listening position in the room remains necessary.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat effect will the AVAA have in my room?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA will have the same effect, on frequencies from 15 to 150 Hz, as opening a window about 5 to 20 times the size of the AVAA. This will impact sound in the time, frequency and space dimensions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cu\u003eTime:\u003c\/u\u003e it will significantly reduce reverberation time in these frequencies especially on room modes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eFrequency:\u003c\/u\u003e with more precise and tighter bass, the masking effect of higher frequencies is reduced. Details in higher frequencies also become clearer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eSpace:\u003c\/u\u003e with less indirect sound in the room, the location of the sound is more accurate making the sound image more precise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow many AVAAs do I need?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e2 AVAA will have a significant effect in most rooms.\u003c\/p\u003e\n\u003cp\u003eDepending on the dimension and type of room as well as the result required, between 2 and 4 AVAAs are necessary for most normal size rooms (20 and 80 m\u003csup\u003e2\u003c\/sup\u003e)\u003c\/p\u003e\n\u003cp\u003eFor very small rooms a minimum of two AVAAs is still recommended to have a symmetrical effect.\u003c\/p\u003e\n\u003cp\u003eFor larger rooms please consult an acoustician or PSI Audio directly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhere to place the AVAAs in a room?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most effective position for the AVAA is in a location where the walls contribute most to the room modes that are disturbing in the listening position. In practice it is very easy to position the AVAA effectively after a few comparative trials.\u003c\/p\u003e\n\u003cp\u003eThe starting position is in corners behind the source speakers as this is the most effective position in a majority of cases. However, depending on the structure of the room boundaries and listening position, other AVAA locations might turn out to be more effective. Try positioning them in different corner or against walls and evaluate effectiveness.\u003c\/p\u003e\n\u003cp\u003eIn practice it is quick and easy finding the best location by following the basic rules:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAVAAs positioned in corners are more effective\u003c\/li\u003e\n\u003cli\u003eAVAAs located against rigid walls are more effective\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBear in mind that the AVAA is designed to absorb long wavelengths and therefore there is little very little to gain by positioning the AVAA with great precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003ePositioning the AVAAs based on measurements:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA more technical 2 step process can also be used to identify the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 – Identify the disturbing room modes: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAssuming the loudspeakers and listening position have been set, measure the frequency decay time in the listening position.\u003c\/p\u003e\n\u003cp\u003eNote that the most disturbing room modes are the ones with the longest extinction time and not necessarily the peaks and nulls that are the result of inevitable first reflections. You may typically identify 3 to 6 modes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 – Identify the highest pressure zones for each problematic room mode:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlay a sinus wave at the frequency of each disturbing room mode.\u003c\/p\u003e\n\u003cp\u003eFor each of these frequencies, walk around the walls of the room and note down the highest-pressure areas. You can do this with a sound level meter or listening with a single ear.\u003c\/p\u003e\n\u003cp\u003eAs a result you should have a map of your room highlighting the wall areas most contributing to each disturbing room mode. This will clearly show the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat are the advantages of the AVAA?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIt is an efficient solution for room mode problems\u003c\/li\u003e\n\u003cli\u003eIt is stable with no settings required\u003c\/li\u003e\n\u003cli\u003eIt can be turned ON and OFF to alter the acoustic environment\u003c\/li\u003e\n\u003cli\u003eIt can easily be moved into a different room\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eProduct Data\u003c\/h2\u003e\n\u003ctable style=\"width: 535.533px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eBox Material\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003eMDF\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eNet Weight\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e13 Kg\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eVoltage\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e115\/230V±10%(50-60Hz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eMean \/ Max Humidity\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e\u0026lt; 75% \/ \u0026lt; 90%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eExternal Temperature\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e5 - 40 °C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-05-03T15:05:40+02:00","created_at":"2017-05-03T15:06:14+02:00","vendor":"PSI Audio","type":"Studio Monitors","tags":["Absorption Panels \u0026 Fills","Acoustic Treatment","Active Bass Trap","Active Monitors","Bass Trap","Price Range_$2000 to $3000","Pro Audio","PSI Audio","PSI AUDIO AVAA","Shop by brand_PSI Audio","Shop by category_Acoustic Treatment"],"price":227900,"price_min":227900,"price_max":227900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36850751245,"title":"Graphite Black","option1":"Graphite Black","option2":null,"option3":null,"sku":"ZPAVC20-B","requires_shipping":true,"taxable":true,"featured_image":{"id":23971022925,"product_id":9858638477,"position":1,"created_at":"2017-05-03T15:11:30+02:00","updated_at":"2017-05-03T15:11:30+02:00","alt":null,"width":906,"height":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-78331.jpg?v=1493817090","variant_ids":[36850751245]},"available":true,"name":"PSI Audio AVAA C20 (Active Bass Trap) - Graphite Black","public_title":"Graphite Black","options":["Graphite Black"],"price":227900,"weight":0,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":435437862938,"title":"Arctic White","option1":"Arctic White","option2":null,"option3":null,"sku":"ZPAVC20-W","requires_shipping":true,"taxable":true,"featured_image":{"id":2109185196078,"product_id":9858638477,"position":4,"created_at":"2018-03-13T15:33:44+02:00","updated_at":"2018-03-13T15:33:44+02:00","alt":null,"width":2560,"height":1440,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AVAA-white2560a.jpg?v=1520948024","variant_ids":[435437862938]},"available":true,"name":"PSI Audio AVAA C20 (Active Bass Trap) - Arctic White","public_title":"Arctic White","options":["Arctic White"],"price":227900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-78331.jpg?v=1493817090","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-7845.jpg?v=1493817118","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AVAAgraphe_v2.jpg?v=1493817147","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AVAA-white2560a.jpg?v=1520948024"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-78331.jpg?v=1493817090","options":["Color"],"content":"\u003ch1 itemprop=\"name\" class=\"product_title entry-title\"\u003eAVAA C20 (Active Bass Trap) \u003c\/h1\u003e\n\u003ch3\u003eAVAA (Active Velocity Acoustic Absorber) works like an active bass trap and is the solution for room mode problems between 15 – 120 Hz.\u003c\/h3\u003e\n\u003cp\u003e“My review in Stereophile has been published in the June issue! I wish I had had more pages to describe the virtues of the AVAA. It’s amazing the precision, beauty, tightness and control of the bass in my mastering room, thanks to PSI Audio.” – Bob Katz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eKey points:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe AVAA absorbs room modes between 15 and 150 Hz\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 AVAAs will make a significant difference in normal sized studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4 AVAAs will allow to achieve even better results in large studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdequate AVAA positioning is easily achieved after a few trials\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNo setting are required only ON\/OFF\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA do?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe AVAA is a solution for room mode problems. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is designed to absorb the standing modes between 15 and 150 Hz in a room. It will do so just like passive absorbers but in a much more efficient way and using up much less space. Each operating AVAA will have the same effect as a hole in the wall much larger than the dimensions of the AVAA (that is 0.2 m\u003csup\u003e2\u003c\/sup\u003e). The exact ratio will depend on the frequency and environment but typically range between 5 and 20.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will affect the impedance of the air and “suck” low frequencies around it.\u003c\/p\u003e\n\u003cp\u003eTherefore the best position to place an AVAA is in the most rigid corners as that is where all room modes will be most present.\u003c\/p\u003e\n\u003cp\u003eIt is important to work on the positioning of loudspeakers and listening, as the AVAA will have little effect on inevitable first reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow does it work?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA microphone will measure the acoustic pressure in front of an acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eThe acoustic resistance is designed to let air through but reducing significantly the pressure.\u003c\/p\u003e\n\u003cp\u003eBehind the acoustic resistance, a transducer membrane is driven to absorb the volume of air going through the acoustic resistance as well as ensuring a specific acoustic impedance in front of this acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eWhen in function, this acoustic impedance in front of the acoustic resistance is significantly lower than in ambient air and therefore acts as a pressure sink.\u003c\/p\u003e\n\u003cp\u003eThe acoustic impedance of the air is affected typically over a radius of 1 to 1.5 m around the AVAA. This explains how the AVAA can be more absorbent that its actual surface of perfect absorber.\u003c\/p\u003e\n\u003cp\u003eIt is designed to absorb frequencies between15 and 150 Hz and is most effective on room modes that are the result of multiple reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA not do?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is a solution for room modes below 150 Hz and absorbs low frequencies only. It is therefore not a total solution for acoustically bad rooms. For best results, it needs to be combined with passive absorption in higher frequencies.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will only absorb pressure waves within a radius of 1 to 1.5 m around it in these frequencies. It is therefore not a solution for the first reflections a room might have. Correct positioning of speakers and listening position in the room remains necessary.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat effect will the AVAA have in my room?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA will have the same effect, on frequencies from 15 to 150 Hz, as opening a window about 5 to 20 times the size of the AVAA. This will impact sound in the time, frequency and space dimensions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cu\u003eTime:\u003c\/u\u003e it will significantly reduce reverberation time in these frequencies especially on room modes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eFrequency:\u003c\/u\u003e with more precise and tighter bass, the masking effect of higher frequencies is reduced. Details in higher frequencies also become clearer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eSpace:\u003c\/u\u003e with less indirect sound in the room, the location of the sound is more accurate making the sound image more precise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow many AVAAs do I need?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e2 AVAA will have a significant effect in most rooms.\u003c\/p\u003e\n\u003cp\u003eDepending on the dimension and type of room as well as the result required, between 2 and 4 AVAAs are necessary for most normal size rooms (20 and 80 m\u003csup\u003e2\u003c\/sup\u003e)\u003c\/p\u003e\n\u003cp\u003eFor very small rooms a minimum of two AVAAs is still recommended to have a symmetrical effect.\u003c\/p\u003e\n\u003cp\u003eFor larger rooms please consult an acoustician or PSI Audio directly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhere to place the AVAAs in a room?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most effective position for the AVAA is in a location where the walls contribute most to the room modes that are disturbing in the listening position. In practice it is very easy to position the AVAA effectively after a few comparative trials.\u003c\/p\u003e\n\u003cp\u003eThe starting position is in corners behind the source speakers as this is the most effective position in a majority of cases. However, depending on the structure of the room boundaries and listening position, other AVAA locations might turn out to be more effective. Try positioning them in different corner or against walls and evaluate effectiveness.\u003c\/p\u003e\n\u003cp\u003eIn practice it is quick and easy finding the best location by following the basic rules:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAVAAs positioned in corners are more effective\u003c\/li\u003e\n\u003cli\u003eAVAAs located against rigid walls are more effective\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBear in mind that the AVAA is designed to absorb long wavelengths and therefore there is little very little to gain by positioning the AVAA with great precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003ePositioning the AVAAs based on measurements:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA more technical 2 step process can also be used to identify the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 – Identify the disturbing room modes: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAssuming the loudspeakers and listening position have been set, measure the frequency decay time in the listening position.\u003c\/p\u003e\n\u003cp\u003eNote that the most disturbing room modes are the ones with the longest extinction time and not necessarily the peaks and nulls that are the result of inevitable first reflections. You may typically identify 3 to 6 modes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 – Identify the highest pressure zones for each problematic room mode:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlay a sinus wave at the frequency of each disturbing room mode.\u003c\/p\u003e\n\u003cp\u003eFor each of these frequencies, walk around the walls of the room and note down the highest-pressure areas. You can do this with a sound level meter or listening with a single ear.\u003c\/p\u003e\n\u003cp\u003eAs a result you should have a map of your room highlighting the wall areas most contributing to each disturbing room mode. This will clearly show the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat are the advantages of the AVAA?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIt is an efficient solution for room mode problems\u003c\/li\u003e\n\u003cli\u003eIt is stable with no settings required\u003c\/li\u003e\n\u003cli\u003eIt can be turned ON and OFF to alter the acoustic environment\u003c\/li\u003e\n\u003cli\u003eIt can easily be moved into a different room\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eProduct Data\u003c\/h2\u003e\n\u003ctable style=\"width: 535.533px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eBox Material\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003eMDF\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eNet Weight\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e13 Kg\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eVoltage\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e115\/230V±10%(50-60Hz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eMean \/ Max Humidity\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e\u0026lt; 75% \/ \u0026lt; 90%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eExternal Temperature\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e5 - 40 °C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e"}
PSI Audio AVAA C20 (Active Bass Trap)

PSI Audio AVAA C20 (Active Bass Trap)

$2,279.00

AVAA C20 (Active Bass Trap)  AVAA (Active Velocity Acoustic Absorber) works like an active bass trap and is the solution for room mode problems between 15 – 120 Hz. “My review in Stereophile has been published in the June issue! I wish I had had more pages to describe the virtues of the AVAA. It’s amazing the precision, beauty, tightness and con...

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Grace Design m905 reference monitor controller
Grace Design m905 reference monitor controller

Monitoring

$3,325.00 $3,495.00
{"id":8347782593,"title":"Grace Design m905 reference monitor controller","handle":"m905-reference-monitor-controller","description":"\u003cp class=\"h4\"\u003e\u003cspan\u003eThis is the world's finest stereo monitor controller, with built in mastering quality Digital to Analog Converters, audiophile-grade headphone amplifier and unrivaled system configuration tools. For hardworking audio professionals and studios that demand the very best playback available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"h4\"\u003e\u003cstrong\u003eNow available in black!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe is our second generation stereo monitor controller, engineered from the ground up to provide unrivaled sonic purity with a comprehensive and powerful feature set.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe m905 represents a new benchmark for audio playback quality. DAC performance is on par with the finest esoteric mastering equipment available. Our redesigned s-Lock™ PLL ensures ultra-low jitter clock regeneration. An asynchronous USB class 2 interface allows the m905 to act as the master clock of the computer's USB audio buss, effectively eliminating interface induced jitter for computer audio playback. And finally, meticulous analog circuitry measures with outstanding numbers in dynamic range, distortion and noise performance, ensuring bracingly open, detailed and musical playback of any input source.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAll main audio and power supply circuitry is housed in a 2U rack mount mainframe, while system control is managed by a sleek, ergonomic remote control unit. This new RCU is a combination of dedicated hardware and a color graphical LCD display. All primary monitoring features are accessed via hardware switches and a rotary encoder, while all system information is presented by the graphic LCD and illuminated switches. This hybrid design allows for the solid feel and function of traditional hardware with the added power and functionality of a graphical user interface.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNow supported is DSD 128x (5.6448MHz) via DoP v1.1 (DSD over PCM frames). DSD audio can be sourced from the AES3, S\/PDIF or USB digital inputs. While still a niche playback format, DSD has held its ground over the years, and now more and more content is available via download. And playback is now supported by a number of players. DSD sounds stunningly natural, especially rendered through the rest of the playback circuitry of the m905. So If you're the type to seek out this kind of fidelity, we can't recommend it enough.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe GUI is designed so that any engineer unfamiliar with the m905 can use the system immediately and confidently. Then with a minimal time investment, advanced functions can be accessed and controlled with ease. Additional features include: naming individual inputs and speaker outputs, calibrating level offsets of any input and output, setting preset levels, and much more. The setup menus only ever drill down one level, so the main operating screen is always one button away. And when returning to any previously visited setup menu, its previous edit status is remembered, keeping redundant navigation and editing to a minimum.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe m905 offers the ability to transfer up to 10 channels of digital audio (8-channels of ADAT and two of AES3, or S\/PDIF or TOSLINK) over USB to a computer, making the m905 capable of operating as a standalone USB audio interface. This is an advanced feature as there are clock issues to be aware of, but it works and is documented in the owners manual.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith stunning sonic performance and timeless design, the m905 is a mark of genuine progress in the pursuit of high quality audio production. Intuitive, reliable and beautiful, it is the perfect studio centerpiece - home base for your ears, eyes and hands.\u003c\/p\u003e\n\u003cp class=\"h4\"\u003e\u003cstrong\u003eTwo product options are now available:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"h4\"\u003e\u003cstrong\u003em905 Analog (analog inputs only)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eThe m905 Analog is now available without the built in DAC. This system is offered for users who already have an investment in DACs, whether stand-alone or built into their interface. System configuration is exactly the same, with all the same great monitoring features, except no digital inputs and an second pair of balanced analog inputs. The m905 Analog brings this world class performance into reach of almost any engineer or recording studio. Also, users can always upgrade their m905 Analog to the Digital version at anytime.\u003c\/em\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"h4\"\u003eInfrared wireless remote option\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eAlso now available is the m905 IR Remote Option, which is available on new or existing units (Digital and Analog). This feature allows wireless infrared remote control of a select set of monitoring controls via the Grace Design Remote, a standard Apple Remote, or with iOS and Android via the Logitec® Harmony Remote.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SQ8SPwbRsw8\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EF6Okz8vdZw\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\n\u003cli class=\"bullets\"\u003eAnalog inputs - unbalanced, balanced, CUE, talkback mic (additional balanced input available on the m905 Analog)\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eDigital inputs - 2x AES3 (Single or dual-wire), 1 S\/PDIF, 1 TOSLINK, ADAT (selectable in 4 pairs, or 2 pairs in S\/MUX), USB, DSD128 (5.6448MHz)\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eAudio circuitry designed for completely transparent and musical playback performance\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eAsynchronous Class 2 USB playback supports up to 24 bit\/192kHz\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eMastering quality DAC circuitry with configurable de-emphasis filtering\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003es-lock dual-stage Phase Lock Loop for ultra low jitter clock regeneration\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eHybrid RCU with hardware switches, large level encoder and graphical LCD\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eLCD display shows input, level, output, SPL and DAC status plus a full calibration menu\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eRCU includes built in microphone for talkback and onboard SPL meter\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eSPL meter features include level, peak, fast and slow modes, A \u0026amp; C weighting\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003ePrecision .5 dB step level control for speakers and headphones\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eReference headphone amplifier circuitry, with outputs on both the RCU and ACU\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eDedicated mono, dim, mute and sub mute switches\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eMono mode can be set to L+R summed, L only in both channels, or R only in both channels L solo, R solo, L-R and sub solo modes are available\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e3 available stereo speaker outputs, with two assignable mono sub outputs (or single stereo sub output)\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eMulti-mode SUB\/ DAC\/ METER out\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eSUB out mode for stereo or multiple mono subwoofer outputs\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eDAC out mode for a fixed DAC output fed by the selected digital input\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eMETER out mode fed by selected input signal (digital or analog), configurable with a fixed level or to follow yhe monitor level\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eDetachable RCU tilt base\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\n\u003ctable width=\"851\" height=\"2575\" border=\"0\" cellspacing=\"0\" cols=\"2\" frame=\"void\" rules=\"none\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"491\"\u003e \u003ccol width=\"359\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"458\" height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003eANALOG I\/O\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd width=\"389\" align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eTHD+N at Maximum Volume, 1kHz, 22Hz-22kHz BW\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e+20dBu out\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;0.0008%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e+10dBu out\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;0.0008%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e0dBu out\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;0.002%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eIntermodulation Distortion SMTPE\/DIN 4:1 50Hz, 7kHz\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e@+20dBu out\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;0.002%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e@ 0dBu out\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;0.0015%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eBalanced Inputs +\/-3dB\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e3Hz to 1.25MHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eUnbalanced Input +\/-3dB\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e3Hz to 275kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e118dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth and A weighting filter\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e121dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eOutput Noise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth, at -20dB gain\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e-99dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth and A weighting filter, at -20dB Gain\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e-102dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003ePhase Deviation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20Hz to 20kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;10 degrees\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e10Hz to 100kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt; 19 degrees\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eCrosstalk any channel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e100Hz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;104dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e1kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;100dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;79dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eBalanced Input CMRR\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e60Hz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026gt;90dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e1kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026gt;85dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e10kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026gt;70dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eGain Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdnum=\"1033;0;@\"\u003e-104dB to +13dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eChannel Tracking Accuracy\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eAny channel\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdnum=\"1033;0;@\"\u003e+\/-0.1dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eMaximum Output Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+26dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eMaximum Input Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eBalanced inputs\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+29dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eUnbalanced inputs\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+21dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eImpedances\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eBalanced inputs\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdnum=\"1033;0;@\"\u003e88k Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eUnbalanced inputs\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdnum=\"1033;0;@\"\u003e53k Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eBalanced outputs\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e300 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eMinimum load impedance\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e300 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eExternal Talkback Mic Preamp Gain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+7dB to +70dB in 1dB steps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003eDIGITAL TO ANALOG CONVERTER FIXED OUTPUTS\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eOutput Levels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eUser selectable (0dBFS)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e-76dBu to +24dBu in 0.5dB steps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eFixed output trim range (0.5dB steps)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e1kHz, -1dBFS, (0dBFS = +20dBu), 20-22kHz bandwidth\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdval=\"0.000006\" sdnum=\"1033;0;0.0000%\"\u003e0.0006%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth, 0dBFS = +20dBu (AES17 filter)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e117dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth, 0dBFS = +20dBu (A-weighted)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e119dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"25\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eInput Lock Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"97\" align=\"left\" class=\"specs\"\u003eAES3\/SPDIF\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e44.1kHz +\/-400Hz\u003cbr\u003e48kHz +\/-700Hz\u003cbr\u003e88.2kHz +\/-1200Hz\u003cbr\u003e96kHz +\/-1300Hz\u003cbr\u003e176.4kHz +\/-2000Hz\u003cbr\u003e192kHz +\/-2000Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"62\" align=\"left\" class=\"specs\"\u003eTOSLINK\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e44.1kHz +\/-400Hz\u003cbr\u003e48kHz +\/-700Hz\u003cbr\u003e88.2kHz +\/-1200Hz\u003cbr\u003e96kHz +\/-1300Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"79\" align=\"left\" class=\"specs\"\u003eADAT LIGHTPIPE™\u003cbr\u003e8 Channels at 44.1kHz and 48kHz\u003cbr\u003e4 Channels at 88.2kHz and 96kHz (s\/mux)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e44.1kHz +\/-50Hz\u003cbr\u003e48kHz +\/-70Hz\u003cbr\u003e88.2kHz +\/-50Hz\u003cbr\u003e96kHz +\/-70Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eUSB Supported Sample Rates\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e44.1, 48, 88.2, 96, 176.4, 192kHz, DSD64 2.8224MHz, DSD128 5.6448MHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003es-Lock™ Capture Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e44.1kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 6Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e48kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 7Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e88.2kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 14Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e96kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 20Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e176.4kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 24Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e192kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 30Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eWord Clock \/ Superclock Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eImpedance (switchable)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e75 ohm \/ 1Meg ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eMinimum Voltage\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e3V peak to peak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eMaximum Voltage\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e5V peak to peak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eWord clock frequencies supported\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e44.1, 48, 88.2, 96, 176.4, 192kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eSuperclock frequencies supported\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003eN\/A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003e\u003cem\u003ePOWER SUPPLY \/ GENERAL\u003c\/em\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003ePower consumption\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e60W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eInput Voltage 50-60Hz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e100VAC – 240VAC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eMain chassis IEC 2U\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e3.5\" x 10.5\" x 17\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eRemote control unit\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdnum=\"1033;0;@\"\u003e8.9\" x 5.1\" x 2.2\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eMain chassis\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e7.8lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eRemote control unit\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e2.2lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/li\u003e","published_at":"2016-10-29T07:25:00+02:00","created_at":"2016-10-29T09:48:47+02:00","vendor":"Grace Design","type":"Monitoring","tags":["Grace Design","Monitor Management","Price Range_$3000 and Over","Shop by brand_Grace Design","Shop by category_Monitor Management","Studio \u0026 Recording","Studio Monitors"],"price":332500,"price_min":332500,"price_max":332500,"available":true,"price_varies":false,"compare_at_price":349500,"compare_at_price_min":349500,"compare_at_price_max":349500,"compare_at_price_varies":false,"variants":[{"id":28059817601,"title":"Silver","option1":"Silver","option2":null,"option3":null,"sku":"A905","requires_shipping":true,"taxable":true,"featured_image":{"id":18943624385,"product_id":8347782593,"position":1,"created_at":"2016-10-29T09:53:44+02:00","updated_at":"2017-08-31T12:27:00+02:00","alt":null,"width":800,"height":531,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/xfs_950x600_s80_m905RCU_2.jpg?v=1504175220","variant_ids":[28059817601]},"available":true,"name":"Grace Design m905 reference monitor controller - Silver","public_title":"Silver","options":["Silver"],"price":332500,"weight":3538,"compare_at_price":349500,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":594252726298,"title":"Black","option1":"Black","option2":null,"option3":null,"sku":"A905-BK","requires_shipping":true,"taxable":true,"featured_image":{"id":18943618305,"product_id":8347782593,"position":2,"created_at":"2016-10-29T09:53:22+02:00","updated_at":"2017-08-31T12:27:00+02:00","alt":null,"width":950,"height":514,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m905_black.jpg?v=1504175220","variant_ids":[594252726298]},"available":true,"name":"Grace Design m905 reference monitor controller - Black","public_title":"Black","options":["Black"],"price":332500,"weight":3538,"compare_at_price":349500,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/xfs_950x600_s80_m905RCU_2.jpg?v=1504175220","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m905_black.jpg?v=1504175220","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m905_rearpanel.jpg?v=1504175220","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/xfs_950x600_s80__DSC4682-Edit.jpg?v=1504175220"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/xfs_950x600_s80_m905RCU_2.jpg?v=1504175220","options":["Color"],"content":"\u003cp class=\"h4\"\u003e\u003cspan\u003eThis is the world's finest stereo monitor controller, with built in mastering quality Digital to Analog Converters, audiophile-grade headphone amplifier and unrivaled system configuration tools. For hardworking audio professionals and studios that demand the very best playback available.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"h4\"\u003e\u003cstrong\u003eNow available in black!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe is our second generation stereo monitor controller, engineered from the ground up to provide unrivaled sonic purity with a comprehensive and powerful feature set.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe m905 represents a new benchmark for audio playback quality. DAC performance is on par with the finest esoteric mastering equipment available. Our redesigned s-Lock™ PLL ensures ultra-low jitter clock regeneration. An asynchronous USB class 2 interface allows the m905 to act as the master clock of the computer's USB audio buss, effectively eliminating interface induced jitter for computer audio playback. And finally, meticulous analog circuitry measures with outstanding numbers in dynamic range, distortion and noise performance, ensuring bracingly open, detailed and musical playback of any input source.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAll main audio and power supply circuitry is housed in a 2U rack mount mainframe, while system control is managed by a sleek, ergonomic remote control unit. This new RCU is a combination of dedicated hardware and a color graphical LCD display. All primary monitoring features are accessed via hardware switches and a rotary encoder, while all system information is presented by the graphic LCD and illuminated switches. This hybrid design allows for the solid feel and function of traditional hardware with the added power and functionality of a graphical user interface.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNow supported is DSD 128x (5.6448MHz) via DoP v1.1 (DSD over PCM frames). DSD audio can be sourced from the AES3, S\/PDIF or USB digital inputs. While still a niche playback format, DSD has held its ground over the years, and now more and more content is available via download. And playback is now supported by a number of players. DSD sounds stunningly natural, especially rendered through the rest of the playback circuitry of the m905. So If you're the type to seek out this kind of fidelity, we can't recommend it enough.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe GUI is designed so that any engineer unfamiliar with the m905 can use the system immediately and confidently. Then with a minimal time investment, advanced functions can be accessed and controlled with ease. Additional features include: naming individual inputs and speaker outputs, calibrating level offsets of any input and output, setting preset levels, and much more. The setup menus only ever drill down one level, so the main operating screen is always one button away. And when returning to any previously visited setup menu, its previous edit status is remembered, keeping redundant navigation and editing to a minimum.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe m905 offers the ability to transfer up to 10 channels of digital audio (8-channels of ADAT and two of AES3, or S\/PDIF or TOSLINK) over USB to a computer, making the m905 capable of operating as a standalone USB audio interface. This is an advanced feature as there are clock issues to be aware of, but it works and is documented in the owners manual.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith stunning sonic performance and timeless design, the m905 is a mark of genuine progress in the pursuit of high quality audio production. Intuitive, reliable and beautiful, it is the perfect studio centerpiece - home base for your ears, eyes and hands.\u003c\/p\u003e\n\u003cp class=\"h4\"\u003e\u003cstrong\u003eTwo product options are now available:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"h4\"\u003e\u003cstrong\u003em905 Analog (analog inputs only)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eThe m905 Analog is now available without the built in DAC. This system is offered for users who already have an investment in DACs, whether stand-alone or built into their interface. System configuration is exactly the same, with all the same great monitoring features, except no digital inputs and an second pair of balanced analog inputs. The m905 Analog brings this world class performance into reach of almost any engineer or recording studio. Also, users can always upgrade their m905 Analog to the Digital version at anytime.\u003c\/em\u003e \u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003e\u003cspan class=\"h4\"\u003eInfrared wireless remote option\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eAlso now available is the m905 IR Remote Option, which is available on new or existing units (Digital and Analog). This feature allows wireless infrared remote control of a select set of monitoring controls via the Grace Design Remote, a standard Apple Remote, or with iOS and Android via the Logitec® Harmony Remote.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SQ8SPwbRsw8\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EF6Okz8vdZw\" frameborder=\"0\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003cbr\u003e\n\u003cli class=\"bullets\"\u003eAnalog inputs - unbalanced, balanced, CUE, talkback mic (additional balanced input available on the m905 Analog)\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eDigital inputs - 2x AES3 (Single or dual-wire), 1 S\/PDIF, 1 TOSLINK, ADAT (selectable in 4 pairs, or 2 pairs in S\/MUX), USB, DSD128 (5.6448MHz)\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eAudio circuitry designed for completely transparent and musical playback performance\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eAsynchronous Class 2 USB playback supports up to 24 bit\/192kHz\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eMastering quality DAC circuitry with configurable de-emphasis filtering\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003es-lock dual-stage Phase Lock Loop for ultra low jitter clock regeneration\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eHybrid RCU with hardware switches, large level encoder and graphical LCD\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eLCD display shows input, level, output, SPL and DAC status plus a full calibration menu\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eRCU includes built in microphone for talkback and onboard SPL meter\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eSPL meter features include level, peak, fast and slow modes, A \u0026amp; C weighting\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003ePrecision .5 dB step level control for speakers and headphones\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eReference headphone amplifier circuitry, with outputs on both the RCU and ACU\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eDedicated mono, dim, mute and sub mute switches\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eMono mode can be set to L+R summed, L only in both channels, or R only in both channels L solo, R solo, L-R and sub solo modes are available\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e3 available stereo speaker outputs, with two assignable mono sub outputs (or single stereo sub output)\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eMulti-mode SUB\/ DAC\/ METER out\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eSUB out mode for stereo or multiple mono subwoofer outputs\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eDAC out mode for a fixed DAC output fed by the selected digital input\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eMETER out mode fed by selected input signal (digital or analog), configurable with a fixed level or to follow yhe monitor level\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eDetachable RCU tilt base\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003cbr\u003e\n\u003ctable width=\"851\" height=\"2575\" border=\"0\" cellspacing=\"0\" cols=\"2\" frame=\"void\" rules=\"none\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"491\"\u003e \u003ccol width=\"359\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"458\" height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003eANALOG I\/O\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd width=\"389\" align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eTHD+N at Maximum Volume, 1kHz, 22Hz-22kHz BW\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e+20dBu out\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;0.0008%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e+10dBu out\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;0.0008%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e0dBu out\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;0.002%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eIntermodulation Distortion SMTPE\/DIN 4:1 50Hz, 7kHz\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e@+20dBu out\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;0.002%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e@ 0dBu out\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;0.0015%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eBalanced Inputs +\/-3dB\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e3Hz to 1.25MHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eUnbalanced Input +\/-3dB\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e3Hz to 275kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e118dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth and A weighting filter\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e121dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eOutput Noise\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth, at -20dB gain\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e-99dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth and A weighting filter, at -20dB Gain\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e-102dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003ePhase Deviation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20Hz to 20kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;10 degrees\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e10Hz to 100kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt; 19 degrees\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eCrosstalk any channel\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e100Hz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;104dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e1kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;100dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026lt;79dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eBalanced Input CMRR\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e60Hz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026gt;90dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e1kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026gt;85dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e10kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u0026gt;70dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eGain Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdnum=\"1033;0;@\"\u003e-104dB to +13dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eChannel Tracking Accuracy\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eAny channel\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdnum=\"1033;0;@\"\u003e+\/-0.1dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eMaximum Output Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+26dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eMaximum Input Level\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eBalanced inputs\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+29dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eUnbalanced inputs\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+21dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eImpedances\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eBalanced inputs\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdnum=\"1033;0;@\"\u003e88k Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eUnbalanced inputs\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdnum=\"1033;0;@\"\u003e53k Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eBalanced outputs\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e300 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eMinimum load impedance\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e300 Ohms\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eExternal Talkback Mic Preamp Gain\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+7dB to +70dB in 1dB steps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003e\u003cem\u003e\u003cu\u003eDIGITAL TO ANALOG CONVERTER FIXED OUTPUTS\u003c\/u\u003e\u003c\/em\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eOutput Levels\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eUser selectable (0dBFS)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e-76dBu to +24dBu in 0.5dB steps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eFixed output trim range (0.5dB steps)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eTHD+N\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e1kHz, -1dBFS, (0dBFS = +20dBu), 20-22kHz bandwidth\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdval=\"0.000006\" sdnum=\"1033;0;0.0000%\"\u003e0.0006%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eDynamic Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth, 0dBFS = +20dBu (AES17 filter)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e117dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e20-22kHz bandwidth, 0dBFS = +20dBu (A-weighted)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e119dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"25\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eInput Lock Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"97\" align=\"left\" class=\"specs\"\u003eAES3\/SPDIF\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e44.1kHz +\/-400Hz\u003cbr\u003e48kHz +\/-700Hz\u003cbr\u003e88.2kHz +\/-1200Hz\u003cbr\u003e96kHz +\/-1300Hz\u003cbr\u003e176.4kHz +\/-2000Hz\u003cbr\u003e192kHz +\/-2000Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"62\" align=\"left\" class=\"specs\"\u003eTOSLINK\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e44.1kHz +\/-400Hz\u003cbr\u003e48kHz +\/-700Hz\u003cbr\u003e88.2kHz +\/-1200Hz\u003cbr\u003e96kHz +\/-1300Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"79\" align=\"left\" class=\"specs\"\u003eADAT LIGHTPIPE™\u003cbr\u003e8 Channels at 44.1kHz and 48kHz\u003cbr\u003e4 Channels at 88.2kHz and 96kHz (s\/mux)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e44.1kHz +\/-50Hz\u003cbr\u003e48kHz +\/-70Hz\u003cbr\u003e88.2kHz +\/-50Hz\u003cbr\u003e96kHz +\/-70Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eUSB Supported Sample Rates\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e44.1, 48, 88.2, 96, 176.4, 192kHz, DSD64 2.8224MHz, DSD128 5.6448MHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003es-Lock™ Capture Range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e44.1kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 6Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e48kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 7Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e88.2kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 14Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e96kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 20Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e176.4kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 24Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e192kHz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e+\/- 30Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eWord Clock \/ Superclock Input\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eImpedance (switchable)\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e75 ohm \/ 1Meg ohm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eMinimum Voltage\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e3V peak to peak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eMaximum Voltage\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e5V peak to peak\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eWord clock frequencies supported\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e44.1, 48, 88.2, 96, 176.4, 192kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eSuperclock frequencies supported\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003eN\/A\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003e\u003cem\u003ePOWER SUPPLY \/ GENERAL\u003c\/em\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003ePower consumption\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e60W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eInput Voltage 50-60Hz\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e100VAC – 240VAC\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eMain chassis IEC 2U\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e3.5\" x 10.5\" x 17\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eRemote control unit\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\" sdnum=\"1033;0;@\"\u003e8.9\" x 5.1\" x 2.2\"\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eMain chassis\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e7.8lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd height=\"24\" align=\"left\" class=\"specs\"\u003eRemote control unit\u003c\/td\u003e\n\u003ctd align=\"right\" class=\"specs\"\u003e2.2lbs\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/li\u003e"}
Grace Design m905 reference monitor controller

Grace Design m905 reference monitor controller

$3,325.00

This is the world's finest stereo monitor controller, with built in mastering quality Digital to Analog Converters, audiophile-grade headphone amplifier and unrivaled system configuration tools. For hardworking audio professionals and studios that demand the very best playback available. Now available in black! The is our second generation stere...

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Focal ALPHA 65 (Single)
Focal ALPHA 65 (Single)

Studio Monitors

$257.00 $399.00
{"id":8593474189,"title":"Focal ALPHA 65 (Single)","handle":"alpha-65-220-240-eu-version","description":"\u003cp\u003e\u003cstrong\u003eAlpha 65\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eACTIVE 2-WAY NEAR FIELD PROFESSIONAL MONITORING LOUDSPEAKER\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Alpha 65 performs just as well with instrumental music as with electronic music, and is characterised by its great versatility.\u003cbr\u003e\u003cbr\u003eThis model is composed of a 6.5” (16.5cm) woofer\/ midrange speaker with a Polyglass cone loaded in a large laminar port associated to a 70W amplifier and of a 1\" (25mm) aluminum inverted dome tweeter (35W amplifier). Alpha 65 has a frequency response of 40Hz to 22kHz (+\/- 3dB).\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14.000000pt; font-family: 'ConduitITC'; font-weight: bold;\"\u003eTechnical specifications \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eType\u003cbr\u003eMonitoring Alpha 65\u003cbr\u003eFrequency response (+\/- 3dB)\u003cbr\u003e40Hz - 22kHz\u003cbr\u003ePower\u003cbr\u003e105W (70W+35W)\u003cbr\u003eMaximum SPL\u003cbr\u003e106dB SPL (pic @ 1m)\u003cbr\u003eElectronic section\u003cbr\u003eInputs Connectors\u003cbr\u003eXLR balanced 10kOhms\u003cbr\u003eRCA unbalanced 10kOhms with sensitivity compensation\u003cbr\u003eLF amplifier stage\u003cbr\u003e70W, class AB\u003cbr\u003eHF amplifier stage\u003cbr\u003e35W, class AB\u003cbr\u003eStandby mode Standby\u003cbr\u003eActivation of the monitor\u003cbr\u003eAfter about 30 minutes without using the monitor By signal detection \u0026gt;3 mV\u003cbr\u003ePower supply\u003cbr\u003e(The voltage can not be modified)\u003cbr\u003e220-240V\u003cbr\u003e(fuse T800mAL\/250V) or 100-120V\u003cbr\u003e(fuse T1.6AL\/250V)\u003cbr\u003eConnection\u003cbr\u003eIEC inlet and detachable power cord\u003cbr\u003eUser controls\u003cbr\u003eSensitivity\u003cbr\u003eAdjustable, 0 or +6dB\u003cbr\u003eLF shelving (0 - 300Hz)\u003cbr\u003eAdjustable, +\/-6dB\u003cbr\u003eHF shelving (4.5 - 22kHz)\u003cbr\u003eAdjustable, +\/-3dB\u003cbr\u003ePower ON\/OFF\u003cbr\u003eSwitch on rear panel\u003cbr\u003eStandby mode power consumption\u003cbr\u003e\u0026lt; 0,5W\u003cbr\u003eIndicators\u003cbr\u003ePower ON\/OFF LED - Standby LED\u003cbr\u003eTransducers\u003cbr\u003eWoofer\u003cbr\u003e6.5\" (16.5cm) drive unit - Polyglass cone\u003cbr\u003eTweeter\u003cbr\u003e1\" (25mm) drive unit Aluminium inverted dome\u003cbr\u003eCabinet\u003cbr\u003eConstruction\u003cbr\u003e0.6\" (15mm) MDF\u003cbr\u003eFinish\u003cbr\u003eVinyl and Black painting\u003cbr\u003eDimensions\u003cbr\u003ewith 4 rubber pads (HxWxD)\u003cbr\u003e13.7x9.9x12.2\" (348 x 252 x 309mm)\u003cbr\u003eWeight\u003cbr\u003e20.7lb (9.4kg)\u003c\/p\u003e","published_at":"2016-12-12T22:15:00+02:00","created_at":"2016-12-12T22:17:08+02:00","vendor":"Focal","type":"Studio Monitors","tags":["Active Monitors","Focal","Price Range_$300 to $500","Shop by brand_Focal","Shop by category_Active Monitors","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":25700,"price_min":25700,"price_max":25700,"available":true,"price_varies":false,"compare_at_price":39900,"compare_at_price_min":39900,"compare_at_price_max":39900,"compare_at_price_varies":false,"variants":[{"id":29405438221,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"PALPAL6501","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Focal ALPHA 65 (Single)","public_title":null,"options":["Default Title"],"price":25700,"weight":12220,"compare_at_price":39900,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":"3544056710027"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/alpha-65_bfb1c1b9-ba67-4dbc-bead-bc21f7f79890.jpg?v=1500495268","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/alpha-65_46c1e819-d48c-4be1-b910-a16d7461a792.jpg?v=1500495268","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/alpha-65_8a6b5b4a-d5ac-439c-9748-e9f522d6e4d6.jpg?v=1500495268"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/alpha-65_bfb1c1b9-ba67-4dbc-bead-bc21f7f79890.jpg?v=1500495268","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eAlpha 65\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eACTIVE 2-WAY NEAR FIELD PROFESSIONAL MONITORING LOUDSPEAKER\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Alpha 65 performs just as well with instrumental music as with electronic music, and is characterised by its great versatility.\u003cbr\u003e\u003cbr\u003eThis model is composed of a 6.5” (16.5cm) woofer\/ midrange speaker with a Polyglass cone loaded in a large laminar port associated to a 70W amplifier and of a 1\" (25mm) aluminum inverted dome tweeter (35W amplifier). Alpha 65 has a frequency response of 40Hz to 22kHz (+\/- 3dB).\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14.000000pt; font-family: 'ConduitITC'; font-weight: bold;\"\u003eTechnical specifications \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eType\u003cbr\u003eMonitoring Alpha 65\u003cbr\u003eFrequency response (+\/- 3dB)\u003cbr\u003e40Hz - 22kHz\u003cbr\u003ePower\u003cbr\u003e105W (70W+35W)\u003cbr\u003eMaximum SPL\u003cbr\u003e106dB SPL (pic @ 1m)\u003cbr\u003eElectronic section\u003cbr\u003eInputs Connectors\u003cbr\u003eXLR balanced 10kOhms\u003cbr\u003eRCA unbalanced 10kOhms with sensitivity compensation\u003cbr\u003eLF amplifier stage\u003cbr\u003e70W, class AB\u003cbr\u003eHF amplifier stage\u003cbr\u003e35W, class AB\u003cbr\u003eStandby mode Standby\u003cbr\u003eActivation of the monitor\u003cbr\u003eAfter about 30 minutes without using the monitor By signal detection \u0026gt;3 mV\u003cbr\u003ePower supply\u003cbr\u003e(The voltage can not be modified)\u003cbr\u003e220-240V\u003cbr\u003e(fuse T800mAL\/250V) or 100-120V\u003cbr\u003e(fuse T1.6AL\/250V)\u003cbr\u003eConnection\u003cbr\u003eIEC inlet and detachable power cord\u003cbr\u003eUser controls\u003cbr\u003eSensitivity\u003cbr\u003eAdjustable, 0 or +6dB\u003cbr\u003eLF shelving (0 - 300Hz)\u003cbr\u003eAdjustable, +\/-6dB\u003cbr\u003eHF shelving (4.5 - 22kHz)\u003cbr\u003eAdjustable, +\/-3dB\u003cbr\u003ePower ON\/OFF\u003cbr\u003eSwitch on rear panel\u003cbr\u003eStandby mode power consumption\u003cbr\u003e\u0026lt; 0,5W\u003cbr\u003eIndicators\u003cbr\u003ePower ON\/OFF LED - Standby LED\u003cbr\u003eTransducers\u003cbr\u003eWoofer\u003cbr\u003e6.5\" (16.5cm) drive unit - Polyglass cone\u003cbr\u003eTweeter\u003cbr\u003e1\" (25mm) drive unit Aluminium inverted dome\u003cbr\u003eCabinet\u003cbr\u003eConstruction\u003cbr\u003e0.6\" (15mm) MDF\u003cbr\u003eFinish\u003cbr\u003eVinyl and Black painting\u003cbr\u003eDimensions\u003cbr\u003ewith 4 rubber pads (HxWxD)\u003cbr\u003e13.7x9.9x12.2\" (348 x 252 x 309mm)\u003cbr\u003eWeight\u003cbr\u003e20.7lb (9.4kg)\u003c\/p\u003e"}
Focal ALPHA 65 (Single)

Focal ALPHA 65 (Single)

$257.00

Alpha 65ACTIVE 2-WAY NEAR FIELD PROFESSIONAL MONITORING LOUDSPEAKERThe Alpha 65 performs just as well with instrumental music as with electronic music, and is characterised by its great versatility.This model is composed of a 6.5” (16.5cm) woofer/ midrange speaker with a Polyglass cone loaded in a large laminar port associated to a 70W amplifier...


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{"id":30222483482,"title":"Barefoot Sound MiniMain 12 4-way active monitor with MEME™ Technology(Pair)","handle":"barefoot-minimain-12-4-way-active-monitor-with-meme-technology","description":"Barefoot Sound is proud to introduce the revolutionary new MiniMain12, possibly the most accurate, revealing and technologically advanced recording monitor ever made. This is a bold statement, but the MiniMain12 is an incredibly bold speaker. With vanishing low distortion, breathtakingly wide dynamic range, ultra-fast transient response plus our amazing MEME™(Multi Emphasis Monitor Emulation™) technology.\u003cbr\u003e\u003cbr\u003eDETAILS\u003cbr\u003e\u003cbr\u003eThe MiniMain12 is a 4-way active system with 7 drive units housed in sealed enclosures spanning 20Hz to 40kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. Every driver has an under-hung voice coil moving inside an advanced geometry motor that enables it make extremely long linear excursions. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The aluminum cone subwoofers, woofers and midranges radiate as perfect pistons to at least 2.5 octaves beyond their respective bandwidths. Barefoot has teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage of the MM12. Melding the system together is a groundbreaking DSP crossover that has taken Thomas Barefoot more than 4 years to develop. With beautifully designed high end converts and cutting edge proprietary filtering techniques the MiniMain12 produces such a seamless and coherent wavefront that, if you dare, you can actually listen to this speaker from less than 3 feet away with no sonic compromise. And yes, the MM12 works perfectly out to far field distances as well, producing SPLs equivalent to big mains. \u003cbr\u003e\u003cbr\u003eIf all this weren’t enough, the MiniMain12 brings yet another revolutionary feature into the mix – MEME™(Multi Emphasis Monitor Emulation™) technology. While no other monitor in the world can match the MM12’s linearity and transparency, the MM12 actually has the capability to emulate other speakers! Despite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. So why not make the MM12 sound and translate like those speakers as well? With the turn of a knob one can switch from the MiniMain12’s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MiniMain12 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even some of their distortion components. 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This is a bold statement, but the MiniMain12 is an incredibly bold speaker. With vanishing low distortion, breathtakingly wide dynamic range, ultra-fast transient response plus our amazing MEME™(Multi Emphasis Monitor Emulation™) technology.\u003cbr\u003e\u003cbr\u003eDETAILS\u003cbr\u003e\u003cbr\u003eThe MiniMain12 is a 4-way active system with 7 drive units housed in sealed enclosures spanning 20Hz to 40kHz with vanishingly low distortion, breathtaking dynamic range and ultra-fast transient response. Every driver has an under-hung voice coil moving inside an advanced geometry motor that enables it make extremely long linear excursions. The ring radiator tweeter is incredibly detailed and produces very wide dispersion out to its highest frequencies. The aluminum cone subwoofers, woofers and midranges radiate as perfect pistons to at least 2.5 octaves beyond their respective bandwidths. Barefoot has teamed up with the brilliant Bruno Putzeys of Hypex to develop the powerful and completely transparent amplifier stage of the MM12. Melding the system together is a groundbreaking DSP crossover that has taken Thomas Barefoot more than 4 years to develop. With beautifully designed high end converts and cutting edge proprietary filtering techniques the MiniMain12 produces such a seamless and coherent wavefront that, if you dare, you can actually listen to this speaker from less than 3 feet away with no sonic compromise. And yes, the MM12 works perfectly out to far field distances as well, producing SPLs equivalent to big mains. \u003cbr\u003e\u003cbr\u003eIf all this weren’t enough, the MiniMain12 brings yet another revolutionary feature into the mix – MEME™(Multi Emphasis Monitor Emulation™) technology. While no other monitor in the world can match the MM12’s linearity and transparency, the MM12 actually has the capability to emulate other speakers! Despite the advantages of high resolution monitors, Thomas Barefoot realizes that many engineers still use their NS10M’s † and mix cubes as secondary references. These speakers have long traditions and people find them familiar and useful for focusing in on certain aspects of their mix. However, crowding one’s console with those extra boxes degrades the sound field of the primary reference monitors. Not to mention, they are no longer manufactured, they need amplifiers, cable runs, and they consume more studio space. So why not make the MM12 sound and translate like those speakers as well? With the turn of a knob one can switch from the MiniMain12’s brutally revealing “Flat” response to the warmer and sweeter “Hi-Fi” setting, generically emulating the sound of some high end consumer audio gear. More specifically the “Old School” setting closely emulates the sound of the NS10M nearfield, while the “Cube” setting emulates the mid-centric sound of classic mix cubes The idea is not to perfectly replicate every subtle quirk of these venerable old speakers. That would be impossible. But the MiniMain12 can capture the essence of how they behave and translate, modeling their frequency, phase and transient responses, dynamic compression and even some of their distortion components. If you know how to work on these speaker you will feel very comfortable working on the MM12’s emulation settings. \u003cbr\u003e\u003cbr\u003eSo there you have it: The Barefoot Sound MiniMain12, a monitor like no other. \u003cbr\u003e\u003cbr\u003eTECH SPECS\u003cbr\u003e\u003cbr\u003e • Description: 4-way active monitor with MEME™ Technology\u003cbr\u003e • Controls: Analog\/AES3 input select, AES3 L\/R channels select, Input level stepped attenuator, Subwoofer level, Emulation voice select\u003cbr\u003e • Input Impedance: 50k Ohm\u003cbr\u003e • Frequency Response: 20Hz – 50kHz (±3dB),\u003cbr\u003e • 28Hz – 40kHz (±1dB)\u003cbr\u003e • Bass Response: -3 dB @ 20Hz, Q = 0.707\u003cbr\u003e • Slope = 12 dB\/octave\u003cbr\u003e • Cabinet: 90 liters total internal volume, Sealed sub enclosure, Sealed woofer enclosures, Sealed woofer enclosure, Machined aluminum baffle plate, Aluminum subwoofer frames function as lateral cabinet bracing, Long fiber wool acoustic damping throughout.\u003cbr\u003e • Crossover Frequencies: 80 \/ 800 \/ 4000 Hz\u003cbr\u003e • Tweeter: 1″ ring radiator, Advanced geometry motor, Rear waveguide chamber\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • Midranges: 2 x 2.5″ aluminum cones, Advanced geometry motor, +\/- 2 mm linear excursion\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • Woofers: 2 x 7″ aluminum cones, Advanced geometry motor, +\/- 13 mm linear excursion\u003cbr\u003e • Amplifier: 250W Hypex\u003cbr\u003e • Subwoofers: 2 x 12″ aluminum cones, Advanced geometry motor, +\/- 25 mm linear excursion\u003cbr\u003e • Amplifier: 1200W Hypex\u003cbr\u003e • AC Power Input: Nominal 115 VAC or 230 VAC selectable\u003cbr\u003e • Power Consumption: Idle: 50W, Maximum: 1500W\u003cbr\u003e • Weight: Speaker: 120 lbs each (54 kg) – no handles\u003cbr\u003e • Shipping: 135 lbs each (61 kg) – no handles\u003cbr\u003e • Dimensions HxWxD: 26.0 x 14.4 x 21.9 inches (660 x 366 x 556 mm)"}
Barefoot Sound MiniMain 12 4-way active monitor with MEME™ Technology(Pair)

Barefoot Sound MiniMain 12 4-way active monitor with MEME™ Technology(Pair)

$25,545.00

Barefoot Sound is proud to introduce the revolutionary new MiniMain12, possibly the most accurate, revealing and technologically advanced recording monitor ever made. This is a bold statement, but the MiniMain12 is an incredibly bold speaker. With vanishing low distortion, breathtakingly wide dynamic range, ultra-fast transient response plus our...


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{"id":9296080141,"title":"Avantone Pro Active MixCube Powered Powered Studio Monitor In Black","handle":"avantone-active-mixcube-powered-full-range-mini-reference-monitors-in-black","description":"\u003ch2\u003eAvantone Active MixCubes Powered Full-Range Mini Reference Monitors in Limited Edition Black\u003c\/h2\u003e\n\u003cp\u003eWhile originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication\u003c\/strong\u003e\u003cbr\u003eActive Recording \/ Mixdown Monitors\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003cbr\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003cbr\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003cbr\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. 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Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003cbr\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003cbr\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003cbr\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBalanced Input\u003c\/strong\u003e\u003cbr\u003eThis “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Gain\u003c\/strong\u003e\u003cbr\u003eThis variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn\/Off Switch\u003c\/strong\u003e\u003cbr\u003eThis illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAC Input \u003c\/strong\u003e\u003cbr\u003eThis input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGround Lift Switch\u003c\/strong\u003e\u003cbr\u003eBy engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlacement\u003c\/strong\u003e\u003cbr\u003eWhen positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Type\u003c\/strong\u003e\u003cbr\u003eActive (Self-powered) shielded full-range stereo pair  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e90Hz - 17,000Hz (useful musical range)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u0026gt;Driver Impedance\u003c\/strong\u003e\u003cbr\u003eNominal 8 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003cbr\u003e104db @ 1 meter = 1%THD (PINK NOISE)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Type\u003c\/strong\u003e\u003cbr\u003eClass A\/B\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Power\u003c\/strong\u003e\u003cbr\u003e60 watts RMS@ .005% THD (1KHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmp Frequency Response\u003c\/strong\u003e\u003cbr\u003e22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003cbr\u003eS\/N -113 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003cbr\u003e0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver\u003c\/strong\u003e\u003cbr\u003eProprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet\u003c\/strong\u003e\u003cbr\u003esealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003cbr\u003eXLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e7 lb 5 oz (per speaker)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e165mm x 165mm x 165mm (6 1\/2\" x 6 1\/2\" x 6 1\/2\" in) \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Avantone Pro Active MixCube Powered Powered Studio Monitor In Black

Avantone Pro Active MixCube Powered Powered Studio Monitor In Black

$249.00

Avantone Active MixCubes Powered Full-Range Mini Reference Monitors in Limited Edition Black While originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. ApplicationActive Recording / Mixdo...

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Audeze LCD-XC

HEADPHONES

$1,799.00
{"id":8497110541,"title":"Audeze LCD-XC","handle":"lcd-xc-bl-bb-tc-bubinga","description":"\u003cp\u003e\u003cstrong\u003eLCD-XC | Audeze\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LCD-XC Closed-Back Headphone is incredibly dynamic, nimble, neutral and transparent, accurately revealing everything on the recording. It quickly became the ultimate tool for recording engineers, musicians and audiophiles alike for its clean, accurate sound. The closed-back design offers all the benefits of a planar magnetic headphone with increased isolation and greatly reduced ambient noise for a private and powerful listening experience. Your favorite music erupts from a silent background taking on a life of its own. The sense of space is enormous, the midrange and high frequencies offer fantastic detail so you can hear further into the recording with more air and separation between performers.\u003c\/p\u003e\n\u003cp\u003e\"Dynamic impact is astonishing, you never get the feeling you’re approaching the limits of what it can do.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExclusive LCD-XC planar magnetic technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustically engineered for accuracy\u003c\/strong\u003e\u003cbr\u003e Audeze’s innovative planar magnetic technology delivers clear and accurate sound that reveals everything on the recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiaphragms thinner than a human hair\u003c\/strong\u003e\u003cbr\u003e We use space-age materials in an ultra thin diaphragm four times larger than typical headphones for fast response times, dramatically reduced distortion, higher resolution and improved imaging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNear zero distortion\u003c\/strong\u003e\u003cbr\u003e Double-sided magnet arrays delivers a uniform driving force across the entire diaphragm for near zero distortion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInternal soundwaves\u003c\/strong\u003e\u003cbr\u003e Patented Fazor Elements guide internal headphone soundwaves to avoid resonance for a more accurate waveform.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered and handcrafted in our California factory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LCD-XC headphone is thoroughly engineered and meticulously hand-built using the finest, most luxurious materials combined with cutting-edge planar magnetic technology. We closely match the transducers, then match the gorgeous equatorial African Bubinga wood earcups. Bubinga is not listed in the CITES Appendices or on the IUCN Red List of Threatened Species. We match earpads by leather texture and color. Choose real lambskin leather or microsuede headbands. The earpads are filled with carefully chosen acoustical foam. You can pair the LCD-XC with portable devices but it sounds best driven by a quality amplifier like our King Headphone Amplifier for best results.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIndustrial Design by Audeze\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou’ll be proud of how the LCD-XC looks and sounds; it’s imbued with sophisticated looks and beautiful earcups that are manufactured at our facility. The quality of the entire structure guarantees years of trouble-free listening. Our cutting-edge designs and circuit technologies have created a breathtakingly beautiful sounding headphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePlanar magnetic drivers for better dynamics and frequency response\u003c\/li\u003e\n\u003cli\u003ePremium leather for style and durability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudeze Technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFazor elements\u003c\/li\u003e\n\u003cli\u003eLarge ultra thin-film diaphragms\u003c\/li\u003e\n\u003cli\u003eDouble-sided magnetic structure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePackage Includes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2.5m 1\/4in to dual 4-pin mini-XLR cable\u003c\/li\u003e\n\u003cli\u003e3.5mm to 1\/4in stereo adapter\u003c\/li\u003e\n\u003cli\u003eProfessional travel case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"60%\"\u003e\n\u003cp\u003eStyle\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"40%\"\u003e\n\u003cp\u003eClosed circumaural\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eTransducer type\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003ePlanar magnetic\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eMagnetic structure\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eProprietary push-pull design\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eMagnet type\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eNeodymium\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eTransducer size\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e106 mm\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum power handling\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e15W (for 200ms)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eSound pressure level\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026gt;130dB with 15W\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFrequency response\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e5Hz – 20kHz extended out to 50kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eTotal harmonic distortion\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026lt;1% through entire frequency range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eImpedance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e20 ohms\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eEfficiency\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e100dB \/ 1mW\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eOptimal power requirement\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1 – 4W\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-06-19T00:05:29+02:00","created_at":"2016-11-26T19:57:51+02:00","vendor":"Audeze","type":"HEADPHONES","tags":["Audeze","Audeze LCD-XC","Cable Length_Up to 5'","Cable Type_Straight","Drive Size_106mm","Fit Style_Around the Ear","Headphones","Impedance_Under 50 ohms","Mobile","Open\/Closed_Closed","Price Range_$1500 to $2000","Professional Headphones","Replaceable Cable_Yes","Shop by brand_Audeze","Shop by category_Headphones"],"price":179900,"price_min":179900,"price_max":179900,"available":true,"price_varies":false,"compare_at_price":179900,"compare_at_price_min":179900,"compare_at_price_max":179900,"compare_at_price_varies":false,"variants":[{"id":28847823245,"title":"Bubinga","option1":"Bubinga","option2":null,"option3":null,"sku":"1002046","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Audeze LCD-XC - 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It quickly became the ultimate tool for recording engineers, musicians and audiophiles alike for its clean, accurate sound. The closed-back design offers all the benefits of a planar magnetic headphone with increased isolation and greatly reduced ambient noise for a private and powerful listening experience. Your favorite music erupts from a silent background taking on a life of its own. The sense of space is enormous, the midrange and high frequencies offer fantastic detail so you can hear further into the recording with more air and separation between performers.\u003c\/p\u003e\n\u003cp\u003e\"Dynamic impact is astonishing, you never get the feeling you’re approaching the limits of what it can do.\"\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExclusive LCD-XC planar magnetic technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAcoustically engineered for accuracy\u003c\/strong\u003e\u003cbr\u003e Audeze’s innovative planar magnetic technology delivers clear and accurate sound that reveals everything on the recording.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiaphragms thinner than a human hair\u003c\/strong\u003e\u003cbr\u003e We use space-age materials in an ultra thin diaphragm four times larger than typical headphones for fast response times, dramatically reduced distortion, higher resolution and improved imaging.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNear zero distortion\u003c\/strong\u003e\u003cbr\u003e Double-sided magnet arrays delivers a uniform driving force across the entire diaphragm for near zero distortion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInternal soundwaves\u003c\/strong\u003e\u003cbr\u003e Patented Fazor Elements guide internal headphone soundwaves to avoid resonance for a more accurate waveform.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineered and handcrafted in our California factory\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LCD-XC headphone is thoroughly engineered and meticulously hand-built using the finest, most luxurious materials combined with cutting-edge planar magnetic technology. We closely match the transducers, then match the gorgeous equatorial African Bubinga wood earcups. Bubinga is not listed in the CITES Appendices or on the IUCN Red List of Threatened Species. We match earpads by leather texture and color. Choose real lambskin leather or microsuede headbands. The earpads are filled with carefully chosen acoustical foam. You can pair the LCD-XC with portable devices but it sounds best driven by a quality amplifier like our King Headphone Amplifier for best results.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIndustrial Design by Audeze\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eYou’ll be proud of how the LCD-XC looks and sounds; it’s imbued with sophisticated looks and beautiful earcups that are manufactured at our facility. The quality of the entire structure guarantees years of trouble-free listening. Our cutting-edge designs and circuit technologies have created a breathtakingly beautiful sounding headphone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePlanar magnetic drivers for better dynamics and frequency response\u003c\/li\u003e\n\u003cli\u003ePremium leather for style and durability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eAudeze Technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFazor elements\u003c\/li\u003e\n\u003cli\u003eLarge ultra thin-film diaphragms\u003c\/li\u003e\n\u003cli\u003eDouble-sided magnetic structure\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePackage Includes\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2.5m 1\/4in to dual 4-pin mini-XLR cable\u003c\/li\u003e\n\u003cli\u003e3.5mm to 1\/4in stereo adapter\u003c\/li\u003e\n\u003cli\u003eProfessional travel case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"60%\"\u003e\n\u003cp\u003eStyle\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd width=\"40%\"\u003e\n\u003cp\u003eClosed circumaural\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eTransducer type\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003ePlanar magnetic\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eMagnetic structure\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eProprietary push-pull design\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eMagnet type\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003eNeodymium\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eTransducer size\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e106 mm\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eMaximum power handling\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e15W (for 200ms)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eSound pressure level\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026gt;130dB with 15W\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eFrequency response\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e5Hz – 20kHz extended out to 50kHz\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eTotal harmonic distortion\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e\u0026lt;1% through entire frequency range\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eImpedance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e20 ohms\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eEfficiency\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e100dB \/ 1mW\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003eOptimal power requirement\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e1 – 4W\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e"}
Audeze LCD-XC

Audeze LCD-XC

$1,799.00

LCD-XC | Audeze The LCD-XC Closed-Back Headphone is incredibly dynamic, nimble, neutral and transparent, accurately revealing everything on the recording. It quickly became the ultimate tool for recording engineers, musicians and audiophiles alike for its clean, accurate sound. The closed-back design offers all the benefits of a planar magnetic ...

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PreSonus HP60
PreSonus HP60

Monitoring and Controllers

$289.00 $394.80
{"id":8258748929,"title":"PreSonus HP60","handle":"presonus-hp60","description":"The problem solver.\u003cbr\u003e\u003cbr\u003e“Turn my headphones up!” “More me, I can’t hear myself!” “Turn down that click!” If musicians can’t clearly hear what they want, their performance and attitude will suffer. With the PreSonus® HP60 headphone distribution system, you can easily resolve these problems and provide headphone mixes the musicians will love. That’s because the HP60 is more than a half-dozen headphone amps; it’s a field-tested, easy-to-use solution to a host of common headphone-monitoring issues.\u003cbr\u003e\u003cbr\u003eThey’ll love your headphone mixes.\u003cbr\u003e\u003cbr\u003eEach of the HP60’s six headphone amps has its own level control and is loud enough to drive the alligators out of the Louisiana swamps. And the HP60 lets you customize each mix. In addition to the two pairs of main stereo inputs, you get an external stereo input with level control, mono, and mute for each headphone channel. So you can send each musician a feed of just their instrument or voice and can control the level separately for each.\u003cbr\u003e\u003cbr\u003eControlled click.\u003cbr\u003e\u003cbr\u003eThe HP60 features two sets of line-level, stereo inputs that are routed to all six headphones and a Mix control that sets relative levels for each headphone output. So you can feed the main control-room mix to channel A, feed the click signal to channel B, and use the Mix controls to individually raise or lower the click relative to the main mix for each musician.\u003cbr\u003e\u003cbr\u003eTake command.\u003cbr\u003e\u003cbr\u003eWith the HP60, when you talk, everyone listens. Hit the Talk button and use the talkback-mic input and your favorite dynamic mic to tell ‘em what to do. You can even use a footswitch to control the talkback hands-free. Need more than six headphones? Connect two HP60s for a 12-headphone system or connect the HP60 to a Presonus HP4 to feed 10 pairs of headphones.\u003cbr\u003e\u003cbr\u003eSo take command of your headphone system with the problem solver: the PreSonus HP60. Hear it now at your PreSonus dealer.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e6 screaming-loud (150 mW\/channel) headphone outputs (front panel)\u003cbr\u003e6 unbalanced stereo ¼” line outputs (1 per channel); carries a copy of the channel mix\u003cbr\u003e6 unbalanced stereo ¼” external analog line inputs (1 per channel) for “more me,” with trim controls\u003cbr\u003e4 balanced ¼” analog line inputs (L\/R Mix input pairs A and B)\u003cbr\u003e1 balanced XLR Talkback input for external dynamic microphone\u003cbr\u003e1 ¼” footswitch jack for hands-free Talkback operation\u003cbr\u003eMeters, Controls, and Features\u003cbr\u003e2 stereo input channels (A and B)\u003cbr\u003eChannel controls\u003cbr\u003eExternal input level\u003cbr\u003eHeadphone level control for each headphone output\u003cbr\u003eMix A\/B control (blends signals from input pairs A and B)\u003cbr\u003eMono switch for external input\u003cbr\u003eMute switch (mutes input pairs A and B)\u003cbr\u003eMaster controls\u003cbr\u003eInput A level\u003cbr\u003eInput B level\u003cbr\u003eTalk button (momentary switch)\u003cbr\u003eTalkback-mic level\u003cbr\u003ePhysical\u003cbr\u003e1U 19” rack-mountable, rugged steel chassis\u003cbr\u003eInternal power supply with standard IEC connector\u003cbr\u003e Technical SpecificationsInputs\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e• Inputs A and B Connector Type (2 ea.) ¼” TRS balanced\u003cbr\u003e• External Input Connector Type ¼” TRS stereo unbalanced\u003cbr\u003e• Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eHeadphone Outputs\u003cbr\u003e• Connector type: ¼” TRS stereo unbalanced\u003cbr\u003e• Max Output Power 150 mW\/Ch.\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load\u003cbr\u003e• Headphone Impedance Working Range 32Ω - 600Ω\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e• Internal supply, standard IEC connector 115 or 230 VAC\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Dimensions 1\/3U rack-mount (with standard rack tray, not included)\u003cbr\u003e• Height 1.75” (44.45 mm)\u003cbr\u003e• Depth 5.5” (139.7 mm)\u003cbr\u003e• Width 19” (482.6 mm)\u003cbr\u003e• Weight 8.0 lbs. (3.63 kg)","published_at":"2016-10-16T13:41:00+02:00","created_at":"2016-10-16T13:43:38+02:00","vendor":"PreSonus","type":"Monitoring and Controllers","tags":["Headphone Amps and Distribution","PreSonus","Price Range_$200 to $300","Shop by brand_PreSonus","Shop by category_Headphone Amps and Distribution","Studio \u0026 Recording","Studio Monitors"],"price":28900,"price_min":28900,"price_max":28900,"available":true,"price_varies":false,"compare_at_price":39480,"compare_at_price_min":39480,"compare_at_price_max":39480,"compare_at_price_varies":false,"variants":[{"id":27642025793,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"HP60","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus HP60","public_title":null,"options":["Default Title"],"price":28900,"weight":3629,"compare_at_price":39480,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/hp60_a_copy_big_77ef4b8b-a6f7-436f-a58a-7b7147d08322.jpg?v=1501066477","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_5d059f2a-4fb4-487a-b43d-7401a50a3237.png?v=1501066488","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/hp60_back_copy_big_a7193813-e07e-48b4-a634-03a63a289be8.jpg?v=1501066477","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/HP60-03_3d36316e-7c61-4a0e-9fdc-85ed99ff163b.jpg?v=1501066477"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/hp60_a_copy_big_77ef4b8b-a6f7-436f-a58a-7b7147d08322.jpg?v=1501066477","options":["Title"],"content":"The problem solver.\u003cbr\u003e\u003cbr\u003e“Turn my headphones up!” “More me, I can’t hear myself!” “Turn down that click!” If musicians can’t clearly hear what they want, their performance and attitude will suffer. With the PreSonus® HP60 headphone distribution system, you can easily resolve these problems and provide headphone mixes the musicians will love. That’s because the HP60 is more than a half-dozen headphone amps; it’s a field-tested, easy-to-use solution to a host of common headphone-monitoring issues.\u003cbr\u003e\u003cbr\u003eThey’ll love your headphone mixes.\u003cbr\u003e\u003cbr\u003eEach of the HP60’s six headphone amps has its own level control and is loud enough to drive the alligators out of the Louisiana swamps. And the HP60 lets you customize each mix. In addition to the two pairs of main stereo inputs, you get an external stereo input with level control, mono, and mute for each headphone channel. So you can send each musician a feed of just their instrument or voice and can control the level separately for each.\u003cbr\u003e\u003cbr\u003eControlled click.\u003cbr\u003e\u003cbr\u003eThe HP60 features two sets of line-level, stereo inputs that are routed to all six headphones and a Mix control that sets relative levels for each headphone output. So you can feed the main control-room mix to channel A, feed the click signal to channel B, and use the Mix controls to individually raise or lower the click relative to the main mix for each musician.\u003cbr\u003e\u003cbr\u003eTake command.\u003cbr\u003e\u003cbr\u003eWith the HP60, when you talk, everyone listens. Hit the Talk button and use the talkback-mic input and your favorite dynamic mic to tell ‘em what to do. You can even use a footswitch to control the talkback hands-free. Need more than six headphones? Connect two HP60s for a 12-headphone system or connect the HP60 to a Presonus HP4 to feed 10 pairs of headphones.\u003cbr\u003e\u003cbr\u003eSo take command of your headphone system with the problem solver: the PreSonus HP60. Hear it now at your PreSonus dealer.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e6 screaming-loud (150 mW\/channel) headphone outputs (front panel)\u003cbr\u003e6 unbalanced stereo ¼” line outputs (1 per channel); carries a copy of the channel mix\u003cbr\u003e6 unbalanced stereo ¼” external analog line inputs (1 per channel) for “more me,” with trim controls\u003cbr\u003e4 balanced ¼” analog line inputs (L\/R Mix input pairs A and B)\u003cbr\u003e1 balanced XLR Talkback input for external dynamic microphone\u003cbr\u003e1 ¼” footswitch jack for hands-free Talkback operation\u003cbr\u003eMeters, Controls, and Features\u003cbr\u003e2 stereo input channels (A and B)\u003cbr\u003eChannel controls\u003cbr\u003eExternal input level\u003cbr\u003eHeadphone level control for each headphone output\u003cbr\u003eMix A\/B control (blends signals from input pairs A and B)\u003cbr\u003eMono switch for external input\u003cbr\u003eMute switch (mutes input pairs A and B)\u003cbr\u003eMaster controls\u003cbr\u003eInput A level\u003cbr\u003eInput B level\u003cbr\u003eTalk button (momentary switch)\u003cbr\u003eTalkback-mic level\u003cbr\u003ePhysical\u003cbr\u003e1U 19” rack-mountable, rugged steel chassis\u003cbr\u003eInternal power supply with standard IEC connector\u003cbr\u003e Technical SpecificationsInputs\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e• Inputs A and B Connector Type (2 ea.) ¼” TRS balanced\u003cbr\u003e• External Input Connector Type ¼” TRS stereo unbalanced\u003cbr\u003e• Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eHeadphone Outputs\u003cbr\u003e• Connector type: ¼” TRS stereo unbalanced\u003cbr\u003e• Max Output Power 150 mW\/Ch.\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load\u003cbr\u003e• Headphone Impedance Working Range 32Ω - 600Ω\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e• Internal supply, standard IEC connector 115 or 230 VAC\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Dimensions 1\/3U rack-mount (with standard rack tray, not included)\u003cbr\u003e• Height 1.75” (44.45 mm)\u003cbr\u003e• Depth 5.5” (139.7 mm)\u003cbr\u003e• Width 19” (482.6 mm)\u003cbr\u003e• Weight 8.0 lbs. (3.63 kg)"}
PreSonus HP60

PreSonus HP60

$289.00

The problem solver.“Turn my headphones up!” “More me, I can’t hear myself!” “Turn down that click!” If musicians can’t clearly hear what they want, their performance and attitude will suffer. With the PreSonus® HP60 headphone distribution system, you can easily resolve these problems and provide headphone mixes the musicians will love. That’s be...


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PreSonus HP4
PreSonus HP4

Monitoring and Controllers

$111.00 $142.80
{"id":8258743489,"title":"PreSonus HP4","handle":"presonus-hp4","description":"Now hear this!\u003cbr\u003e\u003cbr\u003eAre you and your session players and bandmates tired of straining to hear underpowered headphones? We were too, so we created the HP4 headphone-distribution system. These headphone amps are louder than you’re ever likely to need for session and stage use, so be careful with that level control! Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear!\u003cbr\u003eSimple and versatile.\u003cbr\u003e\u003cbr\u003eSimplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs and sum the stereo signals to mono, adjust the individual headphone levels, and mute the rear-panel Monitor outputs while leaving the headphone outputs active. So while the HP4 is simple to set up and use, it has all the features you need to create a versatile headphone system.\u003cbr\u003eCompact and expandable.\u003cbr\u003e\u003cbr\u003eThe compact HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1\/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or the larger HP60 headphone amplifier. So quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your music.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e• 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel)\u003cbr\u003e• 2 balanced ¼” line outputs (monitor outputs)\u003cbr\u003e• 2 balanced ¼” line inputs\u003cbr\u003e\u003cbr\u003eMeters, Controls, and Features\u003cbr\u003e• Headphone level control for each channel\u003cbr\u003e• Mono summing switch for each channel\u003cbr\u003e• Monitor level control\u003cbr\u003e• Monitor mute switch\u003cbr\u003e• Daisy-chain multiple units via monitor outputs\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Compact 1\/3U rack-mount chassis\u003cbr\u003e• Sealed, detented, metal rotary controls\u003cbr\u003e• External 16 VAC power supply \u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e• Connector Type ¼” TRS, balanced\u003cbr\u003e• THD+N 0.0025%, 1 kHz, unity gain\u003cbr\u003e• Max Input Level +18 dBu, \u0026lt;0.5% THD+N, unity gain\u003cbr\u003e• Input Impedance 10 kΩ\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5dB\u003cbr\u003e\u003cbr\u003eMonitor Outputs\u003cbr\u003e• Connector Type ¼” TRS, asymmetrical, impedance-balanced\u003cbr\u003e• THD+N 0.0025%, 1 kHz, unity gain\u003cbr\u003e• Max Output Level +18 dBu, \u0026lt;0.5% THD+N\u003cbr\u003e• Output Impedance 51Ω\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5dB\u003cbr\u003e\u003cbr\u003eHeadphone Outputs\u003cbr\u003e• Connector Type ¼” TRS, stereo\u003cbr\u003e• Max Output Power 130 mW\/Ch., \u0026lt;0.5% THD+N, 60Ω load\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load\u003cbr\u003e• Headphone Impedance Working Range 32Ω - 600Ω\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e• External Adapter Type +12 VDC, 1000 mA, center pin positive\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Dimensions 1\/3U rack-mount (with standard rack tray, not included)\u003cbr\u003e• Height 1.75” (44.45 mm)\u003cbr\u003e• Depth 5.5\" (139.7 mm)\u003cbr\u003e• Width 5.5” (139.7 mm)\u003cbr\u003e• Weight 5 lbs (2.27 kg)","published_at":"2016-10-16T13:39:00+02:00","created_at":"2016-10-16T13:40:33+02:00","vendor":"PreSonus","type":"Monitoring and Controllers","tags":["Headphone Amps and Distribution","PreSonus","Price Range_$100 to $200","Shop by brand_PreSonus","Shop by category_Headphone Amps and Distribution","Studio \u0026 Recording","Studio Monitors"],"price":11100,"price_min":11100,"price_max":11100,"available":true,"price_varies":false,"compare_at_price":14280,"compare_at_price_min":14280,"compare_at_price_max":14280,"compare_at_price_varies":false,"variants":[{"id":27642005057,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"HP4","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus HP4","public_title":null,"options":["Default Title"],"price":11100,"weight":2268,"compare_at_price":14280,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/HP4-02_bca612a2-5e4f-49cd-a943-0ebff627a34f.png?v=1501065826","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_f0a4dd35-2be1-4df3-a7cd-dbff92a571ef.png?v=1501065838","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/HP4-03_27d8d3f1-f0e4-4d9f-a798-f8b9913e2eff.png?v=1501065826","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/HP4-large_135d2b5a-5ed2-4fe4-846b-86925ff55fc6.jpg?v=1501065826"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/HP4-02_bca612a2-5e4f-49cd-a943-0ebff627a34f.png?v=1501065826","options":["Title"],"content":"Now hear this!\u003cbr\u003e\u003cbr\u003eAre you and your session players and bandmates tired of straining to hear underpowered headphones? We were too, so we created the HP4 headphone-distribution system. These headphone amps are louder than you’re ever likely to need for session and stage use, so be careful with that level control! Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear!\u003cbr\u003eSimple and versatile.\u003cbr\u003e\u003cbr\u003eSimplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs and sum the stereo signals to mono, adjust the individual headphone levels, and mute the rear-panel Monitor outputs while leaving the headphone outputs active. So while the HP4 is simple to set up and use, it has all the features you need to create a versatile headphone system.\u003cbr\u003eCompact and expandable.\u003cbr\u003e\u003cbr\u003eThe compact HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1\/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or the larger HP60 headphone amplifier. So quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your music.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e• 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel)\u003cbr\u003e• 2 balanced ¼” line outputs (monitor outputs)\u003cbr\u003e• 2 balanced ¼” line inputs\u003cbr\u003e\u003cbr\u003eMeters, Controls, and Features\u003cbr\u003e• Headphone level control for each channel\u003cbr\u003e• Mono summing switch for each channel\u003cbr\u003e• Monitor level control\u003cbr\u003e• Monitor mute switch\u003cbr\u003e• Daisy-chain multiple units via monitor outputs\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Compact 1\/3U rack-mount chassis\u003cbr\u003e• Sealed, detented, metal rotary controls\u003cbr\u003e• External 16 VAC power supply \u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e• Connector Type ¼” TRS, balanced\u003cbr\u003e• THD+N 0.0025%, 1 kHz, unity gain\u003cbr\u003e• Max Input Level +18 dBu, \u0026lt;0.5% THD+N, unity gain\u003cbr\u003e• Input Impedance 10 kΩ\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5dB\u003cbr\u003e\u003cbr\u003eMonitor Outputs\u003cbr\u003e• Connector Type ¼” TRS, asymmetrical, impedance-balanced\u003cbr\u003e• THD+N 0.0025%, 1 kHz, unity gain\u003cbr\u003e• Max Output Level +18 dBu, \u0026lt;0.5% THD+N\u003cbr\u003e• Output Impedance 51Ω\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5dB\u003cbr\u003e\u003cbr\u003eHeadphone Outputs\u003cbr\u003e• Connector Type ¼” TRS, stereo\u003cbr\u003e• Max Output Power 130 mW\/Ch., \u0026lt;0.5% THD+N, 60Ω load\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load\u003cbr\u003e• Headphone Impedance Working Range 32Ω - 600Ω\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e• External Adapter Type +12 VDC, 1000 mA, center pin positive\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Dimensions 1\/3U rack-mount (with standard rack tray, not included)\u003cbr\u003e• Height 1.75” (44.45 mm)\u003cbr\u003e• Depth 5.5\" (139.7 mm)\u003cbr\u003e• Width 5.5” (139.7 mm)\u003cbr\u003e• Weight 5 lbs (2.27 kg)"}
PreSonus HP4

PreSonus HP4

$111.00

Now hear this!Are you and your session players and bandmates tired of straining to hear underpowered headphones? We were too, so we created the HP4 headphone-distribution system. These headphone amps are louder than you’re ever likely to need for session and stage use, so be careful with that level control! Yet the sound is clear and clean, with...


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STAX SR-003MK2

Earspeaker

$350.00
{"id":799666503726,"title":"STAX SR-003MK2","handle":"stax-sr-003mk2","description":"The SR-003MK2 is a 5-pin PRO bias type in-the-ear earspeaker, and can be used by connecting to a driver unit having 5-pin PRO bias output socket. The redesigned ear canal type structure of the SR-003 enables you to enjoy excellent electrostatic sound quality without covering your ears. The SR-003MK2 connects to STAX driver units or adapters equipped with 5-pin type PRO bias output.\u003cbr\u003e\u003cbr\u003eRe-designed Ear Piece\u003cbr\u003eRe-designed ear piece with 3 silicone ear bud sizes.\u003cbr\u003e\u003cbr\u003eLIGHTER DIAPHRAGM\u003cbr\u003e15% lighter than the S-001\/MK2 results in further resolution, transparency and purer listening pleasure.\u003cbr\u003e\u003cbr\u003eSR-003MK2 SPECIFICATIONS:\u003cbr\u003eType: Push-Pull electrostatic circular sound element, In-The-Earcanal type enclosure\u003cbr\u003eFrequency Response: 20-20kHz (4dB)\u003cbr\u003eCapacitance: 44pF (including cable)\u003cbr\u003eSensitivity: 110dB \/ 100V r.m.s. 1 kHz\u003cbr\u003eBias Voltage: 550-580V DC\u003cbr\u003eEar Pads: Silicone earbuds (Small, Medium, or Large) Medium included\u003cbr\u003eCable: parallel 6-core, 1.5m full length\u003cbr\u003eWeight: 0.4oz without cable \/ 1oz with cable","published_at":"2018-09-11T15:10:06+02:00","created_at":"2018-09-11T15:21:52+02:00","vendor":"STAX","type":"Earspeaker","tags":["Headphones","Price Range_$300 to $500","Shop by brand_STAX","Shop by category_Headphones","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","STAX","Studio \u0026 Recording","Studio Monitors"],"price":35000,"price_min":35000,"price_max":35000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8422745341998,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SR003MK2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"STAX SR-003MK2","public_title":null,"options":["Default Title"],"price":35000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/003002d1.jpg?v=1536672122","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/003002d2.jpg?v=1536672133","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/003002d4.jpg?v=1536672142","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/003002d3.jpg?v=1536672151","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/003002d5.jpg?v=1536672161","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/003002d6.jpg?v=1536672177"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/003002d1.jpg?v=1536672122","options":["Title"],"content":"The SR-003MK2 is a 5-pin PRO bias type in-the-ear earspeaker, and can be used by connecting to a driver unit having 5-pin PRO bias output socket. The redesigned ear canal type structure of the SR-003 enables you to enjoy excellent electrostatic sound quality without covering your ears. The SR-003MK2 connects to STAX driver units or adapters equipped with 5-pin type PRO bias output.\u003cbr\u003e\u003cbr\u003eRe-designed Ear Piece\u003cbr\u003eRe-designed ear piece with 3 silicone ear bud sizes.\u003cbr\u003e\u003cbr\u003eLIGHTER DIAPHRAGM\u003cbr\u003e15% lighter than the S-001\/MK2 results in further resolution, transparency and purer listening pleasure.\u003cbr\u003e\u003cbr\u003eSR-003MK2 SPECIFICATIONS:\u003cbr\u003eType: Push-Pull electrostatic circular sound element, In-The-Earcanal type enclosure\u003cbr\u003eFrequency Response: 20-20kHz (4dB)\u003cbr\u003eCapacitance: 44pF (including cable)\u003cbr\u003eSensitivity: 110dB \/ 100V r.m.s. 1 kHz\u003cbr\u003eBias Voltage: 550-580V DC\u003cbr\u003eEar Pads: Silicone earbuds (Small, Medium, or Large) Medium included\u003cbr\u003eCable: parallel 6-core, 1.5m full length\u003cbr\u003eWeight: 0.4oz without cable \/ 1oz with cable"}
STAX SR-003MK2

STAX SR-003MK2

$350.00

The SR-003MK2 is a 5-pin PRO bias type in-the-ear earspeaker, and can be used by connecting to a driver unit having 5-pin PRO bias output socket. The redesigned ear canal type structure of the SR-003 enables you to enjoy excellent electrostatic sound quality without covering your ears. The SR-003MK2 connects to STAX driver units or adapters equi...


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STAX SR-L700

Earspeaker

$1,425.00
{"id":799228952622,"title":"STAX SR-L700","handle":"stax-sr-l700","description":"As in the SR-009, strictly selected thin-film diaphragm as well as fixed electrodes machined through three-layer stainless etching using heat diffusion has also been employed for the SR-L700. Thus rich deep bass-response, delicate high-frequency and soothing mid- range have been realized in a balanced manner.\u003cbr\u003e\u003cbr\u003eThe arc assembly of the SR-L700 is equipped with 10-click slider mechanism for head-pad height adjustment. Once adjusted, the slid- er always maintains its optimal position to make its readjustment unnecessary. This enables you to enjoy hours of pleasant listening to music with optimal wear comfort.\u003cbr\u003e\u003cbr\u003eValuable 6N high-purity annealed copper wires are employed for the core wires, and six silver-plated annealed copper wires are ar- ranged for the perimeter. The whole cable uses the conventional wide parallel structure to lower the capacitance between each wire strand. This further improves the “freshness of sound”.\u003cbr\u003e\u003cbr\u003eThe new-structure and breath-ability of the genuine leather (sheepskin) ear pad contributes not only to improve the wear feeling through its pliability to the head, but also to enhance the “freshness of sound” and “the grace of sound.”\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:push-pull electrostatic, oval sound element, rear open-air type enclosure\u003cbr\u003e ✓ Frequency response:7 – 41,000Hz\u003cbr\u003e ✓ Electrostatic capacitance:110pF (including attached cable)\u003cbr\u003e ✓ Impedance:145kΩ (including attached cable, at 10kHz)\u003cbr\u003e ✓ Sound pressure sensitivity:101dB \/ input 100Vr.m.s. \/ 1kHz\u003cbr\u003e ✓ Maximum sound pressure level:118dB \/ 400Hz\u003cbr\u003e ✓ Bias voltage:580V DC\u003cbr\u003e ✓ Ear pad:real sheep’s leather (skin-touching portion), high-class artificial leather (surrounding portion)\u003cbr\u003e ✓ Cable:parallel 6-strand, 2.5m full length, low-capacity special wide cable\u003cbr\u003e ✓ Cable conductor:6N (99.9999%) annealed OFC with silver coating\u003cbr\u003e ✓ Weight:496g (including attached cable), 360g (without cable)","published_at":"2018-09-11T02:19:47+02:00","created_at":"2018-09-11T02:34:37+02:00","vendor":"STAX","type":"Earspeaker","tags":["Headphones","Price Range_$1000 to $1500","Shop by brand_STAX","Shop by category_Headphones","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","STAX","Studio \u0026 Recording","Studio Monitors"],"price":142500,"price_min":142500,"price_max":142500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8420343840814,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SRL700","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"STAX SR-L700","public_title":null,"options":["Default Title"],"price":142500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L700_4.jpg?v=1536626099","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L700_1.jpg?v=1536626111","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L700_2.jpg?v=1536626123","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L700_3.jpg?v=1536626136"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L700_4.jpg?v=1536626099","options":["Title"],"content":"As in the SR-009, strictly selected thin-film diaphragm as well as fixed electrodes machined through three-layer stainless etching using heat diffusion has also been employed for the SR-L700. Thus rich deep bass-response, delicate high-frequency and soothing mid- range have been realized in a balanced manner.\u003cbr\u003e\u003cbr\u003eThe arc assembly of the SR-L700 is equipped with 10-click slider mechanism for head-pad height adjustment. Once adjusted, the slid- er always maintains its optimal position to make its readjustment unnecessary. This enables you to enjoy hours of pleasant listening to music with optimal wear comfort.\u003cbr\u003e\u003cbr\u003eValuable 6N high-purity annealed copper wires are employed for the core wires, and six silver-plated annealed copper wires are ar- ranged for the perimeter. The whole cable uses the conventional wide parallel structure to lower the capacitance between each wire strand. This further improves the “freshness of sound”.\u003cbr\u003e\u003cbr\u003eThe new-structure and breath-ability of the genuine leather (sheepskin) ear pad contributes not only to improve the wear feeling through its pliability to the head, but also to enhance the “freshness of sound” and “the grace of sound.”\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:push-pull electrostatic, oval sound element, rear open-air type enclosure\u003cbr\u003e ✓ Frequency response:7 – 41,000Hz\u003cbr\u003e ✓ Electrostatic capacitance:110pF (including attached cable)\u003cbr\u003e ✓ Impedance:145kΩ (including attached cable, at 10kHz)\u003cbr\u003e ✓ Sound pressure sensitivity:101dB \/ input 100Vr.m.s. \/ 1kHz\u003cbr\u003e ✓ Maximum sound pressure level:118dB \/ 400Hz\u003cbr\u003e ✓ Bias voltage:580V DC\u003cbr\u003e ✓ Ear pad:real sheep’s leather (skin-touching portion), high-class artificial leather (surrounding portion)\u003cbr\u003e ✓ Cable:parallel 6-strand, 2.5m full length, low-capacity special wide cable\u003cbr\u003e ✓ Cable conductor:6N (99.9999%) annealed OFC with silver coating\u003cbr\u003e ✓ Weight:496g (including attached cable), 360g (without cable)"}
STAX SR-L700

STAX SR-L700

$1,425.00

As in the SR-009, strictly selected thin-film diaphragm as well as fixed electrodes machined through three-layer stainless etching using heat diffusion has also been employed for the SR-L700. Thus rich deep bass-response, delicate high-frequency and soothing mid- range have been realized in a balanced manner.The arc assembly of the SR-L700 is eq...


More Info
STAX SR-L500

Earspeaker

$720.00
{"id":799217516590,"title":"STAX SR-L500","handle":"stax-sr-l500","description":"Strictly selected thin-film diaphragm as well as tough stainless fixed electrodes has also been employed for the SR-L500. Thus rich deep bass-response, delicate high-frequency and soothing mid-range have been realized in a balanced manner.\u003cbr\u003e\u003cbr\u003eThe arc assembly of the SR-L500 is equipped with 10-click slider mechanism for head-pad height adjustment. Once adjusted, the slid- er always maintains its optimal position to make its readjustment unnecessary. This enables you to enjoy hours of pleasant listening to music with optimal wear comfort.\u003cbr\u003e\u003cbr\u003eHigh-performance new HiFC cable has been employed for the core wires. The whole cable uses the conventional wide parallel struc- ture to lower the capacitance between each wire strand. This further improves the “freshness of sound”.\u003cbr\u003e\u003cbr\u003eThe high-quality flexible artificial leather ear pad contributes not only to improve the wear feeling, but also to enhance the “freshness of sound” and “the grace of sound.”\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:push-pull electrostatic, oval sound element, rear open-air type enclosure\u003cbr\u003e ✓ Frequency response:7 – 41,000Hz\u003cbr\u003e ✓ Electrostatic capacitance:110pF (including attached cable)\u003cbr\u003e ✓ Impedance:145kΩ (including attached cable, at 10kHz)\u003cbr\u003e ✓ Sound pressure sensitivity: 101dB \/ input 100Vr.m.s. \/ 1kHz\u003cbr\u003e ✓ Maximum sound pressure level:118dB \/ 400Hz\u003cbr\u003e ✓ Bias voltage:580V DC\u003cbr\u003e ✓ Ear pad:high-quality artificial leather\u003cbr\u003e ✓ Cable:parallel 6-strand, 2.5m full length, low-capacity special wide HiFC cable\u003cbr\u003e ✓ Weight:465g (including attached cable), 339g (without cable)","published_at":"2018-09-11T01:55:35+02:00","created_at":"2018-09-11T02:08:57+02:00","vendor":"STAX","type":"Earspeaker","tags":["Headphones","Price Range_$500 to $750","Shop by brand_STAX","Shop by category_Headphones","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","STAX","Studio \u0026 Recording","Studio Monitors"],"price":72000,"price_min":72000,"price_max":72000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8420231708718,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SRL500","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"STAX SR-L500","public_title":null,"options":["Default Title"],"price":72000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L500_1_f8bfaa64-3dbb-4974-8cbe-a253dbf8bd60.jpg?v=1536625146","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L500_2.jpg?v=1536625146"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L500_1_f8bfaa64-3dbb-4974-8cbe-a253dbf8bd60.jpg?v=1536625146","options":["Title"],"content":"Strictly selected thin-film diaphragm as well as tough stainless fixed electrodes has also been employed for the SR-L500. Thus rich deep bass-response, delicate high-frequency and soothing mid-range have been realized in a balanced manner.\u003cbr\u003e\u003cbr\u003eThe arc assembly of the SR-L500 is equipped with 10-click slider mechanism for head-pad height adjustment. Once adjusted, the slid- er always maintains its optimal position to make its readjustment unnecessary. This enables you to enjoy hours of pleasant listening to music with optimal wear comfort.\u003cbr\u003e\u003cbr\u003eHigh-performance new HiFC cable has been employed for the core wires. The whole cable uses the conventional wide parallel struc- ture to lower the capacitance between each wire strand. This further improves the “freshness of sound”.\u003cbr\u003e\u003cbr\u003eThe high-quality flexible artificial leather ear pad contributes not only to improve the wear feeling, but also to enhance the “freshness of sound” and “the grace of sound.”\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:push-pull electrostatic, oval sound element, rear open-air type enclosure\u003cbr\u003e ✓ Frequency response:7 – 41,000Hz\u003cbr\u003e ✓ Electrostatic capacitance:110pF (including attached cable)\u003cbr\u003e ✓ Impedance:145kΩ (including attached cable, at 10kHz)\u003cbr\u003e ✓ Sound pressure sensitivity: 101dB \/ input 100Vr.m.s. \/ 1kHz\u003cbr\u003e ✓ Maximum sound pressure level:118dB \/ 400Hz\u003cbr\u003e ✓ Bias voltage:580V DC\u003cbr\u003e ✓ Ear pad:high-quality artificial leather\u003cbr\u003e ✓ Cable:parallel 6-strand, 2.5m full length, low-capacity special wide HiFC cable\u003cbr\u003e ✓ Weight:465g (including attached cable), 339g (without cable)"}
STAX SR-L500

STAX SR-L500

$720.00

Strictly selected thin-film diaphragm as well as tough stainless fixed electrodes has also been employed for the SR-L500. Thus rich deep bass-response, delicate high-frequency and soothing mid-range have been realized in a balanced manner.The arc assembly of the SR-L500 is equipped with 10-click slider mechanism for head-pad height adjustment. O...


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STAX SR-L300

Earspeaker

$430.00
{"id":799206539310,"title":"STAX SR-L300","handle":"stax-sr-l300","description":"Tough fixed electrodes machined through stainless photo etching has also been employed for the SR-L300.Thus rich deep bass response, delicate high-frequency and smoothing mid-range have been realized in a balanced manner.\u003cbr\u003e\u003cbr\u003eThe arc assembly of the SR-L300 is equipped with steeples slider mechanism for head-pad height adjustment.\u003cbr\u003e\u003cbr\u003eOFC cable has been employed for the core wires and the whole cable uses special wide parallel structure to lower the capacitance between each wire strand.\u003cbr\u003e\u003cbr\u003eThe high-quality flexible artificial leather ear pad contributes not only to improve the wear feeling, but also to enhance the”freshness of sound” and “the grace of sound”\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:push-pull electrostatic, oval sound element, rear open-air type enclosure\u003cbr\u003e ✓ Frequency response:7 – 41,000Hz\u003cbr\u003e ✓ Electrostatic capacitance:110pF (including attached cable)\u003cbr\u003e ✓ Impedance:145kΩ (including attached cable, at 10kHz)\u003cbr\u003e ✓ Sound pressure sensitivity:101dB \/ input 100Vr.m.s. \/ 1kHz\u003cbr\u003e ✓ Bias voltage:580V DC\u003cbr\u003e ✓ Ear pad:high-quality artificial leather\u003cbr\u003e ✓ Cable:parallel 6-strand, 2.5m full length,low-capacity special wide OFC cable\u003cbr\u003e ✓ Weight:448g(including attached cable),322g(without cable)\u003cbr\u003e\u003cbr\u003e","published_at":"2018-09-11T01:41:56+02:00","created_at":"2018-09-11T01:48:16+02:00","vendor":"STAX","type":"Earspeaker","tags":["Headphones","Price Range_$300 to $500","Shop by brand_STAX","Shop by category_Headphones","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","STAX","Studio \u0026 Recording","Studio Monitors"],"price":43000,"price_min":43000,"price_max":43000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8420110762030,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SRL300","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"STAX SR-L300","public_title":null,"options":["Default Title"],"price":43000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L300d2.jpg?v=1536626576","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L300d1.jpg?v=1536626594","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L300d3.jpg?v=1536626608","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L300d4.jpg?v=1536626681"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/L300d2.jpg?v=1536626576","options":["Title"],"content":"Tough fixed electrodes machined through stainless photo etching has also been employed for the SR-L300.Thus rich deep bass response, delicate high-frequency and smoothing mid-range have been realized in a balanced manner.\u003cbr\u003e\u003cbr\u003eThe arc assembly of the SR-L300 is equipped with steeples slider mechanism for head-pad height adjustment.\u003cbr\u003e\u003cbr\u003eOFC cable has been employed for the core wires and the whole cable uses special wide parallel structure to lower the capacitance between each wire strand.\u003cbr\u003e\u003cbr\u003eThe high-quality flexible artificial leather ear pad contributes not only to improve the wear feeling, but also to enhance the”freshness of sound” and “the grace of sound”\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:push-pull electrostatic, oval sound element, rear open-air type enclosure\u003cbr\u003e ✓ Frequency response:7 – 41,000Hz\u003cbr\u003e ✓ Electrostatic capacitance:110pF (including attached cable)\u003cbr\u003e ✓ Impedance:145kΩ (including attached cable, at 10kHz)\u003cbr\u003e ✓ Sound pressure sensitivity:101dB \/ input 100Vr.m.s. \/ 1kHz\u003cbr\u003e ✓ Bias voltage:580V DC\u003cbr\u003e ✓ Ear pad:high-quality artificial leather\u003cbr\u003e ✓ Cable:parallel 6-strand, 2.5m full length,low-capacity special wide OFC cable\u003cbr\u003e ✓ Weight:448g(including attached cable),322g(without cable)\u003cbr\u003e\u003cbr\u003e"}
STAX SR-L300

STAX SR-L300

$430.00

Tough fixed electrodes machined through stainless photo etching has also been employed for the SR-L300.Thus rich deep bass response, delicate high-frequency and smoothing mid-range have been realized in a balanced manner.The arc assembly of the SR-L300 is equipped with steeples slider mechanism for head-pad height adjustment.OFC cable has been e...


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STAX SR-009S

Earspeaker

$4,325.00
{"id":799199395886,"title":"STAX SR-009S","handle":"stax-sr-009s","description":"Sound element with new fixed electrodes\u003cbr\u003eIf the fixed electrode becomes infinitely thinner, the air resistance will be de- creased and the permeability of sound waves will be improved. On the other hand, thinner electrodes are poor in rigidity and suffer from vibrations of their own and the sound becomes muddy.The SR-009S evolved further the electrode established in the SR-009 as the integration of presenttechnology.\u003cbr\u003eThe edges of electrode hole were smoothened through after-etching processing to reduce air resistance, and the permeability of sound has been much more improved. Moreover, gold plating processing with large specific gravity further decreased the electrode vibration. Finally, the sound clarity has been achieved by reducing the resistance of electrode itself.\u003cbr\u003e\u003cbr\u003eTough solid aluminum chassis \u003cbr\u003eIt employed secures firmly the sound element, con- tributing to improve the clearness of sound. Furthermore, the case thickness has been reduced to the limit, making the flow of condensation-and-rarefaction air wave from the sound element more smooth.\u003cbr\u003e\u003cbr\u003eNew designed guard mesh\u003cbr\u003eIntensity has been increased by giving roundness to the “guard mesh” of sound element, which lowered the influence of reflection and improved the resolu- tion of sound.\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:push-pull electrostatic large circular sound element, open-air type enclosure\u003cbr\u003e ✓ Frequency response:5 – 42,000Hz\u003cbr\u003e ✓ Electrostatic capacitance:110pF (including cable)\u003cbr\u003e ✓ Impedance:145kΩ (including cable, at 10kHz)\u003cbr\u003e ✓ Sound pressure sensitivity:101dB \/ input 100Vr.m.s. \/ 1kHz\u003cbr\u003e ✓ Bias voltage:DC580V\u003cbr\u003e ✓ Right\/left channel indication: Golden solid line (left) and dotted line (right) on the cable\u003cbr\u003e ✓ Earpad:Genuine leather (skin touching portion), high-quality artificial leather (surrounding portion)\u003cbr\u003e ✓ Cable:Silver-coated 6N (99.9999%) OFC parallel 6-strand, low-capacity special wide cable, 2.5m full length\u003cbr\u003e ✓ Weight:583g (including cable), 441g (without cable)","published_at":"2018-09-11T01:02:46+02:00","created_at":"2018-09-11T01:35:41+02:00","vendor":"STAX","type":"Earspeaker","tags":["Headphones","Price Range_$3000 and Over","Shop by brand_STAX","Shop by category_Headphones","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","STAX","Studio \u0026 Recording","Studio Monitors"],"price":432500,"price_min":432500,"price_max":432500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8420045946926,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SR009S","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"STAX SR-009S","public_title":null,"options":["Default Title"],"price":432500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/009s-new-1.jpg?v=1536622583","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/009s-new-2.jpg?v=1536622593","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/009s-new-5.jpg?v=1536622603","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/009s-new-4.jpg?v=1536622614","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/009s-new-3.jpg?v=1536622625","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/009s-3.jpg?v=1536622651","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/009s-2.jpg?v=1536622658"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/009s-new-1.jpg?v=1536622583","options":["Title"],"content":"Sound element with new fixed electrodes\u003cbr\u003eIf the fixed electrode becomes infinitely thinner, the air resistance will be de- creased and the permeability of sound waves will be improved. On the other hand, thinner electrodes are poor in rigidity and suffer from vibrations of their own and the sound becomes muddy.The SR-009S evolved further the electrode established in the SR-009 as the integration of presenttechnology.\u003cbr\u003eThe edges of electrode hole were smoothened through after-etching processing to reduce air resistance, and the permeability of sound has been much more improved. Moreover, gold plating processing with large specific gravity further decreased the electrode vibration. Finally, the sound clarity has been achieved by reducing the resistance of electrode itself.\u003cbr\u003e\u003cbr\u003eTough solid aluminum chassis \u003cbr\u003eIt employed secures firmly the sound element, con- tributing to improve the clearness of sound. Furthermore, the case thickness has been reduced to the limit, making the flow of condensation-and-rarefaction air wave from the sound element more smooth.\u003cbr\u003e\u003cbr\u003eNew designed guard mesh\u003cbr\u003eIntensity has been increased by giving roundness to the “guard mesh” of sound element, which lowered the influence of reflection and improved the resolu- tion of sound.\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:push-pull electrostatic large circular sound element, open-air type enclosure\u003cbr\u003e ✓ Frequency response:5 – 42,000Hz\u003cbr\u003e ✓ Electrostatic capacitance:110pF (including cable)\u003cbr\u003e ✓ Impedance:145kΩ (including cable, at 10kHz)\u003cbr\u003e ✓ Sound pressure sensitivity:101dB \/ input 100Vr.m.s. \/ 1kHz\u003cbr\u003e ✓ Bias voltage:DC580V\u003cbr\u003e ✓ Right\/left channel indication: Golden solid line (left) and dotted line (right) on the cable\u003cbr\u003e ✓ Earpad:Genuine leather (skin touching portion), high-quality artificial leather (surrounding portion)\u003cbr\u003e ✓ Cable:Silver-coated 6N (99.9999%) OFC parallel 6-strand, low-capacity special wide cable, 2.5m full length\u003cbr\u003e ✓ Weight:583g (including cable), 441g (without cable)"}
STAX SR-009S

STAX SR-009S

$4,325.00

Sound element with new fixed electrodesIf the fixed electrode becomes infinitely thinner, the air resistance will be de- creased and the permeability of sound waves will be improved. On the other hand, thinner electrodes are poor in rigidity and suffer from vibrations of their own and the sound becomes muddy.The SR-009S evolved further the elect...


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STAX SR-009

Earspeaker

$3,799.00
{"id":799175835694,"title":"STAX SR-009","handle":"stax-sr-009","description":"The newly developed sound element has been adopted in the SR-009. New high polymer ultra-thin film material called the super engineering plastics – the reinforced material of the conventional engineering plastics – is employed for the diaphragm of the sound element. Materials superior especially in tone quality have been selected to attain the extremely excellent frequency characteristic from low to super-high as well as the vast dynamic range.\u003cbr\u003e\u003cbr\u003eNew electrodes named MLER (Multi Layer ElectRodes) have also been developed to realize the plane drive of the whole film diaphragm surface. While infinite thinness and flatness are required for the fixed electrodes, they simultaneously need to have other characteristics such as low resonance, high transmissivity of sound wave, and so on. The entirely new electrodes have been completed through the unification of metal plates processed with ultra-precision photograph etching using the high technology of heat diffusion combination on the atomic level.\u003cbr\u003e\u003cbr\u003eAluminum is a metal good for sound and suitable material for audio equipment. It is abundantly used, e.g. at the frame supporting the appearance and sound element, to realize high-quality sound, rigidity and lightweight. Almost every part of the SR-009 is manufactured through precise machine processing.\u003cbr\u003e\u003cbr\u003eThe high-purity copper developed from the necessity of wiring large-scale integration circuits is also known as high-quality audio cables. High-purity copper wire of 99.9999% (6Nines) purity adopted for the cable is further silver-coated and finished with the most suitable structure to drive the earspeaker.\u003cbr\u003e\u003cbr\u003eThe earpad of a new design is carefully made by a craftsman’s hand and features both the real leather with good humidity environment and the cushion material with moderate elasticity.\u003cbr\u003e\u003cbr\u003eThe new earpad enables hours of comfortable listening to music.\u003cbr\u003e\u003cbr\u003eThe arc is equipped with a position adjustment mechanism of 10-step slider and corresponds to the wide range of cranial form with individual difference.\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:push-pull electrostatic circular sound element, open-air type enclosure\u003cbr\u003e ✓ Frequency response:5 – 42,000Hz\u003cbr\u003e ✓ Electrostatic capacitance:110pF (including cable)\u003cbr\u003e ✓ Impedance:145kΩ (including cable, at 10kHz)\u003cbr\u003e ✓ Sound pressure sensitivity:101dB \/ input 100Vr.m.s. \/ 1kHz\u003cbr\u003e ✓ Maximum sound pressure level:118dB \/ 400Hz\u003cbr\u003e ✓ Bias voltage:580V DC\u003cbr\u003e ✓ Right\/left channel indication:’L’ and ‘R’ indicated on the arc assembly (inside head spring), solid line (left) and dotted line (right) on the cable\u003cbr\u003e ✓ Earpad:real leather (skin touching portion), high-quality artificial leather (surrounding portion)\u003cbr\u003e ✓ Cable:silver-coated 6N (99.9999%) OFC parallel 6-strand, low-capacity special wide cable, 2.5m full length\u003cbr\u003e ✓ Weight:596g (including cable), 454g (without cable)","published_at":"2018-09-11T00:34:30+02:00","created_at":"2018-09-11T00:49:57+02:00","vendor":"STAX","type":"Earspeaker","tags":["Headphones","Price Range_$3000 and Over","Shop by brand_STAX","Shop by category_Headphones","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","STAX","Studio \u0026 Recording","Studio Monitors"],"price":379900,"price_min":379900,"price_max":379900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8419832070190,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SR009","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"STAX SR-009","public_title":null,"options":["Default Title"],"price":379900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sr009_0.jpg?v=1536619823","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/DSC00662.jpg?v=1536620003","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sr009_1.jpg?v=1536620040","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SR009d3.jpg?v=1536620055","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sr009_2.jpg?v=1536620067","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SR009d4.jpg?v=1536620085"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sr009_0.jpg?v=1536619823","options":["Title"],"content":"The newly developed sound element has been adopted in the SR-009. New high polymer ultra-thin film material called the super engineering plastics – the reinforced material of the conventional engineering plastics – is employed for the diaphragm of the sound element. Materials superior especially in tone quality have been selected to attain the extremely excellent frequency characteristic from low to super-high as well as the vast dynamic range.\u003cbr\u003e\u003cbr\u003eNew electrodes named MLER (Multi Layer ElectRodes) have also been developed to realize the plane drive of the whole film diaphragm surface. While infinite thinness and flatness are required for the fixed electrodes, they simultaneously need to have other characteristics such as low resonance, high transmissivity of sound wave, and so on. The entirely new electrodes have been completed through the unification of metal plates processed with ultra-precision photograph etching using the high technology of heat diffusion combination on the atomic level.\u003cbr\u003e\u003cbr\u003eAluminum is a metal good for sound and suitable material for audio equipment. It is abundantly used, e.g. at the frame supporting the appearance and sound element, to realize high-quality sound, rigidity and lightweight. Almost every part of the SR-009 is manufactured through precise machine processing.\u003cbr\u003e\u003cbr\u003eThe high-purity copper developed from the necessity of wiring large-scale integration circuits is also known as high-quality audio cables. High-purity copper wire of 99.9999% (6Nines) purity adopted for the cable is further silver-coated and finished with the most suitable structure to drive the earspeaker.\u003cbr\u003e\u003cbr\u003eThe earpad of a new design is carefully made by a craftsman’s hand and features both the real leather with good humidity environment and the cushion material with moderate elasticity.\u003cbr\u003e\u003cbr\u003eThe new earpad enables hours of comfortable listening to music.\u003cbr\u003e\u003cbr\u003eThe arc is equipped with a position adjustment mechanism of 10-step slider and corresponds to the wide range of cranial form with individual difference.\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:push-pull electrostatic circular sound element, open-air type enclosure\u003cbr\u003e ✓ Frequency response:5 – 42,000Hz\u003cbr\u003e ✓ Electrostatic capacitance:110pF (including cable)\u003cbr\u003e ✓ Impedance:145kΩ (including cable, at 10kHz)\u003cbr\u003e ✓ Sound pressure sensitivity:101dB \/ input 100Vr.m.s. \/ 1kHz\u003cbr\u003e ✓ Maximum sound pressure level:118dB \/ 400Hz\u003cbr\u003e ✓ Bias voltage:580V DC\u003cbr\u003e ✓ Right\/left channel indication:’L’ and ‘R’ indicated on the arc assembly (inside head spring), solid line (left) and dotted line (right) on the cable\u003cbr\u003e ✓ Earpad:real leather (skin touching portion), high-quality artificial leather (surrounding portion)\u003cbr\u003e ✓ Cable:silver-coated 6N (99.9999%) OFC parallel 6-strand, low-capacity special wide cable, 2.5m full length\u003cbr\u003e ✓ Weight:596g (including cable), 454g (without cable)"}
STAX SR-009

STAX SR-009

$3,799.00

The newly developed sound element has been adopted in the SR-009. New high polymer ultra-thin film material called the super engineering plastics – the reinforced material of the conventional engineering plastics – is employed for the diaphragm of the sound element. Materials superior especially in tone quality have been selected to attain the e...


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STAX SR-007 MKⅡ

Earspeaker

$2,100.00
{"id":799166103598,"title":"STAX SR-007 MKⅡ","handle":"stax-sr-007mk2","description":"Setting a section without any holes whatsoever on the perimeter of the electrodes makes it possible to achieve a deeper and more dynamic expressive capacity. There is strong drive power in respect to the diaphragm, and a high degree of linearity is achieve in the opening section too.\u003cbr\u003e\u003cbr\u003eAs is the case with ordinary speaker systems, the sturdiness of the enclosure is important for earspeakers. After enclosing the sound-producing unit in a thick insulated resin case, it is fixed to a solid metal enclosure. All unnecessary vibration is excluded.\u003cbr\u003e\u003cbr\u003eA structure is adopted whereby the enclosure and the earpads are able to rotate independently. This enables positioning that exactly fits the shape of the ears.\u003cbr\u003e\u003cbr\u003eAn original cable developed with the aim of achieving an even higher level of reproduction is provided.\u003cbr\u003e\u003cbr\u003eThe conductors make use of high-purity PC-OCC. Outstandingly high sound quality is achieved through the extreme thickness and wide and low capacity.\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:Push-pull electrostatic open-air type headphone\u003cbr\u003e ✓ Frequency response:6 to 41,000 Hz\u003cbr\u003e ✓ Impedance:170 KΩ (at f = 10 KHz)\u003cbr\u003e ✓ Capacitance:94pF (including cable)\u003cbr\u003e ✓ Sensitivity:100 dB \/ 100 V r.m.s. at f = 1 KHz\u003cbr\u003e ✓ Bias voltage:580 V \/ DC\u003cbr\u003e ✓ Left \u0026amp; Right Channel identifications:Left (L) and Right (R) indicators are provided at the cable en trance points on the Earspeakers.\u003cbr\u003e ✓ The left channel cable is marked with a solid Line.\u003cbr\u003e ✓ The right channel is marked with a dotted Line.\u003cbr\u003e ✓ Ear pads:Real leather (Lamb) used on a part coming into contact with the skin.High-quality leather used for the surrounding part.\u003cbr\u003e ✓ Operating temperature range:0 to 35\u003cbr\u003e ✓ Humidity range for use:Less than 90% (without condensation)\u003cbr\u003e ✓ Cable:2.5m, PC-OCC, wide, low capacitance cable\u003cbr\u003e ✓ Weight:365 g (Body) , 512g (Including cable)","published_at":"2018-09-11T00:12:09+02:00","created_at":"2018-09-11T00:30:11+02:00","vendor":"STAX","type":"Earspeaker","tags":["Headphones","Price Range_$2000 to $3000","Shop by brand_STAX","Shop by category_Headphones","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","STAX","Studio \u0026 Recording","Studio Monitors"],"price":210000,"price_min":210000,"price_max":210000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8419772399662,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SR007MK2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"STAX SR-007 MKⅡ","public_title":null,"options":["Default Title"],"price":210000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SR007d0.jpg?v=1536618633","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SR007d1.jpg?v=1536618643","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SR007d2.jpg?v=1536618655","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SR007d3.jpg?v=1536618671","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SR007d4.jpg?v=1536618710","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SR007d5.jpg?v=1536618721","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SR007d6.jpg?v=1536618730"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SR007d0.jpg?v=1536618633","options":["Title"],"content":"Setting a section without any holes whatsoever on the perimeter of the electrodes makes it possible to achieve a deeper and more dynamic expressive capacity. There is strong drive power in respect to the diaphragm, and a high degree of linearity is achieve in the opening section too.\u003cbr\u003e\u003cbr\u003eAs is the case with ordinary speaker systems, the sturdiness of the enclosure is important for earspeakers. After enclosing the sound-producing unit in a thick insulated resin case, it is fixed to a solid metal enclosure. All unnecessary vibration is excluded.\u003cbr\u003e\u003cbr\u003eA structure is adopted whereby the enclosure and the earpads are able to rotate independently. This enables positioning that exactly fits the shape of the ears.\u003cbr\u003e\u003cbr\u003eAn original cable developed with the aim of achieving an even higher level of reproduction is provided.\u003cbr\u003e\u003cbr\u003eThe conductors make use of high-purity PC-OCC. Outstandingly high sound quality is achieved through the extreme thickness and wide and low capacity.\u003cbr\u003e\u003cbr\u003eSpecification\u003cbr\u003e\u003cbr\u003e ✓ Type:Push-pull electrostatic open-air type headphone\u003cbr\u003e ✓ Frequency response:6 to 41,000 Hz\u003cbr\u003e ✓ Impedance:170 KΩ (at f = 10 KHz)\u003cbr\u003e ✓ Capacitance:94pF (including cable)\u003cbr\u003e ✓ Sensitivity:100 dB \/ 100 V r.m.s. at f = 1 KHz\u003cbr\u003e ✓ Bias voltage:580 V \/ DC\u003cbr\u003e ✓ Left \u0026amp; Right Channel identifications:Left (L) and Right (R) indicators are provided at the cable en trance points on the Earspeakers.\u003cbr\u003e ✓ The left channel cable is marked with a solid Line.\u003cbr\u003e ✓ The right channel is marked with a dotted Line.\u003cbr\u003e ✓ Ear pads:Real leather (Lamb) used on a part coming into contact with the skin.High-quality leather used for the surrounding part.\u003cbr\u003e ✓ Operating temperature range:0 to 35\u003cbr\u003e ✓ Humidity range for use:Less than 90% (without condensation)\u003cbr\u003e ✓ Cable:2.5m, PC-OCC, wide, low capacitance cable\u003cbr\u003e ✓ Weight:365 g (Body) , 512g (Including cable)"}
STAX SR-007 MKⅡ

STAX SR-007 MKⅡ

$2,100.00

Setting a section without any holes whatsoever on the perimeter of the electrodes makes it possible to achieve a deeper and more dynamic expressive capacity. There is strong drive power in respect to the diaphragm, and a high degree of linearity is achieve in the opening section too.As is the case with ordinary speaker systems, the sturdiness of...


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AKG HSC15

HEADPHONES

$179.00
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The microphone is built on a slim line omni directional condenser capsule, reproducing excellent sound quality, even when the microphone is not positioned perfectly. The HSC15 is the ideal tool for the work of professional interpreters. It features two pieces of 3,5mm jack connectors, which are common in most interpreter desks and also allow the use with a PC\/laptop. The cable is very soft and TPU covered in order to reduce the structure-borne noise.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHeadphone type open\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMax. 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AKG HSC15

AKG HSC15

$179.00

AKG HSC15 High level conference speechThe HSC15 high level conference headset is AKG’s latest headset in the field of conferencing. Sophisticated design pairs with high quality audio and advanced security technology. Optimal adjustment to any head size and lightweight design allow hours of use, while forgetting the presence of the headset. After...


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Kii Audio Kii THREE BXT System

Speakers

From $26,776.06
{"id":764316811310,"title":"Kii Audio Kii THREE BXT System","handle":"kii-audio-kii-three-bxt-system-1","description":"\u003cp\u003eKii THREE BXT\u003cbr\u003eTurn your Kii THREE into a floor standing loudspeaker\u003cbr\u003e\u003cbr\u003eModularity is Kii\u003cbr\u003eKii THREE BXT\u003cbr\u003eThe BXT is an extension module which turns the Kii THREE into a veritable floor standing loudspeaker with 16 additional drivers and a total of 7000 Watts.\u003cbr\u003e\u003cbr\u003eKii THREE BXT System:\u003cbr\u003e\u003cbr\u003eFloor standing DSP controlled High-End playback system.\u003cbr\u003eConsisting of:\u003cbr\u003e2 x Kii THREE speakers in high gloss white, graphite matt metallic or any custom color of your choice \u003cbr\u003e2 x BXT modules in the same or a contrasting color\u003cbr\u003e1 x Kii Control offers volume control, input selection with touch switch operation, additional software menu, OLED display and is IR ready. \u003cbr\u003eInputs: USB, SPDIF, TOSLINK, AES, ANALOGUE\u003cbr\u003e\u003cbr\u003eAll necessary cables are included\u003cbr\u003ePLEASE NOTE: Footplates are not final\u003cbr\u003e\u003cbr\u003eElegant but powerful\u003c\/p\u003e\n\u003cp\u003eKii THREE BXT System in glossy white\u003c\/p\u003e\n\u003cp\u003eThe BXT makes full use of the Kii THREEs technology and adds more frequency range and SPL to the game while still being a cardioid system that, despite its size, does not interact with the room. Astoundingly enough small rooms profit a lot from the line source concept.\u003c\/p\u003e\n\u003cp\u003ePlease note that existing Kii THREEs can be upgraded at any time with the BXTs giving you full investment security. Also the Kii THREEs are still transportable and can be run by themselves just by detaching them from the BXT. The Kii THREEs will detect the presence of a BXT and automatically adjust the software accordingly.\u003c\/p\u003e\n\u003cp\u003eKii Technology\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE holds 6x250W power amplifier boards, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003c\/p\u003e\n\u003cp\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003c\/p\u003e\n\u003cp\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003c\/p\u003e\n\u003cp\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003c\/p\u003e\n\u003cp\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact DSP controlled monitor speaker\u003c\/li\u003e\n\u003cli\u003e4x 6.5\" woofer,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x5\" midrange,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\" waveguided tweeter, all individually driven\u003c\/li\u003e\n\u003cli\u003eAmplification: 6 x 250W full-custom Ncore\u003c\/li\u003e\n\u003cli\u003eActive Wave Focusing crossover filter\u003c\/li\u003e\n\u003cli\u003eFrequency response:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- 25 kHz\u003c\/li\u003e\n\u003cli\u003eBass extension -3dB@30Hz, -6dB@20Hz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eResponse flatness +\/- 0.5dB (1\/12th octave)\u003c\/li\u003e\n\u003cli\u003ePhase response: minimum (best possible time coherence).\u003c\/li\u003e\n\u003cli\u003eLong term SPL(*): 105dB\u003c\/li\u003e\n\u003cli\u003eShort term SPL(*): 110dBPeak\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPL: 115dB\u003c\/li\u003e\n\u003cli\u003eControlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003c\/li\u003e\n\u003cli\u003eSize: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003c\/li\u003e\n\u003cli\u003eWeight: 19 KG\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue, AES\/EBU\u003c\/li\u003e\n\u003cli\u003eSPDIF, TOSLink, USB on Kii Control.\u003c\/li\u003e\n\u003cli\u003eSelectable correction for free-standing, near wall or in corner\u003c\/li\u003e\n\u003cli\u003e(*)IEC60268-5 Paragraph 20.6\u003c\/li\u003e\n\u003cli\u003e\"Specifications are subject to change without notice\"\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-06-02T20:35:06+02:00","created_at":"2018-08-08T00:03:06+02:00","vendor":"Kii Audio","type":"Speakers","tags":["Active Monitors","Kii Audio","Price Range_$3000 and Over","Shop by brand_Kii Audio","Shop by category_Active Monitors","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":2677606,"price_min":2677606,"price_max":2969848,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8231183384622,"title":"White","option1":"White","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":2710803677230,"product_id":764316811310,"position":1,"created_at":"2018-08-08T00:14:42+02:00","updated_at":"2018-08-08T00:14:51+02:00","alt":null,"width":650,"height":1154,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemstandardwhiteglosspair500px.jpg?v=1533680091","variant_ids":[8231183384622]},"available":true,"name":"Kii Audio Kii THREE BXT System - White","public_title":"White","options":["White"],"price":2677606,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":8231205109806,"title":"Graphite","option1":"Graphite","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":2710807216174,"product_id":764316811310,"position":4,"created_at":"2018-08-08T00:15:57+02:00","updated_at":"2018-08-08T00:15:57+02:00","alt":null,"width":484,"height":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/U_uQkEdrYOaMlRFayzpsZyZWf3o484Mqh3Ne7VM9v3A_2Cq-WtFrA9eBseDfjhmi1hkEcDrIx0x9ecnB_HVyDy0-E_grande_grande_85e22050-d35b-40b3-b2c8-b52bc585586a.jpg?v=1533680157","variant_ids":[8231205109806]},"available":true,"name":"Kii Audio Kii THREE BXT System - Graphite","public_title":"Graphite","options":["Graphite"],"price":2677606,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":8231205142574,"title":"Custom Color","option1":"Custom Color","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":2710802497582,"product_id":764316811310,"position":3,"created_at":"2018-08-08T00:14:23+02:00","updated_at":"2018-08-08T00:14:51+02:00","alt":null,"width":641,"height":1170,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemcustomredpair500px.jpg?v=1533680091","variant_ids":[8231205142574]},"available":true,"name":"Kii Audio Kii THREE BXT System - Custom Color","public_title":"Custom Color","options":["Custom Color"],"price":2969848,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemstandardwhiteglosspair500px.jpg?v=1533680091","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_cb13e61d-d43c-4a25-ba7a-eb9bfd82a8b4.png?v=1533680130","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemcustomredpair500px.jpg?v=1533680091","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/U_uQkEdrYOaMlRFayzpsZyZWf3o484Mqh3Ne7VM9v3A_2Cq-WtFrA9eBseDfjhmi1hkEcDrIx0x9ecnB_HVyDy0-E_grande_grande_85e22050-d35b-40b3-b2c8-b52bc585586a.jpg?v=1533680157"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemstandardwhiteglosspair500px.jpg?v=1533680091","options":["Color"],"content":"\u003cp\u003eKii THREE BXT\u003cbr\u003eTurn your Kii THREE into a floor standing loudspeaker\u003cbr\u003e\u003cbr\u003eModularity is Kii\u003cbr\u003eKii THREE BXT\u003cbr\u003eThe BXT is an extension module which turns the Kii THREE into a veritable floor standing loudspeaker with 16 additional drivers and a total of 7000 Watts.\u003cbr\u003e\u003cbr\u003eKii THREE BXT System:\u003cbr\u003e\u003cbr\u003eFloor standing DSP controlled High-End playback system.\u003cbr\u003eConsisting of:\u003cbr\u003e2 x Kii THREE speakers in high gloss white, graphite matt metallic or any custom color of your choice \u003cbr\u003e2 x BXT modules in the same or a contrasting color\u003cbr\u003e1 x Kii Control offers volume control, input selection with touch switch operation, additional software menu, OLED display and is IR ready. \u003cbr\u003eInputs: USB, SPDIF, TOSLINK, AES, ANALOGUE\u003cbr\u003e\u003cbr\u003eAll necessary cables are included\u003cbr\u003ePLEASE NOTE: Footplates are not final\u003cbr\u003e\u003cbr\u003eElegant but powerful\u003c\/p\u003e\n\u003cp\u003eKii THREE BXT System in glossy white\u003c\/p\u003e\n\u003cp\u003eThe BXT makes full use of the Kii THREEs technology and adds more frequency range and SPL to the game while still being a cardioid system that, despite its size, does not interact with the room. Astoundingly enough small rooms profit a lot from the line source concept.\u003c\/p\u003e\n\u003cp\u003ePlease note that existing Kii THREEs can be upgraded at any time with the BXTs giving you full investment security. Also the Kii THREEs are still transportable and can be run by themselves just by detaching them from the BXT. The Kii THREEs will detect the presence of a BXT and automatically adjust the software accordingly.\u003c\/p\u003e\n\u003cp\u003eKii Technology\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE holds 6x250W power amplifier boards, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003c\/p\u003e\n\u003cp\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003c\/p\u003e\n\u003cp\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003c\/p\u003e\n\u003cp\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003c\/p\u003e\n\u003cp\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact DSP controlled monitor speaker\u003c\/li\u003e\n\u003cli\u003e4x 6.5\" woofer,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x5\" midrange,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\" waveguided tweeter, all individually driven\u003c\/li\u003e\n\u003cli\u003eAmplification: 6 x 250W full-custom Ncore\u003c\/li\u003e\n\u003cli\u003eActive Wave Focusing crossover filter\u003c\/li\u003e\n\u003cli\u003eFrequency response:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- 25 kHz\u003c\/li\u003e\n\u003cli\u003eBass extension -3dB@30Hz, -6dB@20Hz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eResponse flatness +\/- 0.5dB (1\/12th octave)\u003c\/li\u003e\n\u003cli\u003ePhase response: minimum (best possible time coherence).\u003c\/li\u003e\n\u003cli\u003eLong term SPL(*): 105dB\u003c\/li\u003e\n\u003cli\u003eShort term SPL(*): 110dBPeak\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPL: 115dB\u003c\/li\u003e\n\u003cli\u003eControlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003c\/li\u003e\n\u003cli\u003eSize: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003c\/li\u003e\n\u003cli\u003eWeight: 19 KG\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue, AES\/EBU\u003c\/li\u003e\n\u003cli\u003eSPDIF, TOSLink, USB on Kii Control.\u003c\/li\u003e\n\u003cli\u003eSelectable correction for free-standing, near wall or in corner\u003c\/li\u003e\n\u003cli\u003e(*)IEC60268-5 Paragraph 20.6\u003c\/li\u003e\n\u003cli\u003e\"Specifications are subject to change without notice\"\u003c\/li\u003e\n\u003c\/ul\u003e"}
Kii Audio Kii THREE BXT System

Kii Audio Kii THREE BXT System

$26,776.06

Kii THREE BXTTurn your Kii THREE into a floor standing loudspeakerModularity is KiiKii THREE BXTThe BXT is an extension module which turns the Kii THREE into a veritable floor standing loudspeaker with 16 additional drivers and a total of 7000 Watts.Kii THREE BXT System:Floor standing DSP controlled High-End playback system.Consisting of:2 x Kii...

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{"id":762672414766,"title":"Kii Audio Kii THREE PRO - Single speaker","handle":"kii-audio-kii-three-pro-single-speaker","description":"\u003cp\u003eThe first transportable Main Monitor\u003cbr\u003eMini Main Monitor\u003cbr\u003eWe offer a linear frequency response, a perfect impulse response and phase coherence, but we also pack 1500 watts per speaker divided across six drivers into a compact and lightweight enclosure. The Kii THREE is able to move some serious air, but we didn´t just stop there. Instead Bruno Putzeys invented the Active Wave Focusing technology, that controls the sound dispersion and directs the sound pressure, where we need it to be: Into the sweetspot! Intelligent DSP processing provides the Kii THREE with a cardioid sound dispersion pattern down to the low-mid and bass frequencies, which otherwise can only be achived by very wide baffles, big cabinets or soffit mounting speakers (infinite baffle design). The controlled sound dispersion is the only reason, why a big main monitor system in a good room offers the special feel and impact it does. Even though acousticians and speaker designers know about this task, no other speaker manufacturer has approached a solution to this common problem. We designed the Kii THREE with the acoustical challenges of todays studio setups in mind. It fits everywhere and can be the one and only monitor solution you need for every task. It really is the first „Mini Main monitor system“ available. We also think it looks rather beautiful.\u003cbr\u003e* Please note that the Kii THREE professional version comes in a rugged high density grey spatter finish.\u003cbr\u003e\u003cbr\u003eWork with Kii\u003cbr\u003eToday’s studio business is constantly evolving. Audio software has enabled a democratization of music production, along with some great possibilities and also a lot of challenging changes to overcome for professional engineers. Yet for recording, producing, mixing and mastering a single piece of gear still is as important as it has ever been: the monitoring system! Having a transparent and revealing monitor system that translates your work perfectly to the outside world has become more important than ever. It is the centerpiece of the modern studio. As an audio professional you’re always looking for ways to raise the bar of sonic performance. You want a clear, reliable and consistent advantage over your competition. The Kii THREE system is that advantage.\u003cbr\u003eWhether you work in a major facility, independent recording studio, or from your home studio, a good monitoring situation enables you to work faster, easier and achieve better results everyday. It takes the guesswork out of any decision during a production, so you can be safe and bold with your decisions and move through a project quickly, focussing on what´s really important in the studio: the musical ideas, the artistic expression and the interaction with your clients!\u003c\/p\u003e\n\u003cp\u003eKii Technology\u003cbr\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003cbr\u003e\u003cbr\u003eEach side panel of the THREE holds a 3x250W power amplifier board, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003cbr\u003e\u003cbr\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003cbr\u003e\u003cbr\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003cbr\u003e\u003cbr\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003cbr\u003e\u003cbr\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003cbr\u003e\u003cbr\u003eKii THREE Technical Specification\u003cbr\u003e ✓ Compact DSP controlled monitor speaker\u003cbr\u003e ✓ 4x 6.5\" woofer, 1x5\" midrange, 1\" waveguided tweeter, all individually driven\u003cbr\u003e ✓ Amplification: 6x250W full-custom Ncore\u003cbr\u003e ✓ Active Wave Focusing crossover filter\u003cbr\u003e ✓ Frequency response: +\/- 0,5dB - 25 kHz, 20Hz -6dB\u003cbr\u003e ✓ Phase response: minimum (best possible time coherence).\u003cbr\u003e ✓ Long term SPL(*): 105dB\u003cbr\u003e ✓ Short term SPL(*): 110dB\u003cbr\u003e ✓ Peak SPL: 115dB\u003cbr\u003e ✓ Controlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003cbr\u003e ✓ Size: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003cbr\u003e ✓ Weight: 15kg (33lbs)\u003cbr\u003e ✓ Inputs: Analogue, AES\/EBU\u003cbr\u003e ✓ Selectable correction for free-standing, near wall or in corner\u003cbr\u003e ✓ (*)IEC60268-5 Paragraph 20.6\u003cbr\u003e\u003cbr\u003eConnector panel from left to right:\u003cbr\u003eXLR Input - this can provide either analog or digital Input depending how the select switch is set\u003cbr\u003eSelect switch (3 positions) - chooses between AES left channel \/ Analog \/ AES right channel Input\u003cbr\u003eKiiLink Digital Input on CAT5 - used to connect the two speakers \u0026amp; future Kii products\u003cbr\u003eKiiLink Digital Thru on CAT5 - used to connect the two speakers when using a single AES Input\u003cbr\u003eBoundary switch - can be set to 16 positions between free \/ wall \/ corner to optimize setup\u003cbr\u003eContour switch - provides flat setting + 14 different preset EQ curves to match the listeners taste\u003cbr\u003eMains Power Connector - plug in your power cable and go, the Kii Three has no power switch\u003c\/p\u003e\n\u003cp\u003eacoustics\u003cbr\u003eThe Secret of Big Speakers\u003cbr\u003eKii’s mission for the THREE was to break the sonic mould of compact speakers. Powerful small speakers with deep bass have been around for a while now but none so far sounded like a big speaker. The THREE is built to fix that.\u003cbr\u003e\u003cbr\u003eBasic acoustics tells us that a classic box speaker only directs sound towards the listeners from the midrange up while bass frequencies are radiated all around. The frequency where this change happens depends on the size of the box front (the “baffle”). The smaller the baffle, the higher the frequency at which bass is still radiated all around instead of directed towards the listener.\u003cbr\u003e\u003cbr\u003eThat in short is why big speakers have so far delivered much more precise timing and detail in the bass and low mids than small speakers: the room gets less chance to interfere. And that is what Kii has now managed to make a compact speaker do.\u003cbr\u003e\u003cbr\u003eCategory Killer\u003cbr\u003eThe THREE is the first compact speaker that exceeds the clarity of a full size sound system in a large room while its small size means it’s equally at home in much more modest spaces. In fact, smaller rooms will benefit most from the THREE’s controlled bass. Better than big speakers at sounding big and better adapted for small rooms than other small speakers, THREE is a truly no-compromise product.\u003cbr\u003e\u003cbr\u003eWhat do Active Wave Focusing filters do?\u003cbr\u003eActive Wave Focusing filters mark a complete departure from the classical crossover filter. Instead of just splitting the spectrum into bands, it forces the specially positioned drive units to create a completely coherent wave front that is only emitted forward and behaves as though all of it came from the midrange driver.\u003cbr\u003e\u003cbr\u003eWith classical crossover filters, loudspeakers can only have a time aligned impulse response on the main axis. The animations on the left show the wave front as it’s built up by a typical modern three-way speaker with side-firing woofers. This example is crossed over at 250Hz, time aligned and phase equalised. Indeed the wave travelling towards the listener is coherent. Towards the sides and the rear the picture breaks down and the impulse is completely smeared. Also, low frequencies get emitted in all directions. In a real room (bottom animation) the sound that escapes toward the back will strike the wall behind the speaker and reflect towards the listener, who actually hears the speaker twice: once from the front and a bit later from the rear. Moving the speaker out into the room doesn't help. The overall bass balance looks better but the impulse response gets worse as the reflection now comes even later.\u003cbr\u003e\u003cbr\u003eThe animations on the right show how the Active Wave Focusing method retains full time alignment all around the speaker and how the presence of the rear wall has no impact. Sonically, the effect is a very even, unusually detailed bass. 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The Kii THREE is able to move some serious air, but we didn´t just stop there. Instead Bruno Putzeys invented the Active Wave Focusing technology, that controls the sound dispersion and directs the sound pressure, where we need it to be: Into the sweetspot! Intelligent DSP processing provides the Kii THREE with a cardioid sound dispersion pattern down to the low-mid and bass frequencies, which otherwise can only be achived by very wide baffles, big cabinets or soffit mounting speakers (infinite baffle design). The controlled sound dispersion is the only reason, why a big main monitor system in a good room offers the special feel and impact it does. Even though acousticians and speaker designers know about this task, no other speaker manufacturer has approached a solution to this common problem. We designed the Kii THREE with the acoustical challenges of todays studio setups in mind. It fits everywhere and can be the one and only monitor solution you need for every task. It really is the first „Mini Main monitor system“ available. We also think it looks rather beautiful.\u003cbr\u003e* Please note that the Kii THREE professional version comes in a rugged high density grey spatter finish.\u003cbr\u003e\u003cbr\u003eWork with Kii\u003cbr\u003eToday’s studio business is constantly evolving. Audio software has enabled a democratization of music production, along with some great possibilities and also a lot of challenging changes to overcome for professional engineers. Yet for recording, producing, mixing and mastering a single piece of gear still is as important as it has ever been: the monitoring system! Having a transparent and revealing monitor system that translates your work perfectly to the outside world has become more important than ever. It is the centerpiece of the modern studio. As an audio professional you’re always looking for ways to raise the bar of sonic performance. You want a clear, reliable and consistent advantage over your competition. The Kii THREE system is that advantage.\u003cbr\u003eWhether you work in a major facility, independent recording studio, or from your home studio, a good monitoring situation enables you to work faster, easier and achieve better results everyday. It takes the guesswork out of any decision during a production, so you can be safe and bold with your decisions and move through a project quickly, focussing on what´s really important in the studio: the musical ideas, the artistic expression and the interaction with your clients!\u003c\/p\u003e\n\u003cp\u003eKii Technology\u003cbr\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003cbr\u003e\u003cbr\u003eEach side panel of the THREE holds a 3x250W power amplifier board, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003cbr\u003e\u003cbr\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003cbr\u003e\u003cbr\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003cbr\u003e\u003cbr\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003cbr\u003e\u003cbr\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003cbr\u003e\u003cbr\u003eKii THREE Technical Specification\u003cbr\u003e ✓ Compact DSP controlled monitor speaker\u003cbr\u003e ✓ 4x 6.5\" woofer, 1x5\" midrange, 1\" waveguided tweeter, all individually driven\u003cbr\u003e ✓ Amplification: 6x250W full-custom Ncore\u003cbr\u003e ✓ Active Wave Focusing crossover filter\u003cbr\u003e ✓ Frequency response: +\/- 0,5dB - 25 kHz, 20Hz -6dB\u003cbr\u003e ✓ Phase response: minimum (best possible time coherence).\u003cbr\u003e ✓ Long term SPL(*): 105dB\u003cbr\u003e ✓ Short term SPL(*): 110dB\u003cbr\u003e ✓ Peak SPL: 115dB\u003cbr\u003e ✓ Controlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003cbr\u003e ✓ Size: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003cbr\u003e ✓ Weight: 15kg (33lbs)\u003cbr\u003e ✓ Inputs: Analogue, AES\/EBU\u003cbr\u003e ✓ Selectable correction for free-standing, near wall or in corner\u003cbr\u003e ✓ (*)IEC60268-5 Paragraph 20.6\u003cbr\u003e\u003cbr\u003eConnector panel from left to right:\u003cbr\u003eXLR Input - this can provide either analog or digital Input depending how the select switch is set\u003cbr\u003eSelect switch (3 positions) - chooses between AES left channel \/ Analog \/ AES right channel Input\u003cbr\u003eKiiLink Digital Input on CAT5 - used to connect the two speakers \u0026amp; future Kii products\u003cbr\u003eKiiLink Digital Thru on CAT5 - used to connect the two speakers when using a single AES Input\u003cbr\u003eBoundary switch - can be set to 16 positions between free \/ wall \/ corner to optimize setup\u003cbr\u003eContour switch - provides flat setting + 14 different preset EQ curves to match the listeners taste\u003cbr\u003eMains Power Connector - plug in your power cable and go, the Kii Three has no power switch\u003c\/p\u003e\n\u003cp\u003eacoustics\u003cbr\u003eThe Secret of Big Speakers\u003cbr\u003eKii’s mission for the THREE was to break the sonic mould of compact speakers. Powerful small speakers with deep bass have been around for a while now but none so far sounded like a big speaker. The THREE is built to fix that.\u003cbr\u003e\u003cbr\u003eBasic acoustics tells us that a classic box speaker only directs sound towards the listeners from the midrange up while bass frequencies are radiated all around. The frequency where this change happens depends on the size of the box front (the “baffle”). The smaller the baffle, the higher the frequency at which bass is still radiated all around instead of directed towards the listener.\u003cbr\u003e\u003cbr\u003eThat in short is why big speakers have so far delivered much more precise timing and detail in the bass and low mids than small speakers: the room gets less chance to interfere. And that is what Kii has now managed to make a compact speaker do.\u003cbr\u003e\u003cbr\u003eCategory Killer\u003cbr\u003eThe THREE is the first compact speaker that exceeds the clarity of a full size sound system in a large room while its small size means it’s equally at home in much more modest spaces. In fact, smaller rooms will benefit most from the THREE’s controlled bass. Better than big speakers at sounding big and better adapted for small rooms than other small speakers, THREE is a truly no-compromise product.\u003cbr\u003e\u003cbr\u003eWhat do Active Wave Focusing filters do?\u003cbr\u003eActive Wave Focusing filters mark a complete departure from the classical crossover filter. Instead of just splitting the spectrum into bands, it forces the specially positioned drive units to create a completely coherent wave front that is only emitted forward and behaves as though all of it came from the midrange driver.\u003cbr\u003e\u003cbr\u003eWith classical crossover filters, loudspeakers can only have a time aligned impulse response on the main axis. The animations on the left show the wave front as it’s built up by a typical modern three-way speaker with side-firing woofers. This example is crossed over at 250Hz, time aligned and phase equalised. Indeed the wave travelling towards the listener is coherent. Towards the sides and the rear the picture breaks down and the impulse is completely smeared. Also, low frequencies get emitted in all directions. In a real room (bottom animation) the sound that escapes toward the back will strike the wall behind the speaker and reflect towards the listener, who actually hears the speaker twice: once from the front and a bit later from the rear. Moving the speaker out into the room doesn't help. The overall bass balance looks better but the impulse response gets worse as the reflection now comes even later.\u003cbr\u003e\u003cbr\u003eThe animations on the right show how the Active Wave Focusing method retains full time alignment all around the speaker and how the presence of the rear wall has no impact. Sonically, the effect is a very even, unusually detailed bass. Even in problematic rooms, a drum kick has that visceral thud that previously only very big or in-wall speakers could achieve.\u003c\/p\u003e"}
Kii Audio Kii THREE PRO - Single speaker

Kii Audio Kii THREE PRO - Single speaker

$5,324.51

The first transportable Main MonitorMini Main MonitorWe offer a linear frequency response, a perfect impulse response and phase coherence, but we also pack 1500 watts per speaker divided across six drivers into a compact and lightweight enclosure. The Kii THREE is able to move some serious air, but we didn´t just stop there. Instead Bruno Putzey...

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{"id":762319634478,"title":"Kii Audio Kii THREE BXT PRO-Single Speaker","handle":"kii-audio-kii-three-bxt-pro","description":"\u003cp\u003eMid and low frequency extension cabinet for Kii THREE PRO\u003cbr\u003eGrey heavy duty spatter paint All necessary cables included\u003c\/p\u003e\n\u003cp\u003eKii THREE BXT\u003c\/p\u003e\n\u003cp\u003eTurn your Kii THREE into a floor standing loudspeaker\u003c\/p\u003e\n\u003cp\u003eUpgrade your Kii THREEs\u003c\/p\u003e\n\u003cp\u003eKii THREE BXT\u003c\/p\u003e\n\u003cp\u003eThe BXT is an extension module which turns the Kii THREE into a veritable floor standing loudspeaker with 16 additional drivers and a total of 7000 Watts.\u003c\/p\u003e\n\u003cp\u003eLow\/Mid frequency extension cabinet for Kii THREE.  8 drivers with 4 x 500 WATT CLASS D Amplification. Fully integrated in Active Wave Focusing of Kii THREE\u003c\/p\u003e\n\u003cp\u003eWork with Kii\u003cbr\u003eToday’s studio business is constantly evolving. Audio software has enabled a democratization of music production, along with some great possibilities and also a lot of challenging changes to overcome for professional engineers. Yet for recording, producing, mixing and mastering a single piece of gear still is as important as it has ever been: the monitoring system! Having a transparent and revealing monitor system that translates your work perfectly to the outside world has become more important than ever. It is the centerpiece of the modern studio. As an audio professional you’re always looking for ways to raise the bar of sonic performance. You want a clear, reliable and consistent advantage over your competition. The Kii THREE system is that advantage.\u003cbr\u003eWhether you work in a major facility, independent recording studio, or from your home studio, a good monitoring situation enables you to work faster, easier and achieve better results everyday. It takes the guesswork out of any decision during a production, so you can be safe and bold with your decisions and move through a project quickly, focussing on what´s really important in the studio: the musical ideas, the artistic expression and the interaction with your clients!Kii Technology\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE holds 6x250W power amplifier boards, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003c\/p\u003e\n\u003cp\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003c\/p\u003e\n\u003cp\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003c\/p\u003e\n\u003cp\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003c\/p\u003e\n\u003cp\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact DSP controlled monitor speaker\u003c\/li\u003e\n\u003cli\u003e4x 6.5\" woofer,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x5\" midrange,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\" waveguided tweeter, all individually driven\u003c\/li\u003e\n\u003cli\u003eAmplification: 6 x 250W full-custom Ncore\u003c\/li\u003e\n\u003cli\u003eActive Wave Focusing crossover filter\u003c\/li\u003e\n\u003cli\u003eFrequency response:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- 25 kHz\u003c\/li\u003e\n\u003cli\u003eBass extension -3dB@30Hz, -6dB@20Hz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eResponse flatness +\/- 0.5dB (1\/12th octave)\u003c\/li\u003e\n\u003cli\u003ePhase response: minimum (best possible time coherence).\u003c\/li\u003e\n\u003cli\u003eLong term SPL(*): 105dB\u003c\/li\u003e\n\u003cli\u003eShort term SPL(*): 110dBPeak\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPL: 115dB\u003c\/li\u003e\n\u003cli\u003eControlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003c\/li\u003e\n\u003cli\u003eSize: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003c\/li\u003e\n\u003cli\u003eWeight: 19 KG\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue, AES\/EBU\u003c\/li\u003e\n\u003cli\u003eSPDIF, TOSLink, USB on Kii Control.\u003c\/li\u003e\n\u003cli\u003eSelectable correction for free-standing, near wall or in corner\u003c\/li\u003e\n\u003cli\u003e(*)IEC60268-5 Paragraph 20.6\u003c\/li\u003e\n\u003cli\u003e\"Specifications are subject to change without notice\"\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-06-02T20:35:06+02:00","created_at":"2018-08-06T02:09:24+02:00","vendor":"Kii Audio","type":"Speakers","tags":["Active Monitors","Kii Audio","Price Range_$3000 and Over","Shop by brand_Kii Audio","Shop by category_Active Monitors","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":726541,"price_min":726541,"price_max":828018,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8223724503086,"title":"White","option1":"White","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":2710967255086,"product_id":762319634478,"position":1,"created_at":"2018-08-08T01:25:43+02:00","updated_at":"2018-08-08T01:30:03+02:00","alt":null,"width":650,"height":1154,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemstandardwhiteglosspair500px_0f1ba876-58da-44fc-9158-cc4366e7af41.jpg?v=1533684603","variant_ids":[8223724503086]},"available":true,"name":"Kii Audio Kii THREE BXT PRO-Single Speaker - 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Custom Color","public_title":"Custom Color","options":["Custom Color"],"price":828018,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemstandardwhiteglosspair500px_0f1ba876-58da-44fc-9158-cc4366e7af41.jpg?v=1533684603","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_419667ac-6d70-498c-a043-2c9fc8ea0813.png?v=1533684603","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemcustomredpair500px_3d716979-7d46-44b2-a311-abcebf16f3f5.jpg?v=1533684603","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Kii_THREE_PRO_Perspective-2.jpg?v=1533684603","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Kii_CONTROL_Kii_THREE_PRO.jpg?v=1533684603"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemstandardwhiteglosspair500px_0f1ba876-58da-44fc-9158-cc4366e7af41.jpg?v=1533684603","options":["Color"],"content":"\u003cp\u003eMid and low frequency extension cabinet for Kii THREE PRO\u003cbr\u003eGrey heavy duty spatter paint All necessary cables included\u003c\/p\u003e\n\u003cp\u003eKii THREE BXT\u003c\/p\u003e\n\u003cp\u003eTurn your Kii THREE into a floor standing loudspeaker\u003c\/p\u003e\n\u003cp\u003eUpgrade your Kii THREEs\u003c\/p\u003e\n\u003cp\u003eKii THREE BXT\u003c\/p\u003e\n\u003cp\u003eThe BXT is an extension module which turns the Kii THREE into a veritable floor standing loudspeaker with 16 additional drivers and a total of 7000 Watts.\u003c\/p\u003e\n\u003cp\u003eLow\/Mid frequency extension cabinet for Kii THREE.  8 drivers with 4 x 500 WATT CLASS D Amplification. Fully integrated in Active Wave Focusing of Kii THREE\u003c\/p\u003e\n\u003cp\u003eWork with Kii\u003cbr\u003eToday’s studio business is constantly evolving. Audio software has enabled a democratization of music production, along with some great possibilities and also a lot of challenging changes to overcome for professional engineers. Yet for recording, producing, mixing and mastering a single piece of gear still is as important as it has ever been: the monitoring system! Having a transparent and revealing monitor system that translates your work perfectly to the outside world has become more important than ever. It is the centerpiece of the modern studio. As an audio professional you’re always looking for ways to raise the bar of sonic performance. You want a clear, reliable and consistent advantage over your competition. The Kii THREE system is that advantage.\u003cbr\u003eWhether you work in a major facility, independent recording studio, or from your home studio, a good monitoring situation enables you to work faster, easier and achieve better results everyday. It takes the guesswork out of any decision during a production, so you can be safe and bold with your decisions and move through a project quickly, focussing on what´s really important in the studio: the musical ideas, the artistic expression and the interaction with your clients!Kii Technology\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE holds 6x250W power amplifier boards, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003c\/p\u003e\n\u003cp\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003c\/p\u003e\n\u003cp\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003c\/p\u003e\n\u003cp\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003c\/p\u003e\n\u003cp\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact DSP controlled monitor speaker\u003c\/li\u003e\n\u003cli\u003e4x 6.5\" woofer,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x5\" midrange,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\" waveguided tweeter, all individually driven\u003c\/li\u003e\n\u003cli\u003eAmplification: 6 x 250W full-custom Ncore\u003c\/li\u003e\n\u003cli\u003eActive Wave Focusing crossover filter\u003c\/li\u003e\n\u003cli\u003eFrequency response:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- 25 kHz\u003c\/li\u003e\n\u003cli\u003eBass extension -3dB@30Hz, -6dB@20Hz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eResponse flatness +\/- 0.5dB (1\/12th octave)\u003c\/li\u003e\n\u003cli\u003ePhase response: minimum (best possible time coherence).\u003c\/li\u003e\n\u003cli\u003eLong term SPL(*): 105dB\u003c\/li\u003e\n\u003cli\u003eShort term SPL(*): 110dBPeak\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPL: 115dB\u003c\/li\u003e\n\u003cli\u003eControlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003c\/li\u003e\n\u003cli\u003eSize: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003c\/li\u003e\n\u003cli\u003eWeight: 19 KG\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue, AES\/EBU\u003c\/li\u003e\n\u003cli\u003eSPDIF, TOSLink, USB on Kii Control.\u003c\/li\u003e\n\u003cli\u003eSelectable correction for free-standing, near wall or in corner\u003c\/li\u003e\n\u003cli\u003e(*)IEC60268-5 Paragraph 20.6\u003c\/li\u003e\n\u003cli\u003e\"Specifications are subject to change without notice\"\u003c\/li\u003e\n\u003c\/ul\u003e"}
Kii Audio Kii THREE BXT PRO-Single Speaker

Kii Audio Kii THREE BXT PRO-Single Speaker

$7,265.41

Mid and low frequency extension cabinet for Kii THREE PROGrey heavy duty spatter paint All necessary cables included Kii THREE BXT Turn your Kii THREE into a floor standing loudspeaker Upgrade your Kii THREEs Kii THREE BXT The BXT is an extension module which turns the Kii THREE into a veritable floor standing loudspeaker with 16 additional driv...

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{"id":761842991150,"title":"Avantone Pro AV10 MLF Low Frequency Driver","handle":"avantone-pro-av10-mlf-low-frequency-driver","description":"\u003cp\u003eAvantone AV10 MLF Low Frequency Drop-in Replacement Driver for Yamaha™ NS10M™ Studio Monitors\u003c\/p\u003e\n\u003cp\u003eSince THE iconic studio monitor was discontinued, the supply of aftermarket components has become more and more expensive and less and less available. Avantone Pro has done a near exact recreation of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with RoHS requirements.\u003c\/p\u003e\n\u003cp\u003eThe AV10 MLF replacement driver is physically and dimensionally exactly the same as the original and is a “bolt in” hassle free install that require no changes to the cabinet in the installation process.\u003c\/p\u003e\n\u003cp\u003eThe Low Frequency driver, AV10 MLF, is a near exact match from 20Hz to the crossover frequency. We have changed the cone design from a lapped seam to a single continuous press formed cone from the same supplier as the original. This allows a much higher level of quality control and consistency during the manufacturing process.\u003c\/p\u003e\n\u003cp\u003eThe AV10 MLF replacement driver is physically and dimensionally exactly the same as the original and is a “bolt in” hassle free install that require no changes to the cabinet in the installation process.\u003c\/p\u003e","published_at":"2018-08-05T15:40:33+02:00","created_at":"2018-08-05T15:58:29+02:00","vendor":"Avantone Pro","type":"Studio Monitors","tags":["Avantone Pro","Passive Monitors","Price Range_$100 to $200","Shop by brand_Avantone Pro","Shop by category_Passive Monitors","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":14900,"price_min":14900,"price_max":14900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8220514025518,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AV10MLF","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro AV10 MLF Low Frequency Driver","public_title":null,"options":["Default Title"],"price":14900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/av10-mlf_1_2500x2500_0826606f-7169-49fb-9df0-ad2eeb4ec802.jpg?v=1533478836","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/av10-mlf_2_2500x2500_83276441-4e58-4f9b-9e53-6281400f2412.jpg?v=1533478851","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/av10-mlf_0_2500x2500_c53de56d-321d-4102-9920-b3a1090e10a9.jpg?v=1533478863"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/av10-mlf_1_2500x2500_0826606f-7169-49fb-9df0-ad2eeb4ec802.jpg?v=1533478836","options":["Title"],"content":"\u003cp\u003eAvantone AV10 MLF Low Frequency Drop-in Replacement Driver for Yamaha™ NS10M™ Studio Monitors\u003c\/p\u003e\n\u003cp\u003eSince THE iconic studio monitor was discontinued, the supply of aftermarket components has become more and more expensive and less and less available. Avantone Pro has done a near exact recreation of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with RoHS requirements.\u003c\/p\u003e\n\u003cp\u003eThe AV10 MLF replacement driver is physically and dimensionally exactly the same as the original and is a “bolt in” hassle free install that require no changes to the cabinet in the installation process.\u003c\/p\u003e\n\u003cp\u003eThe Low Frequency driver, AV10 MLF, is a near exact match from 20Hz to the crossover frequency. We have changed the cone design from a lapped seam to a single continuous press formed cone from the same supplier as the original. This allows a much higher level of quality control and consistency during the manufacturing process.\u003c\/p\u003e\n\u003cp\u003eThe AV10 MLF replacement driver is physically and dimensionally exactly the same as the original and is a “bolt in” hassle free install that require no changes to the cabinet in the installation process.\u003c\/p\u003e"}
Avantone Pro AV10 MLF Low Frequency Driver

Avantone Pro AV10 MLF Low Frequency Driver

$149.00

Avantone AV10 MLF Low Frequency Drop-in Replacement Driver for Yamaha™ NS10M™ Studio Monitors Since THE iconic studio monitor was discontinued, the supply of aftermarket components has become more and more expensive and less and less available. Avantone Pro has done a near exact recreation of the original drivers. Using our global resources and ...


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{"id":761819299886,"title":"Avantone Pro AV10 MHF High Frequency Driver","handle":"avantone-pro-av10-mhf-high-frequency-driver","description":"\u003cp\u003eAvantone AV10 MHF High Frequency Drop-in Replacement Tweeter for Yamaha™ NS10M™ Studio Monitors\u003c\/p\u003e\n\u003cp\u003eSince THE iconic studio monitor was discontinued, the supply of aftermarket components has become more and more expensive and less and less available. Avantone Pro has done a near exact recreation of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with RoHS requirements.\u003c\/p\u003e\n\u003cp\u003eThe AV10 MHF replacement driver is physically and dimensionally exactly the same as the original and is a “bolt in” hassle free install that require no changes to the cabinet in the installation process.\u003c\/p\u003e\n\u003cp\u003eThe AV10 MHF is a match throughout the frequency range, engineered with the same voicing as the original.\u003c\/p\u003e\n\u003cp\u003eThe AV10 MHF replacement driver is physically and dimensionally exactly the same as the originals and is a “bolt in” hassle free install that require no changes to the cabinet in the installation process.\u003c\/p\u003e","published_at":"2018-08-05T14:58:30+02:00","created_at":"2018-08-05T15:13:31+02:00","vendor":"Avantone Pro","type":"Studio Monitors","tags":["Avantone Pro","Passive Monitors","Price Range_$100 to $200","Shop by brand_Avantone Pro","Shop by category_Passive Monitors","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":11900,"price_min":11900,"price_max":11900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8220462383150,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AV10MHF","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro AV10 MHF High Frequency Driver","public_title":null,"options":["Default Title"],"price":11900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/av10-mhf_0_2500x2500_dee8d951-7a13-4a50-b22e-1a3c66cf84c6.jpg?v=1533475605","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/av10-mhf_1_2500x2500_3b2b676d-b779-4fd0-8356-3ad4adf377c4.jpg?v=1533475605","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/av10-mhf_2_2500x2500_438022ea-80f1-498c-b3ce-a06d8d35a3de.jpg?v=1533475605"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/av10-mhf_0_2500x2500_dee8d951-7a13-4a50-b22e-1a3c66cf84c6.jpg?v=1533475605","options":["Title"],"content":"\u003cp\u003eAvantone AV10 MHF High Frequency Drop-in Replacement Tweeter for Yamaha™ NS10M™ Studio Monitors\u003c\/p\u003e\n\u003cp\u003eSince THE iconic studio monitor was discontinued, the supply of aftermarket components has become more and more expensive and less and less available. Avantone Pro has done a near exact recreation of the original drivers. Using our global resources and decade of experience in driver construction, we have reproduced the components faithfully, updating the materials to comply with RoHS requirements.\u003c\/p\u003e\n\u003cp\u003eThe AV10 MHF replacement driver is physically and dimensionally exactly the same as the original and is a “bolt in” hassle free install that require no changes to the cabinet in the installation process.\u003c\/p\u003e\n\u003cp\u003eThe AV10 MHF is a match throughout the frequency range, engineered with the same voicing as the original.\u003c\/p\u003e\n\u003cp\u003eThe AV10 MHF replacement driver is physically and dimensionally exactly the same as the originals and is a “bolt in” hassle free install that require no changes to the cabinet in the installation process.\u003c\/p\u003e"}
Avantone Pro AV10 MHF High Frequency Driver

Avantone Pro AV10 MHF High Frequency Driver

$119.00

Avantone AV10 MHF High Frequency Drop-in Replacement Tweeter for Yamaha™ NS10M™ Studio Monitors Since THE iconic studio monitor was discontinued, the supply of aftermarket components has become more and more expensive and less and less available. Avantone Pro has done a near exact recreation of the original drivers. Using our global resources an...


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{"id":761785155630,"title":"Avantone Pro Active MixCubes 5.25\" Powered Studio Monitor Pair - 10th Anniversary Red","handle":"avantone-pro-active-mixcubes-5-25-powered-studio-monitor-pair-10th-anniversary-red","description":"\u003cp\u003eAvantone MixCube Active 10th Anniversary Red Full-Range Mini Reference Monitors (Pair)\u003c\/p\u003e\n\u003cp\u003eMixcube Active (Pair) 10th Anniversary Red\u003c\/p\u003e\n\u003cp\u003eWhile originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eApplication\u003c\/p\u003e\n\u003cp\u003eActive Recording \/ Mixdown Monitors\u003c\/p\u003e\n\u003cp\u003eEngineering Objective\u003c\/p\u003e\n\u003cp\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003c\/p\u003e\n\u003cp\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003c\/p\u003e\n\u003cp\u003ePerformance Objective\u003c\/p\u003e\n\u003cp\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003eCabinet Design\u003c\/p\u003e\n\u003cp\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eDriver Design\u003c\/p\u003e\n\u003cp\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003eAmplifier Design\u003c\/p\u003e\n\u003cp\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSystem Type: Active (Self-powered) shielded full-range stereo pair\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 90Hz - 17,000Hz (useful musical range)\u003c\/li\u003e\n\u003cli\u003eImpendance: Nominal 8 ohms\u003c\/li\u003e\n\u003cli\u003eMax SPL: 104db @ 1 meter = 1%THD (PINK NOISE)\u003c\/li\u003e\n\u003cli\u003eAmplifier Type: Class A\/B\u003c\/li\u003e\n\u003cli\u003eAmplifier Power: 60 watts RMS@ .005% THD (1KHz)\u003c\/li\u003e\n\u003cli\u003eAmp Frequency Response: 22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003c\/li\u003e\n\u003cli\u003eNoise: S\/N -113 dB\u003c\/li\u003e\n\u003cli\u003eSensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003c\/li\u003e\n\u003cli\u003eDriver: Proprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003c\/li\u003e\n\u003cli\u003eCabinet: sealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/li\u003e\n\u003cli\u003eInputs: XLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003c\/li\u003e\n\u003cli\u003eWeight: 7.13lbs (per monitor)\u003c\/li\u003e\n\u003cli\u003eDimensions: 6.5\" x 6.5\" x 6.5\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBalanced Input: This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/li\u003e\n\u003cli\u003eSystem Gain: This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/li\u003e\n\u003cli\u003eOn\/Off Switch: This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/li\u003e\n\u003cli\u003eAC Input: This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/li\u003e\n\u003cli\u003eGround Lift Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/li\u003e\n\u003cli\u003ePlacement: When positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-08-05T04:05:56+02:00","created_at":"2018-08-05T14:08:17+02:00","vendor":"Avantone Pro","type":"Studio Monitors","tags":["Avantone Pro","Passive Monitors","Price Range_$300 to $500","Shop by brand_Avantone Pro","Shop by category_Passive Monitors","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":25900,"price_min":25900,"price_max":49900,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8220373319726,"title":"Single","option1":"Single","option2":null,"option3":null,"sku":"MixCubeAEaRd","requires_shipping":true,"taxable":true,"featured_image":{"id":2705168891950,"product_id":761785155630,"position":9,"created_at":"2018-08-05T14:22:30+02:00","updated_at":"2018-08-05T14:22:30+02:00","alt":null,"width":2500,"height":2500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mixcube-active-red_1_2500x2500_52889545-76fe-4f66-a2b0-38f5709cd19f.jpg?v=1533471750","variant_ids":[8220373319726]},"available":true,"name":"Avantone Pro Active MixCubes 5.25\" Powered Studio Monitor Pair - 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However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003eCabinet Design\u003c\/p\u003e\n\u003cp\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003eDriver Design\u003c\/p\u003e\n\u003cp\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003eAmplifier Design\u003c\/p\u003e\n\u003cp\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSystem Type: Active (Self-powered) shielded full-range stereo pair\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 90Hz - 17,000Hz (useful musical range)\u003c\/li\u003e\n\u003cli\u003eImpendance: Nominal 8 ohms\u003c\/li\u003e\n\u003cli\u003eMax SPL: 104db @ 1 meter = 1%THD (PINK NOISE)\u003c\/li\u003e\n\u003cli\u003eAmplifier Type: Class A\/B\u003c\/li\u003e\n\u003cli\u003eAmplifier Power: 60 watts RMS@ .005% THD (1KHz)\u003c\/li\u003e\n\u003cli\u003eAmp Frequency Response: 22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003c\/li\u003e\n\u003cli\u003eNoise: S\/N -113 dB\u003c\/li\u003e\n\u003cli\u003eSensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003c\/li\u003e\n\u003cli\u003eDriver: Proprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003c\/li\u003e\n\u003cli\u003eCabinet: sealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/li\u003e\n\u003cli\u003eInputs: XLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003c\/li\u003e\n\u003cli\u003eWeight: 7.13lbs (per monitor)\u003c\/li\u003e\n\u003cli\u003eDimensions: 6.5\" x 6.5\" x 6.5\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eBalanced Input: This “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/li\u003e\n\u003cli\u003eSystem Gain: This variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/li\u003e\n\u003cli\u003eOn\/Off Switch: This illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/li\u003e\n\u003cli\u003eAC Input: This input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/li\u003e\n\u003cli\u003eGround Lift Switch: By engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/li\u003e\n\u003cli\u003ePlacement: When positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003c\/li\u003e\n\u003c\/ul\u003e"}
Avantone Pro Active MixCubes 5.25" Powered Studio Monitor Pair - 10th Anniversary Red

Avantone Pro Active MixCubes 5.25" Powered Studio Monitor Pair - 10th Anniversary Red

$259.00

Avantone MixCube Active 10th Anniversary Red Full-Range Mini Reference Monitors (Pair) Mixcube Active (Pair) 10th Anniversary Red While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have  Application Active Recording / Mixdown Monitors Engineeri...

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