AMS Neve 88RLB

{"id":8436046029,"title":"Rupert Neve Designs R6 Rack Ears","handle":"r6-rack-mount-kit","description":"\u003cbr\u003eR6 - Rupert Neve Designs 500 Series Rack\u003cbr\u003e\u003cbr\u003eWith abundant power and versatile connections, the R6 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks.\u003cbr\u003e\u003cbr\u003ePower You Can Trust\u003cbr\u003e\u003cbr\u003ePower-wise, the R6 has more than 150% the required current for a 6-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R6 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R6 helps your modules realize their fullest potential.\u003cbr\u003eConnect Like Never Before\u003cbr\u003e\u003cbr\u003eWith a plethora of connections available, the R6 backpanel is practically a patchbay on its own. The R6 features 8 channels of balanced I\/O options including DB-25, XLR and TRS that may be used interchangeably. This versatility is especially handy when you are taking the R6 with you to another environment where you are unsure of the cables available, or if you need to convert DB-25, XLR or TRS connections to another format using the THRU functionality on channels 7-8.\u003cbr\u003eSolid Steel Construction\u003cbr\u003e\u003cbr\u003eThe chassis is comprised of solid steel with bumpers to support the unit in both horizontal and vertical configurations, and features a collapsable handle for portability. All connectors and fittings are of the highest quality to ensure that the R6 will hold up to many years of use.\u003cbr\u003eA New Level of Confidence in the 500 Series\u003cbr\u003e\u003cbr\u003eBecause the R6 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R6 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, or 5-6. Matching blank panels are also available to cover any empty slots.\u003cbr\u003e\u003cbr\u003eIf you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R6 is the serious rack for the serious sound you want.\u003cbr\u003eOptional R6 Rack Kit\u003cbr\u003e\u003cbr\u003eTo mount the R6 into a standard 19\" rack frame, there is a rack kit available for R6 racks with serial numbers higher than 250 (shipped after June 2015). When the bottom feet are removed, the R6 takes up 3U of rack space.\u003cbr\u003e500 Series Blank Panel\u003cbr\u003e\u003cbr\u003eTo fill gaps in the R6, the 510: Blank Panel can be used to create a more seamless look.\u003cbr\u003e\u003cbr\u003e510-blank-plate\u003cbr\u003eMassive Connectivity\u003cbr\u003e\u003cbr\u003eInterchangeable XLR, TRS, and DB-25 I\/O connections are provided to ensure that you can connect wherever you go with the backpanel patchbay\u003cbr\u003eSerious Power\u003cbr\u003e\u003cbr\u003eEven with modules that overdraw the 500 series specification, the R6 has the reserve power to maintain the voltage\u003cbr\u003ePower Monitoring\u003cbr\u003e\u003cbr\u003eAn LED Meter monitors the R6 current usage to ensure that you never run short on power. This meter can also be useful for troubleshooting a module that is severely overdrawing its allotment\u003cbr\u003eChannel 7-8 Thru Conversion\u003cbr\u003e\u003cbr\u003eThe channel 7-8 thru connections can be used as a way to quickly and easily convert your signal from\/to DB-25, XLR, and TRS connectors\u003cbr\u003e48V Phantom Supply\u003cbr\u003e\u003cbr\u003eProvide rock-solid phantom power to your microphones with the R6’s robust 48V buss\u003cbr\u003e\"Built For The Road\" Frame\u003cbr\u003e\u003cbr\u003eA solid steel enclosure, two sets of rugged rubber feet for horizontal and vertical mounting and a collapsible handle make the R6 completely portable and ready for the road\u003cbr\u003eDC Voltage to Units\u003cbr\u003e\u003cbr\u003e+\/-16VDC and +48VDC for phantom power\u003cbr\u003eMax Current\u003cbr\u003e\u003cbr\u003e1000mA for modules, 150mA for 48V phantom power\u003cbr\u003ePower Requirements\u003cbr\u003e\u003cbr\u003e100-240VAC, 50\/60Hz, 50 Watts\u003cbr\u003eWeight\u003cbr\u003e\u003cbr\u003e9.5lbs\u003cbr\u003eDimensions\u003cbr\u003e\u003cbr\u003e13” long x 7.5”wide x 5.5” high","published_at":"2016-11-12T19:08:00+02:00","created_at":"2016-11-12T19:12:33+02:00","vendor":"Rupert Neve Designs","type":"500 Series","tags":["Channel Strips \u0026 Preamps","Preamp Accessories","Price Range_$50 to $100","Pro Audio","Recording","Rupert Neve Designs","Rupert Neve Designs 820-00086","Shop by brand_Rupert Neve Designs","Shop by category_500 Series","Shop by category_Channel Strips","Shop by category_Preamp Accessories","Shop by category_Preamps"],"price":8000,"price_min":8000,"price_max":8000,"available":true,"price_varies":false,"compare_at_price":8000,"compare_at_price_min":8000,"compare_at_price_max":8000,"compare_at_price_varies":false,"variants":[{"id":28462545805,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"R6 Rack Ears","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rupert Neve Designs R6 Rack Ears","public_title":null,"options":["Default Title"],"price":8000,"weight":0,"compare_at_price":8000,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"752423657339"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r6-rack-kit-1800x1260.jpg?v=1528074404","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r6-rack-ears-straight-1800x666.jpg?v=1528074404","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r6-rack-8-1024x553.jpg?v=1528074404","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r6-rack-10-1024x463.jpg?v=1528074404","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r6-rack--1024x602.jpg?v=1528074404","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r6-rack-5-1024x614.jpg?v=1528074404"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r6-rack-kit-1800x1260.jpg?v=1528074404","options":["Title"],"content":"\u003cbr\u003eR6 - Rupert Neve Designs 500 Series Rack\u003cbr\u003e\u003cbr\u003eWith abundant power and versatile connections, the R6 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks.\u003cbr\u003e\u003cbr\u003ePower You Can Trust\u003cbr\u003e\u003cbr\u003ePower-wise, the R6 has more than 150% the required current for a 6-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R6 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R6 helps your modules realize their fullest potential.\u003cbr\u003eConnect Like Never Before\u003cbr\u003e\u003cbr\u003eWith a plethora of connections available, the R6 backpanel is practically a patchbay on its own. The R6 features 8 channels of balanced I\/O options including DB-25, XLR and TRS that may be used interchangeably. This versatility is especially handy when you are taking the R6 with you to another environment where you are unsure of the cables available, or if you need to convert DB-25, XLR or TRS connections to another format using the THRU functionality on channels 7-8.\u003cbr\u003eSolid Steel Construction\u003cbr\u003e\u003cbr\u003eThe chassis is comprised of solid steel with bumpers to support the unit in both horizontal and vertical configurations, and features a collapsable handle for portability. All connectors and fittings are of the highest quality to ensure that the R6 will hold up to many years of use.\u003cbr\u003eA New Level of Confidence in the 500 Series\u003cbr\u003e\u003cbr\u003eBecause the R6 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R6 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, or 5-6. Matching blank panels are also available to cover any empty slots.\u003cbr\u003e\u003cbr\u003eIf you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R6 is the serious rack for the serious sound you want.\u003cbr\u003eOptional R6 Rack Kit\u003cbr\u003e\u003cbr\u003eTo mount the R6 into a standard 19\" rack frame, there is a rack kit available for R6 racks with serial numbers higher than 250 (shipped after June 2015). When the bottom feet are removed, the R6 takes up 3U of rack space.\u003cbr\u003e500 Series Blank Panel\u003cbr\u003e\u003cbr\u003eTo fill gaps in the R6, the 510: Blank Panel can be used to create a more seamless look.\u003cbr\u003e\u003cbr\u003e510-blank-plate\u003cbr\u003eMassive Connectivity\u003cbr\u003e\u003cbr\u003eInterchangeable XLR, TRS, and DB-25 I\/O connections are provided to ensure that you can connect wherever you go with the backpanel patchbay\u003cbr\u003eSerious Power\u003cbr\u003e\u003cbr\u003eEven with modules that overdraw the 500 series specification, the R6 has the reserve power to maintain the voltage\u003cbr\u003ePower Monitoring\u003cbr\u003e\u003cbr\u003eAn LED Meter monitors the R6 current usage to ensure that you never run short on power. This meter can also be useful for troubleshooting a module that is severely overdrawing its allotment\u003cbr\u003eChannel 7-8 Thru Conversion\u003cbr\u003e\u003cbr\u003eThe channel 7-8 thru connections can be used as a way to quickly and easily convert your signal from\/to DB-25, XLR, and TRS connectors\u003cbr\u003e48V Phantom Supply\u003cbr\u003e\u003cbr\u003eProvide rock-solid phantom power to your microphones with the R6’s robust 48V buss\u003cbr\u003e\"Built For The Road\" Frame\u003cbr\u003e\u003cbr\u003eA solid steel enclosure, two sets of rugged rubber feet for horizontal and vertical mounting and a collapsible handle make the R6 completely portable and ready for the road\u003cbr\u003eDC Voltage to Units\u003cbr\u003e\u003cbr\u003e+\/-16VDC and +48VDC for phantom power\u003cbr\u003eMax Current\u003cbr\u003e\u003cbr\u003e1000mA for modules, 150mA for 48V phantom power\u003cbr\u003ePower Requirements\u003cbr\u003e\u003cbr\u003e100-240VAC, 50\/60Hz, 50 Watts\u003cbr\u003eWeight\u003cbr\u003e\u003cbr\u003e9.5lbs\u003cbr\u003eDimensions\u003cbr\u003e\u003cbr\u003e13” long x 7.5”wide x 5.5” high"}

{"id":768030048302,"title":"Chandler Limited Germ 500 MkII Microphone Preamp","handle":"chandler-limited-germ-500-mkii-microphone-preamp","description":"\u003cp\u003eCHANDLER LIMITED\u003cbr\u003eGerm 500 MKII Pre Amp\u003cbr\u003e\u003cbr\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003cbr\u003e\u003cbr\u003eThe Germ 500 MKII is an updated version of our original Germ 500. This unit has an improved faceplate layout and nicer look. It uses classic germanium transistors in all Class A, transformer balanced circuits. The Germ 500 MKII is our well-known Germanium Preamp adapted for 500 series racks. We use the same transformers and amp blocks to assure the sound is consistent with our rack version. We've updated the power on the MKII so there no known power-up issues with current lunchboxes and rack systems.\u003cbr\u003e\u003cbr\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks: API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eTech Specs\u003c\/h2\u003e\n✓ GERM 500 MKII PRE AMP TECHNICAL SPECIFICATIONS\u003cbr\u003e ✓ FORMAT: 500 Series\u003cbr\u003e ✓ CHANNELS: Mono\u003cbr\u003e ✓ CIRCUIT: Class A, Discrete, Transistor\u003cbr\u003e ✓ GAIN: -5db to +65db\u003cbr\u003e ✓ CONNECTIONS\u003cbr\u003e ✓ I\/O: 500 Series Enclosure\u003cbr\u003e ✓ Mic Input: Transformer Balanced, Input Impedance: 300 Ohm\u003cbr\u003e ✓ DI: 1\/4\" Unbalanced, Input Impedance: 100k\u003cbr\u003e ✓ PHANTOM POWER: +48v","published_at":"2018-08-11T20:02:32+02:00","created_at":"2018-08-11T20:18:20+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["500 Series","500 Series Preamps","Chandler Limited","Chandler Limited Germ 500 MkII Microphone Preamp","Price Range_$750 to $1000","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_500 Series Preamps","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":99500,"price_min":99500,"price_max":99500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8245798305838,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"GERM 500 MKII","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited Germ 500 MkII Microphone Preamp","public_title":null,"options":["Default Title"],"price":99500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germ_500_MKII_pre_amp_front.jpg?v=1534034764","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_72758157-79f4-4f54-97f2-0575fb96d568.png?v=1534034764","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germ_500_MKII_pre_amp_inside.jpg?v=1534034764"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germ_500_MKII_pre_amp_front.jpg?v=1534034764","options":["Title"],"content":"\u003cp\u003eCHANDLER LIMITED\u003cbr\u003eGerm 500 MKII Pre Amp\u003cbr\u003e\u003cbr\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003cbr\u003e\u003cbr\u003eThe Germ 500 MKII is an updated version of our original Germ 500. This unit has an improved faceplate layout and nicer look. It uses classic germanium transistors in all Class A, transformer balanced circuits. The Germ 500 MKII is our well-known Germanium Preamp adapted for 500 series racks. We use the same transformers and amp blocks to assure the sound is consistent with our rack version. We've updated the power on the MKII so there no known power-up issues with current lunchboxes and rack systems.\u003cbr\u003e\u003cbr\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks: API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003eTech Specs\u003c\/h2\u003e\n✓ GERM 500 MKII PRE AMP TECHNICAL SPECIFICATIONS\u003cbr\u003e ✓ FORMAT: 500 Series\u003cbr\u003e ✓ CHANNELS: Mono\u003cbr\u003e ✓ CIRCUIT: Class A, Discrete, Transistor\u003cbr\u003e ✓ GAIN: -5db to +65db\u003cbr\u003e ✓ CONNECTIONS\u003cbr\u003e ✓ I\/O: 500 Series Enclosure\u003cbr\u003e ✓ Mic Input: Transformer Balanced, Input Impedance: 300 Ohm\u003cbr\u003e ✓ DI: 1\/4\" Unbalanced, Input Impedance: 100k\u003cbr\u003e ✓ PHANTOM POWER: +48v"}

{"id":10468194893,"title":"Chandler Limited TG2-500 Pre Amp","handle":"chandler-limited-6","description":"\u003ch1 id=\"reader-title\"\u003eTG2-500 Pre Amp | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG2-500 pre-amp is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road Studios recording and mastering consoles from the late 60s and early 70s. The sound of the EMI\/Abbey Road Studios equipment is world renowned, and imparts a unique and pleasing sonic character as heard on many famous recordings done at Abbey Road including The Beatles’ “Abbey Road” and Pink Floyd’s “Dark Side of the Moon” albums. For the first time ever, the legendary TG2 pre-amp sound is available in 500 Series format.\u003c\/p\u003e\n\u003cp\u003eThe TG2-500 microphone pre-amplifier features the same discrete, transformer-balanced amplifiers as Chandler Limited’s TG series: TG2 Pre Amp\/DI, TG Channel MKII, and TG1 Limiter.\u003c\/p\u003e\n\u003cp\u003eWe’ve taken the microphone pre-amplifier and line amplifier from our highly acclaimed TG2 Pre Amp\/DI and packaged it for the industry standard 500 Series format, while retaining the sound of Chandler Limited’s TG2 Pre Amp\/DI. The aural quality has often been characterized as a creamy, smooth tone with a surprisingly open, clear top-end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact, the TG2-500 microphone preamplifier does have a small rise in its top-end frequency response and some warmth inducing distortion, which contributes to its sound.\u003c\/p\u003e\n\u003cp\u003eBring the sound of the Chandler Limited TG2-500 pre amp and EMI\/Abbey Road Studios home to your 500 Series rack today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e \u003ccite\u003eTG2-500 Pre Amp Technical Specifications\u003c\/cite\u003e\n\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFEATURES\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels:\u003c\/td\u003e\n\u003ctd\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCircuit:\u003c\/td\u003e\n\u003ctd\u003eDiscrete, Transistor, Transformer Balanced I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Gain:\u003c\/td\u003e\n\u003ctd\u003e+60db\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoarse Gain:\u003c\/td\u003e\n\u003ctd\u003e+20db to +50db (stepped, 5db)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFine Gain:\u003c\/td\u003e\n\u003ctd\u003e±10db (variable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput:\u003c\/td\u003e\n\u003ctd\u003eMic\/Line switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance:\u003c\/td\u003e\n\u003ctd\u003e1200\/300 Ohm switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Power:\u003c\/td\u003e\n\u003ctd\u003e+48v switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase:\u003c\/td\u003e\n\u003ctd\u003e0\/180º, switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003eCONNECTIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eI\/O:\u003c\/td\u003e\n\u003ctd\u003e500 Series format (frame dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003ePOWER\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e500 Series format:\u003c\/td\u003e\n\u003ctd\u003e+\/-16v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMax. current draw:\u003c\/td\u003e\n\u003ctd\u003e+16v @ 110ma \/ -16v @ 80ma\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","published_at":"2018-08-11T20:50:12+02:00","created_at":"2017-07-19T16:44:21+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["500 Series","500 Series Preamps","Chandler Limited","Chandler Limited TG2-500 Pre Amp","Chandler Little Devil Pre Amp","Channel Strips \u0026 Preamps","Microphone Preamps","Price Range_$750 to $1000","Pro Audio","Recording","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_500 Series Preamps","Shop by category_Channel Strips","Shop by category_Preamps","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":99500,"price_min":99500,"price_max":99500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40612214349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG2-500","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG2-500 Pre Amp","public_title":null,"options":["Default Title"],"price":99500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_vertical_f_3qtr.png?v=1534090703","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_1bb3f992-82cb-4a90-b943-198c67d4842b.png?v=1534090703","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_front.png?v=1534090703","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_inside_3qtr_f.png?v=1534090703"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_vertical_f_3qtr.png?v=1534090703","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eTG2-500 Pre Amp | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG2-500 pre-amp is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road Studios recording and mastering consoles from the late 60s and early 70s. The sound of the EMI\/Abbey Road Studios equipment is world renowned, and imparts a unique and pleasing sonic character as heard on many famous recordings done at Abbey Road including The Beatles’ “Abbey Road” and Pink Floyd’s “Dark Side of the Moon” albums. For the first time ever, the legendary TG2 pre-amp sound is available in 500 Series format.\u003c\/p\u003e\n\u003cp\u003eThe TG2-500 microphone pre-amplifier features the same discrete, transformer-balanced amplifiers as Chandler Limited’s TG series: TG2 Pre Amp\/DI, TG Channel MKII, and TG1 Limiter.\u003c\/p\u003e\n\u003cp\u003eWe’ve taken the microphone pre-amplifier and line amplifier from our highly acclaimed TG2 Pre Amp\/DI and packaged it for the industry standard 500 Series format, while retaining the sound of Chandler Limited’s TG2 Pre Amp\/DI. The aural quality has often been characterized as a creamy, smooth tone with a surprisingly open, clear top-end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact, the TG2-500 microphone preamplifier does have a small rise in its top-end frequency response and some warmth inducing distortion, which contributes to its sound.\u003c\/p\u003e\n\u003cp\u003eBring the sound of the Chandler Limited TG2-500 pre amp and EMI\/Abbey Road Studios home to your 500 Series rack today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e \u003ccite\u003eTG2-500 Pre Amp Technical Specifications\u003c\/cite\u003e\n\u003c\/h2\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFEATURES\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels:\u003c\/td\u003e\n\u003ctd\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCircuit:\u003c\/td\u003e\n\u003ctd\u003eDiscrete, Transistor, Transformer Balanced I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Gain:\u003c\/td\u003e\n\u003ctd\u003e+60db\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoarse Gain:\u003c\/td\u003e\n\u003ctd\u003e+20db to +50db (stepped, 5db)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFine Gain:\u003c\/td\u003e\n\u003ctd\u003e±10db (variable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput:\u003c\/td\u003e\n\u003ctd\u003eMic\/Line switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance:\u003c\/td\u003e\n\u003ctd\u003e1200\/300 Ohm switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Power:\u003c\/td\u003e\n\u003ctd\u003e+48v switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase:\u003c\/td\u003e\n\u003ctd\u003e0\/180º, switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003eCONNECTIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eI\/O:\u003c\/td\u003e\n\u003ctd\u003e500 Series format (frame dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003ePOWER\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e500 Series format:\u003c\/td\u003e\n\u003ctd\u003e+\/-16v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMax. current draw:\u003c\/td\u003e\n\u003ctd\u003e+16v @ 110ma \/ -16v @ 80ma\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e"}

{"id":168218558490,"title":"Chandler Limited TG12345 MKIV Equalizer","handle":"chandler-limited-tg12345-mkiv-equalizer","description":"\u003cp\u003eThe Chandler Limited TG12345 MKIV equalizer is a handmade, fully discrete, mono, single space module, designed for the 500 Series format.\u003cbr\u003e\u003cbr\u003eThe TG12345 MKIV EQ for 500 Series, inherits from Chandler Limited’s TG Microphone Cassette and flagship TG12345 Curve Bender, and draws its heritage from the input and group channel equalizers found on historic EMI TG12345 recording consoles of the late ‘60s and early ‘70s.\u003cbr\u003e\u003cbr\u003eThe TG12345 MKIV control-set includes: presence and bass bands, with continuous boost\/cut, and true bypass.\u003cbr\u003e\u003cbr\u003eThe presence band is switchable, featuring eight frequencies and an out position. The first seven frequencies are bell type, and the eighth is a shelf at 10 kHz.\u003cbr\u003e\u003cbr\u003eThe bass band is a shelving type, featuring two frequency options, 90 or 150 Hz.\u003cbr\u003e\u003cbr\u003eThe remarkable character of the TG12345 MKIV EQ is silky smooth and the sound is Curve Bender sweet.\u003cbr\u003e\u003cbr\u003eCreate an EMI TG console channel today by adding the TG12345 MKIV EQ, TG Opto compressor and TG2-500 preamp to your 500 Series rack!\u003cbr\u003e\u003cbr\u003eChandler Limited is the only company in the world authorized to develop, manufacture and market the “Official Equipment” of EMI\/Abbey Road Studios.\u003cbr\u003e\u003cbr\u003eTG HISTORY\u003cbr\u003e\u003cbr\u003eConceived from meetings in 1967 between Abbey Road engineers and EMI’s Central Research Laboratories technical team, the EMI TG12345 desk (later known as the Mark I), would usher in a sea change in sound and flexibility at Abbey Road Studios.\u003c\/p\u003e\n\u003cp\u003eThe new transistor based EMI TG12345 recording console was modular in design, with twelve dual channel microphone cassettes. The TG desks featured expanded EQ, and for the first time ever, a compressor\/limiter on every channel.\u003cbr\u003e\u003cbr\u003eInstalled in Abbey Road’s Studio Two in November 1968 and making its debut on an 8-track recording by the Shadows, the new transistor desk marked a departure from the earlier REDD valve consoles. The following year, the EMI TG12345 desk helped shape the sound of the Beatles’ final album, Abbey Road, which was markedly richer sounding to that of the band’s earlier work. The sonic qualities of classics like “Here Comes the Sun,” “Come Together” and “Something” would have been very different without the EMI TG12345.\u003cbr\u003e\u003cbr\u003eThe desk encountered many revisions throughout the ‘70s and became the main recording console used throughout the studios until 1983. The EMI TG12345 console Marks I–IV were used on everything from Pink Floyd’s The Dark Side of the Moon and Wish You Were Here to John Lennon’s Plastic Ono Band, George Harrison’s All Things Must Pass to epic film scores including Raiders of the Lost Ark.\u003cbr\u003e\u003cbr\u003eThe EMI TG12345 recording consoles were never commercially available to the public.\u003cbr\u003e\u003cbr\u003eAbbey Road Studios, EMI and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/p\u003e","published_at":"2018-08-11T20:50:15+02:00","created_at":"2017-10-21T14:59:55+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["500 Series","500 Series EQ","500 Series Processors","Chandler Limited","Chandler Limited TG12345 MKIV Equalizer","Price Range_$1000 to $1500","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_500 Series EQ","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":109500,"price_min":109500,"price_max":109500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":2557707681818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG12345 MKIV","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG12345 MKIV Equalizer","public_title":null,"options":["Default Title"],"price":109500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler-emi-tg-12345-mkiv_94791_1.jpg?v=1508590811","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13079811_800.jpg?v=1534084587","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13079821_800.jpg?v=1534084603","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13079816_800.jpg?v=1534084721","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13079826_800.jpg?v=1534084872","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13079801_800.jpg?v=1534084891","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13079806_800.jpg?v=1534084963"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler-emi-tg-12345-mkiv_94791_1.jpg?v=1508590811","options":["Title"],"content":"\u003cp\u003eThe Chandler Limited TG12345 MKIV equalizer is a handmade, fully discrete, mono, single space module, designed for the 500 Series format.\u003cbr\u003e\u003cbr\u003eThe TG12345 MKIV EQ for 500 Series, inherits from Chandler Limited’s TG Microphone Cassette and flagship TG12345 Curve Bender, and draws its heritage from the input and group channel equalizers found on historic EMI TG12345 recording consoles of the late ‘60s and early ‘70s.\u003cbr\u003e\u003cbr\u003eThe TG12345 MKIV control-set includes: presence and bass bands, with continuous boost\/cut, and true bypass.\u003cbr\u003e\u003cbr\u003eThe presence band is switchable, featuring eight frequencies and an out position. The first seven frequencies are bell type, and the eighth is a shelf at 10 kHz.\u003cbr\u003e\u003cbr\u003eThe bass band is a shelving type, featuring two frequency options, 90 or 150 Hz.\u003cbr\u003e\u003cbr\u003eThe remarkable character of the TG12345 MKIV EQ is silky smooth and the sound is Curve Bender sweet.\u003cbr\u003e\u003cbr\u003eCreate an EMI TG console channel today by adding the TG12345 MKIV EQ, TG Opto compressor and TG2-500 preamp to your 500 Series rack!\u003cbr\u003e\u003cbr\u003eChandler Limited is the only company in the world authorized to develop, manufacture and market the “Official Equipment” of EMI\/Abbey Road Studios.\u003cbr\u003e\u003cbr\u003eTG HISTORY\u003cbr\u003e\u003cbr\u003eConceived from meetings in 1967 between Abbey Road engineers and EMI’s Central Research Laboratories technical team, the EMI TG12345 desk (later known as the Mark I), would usher in a sea change in sound and flexibility at Abbey Road Studios.\u003c\/p\u003e\n\u003cp\u003eThe new transistor based EMI TG12345 recording console was modular in design, with twelve dual channel microphone cassettes. The TG desks featured expanded EQ, and for the first time ever, a compressor\/limiter on every channel.\u003cbr\u003e\u003cbr\u003eInstalled in Abbey Road’s Studio Two in November 1968 and making its debut on an 8-track recording by the Shadows, the new transistor desk marked a departure from the earlier REDD valve consoles. The following year, the EMI TG12345 desk helped shape the sound of the Beatles’ final album, Abbey Road, which was markedly richer sounding to that of the band’s earlier work. The sonic qualities of classics like “Here Comes the Sun,” “Come Together” and “Something” would have been very different without the EMI TG12345.\u003cbr\u003e\u003cbr\u003eThe desk encountered many revisions throughout the ‘70s and became the main recording console used throughout the studios until 1983. The EMI TG12345 console Marks I–IV were used on everything from Pink Floyd’s The Dark Side of the Moon and Wish You Were Here to John Lennon’s Plastic Ono Band, George Harrison’s All Things Must Pass to epic film scores including Raiders of the Lost Ark.\u003cbr\u003e\u003cbr\u003eThe EMI TG12345 recording consoles were never commercially available to the public.\u003cbr\u003e\u003cbr\u003eAbbey Road Studios, EMI and TG and their associated logos are trade marks of EMI (IP) Limited.\u003c\/p\u003e"}

{"id":168217509914,"title":"Chandler Limited TG Opto Compressor","handle":"chandler-limited-tg-opto-compressor","description":"The Chandler Limited TG Opto compressor is a handmade, fully discrete, mono, dual space module, designed for the 500 Series format.\u003cbr\u003e\u003cbr\u003eThe TG Opto for 500 Series is a relative of the TG1 Opto, found in Chandler Limited’s TG Microphone Cassette, the TG1 Limiter and Zener Limiter, and traces its lineage to the historic EMI TG12413 limiters found on the TG12345 mixing and mastering consoles of the late ‘60s and early ‘70s.\u003cbr\u003e\u003cbr\u003eThe TG Opto compressor control-set includes: selectable sharp and rounded knees, continuous input, output (makeup gain), attack, release, and true bypass.\u003cbr\u003eThe attitude of the TG Opto is one of two personalities, each actuated by the selectable sharp and rounded knee types. In sharp, the TG Opto is capable of explosive drum sounds, and set to rounded, it is well suited to scenarios where the artifact of compression is required to be less obvious or gentle.\u003cbr\u003e\u003cbr\u003eThe continuous control-set affords the ability to fine-tune compression to respond to an array of sources and create a variety of tones.\u003cbr\u003e\u003cbr\u003eCreate your own TG console channel today by adding the TG Opto compressor, TG2-500 preamp and TG12345 MKIV equalizer to your 500 Series rack!\u003cbr\u003e\u003cbr\u003eChandler Limited is the only company in the world authorized to develop, manufacture and market the “Official Equipment” of EMI\/Abbey Road Studios.\u003cbr\u003e\u003cbr\u003eTG HISTORY\u003cbr\u003eConceived from meetings in 1967 between Abbey Road engineers and EMI’s Central Research Laboratories technical team, the EMI TG12345 desk (later known as the Mark I), would usher in a sea change in sound and flexibility at Abbey Road Studios.\u003cbr\u003eThe new transistor based EMI TG12345 recording console was modular in design, with twelve dual channel microphone cassettes. The TG desks featured expanded EQ, and for the first time ever, a compressor\/limiter on every channel. The compressor was originally supposed to replicate the sound and behavior of the Fairchild 660 and RS124 tube devices, but ended up with a completely unique character.\u003cbr\u003e\u003cbr\u003eInstalled in Abbey Road’s Studio Two in November 1968 and making its debut on an 8-track recording by the Shadows, the new transistor desk marked a departure from the earlier REDD valve consoles. The following year, the EMI TG12345 desk helped shape the sound of the Beatles’ final album, Abbey Road, which was markedly richer sounding to that of the band’s earlier work. The sonic qualities of classics like “Here Comes the Sun,” “Come Together” and “Something” would have been very different without the EMI TG12345.\u003cbr\u003e\u003cbr\u003eThe desk encountered many revisions throughout the ‘70s and became the main recording console used throughout the studios until 1983. The EMI TG12345 console Marks I–IV were used on everything from Pink Floyd’s The Dark Side of the Moon and Wish You Were Here to John Lennon’s Plastic Ono Band, George Harrison’s All Things Must Pass to epic film scores including Raiders of the Lost Ark.\u003cbr\u003e\u003cbr\u003eThe EMI TG12345 recording consoles were never commercially available to the public.\u003cbr\u003e\u003cbr\u003eAbbey Road Studios, EMI, TG and RS and their associated logos are trade marks of EMI (IP) Limited.\u003cbr\u003e\u003cbr\u003e","published_at":"2018-08-11T20:50:14+02:00","created_at":"2017-10-21T14:54:54+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["500 Series","500 Series Dynamics","500 Series Processors","Chandler Limited","Chandler Limited TG Opto Compressor","Price Range_$1000 to $1500","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_500 Series Dynamics","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":119500,"price_min":119500,"price_max":119500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":2557680975898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG Opto","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG Opto Compressor","public_title":null,"options":["Default Title"],"price":119500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler-emi-tg-opto-compressor_94789_1.jpg?v=1508590518","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13080076_800.jpg?v=1534081430","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13080081_800.jpg?v=1534081440","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13080071_800.jpg?v=1534081500","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13080086_800.jpg?v=1534081551","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13080061_800.jpg?v=1534081879","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/13080051.jpg?v=1534082011"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler-emi-tg-opto-compressor_94789_1.jpg?v=1508590518","options":["Title"],"content":"The Chandler Limited TG Opto compressor is a handmade, fully discrete, mono, dual space module, designed for the 500 Series format.\u003cbr\u003e\u003cbr\u003eThe TG Opto for 500 Series is a relative of the TG1 Opto, found in Chandler Limited’s TG Microphone Cassette, the TG1 Limiter and Zener Limiter, and traces its lineage to the historic EMI TG12413 limiters found on the TG12345 mixing and mastering consoles of the late ‘60s and early ‘70s.\u003cbr\u003e\u003cbr\u003eThe TG Opto compressor control-set includes: selectable sharp and rounded knees, continuous input, output (makeup gain), attack, release, and true bypass.\u003cbr\u003eThe attitude of the TG Opto is one of two personalities, each actuated by the selectable sharp and rounded knee types. In sharp, the TG Opto is capable of explosive drum sounds, and set to rounded, it is well suited to scenarios where the artifact of compression is required to be less obvious or gentle.\u003cbr\u003e\u003cbr\u003eThe continuous control-set affords the ability to fine-tune compression to respond to an array of sources and create a variety of tones.\u003cbr\u003e\u003cbr\u003eCreate your own TG console channel today by adding the TG Opto compressor, TG2-500 preamp and TG12345 MKIV equalizer to your 500 Series rack!\u003cbr\u003e\u003cbr\u003eChandler Limited is the only company in the world authorized to develop, manufacture and market the “Official Equipment” of EMI\/Abbey Road Studios.\u003cbr\u003e\u003cbr\u003eTG HISTORY\u003cbr\u003eConceived from meetings in 1967 between Abbey Road engineers and EMI’s Central Research Laboratories technical team, the EMI TG12345 desk (later known as the Mark I), would usher in a sea change in sound and flexibility at Abbey Road Studios.\u003cbr\u003eThe new transistor based EMI TG12345 recording console was modular in design, with twelve dual channel microphone cassettes. The TG desks featured expanded EQ, and for the first time ever, a compressor\/limiter on every channel. The compressor was originally supposed to replicate the sound and behavior of the Fairchild 660 and RS124 tube devices, but ended up with a completely unique character.\u003cbr\u003e\u003cbr\u003eInstalled in Abbey Road’s Studio Two in November 1968 and making its debut on an 8-track recording by the Shadows, the new transistor desk marked a departure from the earlier REDD valve consoles. The following year, the EMI TG12345 desk helped shape the sound of the Beatles’ final album, Abbey Road, which was markedly richer sounding to that of the band’s earlier work. The sonic qualities of classics like “Here Comes the Sun,” “Come Together” and “Something” would have been very different without the EMI TG12345.\u003cbr\u003e\u003cbr\u003eThe desk encountered many revisions throughout the ‘70s and became the main recording console used throughout the studios until 1983. The EMI TG12345 console Marks I–IV were used on everything from Pink Floyd’s The Dark Side of the Moon and Wish You Were Here to John Lennon’s Plastic Ono Band, George Harrison’s All Things Must Pass to epic film scores including Raiders of the Lost Ark.\u003cbr\u003e\u003cbr\u003eThe EMI TG12345 recording consoles were never commercially available to the public.\u003cbr\u003e\u003cbr\u003eAbbey Road Studios, EMI, TG and RS and their associated logos are trade marks of EMI (IP) Limited.\u003cbr\u003e\u003cbr\u003e"}

{"id":693941796910,"title":"Rupert Neve Designs R10 10-slot 500 Series Rack","handle":"rupert-neve-designs-r10-ten-space-500-series-rack","description":"\u003cp\u003eOverview\u003c\/p\u003e\n\u003cp\u003eR10\u003c\/p\u003e\n\u003cp\u003e10 Space 500 Series Rack\u003c\/p\u003e\n\u003cp\u003eWith abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks.\u003c\/p\u003e\n\u003cp\u003ePower You Can Trust\u003c\/p\u003e\n\u003cp\u003ePower-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003eSolid Steel Construction\u003c\/p\u003e\n\u003cp\u003eThe chassis is comprised of solid steel with sliding nuts to accommodate various manufacturers modules. All connectors and fittings are of the highest quality to ensure that the R10 will hold up to many years of use.\u003c\/p\u003e\n\u003cp\u003eA New Level of Confidence in the 500 Series\u003c\/p\u003e\n\u003cp\u003eBecause the R10 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R10 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series VCA buss link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 or 9-10. Enabling link allows compatible compressor modules like the 543 to share VCA control when their links are enabled. Matching blank panels are also available to cover any empty slots.\u003c\/p\u003e\n\u003cp\u003eIf you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R10 is the serious rack for the serious sound you want.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDouble Voltage Power\u003c\/li\u003e\n\u003cli\u003eMore than double the required power for the 500 series standard\u003c\/li\u003e\n\u003cli\u003eDual Inputs\u003c\/li\u003e\n\u003cli\u003eDual XLR and TRS inputs for both inputs and outputs\u003c\/li\u003e\n\u003cli\u003eCurrent Metering\u003c\/li\u003e\n\u003cli\u003eLED meters monitor your current usage\u003c\/li\u003e\n\u003cli\u003eWorldwide Power Supply\u003c\/li\u003e\n\u003cli\u003eThe auto-switching high-performance supply is at home anywhere in the world from 90V-240\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-05-30T06:27:28+02:00","created_at":"2018-05-30T06:54:14+02:00","vendor":"Rupert Neve Designs","type":"500 Series Chassis","tags":["500 Series","500 Series Chassis","Price Range_$750 to $1000","Rupert Neve Designs","Shop by brand_Rupert Neve Designs","Shop by category_500 Series","Shop by category_500 Series Chassis","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":89500,"price_min":89500,"price_max":89500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7914160554030,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"R10","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rupert Neve Designs R10 10-slot 500 Series Rack","public_title":null,"options":["Default Title"],"price":89500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"752423657384"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-straight-white-1024x459.jpg?v=1527656250","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_f5be9042-bc61-4b7b-b0d4-1b043fbf2aa8.png?v=1527656274","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10--1024x481.jpg?v=1527656250","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6722-1024x685.jpg?v=1527656338","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6756-1024x683.jpg?v=1527656360","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/R10-header-wide-1024x430.jpg?v=1527656682","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6770-1024x682.jpg?v=1527656697","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6767-1024x682.jpg?v=1527656920","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6724-1024x727.jpg?v=1527657105","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/R10-frontpage-1024x838.jpg?v=1527657121"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-straight-white-1024x459.jpg?v=1527656250","options":["Title"],"content":"\u003cp\u003eOverview\u003c\/p\u003e\n\u003cp\u003eR10\u003c\/p\u003e\n\u003cp\u003e10 Space 500 Series Rack\u003c\/p\u003e\n\u003cp\u003eWith abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks.\u003c\/p\u003e\n\u003cp\u003ePower You Can Trust\u003c\/p\u003e\n\u003cp\u003ePower-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003eSolid Steel Construction\u003c\/p\u003e\n\u003cp\u003eThe chassis is comprised of solid steel with sliding nuts to accommodate various manufacturers modules. All connectors and fittings are of the highest quality to ensure that the R10 will hold up to many years of use.\u003c\/p\u003e\n\u003cp\u003eA New Level of Confidence in the 500 Series\u003c\/p\u003e\n\u003cp\u003eBecause the R10 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R10 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series VCA buss link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 or 9-10. Enabling link allows compatible compressor modules like the 543 to share VCA control when their links are enabled. Matching blank panels are also available to cover any empty slots.\u003c\/p\u003e\n\u003cp\u003eIf you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R10 is the serious rack for the serious sound you want.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDouble Voltage Power\u003c\/li\u003e\n\u003cli\u003eMore than double the required power for the 500 series standard\u003c\/li\u003e\n\u003cli\u003eDual Inputs\u003c\/li\u003e\n\u003cli\u003eDual XLR and TRS inputs for both inputs and outputs\u003c\/li\u003e\n\u003cli\u003eCurrent Metering\u003c\/li\u003e\n\u003cli\u003eLED meters monitor your current usage\u003c\/li\u003e\n\u003cli\u003eWorldwide Power Supply\u003c\/li\u003e\n\u003cli\u003eThe auto-switching high-performance supply is at home anywhere in the world from 90V-240\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":244304052250,"title":"Shadow Hills Industries Mono Optograph 500","handle":"shadow-hills-industries-mono-optograph-500","description":"\u003cp\u003e\u003cstrong\u003eShadow Hills Industries Mono Optograph 500\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTwo channel inductor based parametric equalizer featuring Class A solid state circuitry and a special saturation section with models for mastering and recording.\u003cbr\u003e\u003cbr\u003eThis single channel discrete optical compressor in the API 500 Series form factor takes its cues and much of its design from the optical stage of its behemoth big brother, the Shadow Hills Mastering Compressor. The Mono Optograph's front end is balanced by an original Jensen input transformer. The output utilizes our specially recreated Nickel transformer. The essence of the compressor's character comes from our custom electroluminescent cell and discrete op-amp combination. The high quality circuit is pristine enough for bus compression, and yet has a unique character reminiscent of an antique world class compressor, that has just now been discovered. It's also perfect for squeezing drum busses and massaging vocals. It's the perfect glue for tracking and mixing anything that needs to sound more finished, more like a record.\u003cbr\u003e\u003cbr\u003eJust like The Mastering Compressor, the Optograph's threshold and make up gain are controlled by discrete attenuators, made from custom twenty-four position Elma switches. The tactile feel and quality of these controls are unrivaled. They are of the highest quality and will last forever.\u003cbr\u003e\u003cbr\u003eBuilt into the side chain, are a very powerful series of filters: 90 hertz, 150 hertz, 250 hertz, and band pass. By engaging a specific filter, you choose at which point the onset of compression occurs. First position, nothing below ninety triggers compression. Second position, nothing below one-fifty. Third, nothing below two-fifty. The fourth position is a musical bandpass filter. In this position, compression is triggered by the program's mid-range frequency content, ignoring the highest and lowest frequencies. The filters are amazingly useful for shifting the focus of what should be more compressed and creating compression curves on purpose.\u003cbr\u003e\u003cbr\u003eAnother unique feature for sculpting the overall sonic character is the Transformer Desaturate mode. In this mode we cancel out any distortion and frequency non-linearity’s caused by the output transformer. The result is a pure, almost transformer-less sound, whilst still receiving the benefits, of limiting transients that can only come from magnetics.\u003cbr\u003e\u003cbr\u003eThere is also a VU meter for the display of gain reduction. The Optograph is enclosed in a twelve gauge steel chassis, has an engraved front panel and custom made knobs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    Pristine sound quality and unique character\u003c\/li\u003e\n\u003cli\u003e    Switchable sidechain filters\u003c\/li\u003e\n\u003cli\u003e    Transformer Desaturate\u003c\/li\u003e\n\u003cli\u003e    Detented switches\u003c\/li\u003e\n\u003cli\u003e    Engraved front panels\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-12-24T13:37:13+02:00","created_at":"2017-12-24T13:38:17+02:00","vendor":"Shadow Hills Industries","type":"Compressors","tags":["500 Series","500 Series Dynamics","Price Range_$1500 to $2000","Shadow Hills Industries","Shop by brand_Shadow Hills Industries","Shop by category_500 Series","Shop by category_500 Series Dynamics","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":170000,"price_min":170000,"price_max":170000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302753501210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Hills Industries Mono Optograph 500","public_title":null,"options":["Default Title"],"price":170000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/shadowhills_monooptograph.jpg?v=1514115505"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/shadowhills_monooptograph.jpg?v=1514115505","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eShadow Hills Industries Mono Optograph 500\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eTwo channel inductor based parametric equalizer featuring Class A solid state circuitry and a special saturation section with models for mastering and recording.\u003cbr\u003e\u003cbr\u003eThis single channel discrete optical compressor in the API 500 Series form factor takes its cues and much of its design from the optical stage of its behemoth big brother, the Shadow Hills Mastering Compressor. The Mono Optograph's front end is balanced by an original Jensen input transformer. The output utilizes our specially recreated Nickel transformer. The essence of the compressor's character comes from our custom electroluminescent cell and discrete op-amp combination. The high quality circuit is pristine enough for bus compression, and yet has a unique character reminiscent of an antique world class compressor, that has just now been discovered. It's also perfect for squeezing drum busses and massaging vocals. It's the perfect glue for tracking and mixing anything that needs to sound more finished, more like a record.\u003cbr\u003e\u003cbr\u003eJust like The Mastering Compressor, the Optograph's threshold and make up gain are controlled by discrete attenuators, made from custom twenty-four position Elma switches. The tactile feel and quality of these controls are unrivaled. They are of the highest quality and will last forever.\u003cbr\u003e\u003cbr\u003eBuilt into the side chain, are a very powerful series of filters: 90 hertz, 150 hertz, 250 hertz, and band pass. By engaging a specific filter, you choose at which point the onset of compression occurs. First position, nothing below ninety triggers compression. Second position, nothing below one-fifty. Third, nothing below two-fifty. The fourth position is a musical bandpass filter. In this position, compression is triggered by the program's mid-range frequency content, ignoring the highest and lowest frequencies. The filters are amazingly useful for shifting the focus of what should be more compressed and creating compression curves on purpose.\u003cbr\u003e\u003cbr\u003eAnother unique feature for sculpting the overall sonic character is the Transformer Desaturate mode. In this mode we cancel out any distortion and frequency non-linearity’s caused by the output transformer. The result is a pure, almost transformer-less sound, whilst still receiving the benefits, of limiting transients that can only come from magnetics.\u003cbr\u003e\u003cbr\u003eThere is also a VU meter for the display of gain reduction. The Optograph is enclosed in a twelve gauge steel chassis, has an engraved front panel and custom made knobs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    Pristine sound quality and unique character\u003c\/li\u003e\n\u003cli\u003e    Switchable sidechain filters\u003c\/li\u003e\n\u003cli\u003e    Transformer Desaturate\u003c\/li\u003e\n\u003cli\u003e    Detented switches\u003c\/li\u003e\n\u003cli\u003e    Engraved front panels\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":244304740378,"title":"Shadow Hills Industries Mono Gama Mic Pre","handle":"shadow-hills-industries-mono-gama-mic-pre","description":"\u003cp\u003e\u003cstrong\u003eShadow Hills Industries Mono Gama Mic Pre\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Mono GAMA is the single-channel API 500 Series version of the Golden Age Microphone Amp, with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked.\u003cbr\u003e\u003cbr\u003eThe preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one.\u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input.\u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front panels, a twenty four position swiss made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    Superb sound quality and character\u003c\/li\u003e\n\u003cli\u003e    Switchable output transformers\u003c\/li\u003e\n\u003cli\u003e    Stepped attenuator for gain control\u003c\/li\u003e\n\u003cli\u003e    Phase reversible and padable DI\u003c\/li\u003e\n\u003cli\u003e    Engraved front panels\u003c\/li\u003e\n\u003cli\u003e    75 ma current draw per module\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-12-24T13:38:35+02:00","created_at":"2017-12-24T13:40:31+02:00","vendor":"Shadow Hills Industries","type":"Microphone Preamps","tags":["500 Series","500 Series Preamps","Price Range_$750 to $1000","Shadow Hills Industries","Shop by brand_Shadow Hills Industries","Shop by category_500 Series","Shop by category_500 Series Preamps","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":95500,"price_min":95500,"price_max":95500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302756155418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Hills Industries Mono Gama Mic Pre","public_title":null,"options":["Default Title"],"price":95500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/shadow_hills_monogamacat_2.jpg?v=1514115641"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/shadow_hills_monogamacat_2.jpg?v=1514115641","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eShadow Hills Industries Mono Gama Mic Pre\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Mono GAMA is the single-channel API 500 Series version of the Golden Age Microphone Amp, with all the capabilities, features, and quality of the original. The Shadow Hills Mono Gama is centered around our custom discrete op-amp. This no-compromise design exudes hugeness, fidelity, punchiness and depth, across the full frequency range, without becoming veiled or choked.\u003cbr\u003e\u003cbr\u003eThe preamplifier input is transformer balanced and utilizes an original Jensen input transformer. We couldn't decide which vintage output transformer we liked best, so we had our favorites perfectly recreated, and included them all. You can change the output transformer by cranking the knob, thus changing the tonal capabilities to compliment to whatever material you are recording. This allows you to audition different settings to find the perfect match for microphone or direct input without patching and un-patching other preamps, and possibly alleviating the need for EQ. Choose between Nickel, Discrete, or Steel settings. Each transformer position is stellar unto itself, but the capability of switching between them is like having three great pre's in one.\u003cbr\u003e\u003cbr\u003eAll the standard Mic-pre features are present: phantom power, phase reverse, a twenty dB pad, and direct input. We have also included the ability to pad and reverse the phase of the Direct Input.\u003cbr\u003e\u003cbr\u003eQuality is unmatched. Engraved front panels, a twenty four position swiss made attenuator for gain control, custom made knobs, and engraved serial number plates, set the build apart.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    Superb sound quality and character\u003c\/li\u003e\n\u003cli\u003e    Switchable output transformers\u003c\/li\u003e\n\u003cli\u003e    Stepped attenuator for gain control\u003c\/li\u003e\n\u003cli\u003e    Phase reversible and padable DI\u003c\/li\u003e\n\u003cli\u003e    Engraved front panels\u003c\/li\u003e\n\u003cli\u003e    75 ma current draw per module\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":244303691802,"title":"Shadow Hills Industries Dual Vandergraph","handle":"shadow-hills-industries-dual-vandergraph","description":"\u003cstrong\u003eShadow Hills Industries Dual Vandergraph\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Shadow Hills Dual Vandergraph is a direct descendant of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance - in a 500 Series format. It’s inner workings are developed from the discrete gain cells of the Mastering Compressor which are combined with the Optograph’s extremely flexible Sidechain Filter matrix. This combination provides great possibilities for new recording techniques and the dynamic control.\u003cbr\u003e\u003cbr\u003eThis stereo compressor’s fully discrete audio path is Class-A and features Shadow Hills' custom Iron Transformers.\u003cbr\u003e\u003cbr\u003eThe controls are: Ratio, Filter, Compression and Output Level.\u003cbr\u003e\u003cbr\u003eJust like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1.\u003cbr\u003e\u003cbr\u003eIn addition to changing ratios, each selection changes preset attack and recover times.\u003cbr\u003e\u003cbr\u003eThe Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    Input impedance 20k\u003c\/li\u003e\n\u003cli\u003e    Minimum load impedance 600 ohms\u003c\/li\u003e\n\u003cli\u003e    Stereo\u003c\/li\u003e\n\u003cli\u003e    Fully Class-A\u003c\/li\u003e\n\u003cli\u003e    Discrete audio path\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e    Discrete gain cells from Mastering Compressor\u003c\/li\u003e\n\u003cli\u003e    Sidechain Filter Matrix from Optograph\u003c\/li\u003e\n\u003cli\u003e    Swiss made discrete attenuators\u003c\/li\u003e\n\u003cli\u003e    Military Spec build quality\u003c\/li\u003e\n\u003cli\u003e    Meets the specifications of the VPR Alliance\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-12-24T13:35:37+02:00","created_at":"2017-12-24T13:36:54+02:00","vendor":"Shadow Hills Industries","type":"Compressors","tags":["500 Series","500 Series Dynamics","Price Range_$1500 to $2000","Shadow Hills Industries","Shop by brand_Shadow Hills Industries","Shop by category_500 Series","Shop by category_500 Series Dynamics","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":182500,"price_min":182500,"price_max":182500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302753140762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Hills Industries Dual Vandergraph","public_title":null,"options":["Default Title"],"price":182500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/shadowhills_vandergraph.jpg?v=1514115421"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/shadowhills_vandergraph.jpg?v=1514115421","options":["Title"],"content":"\u003cstrong\u003eShadow Hills Industries Dual Vandergraph\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Shadow Hills Dual Vandergraph is a direct descendant of the Shadow Hills Mastering Compressor and maintains its reputation of unquestionable quality and exceptional performance - in a 500 Series format. It’s inner workings are developed from the discrete gain cells of the Mastering Compressor which are combined with the Optograph’s extremely flexible Sidechain Filter matrix. This combination provides great possibilities for new recording techniques and the dynamic control.\u003cbr\u003e\u003cbr\u003eThis stereo compressor’s fully discrete audio path is Class-A and features Shadow Hills' custom Iron Transformers.\u003cbr\u003e\u003cbr\u003eThe controls are: Ratio, Filter, Compression and Output Level.\u003cbr\u003e\u003cbr\u003eJust like the Mastering Compressor, the Compression and Output Level controls are Swiss made twenty-four position attenuators. The Ratio switch, selects between: 1.2: 1, 2.5: 1, 4: 1, 8: 1.\u003cbr\u003e\u003cbr\u003eIn addition to changing ratios, each selection changes preset attack and recover times.\u003cbr\u003e\u003cbr\u003eThe Sidechain Filter Matrix controls the frequency sensitivity of the side-chain. The positions are: 90 hertz, 150 hertz, 250 hertz and Bandpass.\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    Input impedance 20k\u003c\/li\u003e\n\u003cli\u003e    Minimum load impedance 600 ohms\u003c\/li\u003e\n\u003cli\u003e    Stereo\u003c\/li\u003e\n\u003cli\u003e    Fully Class-A\u003c\/li\u003e\n\u003cli\u003e    Discrete audio path\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003e    Discrete gain cells from Mastering Compressor\u003c\/li\u003e\n\u003cli\u003e    Sidechain Filter Matrix from Optograph\u003c\/li\u003e\n\u003cli\u003e    Swiss made discrete attenuators\u003c\/li\u003e\n\u003cli\u003e    Military Spec build quality\u003c\/li\u003e\n\u003cli\u003e    Meets the specifications of the VPR Alliance\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":98425536538,"title":"Solid State Logic 500-Series VHD Preamp","handle":"solid-state-logic-500-series-vhd-preamp","description":"500 Format Modules Classic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eClassic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eThe SSL big console sound has been available in 12 different modules for our own modular X-Rack system for many years. The system enjoys a large and enthusiastic customer base with more than 15,000 modules sold. X-Rack users reap the benefits of the very high-quality power supply and on board TotalRecallTM offered by the X-Rack system. The release of modules for the widely-used 500 format modular rack platform makes a small slice of the SSL sound available to a wider group of users.\u003cbr\u003e\u003cbr\u003eSSL's range of modules for the 500 series rack format currently consists of five different modules; the classic Stereo Bus Compressor which has featured on every model of SSL large format analogue console, E-Series EQ and E-Series Dynamics modules which deliver the legendary sound of the channel strip processing from SSL's 1980's E-Series console, and the incredibly versatile VHD Pre input module which can deliver ultra-clean recordings or a range of more saturated tonal characteristics and the LMC+ module, a new twist on the legendary SSL Listen Mic Compressor.\u003cbr\u003e\u003cbr\u003eVHD Pre module for 500 format racks\u003cbr\u003e\u003cbr\u003eUniquely versatile mic pre and processor delivers everything from ultra-clean to slightly warmed to heavily distorted recordings.\u003cbr\u003e\u003cbr\u003eThe VHD Pre Module for the popular 500 format modular rack platform makes the uniquely versatile VHD based preamp technology from Duality, SSL's industry leading large format studio console, available for studios of all sizes.\u003cbr\u003e\u003cbr\u003eThe VHD Pre is an immensely versatile recording and processing device. It can deliver ultra clean SSL SuperAnalogueTM grade recordings but also features a switchable VHD mode. SSL's patented Variable Harmonic Drive (VHD) system uses a 100% analogue signal path to generate rich harmonic distortion. As you increase VHD input gain, the Variable Harmonic Drive process introduces either 2nd or 3rd harmonic distortion or a blend of the two to your source material. At lower gain settings it adds gentle valve-style warmth or a touch of transistor edge. As the gain is increased the more extreme the distortion becomes until at high gain settings it delivers fierce trashy transistoresque grunge. The VHD Pre gives the user ultimate versatility from a studio grade preamp. Whether it's ultra-clean traditional SSL, subtle warming or totally trashy transistor distortion, VHD will change your expectations of what a preamplifier should deliver.\u003cbr\u003e\u003cbr\u003eThe VHD section of the VHD Pre Module has three rotary controls: a Drive control selects 2nd harmonic or 3rd harmonic distortion or a continuously variable blend of the two. A +20\/+75dB gain control sets input level. A -20\/+20dB trim control adjusts the output level from the circuit to enable level matching with other devices, because by its nature the VHD circuit can significantly increase signal levels. The VHD Pre Module has a selection of other essential professional preamp features: a signal present LED, a switchable 15Hz to 500Hz LF Filter section, Hi-Z impedance switch for mic impedance matching, +48V phantom power, PAD to enable the VHD system to be used as a line level processing device and a Phase Invert Switch.\u003cbr\u003e\u003cbr\u003eKey Features:\u003cbr\u003e\u003cbr\u003e ✓ Uniquely versatile recording and processing\u003cbr\u003e ✓ Ultra clean SSL SuperAnalogue grade preamp\u003cbr\u003e ✓ Switchable VHD system adds controllable 2nd or 3rd harmonic distortion\u003cbr\u003e ✓ Switchable LF Filter (15Hz to 500Hz)\u003cbr\u003e ✓ Hi-Z switch for high impedance microphone use\u003cbr\u003e ✓ +48V Phantom Power with status LED\u003cbr\u003e ✓ PAD for use with line level source material\u003cbr\u003e ✓ Phase invert switch","published_at":"2017-09-13T13:45:04+02:00","created_at":"2017-09-13T13:51:40+02:00","vendor":"Solid State Logic","type":"500 Series","tags":["500 Series Preamps","500 Series Processors","Price Range_$500 to $750","Shop by brand_Solid State Logic","Shop by category_500 Series","Shop by category_500 Series Preamps","Shop by category_Preamps","Solid State Logic","Studio \u0026 Recording"],"price":60060,"price_min":60060,"price_max":60060,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1222522535962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Solid State Logic 500-Series VHD Preamp","public_title":null,"options":["Default Title"],"price":60060,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"729731X1"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-VHD-Pre-Module-for-500-format-racks-white.jpg?v=1528763465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_0706e81b-775b-4525-b0f7-5f2a5ee5a7f4.png?v=1528763465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-VHD-Pre-Module-for-500-format-racks-bg.jpg?v=1528763465","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-500-format-modules-group-bg_73f95b8f-323c-433d-b4b5-7df0d70a43a8.jpg?v=1528763465"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-VHD-Pre-Module-for-500-format-racks-white.jpg?v=1528763465","options":["Title"],"content":"500 Format Modules Classic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eClassic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eThe SSL big console sound has been available in 12 different modules for our own modular X-Rack system for many years. The system enjoys a large and enthusiastic customer base with more than 15,000 modules sold. X-Rack users reap the benefits of the very high-quality power supply and on board TotalRecallTM offered by the X-Rack system. The release of modules for the widely-used 500 format modular rack platform makes a small slice of the SSL sound available to a wider group of users.\u003cbr\u003e\u003cbr\u003eSSL's range of modules for the 500 series rack format currently consists of five different modules; the classic Stereo Bus Compressor which has featured on every model of SSL large format analogue console, E-Series EQ and E-Series Dynamics modules which deliver the legendary sound of the channel strip processing from SSL's 1980's E-Series console, and the incredibly versatile VHD Pre input module which can deliver ultra-clean recordings or a range of more saturated tonal characteristics and the LMC+ module, a new twist on the legendary SSL Listen Mic Compressor.\u003cbr\u003e\u003cbr\u003eVHD Pre module for 500 format racks\u003cbr\u003e\u003cbr\u003eUniquely versatile mic pre and processor delivers everything from ultra-clean to slightly warmed to heavily distorted recordings.\u003cbr\u003e\u003cbr\u003eThe VHD Pre Module for the popular 500 format modular rack platform makes the uniquely versatile VHD based preamp technology from Duality, SSL's industry leading large format studio console, available for studios of all sizes.\u003cbr\u003e\u003cbr\u003eThe VHD Pre is an immensely versatile recording and processing device. It can deliver ultra clean SSL SuperAnalogueTM grade recordings but also features a switchable VHD mode. SSL's patented Variable Harmonic Drive (VHD) system uses a 100% analogue signal path to generate rich harmonic distortion. As you increase VHD input gain, the Variable Harmonic Drive process introduces either 2nd or 3rd harmonic distortion or a blend of the two to your source material. At lower gain settings it adds gentle valve-style warmth or a touch of transistor edge. As the gain is increased the more extreme the distortion becomes until at high gain settings it delivers fierce trashy transistoresque grunge. The VHD Pre gives the user ultimate versatility from a studio grade preamp. Whether it's ultra-clean traditional SSL, subtle warming or totally trashy transistor distortion, VHD will change your expectations of what a preamplifier should deliver.\u003cbr\u003e\u003cbr\u003eThe VHD section of the VHD Pre Module has three rotary controls: a Drive control selects 2nd harmonic or 3rd harmonic distortion or a continuously variable blend of the two. A +20\/+75dB gain control sets input level. A -20\/+20dB trim control adjusts the output level from the circuit to enable level matching with other devices, because by its nature the VHD circuit can significantly increase signal levels. The VHD Pre Module has a selection of other essential professional preamp features: a signal present LED, a switchable 15Hz to 500Hz LF Filter section, Hi-Z impedance switch for mic impedance matching, +48V phantom power, PAD to enable the VHD system to be used as a line level processing device and a Phase Invert Switch.\u003cbr\u003e\u003cbr\u003eKey Features:\u003cbr\u003e\u003cbr\u003e ✓ Uniquely versatile recording and processing\u003cbr\u003e ✓ Ultra clean SSL SuperAnalogue grade preamp\u003cbr\u003e ✓ Switchable VHD system adds controllable 2nd or 3rd harmonic distortion\u003cbr\u003e ✓ Switchable LF Filter (15Hz to 500Hz)\u003cbr\u003e ✓ Hi-Z switch for high impedance microphone use\u003cbr\u003e ✓ +48V Phantom Power with status LED\u003cbr\u003e ✓ PAD for use with line level source material\u003cbr\u003e ✓ Phase invert switch"}

{"id":98431139866,"title":"Solid State Logic 500-Series LMC+","handle":"solid-state-logic-500-series-lmc","description":"\u003cp\u003e500 Format Modules Classic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eClassic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eThe SSL big console sound has been available in 12 different modules for our own modular X-Rack system for many years. The system enjoys a large and enthusiastic customer base with more than 15,000 modules sold. X-Rack users reap the benefits of the very high-quality power supply and on board TotalRecallTM offered by the X-Rack system. The release of modules for the widely-used 500 format modular rack platform makes a small slice of the SSL sound available to a wider group of users.\u003cbr\u003e\u003cbr\u003eSSL's range of modules for the 500 series rack format currently consists of five different modules; the classic Stereo Bus Compressor which has featured on every model of SSL large format analogue console, E-Series EQ and E-Series Dynamics modules which deliver the legendary sound of the channel strip processing from SSL's 1980's E-Series console, and the incredibly versatile VHD Pre input module which can deliver ultra-clean recordings or a range of more saturated tonal characteristics and the LMC+ module, a new twist on the legendary SSL Listen Mic Compressor.\u003cbr\u003e\u003cbr\u003eSSL LMC+ Module for 500 format racks\u003cbr\u003e\u003cbr\u003eThe classic SSL Listen Mic Compressor with an added creative twist.\u003cbr\u003e\u003cbr\u003eThe LMC+ Module brings a new and significantly enhanced version of the classic SSL Listen Mic Compressor to 500 format racks. This famous processor from the legendary SL4000E console was the secret weapon in many producers sonic arsenal of recording techniques. Originally designed to prevent overloading the return feed from a studio communications mic, its fixed attack and release curves were eminently suitable for use on ambient drums mics. This all-new version includes a pair of classic SSL High Pass and Low Pass filters to allow targeting of a specific frequency range, a filters to compressor side chain option and a wet\/dry blend control. Two additional superb new tools are added to give the LMC+ a distinctive sonic twist; a 'Scoop' button that phase inverts the wet signal, as well as a unique 'Split' button that engages a bandpass subtraction mode. Used together and separately and in conjunction with the filters and sidechain, the new controls give LMC+ a distinctive tonal edge with a range of creative possibilities.\u003c\/p\u003e\n\u003cp\u003eKey Features:\u003cbr\u003e\u003cbr\u003e ✓ Enhanced version of the classic SSL Listen Mic Compressor\u003cbr\u003e ✓ from the legendary SL4000E console\u003cbr\u003e ✓ Fixed attack and release curves ideal for use on ambient drums mics\u003cbr\u003e ✓ SSL High Pass and Low Pass filters\u003cbr\u003e ✓ Filters to compressor side chain feature\u003cbr\u003e ✓ Wet\/dry blend control\u003cbr\u003e ✓ 'Scoop' button that phase inverts the wet signal\u003cbr\u003e ✓ 'Split'button engages a bandpass subtraction mode\u003c\/p\u003e","published_at":"2017-09-13T13:53:02+02:00","created_at":"2017-09-13T13:56:47+02:00","vendor":"Solid State Logic","type":"500 Series","tags":["500 Series Dynamics","500 Series Processors","Price Range_$500 to $750","Shop by brand_Solid State Logic","Shop by category_500 Series","Shop by category_500 Series Dynamics","Solid State Logic","Studio \u0026 Recording"],"price":60060,"price_min":60060,"price_max":60060,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1222696173594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Solid State Logic 500-Series LMC+","public_title":null,"options":["Default Title"],"price":60060,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"729733X1"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-LMC-Module-for-500-Format-Racks-white.jpg?v=1528763323","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_eb36d57d-3696-483f-a708-d8df6ce46f11.png?v=1528763323","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-LMC-Module-for-500-Format-Racks-bg.jpg?v=1528763323","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-500-format-modules-group-bg_4a4982bb-dc83-47a8-83d6-f745cdecbfcf.jpg?v=1528763323"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-LMC-Module-for-500-Format-Racks-white.jpg?v=1528763323","options":["Title"],"content":"\u003cp\u003e500 Format Modules Classic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eClassic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eThe SSL big console sound has been available in 12 different modules for our own modular X-Rack system for many years. The system enjoys a large and enthusiastic customer base with more than 15,000 modules sold. X-Rack users reap the benefits of the very high-quality power supply and on board TotalRecallTM offered by the X-Rack system. The release of modules for the widely-used 500 format modular rack platform makes a small slice of the SSL sound available to a wider group of users.\u003cbr\u003e\u003cbr\u003eSSL's range of modules for the 500 series rack format currently consists of five different modules; the classic Stereo Bus Compressor which has featured on every model of SSL large format analogue console, E-Series EQ and E-Series Dynamics modules which deliver the legendary sound of the channel strip processing from SSL's 1980's E-Series console, and the incredibly versatile VHD Pre input module which can deliver ultra-clean recordings or a range of more saturated tonal characteristics and the LMC+ module, a new twist on the legendary SSL Listen Mic Compressor.\u003cbr\u003e\u003cbr\u003eSSL LMC+ Module for 500 format racks\u003cbr\u003e\u003cbr\u003eThe classic SSL Listen Mic Compressor with an added creative twist.\u003cbr\u003e\u003cbr\u003eThe LMC+ Module brings a new and significantly enhanced version of the classic SSL Listen Mic Compressor to 500 format racks. This famous processor from the legendary SL4000E console was the secret weapon in many producers sonic arsenal of recording techniques. Originally designed to prevent overloading the return feed from a studio communications mic, its fixed attack and release curves were eminently suitable for use on ambient drums mics. This all-new version includes a pair of classic SSL High Pass and Low Pass filters to allow targeting of a specific frequency range, a filters to compressor side chain option and a wet\/dry blend control. Two additional superb new tools are added to give the LMC+ a distinctive sonic twist; a 'Scoop' button that phase inverts the wet signal, as well as a unique 'Split' button that engages a bandpass subtraction mode. Used together and separately and in conjunction with the filters and sidechain, the new controls give LMC+ a distinctive tonal edge with a range of creative possibilities.\u003c\/p\u003e\n\u003cp\u003eKey Features:\u003cbr\u003e\u003cbr\u003e ✓ Enhanced version of the classic SSL Listen Mic Compressor\u003cbr\u003e ✓ from the legendary SL4000E console\u003cbr\u003e ✓ Fixed attack and release curves ideal for use on ambient drums mics\u003cbr\u003e ✓ SSL High Pass and Low Pass filters\u003cbr\u003e ✓ Filters to compressor side chain feature\u003cbr\u003e ✓ Wet\/dry blend control\u003cbr\u003e ✓ 'Scoop' button that phase inverts the wet signal\u003cbr\u003e ✓ 'Split'button engages a bandpass subtraction mode\u003c\/p\u003e"}

{"id":98409709594,"title":"Solid State Logic 500-Series E EQ Module","handle":"solid-state-logic-500-series-e-eq-module","description":"500 Format Modules Classic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eClassic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eThe SSL big console sound has been available in 12 different modules for our own modular X-Rack system for many years. The system enjoys a large and enthusiastic customer base with more than 15,000 modules sold. X-Rack users reap the benefits of the very high-quality power supply and on board TotalRecallTM offered by the X-Rack system. The release of modules for the widely-used 500 format modular rack platform makes a small slice of the SSL sound available to a wider group of users.\u003cbr\u003e\u003cbr\u003eSSL's range of modules for the 500 series rack format currently consists of five different modules; the classic Stereo Bus Compressor which has featured on every model of SSL large format analogue console, E-Series EQ and E-Series Dynamics modules which deliver the legendary sound of the channel strip processing from SSL's 1980's E-Series console, and the incredibly versatile VHD Pre input module which can deliver ultra-clean recordings or a range of more saturated tonal characteristics and the LMC+ module, a new twist on the legendary SSL Listen Mic Compressor.\u003cbr\u003e\u003cbr\u003eE-Series EQ Module for API 500 format racks\u003cbr\u003e\u003cbr\u003eThe E-Series EQ Module for 500 Series racks reproduces the legendary sonic signature of an early 80's classic, the Solid State Logic SL 4000 E console channel strip, which has featured on countless classic recordings from the 1980's to the present. The E-Series EQ Module features two different EQ's found on editions of the console produced between 1981 and 1989. Each EQ has unique response curves and tonal character. Historically the type of EQ fitted in an individual console was distinguished by the colors used on the LF knob caps so the two flavors have become known as the 'Brown' and 'Black' EQ's. On the E Series EQ Module you can switch between these two different flavors of EQ that have been loved by generations of professional producers.\u003cbr\u003e\u003cbr\u003eKey Features:\u003cbr\u003e\u003cbr\u003e ✓ Immortal SSL 4000 E Series circuitry\u003cbr\u003e ✓ \"Black-242\" and \"Brown-02\" twin EQ design\u003cbr\u003e ✓ Versatile 4 band channel EQ\u003cbr\u003e ✓ Bell curve option on HF and LF\u003cbr\u003e ✓ Fully parametric LMF and HMF with Q\u003cbr\u003e ✓ Based on classic 611E console channel strip\u003cbr\u003e\u003cbr\u003eThe 'Brown' EQ, featured on the discontinued SSL E-Signature Channel Strip, is now uniquely available on the E-Series EQ Module.\u003cbr\u003e\u003cbr\u003eA little SSL EQ history\u003cbr\u003e\u003cbr\u003ePrior to 1987 SSL used the colour of the Low Frequency EQ knob caps to indicate which type of EQ was fitted. All consoles were custom built and could feature different combinations of EQ module. The following colour codes apply:\u003cbr\u003e\u003cbr\u003eE-Series BROWN: The original SSL EQ fitted to all consoles prior to the summer of 1985. Despite the rumours these equalisers only came in one version. The EQ card was called the '02'.\u003cbr\u003e\u003cbr\u003eE Series ORANGE: The infamous EQP equaliser. This was a variation on the Brown EQ with controls simulating the curves of a valve type EQ. Very few were sold. This card was named the '132'.\u003cbr\u003e\u003cbr\u003eE-Series BLACK: The last version of the standard E series EQ. It evolved in the early 1980's from discussions with many top engineers and proved very popular. The EQ card was called the '242'.\u003cbr\u003e\u003cbr\u003eG-Series: With the arrival of the G Series console in 1987 the colour coding was abandoned and the classic SSL end cap colour scheme used today was adopted. First introduced in 1987 the original G Series EQ introduced Q characteristics which were proportional to gain settings and had a degree of over shoot when boosting and under shoot when cutting.\u003cbr\u003e\u003cbr\u003eThe current generation of SuperAnalogue console EQ (featured on Duality, AWS 900 + SE \u0026amp; the X-Rack EQ module) are switchable between EQ characteristics that offer either the E-Series 'Black' EQ or the G Series EQ.","published_at":"2017-09-13T13:26:56+02:00","created_at":"2017-09-13T13:35:12+02:00","vendor":"Solid State Logic","type":"500 Series","tags":["500 Series EQ","500 Series Processors","Price Range_$750 to $1000","Shop by brand_Solid State Logic","Shop by category_500 Series","Shop by category_500 Series EQ","Solid State Logic","Studio \u0026 Recording"],"price":89460,"price_min":89460,"price_max":89460,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1221857607706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Solid State Logic 500-Series E EQ Module","public_title":null,"options":["Default Title"],"price":89460,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"729720X1"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/500E-Series-EQ-Module-wb.jpg?v=1528763055","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_7ddc9d02-037d-40c9-b6dd-05bf192f04e3.png?v=1528763055","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/500ESeries-EQModule-bg.jpg?v=1528763055","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-500-format-modules-group-bg_43c742d9-3bef-4d02-81b0-305e89bdbbde.jpg?v=1528763055"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/500E-Series-EQ-Module-wb.jpg?v=1528763055","options":["Title"],"content":"500 Format Modules Classic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eClassic SSL analogue processing for the API 500 format rack\u003cbr\u003e\u003cbr\u003eThe SSL big console sound has been available in 12 different modules for our own modular X-Rack system for many years. The system enjoys a large and enthusiastic customer base with more than 15,000 modules sold. X-Rack users reap the benefits of the very high-quality power supply and on board TotalRecallTM offered by the X-Rack system. The release of modules for the widely-used 500 format modular rack platform makes a small slice of the SSL sound available to a wider group of users.\u003cbr\u003e\u003cbr\u003eSSL's range of modules for the 500 series rack format currently consists of five different modules; the classic Stereo Bus Compressor which has featured on every model of SSL large format analogue console, E-Series EQ and E-Series Dynamics modules which deliver the legendary sound of the channel strip processing from SSL's 1980's E-Series console, and the incredibly versatile VHD Pre input module which can deliver ultra-clean recordings or a range of more saturated tonal characteristics and the LMC+ module, a new twist on the legendary SSL Listen Mic Compressor.\u003cbr\u003e\u003cbr\u003eE-Series EQ Module for API 500 format racks\u003cbr\u003e\u003cbr\u003eThe E-Series EQ Module for 500 Series racks reproduces the legendary sonic signature of an early 80's classic, the Solid State Logic SL 4000 E console channel strip, which has featured on countless classic recordings from the 1980's to the present. The E-Series EQ Module features two different EQ's found on editions of the console produced between 1981 and 1989. Each EQ has unique response curves and tonal character. Historically the type of EQ fitted in an individual console was distinguished by the colors used on the LF knob caps so the two flavors have become known as the 'Brown' and 'Black' EQ's. On the E Series EQ Module you can switch between these two different flavors of EQ that have been loved by generations of professional producers.\u003cbr\u003e\u003cbr\u003eKey Features:\u003cbr\u003e\u003cbr\u003e ✓ Immortal SSL 4000 E Series circuitry\u003cbr\u003e ✓ \"Black-242\" and \"Brown-02\" twin EQ design\u003cbr\u003e ✓ Versatile 4 band channel EQ\u003cbr\u003e ✓ Bell curve option on HF and LF\u003cbr\u003e ✓ Fully parametric LMF and HMF with Q\u003cbr\u003e ✓ Based on classic 611E console channel strip\u003cbr\u003e\u003cbr\u003eThe 'Brown' EQ, featured on the discontinued SSL E-Signature Channel Strip, is now uniquely available on the E-Series EQ Module.\u003cbr\u003e\u003cbr\u003eA little SSL EQ history\u003cbr\u003e\u003cbr\u003ePrior to 1987 SSL used the colour of the Low Frequency EQ knob caps to indicate which type of EQ was fitted. All consoles were custom built and could feature different combinations of EQ module. The following colour codes apply:\u003cbr\u003e\u003cbr\u003eE-Series BROWN: The original SSL EQ fitted to all consoles prior to the summer of 1985. Despite the rumours these equalisers only came in one version. The EQ card was called the '02'.\u003cbr\u003e\u003cbr\u003eE Series ORANGE: The infamous EQP equaliser. This was a variation on the Brown EQ with controls simulating the curves of a valve type EQ. Very few were sold. This card was named the '132'.\u003cbr\u003e\u003cbr\u003eE-Series BLACK: The last version of the standard E series EQ. It evolved in the early 1980's from discussions with many top engineers and proved very popular. The EQ card was called the '242'.\u003cbr\u003e\u003cbr\u003eG-Series: With the arrival of the G Series console in 1987 the colour coding was abandoned and the classic SSL end cap colour scheme used today was adopted. First introduced in 1987 the original G Series EQ introduced Q characteristics which were proportional to gain settings and had a degree of over shoot when boosting and under shoot when cutting.\u003cbr\u003e\u003cbr\u003eThe current generation of SuperAnalogue console EQ (featured on Duality, AWS 900 + SE \u0026amp; the X-Rack EQ module) are switchable between EQ characteristics that offer either the E-Series 'Black' EQ or the G Series EQ."}