Adam Audio Sub10 MK2

{"id":534252519470,"title":"Ultimate Acoustics UA-HX-12 Hex Series Hexagon Foam Wall Panel 12\" (Pair)","handle":"ultimate-acoustics-ua-hx-12-hex-series-hexagon-foam-wall-panel-12-pair","description":"UA-HX-12CH\u003cbr\u003e\u003cbr\u003eHex Series - Hexagonal Foam Wall Panel - 12\" - Charcoal - Class B\u003cbr\u003eDesigned for users looking to treat unique problems in the listening room, as well as to lend a personal touch to any creative space- the new Hex Series absorption panels from Ultimate Acoustics offer a stylish and affordable option for adding a personal touch to your problem solving. Arrange in attractive patterns and make the most of your foam purchase with the new Hex panels from Ultimate Acoustics.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eUltimate Acoustics UA-HX-12CH Features:\u003cbr\u003e ✓ Professional 12\" x 12\" Class B absorption panels\u003cbr\u003e ✓ Sold in Pairs\u003cbr\u003e ✓ Hexagonal Shape\u003cbr\u003e\u003cbr\u003eSpecs\u003cbr\u003e\u003cbr\u003e ✓ Part Name: UA-HX-12CH\u003cbr\u003e ✓ Part Number: 17819\u003cbr\u003e ✓ Size: 12\" x 12\"\u003cbr\u003e ✓ Type: Wall Panel\u003cbr\u003e ✓ QTY: 2\u003cbr\u003e","published_at":"2018-03-12T14:30:06+02:00","created_at":"2018-03-12T15:02:00+02:00","vendor":"Ultimate Acoustics By Ultimate Support","type":"Absorption Panel","tags":["Acoustic Treatment","Price Range_$25 to $50","Price Range_Under $25","Shop by brand_Ultimate Acoustics By Ultimate Support","Shop by category_Acoustic Treatment","Shop by category_Studio \u0026 Recording","Shop by category_Studio Furniture \u0026 Acoustic Treatment","Studio \u0026 Recording","Studio Furniture \u0026 Acoustic Treatment","Ultimate Acoustics By Ultimate Support"],"price":2499,"price_min":2499,"price_max":3999,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7112751153198,"title":"Charcoal","option1":"Charcoal","option2":null,"option3":null,"sku":"UA-HX-12CH","requires_shipping":true,"taxable":true,"featured_image":{"id":2105193103406,"product_id":534252519470,"position":1,"created_at":"2018-03-12T15:02:18+02:00","updated_at":"2018-03-12T15:14:14+02:00","alt":null,"width":1000,"height":859,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ua-hx-12ch_01_lg.jpg?v=1520860454","variant_ids":[7112751153198]},"available":true,"name":"Ultimate Acoustics UA-HX-12 Hex Series Hexagon Foam Wall Panel 12\" (Pair) - 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Hexagonal Foam Wall Panel - 12\" - Charcoal - Class B\u003cbr\u003eDesigned for users looking to treat unique problems in the listening room, as well as to lend a personal touch to any creative space- the new Hex Series absorption panels from Ultimate Acoustics offer a stylish and affordable option for adding a personal touch to your problem solving. Arrange in attractive patterns and make the most of your foam purchase with the new Hex panels from Ultimate Acoustics.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eUltimate Acoustics UA-HX-12CH Features:\u003cbr\u003e ✓ Professional 12\" x 12\" Class B absorption panels\u003cbr\u003e ✓ Sold in Pairs\u003cbr\u003e ✓ Hexagonal Shape\u003cbr\u003e\u003cbr\u003eSpecs\u003cbr\u003e\u003cbr\u003e ✓ Part Name: UA-HX-12CH\u003cbr\u003e ✓ Part Number: 17819\u003cbr\u003e ✓ Size: 12\" x 12\"\u003cbr\u003e ✓ Type: Wall Panel\u003cbr\u003e ✓ QTY: 2\u003cbr\u003e"}

{"id":732526641198,"title":"Softube Console One MKII Controller","handle":"softube-softube-console-one-mkii-controller","description":"\u003cp\u003eCONSOLE 1\u003c\/p\u003e\n\u003cp\u003eSOUND. WORKFLOW. CONTROL.\u003c\/p\u003e\n\u003cp\u003eQuickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. Or customize your channels to fit your needs—there are over 70 Console 1 ready plug-ins available from Softube and Universal Audio.\u003c\/p\u003e\n\u003cp\u003eSOUND.\u003c\/p\u003e\n\u003cp\u003eGet the classic SSL crunch and character, straight out of the box. Expand your options with the many available plug-ins from Softube and Universal Audio.\u003c\/p\u003e\n\u003cp\u003eWORKFLOW.\u003c\/p\u003e\n\u003cp\u003eMix faster and better. The intuitive workflow is unique for Console 1, and lets you focus on the music—not the technology.\u003c\/p\u003e\n\u003cp\u003eCONTROL.\u003c\/p\u003e\n\u003cp\u003eOne control per parameter, no MIDI mapping needed. Console 1 works with any major DAW on the market and offers extra deep integration with select DAWs.\u003c\/p\u003e\n\u003cp\u003eCONTROL OVER 70 PLUGINS BY SOFTUBE AND UNIVERSAL AUDIO\u003c\/p\u003e\n\u003cp\u003eMix and match units from Chandler Limited, Fairchild, Teletronix, Tube-Tech, Abbey Road Studios and many others.\u003c\/p\u003e\n\u003cp\u003eEXPANSIONS: ADD MORE CONSOLES TO YOUR ARSENAL\u003c\/p\u003e\n\u003cp\u003eIn addition to the included SSL 4000 E, there are entire channel strips available, with EQ, compressor, gate and modeled saturation from the original analog hardware.\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn Short\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA unique centerpiece for any DAW based studio\u003c\/li\u003e\n\u003cli\u003eIncluded model of Solid State Logic SL 4000 E console\u003c\/li\u003e\n\u003cli\u003eExpand the system with over 70 Console 1 ready plug-ins from Softube and Universal Audio\u003c\/li\u003e\n\u003cli\u003eNo mouse, no mapping, no hassle\u003c\/li\u003e\n\u003cli\u003ePremium quality hardware\u003c\/li\u003e\n\u003cli\u003eMk II version offers same quality at a more affordable price\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-07-05T02:26:01+02:00","created_at":"2018-07-05T03:03:29+02:00","vendor":"Softube","type":"Control Surfaces","tags":["Control \u0026 Interface Combos","Control Surfaces","Price Range_$300 to $500","Shop by brand_Softube","Shop by category_Control \u0026 Interface Combos","Shop by category_Control Surfaces","Shop by category_Studio \u0026 Recording","Shop by category_Studio Mixers \u0026 Control Surfaces","Softube","Studio \u0026 Recording","Studio Mixers \u0026 Control Surfaces"],"price":48800,"price_min":48800,"price_max":48800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8090752352302,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SFT-CON-1MK2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Softube Console One MKII Controller","public_title":null,"options":["Default Title"],"price":48800,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/console1_mkii_withOSD-transp.png?v=1530754526","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/console1_mkii_top_lit.jpg?v=1530754526","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/console1_mkii_close4.jpg?v=1530754526","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/console1_mkii_close1.jpg?v=1530754526","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/console1_mkii_close3.jpg?v=1530754526","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/solidstatelogic_4000.png?v=1530754526","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/console1_ready_plug-ins.jpg?v=1530754526","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/british_class_a_screenshot.png?v=1530754526","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/console1_s1_split.png?v=1530754526","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/mipa_photo2.png?v=1530754526"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/console1_mkii_withOSD-transp.png?v=1530754526","options":["Title"],"content":"\u003cp\u003eCONSOLE 1\u003c\/p\u003e\n\u003cp\u003eSOUND. WORKFLOW. CONTROL.\u003c\/p\u003e\n\u003cp\u003eQuickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. Or customize your channels to fit your needs—there are over 70 Console 1 ready plug-ins available from Softube and Universal Audio.\u003c\/p\u003e\n\u003cp\u003eSOUND.\u003c\/p\u003e\n\u003cp\u003eGet the classic SSL crunch and character, straight out of the box. Expand your options with the many available plug-ins from Softube and Universal Audio.\u003c\/p\u003e\n\u003cp\u003eWORKFLOW.\u003c\/p\u003e\n\u003cp\u003eMix faster and better. The intuitive workflow is unique for Console 1, and lets you focus on the music—not the technology.\u003c\/p\u003e\n\u003cp\u003eCONTROL.\u003c\/p\u003e\n\u003cp\u003eOne control per parameter, no MIDI mapping needed. Console 1 works with any major DAW on the market and offers extra deep integration with select DAWs.\u003c\/p\u003e\n\u003cp\u003eCONTROL OVER 70 PLUGINS BY SOFTUBE AND UNIVERSAL AUDIO\u003c\/p\u003e\n\u003cp\u003eMix and match units from Chandler Limited, Fairchild, Teletronix, Tube-Tech, Abbey Road Studios and many others.\u003c\/p\u003e\n\u003cp\u003eEXPANSIONS: ADD MORE CONSOLES TO YOUR ARSENAL\u003c\/p\u003e\n\u003cp\u003eIn addition to the included SSL 4000 E, there are entire channel strips available, with EQ, compressor, gate and modeled saturation from the original analog hardware.\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn Short\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eA unique centerpiece for any DAW based studio\u003c\/li\u003e\n\u003cli\u003eIncluded model of Solid State Logic SL 4000 E console\u003c\/li\u003e\n\u003cli\u003eExpand the system with over 70 Console 1 ready plug-ins from Softube and Universal Audio\u003c\/li\u003e\n\u003cli\u003eNo mouse, no mapping, no hassle\u003c\/li\u003e\n\u003cli\u003ePremium quality hardware\u003c\/li\u003e\n\u003cli\u003eMk II version offers same quality at a more affordable price\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":698630963246,"title":"Kii Audio Kii THREE BXT System PRO","handle":"kii-audio-kii-three-bxt-system","description":"\u003cp\u003e Kii THREE BXT\u003cbr\u003eTurn your Kii THREE into a floor standing loudspeaker\u003cbr\u003e\u003cbr\u003eModularity is Kii\u003cbr\u003eKii THREE BXT\u003cbr\u003eThe BXT is an extension module which turns the Kii THREE into a veritable floor standing loudspeaker with 16 additional drivers and a total of 7000 Watts.\u003cbr\u003e\u003cbr\u003eKii THREE BXT System:\u003cbr\u003e\u003cbr\u003eFloor standing DSP controlled High-End playback system.\u003cbr\u003eConsisting of:\u003cbr\u003e2 x Kii THREE speakers in high gloss white, graphite matt metallic or any custom color of your choice \u003cbr\u003e2 x BXT modules in the same or a contrasting color\u003cbr\u003e1 x Kii Control offers volume control, input selection with touch switch operation, additional software menu, OLED display and is IR ready. \u003cbr\u003eInputs: USB, SPDIF, TOSLINK, AES, ANALOGUE\u003cbr\u003e\u003cbr\u003eAll necessary cables are included\u003cbr\u003ePLEASE NOTE: Footplates are not final\u003c\/p\u003e\n\u003cp\u003eElegant but powerful\u003c\/p\u003e\n\u003cp\u003eKii THREE BXT System in glossy white\u003c\/p\u003e\n\u003cp\u003eThe BXT makes full use of the Kii THREEs technology and adds more frequency range and SPL to the game while still being a cardioid system that, despite its size, does not interact with the room. Astoundingly enough small rooms profit a lot from the line source concept.\u003c\/p\u003e\n\u003cp\u003ePlease note that existing Kii THREEs can be upgraded at any time with the BXTs giving you full investment security. Also the Kii THREEs are still transportable and can be run by themselves just by detaching them from the BXT. The Kii THREEs will detect the presence of a BXT and automatically adjust the software accordingly.\u003c\/p\u003e\n\u003cp\u003eKii Technology\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE holds 6x250W power amplifier boards, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003c\/p\u003e\n\u003cp\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003c\/p\u003e\n\u003cp\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003c\/p\u003e\n\u003cp\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003c\/p\u003e\n\u003cp\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact DSP controlled monitor speaker\u003c\/li\u003e\n\u003cli\u003e4x 6.5\" woofer,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x5\" midrange,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\" waveguided tweeter, all individually driven\u003c\/li\u003e\n\u003cli\u003eAmplification: 6 x 250W full-custom Ncore\u003c\/li\u003e\n\u003cli\u003eActive Wave Focusing crossover filter\u003c\/li\u003e\n\u003cli\u003eFrequency response:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- 25 kHz\u003c\/li\u003e\n\u003cli\u003eBass extension -3dB@30Hz, -6dB@20Hz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eResponse flatness +\/- 0.5dB (1\/12th octave)\u003c\/li\u003e\n\u003cli\u003ePhase response: minimum (best possible time coherence).\u003c\/li\u003e\n\u003cli\u003eLong term SPL(*): 105dB\u003c\/li\u003e\n\u003cli\u003eShort term SPL(*): 110dBPeak\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPL: 115dB\u003c\/li\u003e\n\u003cli\u003eControlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003c\/li\u003e\n\u003cli\u003eSize: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003c\/li\u003e\n\u003cli\u003eWeight: 19 KG\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue, AES\/EBU\u003c\/li\u003e\n\u003cli\u003eSPDIF, TOSLink, USB on Kii Control.\u003c\/li\u003e\n\u003cli\u003eSelectable correction for free-standing, near wall or in corner\u003c\/li\u003e\n\u003cli\u003e(*)IEC60268-5 Paragraph 20.6\u003c\/li\u003e\n\u003cli\u003e\"Specifications are subject to change without notice\"\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-06-02T20:35:06+02:00","created_at":"2018-06-03T01:13:12+02:00","vendor":"Kii Audio","type":"Speakers","tags":["Active Monitors","Kii Audio","Price Range_$3000 and Over","Shop by brand_Kii Audio","Shop by category_Active Monitors","Shop by category_Studio \u0026 Recording","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":2662716,"price_min":2662716,"price_max":2969848,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8222836097070,"title":"White","option1":"White","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":2710984687662,"product_id":698630963246,"position":1,"created_at":"2018-08-08T01:53:14+02:00","updated_at":"2018-08-08T01:54:17+02:00","alt":null,"width":650,"height":1154,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/kiithreebxtsystemstandardwhiteglosspair500px_c4407b21-9535-4f79-be3b-b7e51989f9c9.jpg?v=1533686057","variant_ids":[8222836097070]},"available":true,"name":"Kii Audio Kii THREE BXT System PRO - 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Astoundingly enough small rooms profit a lot from the line source concept.\u003c\/p\u003e\n\u003cp\u003ePlease note that existing Kii THREEs can be upgraded at any time with the BXTs giving you full investment security. Also the Kii THREEs are still transportable and can be run by themselves just by detaching them from the BXT. The Kii THREEs will detect the presence of a BXT and automatically adjust the software accordingly.\u003c\/p\u003e\n\u003cp\u003eKii Technology\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE contains six channels of DSP, D\/A conversion and power amplification. Few companies could pull off such a densely packed design with truly world class performance electronics. But then again, few active speakers are designed by people who have previously turned high end power amplification and digital conversion around.\u003c\/p\u003e\n\u003cp\u003eEach Kii THREE holds 6x250W power amplifier boards, designed by Bruno Putzeys using the latest iteration of the Ncore class D technology which he invented for Hypex. Unique to the implementation used in the Kii THREE is a combined voltage\/current control loop that goes beyond merely a better amp – it actively improves the distortion performance of the drive units which contributes significantly to the extreme resolution of the speaker.\u003c\/p\u003e\n\u003cp\u003eNaturally, this means that the performance of the AD\/DA conversion has to match that of the amps. This task fell to Bart van der Laan who has a long track record designing DSP and converter boards for high-end professional audio equipment. Kii Audio’s implementation is a runaway success: a complete pass through the AD\/DA circuitry of the THREE’s signal processing board is entirely inaudible, a feat not duplicated by the most expensive audiophile standalone units.\u003c\/p\u003e\n\u003cp\u003eAlongside the Active Wave Focusing filters the DSP is responsible for keeping the drive units within their safe operating range by gently adapting the filters instead of brutally limiting the signal, allowing the THREE to play significantly louder and cleaner than much bigger traditional designs.\u003c\/p\u003e\n\u003cp\u003eOn the input side there is a choice of analogue, digital inputs. All digital inputs are up-sampled and reclocked using Kii’s own jitter rejection algorithm that guarantees actual “bits is bits” audio performance for any digital source.\u003c\/p\u003e\n\u003cp\u003eThe electronics package alone sets a milestone. What it does in concert with the unique acoustic design defies imagination. You have to hear it to realise the magnitude of the revolution the Kii THREE represents.\u003c\/p\u003e\n\u003cp\u003eTechnical Specification\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCompact DSP controlled monitor speaker\u003c\/li\u003e\n\u003cli\u003e4x 6.5\" woofer,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x5\" midrange,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1\" waveguided tweeter, all individually driven\u003c\/li\u003e\n\u003cli\u003eAmplification: 6 x 250W full-custom Ncore\u003c\/li\u003e\n\u003cli\u003eActive Wave Focusing crossover filter\u003c\/li\u003e\n\u003cli\u003eFrequency response:\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e- 25 kHz\u003c\/li\u003e\n\u003cli\u003eBass extension -3dB@30Hz, -6dB@20Hz.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eResponse flatness +\/- 0.5dB (1\/12th octave)\u003c\/li\u003e\n\u003cli\u003ePhase response: minimum (best possible time coherence).\u003c\/li\u003e\n\u003cli\u003eLong term SPL(*): 105dB\u003c\/li\u003e\n\u003cli\u003eShort term SPL(*): 110dBPeak\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSPL: 115dB\u003c\/li\u003e\n\u003cli\u003eControlled Directivity: 4.8dB (80Hz - 1kHz, slowly rising thereafter)\u003c\/li\u003e\n\u003cli\u003eSize: 20x40x40cm, 8\"x16\"x16\" (WxHxD)\u003c\/li\u003e\n\u003cli\u003eWeight: 19 KG\u003c\/li\u003e\n\u003cli\u003eInputs: Analogue, AES\/EBU\u003c\/li\u003e\n\u003cli\u003eSPDIF, TOSLink, USB on Kii Control.\u003c\/li\u003e\n\u003cli\u003eSelectable correction for free-standing, near wall or in corner\u003c\/li\u003e\n\u003cli\u003e(*)IEC60268-5 Paragraph 20.6\u003c\/li\u003e\n\u003cli\u003e\"Specifications are subject to change without notice\"\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":645238718510,"title":"AKG K271 MKII","handle":"akg-k271-mkii","description":"\u003cstrong\u003eAKG K271 MKII\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUniversal genius\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe K271 MKIIs are professional over-ear headphones for studio and live use. They combine the comfort of an over-the-ear design and the benefits of closed-back technology for best possible sound reproduction. The sealed design ensures low signal bleeding into microphones in the studio and maximum isolation for live mixing applications. The K271 MKIIs feature a switch in the headband that mutes the audio just as soon as the headphones are taken off. They provide a professional mini XLR connector for quick replacement of the cable. 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They combine the comfort of an over-the-ear design and the benefits of closed-back technology for best possible sound reproduction. The sealed design ensures low signal bleeding into microphones in the studio and maximum isolation for live mixing applications. The K271 MKIIs feature a switch in the headband that mutes the audio just as soon as the headphones are taken off. They provide a professional mini XLR connector for quick replacement of the cable. The package includes a 3m (10ft) straight and 5m (16ft) coiled cable.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGeneral Specifications\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eHeadphone type closed-back\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eMax. 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{"id":635074510894,"title":"Bettermaker Mastering Equalizer","handle":"bettermaker-mastering-equalizer","description":"\u003cp\u003eBettermaker Mastering Equalizer\u003c\/p\u003e\n\u003cp\u003eADVANCED ANALOG MASTERING EQUALIZER\u003c\/p\u003e\n\u003cp\u003e– 100% analog audio signal path\u003c\/p\u003e\n\u003cp\u003e– USB connectivity with MAC\/PC\u003c\/p\u003e\n\u003cp\u003e– all parameters are digitally controlled via touchscreen and\/or DAW (with dedicated plugin)\u003c\/p\u003e\n\u003cp\u003e– 399 presets, total recall, A\/B comparison\u003c\/p\u003e\n\u003cp\u003e– 5-inch capacitive touchscreen with back-light and multi-touch functionality, four encoders with\u003c\/p\u003e\n\u003cp\u003epush-button action for ease of control\u003c\/p\u003e\n\u003cp\u003e– stereo, dual-mono and mid\/side operation modes with solo function\u003c\/p\u003e\n\u003cp\u003e– stereo 12 or 24dB\/oct high-pass filter with adjustable cutoff frequency (15Hz – 150 hz)\u003c\/p\u003e\n\u003cp\u003eand resonance\u003c\/p\u003e\n\u003cp\u003e– four stereo parametric filters with 15dB boost\/cut range, variable Q (0.2 – 3):\u003c\/p\u003e\n\u003cp\u003e– EQ1: 23Hz – 400Hz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– EQ2: 80Hz – 2kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ3: 400Hz – 10kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ4: 1kHz – 23kHz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– stereo passive equalizer with extended hi-boost section (23 and 28 kHz) and separate frequencies\u003c\/p\u003e\n\u003cp\u003efor low-boost and low-cut sections\u003c\/p\u003e\n\u003cp\u003e– stereo 12dB\/oct low-pass filter with adjustable cutoff frequency\u003c\/p\u003e\n\u003cp\u003e– adjustable output level (+\/- 12dB)\u003c\/p\u003e\n\u003cp\u003e– Gain Lock and Auto-Q functions\u003c\/p\u003e\n\u003cp\u003e– on-board measurement of PEAK\/RMS levels and RTA analyzer\u003c\/p\u003e\n\u003cp\u003e– on-screen live representation of the EQ curve\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnical specification:\u003c\/p\u003e\n\u003cp\u003e– balanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– balanced stereo output (XLR), 23dBu max output level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– Operating Level: +4dBu\u003c\/p\u003e\n\u003cp\u003e– Input impedance (differential): 48kΩ (for balanced signal)\u003c\/p\u003e\n\u003cp\u003e– Output Impedance: 50Ω + 50Ω (electronically balanced)\u003c\/p\u003e\n\u003cp\u003e– Frequency response 5Hz to 30kHz; +\/- 0.1dB\u003c\/p\u003e\n\u003cp\u003e– Dynamic range: 115 dB @ +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– THD+N: CMRR: max 80 dB @ 3 kHz, min 55 dB @ 50Hz, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– Crosstalk: min -90 dB @ 1KHz, max -55 dB @ 30Hz, +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– 2U enclosure, 230mm deep\u003c\/p\u003e\n\u003cp\u003e– 115\/230V switch\u003c\/p\u003e\n\u003cp\u003e– advanced linear power supply with toroidal AC mains transformer\u003c\/p\u003e\n\u003cp\u003e– Maximum power consumption: 30W\u003c\/p\u003e\n\u003cp\u003e– Shipping weight: 5.5 kg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-04-17T13:51:32+02:00","created_at":"2018-04-17T13:39:54+02:00","vendor":"Bettermaker","type":"Mastering","tags":["Bettermaker","Mastering","Shop by brand_Bettermaker","Shop by category_Mastering","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":366600,"price_min":366600,"price_max":366600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7599421587502,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bettermaker Mastering Equalizer","public_title":null,"options":["Default Title"],"price":366600,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0690.jpg?v=1523965210","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0692.jpg?v=1523965251","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A06955.jpg?v=1523965267","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0695.jpg?v=1523965296"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0690.jpg?v=1523965210","options":["Title"],"content":"\u003cp\u003eBettermaker Mastering Equalizer\u003c\/p\u003e\n\u003cp\u003eADVANCED ANALOG MASTERING EQUALIZER\u003c\/p\u003e\n\u003cp\u003e– 100% analog audio signal path\u003c\/p\u003e\n\u003cp\u003e– USB connectivity with MAC\/PC\u003c\/p\u003e\n\u003cp\u003e– all parameters are digitally controlled via touchscreen and\/or DAW (with dedicated plugin)\u003c\/p\u003e\n\u003cp\u003e– 399 presets, total recall, A\/B comparison\u003c\/p\u003e\n\u003cp\u003e– 5-inch capacitive touchscreen with back-light and multi-touch functionality, four encoders with\u003c\/p\u003e\n\u003cp\u003epush-button action for ease of control\u003c\/p\u003e\n\u003cp\u003e– stereo, dual-mono and mid\/side operation modes with solo function\u003c\/p\u003e\n\u003cp\u003e– stereo 12 or 24dB\/oct high-pass filter with adjustable cutoff frequency (15Hz – 150 hz)\u003c\/p\u003e\n\u003cp\u003eand resonance\u003c\/p\u003e\n\u003cp\u003e– four stereo parametric filters with 15dB boost\/cut range, variable Q (0.2 – 3):\u003c\/p\u003e\n\u003cp\u003e– EQ1: 23Hz – 400Hz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– EQ2: 80Hz – 2kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ3: 400Hz – 10kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ4: 1kHz – 23kHz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– stereo passive equalizer with extended hi-boost section (23 and 28 kHz) and separate frequencies\u003c\/p\u003e\n\u003cp\u003efor low-boost and low-cut sections\u003c\/p\u003e\n\u003cp\u003e– stereo 12dB\/oct low-pass filter with adjustable cutoff frequency\u003c\/p\u003e\n\u003cp\u003e– adjustable output level (+\/- 12dB)\u003c\/p\u003e\n\u003cp\u003e– Gain Lock and Auto-Q functions\u003c\/p\u003e\n\u003cp\u003e– on-board measurement of PEAK\/RMS levels and RTA analyzer\u003c\/p\u003e\n\u003cp\u003e– on-screen live representation of the EQ curve\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnical specification:\u003c\/p\u003e\n\u003cp\u003e– balanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 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{"id":534154575918,"title":"Ultimate Acoustics UA-AS1 Acoustic Adhesive Spray","handle":"ultimate-acoustics-ua-as1-acoustic-adhesive-spray","description":"UA-AS1\u003cbr\u003e\u003cbr\u003eUA-AS1 Acoustic Adhesive Spray\u003cbr\u003eUltimate Adhesive Spray is designed to work on urethane foam, fabrics, metals, supported vinyls, wood, paper and leather. Its unique web spray pattern offers the user a low soak for a better soft pliable bond. Ultimate Adehsive Spray has a fan spray tip for controlled placement of the adhesive.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eUltimate Acoustics Adhesive Spray Features\u003cbr\u003e ✓ Ideal solution for mounting Ultimate Acoustics products\u003cbr\u003e ✓ Web spray nozzle for low soak, textured application\u003cbr\u003e ✓ Works on urethane foam, fabrics, metals, supported vinyls, wood, paper and leather\u003cbr\u003e\u003cbr\u003eSpecs\u003cbr\u003e\u003cbr\u003e ✓ Part Name: UA-AS1\u003cbr\u003e ✓ Part Number: 17818\u003cbr\u003e ✓ Size: 12\" x 12\" x 2\"\u003cbr\u003e ✓ Net Wt. 13 OZ. (369 g)\u003cbr\u003e ✓ Web Spray Nozzle","published_at":"2018-03-12T12:51:29+02:00","created_at":"2018-03-12T13:07:16+02:00","vendor":"Ultimate Acoustics By Ultimate Support","type":"Acoustic Treatment Accessories","tags":["Acoustic Treatment","Acoustic Treatment Accessories","Price Range_Under $25","Shop by brand_Ultimate Acoustics By Ultimate Support","Shop by category_Acoustic Treatment","Shop by category_Acoustic Treatment Accessories","Shop by category_Studio \u0026 Recording","Shop by category_Studio Furniture \u0026 Acoustic Treatment","Studio \u0026 Recording","Ultimate Acoustics By Ultimate Support"],"price":2399,"price_min":2399,"price_max":2399,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7112114798638,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UA-AS1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ultimate Acoustics UA-AS1 Acoustic Adhesive Spray","public_title":null,"options":["Default Title"],"price":2399,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"784887178181"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ua-as1_01_lg.jpg?v=1520852973","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ua-as1_03_lg.jpg?v=1520852973","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ua-as1_02_lg.jpg?v=1520852973"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ua-as1_01_lg.jpg?v=1520852973","options":["Title"],"content":"UA-AS1\u003cbr\u003e\u003cbr\u003eUA-AS1 Acoustic Adhesive Spray\u003cbr\u003eUltimate Adhesive Spray is designed to work on urethane foam, fabrics, metals, supported vinyls, wood, paper and leather. Its unique web spray pattern offers the user a low soak for a better soft pliable bond. Ultimate Adehsive Spray has a fan spray tip for controlled placement of the adhesive.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eUltimate Acoustics Adhesive Spray Features\u003cbr\u003e ✓ Ideal solution for mounting Ultimate Acoustics products\u003cbr\u003e ✓ Web spray nozzle for low soak, textured application\u003cbr\u003e ✓ Works on urethane foam, fabrics, metals, supported vinyls, wood, paper and leather\u003cbr\u003e\u003cbr\u003eSpecs\u003cbr\u003e\u003cbr\u003e ✓ Part Name: UA-AS1\u003cbr\u003e ✓ Part Number: 17818\u003cbr\u003e ✓ Size: 12\" x 12\" x 2\"\u003cbr\u003e ✓ Net Wt. 13 OZ. (369 g)\u003cbr\u003e ✓ Web Spray Nozzle"}

{"id":534106636334,"title":"Ultimate Acoustics UA-WPB-12 Bevel Wall Panel (pair)","handle":"ultimate-acoustics-ua-wpb-12-bevel-wall-panel-pair","description":"UA-WPB-12\u003cbr\u003e\u003cbr\u003eUA-WPB-12 Bevel-Style Absorption Panel Professional Studio Foam\u003cbr\u003eThe UA-WPB-12 professional Absorption Panel is the perfect blend of form and function for acoustically treating small, medium or large spaces. The beveled edges give an elegant, custom-designed look to any décor, while the solid foam base provides maximum absorption in the smallest possible space. Higher frequencies are fully attenuated for critical placement around the mix position, or the “front” of your space. Finally, Ultimate Acoustic’s free Room Analysis App helps you plan and execute the ideal deployment for your space and application.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eUltimate Acoustics UA-WPB-12 Specs:\u003cbr\u003e ✓ Part Name: UA-WPB-12\u003cbr\u003e ✓ Part Number: 17611Size: 12\" x 12\" x 2\"\u003cbr\u003e ✓ Type: Wall Panel\u003cbr\u003e ✓ QTY: 2\u003cbr\u003e ✓ Design Style: Bevel\u003cbr\u003e ✓ Color: Charcoal\u003cbr\u003e ✓ Adhesive squares included","published_at":"2018-03-12T11:55:30+02:00","created_at":"2018-03-12T12:11:24+02:00","vendor":"Ultimate Acoustics By Ultimate Support","type":"Absorption Panel","tags":["Acoustic Treatment","Acoustic Treatment: Absorption","Price Range_Under $25","Shop by brand_Ultimate Acoustics By Ultimate Support","Shop by category_Acoustic Treatment","Shop by category_Acoustic Treatment: Absorption","Shop by category_Studio \u0026 Recording","Shop by category_Studio Furniture \u0026 Acoustic Treatment","Studio \u0026 Recording","Studio Furniture \u0026 Acoustic Treatment","Ultimate Acoustics By Ultimate Support"],"price":1799,"price_min":1799,"price_max":1799,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7111850721326,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"UA-WPB-12","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ultimate Acoustics UA-WPB-12 Bevel Wall Panel (pair)","public_title":null,"options":["Default Title"],"price":1799,"weight":0,"compare_at_price":null,"inventory_quantity":-3,"inventory_management":null,"inventory_policy":"deny","barcode":"784887176118 "}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ua-wpb-12_02_lg.jpg?v=1520849530","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ua-wpb-12_03_lg.jpg?v=1520849550","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ua-wpb-12_04_lg.jpg?v=1520849568","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ua-wpb-12.jpg?v=1520849597"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/ua-wpb-12_02_lg.jpg?v=1520849530","options":["Title"],"content":"UA-WPB-12\u003cbr\u003e\u003cbr\u003eUA-WPB-12 Bevel-Style Absorption Panel Professional Studio Foam\u003cbr\u003eThe UA-WPB-12 professional Absorption Panel is the perfect blend of form and function for acoustically treating small, medium or large spaces. The beveled edges give an elegant, custom-designed look to any décor, while the solid foam base provides maximum absorption in the smallest possible space. Higher frequencies are fully attenuated for critical placement around the mix position, or the “front” of your space. Finally, Ultimate Acoustic’s free Room Analysis App helps you plan and execute the ideal deployment for your space and application.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eUltimate Acoustics UA-WPB-12 Specs:\u003cbr\u003e ✓ Part Name: UA-WPB-12\u003cbr\u003e ✓ Part Number: 17611Size: 12\" x 12\" x 2\"\u003cbr\u003e ✓ Type: Wall Panel\u003cbr\u003e ✓ QTY: 2\u003cbr\u003e ✓ Design Style: Bevel\u003cbr\u003e ✓ Color: Charcoal\u003cbr\u003e ✓ Adhesive squares included"}

{"id":168210268186,"title":"Antelope Discrete 8","handle":"antelope-audio-discrete-8","description":"Discrete 8\u003cbr\u003eConsole-grade discrete microphone preamp interface\u003cbr\u003e\u003cbr\u003eALL-STAR TECHNOLOGY \u0026amp; PERFORMANCE\u003cbr\u003eAntelope Audio’s Discrete 8 Microphone Preamp Interface brings a new level of sound quality and power to home studios and mobile recordists. It comes with 8 console grade 6-transistor discrete preamps, 121 db dynamic range conversion and rock solid clocking. Discrete 8 features all of the Antelope Audio premier real-time FPGA FX, including authentic models of iconic gear from BAE, Lang, Gyraf Audio and many more.\u003cbr\u003eThe Antelope AFX platform is a rapidly expanding hardware modeling engine. Discrete 8 includes Accusonic 3D microphone and preamp models, guitar amps, transformer and tube FX, and a huge selection of classic vintage gear, which are now accessible in the DAW via the new ConnectAFX Plugin.\u003cbr\u003e\u003cbr\u003eDiscrete 8's features:\u003cbr\u003e\u003cbr\u003e8 DISCRETE MIC PREAMPS\u003cbr\u003eConsole-grade Class A mic pres with discrete transistor design and precise digital gain controls.\u003cbr\u003e\u003cbr\u003eMIC PREAMP MODELING\u003cbr\u003eTurn the expensive sounding Discrete 8 mic pres into classic units via Tube, Transformer and FET based circuitry in real-time\u003cbr\u003e\u003cbr\u003eREAL-TIME FPGA FX\u003cbr\u003ePremier real-time FX including BAE, Grove Hill, Gyraf Audio and Lang classics to use in the Easy Panel or in a DAW\u003cbr\u003e\u003cbr\u003eROCK-SOLID CLOCKING\u003cbr\u003eDiscrete 8 features Antelope’s 4th Generation 64-bit Acoustically Focused Clocking (AFC) technology\u003cbr\u003e\u003cbr\u003eEXPERT MONITORING\u003cbr\u003eCreate up to 4 custom monitoring mixes with FPGA FX included and send them to Headphone or Monitor outs; Talkback feature also included\u003cbr\u003e\u003cbr\u003eREMOTE CONTROL\u003cbr\u003eControl all Discrete 8 features via its intuitive Easy Panel or download the free iOS and Android mobile apps\u003cbr\u003e\u003cbr\u003eCUSTOMIZABLE SONIC EXCELLENCE\u003cbr\u003eConsole-grade and fully Discrete Preamps\u003cbr\u003eoffer world-class sound.\u003cbr\u003eDiscrete 8 was developed after an extensive research of legendary microphone preamp circuitry. The Antelope Audio FPGA engine can transform these already expensive sounding Accusonic preamps into a plethora of classic units real-time. The microphone source can be recorded with and without Accusonic modeling. This allows the engineer to choose between preamp models during mixing.\u003cbr\u003e\u003cbr\u003eENJOY THE SOUND OF LEGENDARY FX GEAR IN YOUR DAW\u003cbr\u003eDiscrete 8 features all of Antelope Audio's premier real-time FPGA FX\u003cbr\u003eIncluding authentic models of iconic gear from BAE, Lang, Gyraf Audio and many more.\u003cbr\u003eThe Antelope AFX platform is a rapidly expanding hardware modeling engine. Discrete 8 includes Accusonic 3D microphone and preamp models, guitar amps, transformer and tube FX, and a huge selection of classic vintage gear, which are now accessible in the DAW via the new ConnectAFX Plugin.\u003cbr\u003eThe Antelope Audio real-time FPGA platform is now extended to a complete professional studio experience – Microphones, Preamps, Conversion, Compressors, EQs, and Reverb. Use them within the Discrete 8 EasyPanel or in your preferred DAW via the new ConnectAFX Plugin. Perform and record either with FX or process in post-production. The Discrete 8 ReAmp outputs will allow you to use any outboard gear and route the resulting sound back in your DAW of choice.\u003cbr\u003e\u003cbr\u003eGiving you complete control\u003cbr\u003eTransform Edge \u0026amp; Verge\u003cbr\u003einto vintage replicas\u003cbr\u003eInside the Discrete 8 FPGA Accusonic 3D modeling engine you can transform both Edge and Verge into vintage replicas giving you complete control over proximity effect, off-axis response and even allow you to change polar patterns during or after recording. Choose from a collection of classic and expensive microphones and track the results as you monitor live, bringing out a musician’s best possible performance.\u003cbr\u003e\u003cbr\u003eANTELOPE-STYLE CLOCKING\u003cbr\u003eProprietary clocking\u003cbr\u003e\u0026amp; secret jitter management technologies\u003cbr\u003eDiscrete 8 is designed as a professional clocking solution in its own right. It features Antelope’s 4th Generation 64-bit Acoustically Focused Clocking (AFC) technology from highly acclaimed clock units like Trinity, OCX HD, LiveClock and Pure2. Discrete 8 comes with a Word Clock (WC) Input that can de-jitter and distribute an external clock signal. Three WC outputs allow you to distribute clock to your other digital gear and mic preamps in your setup connected via ADAT and S\/PDIF. Discrete 8 will make sure all your gear is perfectly synced.\u003cbr\u003e\u003cbr\u003eEXPERT LEVEL MONITORING\u003cbr\u003eMaintain multiple mixes and exchange presets\u003cbr\u003eMonitoring and Talkback sections in Discrete 8 are easy to set. Up to 4 individual monitoring mixes can be sent to Headphones or Monitor Outputs with or without FPGA FX. Custom headphone mixes might be tailored for each performer. Vintage EQ, Compression and guitar amps allow the artists to hear a sound as close to the final product as possible.\u003cbr\u003eDiscrete 8 can save and load AFX presets and exchange settings with the entire Antelope line of FPGA equipped pro audio interfaces. Share your own FX settings with other Antelope users or see how the pros are setting up their sessions.\u003cbr\u003e\u003cbr\u003eADVANCED REMOTE CONTROL\u003cbr\u003eControl Discrete 8 with the EasyPanel\u003cbr\u003eor free iOS and Android mobile apps\u003cbr\u003eThe Discrete 8 downloadable remote App allows you to adjust all microphone input levels, Talkback levels, as well as Monitoring and Headphone volumes. Musicians can now control their own headphone volume through their phones. The engineer can check input levels from the tracking room. The device can be accessed from different computers connected to the same network.\u003cbr\u003e\u003cbr\u003eDiscrete 8's specs:\u003cbr\u003e\u003cbr\u003eANALOG\u003cbr\u003e\u003cbr\u003eAnalog Inputs\u003cbr\u003e6 x Mic \/ Line Inputs\u003cbr\u003e2 x Mic \/ Line \/ Hi-Z Inputs\u003cbr\u003e\u003cbr\u003eAnalog Outputs\u003cbr\u003e1 x Monitor Out on TRS 1\/4 Jacks, +20 dBu max\u003cbr\u003e1 x ReAmp Out on TRS 1\/4 Jacks\u003cbr\u003e1 x Line Outs on DB25, +20 dBu max\u003cbr\u003e2 x Stereo Headphone Outputs\u003cbr\u003e\u003cbr\u003eMic Preamp\u003cbr\u003eEIN: -128 dBu (A-weighted)\u003cbr\u003eDynamic Range: -121 dB (A-weighted)\u003cbr\u003eTHD: -106 dB\u003cbr\u003eMax input: +18 dBu\u003cbr\u003eGain Range: 65 dB\u003cbr\u003e\u003cbr\u003eD\/A Monitor Converter\u003cbr\u003eDynamic Range: 124 dB\u003cbr\u003eTHD + N: -101 dB\u003cbr\u003e\u003cbr\u003eA\/D Converter\u003cbr\u003eDynamic Range: 121 dB\u003cbr\u003eTHD + N: -112 dB\u003cbr\u003e\u003cbr\u003eD\/A Converters(Line Out)\u003cbr\u003eDynamic Range: 121dB\u003cbr\u003eTHD + N: – 100dB\u003cbr\u003e\u003cbr\u003eDIGITAL\u003cbr\u003e\u003cbr\u003eDigital Inputs\u003cbr\u003e2 x ADAT (up to 16CH)\u003cbr\u003e1 x S\/PDIF\u003cbr\u003e\u003cbr\u003eDigital Outputs\u003cbr\u003e2 x ADAT (up to 16CH)\u003cbr\u003e1 x S\/PDIF\u003cbr\u003e\u003cbr\u003eUSB I\/O\u003cbr\u003eUSB 2.0 Hi-Speed;\u003cbr\u003eData stream up to 480 Mbits\/192kHz, 24 channels I\/O, Type B\u003cbr\u003e\u003cbr\u003eThunderbolt™ I\/O\u003cbr\u003e1 x Thunderbolt, 32 channels I\/O\u003cbr\u003e\u003cbr\u003eCLOCKING\u003cbr\u003e\u003cbr\u003eWord Clock Input\u003cbr\u003e1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz\u003cbr\u003e\u003cbr\u003eWord Clock Outputs\u003cbr\u003e3 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz\u003cbr\u003e\u003cbr\u003eClocking System\u003cbr\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e64-bit DDS\u003cbr\u003e\u003cbr\u003eSample Rates (kHz)\u003cbr\u003e32, 44.1, 48, 88.2, 96, 176.4, 192\u003cbr\u003e\u003cbr\u003eOther\u003cbr\u003e\u003cbr\u003eOperating Temperature\u003cbr\u003e0-50°C, 32-122°F\u003cbr\u003e\u003cbr\u003eWeight (Approx)\u003cbr\u003e3.0 kg\/ 6.61 lbs\u003cbr\u003e\u003cbr\u003eDimensions (Approx)\u003cbr\u003eWidth: 483 mm \/ 19”\u003cbr\u003eHeight: 44 mm \/ 1.7”\u003cbr\u003eDepth: 220 mm \/8.6”\u003cbr\u003e\u003cbr\u003ePower Consumption\u003cbr\u003e20 Watts\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","published_at":"2017-10-21T14:02:13+02:00","created_at":"2017-10-21T14:11:07+02:00","vendor":"Antelope Audio","type":"Audio Interfaces","tags":["Antelope Audio","Audio Interfaces","Price Range_$1500 to $2000","Price Range_$300 to $500","Shop by brand_Antelope Audio","Shop by category_Audio Interfaces","Shop by category_USB Audio Interfaces","Studio \u0026 Recording","USB Audio Interfaces"],"price":48800,"price_min":48800,"price_max":195500,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":2557447045146,"title":"Discrete 8 and Basic FX Pack","option1":"Discrete 8 and Basic FX Pack","option2":null,"option3":null,"sku":"Discrete8","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antelope Discrete 8 - Discrete 8 and Basic FX Pack","public_title":"Discrete 8 and Basic FX Pack","options":["Discrete 8 and Basic FX Pack"],"price":155500,"weight":2990,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":3341456834586,"title":"Discrete 8 and Premium FX Pack","option1":"Discrete 8 and Premium FX Pack","option2":null,"option3":null,"sku":"Discrete8AFX","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antelope Discrete 8 - Discrete 8 and Premium FX Pack","public_title":"Discrete 8 and Premium FX Pack","options":["Discrete 8 and Premium FX Pack"],"price":195500,"weight":2990,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":7048374091822,"title":"Premium Upgrade Pack for Discrete 8","option1":"Premium Upgrade Pack for Discrete 8","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Antelope Discrete 8 - Premium Upgrade Pack for Discrete 8","public_title":"Premium Upgrade Pack for Discrete 8","options":["Premium Upgrade Pack for Discrete 8"],"price":48800,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/antelope-discrete-8_94597_1.jpg?v=1520247229","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_886fc476-c00c-4b06-85fe-ab4d1f005b02.png?v=1520247229"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/antelope-discrete-8_94597_1.jpg?v=1520247229","options":["Model"],"content":"Discrete 8\u003cbr\u003eConsole-grade discrete microphone preamp interface\u003cbr\u003e\u003cbr\u003eALL-STAR TECHNOLOGY \u0026amp; PERFORMANCE\u003cbr\u003eAntelope Audio’s Discrete 8 Microphone Preamp Interface brings a new level of sound quality and power to home studios and mobile recordists. It comes with 8 console grade 6-transistor discrete preamps, 121 db dynamic range conversion and rock solid clocking. Discrete 8 features all of the Antelope Audio premier real-time FPGA FX, including authentic models of iconic gear from BAE, Lang, Gyraf Audio and many more.\u003cbr\u003eThe Antelope AFX platform is a rapidly expanding hardware modeling engine. Discrete 8 includes Accusonic 3D microphone and preamp models, guitar amps, transformer and tube FX, and a huge selection of classic vintage gear, which are now accessible in the DAW via the new ConnectAFX Plugin.\u003cbr\u003e\u003cbr\u003eDiscrete 8's features:\u003cbr\u003e\u003cbr\u003e8 DISCRETE MIC PREAMPS\u003cbr\u003eConsole-grade Class A mic pres with discrete transistor design and precise digital gain controls.\u003cbr\u003e\u003cbr\u003eMIC PREAMP MODELING\u003cbr\u003eTurn the expensive sounding Discrete 8 mic pres into classic units via Tube, Transformer and FET based circuitry in real-time\u003cbr\u003e\u003cbr\u003eREAL-TIME FPGA FX\u003cbr\u003ePremier real-time FX including BAE, Grove Hill, Gyraf Audio and Lang classics to use in the Easy Panel or in a DAW\u003cbr\u003e\u003cbr\u003eROCK-SOLID CLOCKING\u003cbr\u003eDiscrete 8 features Antelope’s 4th Generation 64-bit Acoustically Focused Clocking (AFC) technology\u003cbr\u003e\u003cbr\u003eEXPERT MONITORING\u003cbr\u003eCreate up to 4 custom monitoring mixes with FPGA FX included and send them to Headphone or Monitor outs; Talkback feature also included\u003cbr\u003e\u003cbr\u003eREMOTE CONTROL\u003cbr\u003eControl all Discrete 8 features via its intuitive Easy Panel or download the free iOS and Android mobile apps\u003cbr\u003e\u003cbr\u003eCUSTOMIZABLE SONIC EXCELLENCE\u003cbr\u003eConsole-grade and fully Discrete Preamps\u003cbr\u003eoffer world-class sound.\u003cbr\u003eDiscrete 8 was developed after an extensive research of legendary microphone preamp circuitry. The Antelope Audio FPGA engine can transform these already expensive sounding Accusonic preamps into a plethora of classic units real-time. The microphone source can be recorded with and without Accusonic modeling. This allows the engineer to choose between preamp models during mixing.\u003cbr\u003e\u003cbr\u003eENJOY THE SOUND OF LEGENDARY FX GEAR IN YOUR DAW\u003cbr\u003eDiscrete 8 features all of Antelope Audio's premier real-time FPGA FX\u003cbr\u003eIncluding authentic models of iconic gear from BAE, Lang, Gyraf Audio and many more.\u003cbr\u003eThe Antelope AFX platform is a rapidly expanding hardware modeling engine. Discrete 8 includes Accusonic 3D microphone and preamp models, guitar amps, transformer and tube FX, and a huge selection of classic vintage gear, which are now accessible in the DAW via the new ConnectAFX Plugin.\u003cbr\u003eThe Antelope Audio real-time FPGA platform is now extended to a complete professional studio experience – Microphones, Preamps, Conversion, Compressors, EQs, and Reverb. Use them within the Discrete 8 EasyPanel or in your preferred DAW via the new ConnectAFX Plugin. Perform and record either with FX or process in post-production. The Discrete 8 ReAmp outputs will allow you to use any outboard gear and route the resulting sound back in your DAW of choice.\u003cbr\u003e\u003cbr\u003eGiving you complete control\u003cbr\u003eTransform Edge \u0026amp; Verge\u003cbr\u003einto vintage replicas\u003cbr\u003eInside the Discrete 8 FPGA Accusonic 3D modeling engine you can transform both Edge and Verge into vintage replicas giving you complete control over proximity effect, off-axis response and even allow you to change polar patterns during or after recording. Choose from a collection of classic and expensive microphones and track the results as you monitor live, bringing out a musician’s best possible performance.\u003cbr\u003e\u003cbr\u003eANTELOPE-STYLE CLOCKING\u003cbr\u003eProprietary clocking\u003cbr\u003e\u0026amp; secret jitter management technologies\u003cbr\u003eDiscrete 8 is designed as a professional clocking solution in its own right. It features Antelope’s 4th Generation 64-bit Acoustically Focused Clocking (AFC) technology from highly acclaimed clock units like Trinity, OCX HD, LiveClock and Pure2. Discrete 8 comes with a Word Clock (WC) Input that can de-jitter and distribute an external clock signal. Three WC outputs allow you to distribute clock to your other digital gear and mic preamps in your setup connected via ADAT and S\/PDIF. Discrete 8 will make sure all your gear is perfectly synced.\u003cbr\u003e\u003cbr\u003eEXPERT LEVEL MONITORING\u003cbr\u003eMaintain multiple mixes and exchange presets\u003cbr\u003eMonitoring and Talkback sections in Discrete 8 are easy to set. Up to 4 individual monitoring mixes can be sent to Headphones or Monitor Outputs with or without FPGA FX. Custom headphone mixes might be tailored for each performer. Vintage EQ, Compression and guitar amps allow the artists to hear a sound as close to the final product as possible.\u003cbr\u003eDiscrete 8 can save and load AFX presets and exchange settings with the entire Antelope line of FPGA equipped pro audio interfaces. Share your own FX settings with other Antelope users or see how the pros are setting up their sessions.\u003cbr\u003e\u003cbr\u003eADVANCED REMOTE CONTROL\u003cbr\u003eControl Discrete 8 with the EasyPanel\u003cbr\u003eor free iOS and Android mobile apps\u003cbr\u003eThe Discrete 8 downloadable remote App allows you to adjust all microphone input levels, Talkback levels, as well as Monitoring and Headphone volumes. Musicians can now control their own headphone volume through their phones. The engineer can check input levels from the tracking room. The device can be accessed from different computers connected to the same network.\u003cbr\u003e\u003cbr\u003eDiscrete 8's specs:\u003cbr\u003e\u003cbr\u003eANALOG\u003cbr\u003e\u003cbr\u003eAnalog Inputs\u003cbr\u003e6 x Mic \/ Line Inputs\u003cbr\u003e2 x Mic \/ Line \/ Hi-Z Inputs\u003cbr\u003e\u003cbr\u003eAnalog Outputs\u003cbr\u003e1 x Monitor Out on TRS 1\/4 Jacks, +20 dBu max\u003cbr\u003e1 x ReAmp Out on TRS 1\/4 Jacks\u003cbr\u003e1 x Line Outs on DB25, +20 dBu max\u003cbr\u003e2 x Stereo Headphone Outputs\u003cbr\u003e\u003cbr\u003eMic Preamp\u003cbr\u003eEIN: -128 dBu (A-weighted)\u003cbr\u003eDynamic Range: -121 dB (A-weighted)\u003cbr\u003eTHD: -106 dB\u003cbr\u003eMax input: +18 dBu\u003cbr\u003eGain Range: 65 dB\u003cbr\u003e\u003cbr\u003eD\/A Monitor Converter\u003cbr\u003eDynamic Range: 124 dB\u003cbr\u003eTHD + N: -101 dB\u003cbr\u003e\u003cbr\u003eA\/D Converter\u003cbr\u003eDynamic Range: 121 dB\u003cbr\u003eTHD + N: -112 dB\u003cbr\u003e\u003cbr\u003eD\/A Converters(Line Out)\u003cbr\u003eDynamic Range: 121dB\u003cbr\u003eTHD + N: – 100dB\u003cbr\u003e\u003cbr\u003eDIGITAL\u003cbr\u003e\u003cbr\u003eDigital Inputs\u003cbr\u003e2 x ADAT (up to 16CH)\u003cbr\u003e1 x S\/PDIF\u003cbr\u003e\u003cbr\u003eDigital Outputs\u003cbr\u003e2 x ADAT (up to 16CH)\u003cbr\u003e1 x S\/PDIF\u003cbr\u003e\u003cbr\u003eUSB I\/O\u003cbr\u003eUSB 2.0 Hi-Speed;\u003cbr\u003eData stream up to 480 Mbits\/192kHz, 24 channels I\/O, Type B\u003cbr\u003e\u003cbr\u003eThunderbolt™ I\/O\u003cbr\u003e1 x Thunderbolt, 32 channels I\/O\u003cbr\u003e\u003cbr\u003eCLOCKING\u003cbr\u003e\u003cbr\u003eWord Clock Input\u003cbr\u003e1 x Input @ 75 Ohms 3Vpp on BNC 32 – 192kHz\u003cbr\u003e\u003cbr\u003eWord Clock Outputs\u003cbr\u003e3 x Outputs @ 75 Ohms 3Vpp on BNC 32 – 192kHz\u003cbr\u003e\u003cbr\u003eClocking System\u003cbr\u003e4th Generation Acoustically Focused Clocking\u003cbr\u003e64-bit DDS\u003cbr\u003e\u003cbr\u003eSample Rates (kHz)\u003cbr\u003e32, 44.1, 48, 88.2, 96, 176.4, 192\u003cbr\u003e\u003cbr\u003eOther\u003cbr\u003e\u003cbr\u003eOperating Temperature\u003cbr\u003e0-50°C, 32-122°F\u003cbr\u003e\u003cbr\u003eWeight (Approx)\u003cbr\u003e3.0 kg\/ 6.61 lbs\u003cbr\u003e\u003cbr\u003eDimensions (Approx)\u003cbr\u003eWidth: 483 mm \/ 19”\u003cbr\u003eHeight: 44 mm \/ 1.7”\u003cbr\u003eDepth: 220 mm \/8.6”\u003cbr\u003e\u003cbr\u003ePower Consumption\u003cbr\u003e20 Watts\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e"}

{"id":9858638477,"title":"PSI Audio AVAA C20 (Active Bass Trap)","handle":"psi-audio-5","description":"\u003ch1 itemprop=\"name\" class=\"product_title entry-title\"\u003eAVAA C20 (Active Bass Trap) \u003c\/h1\u003e\n\u003ch3\u003eAVAA (Active Velocity Acoustic Absorber) works like an active bass trap and is the solution for room mode problems between 15 – 120 Hz.\u003c\/h3\u003e\n\u003cp\u003e“My review in Stereophile has been published in the June issue! I wish I had had more pages to describe the virtues of the AVAA. It’s amazing the precision, beauty, tightness and control of the bass in my mastering room, thanks to PSI Audio.” – Bob Katz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eKey points:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe AVAA absorbs room modes between 15 and 150 Hz\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 AVAAs will make a significant difference in normal sized studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4 AVAAs will allow to achieve even better results in large studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdequate AVAA positioning is easily achieved after a few trials\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNo setting are required only ON\/OFF\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA do?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe AVAA is a solution for room mode problems. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is designed to absorb the standing modes between 15 and 150 Hz in a room. It will do so just like passive absorbers but in a much more efficient way and using up much less space. Each operating AVAA will have the same effect as a hole in the wall much larger than the dimensions of the AVAA (that is 0.2 m\u003csup\u003e2\u003c\/sup\u003e). The exact ratio will depend on the frequency and environment but typically range between 5 and 20.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will affect the impedance of the air and “suck” low frequencies around it.\u003c\/p\u003e\n\u003cp\u003eTherefore the best position to place an AVAA is in the most rigid corners as that is where all room modes will be most present.\u003c\/p\u003e\n\u003cp\u003eIt is important to work on the positioning of loudspeakers and listening, as the AVAA will have little effect on inevitable first reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow does it work?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA microphone will measure the acoustic pressure in front of an acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eThe acoustic resistance is designed to let air through but reducing significantly the pressure.\u003c\/p\u003e\n\u003cp\u003eBehind the acoustic resistance, a transducer membrane is driven to absorb the volume of air going through the acoustic resistance as well as ensuring a specific acoustic impedance in front of this acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eWhen in function, this acoustic impedance in front of the acoustic resistance is significantly lower than in ambient air and therefore acts as a pressure sink.\u003c\/p\u003e\n\u003cp\u003eThe acoustic impedance of the air is affected typically over a radius of 1 to 1.5 m around the AVAA. This explains how the AVAA can be more absorbent that its actual surface of perfect absorber.\u003c\/p\u003e\n\u003cp\u003eIt is designed to absorb frequencies between15 and 150 Hz and is most effective on room modes that are the result of multiple reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA not do?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is a solution for room modes below 150 Hz and absorbs low frequencies only. It is therefore not a total solution for acoustically bad rooms. For best results, it needs to be combined with passive absorption in higher frequencies.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will only absorb pressure waves within a radius of 1 to 1.5 m around it in these frequencies. It is therefore not a solution for the first reflections a room might have. Correct positioning of speakers and listening position in the room remains necessary.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat effect will the AVAA have in my room?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA will have the same effect, on frequencies from 15 to 150 Hz, as opening a window about 5 to 20 times the size of the AVAA. This will impact sound in the time, frequency and space dimensions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cu\u003eTime:\u003c\/u\u003e it will significantly reduce reverberation time in these frequencies especially on room modes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eFrequency:\u003c\/u\u003e with more precise and tighter bass, the masking effect of higher frequencies is reduced. Details in higher frequencies also become clearer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eSpace:\u003c\/u\u003e with less indirect sound in the room, the location of the sound is more accurate making the sound image more precise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow many AVAAs do I need?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e2 AVAA will have a significant effect in most rooms.\u003c\/p\u003e\n\u003cp\u003eDepending on the dimension and type of room as well as the result required, between 2 and 4 AVAAs are necessary for most normal size rooms (20 and 80 m\u003csup\u003e2\u003c\/sup\u003e)\u003c\/p\u003e\n\u003cp\u003eFor very small rooms a minimum of two AVAAs is still recommended to have a symmetrical effect.\u003c\/p\u003e\n\u003cp\u003eFor larger rooms please consult an acoustician or PSI Audio directly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhere to place the AVAAs in a room?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most effective position for the AVAA is in a location where the walls contribute most to the room modes that are disturbing in the listening position. In practice it is very easy to position the AVAA effectively after a few comparative trials.\u003c\/p\u003e\n\u003cp\u003eThe starting position is in corners behind the source speakers as this is the most effective position in a majority of cases. However, depending on the structure of the room boundaries and listening position, other AVAA locations might turn out to be more effective. Try positioning them in different corner or against walls and evaluate effectiveness.\u003c\/p\u003e\n\u003cp\u003eIn practice it is quick and easy finding the best location by following the basic rules:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAVAAs positioned in corners are more effective\u003c\/li\u003e\n\u003cli\u003eAVAAs located against rigid walls are more effective\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBear in mind that the AVAA is designed to absorb long wavelengths and therefore there is little very little to gain by positioning the AVAA with great precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003ePositioning the AVAAs based on measurements:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA more technical 2 step process can also be used to identify the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 – Identify the disturbing room modes: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAssuming the loudspeakers and listening position have been set, measure the frequency decay time in the listening position.\u003c\/p\u003e\n\u003cp\u003eNote that the most disturbing room modes are the ones with the longest extinction time and not necessarily the peaks and nulls that are the result of inevitable first reflections. You may typically identify 3 to 6 modes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 – Identify the highest pressure zones for each problematic room mode:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlay a sinus wave at the frequency of each disturbing room mode.\u003c\/p\u003e\n\u003cp\u003eFor each of these frequencies, walk around the walls of the room and note down the highest-pressure areas. You can do this with a sound level meter or listening with a single ear.\u003c\/p\u003e\n\u003cp\u003eAs a result you should have a map of your room highlighting the wall areas most contributing to each disturbing room mode. This will clearly show the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat are the advantages of the AVAA?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIt is an efficient solution for room mode problems\u003c\/li\u003e\n\u003cli\u003eIt is stable with no settings required\u003c\/li\u003e\n\u003cli\u003eIt can be turned ON and OFF to alter the acoustic environment\u003c\/li\u003e\n\u003cli\u003eIt can easily be moved into a different room\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eProduct Data\u003c\/h2\u003e\n\u003ctable style=\"width: 535.533px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eBox Material\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003eMDF\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eNet Weight\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e13 Kg\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eVoltage\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e115\/230V±10%(50-60Hz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eMean \/ Max Humidity\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e\u0026lt; 75% \/ \u0026lt; 90%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eExternal Temperature\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e5 - 40 °C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-05-03T15:05:40+02:00","created_at":"2017-05-03T15:06:14+02:00","vendor":"PSI Audio","type":"Studio Monitors","tags":["Absorption Panels \u0026 Fills","Acoustic Treatment","Active Bass Trap","Active Monitors","Bass Trap","Price Range_$2000 to $3000","Pro Audio","PSI Audio","PSI AUDIO AVAA","Shop by brand_PSI Audio","Shop by category_Acoustic Treatment"],"price":227900,"price_min":227900,"price_max":227900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36850751245,"title":"Graphite Black","option1":"Graphite Black","option2":null,"option3":null,"sku":"ZPAVC20-B","requires_shipping":true,"taxable":true,"featured_image":{"id":23971022925,"product_id":9858638477,"position":1,"created_at":"2017-05-03T15:11:30+02:00","updated_at":"2017-05-03T15:11:30+02:00","alt":null,"width":906,"height":1000,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-78331.jpg?v=1493817090","variant_ids":[36850751245]},"available":true,"name":"PSI Audio AVAA C20 (Active Bass Trap) - Graphite Black","public_title":"Graphite Black","options":["Graphite Black"],"price":227900,"weight":0,"compare_at_price":null,"inventory_quantity":-5,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":435437862938,"title":"Arctic White","option1":"Arctic White","option2":null,"option3":null,"sku":"ZPAVC20-W","requires_shipping":true,"taxable":true,"featured_image":{"id":2109185196078,"product_id":9858638477,"position":4,"created_at":"2018-03-13T15:33:44+02:00","updated_at":"2018-03-13T15:33:44+02:00","alt":null,"width":2560,"height":1440,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AVAA-white2560a.jpg?v=1520948024","variant_ids":[435437862938]},"available":true,"name":"PSI Audio AVAA C20 (Active Bass Trap) - Arctic White","public_title":"Arctic White","options":["Arctic White"],"price":227900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-78331.jpg?v=1493817090","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-7845.jpg?v=1493817118","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AVAAgraphe_v2.jpg?v=1493817147","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AVAA-white2560a.jpg?v=1520948024"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/PSI-Audio-AVAA-78331.jpg?v=1493817090","options":["Color"],"content":"\u003ch1 itemprop=\"name\" class=\"product_title entry-title\"\u003eAVAA C20 (Active Bass Trap) \u003c\/h1\u003e\n\u003ch3\u003eAVAA (Active Velocity Acoustic Absorber) works like an active bass trap and is the solution for room mode problems between 15 – 120 Hz.\u003c\/h3\u003e\n\u003cp\u003e“My review in Stereophile has been published in the June issue! I wish I had had more pages to describe the virtues of the AVAA. It’s amazing the precision, beauty, tightness and control of the bass in my mastering room, thanks to PSI Audio.” – Bob Katz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eKey points:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eThe AVAA absorbs room modes between 15 and 150 Hz\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e2 AVAAs will make a significant difference in normal sized studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003e4 AVAAs will allow to achieve even better results in large studios\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eAdequate AVAA positioning is easily achieved after a few trials\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eNo setting are required only ON\/OFF\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA do?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe AVAA is a solution for room mode problems. \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is designed to absorb the standing modes between 15 and 150 Hz in a room. It will do so just like passive absorbers but in a much more efficient way and using up much less space. Each operating AVAA will have the same effect as a hole in the wall much larger than the dimensions of the AVAA (that is 0.2 m\u003csup\u003e2\u003c\/sup\u003e). The exact ratio will depend on the frequency and environment but typically range between 5 and 20.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will affect the impedance of the air and “suck” low frequencies around it.\u003c\/p\u003e\n\u003cp\u003eTherefore the best position to place an AVAA is in the most rigid corners as that is where all room modes will be most present.\u003c\/p\u003e\n\u003cp\u003eIt is important to work on the positioning of loudspeakers and listening, as the AVAA will have little effect on inevitable first reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow does it work?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA microphone will measure the acoustic pressure in front of an acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eThe acoustic resistance is designed to let air through but reducing significantly the pressure.\u003c\/p\u003e\n\u003cp\u003eBehind the acoustic resistance, a transducer membrane is driven to absorb the volume of air going through the acoustic resistance as well as ensuring a specific acoustic impedance in front of this acoustic resistance.\u003c\/p\u003e\n\u003cp\u003eWhen in function, this acoustic impedance in front of the acoustic resistance is significantly lower than in ambient air and therefore acts as a pressure sink.\u003c\/p\u003e\n\u003cp\u003eThe acoustic impedance of the air is affected typically over a radius of 1 to 1.5 m around the AVAA. This explains how the AVAA can be more absorbent that its actual surface of perfect absorber.\u003c\/p\u003e\n\u003cp\u003eIt is designed to absorb frequencies between15 and 150 Hz and is most effective on room modes that are the result of multiple reflections.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat does the AVAA not do?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA is a solution for room modes below 150 Hz and absorbs low frequencies only. It is therefore not a total solution for acoustically bad rooms. For best results, it needs to be combined with passive absorption in higher frequencies.\u003c\/p\u003e\n\u003cp\u003eThe AVAA will only absorb pressure waves within a radius of 1 to 1.5 m around it in these frequencies. It is therefore not a solution for the first reflections a room might have. Correct positioning of speakers and listening position in the room remains necessary.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat effect will the AVAA have in my room?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AVAA will have the same effect, on frequencies from 15 to 150 Hz, as opening a window about 5 to 20 times the size of the AVAA. This will impact sound in the time, frequency and space dimensions.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cu\u003eTime:\u003c\/u\u003e it will significantly reduce reverberation time in these frequencies especially on room modes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eFrequency:\u003c\/u\u003e with more precise and tighter bass, the masking effect of higher frequencies is reduced. Details in higher frequencies also become clearer.\u003c\/li\u003e\n\u003cli\u003e\n\u003cu\u003eSpace:\u003c\/u\u003e with less indirect sound in the room, the location of the sound is more accurate making the sound image more precise.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eHow many AVAAs do I need?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e \u003c\/strong\u003e2 AVAA will have a significant effect in most rooms.\u003c\/p\u003e\n\u003cp\u003eDepending on the dimension and type of room as well as the result required, between 2 and 4 AVAAs are necessary for most normal size rooms (20 and 80 m\u003csup\u003e2\u003c\/sup\u003e)\u003c\/p\u003e\n\u003cp\u003eFor very small rooms a minimum of two AVAAs is still recommended to have a symmetrical effect.\u003c\/p\u003e\n\u003cp\u003eFor larger rooms please consult an acoustician or PSI Audio directly.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhere to place the AVAAs in a room?\u003c\/u\u003e\u003c\/strong\u003e\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe most effective position for the AVAA is in a location where the walls contribute most to the room modes that are disturbing in the listening position. In practice it is very easy to position the AVAA effectively after a few comparative trials.\u003c\/p\u003e\n\u003cp\u003eThe starting position is in corners behind the source speakers as this is the most effective position in a majority of cases. However, depending on the structure of the room boundaries and listening position, other AVAA locations might turn out to be more effective. Try positioning them in different corner or against walls and evaluate effectiveness.\u003c\/p\u003e\n\u003cp\u003eIn practice it is quick and easy finding the best location by following the basic rules:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAVAAs positioned in corners are more effective\u003c\/li\u003e\n\u003cli\u003eAVAAs located against rigid walls are more effective\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBear in mind that the AVAA is designed to absorb long wavelengths and therefore there is little very little to gain by positioning the AVAA with great precision.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003ePositioning the AVAAs based on measurements:\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA more technical 2 step process can also be used to identify the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1 – Identify the disturbing room modes: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAssuming the loudspeakers and listening position have been set, measure the frequency decay time in the listening position.\u003c\/p\u003e\n\u003cp\u003eNote that the most disturbing room modes are the ones with the longest extinction time and not necessarily the peaks and nulls that are the result of inevitable first reflections. You may typically identify 3 to 6 modes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2 – Identify the highest pressure zones for each problematic room mode:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePlay a sinus wave at the frequency of each disturbing room mode.\u003c\/p\u003e\n\u003cp\u003eFor each of these frequencies, walk around the walls of the room and note down the highest-pressure areas. You can do this with a sound level meter or listening with a single ear.\u003c\/p\u003e\n\u003cp\u003eAs a result you should have a map of your room highlighting the wall areas most contributing to each disturbing room mode. This will clearly show the best location for the AVAAs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cu\u003eWhat are the advantages of the AVAA?\u003c\/u\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIt is an efficient solution for room mode problems\u003c\/li\u003e\n\u003cli\u003eIt is stable with no settings required\u003c\/li\u003e\n\u003cli\u003eIt can be turned ON and OFF to alter the acoustic environment\u003c\/li\u003e\n\u003cli\u003eIt can easily be moved into a different room\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eProduct Data\u003c\/h2\u003e\n\u003ctable style=\"width: 535.533px;\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eBox Material\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003eMDF\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eNet Weight\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e13 Kg\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eVoltage\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e115\/230V±10%(50-60Hz)\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eMean \/ Max Humidity\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e\u0026lt; 75% \/ \u0026lt; 90%\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd style=\"width: 265px;\"\u003e\n\u003cp\u003eExternal Temperature\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd style=\"width: 253.533px;\"\u003e\n\u003cp\u003e5 - 40 °C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":8593474189,"title":"Focal ALPHA 65 (Single)","handle":"alpha-65-220-240-eu-version","description":"\u003cp\u003e\u003cstrong\u003eAlpha 65\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eACTIVE 2-WAY NEAR FIELD PROFESSIONAL MONITORING LOUDSPEAKER\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Alpha 65 performs just as well with instrumental music as with electronic music, and is characterised by its great versatility.\u003cbr\u003e\u003cbr\u003eThis model is composed of a 6.5” (16.5cm) woofer\/ midrange speaker with a Polyglass cone loaded in a large laminar port associated to a 70W amplifier and of a 1\" (25mm) aluminum inverted dome tweeter (35W amplifier). Alpha 65 has a frequency response of 40Hz to 22kHz (+\/- 3dB).\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14.000000pt; font-family: 'ConduitITC'; font-weight: bold;\"\u003eTechnical specifications \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eType\u003cbr\u003eMonitoring Alpha 65\u003cbr\u003eFrequency response (+\/- 3dB)\u003cbr\u003e40Hz - 22kHz\u003cbr\u003ePower\u003cbr\u003e105W (70W+35W)\u003cbr\u003eMaximum SPL\u003cbr\u003e106dB SPL (pic @ 1m)\u003cbr\u003eElectronic section\u003cbr\u003eInputs Connectors\u003cbr\u003eXLR balanced 10kOhms\u003cbr\u003eRCA unbalanced 10kOhms with sensitivity compensation\u003cbr\u003eLF amplifier stage\u003cbr\u003e70W, class AB\u003cbr\u003eHF amplifier stage\u003cbr\u003e35W, class AB\u003cbr\u003eStandby mode Standby\u003cbr\u003eActivation of the monitor\u003cbr\u003eAfter about 30 minutes without using the monitor By signal detection \u0026gt;3 mV\u003cbr\u003ePower supply\u003cbr\u003e(The voltage can not be modified)\u003cbr\u003e220-240V\u003cbr\u003e(fuse T800mAL\/250V) or 100-120V\u003cbr\u003e(fuse T1.6AL\/250V)\u003cbr\u003eConnection\u003cbr\u003eIEC inlet and detachable power cord\u003cbr\u003eUser controls\u003cbr\u003eSensitivity\u003cbr\u003eAdjustable, 0 or +6dB\u003cbr\u003eLF shelving (0 - 300Hz)\u003cbr\u003eAdjustable, +\/-6dB\u003cbr\u003eHF shelving (4.5 - 22kHz)\u003cbr\u003eAdjustable, +\/-3dB\u003cbr\u003ePower ON\/OFF\u003cbr\u003eSwitch on rear panel\u003cbr\u003eStandby mode power consumption\u003cbr\u003e\u0026lt; 0,5W\u003cbr\u003eIndicators\u003cbr\u003ePower ON\/OFF LED - Standby LED\u003cbr\u003eTransducers\u003cbr\u003eWoofer\u003cbr\u003e6.5\" (16.5cm) drive unit - Polyglass cone\u003cbr\u003eTweeter\u003cbr\u003e1\" (25mm) drive unit Aluminium inverted dome\u003cbr\u003eCabinet\u003cbr\u003eConstruction\u003cbr\u003e0.6\" (15mm) MDF\u003cbr\u003eFinish\u003cbr\u003eVinyl and Black painting\u003cbr\u003eDimensions\u003cbr\u003ewith 4 rubber pads (HxWxD)\u003cbr\u003e13.7x9.9x12.2\" (348 x 252 x 309mm)\u003cbr\u003eWeight\u003cbr\u003e20.7lb (9.4kg)\u003c\/p\u003e","published_at":"2016-12-12T22:15:00+02:00","created_at":"2016-12-12T22:17:08+02:00","vendor":"Focal","type":"Studio Monitors","tags":["Active Monitors","Focal","Price Range_$300 to $500","Shop by brand_Focal","Shop by category_Active Monitors","Shop by category_Studio Monitors","Studio \u0026 Recording","Studio Monitors"],"price":25700,"price_min":25700,"price_max":25700,"available":true,"price_varies":false,"compare_at_price":39900,"compare_at_price_min":39900,"compare_at_price_max":39900,"compare_at_price_varies":false,"variants":[{"id":29405438221,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"PALPAL6501","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Focal ALPHA 65 (Single)","public_title":null,"options":["Default Title"],"price":25700,"weight":12220,"compare_at_price":39900,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":"3544056710027"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/alpha-65_bfb1c1b9-ba67-4dbc-bead-bc21f7f79890.jpg?v=1500495268","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/alpha-65_46c1e819-d48c-4be1-b910-a16d7461a792.jpg?v=1500495268","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/alpha-65_8a6b5b4a-d5ac-439c-9748-e9f522d6e4d6.jpg?v=1500495268"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/alpha-65_bfb1c1b9-ba67-4dbc-bead-bc21f7f79890.jpg?v=1500495268","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eAlpha 65\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eACTIVE 2-WAY NEAR FIELD PROFESSIONAL MONITORING LOUDSPEAKER\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Alpha 65 performs just as well with instrumental music as with electronic music, and is characterised by its great versatility.\u003cbr\u003e\u003cbr\u003eThis model is composed of a 6.5” (16.5cm) woofer\/ midrange speaker with a Polyglass cone loaded in a large laminar port associated to a 70W amplifier and of a 1\" (25mm) aluminum inverted dome tweeter (35W amplifier). Alpha 65 has a frequency response of 40Hz to 22kHz (+\/- 3dB).\u003c\/p\u003e\n\u003cdiv class=\"page\" title=\"Page 2\"\u003e\n\u003cdiv class=\"layoutArea\"\u003e\n\u003cdiv class=\"column\"\u003e\n\u003cp\u003e\u003cspan style=\"font-size: 14.000000pt; font-family: 'ConduitITC'; font-weight: bold;\"\u003eTechnical specifications \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eType\u003cbr\u003eMonitoring Alpha 65\u003cbr\u003eFrequency response (+\/- 3dB)\u003cbr\u003e40Hz - 22kHz\u003cbr\u003ePower\u003cbr\u003e105W (70W+35W)\u003cbr\u003eMaximum SPL\u003cbr\u003e106dB SPL (pic @ 1m)\u003cbr\u003eElectronic section\u003cbr\u003eInputs Connectors\u003cbr\u003eXLR balanced 10kOhms\u003cbr\u003eRCA unbalanced 10kOhms with sensitivity compensation\u003cbr\u003eLF amplifier stage\u003cbr\u003e70W, class AB\u003cbr\u003eHF amplifier stage\u003cbr\u003e35W, class AB\u003cbr\u003eStandby mode Standby\u003cbr\u003eActivation of the monitor\u003cbr\u003eAfter about 30 minutes without using the monitor By signal detection \u0026gt;3 mV\u003cbr\u003ePower supply\u003cbr\u003e(The voltage can not be modified)\u003cbr\u003e220-240V\u003cbr\u003e(fuse T800mAL\/250V) or 100-120V\u003cbr\u003e(fuse T1.6AL\/250V)\u003cbr\u003eConnection\u003cbr\u003eIEC inlet and detachable power cord\u003cbr\u003eUser controls\u003cbr\u003eSensitivity\u003cbr\u003eAdjustable, 0 or +6dB\u003cbr\u003eLF shelving (0 - 300Hz)\u003cbr\u003eAdjustable, +\/-6dB\u003cbr\u003eHF shelving (4.5 - 22kHz)\u003cbr\u003eAdjustable, +\/-3dB\u003cbr\u003ePower ON\/OFF\u003cbr\u003eSwitch on rear panel\u003cbr\u003eStandby mode power consumption\u003cbr\u003e\u0026lt; 0,5W\u003cbr\u003eIndicators\u003cbr\u003ePower ON\/OFF LED - Standby LED\u003cbr\u003eTransducers\u003cbr\u003eWoofer\u003cbr\u003e6.5\" (16.5cm) drive unit - Polyglass cone\u003cbr\u003eTweeter\u003cbr\u003e1\" (25mm) drive unit Aluminium inverted dome\u003cbr\u003eCabinet\u003cbr\u003eConstruction\u003cbr\u003e0.6\" (15mm) MDF\u003cbr\u003eFinish\u003cbr\u003eVinyl and Black painting\u003cbr\u003eDimensions\u003cbr\u003ewith 4 rubber pads (HxWxD)\u003cbr\u003e13.7x9.9x12.2\" (348 x 252 x 309mm)\u003cbr\u003eWeight\u003cbr\u003e20.7lb (9.4kg)\u003c\/p\u003e"}

{"id":8258748929,"title":"PreSonus HP60","handle":"presonus-hp60","description":"The problem solver.\u003cbr\u003e\u003cbr\u003e“Turn my headphones up!” “More me, I can’t hear myself!” “Turn down that click!” If musicians can’t clearly hear what they want, their performance and attitude will suffer. With the PreSonus® HP60 headphone distribution system, you can easily resolve these problems and provide headphone mixes the musicians will love. That’s because the HP60 is more than a half-dozen headphone amps; it’s a field-tested, easy-to-use solution to a host of common headphone-monitoring issues.\u003cbr\u003e\u003cbr\u003eThey’ll love your headphone mixes.\u003cbr\u003e\u003cbr\u003eEach of the HP60’s six headphone amps has its own level control and is loud enough to drive the alligators out of the Louisiana swamps. And the HP60 lets you customize each mix. In addition to the two pairs of main stereo inputs, you get an external stereo input with level control, mono, and mute for each headphone channel. So you can send each musician a feed of just their instrument or voice and can control the level separately for each.\u003cbr\u003e\u003cbr\u003eControlled click.\u003cbr\u003e\u003cbr\u003eThe HP60 features two sets of line-level, stereo inputs that are routed to all six headphones and a Mix control that sets relative levels for each headphone output. So you can feed the main control-room mix to channel A, feed the click signal to channel B, and use the Mix controls to individually raise or lower the click relative to the main mix for each musician.\u003cbr\u003e\u003cbr\u003eTake command.\u003cbr\u003e\u003cbr\u003eWith the HP60, when you talk, everyone listens. Hit the Talk button and use the talkback-mic input and your favorite dynamic mic to tell ‘em what to do. You can even use a footswitch to control the talkback hands-free. Need more than six headphones? Connect two HP60s for a 12-headphone system or connect the HP60 to a Presonus HP4 to feed 10 pairs of headphones.\u003cbr\u003e\u003cbr\u003eSo take command of your headphone system with the problem solver: the PreSonus HP60. Hear it now at your PreSonus dealer.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e6 screaming-loud (150 mW\/channel) headphone outputs (front panel)\u003cbr\u003e6 unbalanced stereo ¼” line outputs (1 per channel); carries a copy of the channel mix\u003cbr\u003e6 unbalanced stereo ¼” external analog line inputs (1 per channel) for “more me,” with trim controls\u003cbr\u003e4 balanced ¼” analog line inputs (L\/R Mix input pairs A and B)\u003cbr\u003e1 balanced XLR Talkback input for external dynamic microphone\u003cbr\u003e1 ¼” footswitch jack for hands-free Talkback operation\u003cbr\u003eMeters, Controls, and Features\u003cbr\u003e2 stereo input channels (A and B)\u003cbr\u003eChannel controls\u003cbr\u003eExternal input level\u003cbr\u003eHeadphone level control for each headphone output\u003cbr\u003eMix A\/B control (blends signals from input pairs A and B)\u003cbr\u003eMono switch for external input\u003cbr\u003eMute switch (mutes input pairs A and B)\u003cbr\u003eMaster controls\u003cbr\u003eInput A level\u003cbr\u003eInput B level\u003cbr\u003eTalk button (momentary switch)\u003cbr\u003eTalkback-mic level\u003cbr\u003ePhysical\u003cbr\u003e1U 19” rack-mountable, rugged steel chassis\u003cbr\u003eInternal power supply with standard IEC connector\u003cbr\u003e Technical SpecificationsInputs\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e• Inputs A and B Connector Type (2 ea.) ¼” TRS balanced\u003cbr\u003e• External Input Connector Type ¼” TRS stereo unbalanced\u003cbr\u003e• Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eHeadphone Outputs\u003cbr\u003e• Connector type: ¼” TRS stereo unbalanced\u003cbr\u003e• Max Output Power 150 mW\/Ch.\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load\u003cbr\u003e• Headphone Impedance Working Range 32Ω - 600Ω\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e• Internal supply, standard IEC connector 115 or 230 VAC\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Dimensions 1\/3U rack-mount (with standard rack tray, not included)\u003cbr\u003e• Height 1.75” (44.45 mm)\u003cbr\u003e• Depth 5.5” (139.7 mm)\u003cbr\u003e• Width 19” (482.6 mm)\u003cbr\u003e• Weight 8.0 lbs. (3.63 kg)","published_at":"2016-10-16T13:41:00+02:00","created_at":"2016-10-16T13:43:38+02:00","vendor":"PreSonus","type":"Monitoring and Controllers","tags":["Headphone Amps and Distribution","PreSonus","Price Range_$200 to $300","Shop by brand_PreSonus","Shop by category_Headphone Amps and Distribution","Studio \u0026 Recording","Studio Monitors"],"price":28900,"price_min":28900,"price_max":28900,"available":true,"price_varies":false,"compare_at_price":39480,"compare_at_price_min":39480,"compare_at_price_max":39480,"compare_at_price_varies":false,"variants":[{"id":27642025793,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"HP60","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus HP60","public_title":null,"options":["Default Title"],"price":28900,"weight":3629,"compare_at_price":39480,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/hp60_a_copy_big_77ef4b8b-a6f7-436f-a58a-7b7147d08322.jpg?v=1501066477","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_5d059f2a-4fb4-487a-b43d-7401a50a3237.png?v=1501066488","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/hp60_back_copy_big_a7193813-e07e-48b4-a634-03a63a289be8.jpg?v=1501066477","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/HP60-03_3d36316e-7c61-4a0e-9fdc-85ed99ff163b.jpg?v=1501066477"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/hp60_a_copy_big_77ef4b8b-a6f7-436f-a58a-7b7147d08322.jpg?v=1501066477","options":["Title"],"content":"The problem solver.\u003cbr\u003e\u003cbr\u003e“Turn my headphones up!” “More me, I can’t hear myself!” “Turn down that click!” If musicians can’t clearly hear what they want, their performance and attitude will suffer. With the PreSonus® HP60 headphone distribution system, you can easily resolve these problems and provide headphone mixes the musicians will love. That’s because the HP60 is more than a half-dozen headphone amps; it’s a field-tested, easy-to-use solution to a host of common headphone-monitoring issues.\u003cbr\u003e\u003cbr\u003eThey’ll love your headphone mixes.\u003cbr\u003e\u003cbr\u003eEach of the HP60’s six headphone amps has its own level control and is loud enough to drive the alligators out of the Louisiana swamps. And the HP60 lets you customize each mix. In addition to the two pairs of main stereo inputs, you get an external stereo input with level control, mono, and mute for each headphone channel. So you can send each musician a feed of just their instrument or voice and can control the level separately for each.\u003cbr\u003e\u003cbr\u003eControlled click.\u003cbr\u003e\u003cbr\u003eThe HP60 features two sets of line-level, stereo inputs that are routed to all six headphones and a Mix control that sets relative levels for each headphone output. So you can feed the main control-room mix to channel A, feed the click signal to channel B, and use the Mix controls to individually raise or lower the click relative to the main mix for each musician.\u003cbr\u003e\u003cbr\u003eTake command.\u003cbr\u003e\u003cbr\u003eWith the HP60, when you talk, everyone listens. Hit the Talk button and use the talkback-mic input and your favorite dynamic mic to tell ‘em what to do. You can even use a footswitch to control the talkback hands-free. Need more than six headphones? Connect two HP60s for a 12-headphone system or connect the HP60 to a Presonus HP4 to feed 10 pairs of headphones.\u003cbr\u003e\u003cbr\u003eSo take command of your headphone system with the problem solver: the PreSonus HP60. Hear it now at your PreSonus dealer.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e6 screaming-loud (150 mW\/channel) headphone outputs (front panel)\u003cbr\u003e6 unbalanced stereo ¼” line outputs (1 per channel); carries a copy of the channel mix\u003cbr\u003e6 unbalanced stereo ¼” external analog line inputs (1 per channel) for “more me,” with trim controls\u003cbr\u003e4 balanced ¼” analog line inputs (L\/R Mix input pairs A and B)\u003cbr\u003e1 balanced XLR Talkback input for external dynamic microphone\u003cbr\u003e1 ¼” footswitch jack for hands-free Talkback operation\u003cbr\u003eMeters, Controls, and Features\u003cbr\u003e2 stereo input channels (A and B)\u003cbr\u003eChannel controls\u003cbr\u003eExternal input level\u003cbr\u003eHeadphone level control for each headphone output\u003cbr\u003eMix A\/B control (blends signals from input pairs A and B)\u003cbr\u003eMono switch for external input\u003cbr\u003eMute switch (mutes input pairs A and B)\u003cbr\u003eMaster controls\u003cbr\u003eInput A level\u003cbr\u003eInput B level\u003cbr\u003eTalk button (momentary switch)\u003cbr\u003eTalkback-mic level\u003cbr\u003ePhysical\u003cbr\u003e1U 19” rack-mountable, rugged steel chassis\u003cbr\u003eInternal power supply with standard IEC connector\u003cbr\u003e Technical SpecificationsInputs\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e• Inputs A and B Connector Type (2 ea.) ¼” TRS balanced\u003cbr\u003e• External Input Connector Type ¼” TRS stereo unbalanced\u003cbr\u003e• Input Impedance 10 kΩ\u003cbr\u003e\u003cbr\u003eHeadphone Outputs\u003cbr\u003e• Connector type: ¼” TRS stereo unbalanced\u003cbr\u003e• Max Output Power 150 mW\/Ch.\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load\u003cbr\u003e• Headphone Impedance Working Range 32Ω - 600Ω\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e• Internal supply, standard IEC connector 115 or 230 VAC\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Dimensions 1\/3U rack-mount (with standard rack tray, not included)\u003cbr\u003e• Height 1.75” (44.45 mm)\u003cbr\u003e• Depth 5.5” (139.7 mm)\u003cbr\u003e• Width 19” (482.6 mm)\u003cbr\u003e• Weight 8.0 lbs. (3.63 kg)"}

{"id":8258743489,"title":"PreSonus HP4","handle":"presonus-hp4","description":"Now hear this!\u003cbr\u003e\u003cbr\u003eAre you and your session players and bandmates tired of straining to hear underpowered headphones? We were too, so we created the HP4 headphone-distribution system. These headphone amps are louder than you’re ever likely to need for session and stage use, so be careful with that level control! Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear!\u003cbr\u003eSimple and versatile.\u003cbr\u003e\u003cbr\u003eSimplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs and sum the stereo signals to mono, adjust the individual headphone levels, and mute the rear-panel Monitor outputs while leaving the headphone outputs active. So while the HP4 is simple to set up and use, it has all the features you need to create a versatile headphone system.\u003cbr\u003eCompact and expandable.\u003cbr\u003e\u003cbr\u003eThe compact HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1\/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or the larger HP60 headphone amplifier. So quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your music.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e• 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel)\u003cbr\u003e• 2 balanced ¼” line outputs (monitor outputs)\u003cbr\u003e• 2 balanced ¼” line inputs\u003cbr\u003e\u003cbr\u003eMeters, Controls, and Features\u003cbr\u003e• Headphone level control for each channel\u003cbr\u003e• Mono summing switch for each channel\u003cbr\u003e• Monitor level control\u003cbr\u003e• Monitor mute switch\u003cbr\u003e• Daisy-chain multiple units via monitor outputs\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Compact 1\/3U rack-mount chassis\u003cbr\u003e• Sealed, detented, metal rotary controls\u003cbr\u003e• External 16 VAC power supply \u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e• Connector Type ¼” TRS, balanced\u003cbr\u003e• THD+N 0.0025%, 1 kHz, unity gain\u003cbr\u003e• Max Input Level +18 dBu, \u0026lt;0.5% THD+N, unity gain\u003cbr\u003e• Input Impedance 10 kΩ\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5dB\u003cbr\u003e\u003cbr\u003eMonitor Outputs\u003cbr\u003e• Connector Type ¼” TRS, asymmetrical, impedance-balanced\u003cbr\u003e• THD+N 0.0025%, 1 kHz, unity gain\u003cbr\u003e• Max Output Level +18 dBu, \u0026lt;0.5% THD+N\u003cbr\u003e• Output Impedance 51Ω\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5dB\u003cbr\u003e\u003cbr\u003eHeadphone Outputs\u003cbr\u003e• Connector Type ¼” TRS, stereo\u003cbr\u003e• Max Output Power 130 mW\/Ch., \u0026lt;0.5% THD+N, 60Ω load\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load\u003cbr\u003e• Headphone Impedance Working Range 32Ω - 600Ω\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e• External Adapter Type +12 VDC, 1000 mA, center pin positive\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Dimensions 1\/3U rack-mount (with standard rack tray, not included)\u003cbr\u003e• Height 1.75” (44.45 mm)\u003cbr\u003e• Depth 5.5\" (139.7 mm)\u003cbr\u003e• Width 5.5” (139.7 mm)\u003cbr\u003e• Weight 5 lbs (2.27 kg)","published_at":"2016-10-16T13:39:00+02:00","created_at":"2016-10-16T13:40:33+02:00","vendor":"PreSonus","type":"Monitoring and Controllers","tags":["Headphone Amps and Distribution","PreSonus","Price Range_$100 to $200","Shop by brand_PreSonus","Shop by category_Headphone Amps and Distribution","Studio \u0026 Recording","Studio Monitors"],"price":11100,"price_min":11100,"price_max":11100,"available":true,"price_varies":false,"compare_at_price":14280,"compare_at_price_min":14280,"compare_at_price_max":14280,"compare_at_price_varies":false,"variants":[{"id":27642005057,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"HP4","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus HP4","public_title":null,"options":["Default Title"],"price":11100,"weight":2268,"compare_at_price":14280,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/HP4-02_bca612a2-5e4f-49cd-a943-0ebff627a34f.png?v=1501065826","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_f0a4dd35-2be1-4df3-a7cd-dbff92a571ef.png?v=1501065838","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/HP4-03_27d8d3f1-f0e4-4d9f-a798-f8b9913e2eff.png?v=1501065826","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/HP4-large_135d2b5a-5ed2-4fe4-846b-86925ff55fc6.jpg?v=1501065826"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/HP4-02_bca612a2-5e4f-49cd-a943-0ebff627a34f.png?v=1501065826","options":["Title"],"content":"Now hear this!\u003cbr\u003e\u003cbr\u003eAre you and your session players and bandmates tired of straining to hear underpowered headphones? We were too, so we created the HP4 headphone-distribution system. These headphone amps are louder than you’re ever likely to need for session and stage use, so be careful with that level control! Yet the sound is clear and clean, with a wide dynamic range. At last, everybody will be able to hear!\u003cbr\u003eSimple and versatile.\u003cbr\u003e\u003cbr\u003eSimplicity is the HP4’s hallmark. You get left and right line inputs, left and right line outputs with level control, and the four headphone outs. You can globally mute the headphone outs and sum the stereo signals to mono, adjust the individual headphone levels, and mute the rear-panel Monitor outputs while leaving the headphone outputs active. So while the HP4 is simple to set up and use, it has all the features you need to create a versatile headphone system.\u003cbr\u003eCompact and expandable.\u003cbr\u003e\u003cbr\u003eThe compact HP4 can sit on a tabletop or can be screw-mounted to a standard rack tray (not included), where it requires just 1\/3 rackspace. And if your needs grow, you can use the line outputs to feed the inputs of a second HP4 or the larger HP60 headphone amplifier. So quit struggling with mediocre headphone amps. Get the HP4 and hear everything loud and clear. You owe it to your music.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e• 4 screaming-loud (150 mW per channel) stereo ¼” headphone outputs (front panel)\u003cbr\u003e• 2 balanced ¼” line outputs (monitor outputs)\u003cbr\u003e• 2 balanced ¼” line inputs\u003cbr\u003e\u003cbr\u003eMeters, Controls, and Features\u003cbr\u003e• Headphone level control for each channel\u003cbr\u003e• Mono summing switch for each channel\u003cbr\u003e• Monitor level control\u003cbr\u003e• Monitor mute switch\u003cbr\u003e• Daisy-chain multiple units via monitor outputs\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Compact 1\/3U rack-mount chassis\u003cbr\u003e• Sealed, detented, metal rotary controls\u003cbr\u003e• External 16 VAC power supply \u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eInputs\u003cbr\u003e• Connector Type ¼” TRS, balanced\u003cbr\u003e• THD+N 0.0025%, 1 kHz, unity gain\u003cbr\u003e• Max Input Level +18 dBu, \u0026lt;0.5% THD+N, unity gain\u003cbr\u003e• Input Impedance 10 kΩ\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5dB\u003cbr\u003e\u003cbr\u003eMonitor Outputs\u003cbr\u003e• Connector Type ¼” TRS, asymmetrical, impedance-balanced\u003cbr\u003e• THD+N 0.0025%, 1 kHz, unity gain\u003cbr\u003e• Max Output Level +18 dBu, \u0026lt;0.5% THD+N\u003cbr\u003e• Output Impedance 51Ω\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5dB\u003cbr\u003e\u003cbr\u003eHeadphone Outputs\u003cbr\u003e• Connector Type ¼” TRS, stereo\u003cbr\u003e• Max Output Power 130 mW\/Ch., \u0026lt;0.5% THD+N, 60Ω load\u003cbr\u003e• Frequency Response 20 Hz - 20 kHz, ±0.5 dB, 60Ω load\u003cbr\u003e• Headphone Impedance Working Range 32Ω - 600Ω\u003cbr\u003e\u003cbr\u003ePower\u003cbr\u003e• External Adapter Type +12 VDC, 1000 mA, center pin positive\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e• Dimensions 1\/3U rack-mount (with standard rack tray, not included)\u003cbr\u003e• Height 1.75” (44.45 mm)\u003cbr\u003e• Depth 5.5\" (139.7 mm)\u003cbr\u003e• Width 5.5” (139.7 mm)\u003cbr\u003e• Weight 5 lbs (2.27 kg)"}