{"id":244299694106,"title":"Overstayer Stereo Field Effect Model 3706","handle":"overstayer-stereo-field-effect-model-3707","description":"\u003cstrong\u003eOverstayer Stereo Field Effect Model 3706\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWe love FET compression! In fact, some say we’re slightly obsessed with it. They might be right.\u003cbr\u003e\u003cbr\u003eThe Overstayer Stereo Field Effect Model 3706 Limiter\/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo unit with ganged controls that combines compression and limiting, with analog tone shaping and harmonics stages to evoke the tonality of a classic analog recording and mixing chain.\u003cbr\u003e\u003cbr\u003eClassic FET ratios, as well as subtle low and hard limit ratios, allow the balance of compression to harmonics to be tailored, while wide-ranging attack and release options allow the envelope to shape exactly what hits the harmonics stages. The integrated sidechain filter and tone shaping of the discrete harmonics stages allows the signal to remain full even with large amounts of gain reduction. The Nonlinear mode engages an alternate aggressive personality, giving you new and unique dynamic textures.","published_at":"2017-12-24T13:19:12+02:00","created_at":"2017-12-24T13:20:35+02:00","vendor":"Overstayer","type":"Compressors \/ Limiters","tags":["Compressors \/ Limiters","Overstayer","Price Range_$1500 to $2000","Shop by brand_Overstayer","Shop by category_Compressors \/ Limiters"],"price":189500,"price_min":189500,"price_max":189500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302742458394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Overstayer Stereo Field Effect Model 3706","public_title":null,"options":["Default Title"],"price":189500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/overstayer_3706_front.jpg?v=1514114552"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/overstayer_3706_front.jpg?v=1514114552","options":["Title"],"content":"\u003cstrong\u003eOverstayer Stereo Field Effect Model 3706\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWe love FET compression! In fact, some say we’re slightly obsessed with it. They might be right.\u003cbr\u003e\u003cbr\u003eThe Overstayer Stereo Field Effect Model 3706 Limiter\/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo unit with ganged controls that combines compression and limiting, with analog tone shaping and harmonics stages to evoke the tonality of a classic analog recording and mixing chain.\u003cbr\u003e\u003cbr\u003eClassic FET ratios, as well as subtle low and hard limit ratios, allow the balance of compression to harmonics to be tailored, while wide-ranging attack and release options allow the envelope to shape exactly what hits the harmonics stages. The integrated sidechain filter and tone shaping of the discrete harmonics stages allows the signal to remain full even with large amounts of gain reduction. The Nonlinear mode engages an alternate aggressive personality, giving you new and unique dynamic textures."}

{"id":244317519898,"title":"Weiss DS1","handle":"weiss-ds1","description":"\u003cstrong\u003eWeiss DS1\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWeiss DS1-MK3, the reference when it comes to digital mastering Compressors and De-Essers. An extremely versatile single band limiter\/compressor with M\/S mode and Parallel Compression facilities.\u003cbr\u003e\u003cbr\u003eThe Weiss 102 Series split band De-Esser was one of the mastering industry’s most highly praised digital product. With the DS1-MK3 the Weiss engineers have taken their de-esser design and combined it with the best features of the time proven 102 Series Dynamics Processors. The result is a stand alone digital Dynamics Processor with unparalleled performance and sonic integrity.","published_at":"2017-12-24T14:18:38+02:00","created_at":"2017-12-24T14:21:28+02:00","vendor":"Weiss","type":"Compressors \/ Limiters","tags":["Compressors \/ Limiters No search results.","Price Range_$3000 and Over","Shop by brand_Weiss","Shop by category_Compressors \/ Limiters","Weiss"],"price":892000,"price_min":892000,"price_max":892000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302775128090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Weiss DS1","public_title":null,"options":["Default Title"],"price":892000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/weiss_ds1.jpg?v=1514118097"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/weiss_ds1.jpg?v=1514118097","options":["Title"],"content":"\u003cstrong\u003eWeiss DS1\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWeiss DS1-MK3, the reference when it comes to digital mastering Compressors and De-Essers. An extremely versatile single band limiter\/compressor with M\/S mode and Parallel Compression facilities.\u003cbr\u003e\u003cbr\u003eThe Weiss 102 Series split band De-Esser was one of the mastering industry’s most highly praised digital product. With the DS1-MK3 the Weiss engineers have taken their de-esser design and combined it with the best features of the time proven 102 Series Dynamics Processors. The result is a stand alone digital Dynamics Processor with unparalleled performance and sonic integrity."}

{"id":244302643226,"title":"Shadow Hills Industries Mastering Compressor","handle":"shadow-hills-industries-mastering-compressor","description":"\u003cstrong\u003eShadow Hills Industries Mastering Compressor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Shadow Hills Mastering Compressor has extraordinary functionality, and also provides mastering grade compression and limiting for tracking and mixing. Essentially it is two compressors in series, per channel, that can act in stereo, or dual mono. First comes our mastering grade electro optical compressor, followed by our discrete Class-A compressor\/limiter. Both feed our switchable custom output transformers, Nickel, Iron, and Steel. There is enough gain in each section to overdrive the hottest tape, or clip your converters, if you're into that sort of thing.\u003cbr\u003e\u003cbr\u003eThe input stage is transformer balanced, followed by our fully discrete optical compressor. This section utilizes the same T4B optical attenuator as the LA2A and LA3A, but is optimized for mastering. The second stage is our discrete Class-A VCA compressor. There are no electrolytic caps or IC chips in the audio path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1. There is six attack settings: .1, .5, 1, 5, 10, and 30 milliseconds. And there are six release times selectable: .1, .25, .5,8, 1.2, and Auto. There is an insertable filter in the side chain to limit pumping with bass heavy material. Lastly the signal goes through our new Shadow Hills custom transformer-switching network.\u003cbr\u003e\u003cbr\u003eThe first position is Nickel, which is our custom version of a famous L. A. custom console. Next is Iron. In this mode the signal goes through our op-amp and into a Class-A output stage then to our custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, colored, and dirty, respectively.\u003cbr\u003e\u003cbr\u003eThe optical section has a hard-wired bypass that completely removes it from the signal path, and the Class-A VCA compressor is also hardwire bypassable, completely removing it from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a strait wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it serves as an excellent tracking compressor.\u003cbr\u003e\u003cbr\u003eFor instance, you might call up the chain of the optical compressor, then to the Class-A output and Iron transformer, for vocals, or select just the Class-A VCA compressor with a 10:1 plus the Steel transformer for crushing some room mics, and on and on.\u003cbr\u003e\u003cbr\u003eThe metering can reflect, optical gain reduction, discrete gain reduction, or output level. The Magic eye tube follows the output meter to act as a peak meter.\u003cbr\u003e\u003cbr\u003eAll 17 of the rotary switches are detented. The front panel is engraved. The knobs are bake-lite.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","published_at":"2017-12-24T13:32:10+02:00","created_at":"2017-12-24T13:33:01+02:00","vendor":"Shadow Hills Industries","type":"Compressors \/ Limiters","tags":["Compressors \/ Limiters No search results.","Price Range_$3000 and Over","Series Compressors \/ Limiters","Shadow Hills Industries","Shop by brand_Shadow Hills Industries","Shop by category_Compressors \/ Limiters","Signal Processing \u0026 500","Studio \u0026 Recording"],"price":779500,"price_min":779500,"price_max":779500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302751764506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shadow Hills Industries Mastering Compressor","public_title":null,"options":["Default Title"],"price":779500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/shadowhills_masteringcomp.jpg?v=1514115190"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/shadowhills_masteringcomp.jpg?v=1514115190","options":["Title"],"content":"\u003cstrong\u003eShadow Hills Industries Mastering Compressor\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Shadow Hills Mastering Compressor has extraordinary functionality, and also provides mastering grade compression and limiting for tracking and mixing. Essentially it is two compressors in series, per channel, that can act in stereo, or dual mono. First comes our mastering grade electro optical compressor, followed by our discrete Class-A compressor\/limiter. Both feed our switchable custom output transformers, Nickel, Iron, and Steel. There is enough gain in each section to overdrive the hottest tape, or clip your converters, if you're into that sort of thing.\u003cbr\u003e\u003cbr\u003eThe input stage is transformer balanced, followed by our fully discrete optical compressor. This section utilizes the same T4B optical attenuator as the LA2A and LA3A, but is optimized for mastering. The second stage is our discrete Class-A VCA compressor. There are no electrolytic caps or IC chips in the audio path. There are six ratios: 1.2 to 1, 2 to 1, 3 to 1, 4 to 1, 6 to 1, and 10 to 1. There is six attack settings: .1, .5, 1, 5, 10, and 30 milliseconds. And there are six release times selectable: .1, .25, .5,8, 1.2, and Auto. There is an insertable filter in the side chain to limit pumping with bass heavy material. Lastly the signal goes through our new Shadow Hills custom transformer-switching network.\u003cbr\u003e\u003cbr\u003eThe first position is Nickel, which is our custom version of a famous L. A. custom console. Next is Iron. In this mode the signal goes through our op-amp and into a Class-A output stage then to our custom Iron transformers, the last transformer position is Steel. These selections allow you to choose between different output transformers that are in effect: clean, colored, and dirty, respectively.\u003cbr\u003e\u003cbr\u003eThe optical section has a hard-wired bypass that completely removes it from the signal path, and the Class-A VCA compressor is also hardwire bypassable, completely removing it from the chain. It is possible to independently bypass both compression sections and have your signal go through the input transformer and transformer selector only. There is also a hardwire bypass for the entire compressor, effectively a strait wire in and out of the box. So besides being a mastering grade, and highly functional buss compressor, it serves as an excellent tracking compressor.\u003cbr\u003e\u003cbr\u003eFor instance, you might call up the chain of the optical compressor, then to the Class-A output and Iron transformer, for vocals, or select just the Class-A VCA compressor with a 10:1 plus the Steel transformer for crushing some room mics, and on and on.\u003cbr\u003e\u003cbr\u003eThe metering can reflect, optical gain reduction, discrete gain reduction, or output level. The Magic eye tube follows the output meter to act as a peak meter.\u003cbr\u003e\u003cbr\u003eAll 17 of the rotary switches are detented. The front panel is engraved. The knobs are bake-lite.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e"}

{"id":244302217242,"title":"Q2 Audio F765 COMPEX 500","handle":"q2-audio-f765-compex-500","description":"\u003cstrong\u003eQ2 AUDIO F765 COMPEX 500\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eManufactured by Q2 Audio in close collaboration with Audio \u0026amp; Design, the F765 is a remake of the classic F760-N module and has now been adapted to the 500 series modular rack system. It is authentic in every detail and reproduces the exact sonic qualities of the original product.\u003cbr\u003e\u003cbr\u003eUsing the original discrete analogue circuit design employing a feedback FET technique and maintaining the use of the same components that give this product such a distinctive sound, the new F765 compressor\/limiter will add dynamic punch to your sound as well as controlling peak excursions.\u003cbr\u003e\u003cbr\u003eThe original F760-N module was used by major recording artists worldwide throughout the 60s, 70s, and 80s. This famous, iconic processor was instrumental in shaping the sounds of that era. Now as the F765 it returns to take a worthy place in the ever-popular 500 series rack system with it's unique signature on the sounds of today.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    Single channel level control offering simultaneous compression gain reduction with peak limiting\u003c\/li\u003e\n\u003cli\u003e    Precision calibrated compressor\/limiter threshold control which allows the user to “dial up” the amount of compression required before peak limiting occurs\u003c\/li\u003e\n\u003cli\u003e    Switched Compression values from 1:1 (amplifier), 2:1, 3:1, 5:1, 10:1 \u0026amp; 20:1 (limiter)\u003c\/li\u003e\n\u003cli\u003e    Auto dual platform release function – allows fast transient recovery on a “build-up” slow release\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eEnhancements\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    Gold contact rotary switches\u003c\/li\u003e\n\u003cli\u003e    Gold contact toggle switches\u003c\/li\u003e\n\u003cli\u003e    Conductive plastic potentiometers\u003c\/li\u003e\n\u003cli\u003e    PCB headers for possible future connection to E900 type EQ\u003c\/li\u003e\n\u003cli\u003e    Sidechain Insert and Bus output functionality per Radial Engineering specs\u003c\/li\u003e\n\u003cli\u003e    Sidechain insert is jumpered by default\u003c\/li\u003e\n\u003cli\u003e    Sidechain insert send minimum external load of 10K\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput:\u003c\/strong\u003e 10K ohms Unbalanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput: \u003c\/strong\u003e Transformer Balanced (Cinemag CMOB-3L) Max output: 20dBu, 18.5dBm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetering:\u003c\/strong\u003e  Sifam Fast Responding analog meter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Linking: \u003c\/strong\u003e Must ordered as stereo pair for proper stereo performance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower requirements:\u003c\/strong\u003e  +\/-16V DC @ 70mA per rail (brief 400mA turn-on surge)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem Gain: \u003c\/strong\u003e 34dB with input\/output attenuators fully open. Unity gain in Bypass mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eThresholds:\u003c\/strong\u003e\u003cbr\u003ePeak Limiter: +14dBu maximum with unattenuated output. Referred to unattenuated input level 20dBu\u003cbr\u003eCompressor:  Calibrated with reference to Peak Limiter thresholds and marked 0 – 20dB in 2dB steps. (Reference to unattenuated input level this is -20dBu to -40dBu)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e:\u003cbr\u003ePeak Limiter: 250mS,\u003cbr\u003eCompressor: 25mS, 50mS, 100mS, 200mS, 400mS, 800mS, 1.6 secs, 3.2 secs + Auto release function\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e:\u003cbr\u003ePeak Limiter: \u0026lt; 250uS for 100% control of overshoot – without any over limiting. (measured at 1KHz for 10dB gain reduction)\u003cbr\u003eCompressor: 250uS, 2.5mS, 25mS\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDistortion: \u003c\/strong\u003e Measured at 1KHz for 10dB compression \u0026amp; 3.2 secs release time.\u003cbr\u003e\u003cstrong\u003eCompressor:\u003c\/strong\u003e at +10dBu threshold \u0026lt;0.1% (typically 0.04%)\u003cbr\u003e\u003cstrong\u003ePeak Limiter:\u003c\/strong\u003e at +14dBu threshold \u0026lt;0.3%\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBalanced:\u003c\/strong\u003e \u0026lt; -0.5dB at 20Hz \u0026amp; \u0026lt; -0.75dB at 20KHz\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSignal – Noise Ratio:\u003c\/strong\u003e\u003cbr\u003eReferred to Peak Limiter threshold level as set by output attenuator: better than -80dB (Measured with low pass filter -3dB at 25HKz)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStereo Matching:\u003c\/strong\u003e\u003cbr\u003eControl volts matching on compressor to within ±1dB of each other, consequently no image shift during operation\u003cbr\u003eSelectable Peak Limiter operation\u003cbr\u003ePeak Limiter on – off or Pre-emph (50uS time constant)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIndicators:\u003c\/strong\u003e\u003cbr\u003eOverall Gain Reduction Meter scaled 0 – 20dB in 4dB divisions. White scale on black background with yellow pointer\u003cbr\u003ePeak Limiter operating: Red indicator","published_at":"2017-12-24T13:28:12+02:00","created_at":"2017-12-24T13:30:43+02:00","vendor":"Q2 Audio","type":"Compressors \/ Limiters","tags":["Compressors \/ Limiters No search results.","Price Range_$1000 to $1500","Q2 AUDIO","Shop by brand_Q2 Audio","Shop by category_500 Series","Shop by category_Compressors \/ Limiters"],"price":102500,"price_min":102500,"price_max":102500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302749732890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Q2 Audio F765 COMPEX 500","public_title":null,"options":["Default Title"],"price":102500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/q2-compex-500_59925_1.jpg?v=1514243436","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/q2-compex-500_59925_2.jpg?v=1514243436","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/q2-compex-500_59925_3.jpg?v=1514243436"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/q2-compex-500_59925_1.jpg?v=1514243436","options":["Title"],"content":"\u003cstrong\u003eQ2 AUDIO F765 COMPEX 500\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eManufactured by Q2 Audio in close collaboration with Audio \u0026amp; Design, the F765 is a remake of the classic F760-N module and has now been adapted to the 500 series modular rack system. It is authentic in every detail and reproduces the exact sonic qualities of the original product.\u003cbr\u003e\u003cbr\u003eUsing the original discrete analogue circuit design employing a feedback FET technique and maintaining the use of the same components that give this product such a distinctive sound, the new F765 compressor\/limiter will add dynamic punch to your sound as well as controlling peak excursions.\u003cbr\u003e\u003cbr\u003eThe original F760-N module was used by major recording artists worldwide throughout the 60s, 70s, and 80s. This famous, iconic processor was instrumental in shaping the sounds of that era. Now as the F765 it returns to take a worthy place in the ever-popular 500 series rack system with it's unique signature on the sounds of today.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    Single channel level control offering simultaneous compression gain reduction with peak limiting\u003c\/li\u003e\n\u003cli\u003e    Precision calibrated compressor\/limiter threshold control which allows the user to “dial up” the amount of compression required before peak limiting occurs\u003c\/li\u003e\n\u003cli\u003e    Switched Compression values from 1:1 (amplifier), 2:1, 3:1, 5:1, 10:1 \u0026amp; 20:1 (limiter)\u003c\/li\u003e\n\u003cli\u003e    Auto dual platform release function – allows fast transient recovery on a “build-up” slow release\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eEnhancements\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    Gold contact rotary switches\u003c\/li\u003e\n\u003cli\u003e    Gold contact toggle switches\u003c\/li\u003e\n\u003cli\u003e    Conductive plastic potentiometers\u003c\/li\u003e\n\u003cli\u003e    PCB headers for possible future connection to E900 type EQ\u003c\/li\u003e\n\u003cli\u003e    Sidechain Insert and Bus output functionality per Radial Engineering specs\u003c\/li\u003e\n\u003cli\u003e    Sidechain insert is jumpered by default\u003c\/li\u003e\n\u003cli\u003e    Sidechain insert send minimum external load of 10K\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eInput:\u003c\/strong\u003e 10K ohms Unbalanced\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eOutput: \u003c\/strong\u003e Transformer Balanced (Cinemag CMOB-3L) Max output: 20dBu, 18.5dBm\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eMetering:\u003c\/strong\u003e  Sifam Fast Responding analog meter\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStereo Linking: \u003c\/strong\u003e Must ordered as stereo pair for proper stereo performance\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003ePower requirements:\u003c\/strong\u003e  +\/-16V DC @ 70mA per rail (brief 400mA turn-on surge)\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eSystem Gain: \u003c\/strong\u003e 34dB with input\/output attenuators fully open. Unity gain in Bypass mode\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cstrong\u003eThresholds:\u003c\/strong\u003e\u003cbr\u003ePeak Limiter: +14dBu maximum with unattenuated output. Referred to unattenuated input level 20dBu\u003cbr\u003eCompressor:  Calibrated with reference to Peak Limiter thresholds and marked 0 – 20dB in 2dB steps. (Reference to unattenuated input level this is -20dBu to -40dBu)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRelease\u003c\/strong\u003e:\u003cbr\u003ePeak Limiter: 250mS,\u003cbr\u003eCompressor: 25mS, 50mS, 100mS, 200mS, 400mS, 800mS, 1.6 secs, 3.2 secs + Auto release function\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAttack\u003c\/strong\u003e:\u003cbr\u003ePeak Limiter: \u0026lt; 250uS for 100% control of overshoot – without any over limiting. (measured at 1KHz for 10dB gain reduction)\u003cbr\u003eCompressor: 250uS, 2.5mS, 25mS\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDistortion: \u003c\/strong\u003e Measured at 1KHz for 10dB compression \u0026amp; 3.2 secs release time.\u003cbr\u003e\u003cstrong\u003eCompressor:\u003c\/strong\u003e at +10dBu threshold \u0026lt;0.1% (typically 0.04%)\u003cbr\u003e\u003cstrong\u003ePeak Limiter:\u003c\/strong\u003e at +14dBu threshold \u0026lt;0.3%\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFrequency Response:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eBalanced:\u003c\/strong\u003e \u0026lt; -0.5dB at 20Hz \u0026amp; \u0026lt; -0.75dB at 20KHz\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSignal – Noise Ratio:\u003c\/strong\u003e\u003cbr\u003eReferred to Peak Limiter threshold level as set by output attenuator: better than -80dB (Measured with low pass filter -3dB at 25HKz)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eStereo Matching:\u003c\/strong\u003e\u003cbr\u003eControl volts matching on compressor to within ±1dB of each other, consequently no image shift during operation\u003cbr\u003eSelectable Peak Limiter operation\u003cbr\u003ePeak Limiter on – off or Pre-emph (50uS time constant)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIndicators:\u003c\/strong\u003e\u003cbr\u003eOverall Gain Reduction Meter scaled 0 – 20dB in 4dB divisions. White scale on black background with yellow pointer\u003cbr\u003ePeak Limiter operating: Red indicator"}

{"id":244301365274,"title":"Q2 Audio ADR COMPEX F760X-RS","handle":"q2-audio-adr-compex-f760x-rs","description":"\u003cstrong\u003e Q2 Audio ADR COMPEX F760X-RS\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFunctionally, the new Compex has all the same features and settings as the original unit, employing the same super-flexible FET-based compression, limiting and gating. Switchable threshold, compression ratio, and attack\/release times are available with all the same settings and a stereo link switch is provided for linking the two channels together for operation in stereo. An all-new external side-chain insert has been added to the new Compex, letting you feed the detector circuit of the compressor with an independent sound source. The side-chain insert can be set to control the gate circuit, instead, by simply switching over an internal jumper. The limit section has a switchable 50us \"pre-emphasis\" setting in addition to the normal “on” position. Pre-emphasis was originally used for limiting high frequencies to prevent over-modulation during broadcast use. Pre-emphasis boosts the high frequencies entering the limiter side-chain, acting as a de-esser causing limiting action on sibilant high frequencies. The compressor side-chain insert is useful for adding an EQ to the side-chain audio signal to create \"vocal stresser\" type frequency-dependent compression effects or inserting another audio source for “ducking\".\u003cbr\u003e\u003cbr\u003eImproving upon some of the components and build-quality concerns of the original Compex, a high-quality meter has been employed (replacing the discontinued Sifam™ Director 14 meter) and the original “ABC” cards have been combined to a single PCB to allow for more efficient manufacturing. Also, some slight alterations have been made to the calibration functions to help the unit maintain calibration over a longer period of time. The original potentiometers were an open frame design which became noisy as time wore on, the re-issue has sealed conductive plastic potentiometers to improve the usable life-span.\u003cbr\u003e\u003cbr\u003eWith a wide range of features and functions, the new ADR Compex by Q2 Audio can meet the needs of any dynamic-processing task, adding a character and flavor all its own. Those familiar with the original Compex will be pleased to see how faithfully recreated this reincarnate really is, with a few enhancements and updates to make one of the best compressor\/limiters just that much better.","published_at":"2017-12-24T13:26:10+02:00","created_at":"2017-12-24T13:27:45+02:00","vendor":"Q2 Audio","type":"Compressors \/ Limiters","tags":["Compressors \/ Limiters No search results.","Price Range_$2000 to $3000","Q2 Audio","Shop by brand_Q2 Audio","Shop by category_Compressors \/ Limiters"],"price":275000,"price_min":275000,"price_max":275000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302748880922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Q2 Audio ADR COMPEX F760X-RS","public_title":null,"options":["Default Title"],"price":275000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/q2audio_f760xrs.jpg?v=1514114873"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/q2audio_f760xrs.jpg?v=1514114873","options":["Title"],"content":"\u003cstrong\u003e Q2 Audio ADR COMPEX F760X-RS\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eFunctionally, the new Compex has all the same features and settings as the original unit, employing the same super-flexible FET-based compression, limiting and gating. Switchable threshold, compression ratio, and attack\/release times are available with all the same settings and a stereo link switch is provided for linking the two channels together for operation in stereo. An all-new external side-chain insert has been added to the new Compex, letting you feed the detector circuit of the compressor with an independent sound source. The side-chain insert can be set to control the gate circuit, instead, by simply switching over an internal jumper. The limit section has a switchable 50us \"pre-emphasis\" setting in addition to the normal “on” position. Pre-emphasis was originally used for limiting high frequencies to prevent over-modulation during broadcast use. Pre-emphasis boosts the high frequencies entering the limiter side-chain, acting as a de-esser causing limiting action on sibilant high frequencies. The compressor side-chain insert is useful for adding an EQ to the side-chain audio signal to create \"vocal stresser\" type frequency-dependent compression effects or inserting another audio source for “ducking\".\u003cbr\u003e\u003cbr\u003eImproving upon some of the components and build-quality concerns of the original Compex, a high-quality meter has been employed (replacing the discontinued Sifam™ Director 14 meter) and the original “ABC” cards have been combined to a single PCB to allow for more efficient manufacturing. Also, some slight alterations have been made to the calibration functions to help the unit maintain calibration over a longer period of time. The original potentiometers were an open frame design which became noisy as time wore on, the re-issue has sealed conductive plastic potentiometers to improve the usable life-span.\u003cbr\u003e\u003cbr\u003eWith a wide range of features and functions, the new ADR Compex by Q2 Audio can meet the needs of any dynamic-processing task, adding a character and flavor all its own. Those familiar with the original Compex will be pleased to see how faithfully recreated this reincarnate really is, with a few enhancements and updates to make one of the best compressor\/limiters just that much better."}

{"id":244300415002,"title":"Overstayer Stereo Voltage Control Model 3722","handle":"overstayer-stereo-voltage-control-model-3722","description":"\u003cstrong\u003eOverstayer Stereo Voltage Control Model 3722\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Overstayer Stereo Voltage Control Model 3722 is like having and entire mixing signal chain in a single rack space. It goes beyond the capabilities of a typical compressor\/limiter and enables new sonic possibilities while streamlining workflow.\u003cbr\u003e\u003cbr\u003eThe SVC combines the gain control and punch of VCA gain cells, the warmth and character of our discrete analog Harmonics circuitry, and the sculpting power of an ultra-smooth 2-band shelving EQ. The SVC has dynamics control from fast peak limiting to smooth RMS compression, with multiple starting ratios and a Behavior control to create new and unique envelopes. Use the LEVEL control to drive into Harmonics to further bend transient peaks, adding musical harmonic color and cohesiveness as well as increasing apparent volume. The EQ and filters allow you to shape and drive as much low warmth or smooth top presence as desired. Each of its multiple stages can add its character and harmonics, cumulatively transforming the signal in a way not normally possible within a single device.\u003cbr\u003e\u003cbr\u003eThe integrated blend control allows even aggressive settings to be balanced tastefully. You can further create custom compression shaping by using the sidechain high-pass filter for low end response, or even further by using the external sidechain insert.","published_at":"2017-12-24T13:22:49+02:00","created_at":"2017-12-24T13:23:36+02:00","vendor":"Overstayer","type":"Compressors \/ Limiters","tags":["Compressors","Overstayer","Price Range_$1500 to $2000","Shop by brand_Overstayer","Shop by category_Compressors","Shop by category_Compressors \/ Limiters"],"price":197500,"price_min":197500,"price_max":197500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302747668506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Overstayer Stereo Voltage Control Model 3722","public_title":null,"options":["Default Title"],"price":197500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/overstayer_3722_front.jpg?v=1514114626"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/overstayer_3722_front.jpg?v=1514114626","options":["Title"],"content":"\u003cstrong\u003eOverstayer Stereo Voltage Control Model 3722\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe Overstayer Stereo Voltage Control Model 3722 is like having and entire mixing signal chain in a single rack space. It goes beyond the capabilities of a typical compressor\/limiter and enables new sonic possibilities while streamlining workflow.\u003cbr\u003e\u003cbr\u003eThe SVC combines the gain control and punch of VCA gain cells, the warmth and character of our discrete analog Harmonics circuitry, and the sculpting power of an ultra-smooth 2-band shelving EQ. The SVC has dynamics control from fast peak limiting to smooth RMS compression, with multiple starting ratios and a Behavior control to create new and unique envelopes. Use the LEVEL control to drive into Harmonics to further bend transient peaks, adding musical harmonic color and cohesiveness as well as increasing apparent volume. The EQ and filters allow you to shape and drive as much low warmth or smooth top presence as desired. Each of its multiple stages can add its character and harmonics, cumulatively transforming the signal in a way not normally possible within a single device.\u003cbr\u003e\u003cbr\u003eThe integrated blend control allows even aggressive settings to be balanced tastefully. You can further create custom compression shaping by using the sidechain high-pass filter for low end response, or even further by using the external sidechain insert."}

{"id":9447251341,"title":"Warm Audio WA76","handle":"warm-audio-1","description":"\u003cp\u003e\u003cstrong\u003eWarm Audio WA76\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Style.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D.  The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception.  Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiscrete Compressor - Made Affordable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur goal was to make a compressor of this pedigree affordable for the first time, without compromising the quality and design parameters that make this type of compressor so desirable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e    •    Utilizes premium grade input and output CineMag USA Transformers.\u003cbr\u003e    •    True to the Classic '76 compressor in design and performance.\u003cbr\u003e    •    Completely discrete signal path.\u003cbr\u003e    •    Modeled after the D revision.\u003cbr\u003e    •    Supports the famous \"all buttons in\" ratio setting.\u003cbr\u003e    •    Ultra fast attack time.\u003cbr\u003e    •    Class A line level output amplifier.\u003cbr\u003e    •    Input impedance - 600 ohms, bridges-T control (floating).\u003cbr\u003e    •    Frequency Response ± 1 dB 20 Hz to 20kHz.\u003cbr\u003e    •    XLR and TRS inputs. XLR and TRS outputs.\u003cbr\u003e    •    50db of gain.\u003cbr\u003e    •    Less than 0.4% total harmonic distortion from 50 Hz to 20 kHz with limiting.\u003cbr\u003e    •    Signal to noise ratio is greater than 74 dB at +25 dBm.\u003cbr\u003e    •    EIN -104.1 dbm.\u003cbr\u003e    •    Attack time, 20 microseconds to 800 microseconds.\u003cbr\u003e    •    Release time, 50 milliseconds to 1 second.\u003cbr\u003e    •    Meter provides dB gain reduction and dB output.\u003cbr\u003e    •    Internal power supply, external 24v AC power transformer.\u003cbr\u003e    •    19″ Rackmount chassis, 2U.\u003cbr\u003e    •    1-year warranty.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnit Weight    4.2 kg\u003c\/li\u003e\n\u003cli\u003eUnit Size    8x23x6 inch  \/  20x58x15 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. We’ve used all discrete, through-hole components, high quality CineMag input and output transformers, and a class A circuit that stays true to the legacy design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll Buttons In.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA76 can reproduce the classic effect known as ‘All Buttons In’ mode, sometimes also referred to as ‘British Mode’ or the ‘Four Button Trick’.  Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch.  This can take a bit of practice.  The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings.  All-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or ‘overdrive’ on the signal.  Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a ‘sucking’ effect as the compressor releases.  Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to ‘peg out’ and cease providing accurate metering.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","published_at":"2017-03-25T15:19:00+02:00","created_at":"2017-03-25T15:19:35+02:00","vendor":"Warm Audio","type":"FET compressor","tags":["Compressors \/ Limiters","Price Range_$500 to $750","Shop by brand_Warm Audio","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording","Warm Audio"],"price":59900,"price_min":59900,"price_max":59900,"available":true,"price_varies":false,"compare_at_price":89880,"compare_at_price_min":89880,"compare_at_price_max":89880,"compare_at_price_varies":false,"variants":[{"id":34813483917,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WA76","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA76","public_title":null,"options":["Default Title"],"price":59900,"weight":0,"compare_at_price":89880,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"99430206181 "}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_c645e9c1dfc049ca80b07fd571ca7b32_mv2.jpg?v=1490448824","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_7e0c1d3de1b24a00b37e7eca3684b979_mv2.jpg?v=1490448824","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_d454eb25c2024f0c850ba7e41330668a_mv2.jpg?v=1490448824","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_018f5909a4bd4b87afb22368b068c736_mv2.jpg?v=1490448824","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_7be263f2d00e4249aea00701bc8fd32a_mv2.png?v=1490448867","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_e2c7bdd45d24487bb72870338fe96891_mv2.png?v=1490448888"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_c645e9c1dfc049ca80b07fd571ca7b32_mv2.jpg?v=1490448824","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eWarm Audio WA76\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClassic Style.\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA76 Discrete Compressor is a modern reproduction of the Classic '76 Revision D.  The WA76 has a fully discrete signal path and uses the original Reichenbach Engineering's (now CineMag) transformer design. The classic '76 was a major breakthrough in limiter technology, and used on hundreds of hit records since its inception.  Engineers have craved the ultra-fast attack time and trademark sound of the '76 for decades, and now it is finally affordable!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDiscrete Compressor - Made Affordable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOur goal was to make a compressor of this pedigree affordable for the first time, without compromising the quality and design parameters that make this type of compressor so desirable.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e    •    Utilizes premium grade input and output CineMag USA Transformers.\u003cbr\u003e    •    True to the Classic '76 compressor in design and performance.\u003cbr\u003e    •    Completely discrete signal path.\u003cbr\u003e    •    Modeled after the D revision.\u003cbr\u003e    •    Supports the famous \"all buttons in\" ratio setting.\u003cbr\u003e    •    Ultra fast attack time.\u003cbr\u003e    •    Class A line level output amplifier.\u003cbr\u003e    •    Input impedance - 600 ohms, bridges-T control (floating).\u003cbr\u003e    •    Frequency Response ± 1 dB 20 Hz to 20kHz.\u003cbr\u003e    •    XLR and TRS inputs. XLR and TRS outputs.\u003cbr\u003e    •    50db of gain.\u003cbr\u003e    •    Less than 0.4% total harmonic distortion from 50 Hz to 20 kHz with limiting.\u003cbr\u003e    •    Signal to noise ratio is greater than 74 dB at +25 dBm.\u003cbr\u003e    •    EIN -104.1 dbm.\u003cbr\u003e    •    Attack time, 20 microseconds to 800 microseconds.\u003cbr\u003e    •    Release time, 50 milliseconds to 1 second.\u003cbr\u003e    •    Meter provides dB gain reduction and dB output.\u003cbr\u003e    •    Internal power supply, external 24v AC power transformer.\u003cbr\u003e    •    19″ Rackmount chassis, 2U.\u003cbr\u003e    •    1-year warranty.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnit Weight    4.2 kg\u003c\/li\u003e\n\u003cli\u003eUnit Size    8x23x6 inch  \/  20x58x15 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWe have faithfully reproduced the circuitry of the revision D, generally considered one of the best and most popular among the different versions made over the years. We’ve used all discrete, through-hole components, high quality CineMag input and output transformers, and a class A circuit that stays true to the legacy design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll Buttons In.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA76 can reproduce the classic effect known as ‘All Buttons In’ mode, sometimes also referred to as ‘British Mode’ or the ‘Four Button Trick’.  Originally an accident due to the mechanical nature of the interconnected latching switches, this mode is reproduced by pushing in all four ratio buttons simultaneously and getting them to latch.  This can take a bit of practice.  The resulting compression curve is aggressive and unmistakably unique, and can be heard on the drum tracks of many classic recordings.  All-buttons-in compression is typically characterized by having a very aggressive compression ratio, attack and release curves that are more drastic plateaus opposed to gentler slopes, and more audible distortion or ‘overdrive’ on the signal.  Initial transients are more likely to come through loudly, followed by heavy compression curve sometimes described as having a ‘sucking’ effect as the compressor releases.  Because this mode is considered a design accident, faithfully maintained; it is normal for the meter function to ‘peg out’ and cease providing accurate metering.  \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e"}

{"id":9447157901,"title":"Warm Audio WA-2A","handle":"warm-audio","description":"\u003ch1 class=\"ui-title-bar__title\"\u003eWarm Audio WA-2A\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear.  When you hear the bottom-end presence and top-end detail of quality analog gear, the difference can be astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'2A Style Optical Compressor - Made Affordable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic '2A-style optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003cbr\u003e​\u003cbr\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e    •    '2A Style, Transformer balanced, high voltage, opto tube compressor .\u003cbr\u003e    •    Utilizes premium grade input and output CineMag USA Transformers.\u003cbr\u003e    •    Utilizes USA made Kenetek opto attenuator.\u003cbr\u003e    •    Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5\u003cbr\u003e    •    Fully discrete signal path.\u003cbr\u003e    •    Socketed to allow for retro-fitting with other opto-cells.\u003cbr\u003e    •    Variable Pre-emphasis, allows for compression hipass filtering.\u003cbr\u003e    •    Stereo-link capability.\u003cbr\u003e    •    XLR and TRS balanced line level inputs - 600 ohms impedance.\u003cbr\u003e    •    XLR and TRS balanced line level outputs - 600 ohms impedance.\u003cbr\u003e    •    Frequency Response +\/- 1 dB, 15 Hz to 20kHz.\u003cbr\u003e    •    Gain 40 dB ±1dB.\u003cbr\u003e    •    Input Level +16 dB maximum.\u003cbr\u003e    •    Output Level +10 dB nominal, +16 dB maximum.\u003cbr\u003e    •    Distortion Less than 0.1% THD at ±10 dBm.\u003cbr\u003e    •    Noise  = -74dB.\u003cbr\u003e    •    Attack Time - 10 milliseconds.\u003cbr\u003e    •    Release Time - 0.06 seconds for 50% release.\u003cbr\u003e    •    0.5 to 5 seconds for complete release.\u003cbr\u003e    •    Meter shows both dB gain reduction and dB output.\u003cbr\u003e    •    Power - 115\/230 volts (switchable), 50\/60 Hz.\u003cbr\u003e    •    Dimensions - 19\" Rackmount chassis, 2U. 19\" x 7\" x 3.5\".\u003cbr\u003e    •    Weight - 12 lbs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Unit Weight   5.5kg\u003c\/li\u003e\n\u003cli\u003eUnit Size    10x23x6 inch  \/ 26x58x15 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilzing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Four Tube Operation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6P1J.  We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE.  All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","published_at":"2017-03-25T14:47:00+02:00","created_at":"2017-03-25T14:47:52+02:00","vendor":"Warm Audio","type":"Ube compressor","tags":["Compressors \/ Limiters","Price Range_$750 to $1000","Shop by brand_Warm Audio","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording","Warm Audio"],"price":89900,"price_min":89900,"price_max":89900,"available":true,"price_varies":false,"compare_at_price":131880,"compare_at_price_min":131880,"compare_at_price_max":131880,"compare_at_price_varies":false,"variants":[{"id":34812162125,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WA-2A","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA-2A","public_title":null,"options":["Default Title"],"price":89900,"weight":0,"compare_at_price":131880,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"638142859097 "}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_3db301cc84374dc8b0224cd57cba1928_mv2.jpg?v=1490447545","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_9d42394450a24a6c84e3eddcb7819999_mv2.jpg?v=1490447582","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_277af1f75a0c42459bd275c4b4dfd381_mv2.jpg?v=1490447596","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_ce610007afa246228704f5835ca76e61_mv2.jpg?v=1490447623","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_6262f5ed64bc469db7b36632e44494aa_mv2.png?v=1490447803","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_71245a5e0f714827b4151743455b0a65_mv2.png?v=1490447818","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_38a31989d40642df9936206c3c7160bd_mv2.png?v=1490447860"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_3db301cc84374dc8b0224cd57cba1928_mv2.jpg?v=1490447545","options":["Title"],"content":"\u003ch1 class=\"ui-title-bar__title\"\u003eWarm Audio WA-2A\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Tone.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThough digital technology and software have made great strides in recent years; we still believe that nothing compares to the level of articulation, depth, realism, and responsiveness of a well-built piece of analog gear.  When you hear the bottom-end presence and top-end detail of quality analog gear, the difference can be astounding. The cost of most boutique analog equipment is financially out of reach for many recording artists. Our mission is to change this, and introduce as many people as we can to recording and mixing with real, dedicated hardware.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e'2A Style Optical Compressor - Made Affordable.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo plug-in or other compressor type quite compares to the warm, forgiving, fluid qualities of this classic '2A-style optical compressor. For decades, the renowned ‘2A style circuit has become the go-to device for seamlessly handling vocals, bass, and a wide variety of other instruments and program material in an effortlessly smooth way.\u003cbr\u003e​\u003cbr\u003eReleasing the WA-2A would be for nothing if we couldn’t make it affordable. Since the start of Warm Audio we have strived to give an unprecedented value to our customers, by putting high end audio within the reach of more people than ever before. This philosophy drives everything we do, and every product we offer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e    •    '2A Style, Transformer balanced, high voltage, opto tube compressor .\u003cbr\u003e    •    Utilizes premium grade input and output CineMag USA Transformers.\u003cbr\u003e    •    Utilizes USA made Kenetek opto attenuator.\u003cbr\u003e    •    Premium Tung-Sol and Electro-Harmonix tubes. 2x 12ax7, 1x 12bh7, 1x 6aq5\u003cbr\u003e    •    Fully discrete signal path.\u003cbr\u003e    •    Socketed to allow for retro-fitting with other opto-cells.\u003cbr\u003e    •    Variable Pre-emphasis, allows for compression hipass filtering.\u003cbr\u003e    •    Stereo-link capability.\u003cbr\u003e    •    XLR and TRS balanced line level inputs - 600 ohms impedance.\u003cbr\u003e    •    XLR and TRS balanced line level outputs - 600 ohms impedance.\u003cbr\u003e    •    Frequency Response +\/- 1 dB, 15 Hz to 20kHz.\u003cbr\u003e    •    Gain 40 dB ±1dB.\u003cbr\u003e    •    Input Level +16 dB maximum.\u003cbr\u003e    •    Output Level +10 dB nominal, +16 dB maximum.\u003cbr\u003e    •    Distortion Less than 0.1% THD at ±10 dBm.\u003cbr\u003e    •    Noise  = -74dB.\u003cbr\u003e    •    Attack Time - 10 milliseconds.\u003cbr\u003e    •    Release Time - 0.06 seconds for 50% release.\u003cbr\u003e    •    0.5 to 5 seconds for complete release.\u003cbr\u003e    •    Meter shows both dB gain reduction and dB output.\u003cbr\u003e    •    Power - 115\/230 volts (switchable), 50\/60 Hz.\u003cbr\u003e    •    Dimensions - 19\" Rackmount chassis, 2U. 19\" x 7\" x 3.5\".\u003cbr\u003e    •    Weight - 12 lbs.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Unit Weight   5.5kg\u003c\/li\u003e\n\u003cli\u003eUnit Size    10x23x6 inch  \/ 26x58x15 cm\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003ePremium Components in every Warm Audio product.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A is a high-voltage, Class-A opto-compressor, utilzing large-core CineMag USA Transformers, four premium vacuum tubes, and the legendary Kenetek opto-cell - considered by many to be the world’s finest.\u003cstrong\u003e \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA Four Tube Operation.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-2A operates on four tubes: two 12AX7’s, one 12BH7, and one 6P1J.  We proudly use Tung-Sol and Electro-Harmonix brand tubes in the signal path, which sound very 'open' and LARGE.  All 4 tubes are socketed for easy swapping and replacement.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e"}

{"id":101460344858,"title":"TK Audio VDC Vintage diode compressor (vintagedesign)","handle":"tk-audio-vdc-vintage-diode-compressor-vintagedesign","description":"The Vintagedesign “VDC” is a brand new transformer balanced Class A design that uses a diode bridge as the gain reduction element. It is based on the old British 2254 \/ 2264 and our own C1\/CL1mk2.\u003cbr\u003e\u003cbr\u003eEach channel features three custom-made Carnhill transformers which deliver an authentic, punchy low-end and that highly sought after classic mid tone.\u003cbr\u003eAll controls are stepped – a “must have” for recall in mix and mastering environments.\u003cbr\u003eA blend control allows parallel compression – always a desirable feature on any compressor. The VDC provides two types of HF boosts. The HF switch boosts the high frequencies with 2dB, affecting both the output signal and the signal that feeds the side-chain.\u003cbr\u003eThe AIR switch boosts the high frequencies on the compressed signal by 2 dB.\u003cbr\u003eAs with many stereo devices, the VDC has one set of controls for both channels.\u003cbr\u003eThe VDC uses two threshold detectors which are summed before the timing circuits to ensure maximum performance. Both channels hit the detectors even if they are 180 degrees out of phase.\u003cbr\u003e\u003cbr\u003eDesigned and built in Sweden, the Vintagedesign VDC stereo bus compressor is a classic in the making. Vintage sound and controls, old school look and a solid professional ergonomic feel are guaranteed to satisfy even the most discerning audio engineering professionals and enthusiasts.\u003cbr\u003e\u003cbr\u003eVDC requires the new PSU-2! Please note that it will not work with the old PSUD!\u003cbr\u003e\u003cbr\u003eSpecifications\u003cbr\u003e\u003cbr\u003eInput impedance: 10kohm\u003cbr\u003eOutput impedance: 600ohm\u003cbr\u003eMax input\/output level: +26dBu\u003cbr\u003eDry signal A-weighted\u003cbr\u003eTHD+N @ +4dBu: 0,0067%\u003cbr\u003eTHD+N @ +20dBu: 0,037%\u003cbr\u003eCompressor A-weighted\u003cbr\u003eTHD+N @ +4dBu: 0,0069%\u003cbr\u003eTHD+N @ +20dBu: 0,057%\u003cbr\u003eTHD+N @ 4dB gain reduction: 0,12%\u003cbr\u003eSNR @ 1kHz, +4dBu A-weighted\u003cbr\u003eDry signal: 87dB\u003cbr\u003eComp signal: 84dB\u003cbr\u003eMax input\/output level +26dBu\u003cbr\u003e\u003cbr\u003eFeatures:\u003cbr\u003e\u003cbr\u003e ✓ Threshold: From -20dB to +15dB in 41 steps\u003cbr\u003e ✓ Ratio: 1.5:1 \/ 2:1 \/ 3:1 \/ 4:1 \/ 6:1 \/ 8:1\u003cbr\u003e ✓ Attack: 0,5mS \/ 1mS \/ 2mS \/ 3mS \/ 6mS \/ 12mS \/ 25ms \/ 50mS\u003cbr\u003e ✓ Recovery time: 25mS \/ 50mS \/ 100mS \/ 400mS \/ 800mS \/ 1.5S \/ Auto1 \/ Auto2\u003cbr\u003e ✓ A1 = 100mS \/ 2 Sec, A2 = 50mS \/ 5 Sec\u003cbr\u003e ✓ High-pass filter: Off \/ 75Hz \/ 100Hz \/ 125Hz \/ 150Hz \/ 250Hz, all with 6dB\/ octave slope\u003cbr\u003e ✓ Make-up gain: 0-20dB in 41 steps\u003cbr\u003e ✓ HF switch: Boosts the high frequencies around 1dB at 20kHz, this also affects the threshold detector\u003cbr\u003e ✓ AIR switch: Boosts the high frequencies around 3dB at 20kHz and does not affect the threshold detector\u003cbr\u003e ✓ IN switch: True by-pass switch\u003cbr\u003e ✓ Blend control: From dry to compressed signal i 21 steps\u003cbr\u003e ✓ Specifications and components may be changed or updated without further notice.","published_at":"2017-09-14T14:48:19+02:00","created_at":"2017-09-14T14:54:46+02:00","vendor":"TK Audio","type":"Compressors","tags":["Compressors \/ Limiters","Price Range_$2000 to $3000","Shop by brand_TK Audio","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording","TK Audio"],"price":256078,"price_min":256078,"price_max":256078,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1298925191194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"VDC (vintagedesign)","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"TK Audio VDC Vintage diode compressor (vintagedesign)","public_title":null,"options":["Default Title"],"price":256078,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/VintageDesign-VDC-01.jpg?v=1505393851","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/VintageDesign-VDC-02.jpg?v=1505393876"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/VintageDesign-VDC-01.jpg?v=1505393851","options":["Title"],"content":"The Vintagedesign “VDC” is a brand new transformer balanced Class A design that uses a diode bridge as the gain reduction element. It is based on the old British 2254 \/ 2264 and our own C1\/CL1mk2.\u003cbr\u003e\u003cbr\u003eEach channel features three custom-made Carnhill transformers which deliver an authentic, punchy low-end and that highly sought after classic mid tone.\u003cbr\u003eAll controls are stepped – a “must have” for recall in mix and mastering environments.\u003cbr\u003eA blend control allows parallel compression – always a desirable feature on any compressor. The VDC provides two types of HF boosts. The HF switch boosts the high frequencies with 2dB, affecting both the output signal and the signal that feeds the side-chain.\u003cbr\u003eThe AIR switch boosts the high frequencies on the compressed signal by 2 dB.\u003cbr\u003eAs with many stereo devices, the VDC has one set of controls for both channels.\u003cbr\u003eThe VDC uses two threshold detectors which are summed before the timing circuits to ensure maximum performance. Both channels hit the detectors even if they are 180 degrees out of phase.\u003cbr\u003e\u003cbr\u003eDesigned and built in Sweden, the Vintagedesign VDC stereo bus compressor is a classic in the making. Vintage sound and controls, old school look and a solid professional ergonomic feel are guaranteed to satisfy even the most discerning audio engineering professionals and enthusiasts.\u003cbr\u003e\u003cbr\u003eVDC requires the new PSU-2! Please note that it will not work with the old PSUD!\u003cbr\u003e\u003cbr\u003eSpecifications\u003cbr\u003e\u003cbr\u003eInput impedance: 10kohm\u003cbr\u003eOutput impedance: 600ohm\u003cbr\u003eMax input\/output level: +26dBu\u003cbr\u003eDry signal A-weighted\u003cbr\u003eTHD+N @ +4dBu: 0,0067%\u003cbr\u003eTHD+N @ +20dBu: 0,037%\u003cbr\u003eCompressor A-weighted\u003cbr\u003eTHD+N @ +4dBu: 0,0069%\u003cbr\u003eTHD+N @ +20dBu: 0,057%\u003cbr\u003eTHD+N @ 4dB gain reduction: 0,12%\u003cbr\u003eSNR @ 1kHz, +4dBu A-weighted\u003cbr\u003eDry signal: 87dB\u003cbr\u003eComp signal: 84dB\u003cbr\u003eMax input\/output level +26dBu\u003cbr\u003e\u003cbr\u003eFeatures:\u003cbr\u003e\u003cbr\u003e ✓ Threshold: From -20dB to +15dB in 41 steps\u003cbr\u003e ✓ Ratio: 1.5:1 \/ 2:1 \/ 3:1 \/ 4:1 \/ 6:1 \/ 8:1\u003cbr\u003e ✓ Attack: 0,5mS \/ 1mS \/ 2mS \/ 3mS \/ 6mS \/ 12mS \/ 25ms \/ 50mS\u003cbr\u003e ✓ Recovery time: 25mS \/ 50mS \/ 100mS \/ 400mS \/ 800mS \/ 1.5S \/ Auto1 \/ Auto2\u003cbr\u003e ✓ A1 = 100mS \/ 2 Sec, A2 = 50mS \/ 5 Sec\u003cbr\u003e ✓ High-pass filter: Off \/ 75Hz \/ 100Hz \/ 125Hz \/ 150Hz \/ 250Hz, all with 6dB\/ octave slope\u003cbr\u003e ✓ Make-up gain: 0-20dB in 41 steps\u003cbr\u003e ✓ HF switch: Boosts the high frequencies around 1dB at 20kHz, this also affects the threshold detector\u003cbr\u003e ✓ AIR switch: Boosts the high frequencies around 3dB at 20kHz and does not affect the threshold detector\u003cbr\u003e ✓ IN switch: True by-pass switch\u003cbr\u003e ✓ Blend control: From dry to compressed signal i 21 steps\u003cbr\u003e ✓ Specifications and components may be changed or updated without further notice."}

{"id":98568994842,"title":"TK Audio BC2-ME","handle":"tk-audio-bc2-me","description":"\u003cp\u003e\u003cstrong\u003eTK Audio BC2-ME\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTK Audio’s BC2-ME is a perfect tool for mastering. It is based on the same basic sound path as the BC1, added with some nice features like illuminated switches and switchable output-stage between electronically-balanced or transformer balanced class-A. The class-A mode offers a more vintage tone, like fat, punchy low-end response with more low mid character. BC2-ME also has a switch that adds extra “even” harmonics to the compressed signal.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Noise floor: below 104dBm\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20Hz to 20kHz, less than -0.3dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: less than 0.006% @ +8dBm\u003c\/li\u003e\n\u003cli\u003eMax output level: +27dBu @ 600ohms load\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold: -20dB to +20dB\u003c\/li\u003e\n\u003cli\u003eRatio: 1.25:1 \/ 1.5:1 \/ 2:1 \/ 4:1 \/ 10:1\u003c\/li\u003e\n\u003cli\u003eAttack: UF (ultrafast) \/0.1\/0.3\/0.6\/1\/3\/10\/30\/60\/120mS\u003c\/li\u003e\n\u003cli\u003eRelease: 50mS\/100mS\/300mS\/600mS\/1.2S\/Auto\u003c\/li\u003e\n\u003cli\u003eHP Filter: 75Hz, 100Hz, 125Hz, 150Hz, 250Hz, -6dB octave\u003c\/li\u003e\n\u003cli\u003eCompression: in\/out\u003c\/li\u003e\n\u003cli\u003eExternal sidechain: in\/out\u003c\/li\u003e\n\u003cli\u003eDual or single sidechain detectors (L+R)\u003c\/li\u003e\n\u003cli\u003eTHD: adds extra even harmonics\u003c\/li\u003e\n\u003cli\u003eClass-A: selects the transformer balanced class-A output stage\u003c\/li\u003e\n\u003cli\u003eStraight signal mute\u003c\/li\u003e\n\u003cli\u003eLED gain reduction meter in 0.5dB steps\u003c\/li\u003e\n\u003cli\u003eMake-up: 0 to +10dB in 41 steps\u003c\/li\u003e\n\u003cli\u003eBlend control: from straight to dry in 21 steps\u003c\/li\u003e\n\u003cli\u003eBalanced input: 40kohm impedance\u003c\/li\u003e\n\u003cli\u003eBalanced output: 100ohm impedance\u003c\/li\u003e\n\u003cli\u003eExternal sidechain input: balanced TRS jacks\u003c\/li\u003e\n\u003cli\u003eRegulated, internal power supply with a toroidal transformer\u003c\/li\u003e\n\u003cli\u003eSelectable between 115 and 230V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eSpecifications and components may be changed or updated without further notice.\u003c\/p\u003e","published_at":"2017-09-13T15:26:50+02:00","created_at":"2017-09-13T15:30:30+02:00","vendor":"TK Audio","type":"Mastering compressor","tags":["Compressors \/ Limiters","Price Range_$2000 to $3000","Shop by brand_TK Audio","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording","TK Audio"],"price":212158,"price_min":212158,"price_max":212158,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1226666115098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"BC2-ME","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"TK Audio BC2-ME","public_title":null,"options":["Default Title"],"price":212158,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/TK_BC2-ME.jpg?v=1505309468"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/TK_BC2-ME.jpg?v=1505309468","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eTK Audio BC2-ME\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTK Audio’s BC2-ME is a perfect tool for mastering. It is based on the same basic sound path as the BC1, added with some nice features like illuminated switches and switchable output-stage between electronically-balanced or transformer balanced class-A. The class-A mode offers a more vintage tone, like fat, punchy low-end response with more low mid character. BC2-ME also has a switch that adds extra “even” harmonics to the compressed signal.\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e Noise floor: below 104dBm\u003c\/li\u003e\n\u003cli\u003eFrequency response: 20Hz to 20kHz, less than -0.3dB\u003c\/li\u003e\n\u003cli\u003eTHD+N: less than 0.006% @ +8dBm\u003c\/li\u003e\n\u003cli\u003eMax output level: +27dBu @ 600ohms load\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eThreshold: -20dB to +20dB\u003c\/li\u003e\n\u003cli\u003eRatio: 1.25:1 \/ 1.5:1 \/ 2:1 \/ 4:1 \/ 10:1\u003c\/li\u003e\n\u003cli\u003eAttack: UF (ultrafast) \/0.1\/0.3\/0.6\/1\/3\/10\/30\/60\/120mS\u003c\/li\u003e\n\u003cli\u003eRelease: 50mS\/100mS\/300mS\/600mS\/1.2S\/Auto\u003c\/li\u003e\n\u003cli\u003eHP Filter: 75Hz, 100Hz, 125Hz, 150Hz, 250Hz, -6dB octave\u003c\/li\u003e\n\u003cli\u003eCompression: in\/out\u003c\/li\u003e\n\u003cli\u003eExternal sidechain: in\/out\u003c\/li\u003e\n\u003cli\u003eDual or single sidechain detectors (L+R)\u003c\/li\u003e\n\u003cli\u003eTHD: adds extra even harmonics\u003c\/li\u003e\n\u003cli\u003eClass-A: selects the transformer balanced class-A output stage\u003c\/li\u003e\n\u003cli\u003eStraight signal mute\u003c\/li\u003e\n\u003cli\u003eLED gain reduction meter in 0.5dB steps\u003c\/li\u003e\n\u003cli\u003eMake-up: 0 to +10dB in 41 steps\u003c\/li\u003e\n\u003cli\u003eBlend control: from straight to dry in 21 steps\u003c\/li\u003e\n\u003cli\u003eBalanced input: 40kohm impedance\u003c\/li\u003e\n\u003cli\u003eBalanced output: 100ohm impedance\u003c\/li\u003e\n\u003cli\u003eExternal sidechain input: balanced TRS jacks\u003c\/li\u003e\n\u003cli\u003eRegulated, internal power supply with a toroidal transformer\u003c\/li\u003e\n\u003cli\u003eSelectable between 115 and 230V\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003eSpecifications and components may be changed or updated without further notice.\u003c\/p\u003e"}

{"id":9455616781,"title":"Solid State Logic XLogic G Series Compressor","handle":"ssl-1u-g-series-compressor","description":"G Series Compressor\u003cbr\u003e\u003cbr\u003eThis is the iU rack mounting version of the SSL G Series console master bus compressor. It utilises the classic SSL G Series centre compressor design elements within a SuperAnalogue design topology. This brings the dual benefits of spectacular audio performance with a universally acclaimed compressor characteristic.\u003cbr\u003e\u003cbr\u003eKey Features\u003cbr\u003e ✓ Legendary SSL G Series stereo bus compressor\u003cbr\u003e ✓ Gain reduction meter as fitted to the classic SSL console range\u003cbr\u003e ✓ External side chain source select\u003cbr\u003e ✓ Auto fade with rate control automatic linear fade in\/out control\u003cbr\u003e ✓ Remote connector for remote operation of the auto fade function\u003cbr\u003e\u003cbr\u003eThe Evolution of a Classic\u003cbr\u003e ✓ The SL 4000 console was the first console to incorporate dynamics processing in every channel and a master compressor in the console centre section.\u003cbr\u003e ✓ The ability to 'patch' into the SL 4000's centre compressor, and also control its sidechain from an internal sub-mix, allowed engineers to discover the amazing unique qualities of this compressor for use on instruments like piano and drums, as well as its classic mix finalising capabilities. This versatility created the demand for a rack mount equivalent and a legendary piece of outboard gear was born.\u003cbr\u003e ✓ The XLogic G Series Compressor is the latest version of the compressor and it uses the same classic twin VCA design as its console counterpart. Combined with improved input and output circuitry, this new unit provides improved audio performance, while retaining the dynamics characteristics that have provided numerous hit mixes for the world's best audio engineers.\u003cbr\u003e ✓ The Sound of Success\u003cbr\u003e ✓ The Solid State Logic SL 4000 G Series is the world's most successful studio production console. Its reputation is built upon SSL's design excellence, advanced electronic engineering and a sound quality that has produced hundreds of best selling recordings.\u003cbr\u003e ✓ A key element in the sound of many of these recordings is punch and drive of the mixes created by the classic G-Series centre section compressor.\u003cbr\u003e\u003cbr\u003eThe Sound of Success\u003cbr\u003eThe Solid State Logic SL 4000 G Series is the world's most successful studio production console. Its reputation is built upon SSL's design excellence, advanced electronic engineering and a sound quality that has produced hundreds of best selling recordings.\u003cbr\u003eA key element in the sound of many of these recordings is punch and drive of the mixes created by the classic G-Series centre section compressor.\u003cbr\u003e\u003cbr\u003e","published_at":"2017-03-26T18:12:00+02:00","created_at":"2017-03-26T18:16:56+02:00","vendor":"Solid State Logic","type":"Analogue processors","tags":["Compressors \/ Limiters","Price Range_$3000 and Over","Shop by brand_Solid State Logic","Shop by category_Compressors \/ Limiters","Signal Processing","Solid State Logic","Studio \u0026 Recording"],"price":382060,"price_min":382060,"price_max":382060,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":34872421069,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Solid State Logic XLogic G Series Compressor","public_title":null,"options":["Default Title"],"price":382060,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"729946XX"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/G_Series_FRONT_e1f44669-0eb4-4391-8d9e-3a466f1b17ce.jpg?v=1528853489","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/xlogic_stereo_compressor_rear_large_fe16bcef-9151-4aa7-8be2-b5573a3623f9.jpg?v=1528853489"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/G_Series_FRONT_e1f44669-0eb4-4391-8d9e-3a466f1b17ce.jpg?v=1528853489","options":["Title"],"content":"G Series Compressor\u003cbr\u003e\u003cbr\u003eThis is the iU rack mounting version of the SSL G Series console master bus compressor. It utilises the classic SSL G Series centre compressor design elements within a SuperAnalogue design topology. This brings the dual benefits of spectacular audio performance with a universally acclaimed compressor characteristic.\u003cbr\u003e\u003cbr\u003eKey Features\u003cbr\u003e ✓ Legendary SSL G Series stereo bus compressor\u003cbr\u003e ✓ Gain reduction meter as fitted to the classic SSL console range\u003cbr\u003e ✓ External side chain source select\u003cbr\u003e ✓ Auto fade with rate control automatic linear fade in\/out control\u003cbr\u003e ✓ Remote connector for remote operation of the auto fade function\u003cbr\u003e\u003cbr\u003eThe Evolution of a Classic\u003cbr\u003e ✓ The SL 4000 console was the first console to incorporate dynamics processing in every channel and a master compressor in the console centre section.\u003cbr\u003e ✓ The ability to 'patch' into the SL 4000's centre compressor, and also control its sidechain from an internal sub-mix, allowed engineers to discover the amazing unique qualities of this compressor for use on instruments like piano and drums, as well as its classic mix finalising capabilities. This versatility created the demand for a rack mount equivalent and a legendary piece of outboard gear was born.\u003cbr\u003e ✓ The XLogic G Series Compressor is the latest version of the compressor and it uses the same classic twin VCA design as its console counterpart. Combined with improved input and output circuitry, this new unit provides improved audio performance, while retaining the dynamics characteristics that have provided numerous hit mixes for the world's best audio engineers.\u003cbr\u003e ✓ The Sound of Success\u003cbr\u003e ✓ The Solid State Logic SL 4000 G Series is the world's most successful studio production console. Its reputation is built upon SSL's design excellence, advanced electronic engineering and a sound quality that has produced hundreds of best selling recordings.\u003cbr\u003e ✓ A key element in the sound of many of these recordings is punch and drive of the mixes created by the classic G-Series centre section compressor.\u003cbr\u003e\u003cbr\u003eThe Sound of Success\u003cbr\u003eThe Solid State Logic SL 4000 G Series is the world's most successful studio production console. Its reputation is built upon SSL's design excellence, advanced electronic engineering and a sound quality that has produced hundreds of best selling recordings.\u003cbr\u003eA key element in the sound of many of these recordings is punch and drive of the mixes created by the classic G-Series centre section compressor.\u003cbr\u003e\u003cbr\u003e"}

{"id":8435929165,"title":"Rupert Neve Designs 5043-H 2-Channel Compressor \/ Limiter (horizontal)","handle":"5043-h-2-channel-compressor-limiter-horizontal","description":"\u003cbr\u003ePortico 5043: Rupert Neve Compressor\u003cbr\u003e\u003cbr\u003eThe 5043 Duo Compressor\/Limiter is a powerful approach to dynamics processing for the Portico Series, designed with both tracking and mixing applications in mind.\u003cbr\u003e\u003cbr\u003eThe Portico 5043 embodies two independent Compressor-Limiters (Channels A and B) housed within a half rack, 1U module. They can be used independently (on two distinct tracks), linked as a stereo pair, or connected in sequence to provide two separate control slopes. When used as a stereo pair, linking the DC control circuits via the front panel A\/B button enables the level of each channel to be held in a constant relationship. Rear panel TRS connections are provided to link multiple 5043s. This linking may also be extended to some of Rupert’s former AMEK CIB and DMCL units.\u003cbr\u003e\u003cbr\u003eWhen used in sequence, the Portico 5043 can be configured easily to provide dual slope compression and limiting as suggested in the graphs below.\u003cbr\u003eBuss or Line Input Selection\u003cbr\u003e\u003cbr\u003eAny number of Portico modules that are equipped with the \"TO BUSS\" button may be sent to the BUSS input of the 5043 which makes it the ideal choice to form the core of a simple and cost-effective Portico mixing system. The Line input, when selected, provides a dedicated, transformer-balanced 10K impedance bridging input so that the 5043 may be inserted or included in any appropriate part of the signal chain at Console line-up level.\u003cbr\u003eHow It Works\u003cbr\u003e\u003cbr\u003eTo control gain, a V.C.A. or Voltage Controlled Amplifier (or Attenuator) is used. There are many types of voltage control devices, including tubes, discrete and integrated solid state circuits and naturally non-linear devices, each one having its own characteristic behavior that reflects sonically on the final performance, providing a character or signature that can be musically attractive (or not!). The Portico 5043 makes use of a very accurate, low noise, low distortion V.C.A. having essentially no signature of its own.\u003cbr\u003e\u003cbr\u003eA part of the audio signal is rectified and smoothed to produce a suitable control voltage for the V.C.A., which has to respond very quickly and have low distortion. If the response is too fast, some of the signal will be unnecessarily gain-controlled. If the response is too slow, the signal will overshoot and the first few cycles will not get compressed. The speed and accuracy of the response – known as the \"attack\" – and the timeframe that gain remains under the initial control – known as the \"release\" or \"recovery\" – each play a large part in the way a compressor sounds.\u003cbr\u003e\u003cbr\u003eAll Portico modules use input and output transformers and almost entirely discrete component amplifiers. In fact, the Line amplifiers on their own, inserted into the signal chain, are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. These are some of the factors that enable the Portico 5043 to work so unobtrusively within the context of a very high quality audio chain.\u003cbr\u003eFeed Forward or Feed Back?\u003cbr\u003e\u003cbr\u003eThe Portico 5043 provides a choice of feed-forward or feed-back compression modes. The FB Button allows the user to switch between the two modes.\u003cbr\u003e\u003cbr\u003eIf the V.C.A. control voltage is taken from the 5043 input (i.e. before the V.C.A.), the V.C.A. knows right away that a gain change is required and there is an almost immediate response. This is known, logically, as a \"Feed-Forward\" compressor.\u003cbr\u003e\u003cbr\u003eIf the V.C.A. control voltage is taken from the 5043 output, (i.e. after the V.C.A.) it cannot act immediately on the V.C.A. because it has already been modified by the compressor circuit through which it has passed. This is known as a \"Feed-Back\" compressor. The two compression characteristics are quite different; there is more \"Overshoot\" and both the attack and recovery ramps are changed, providing the user with powerful choices.\u003cbr\u003e\u003cbr\u003eAlmost all of Rupert’s earlier designs were \"Feed-Back\". They were more musical and sweeter than with \"Feed-Forward\" designs; however, the \"Feed-Forward\" design provides greater accuracy. Each is useful in its own way.\u003cbr\u003eRatio and Threshold\u003cbr\u003e\u003cbr\u003eAbove a given threshold, signals are reduced by an adjustable amount ranging from 1:1, (which is linear, or no reduction at all), to more than 40:1 which is a very high ratio, equivalent to that of a Limiter. A compressor’s ratio is sometimes referred to as \"Slope\" because when depicted on a graph, the slope of the graph (representing Output vs. Input) is what changes.\u003cbr\u003e\u003cbr\u003eRatio and Threshold are closely inter-dependent. If a RATIO as high as 40:1 has been set, then if the THRESHOLD is set at 0 dBu, even when a massive signal of +40 dBu (unlikely!) is presented to the input, the output signal will only be +1 dBu. RATIOS as high as this would normally be set somewhere above 0 dBu – say at +14 dBu, in order to prevent the output signal level exceeding just over +14 dBu – to protect, for example, a digital recorder. Similarly, if a RATIO of 5:1 has been set, an input signal which is 10dB above THRESHOLD will only rise by 2dB above that THRESHOLD at the output.\u003cbr\u003e\u003cbr\u003eThe THRESHOLD control ranges from below -30dB to +22dBu. When THRESHOLD is set at a low level, with a fairly high RATIO the amount of gain reduction will be considerable and it may be necessary to use some GAIN after the compressor to restore the apparent signal level.\u003cbr\u003eAttack Time\u003cbr\u003e\u003cbr\u003eThe ATTACK is the time taken for the compression circuits to start compressing. A long ATTACK time allows short duration peaks to \"escape\" and go through uncompressed. This may cause overload on subsequent digital circuits. A very short attack time sounds unnatural and robs the signal of some of its life by removing transients. Some transients are extremely fast and have little effect on the sound quality. Setting a long attack time often means that almost no gain reduction occurs because the transient is done before compression has had time to operate. However, even the fastest circuits take time to operate which means that there is always some \"Overshoot\". Small amounts of \"Overshoot\" can be musically desirable, but listening is the only way to tell.\u003cbr\u003e\u003cbr\u003eSetting the right values of RELEASE and ATTACK is what compression is all about! Once the principles are understood, a Compressor-Limiter such as the 5043 provides a powerful tool that actually appears to enhance the dynamic range of a recording and so provide greater musical enjoyment.\u003cbr\u003eRelease \/ Recovery\u003cbr\u003e\u003cbr\u003eIf the RELEASE TIME is set to be very short, a short duration signal will be compressed but the gain will return to normal very quickly, giving a fluctuating and unnatural sound known as \"Pumping\" when the background, or other signals, are forced up and down. The gain will also tend to follow the wave form of low frequency signals. RELEASE TIME should be set long enough for the gain to remain reasonably constant between each bass note or between speech syllables.\u003cbr\u003e\u003cbr\u003eThe notes above explain how the 5043 handles signals of constant amplitude such as pure tones. Real program signals, however, are continually changing in level. The way in which a compressor deals with actual program material depends upon the magnitude and duration of peaks in the program level. Feel free to experiment, and use the settings that sound good to you!","published_at":"2016-11-12T17:49:00+02:00","created_at":"2016-11-12T17:52:06+02:00","vendor":"Rupert Neve Designs","type":"Portico Series Modules","tags":["Compressors \/ Limiters","Price Range_$1500 to $2000","Rupert Neve Designs","Shop by brand_Rupert Neve Designs","Shop by category_Compressors \/ Limiters","Signal Processing","Studio \u0026 Recording"],"price":179550,"price_min":179550,"price_max":179550,"available":true,"price_varies":false,"compare_at_price":199500,"compare_at_price_min":199500,"compare_at_price_max":199500,"compare_at_price_varies":false,"variants":[{"id":28461962573,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"5043-H","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rupert Neve Designs 5043-H 2-Channel Compressor \/ Limiter (horizontal)","public_title":null,"options":["Default Title"],"price":179550,"weight":0,"compare_at_price":199500,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"752423657087"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/5043description-1024x652.jpg?v=1500900989","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/portico-5043-web-new-1024x383.jpg?v=1500900989","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/5043back-black11.jpg?v=1500900989","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/portico-5043-web-new-1024x383_7c4ab255-b561-4f89-a872-976630efb6c4.jpg?v=1500900989","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/range-icon-web-portico.jpg?v=1500900989","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/portico-5043-web-new-1024x383_b0faa1cd-2de7-4d3c-89fc-3d1f687f46cb.jpg?v=1500900989","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/bluerock-top-1024x383.jpg?v=1500900989","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/tec-1024x899_839f28af-1752-4045-a8f3-0a655d34a74d.jpg?v=1500900989","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1486807_10152076153536940_423811493_n_4c1b23d0-49ce-4e48-b42e-c897e07c2b2f.jpg?v=1500900989"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/5043description-1024x652.jpg?v=1500900989","options":["Title"],"content":"\u003cbr\u003ePortico 5043: Rupert Neve Compressor\u003cbr\u003e\u003cbr\u003eThe 5043 Duo Compressor\/Limiter is a powerful approach to dynamics processing for the Portico Series, designed with both tracking and mixing applications in mind.\u003cbr\u003e\u003cbr\u003eThe Portico 5043 embodies two independent Compressor-Limiters (Channels A and B) housed within a half rack, 1U module. They can be used independently (on two distinct tracks), linked as a stereo pair, or connected in sequence to provide two separate control slopes. When used as a stereo pair, linking the DC control circuits via the front panel A\/B button enables the level of each channel to be held in a constant relationship. Rear panel TRS connections are provided to link multiple 5043s. This linking may also be extended to some of Rupert’s former AMEK CIB and DMCL units.\u003cbr\u003e\u003cbr\u003eWhen used in sequence, the Portico 5043 can be configured easily to provide dual slope compression and limiting as suggested in the graphs below.\u003cbr\u003eBuss or Line Input Selection\u003cbr\u003e\u003cbr\u003eAny number of Portico modules that are equipped with the \"TO BUSS\" button may be sent to the BUSS input of the 5043 which makes it the ideal choice to form the core of a simple and cost-effective Portico mixing system. The Line input, when selected, provides a dedicated, transformer-balanced 10K impedance bridging input so that the 5043 may be inserted or included in any appropriate part of the signal chain at Console line-up level.\u003cbr\u003eHow It Works\u003cbr\u003e\u003cbr\u003eTo control gain, a V.C.A. or Voltage Controlled Amplifier (or Attenuator) is used. There are many types of voltage control devices, including tubes, discrete and integrated solid state circuits and naturally non-linear devices, each one having its own characteristic behavior that reflects sonically on the final performance, providing a character or signature that can be musically attractive (or not!). The Portico 5043 makes use of a very accurate, low noise, low distortion V.C.A. having essentially no signature of its own.\u003cbr\u003e\u003cbr\u003eA part of the audio signal is rectified and smoothed to produce a suitable control voltage for the V.C.A., which has to respond very quickly and have low distortion. If the response is too fast, some of the signal will be unnecessarily gain-controlled. If the response is too slow, the signal will overshoot and the first few cycles will not get compressed. The speed and accuracy of the response – known as the \"attack\" – and the timeframe that gain remains under the initial control – known as the \"release\" or \"recovery\" – each play a large part in the way a compressor sounds.\u003cbr\u003e\u003cbr\u003eAll Portico modules use input and output transformers and almost entirely discrete component amplifiers. In fact, the Line amplifiers on their own, inserted into the signal chain, are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. These are some of the factors that enable the Portico 5043 to work so unobtrusively within the context of a very high quality audio chain.\u003cbr\u003eFeed Forward or Feed Back?\u003cbr\u003e\u003cbr\u003eThe Portico 5043 provides a choice of feed-forward or feed-back compression modes. The FB Button allows the user to switch between the two modes.\u003cbr\u003e\u003cbr\u003eIf the V.C.A. control voltage is taken from the 5043 input (i.e. before the V.C.A.), the V.C.A. knows right away that a gain change is required and there is an almost immediate response. This is known, logically, as a \"Feed-Forward\" compressor.\u003cbr\u003e\u003cbr\u003eIf the V.C.A. control voltage is taken from the 5043 output, (i.e. after the V.C.A.) it cannot act immediately on the V.C.A. because it has already been modified by the compressor circuit through which it has passed. This is known as a \"Feed-Back\" compressor. The two compression characteristics are quite different; there is more \"Overshoot\" and both the attack and recovery ramps are changed, providing the user with powerful choices.\u003cbr\u003e\u003cbr\u003eAlmost all of Rupert’s earlier designs were \"Feed-Back\". They were more musical and sweeter than with \"Feed-Forward\" designs; however, the \"Feed-Forward\" design provides greater accuracy. Each is useful in its own way.\u003cbr\u003eRatio and Threshold\u003cbr\u003e\u003cbr\u003eAbove a given threshold, signals are reduced by an adjustable amount ranging from 1:1, (which is linear, or no reduction at all), to more than 40:1 which is a very high ratio, equivalent to that of a Limiter. A compressor’s ratio is sometimes referred to as \"Slope\" because when depicted on a graph, the slope of the graph (representing Output vs. Input) is what changes.\u003cbr\u003e\u003cbr\u003eRatio and Threshold are closely inter-dependent. If a RATIO as high as 40:1 has been set, then if the THRESHOLD is set at 0 dBu, even when a massive signal of +40 dBu (unlikely!) is presented to the input, the output signal will only be +1 dBu. RATIOS as high as this would normally be set somewhere above 0 dBu – say at +14 dBu, in order to prevent the output signal level exceeding just over +14 dBu – to protect, for example, a digital recorder. Similarly, if a RATIO of 5:1 has been set, an input signal which is 10dB above THRESHOLD will only rise by 2dB above that THRESHOLD at the output.\u003cbr\u003e\u003cbr\u003eThe THRESHOLD control ranges from below -30dB to +22dBu. When THRESHOLD is set at a low level, with a fairly high RATIO the amount of gain reduction will be considerable and it may be necessary to use some GAIN after the compressor to restore the apparent signal level.\u003cbr\u003eAttack Time\u003cbr\u003e\u003cbr\u003eThe ATTACK is the time taken for the compression circuits to start compressing. A long ATTACK time allows short duration peaks to \"escape\" and go through uncompressed. This may cause overload on subsequent digital circuits. A very short attack time sounds unnatural and robs the signal of some of its life by removing transients. Some transients are extremely fast and have little effect on the sound quality. Setting a long attack time often means that almost no gain reduction occurs because the transient is done before compression has had time to operate. However, even the fastest circuits take time to operate which means that there is always some \"Overshoot\". Small amounts of \"Overshoot\" can be musically desirable, but listening is the only way to tell.\u003cbr\u003e\u003cbr\u003eSetting the right values of RELEASE and ATTACK is what compression is all about! Once the principles are understood, a Compressor-Limiter such as the 5043 provides a powerful tool that actually appears to enhance the dynamic range of a recording and so provide greater musical enjoyment.\u003cbr\u003eRelease \/ Recovery\u003cbr\u003e\u003cbr\u003eIf the RELEASE TIME is set to be very short, a short duration signal will be compressed but the gain will return to normal very quickly, giving a fluctuating and unnatural sound known as \"Pumping\" when the background, or other signals, are forced up and down. The gain will also tend to follow the wave form of low frequency signals. RELEASE TIME should be set long enough for the gain to remain reasonably constant between each bass note or between speech syllables.\u003cbr\u003e\u003cbr\u003eThe notes above explain how the 5043 handles signals of constant amplitude such as pure tones. Real program signals, however, are continually changing in level. The way in which a compressor deals with actual program material depends upon the magnitude and duration of peaks in the program level. Feel free to experiment, and use the settings that sound good to you!"}