{"id":8206633921,"title":"Apogee 16 Analog IN + 16 Optical OUT - Symphony I\/O Module","handle":"apogee-16-analog-in-16-optical-out-symphony-i-o-module","description":"The Symphony I\/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I\/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I\/O module features enhanced C777 clocking performance and lower converter latency. \u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis provides two module slots for a variety of digital audio conversion options with one already being filled with the included module. The front panel of chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain and output levels. \u003cbr\u003e\u003cbr\u003eThe converter has multiple connectivity options that include direct connection to a Symphony 64 PCIe card, a USB equipped Intel Mac, or to Avid's Pro Tools HD and HD-X systems. With the addition of the optional Symphony 64\/Thunderbridge interface, the system acquires direct connectivity to any Thunderbolt equipped Mac computer. Additionally, the unit can function standalone. \u003cbr\u003e\u003cbr\u003eThe module requires optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis from Apogee provides two I\/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I\/O. Elegant and easy to use, the front panel of Symphony I\/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).\u003cbr\u003e\u003cbr\u003eThe rear panel provides access to the two I\/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I\/O connectors and termination, LoopSynch I\/O connectors, and a quiet digitally-controlled fan to keep everything running cool.\u003cbr\u003e\u003cbr\u003eThe Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.\u003cbr\u003e\u003cbr\u003eThe optional five I\/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I\/O.\u003cbr\u003e\u003cbr\u003e ✓ Two input\/output module slots\u003cbr\u003e ✓ Ethernet connector\u003cbr\u003e ✓ USB 2.0 connector\u003cbr\u003e ✓ Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card\u003cbr\u003e ✓ Wordclock I\/O and LoopSync I\/O\u003cbr\u003e ✓ Wordclock termination switch\u003cbr\u003e ✓ Sixteen, 10-segment meters\u003cbr\u003e ✓ Two multi-function encoder knobs\u003cbr\u003e ✓ OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection\u003cbr\u003e ✓ Two 1\/4\" headphone outputs\u003cbr\u003e ✓ 7-segment sample rate display\u003cbr\u003e ✓ Clock source display\u003cbr\u003e ✓ Meter source display\u003cbr\u003e ✓ High-performance, temperature controlled fan\u003cbr\u003e\u003cbr\u003eAI16 - Analog to Optical Digital Audio Module for Symphony I\/O\u003cbr\u003e\u003cbr\u003eThe AI16 from Apogee is a 16-channel analog input and 16-channel digital audio output module for the Symphony I\/O. The module occupies one of the two slots available on the chassis and represents 25 years of Apogee research and design excellence.\u003cbr\u003e\u003cbr\u003eRefined and updated circuitry with fewer, more advanced components allows for a shorter audio path, resulting in more recording clarity and transparency and a more efficient power distribution. The module features enhanced C777 clocking performance and lower converter latency.\u003cbr\u003e\u003cbr\u003eThe analog inputs require optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003e ✓ Analog-to-digital module for the Symphony I\/O system\u003cbr\u003e ✓ 16-channels of balanced analog input and up to 16-channels digital output (optical and S\/PDIF) available simultaneously\u003cbr\u003e ✓ Ultra low latency AD conversion\u003cbr\u003e ✓ Software controlled AD reference setting\u003cbr\u003e ✓ Enhanced C777 clocking performance\u003cbr\u003e ✓ Entire audio path is DC coupled, resulting in ultra flat frequency response and extremely low phase error\u003cbr\u003e ✓ Variable gain input for keyboards\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003e ✓ Connectors 2 x 1\/4\" TRS phone Headphone\u003cbr\u003e 2 x Symphony I\/O PC-32 Ports\u003cbr\u003e 1 x Ethernet\u003cbr\u003e 1 x USB\u003cbr\u003e 2 x BNC Wordclock I\/O\u003cbr\u003e 2 x BNC LoopSync I\/O\u003cbr\u003e\u003cbr\u003e ✓ Headphones THD+N: -105dB @ 19dBu\u003cbr\u003e ✓ Dynamic Range: 119dB, A-weighted\u003cbr\u003e ✓ Output Impedance: 30Ω\u003cbr\u003e ✓ Power Requirements 90~240VAC, 50\/60Hz, 150W\u003cbr\u003e ✓ System Requirements Mac OS X 10.5.8 and above\u003cbr\u003e ✓ Dimensions (WxDxH) 19 x 11.5 x 3.5\" (483 x 292 x 89mm)","published_at":"2016-10-10T06:38:00+02:00","created_at":"2016-10-10T07:58:59+02:00","vendor":"Apogee","type":"Audio Interfaces","tags":["Apogee","Misc Digital Converters","Price Range_$1000 to $1500","Shop by brand_Apogee","Shop by category_Misc Digital Converters","Signal Processing","Studio \u0026 Recording"],"price":149500,"price_min":149500,"price_max":149500,"available":true,"price_varies":false,"compare_at_price":149500,"compare_at_price_min":149500,"compare_at_price_max":149500,"compare_at_price_varies":false,"variants":[{"id":27388153345,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AI16","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Apogee 16 Analog IN + 16 Optical OUT - Symphony I\/O Module","public_title":null,"options":["Default Title"],"price":149500,"weight":2590,"compare_at_price":149500,"inventory_quantity":-2,"inventory_management":null,"inventory_policy":"deny","barcode":"805676 300795"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SymphAI16-xlarge_5aa4b3f2-eeeb-49e7-b7d8-4ebd1affda10.jpg?v=1528503958","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/qlihlkastinmyj6bf1az.jpg?v=1528503958","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/sio-mkii-front-panel-16x16_3b5a383f-d5c7-4031-8674-c56672651b1f.jpg?v=1528503958"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SymphAI16-xlarge_5aa4b3f2-eeeb-49e7-b7d8-4ebd1affda10.jpg?v=1528503958","options":["Title"],"content":"The Symphony I\/O with 16 Analog In + 16 Optical Out Module from Apogee is digital audio converter consisting of the Symphony I\/O chassis and the 16 Analog In + 16 Optical Out module, which allows for sixteen channels of analog input and up to sixteen channels of digital output simultaneously. The I\/O module features enhanced C777 clocking performance and lower converter latency. \u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis provides two module slots for a variety of digital audio conversion options with one already being filled with the included module. The front panel of chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain and output levels. \u003cbr\u003e\u003cbr\u003eThe converter has multiple connectivity options that include direct connection to a Symphony 64 PCIe card, a USB equipped Intel Mac, or to Avid's Pro Tools HD and HD-X systems. With the addition of the optional Symphony 64\/Thunderbridge interface, the system acquires direct connectivity to any Thunderbolt equipped Mac computer. Additionally, the unit can function standalone. \u003cbr\u003e\u003cbr\u003eThe module requires optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003eThe Symphony I\/O Chassis from Apogee provides two I\/O Module slots for a variety of digital audio conversion options that form the interface side of the Symphony I\/O. Elegant and easy to use, the front panel of Symphony I\/O Chassis presents the visual feedback needed to monitor levels, sample rate and clock status, along with the controls required to adjust gain, output levels ,and select the Audio Interface Mode (AIM).\u003cbr\u003e\u003cbr\u003eThe rear panel provides access to the two I\/O Module slots that are capable of a combined thirty-two channels of input and output. PCI, USB and Ethernet connectivity ensures complete compatibility with popular workstations, while the panel also includes Wordclock I\/O connectors and termination, LoopSynch I\/O connectors, and a quiet digitally-controlled fan to keep everything running cool.\u003cbr\u003e\u003cbr\u003eThe Audio Interface Mode (AIM) allows the system to be optimized for the most popular audio workstation environments, including Symphony PCI, Pro Tools HD PCI, USB audio, or to function as a standalone converter. With a two-step adjustment using a single front panel encoder knob, the interface can be easily switched back and forth between the preferred modes.\u003cbr\u003e\u003cbr\u003eThe optional five I\/O Modules allow the user to choose from standard configurations, or customize the following - channel count, analog to digital input, digital to analog output, microphone preamps (requires an analog card) and digital I\/O.\u003cbr\u003e\u003cbr\u003e ✓ Two input\/output module slots\u003cbr\u003e ✓ Ethernet connector\u003cbr\u003e ✓ USB 2.0 connector\u003cbr\u003e ✓ Two Symphony PC-32 ports for direct connection to Symphony 64 PCI card and Pro Tools core card\u003cbr\u003e ✓ Wordclock I\/O and LoopSync I\/O\u003cbr\u003e ✓ Wordclock termination switch\u003cbr\u003e ✓ Sixteen, 10-segment meters\u003cbr\u003e ✓ Two multi-function encoder knobs\u003cbr\u003e ✓ OLED GUI provides function selection and function adjustment and Audio Interface Mode (AIM) selection\u003cbr\u003e ✓ Two 1\/4\" headphone outputs\u003cbr\u003e ✓ 7-segment sample rate display\u003cbr\u003e ✓ Clock source display\u003cbr\u003e ✓ Meter source display\u003cbr\u003e ✓ High-performance, temperature controlled fan\u003cbr\u003e\u003cbr\u003eAI16 - Analog to Optical Digital Audio Module for Symphony I\/O\u003cbr\u003e\u003cbr\u003eThe AI16 from Apogee is a 16-channel analog input and 16-channel digital audio output module for the Symphony I\/O. The module occupies one of the two slots available on the chassis and represents 25 years of Apogee research and design excellence.\u003cbr\u003e\u003cbr\u003eRefined and updated circuitry with fewer, more advanced components allows for a shorter audio path, resulting in more recording clarity and transparency and a more efficient power distribution. The module features enhanced C777 clocking performance and lower converter latency.\u003cbr\u003e\u003cbr\u003eThe analog inputs require optional breakout cables, available in various configurations to suit individual requirements.\u003cbr\u003e\u003cbr\u003e ✓ Analog-to-digital module for the Symphony I\/O system\u003cbr\u003e ✓ 16-channels of balanced analog input and up to 16-channels digital output (optical and S\/PDIF) available simultaneously\u003cbr\u003e ✓ Ultra low latency AD conversion\u003cbr\u003e ✓ Software controlled AD reference setting\u003cbr\u003e ✓ Enhanced C777 clocking performance\u003cbr\u003e ✓ Entire audio path is DC coupled, resulting in ultra flat frequency response and extremely low phase error\u003cbr\u003e ✓ Variable gain input for keyboards\u003cbr\u003e\u003cbr\u003eSymphony I\/O Chassis\u003cbr\u003e\u003cbr\u003e ✓ Connectors 2 x 1\/4\" TRS phone Headphone\u003cbr\u003e 2 x Symphony I\/O PC-32 Ports\u003cbr\u003e 1 x Ethernet\u003cbr\u003e 1 x USB\u003cbr\u003e 2 x BNC Wordclock I\/O\u003cbr\u003e 2 x BNC LoopSync I\/O\u003cbr\u003e\u003cbr\u003e ✓ Headphones THD+N: -105dB @ 19dBu\u003cbr\u003e ✓ Dynamic Range: 119dB, A-weighted\u003cbr\u003e ✓ Output Impedance: 30Ω\u003cbr\u003e ✓ Power Requirements 90~240VAC, 50\/60Hz, 150W\u003cbr\u003e ✓ System Requirements Mac OS X 10.5.8 and above\u003cbr\u003e ✓ Dimensions (WxDxH) 19 x 11.5 x 3.5\" (483 x 292 x 89mm)"}

{"id":768030048302,"title":"Chandler Limited Germ 500 MkII Microphone Preamp","handle":"chandler-limited-germ-500-mkii-microphone-preamp","description":"CHANDLER LIMITED\u003cbr\u003eGerm 500 MKII Pre Amp\u003cbr\u003e\u003cbr\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003cbr\u003e\u003cbr\u003eThe Germ 500 MKII is an updated version of our original Germ 500. This unit has an improved faceplate layout and nicer look. It uses classic germanium transistors in all Class A, transformer balanced circuits. The Germ 500 MKII is our well-known Germanium Preamp adapted for 500 series racks. We use the same transformers and amp blocks to assure the sound is consistent with our rack version. We've updated the power on the MKII so there no known power-up issues with current lunchboxes and rack systems.\u003cbr\u003e\u003cbr\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks: API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003cbr\u003e\u003cbr\u003eTech Specs\u003cbr\u003e\u003cbr\u003e ✓ GERM 500 MKII PRE AMP TECHNICAL SPECIFICATIONS\u003cbr\u003e ✓ FORMAT: 500 Series\u003cbr\u003e ✓ CHANNELS: Mono\u003cbr\u003e ✓ CIRCUIT: Class A, Discrete, Transistor\u003cbr\u003e ✓ GAIN: -5db to +65db\u003cbr\u003e ✓ CONNECTIONS\u003cbr\u003e ✓ I\/O: 500 Series Enclosure\u003cbr\u003e ✓ Mic Input: Transformer Balanced, Input Impedance: 300 Ohm\u003cbr\u003e ✓ DI: 1\/4\" Unbalanced, Input Impedance: 100k\u003cbr\u003e ✓ PHANTOM POWER: +48v","published_at":"2018-08-11T20:02:32+02:00","created_at":"2018-08-11T20:18:20+02:00","vendor":"Chandler Limited","type":"Preamps","tags":["500 Series","500 Series Preamps","Chandler Limited","Price Range_$750 to $1000","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_500 Series Preamps","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":99500,"price_min":99500,"price_max":99500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8245798305838,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"GERM 500 MKII","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited Germ 500 MkII Microphone Preamp","public_title":null,"options":["Default Title"],"price":99500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germ_500_MKII_pre_amp_front.jpg?v=1534034764","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_72758157-79f4-4f54-97f2-0575fb96d568.png?v=1534034764","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germ_500_MKII_pre_amp_inside.jpg?v=1534034764"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_germ_500_MKII_pre_amp_front.jpg?v=1534034764","options":["Title"],"content":"CHANDLER LIMITED\u003cbr\u003eGerm 500 MKII Pre Amp\u003cbr\u003e\u003cbr\u003eCHANDLER LIMITED furiously enters the 500 race with its new line of 500 Series Modules for your favorite lunch box! Using all discrete circuits that combine Chandler's best designs with the hottest designs from the past, transformer balanced everything, and the American handmade quality you expect from Chandler, the 500 Series Modules will take your lunchbox or rack system to the next level!\u003cbr\u003e\u003cbr\u003eThe Germ 500 MKII is an updated version of our original Germ 500. This unit has an improved faceplate layout and nicer look. It uses classic germanium transistors in all Class A, transformer balanced circuits. The Germ 500 MKII is our well-known Germanium Preamp adapted for 500 series racks. We use the same transformers and amp blocks to assure the sound is consistent with our rack version. We've updated the power on the MKII so there no known power-up issues with current lunchboxes and rack systems.\u003cbr\u003e\u003cbr\u003eAll Chandler 500 series units have now been tested and proven to have no power issues in the following racks: API 500V 10-slot with L200 PSU; API 500-6B Lunchbox; API 500-6B HC “new version” Lunchbox; BAE 11-slot with power one supply; BAE 6-slot portable with power one supply; BAE 6-slot with Avedis designed supply; A-Designs 2-slot; Purple Sweet 10; and Empirical Labs 2-slot.\u003cbr\u003e\u003cbr\u003eTech Specs\u003cbr\u003e\u003cbr\u003e ✓ GERM 500 MKII PRE AMP TECHNICAL SPECIFICATIONS\u003cbr\u003e ✓ FORMAT: 500 Series\u003cbr\u003e ✓ CHANNELS: Mono\u003cbr\u003e ✓ CIRCUIT: Class A, Discrete, Transistor\u003cbr\u003e ✓ GAIN: -5db to +65db\u003cbr\u003e ✓ CONNECTIONS\u003cbr\u003e ✓ I\/O: 500 Series Enclosure\u003cbr\u003e ✓ Mic Input: Transformer Balanced, Input Impedance: 300 Ohm\u003cbr\u003e ✓ DI: 1\/4\" Unbalanced, Input Impedance: 100k\u003cbr\u003e ✓ PHANTOM POWER: +48v"}

{"id":10468194893,"title":"Chandler Limited TG2-500 Pre Amp","handle":"chandler-limited-6","description":"\u003ch1 id=\"reader-title\"\u003eTG2-500 Pre Amp | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG2-500 pre-amp is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road Studios recording and mastering consoles from the late 60s and early 70s. The sound of the EMI\/Abbey Road Studios equipment is world renowned, and imparts a unique and pleasing sonic character as heard on many famous recordings done at Abbey Road including The Beatles’ “Abbey Road” and Pink Floyd’s “Dark Side of the Moon” albums. For the first time ever, the legendary TG2 pre-amp sound is available in 500 Series format.\u003c\/p\u003e\n\u003cp\u003eThe TG2-500 microphone pre-amplifier features the same discrete, transformer-balanced amplifiers as Chandler Limited’s TG series: TG2 Pre Amp\/DI, TG Channel MKII, and TG1 Limiter.\u003c\/p\u003e\n\u003cp\u003eWe’ve taken the microphone pre-amplifier and line amplifier from our highly acclaimed TG2 Pre Amp\/DI and packaged it for the industry standard 500 Series format, while retaining the sound of Chandler Limited’s TG2 Pre Amp\/DI. The aural quality has often been characterized as a creamy, smooth tone with a surprisingly open, clear top-end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact, the TG2-500 microphone preamplifier does have a small rise in its top-end frequency response and some warmth inducing distortion, which contributes to its sound.\u003c\/p\u003e\n\u003cp\u003eBring the sound of the Chandler Limited TG2-500 pre amp and EMI\/Abbey Road Studios home to your 500 Series rack today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003ccite\u003eTG2-500 Pre Amp Technical Specifications\u003c\/cite\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFEATURES\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels:\u003c\/td\u003e\n\u003ctd\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCircuit:\u003c\/td\u003e\n\u003ctd\u003eDiscrete, Transistor, Transformer Balanced I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Gain:\u003c\/td\u003e\n\u003ctd\u003e+60db\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoarse Gain:\u003c\/td\u003e\n\u003ctd\u003e+20db to +50db (stepped, 5db)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFine Gain:\u003c\/td\u003e\n\u003ctd\u003e±10db (variable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput:\u003c\/td\u003e\n\u003ctd\u003eMic\/Line switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance:\u003c\/td\u003e\n\u003ctd\u003e1200\/300 Ohm switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Power:\u003c\/td\u003e\n\u003ctd\u003e+48v switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase:\u003c\/td\u003e\n\u003ctd\u003e0\/180º, switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003eCONNECTIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eI\/O:\u003c\/td\u003e\n\u003ctd\u003e500 Series format (frame dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003ePOWER\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e500 Series format:\u003c\/td\u003e\n\u003ctd\u003e+\/-16v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMax. current draw:\u003c\/td\u003e\n\u003ctd\u003e+16v @ 110ma \/ -16v @ 80ma\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e","published_at":"2018-08-11T20:50:12+02:00","created_at":"2017-07-19T16:44:21+02:00","vendor":"Chandler Limited","type":"Preamps","tags":["500 Series","500 Series Preamps","Chandler Limited","Chandler Little Devil Pre Amp","Channel Strips \u0026 Preamps","Microphone Preamps","Price Range_$750 to $1000","Pro Audio","Recording","Shop by brand_Chandler Limited","Shop by category_500 Series","Shop by category_500 Series Preamps","Shop by category_Channel Strips","Shop by category_Preamps","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":99500,"price_min":99500,"price_max":99500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40612214349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG2-500","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG2-500 Pre Amp","public_title":null,"options":["Default Title"],"price":99500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_vertical_f_3qtr.png?v=1534090703","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_1bb3f992-82cb-4a90-b943-198c67d4842b.png?v=1534090703","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_front.png?v=1534090703","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_inside_3qtr_f.png?v=1534090703"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_500_pre_amp_vertical_f_3qtr.png?v=1534090703","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eTG2-500 Pre Amp | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG2-500 pre-amp is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road Studios recording and mastering consoles from the late 60s and early 70s. The sound of the EMI\/Abbey Road Studios equipment is world renowned, and imparts a unique and pleasing sonic character as heard on many famous recordings done at Abbey Road including The Beatles’ “Abbey Road” and Pink Floyd’s “Dark Side of the Moon” albums. For the first time ever, the legendary TG2 pre-amp sound is available in 500 Series format.\u003c\/p\u003e\n\u003cp\u003eThe TG2-500 microphone pre-amplifier features the same discrete, transformer-balanced amplifiers as Chandler Limited’s TG series: TG2 Pre Amp\/DI, TG Channel MKII, and TG1 Limiter.\u003c\/p\u003e\n\u003cp\u003eWe’ve taken the microphone pre-amplifier and line amplifier from our highly acclaimed TG2 Pre Amp\/DI and packaged it for the industry standard 500 Series format, while retaining the sound of Chandler Limited’s TG2 Pre Amp\/DI. The aural quality has often been characterized as a creamy, smooth tone with a surprisingly open, clear top-end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact, the TG2-500 microphone preamplifier does have a small rise in its top-end frequency response and some warmth inducing distortion, which contributes to its sound.\u003c\/p\u003e\n\u003cp\u003eBring the sound of the Chandler Limited TG2-500 pre amp and EMI\/Abbey Road Studios home to your 500 Series rack today.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003ccite\u003eTG2-500 Pre Amp Technical Specifications\u003c\/cite\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFEATURES\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eChannels:\u003c\/td\u003e\n\u003ctd\u003eMono\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCircuit:\u003c\/td\u003e\n\u003ctd\u003eDiscrete, Transistor, Transformer Balanced I\/O\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eTotal Gain:\u003c\/td\u003e\n\u003ctd\u003e+60db\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoarse Gain:\u003c\/td\u003e\n\u003ctd\u003e+20db to +50db (stepped, 5db)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFine Gain:\u003c\/td\u003e\n\u003ctd\u003e±10db (variable)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput:\u003c\/td\u003e\n\u003ctd\u003eMic\/Line switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eInput Impedance:\u003c\/td\u003e\n\u003ctd\u003e1200\/300 Ohm switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhantom Power:\u003c\/td\u003e\n\u003ctd\u003e+48v switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePhase:\u003c\/td\u003e\n\u003ctd\u003e0\/180º, switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003eCONNECTIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eI\/O:\u003c\/td\u003e\n\u003ctd\u003e500 Series format (frame dependent)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003ePOWER\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e500 Series format:\u003c\/td\u003e\n\u003ctd\u003e+\/-16v\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMax. current draw:\u003c\/td\u003e\n\u003ctd\u003e+16v @ 110ma \/ -16v @ 80ma\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e"}

{"id":10468358797,"title":"Chandler Limited RS124 Compressor","handle":"chandler-limited-9","description":"\u003ch1 id=\"reader-title\"\u003eRS124 Compressor | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited RS124 Compressor is a recreation of one of the most coveted audio valve compressors of all time, the legendary EMI\/Abbey Road RS124, reimagined for use in the modern studio environment.\u003c\/p\u003e\n\u003cp\u003eFirst designed in 1960 by Abbey Road Head of Technical Bill Livy, Deputy Head Len Page and seasoned EMI Audio Designer Mike Bachelor, the Abbey Road RS124 compressor is one of the most desired and mysterious pieces of recording gear ever developed.\u003c\/p\u003e\n\u003cp\u003eBorn out of the insufficient Altec 436Bs acquired by EMI in the late 1950s for Abbey Road, the RS124 compressor is most closely associated with recordings made by The Beatles at Abbey Road Studios. Present on virtually every Beatles session, the RS124 left its remarkable signature across most of the catalog.\u003c\/p\u003e\n\u003cp\u003eThe RS124's undeniably smooth character and ability to tame transients without muffling the sound at steep compression levels, quickly became popular with Abbey Road Studios engineers and widely used throughout the now historic studio, for tracking, buss compression, mixing, and mastering. They were so integral to the recording and mixing process that a pair can be seen in almost every control room photo in Abbey Road Studios during the 60s period.\u003c\/p\u003e\n\u003cp\u003eThe RS124 Compressor was built for use at Abbey Road Studios, and was never commercially available.\u003c\/p\u003e\n\u003cp\u003eThrough the years, from incomplete information and supposition, some have tried to recreate the holy grail of tube compressors, though never fully capturing the elusive Abbey Road RS124 in all its glory.\u003c\/p\u003e\n\u003cp\u003eSchematics themselves only told part of the story, and access to Abbey Road Studios’ historic units and various hand written modification notes would prove paramount towards understanding the true nature of the Abbey Road RS124 compressor and variances between units.\u003c\/p\u003e\n\u003cp\u003eMany revisions were carried out since its inception, and as a result, the Abbey Road RS124 valve compressor has remained a mystery for decades, until now.\u003c\/p\u003e\n\u003cp\u003eAvailable now, for the first time ever, the Chandler Limited RS124 Compressor harnesses the sound and personalities of Abbey Road Studios’ favorite historic RS124 Compressors (Ser. No’s \u003cstrong\u003e60070B\u003c\/strong\u003e, \u003cstrong\u003e60050A\u003c\/strong\u003e, and \u003cstrong\u003e61010B\u003c\/strong\u003e) still in use at the famed studio to this day, all in a single unit.\u003c\/p\u003e\n\u003cp\u003eAlong with features traditionally found on the original counterparts, Input control, Output attenuation, ‘Recovery’ (release) control and the unique ‘HOLD’ setting, the Chandler Limited RS124 Compressor includes modern facilities such as adjustable attack, selectable output impedance, and a special twist, dubbed the ‘SuperFuse’.\u003c\/p\u003e\n\u003cp\u003eBring home the sound of a legend reimagined for the modern era, today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE:\u003c\/strong\u003e Standard units come with variable Input and Output control. Stepped Input and Output controls are available via special request for an additional fee– notify your dealer prior to order.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-08-11T20:50:13+02:00","created_at":"2017-07-19T18:04:11+02:00","vendor":"Chandler Limited","type":"Compressors","tags":["Chandler Limited","Chandler RS124","Compressors","Dynamics Processors","Limiters","Price Range_$2000 to $3000","Price Range_$3000 and Over","Pro Audio","Recording","Shop by brand_Chandler Limited","Shop by category_ Limiters","Shop by category_Compressors","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":287500,"price_min":287500,"price_max":645000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40613223117,"title":"STANDARD","option1":"STANDARD","option2":null,"option3":null,"sku":"RS124","requires_shipping":true,"taxable":true,"featured_image":{"id":25910087629,"product_id":10468358797,"position":1,"created_at":"2017-07-19T18:28:43+02:00","updated_at":"2017-07-19T18:29:27+02:00","alt":null,"width":903,"height":168,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_01.png?v=1500481767","variant_ids":[40613223117]},"available":true,"name":"Chandler Limited RS124 Compressor - STANDARD","public_title":"STANDARD","options":["STANDARD"],"price":287500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":8245740240942,"title":"MASTERING","option1":"MASTERING","option2":null,"option3":null,"sku":"RS124 COMPRESSOR WITH STEPPED I\/O SWITCHES","requires_shipping":true,"taxable":true,"featured_image":{"id":2719198576686,"product_id":10468358797,"position":6,"created_at":"2018-08-11T19:41:50+02:00","updated_at":"2018-08-11T19:41:50+02:00","alt":null,"width":1500,"height":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler-rs124-compressor-front_1.jpg?v=1534009310","variant_ids":[8245740240942]},"available":true,"name":"Chandler Limited RS124 Compressor - MASTERING","public_title":"MASTERING","options":["MASTERING"],"price":312500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":8245740273710,"title":"MASTERING MATCHED PAIR","option1":"MASTERING MATCHED PAIR","option2":null,"option3":null,"sku":"RS124 COMPRESSOR MATCHED PAIR","requires_shipping":true,"taxable":true,"featured_image":{"id":2719226167342,"product_id":10468358797,"position":7,"created_at":"2018-08-11T19:43:38+02:00","updated_at":"2018-08-11T19:43:38+02:00","alt":null,"width":1500,"height":1500,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_rs124_matched_pair.jpg?v=1534009418","variant_ids":[8245740273710]},"available":true,"name":"Chandler Limited RS124 Compressor - MASTERING MATCHED PAIR","public_title":"MASTERING MATCHED PAIR","options":["MASTERING MATCHED PAIR"],"price":645000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_01.png?v=1500481767","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_60c5ae34-7c5e-4e43-92bd-c30778289fdf.png?v=1500481767","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_02.png?v=1500481767","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_03.png?v=1500481767","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_04.png?v=1500481767","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler-rs124-compressor-front_1.jpg?v=1534009310","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_rs124_matched_pair.jpg?v=1534009418"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_rs124_compressor_01.png?v=1500481767","options":["Model"],"content":"\u003ch1 id=\"reader-title\"\u003eRS124 Compressor | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited RS124 Compressor is a recreation of one of the most coveted audio valve compressors of all time, the legendary EMI\/Abbey Road RS124, reimagined for use in the modern studio environment.\u003c\/p\u003e\n\u003cp\u003eFirst designed in 1960 by Abbey Road Head of Technical Bill Livy, Deputy Head Len Page and seasoned EMI Audio Designer Mike Bachelor, the Abbey Road RS124 compressor is one of the most desired and mysterious pieces of recording gear ever developed.\u003c\/p\u003e\n\u003cp\u003eBorn out of the insufficient Altec 436Bs acquired by EMI in the late 1950s for Abbey Road, the RS124 compressor is most closely associated with recordings made by The Beatles at Abbey Road Studios. Present on virtually every Beatles session, the RS124 left its remarkable signature across most of the catalog.\u003c\/p\u003e\n\u003cp\u003eThe RS124's undeniably smooth character and ability to tame transients without muffling the sound at steep compression levels, quickly became popular with Abbey Road Studios engineers and widely used throughout the now historic studio, for tracking, buss compression, mixing, and mastering. They were so integral to the recording and mixing process that a pair can be seen in almost every control room photo in Abbey Road Studios during the 60s period.\u003c\/p\u003e\n\u003cp\u003eThe RS124 Compressor was built for use at Abbey Road Studios, and was never commercially available.\u003c\/p\u003e\n\u003cp\u003eThrough the years, from incomplete information and supposition, some have tried to recreate the holy grail of tube compressors, though never fully capturing the elusive Abbey Road RS124 in all its glory.\u003c\/p\u003e\n\u003cp\u003eSchematics themselves only told part of the story, and access to Abbey Road Studios’ historic units and various hand written modification notes would prove paramount towards understanding the true nature of the Abbey Road RS124 compressor and variances between units.\u003c\/p\u003e\n\u003cp\u003eMany revisions were carried out since its inception, and as a result, the Abbey Road RS124 valve compressor has remained a mystery for decades, until now.\u003c\/p\u003e\n\u003cp\u003eAvailable now, for the first time ever, the Chandler Limited RS124 Compressor harnesses the sound and personalities of Abbey Road Studios’ favorite historic RS124 Compressors (Ser. No’s \u003cstrong\u003e60070B\u003c\/strong\u003e, \u003cstrong\u003e60050A\u003c\/strong\u003e, and \u003cstrong\u003e61010B\u003c\/strong\u003e) still in use at the famed studio to this day, all in a single unit.\u003c\/p\u003e\n\u003cp\u003eAlong with features traditionally found on the original counterparts, Input control, Output attenuation, ‘Recovery’ (release) control and the unique ‘HOLD’ setting, the Chandler Limited RS124 Compressor includes modern facilities such as adjustable attack, selectable output impedance, and a special twist, dubbed the ‘SuperFuse’.\u003c\/p\u003e\n\u003cp\u003eBring home the sound of a legend reimagined for the modern era, today.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNOTE:\u003c\/strong\u003e Standard units come with variable Input and Output control. Stepped Input and Output controls are available via special request for an additional fee– notify your dealer prior to order.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":10468217997,"title":"Chandler Limited LTD-1","handle":"chandler-limited-ltd-1-eq-pre-amp","description":"\u003ch1 id=\"reader-title\"\u003eLTD-1 EQ\/Pre Amp | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited LTD-1 is a hand wired and handmade 10-series equalizer and pre amp using parts and build techniques from the original manufacture of the modules. Grounding, wiring techniques, original transformers, transistors, and inductors have been used to attribute to the special sound in each LTD-1.\u003c\/p\u003e\n\u003cp\u003eIn addition to the classic 10-series sound we added all the modern functions you would expect and expanded the EQ section giving a much larger palate to choose from. Features include high impedance direct in, 48v switching, output fader, EQ in\/out, phase reverse, balanced mic in, balanced line in, overbuilt power supply to ensure maximum headroom, and nine additional EQ points.\u003c\/p\u003e\n\u003cp\u003eAll LTD units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003eNOTE: Early LTD-1 units used a Neutrik style input receptacle for the DI connection, as seen in pictures on this page. Current models feature a standard 1\/4\" input jack. This has no effect on the sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eMic Input: -20db to -80db, 5db increments\u003cbr\u003e Line Input: +10db to -20db\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR, Transformer Balanced, Pin 2 Hot\u003cbr\u003e DI, 1\/4\" Unbalanced, 100k input impedance\u003c\/p\u003e\n\u003cp\u003ePOWER\u003cbr\u003e Phantom Power: +48v\u003cbr\u003e Power: ±28v\u003cbr\u003e Requires the Chandler Limited PSU-1 MKII power supply\u003c\/p\u003e","published_at":"2018-08-11T20:50:12+02:00","created_at":"2017-07-19T16:54:43+02:00","vendor":"Chandler Limited","type":"Preamps","tags":["Chandler Limited","Channel Strips","Preamps \u0026 Channel Strips","Price Range_$2000 to $3000","Shop by brand_Chandler Limited","Shop by category_Channel Strips","Shop by category_Preamps","Shop by category_Preamps \u0026 Channel Strips","Shop by category_Studio Monitors","Studio \u0026 Recording"],"price":257500,"price_min":257500,"price_max":257500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40612346125,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"LTD-1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited LTD-1","public_title":null,"options":["Default Title"],"price":257500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_ltd_1_eq_pre_amp_front.jpg?v=1534072694","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_ltd_1_eq_pre_amp_angle_2.jpg?v=1534072694","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_ltd_1_eq_pre_amp_angle_1.jpg?v=1534072694","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_ltd_1_eq_pre_amp_02.png?v=1534072694","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_ltd_1_eq_pre_amp_04.png?v=1534072694","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_ltd_1_eq_pre_amp_05.png?v=1534072694"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_ltd_1_eq_pre_amp_front.jpg?v=1534072694","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eLTD-1 EQ\/Pre Amp | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited LTD-1 is a hand wired and handmade 10-series equalizer and pre amp using parts and build techniques from the original manufacture of the modules. Grounding, wiring techniques, original transformers, transistors, and inductors have been used to attribute to the special sound in each LTD-1.\u003c\/p\u003e\n\u003cp\u003eIn addition to the classic 10-series sound we added all the modern functions you would expect and expanded the EQ section giving a much larger palate to choose from. Features include high impedance direct in, 48v switching, output fader, EQ in\/out, phase reverse, balanced mic in, balanced line in, overbuilt power supply to ensure maximum headroom, and nine additional EQ points.\u003c\/p\u003e\n\u003cp\u003eAll LTD units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003eNOTE: Early LTD-1 units used a Neutrik style input receptacle for the DI connection, as seen in pictures on this page. Current models feature a standard 1\/4\" input jack. This has no effect on the sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eMic Input: -20db to -80db, 5db increments\u003cbr\u003e Line Input: +10db to -20db\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR, Transformer Balanced, Pin 2 Hot\u003cbr\u003e DI, 1\/4\" Unbalanced, 100k input impedance\u003c\/p\u003e\n\u003cp\u003ePOWER\u003cbr\u003e Phantom Power: +48v\u003cbr\u003e Power: ±28v\u003cbr\u003e Requires the Chandler Limited PSU-1 MKII power supply\u003c\/p\u003e"}

{"id":693941796910,"title":"Rupert Neve Designs R10 10-slot 500 Series Rack","handle":"rupert-neve-designs-r10-ten-space-500-series-rack","description":"\u003cp\u003eOverview\u003c\/p\u003e\n\u003cp\u003eR10\u003c\/p\u003e\n\u003cp\u003e10 Space 500 Series Rack\u003c\/p\u003e\n\u003cp\u003eWith abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks.\u003c\/p\u003e\n\u003cp\u003ePower You Can Trust\u003c\/p\u003e\n\u003cp\u003ePower-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003eSolid Steel Construction\u003c\/p\u003e\n\u003cp\u003eThe chassis is comprised of solid steel with sliding nuts to accommodate various manufacturers modules. All connectors and fittings are of the highest quality to ensure that the R10 will hold up to many years of use.\u003c\/p\u003e\n\u003cp\u003eA New Level of Confidence in the 500 Series\u003c\/p\u003e\n\u003cp\u003eBecause the R10 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R10 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series VCA buss link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 or 9-10. Enabling link allows compatible compressor modules like the 543 to share VCA control when their links are enabled. Matching blank panels are also available to cover any empty slots.\u003c\/p\u003e\n\u003cp\u003eIf you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R10 is the serious rack for the serious sound you want.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDouble Voltage Power\u003c\/li\u003e\n\u003cli\u003eMore than double the required power for the 500 series standard\u003c\/li\u003e\n\u003cli\u003eDual Inputs\u003c\/li\u003e\n\u003cli\u003eDual XLR and TRS inputs for both inputs and outputs\u003c\/li\u003e\n\u003cli\u003eCurrent Metering\u003c\/li\u003e\n\u003cli\u003eLED meters monitor your current usage\u003c\/li\u003e\n\u003cli\u003eWorldwide Power Supply\u003c\/li\u003e\n\u003cli\u003eThe auto-switching high-performance supply is at home anywhere in the world from 90V-240\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-05-30T06:27:28+02:00","created_at":"2018-05-30T06:54:14+02:00","vendor":"Rupert Neve Designs","type":"500 Series Chassis","tags":["500 Series","500 Series Chassis","Price Range_$750 to $1000","Rupert Neve Designs","Shop by brand_Rupert Neve Designs","Shop by category_500 Series","Shop by category_500 Series Chassis","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":89500,"price_min":89500,"price_max":89500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7914160554030,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"R10","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rupert Neve Designs R10 10-slot 500 Series Rack","public_title":null,"options":["Default Title"],"price":89500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"752423657384"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-straight-white-1024x459.jpg?v=1527656250","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_f5be9042-bc61-4b7b-b0d4-1b043fbf2aa8.png?v=1527656274","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10--1024x481.jpg?v=1527656250","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6722-1024x685.jpg?v=1527656338","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6756-1024x683.jpg?v=1527656360","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/R10-header-wide-1024x430.jpg?v=1527656682","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6770-1024x682.jpg?v=1527656697","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6767-1024x682.jpg?v=1527656920","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-6724-1024x727.jpg?v=1527657105","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/R10-frontpage-1024x838.jpg?v=1527657121"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/r10-straight-white-1024x459.jpg?v=1527656250","options":["Title"],"content":"\u003cp\u003eOverview\u003c\/p\u003e\n\u003cp\u003eR10\u003c\/p\u003e\n\u003cp\u003e10 Space 500 Series Rack\u003c\/p\u003e\n\u003cp\u003eWith abundant power and versatile connections, the R10 delivers peace of mind for engineers who demand a higher degree of confidence in their 500 series racks.\u003c\/p\u003e\n\u003cp\u003ePower You Can Trust\u003c\/p\u003e\n\u003cp\u003ePower-wise, the R10 has more than 150% the required current for a 10-space chassis to prevent the power rails from failing under a higher-than-expected load. To help monitor and troubleshoot problematic modules, the R10 is equipped with LED current metering to show how much power is being used. The internal power supply itself has been carefully designed and double-shielded to avoid significant magnetic induction in any of the channel positions. With such attention to providing and monitoring power, the R10 helps your modules realize their fullest potential.\u003c\/p\u003e\n\u003cp\u003eSolid Steel Construction\u003c\/p\u003e\n\u003cp\u003eThe chassis is comprised of solid steel with sliding nuts to accommodate various manufacturers modules. All connectors and fittings are of the highest quality to ensure that the R10 will hold up to many years of use.\u003c\/p\u003e\n\u003cp\u003eA New Level of Confidence in the 500 Series\u003c\/p\u003e\n\u003cp\u003eBecause the R10 is built to 500 series specifications, it will work flawlessly with any properly-designed 500 series module you wish to include in it. To help accommodate modules that are slightly out of spec, the R10 has variable-position screw holes to help make the installation process as smooth as possible. The 500 series VCA buss link function can be enabled in pairs on the R6 using the link jumpers on Channels 1-2, 3-4, 5-6, 7-8 or 9-10. Enabling link allows compatible compressor modules like the 543 to share VCA control when their links are enabled. Matching blank panels are also available to cover any empty slots.\u003c\/p\u003e\n\u003cp\u003eIf you want to get the very best performance out of your 500 series modules, the Rupert Neve Designs R10 is the serious rack for the serious sound you want.\u003c\/p\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDouble Voltage Power\u003c\/li\u003e\n\u003cli\u003eMore than double the required power for the 500 series standard\u003c\/li\u003e\n\u003cli\u003eDual Inputs\u003c\/li\u003e\n\u003cli\u003eDual XLR and TRS inputs for both inputs and outputs\u003c\/li\u003e\n\u003cli\u003eCurrent Metering\u003c\/li\u003e\n\u003cli\u003eLED meters monitor your current usage\u003c\/li\u003e\n\u003cli\u003eWorldwide Power Supply\u003c\/li\u003e\n\u003cli\u003eThe auto-switching high-performance supply is at home anywhere in the world from 90V-240\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":673978646574,"title":"Waves DiGiGrid MGO","handle":"waves-digigrid-mgo","description":"\u003cp\u003eDiGiGrid MGO Optical MADI interface allows you to connect any MADI-enabled device to the SoundGrid network. Record, process and playback up to 128 channels with Waves and third-party SoundGrid-compatible plugins in high-fidelity at a super low-latency of 0.8 milliseconds! Moreover, the DiGiGrid MGO can record to two computers simultaneously – one for virtual soundcheck, the other for backup.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI-to-SoundGrid interface\u003c\/li\u003e\n\u003cli\u003ePlug any MADI-enabled device into SoundGrid\u003c\/li\u003e\n\u003cli\u003eRecord, process and playback up to 128 channels\u003c\/li\u003e\n\u003cli\u003eRecord to two computers simultaneously\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSpecs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI Optical I\/O (SFP Optics cartridges)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1, 48, 88.2, 96 kHz\u003c\/li\u003e\n\u003cli\u003e112\/128 channel I\/O @ 48kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e56\/64 channel I\/O @ 96kHz\u003c\/li\u003e\n\u003cli\u003eSupport for 64chn and 56chn modes\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for double wire (48k frame) and single wire (96k frame) @ 96kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eClock Synchronisation via (in fallback order): Word Clock input, MADI (port A), SoundGrid (SoE), Internal 1 SoundGrid port (RJ45)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eReset switch\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for channel 57 controls – DiGiCo-specific, will be used to connect a DiGiCo stage rack and control it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePackage Contents\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiGiGrid MGO unit\u003c\/li\u003e\n\u003cli\u003eUniversal power adaptor with interchangeable plugs (UK, US, EU, AU) (100-240V)\u003c\/li\u003e\n\u003cli\u003eEthernet cable: Cat 5e (2 meters)\u003c\/li\u003e\n\u003cli\u003eRegistration card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10.6 cm \/ 4.17 inches\u003c\/li\u003e\n\u003cli\u003eHeight: 14.82 cm \/ 5.83 inches\u003c\/li\u003e\n\u003cli\u003eDepth: 2.9 cm \/ 1.14 inches\u003c\/li\u003e\n\u003cli\u003eDevice Weight: 0.4 kg \/ 0.88 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-05-15T01:14:56+02:00","created_at":"2018-05-15T01:30:12+02:00","vendor":"Waves","type":"Signal Processing \u0026 500 Series","tags":["Misc Digital Converters","Price Range_$1000 to $1500","Shop by brand_Waves","Shop by category_Misc Digital Converters","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording","Waves"],"price":148900,"price_min":148900,"price_max":148900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7786503831598,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MGO","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Waves DiGiGrid MGO","public_title":null,"options":["Default Title"],"price":148900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgo-1.jpg?v=1526340633","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgo-3.jpg?v=1526340645"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgo-1.jpg?v=1526340633","options":["Title"],"content":"\u003cp\u003eDiGiGrid MGO Optical MADI interface allows you to connect any MADI-enabled device to the SoundGrid network. Record, process and playback up to 128 channels with Waves and third-party SoundGrid-compatible plugins in high-fidelity at a super low-latency of 0.8 milliseconds! Moreover, the DiGiGrid MGO can record to two computers simultaneously – one for virtual soundcheck, the other for backup.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI-to-SoundGrid interface\u003c\/li\u003e\n\u003cli\u003ePlug any MADI-enabled device into SoundGrid\u003c\/li\u003e\n\u003cli\u003eRecord, process and playback up to 128 channels\u003c\/li\u003e\n\u003cli\u003eRecord to two computers simultaneously\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSpecs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI Optical I\/O (SFP Optics cartridges)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1, 48, 88.2, 96 kHz\u003c\/li\u003e\n\u003cli\u003e112\/128 channel I\/O @ 48kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e56\/64 channel I\/O @ 96kHz\u003c\/li\u003e\n\u003cli\u003eSupport for 64chn and 56chn modes\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for double wire (48k frame) and single wire (96k frame) @ 96kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eClock Synchronisation via (in fallback order): Word Clock input, MADI (port A), SoundGrid (SoE), Internal 1 SoundGrid port (RJ45)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eReset switch\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for channel 57 controls – DiGiCo-specific, will be used to connect a DiGiCo stage rack and control it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePackage Contents\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDiGiGrid MGO unit\u003c\/li\u003e\n\u003cli\u003eUniversal power adaptor with interchangeable plugs (UK, US, EU, AU) (100-240V)\u003c\/li\u003e\n\u003cli\u003eEthernet cable: Cat 5e (2 meters)\u003c\/li\u003e\n\u003cli\u003eRegistration card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10.6 cm \/ 4.17 inches\u003c\/li\u003e\n\u003cli\u003eHeight: 14.82 cm \/ 5.83 inches\u003c\/li\u003e\n\u003cli\u003eDepth: 2.9 cm \/ 1.14 inches\u003c\/li\u003e\n\u003cli\u003eDevice Weight: 0.4 kg \/ 0.88 lbs\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":672311705646,"title":"Waves DiGiGrid MGB","handle":"waves-digigrid-mgb","description":"\u003cp\u003eThe DiGiGrid MGB interface allows you to connect any Coaxial MADI-enabled device to the SoundGrid network. Now, you can record, process and playback up to 128 channels with Waves and third-party SoundGrid-compatible plugins in high-fidelity at a super-low latency of 0.8 milliseconds! In addition to simplifying your routing, the MGB interface enables recording to two computers simultaneously, for virtual soundcheck and backup.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI-to-SoundGrid interface\u003c\/li\u003e\n\u003cli\u003ePlug any MADI-enabled device into SoundGrid\u003c\/li\u003e\n\u003cli\u003eRecord, process and playback up to 128 channels\u003c\/li\u003e\n\u003cli\u003eRecord to two computers simultaneously\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSpecs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI Coaxial I\/O (BNCs)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1, 48, 88.2, 96 kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e112\/128 channel I\/O @ 48kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e56\/64 channel I\/O @ 96kHz\u003c\/li\u003e\n\u003cli\u003eSupport for 64chn and 56chn modes\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for double wire (48k frame) and single wire (96k frame) @ 96kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eClock Synchronisation via (in fallback order): Word Clock input, MADI (port A), SoundGrid (SoE), Internal 1 SoundGrid port (RJ45)\u003c\/li\u003e\n\u003cli\u003eReset switch\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for channel 57 controls – DiGiCo-specific, will be used to connect a DiGiCo stage rack and control it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePackage Contents\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMGB unit\u003c\/li\u003e\n\u003cli\u003eUniversal power adaptor with interchangeable plugs (UK, US, EU, AU) (100-240V)\u003c\/li\u003e\n\u003cli\u003eEthernet cable: Cat 5e (2 meters)\u003c\/li\u003e\n\u003cli\u003eRegistration card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10.6 cm \/ 4.17 inches\u003c\/li\u003e\n\u003cli\u003eHeight: 14.82 cm \/ 5.83 inches\u003c\/li\u003e\n\u003cli\u003eDepth: 2.9 cm \/ 1.14 inches\u003c\/li\u003e\n\u003cli\u003eDevice Weight: 0.4 kg \/ 0.88 lbs\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-05-14T04:59:10+02:00","created_at":"2018-05-14T05:59:16+02:00","vendor":"Waves","type":"Signal Processing \u0026 500 Series","tags":["Misc Digital Converters","Price Range_$1000 to $1500","Shop by brand_Waves","Shop by category_Misc Digital Converters","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording","Waves"],"price":148900,"price_min":148900,"price_max":148900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7777142505518,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MGB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Waves DiGiGrid MGB","public_title":null,"options":["Default Title"],"price":148900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgb-1.jpg?v=1526270545","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgb-3.jpg?v=1526270873"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digigrid-mgb-1.jpg?v=1526270545","options":["Title"],"content":"\u003cp\u003eThe DiGiGrid MGB interface allows you to connect any Coaxial MADI-enabled device to the SoundGrid network. Now, you can record, process and playback up to 128 channels with Waves and third-party SoundGrid-compatible plugins in high-fidelity at a super-low latency of 0.8 milliseconds! In addition to simplifying your routing, the MGB interface enables recording to two computers simultaneously, for virtual soundcheck and backup.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI-to-SoundGrid interface\u003c\/li\u003e\n\u003cli\u003ePlug any MADI-enabled device into SoundGrid\u003c\/li\u003e\n\u003cli\u003eRecord, process and playback up to 128 channels\u003c\/li\u003e\n\u003cli\u003eRecord to two computers simultaneously\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSpecs\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMADI Coaxial I\/O (BNCs)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupported sample rates: 44.1, 48, 88.2, 96 kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e112\/128 channel I\/O @ 48kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e56\/64 channel I\/O @ 96kHz\u003c\/li\u003e\n\u003cli\u003eSupport for 64chn and 56chn modes\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for double wire (48k frame) and single wire (96k frame) @ 96kHz\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eClock Synchronisation via (in fallback order): Word Clock input, MADI (port A), SoundGrid (SoE), Internal 1 SoundGrid port (RJ45)\u003c\/li\u003e\n\u003cli\u003eReset switch\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003eSupport for channel 57 controls – DiGiCo-specific, will be used to connect a DiGiCo stage rack and control it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003ePackage Contents\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMGB unit\u003c\/li\u003e\n\u003cli\u003eUniversal power adaptor with interchangeable plugs (UK, US, EU, AU) (100-240V)\u003c\/li\u003e\n\u003cli\u003eEthernet cable: Cat 5e (2 meters)\u003c\/li\u003e\n\u003cli\u003eRegistration card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDimensions\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWidth: 10.6 cm \/ 4.17 inches\u003c\/li\u003e\n\u003cli\u003eHeight: 14.82 cm \/ 5.83 inches\u003c\/li\u003e\n\u003cli\u003eDepth: 2.9 cm \/ 1.14 inches\u003c\/li\u003e\n\u003cli\u003eDevice Weight: 0.4 kg \/ 0.88 lbs\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":635074510894,"title":"Bettermaker Mastering Equalizer","handle":"bettermaker-mastering-equalizer","description":"\u003cp\u003eBettermaker Mastering Equalizer\u003c\/p\u003e\n\u003cp\u003eADVANCED ANALOG MASTERING EQUALIZER\u003c\/p\u003e\n\u003cp\u003e– 100% analog audio signal path\u003c\/p\u003e\n\u003cp\u003e– USB connectivity with MAC\/PC\u003c\/p\u003e\n\u003cp\u003e– all parameters are digitally controlled via touchscreen and\/or DAW (with dedicated plugin)\u003c\/p\u003e\n\u003cp\u003e– 399 presets, total recall, A\/B comparison\u003c\/p\u003e\n\u003cp\u003e– 5-inch capacitive touchscreen with back-light and multi-touch functionality, four encoders with\u003c\/p\u003e\n\u003cp\u003epush-button action for ease of control\u003c\/p\u003e\n\u003cp\u003e– stereo, dual-mono and mid\/side operation modes with solo function\u003c\/p\u003e\n\u003cp\u003e– stereo 12 or 24dB\/oct high-pass filter with adjustable cutoff frequency (15Hz – 150 hz)\u003c\/p\u003e\n\u003cp\u003eand resonance\u003c\/p\u003e\n\u003cp\u003e– four stereo parametric filters with 15dB boost\/cut range, variable Q (0.2 – 3):\u003c\/p\u003e\n\u003cp\u003e– EQ1: 23Hz – 400Hz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– EQ2: 80Hz – 2kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ3: 400Hz – 10kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ4: 1kHz – 23kHz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– stereo passive equalizer with extended hi-boost section (23 and 28 kHz) and separate frequencies\u003c\/p\u003e\n\u003cp\u003efor low-boost and low-cut sections\u003c\/p\u003e\n\u003cp\u003e– stereo 12dB\/oct low-pass filter with adjustable cutoff frequency\u003c\/p\u003e\n\u003cp\u003e– adjustable output level (+\/- 12dB)\u003c\/p\u003e\n\u003cp\u003e– Gain Lock and Auto-Q functions\u003c\/p\u003e\n\u003cp\u003e– on-board measurement of PEAK\/RMS levels and RTA analyzer\u003c\/p\u003e\n\u003cp\u003e– on-screen live representation of the EQ curve\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnical specification:\u003c\/p\u003e\n\u003cp\u003e– balanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– balanced stereo output (XLR), 23dBu max output level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– Operating Level: +4dBu\u003c\/p\u003e\n\u003cp\u003e– Input impedance (differential): 48kΩ (for balanced signal)\u003c\/p\u003e\n\u003cp\u003e– Output Impedance: 50Ω + 50Ω (electronically balanced)\u003c\/p\u003e\n\u003cp\u003e– Frequency response 5Hz to 30kHz; +\/- 0.1dB\u003c\/p\u003e\n\u003cp\u003e– Dynamic range: 115 dB @ +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– THD+N: CMRR: max 80 dB @ 3 kHz, min 55 dB @ 50Hz, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– Crosstalk: min -90 dB @ 1KHz, max -55 dB @ 30Hz, +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– 2U enclosure, 230mm deep\u003c\/p\u003e\n\u003cp\u003e– 115\/230V switch\u003c\/p\u003e\n\u003cp\u003e– advanced linear power supply with toroidal AC mains transformer\u003c\/p\u003e\n\u003cp\u003e– Maximum power consumption: 30W\u003c\/p\u003e\n\u003cp\u003e– Shipping weight: 5.5 kg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2018-04-17T13:51:32+02:00","created_at":"2018-04-17T13:39:54+02:00","vendor":"Bettermaker","type":"Mastering","tags":["Bettermaker","Mastering","Shop by brand_Bettermaker","Shop by category_Mastering","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording"],"price":433235,"price_min":433235,"price_max":433235,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7599421587502,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bettermaker Mastering Equalizer","public_title":null,"options":["Default Title"],"price":433235,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0690.jpg?v=1523965210","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0692.jpg?v=1523965251","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A06955.jpg?v=1523965267","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0695.jpg?v=1523965296"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/X9A0690.jpg?v=1523965210","options":["Title"],"content":"\u003cp\u003eBettermaker Mastering Equalizer\u003c\/p\u003e\n\u003cp\u003eADVANCED ANALOG MASTERING EQUALIZER\u003c\/p\u003e\n\u003cp\u003e– 100% analog audio signal path\u003c\/p\u003e\n\u003cp\u003e– USB connectivity with MAC\/PC\u003c\/p\u003e\n\u003cp\u003e– all parameters are digitally controlled via touchscreen and\/or DAW (with dedicated plugin)\u003c\/p\u003e\n\u003cp\u003e– 399 presets, total recall, A\/B comparison\u003c\/p\u003e\n\u003cp\u003e– 5-inch capacitive touchscreen with back-light and multi-touch functionality, four encoders with\u003c\/p\u003e\n\u003cp\u003epush-button action for ease of control\u003c\/p\u003e\n\u003cp\u003e– stereo, dual-mono and mid\/side operation modes with solo function\u003c\/p\u003e\n\u003cp\u003e– stereo 12 or 24dB\/oct high-pass filter with adjustable cutoff frequency (15Hz – 150 hz)\u003c\/p\u003e\n\u003cp\u003eand resonance\u003c\/p\u003e\n\u003cp\u003e– four stereo parametric filters with 15dB boost\/cut range, variable Q (0.2 – 3):\u003c\/p\u003e\n\u003cp\u003e– EQ1: 23Hz – 400Hz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– EQ2: 80Hz – 2kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ3: 400Hz – 10kHz (bell)\u003c\/p\u003e\n\u003cp\u003e– EQ4: 1kHz – 23kHz (bell\/shelf)\u003c\/p\u003e\n\u003cp\u003e– stereo passive equalizer with extended hi-boost section (23 and 28 kHz) and separate frequencies\u003c\/p\u003e\n\u003cp\u003efor low-boost and low-cut sections\u003c\/p\u003e\n\u003cp\u003e– stereo 12dB\/oct low-pass filter with adjustable cutoff frequency\u003c\/p\u003e\n\u003cp\u003e– adjustable output level (+\/- 12dB)\u003c\/p\u003e\n\u003cp\u003e– Gain Lock and Auto-Q functions\u003c\/p\u003e\n\u003cp\u003e– on-board measurement of PEAK\/RMS levels and RTA analyzer\u003c\/p\u003e\n\u003cp\u003e– on-screen live representation of the EQ curve\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnical specification:\u003c\/p\u003e\n\u003cp\u003e– balanced stereo input (XLR), 23dBu max input level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– balanced stereo output (XLR), 23dBu max output level (THD \u0026lt; 0.1%)\u003c\/p\u003e\n\u003cp\u003e– Operating Level: +4dBu\u003c\/p\u003e\n\u003cp\u003e– Input impedance (differential): 48kΩ (for balanced signal)\u003c\/p\u003e\n\u003cp\u003e– Output Impedance: 50Ω + 50Ω (electronically balanced)\u003c\/p\u003e\n\u003cp\u003e– Frequency response 5Hz to 30kHz; +\/- 0.1dB\u003c\/p\u003e\n\u003cp\u003e– Dynamic range: 115 dB @ +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– THD+N: CMRR: max 80 dB @ 3 kHz, min 55 dB @ 50Hz, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– Crosstalk: min -90 dB @ 1KHz, max -55 dB @ 30Hz, +18 dBu, 20 kHz BW\u003c\/p\u003e\n\u003cp\u003e– 2U enclosure, 230mm deep\u003c\/p\u003e\n\u003cp\u003e– 115\/230V switch\u003c\/p\u003e\n\u003cp\u003e– advanced linear power supply with toroidal AC mains transformer\u003c\/p\u003e\n\u003cp\u003e– Maximum power consumption: 30W\u003c\/p\u003e\n\u003cp\u003e– Shipping weight: 5.5 kg\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":525596983342,"title":"Universal Audio 4-710d Four-Channel Tone-Blending Mic Pre","handle":"universal-audio-4-710d-four-channel-tone-blending-mic-pre","description":"Classic tube and solid-state tones with 1176-style compression and professional A\/D conversion.\u003cbr\u003e\u003cbr\u003eBy merging the best of UA’s classic analog design with smart modern features and workflow enhancements, the 4-710d is the most flexible microphone preamp in the UA lineup.\u003cbr\u003e\u003cbr\u003eFeaturing four high-end mic\/line preamps with a unique tube\/solid-state tone blending circuit, as well as classic 1176-style compression on each mic channel, the 4-710d also offers tons of digital I\/O to expand your setup.\u003cbr\u003e\u003cbr\u003eNOW YOU CAN:\u003cbr\u003e ✓ Track through meticulously designed UA tube preamp circuitry\u003cbr\u003e ✓ Blend tube and solid-state textures for tons of flexibility\u003cbr\u003e ✓ Harness classic 1176-style compression on each mic channel\u003cbr\u003e ✓ Add 8 inputs to any Apollo interface via ADAT optical connection\u003cbr\u003e\u003cbr\u003eBring your Mic Collection to Life with a Wide Range of UA Preamp Tones\u003cbr\u003e\u003cbr\u003eAt the core of the 4-710d are four channels of tone-blending “Twin-Finity” mic preamps. Each channel offers 100% tube and 100% solid-state signal path, as well as the ability to continuously blend between the two circuits. This gives you tons of textures — from creamy to crunchy — and lets you dial in the perfect amount of tube grit or solid-state sheen.\u003cbr\u003e\u003cbr\u003eA Legendary Compression Circuit\u003cbr\u003e\u003cbr\u003eEach of the 4-710d’s four channels features true-bypass 1176-style compression, including specially tuned \"fast\" and \"slow\" settings. This enables quick, on-the-fly tweaking for fattening up a vocal, hold a bass guitar in place, or for adding sizzle and texture to synths and horns.\u003cbr\u003e\u003cbr\u003eAdd Inputs and Professional A\/D Conversion\u003cbr\u003e\u003cbr\u003eWith eight analog inputs, the 4-710d is perfect for expanding your studio. Digitized via ultra high-quality 24-bit A\/D converters at selectable sample rates up to 192 kHz, the 4-710d easily connects to most interfaces with its dual ADAT optical or AES\/EBU DB-25 connectors.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","published_at":"2018-03-08T16:35:57+02:00","created_at":"2018-03-03T13:40:31+02:00","vendor":"Universal Audio","type":"Mic Preamp","tags":["Channel Strips","Preamps \u0026 Channel Strips","Shop by brand_Universal Audio","Shop by category_Mic Preamp","Shop by category_Mic Preamp with Eq","Studio \u0026 Recording","Universal Audio"],"price":199900,"price_min":199900,"price_max":199900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7035853209646,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"4710D","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Universal Audio 4-710d Four-Channel Tone-Blending Mic Pre","public_title":null,"options":["Default Title"],"price":199900,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4_710d_tone_dyn_carousel_1.jpg?v=1520077339","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_a3532772-c7a7-4671-9f3f-a80d9cf53c43.png?v=1520077339","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4_710d_tone_dyn_carousel_2.jpg?v=1520077339"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4_710d_tone_dyn_carousel_1.jpg?v=1520077339","options":["Title"],"content":"Classic tube and solid-state tones with 1176-style compression and professional A\/D conversion.\u003cbr\u003e\u003cbr\u003eBy merging the best of UA’s classic analog design with smart modern features and workflow enhancements, the 4-710d is the most flexible microphone preamp in the UA lineup.\u003cbr\u003e\u003cbr\u003eFeaturing four high-end mic\/line preamps with a unique tube\/solid-state tone blending circuit, as well as classic 1176-style compression on each mic channel, the 4-710d also offers tons of digital I\/O to expand your setup.\u003cbr\u003e\u003cbr\u003eNOW YOU CAN:\u003cbr\u003e ✓ Track through meticulously designed UA tube preamp circuitry\u003cbr\u003e ✓ Blend tube and solid-state textures for tons of flexibility\u003cbr\u003e ✓ Harness classic 1176-style compression on each mic channel\u003cbr\u003e ✓ Add 8 inputs to any Apollo interface via ADAT optical connection\u003cbr\u003e\u003cbr\u003eBring your Mic Collection to Life with a Wide Range of UA Preamp Tones\u003cbr\u003e\u003cbr\u003eAt the core of the 4-710d are four channels of tone-blending “Twin-Finity” mic preamps. Each channel offers 100% tube and 100% solid-state signal path, as well as the ability to continuously blend between the two circuits. This gives you tons of textures — from creamy to crunchy — and lets you dial in the perfect amount of tube grit or solid-state sheen.\u003cbr\u003e\u003cbr\u003eA Legendary Compression Circuit\u003cbr\u003e\u003cbr\u003eEach of the 4-710d’s four channels features true-bypass 1176-style compression, including specially tuned \"fast\" and \"slow\" settings. This enables quick, on-the-fly tweaking for fattening up a vocal, hold a bass guitar in place, or for adding sizzle and texture to synths and horns.\u003cbr\u003e\u003cbr\u003eAdd Inputs and Professional A\/D Conversion\u003cbr\u003e\u003cbr\u003eWith eight analog inputs, the 4-710d is perfect for expanding your studio. Digitized via ultra high-quality 24-bit A\/D converters at selectable sample rates up to 192 kHz, the 4-710d easily connects to most interfaces with its dual ADAT optical or AES\/EBU DB-25 connectors.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e"}

{"id":244299694106,"title":"Overstayer Stereo Field Effect Model 3706","handle":"overstayer-stereo-field-effect-model-3707","description":"\u003cstrong\u003eOverstayer Stereo Field Effect Model 3706\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWe love FET compression! In fact, some say we’re slightly obsessed with it. They might be right.\u003cbr\u003e\u003cbr\u003eThe Overstayer Stereo Field Effect Model 3706 Limiter\/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo unit with ganged controls that combines compression and limiting, with analog tone shaping and harmonics stages to evoke the tonality of a classic analog recording and mixing chain.\u003cbr\u003e\u003cbr\u003eClassic FET ratios, as well as subtle low and hard limit ratios, allow the balance of compression to harmonics to be tailored, while wide-ranging attack and release options allow the envelope to shape exactly what hits the harmonics stages. The integrated sidechain filter and tone shaping of the discrete harmonics stages allows the signal to remain full even with large amounts of gain reduction. The Nonlinear mode engages an alternate aggressive personality, giving you new and unique dynamic textures.","published_at":"2017-12-24T13:19:12+02:00","created_at":"2017-12-24T13:20:35+02:00","vendor":"Overstayer","type":"Compressors \/ Limiters","tags":["Compressors \/ Limiters","Overstayer","Price Range_$1500 to $2000","Shop by brand_Overstayer","Shop by category_Compressors \/ Limiters"],"price":189500,"price_min":189500,"price_max":189500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3302742458394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Overstayer Stereo Field Effect Model 3706","public_title":null,"options":["Default Title"],"price":189500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/overstayer_3706_front.jpg?v=1514114552"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/overstayer_3706_front.jpg?v=1514114552","options":["Title"],"content":"\u003cstrong\u003eOverstayer Stereo Field Effect Model 3706\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWe love FET compression! In fact, some say we’re slightly obsessed with it. They might be right.\u003cbr\u003e\u003cbr\u003eThe Overstayer Stereo Field Effect Model 3706 Limiter\/Compressor is an evolution of our passion for FET compressors and classic analog recording chains. The Stereo Field Effect, or SFE, is a stereo unit with ganged controls that combines compression and limiting, with analog tone shaping and harmonics stages to evoke the tonality of a classic analog recording and mixing chain.\u003cbr\u003e\u003cbr\u003eClassic FET ratios, as well as subtle low and hard limit ratios, allow the balance of compression to harmonics to be tailored, while wide-ranging attack and release options allow the envelope to shape exactly what hits the harmonics stages. The integrated sidechain filter and tone shaping of the discrete harmonics stages allows the signal to remain full even with large amounts of gain reduction. The Nonlinear mode engages an alternate aggressive personality, giving you new and unique dynamic textures."}

{"id":257445560346,"title":"Avid Pro Tools | SYNC HD","handle":"avid-pro-tools-sync-hd","description":"Sync your studio\u003cbr\u003e\u003cbr\u003eKeep your Pro Tools rigs and other connected gear in sync—no matter how massive your media production. Designed for Pro Tools | HD systems, Pro Tools | SYNC HD is the ultimate low-jitter master clock, providing near sample-accurate lock to serial timecode. It's a must when working with large-scale music and soundtrack productions. If you have multiple audio interfaces and digital devices in your studio, SYNC HD offers the stability, consistency, and reliability you need to keep everything running smoothly. And with its new lower price, commanding precision is even easier than ever.\u003cbr\u003e\u003cbr\u003ePRODUCT HIGHLIGHTS\u003cbr\u003e\u003cbr\u003eConnect your sources\u003cbr\u003eSYNC HD provides a wide variety of connections to sync your gear. Get all of the usual suspects to connect to Linear Timecode, Word Clock, NTSC\/PAL sources, black burst generators, digital audio signals, and MachineControl-enabled systems, as well as Bi-Phase, Tach, and Pilot devices.\u003cbr\u003e\u003cbr\u003eSet the clock\u003cbr\u003eEasily select SYNC HD’s clock reference with just the press of a button. The interface supports all major industry-standard clock sources, including Word Clock, HD and SD Video Reference, AES\/EBU, Composite Video In, LTC, and more.\u003cbr\u003e\u003cbr\u003eChoose your frame rate\u003cbr\u003eSelect the timecode frame rate and format (drop-frame or non-drop-frame) with a simple button press. You can scope your current rate by the lit green LED indicator next to 30, 29.97, 25, and 24 fps—or a flashing 24 fps LED indicator when using 23.976 fps. And the “DF” LED will light to indicate drop-frame formats.\u003cbr\u003e\u003cbr\u003eSee and take control\u003cbr\u003eView incoming timecode, as well as various function settings, on the multifunction LED display. See timecode displayed in hours : minutes : seconds : frames. Or use the controls below the display to configure timecode generator settings, PAL\/NTSC selection, sample rate, and more while viewing those modes, parameters, and settings on the LED.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eKey features\u003cbr\u003e\u003cbr\u003eEliminate distortion\u003cbr\u003eMaintain the highest audio fidelity and performance across Pro Tools | HD and all connected devices. With SYNC HD, you have a reliable, low-jitter master clock ensuring that all audio signals are captured and played back with complete precision and accuracy, so you get pristine, distortion-free audio. And it supports all Pro Tools | HD sample rates, from 44.1–192 kHz.\u003cbr\u003e\u003cbr\u003eClock to a variety of sources\u003cbr\u003eSYNC HD supports all major industry-standard clock sources and timecode formats used in audio, video, film, and multimedia production. These include Loop Sync, Video Reference, Linear Timecode, Word Clock, and more.\u003cbr\u003e\u003cbr\u003eSet a positional reference\u003cbr\u003eTo maintain the highest level of sync accuracy over long periods of time, SYNC HD also supports positional reference sources. These include Linear Timecode (LTC), Vertical Interval Timecode (VITC), Serial Timecode, and Bi-phase\/Tach.\u003cbr\u003e\u003cbr\u003eGet locked in\u003cbr\u003eWhen used with Pro Tools | HD systems, SYNC HD provides highly accurate lock to timecode, making it essential for commercial music and post production. If you're using Satellite Link to control multiple Pro Tools | HD systems, you'll need one or more interfaces. You can remotely control the interface from your Pro Tools | HD system, or use SYNC HD standalone. It also provides standard pull-up and pull-down rates, making it easier to work with film and video projects.\u003cbr\u003e\u003cbr\u003eSpecifications \u003cbr\u003e\u003cbr\u003eSYSTEM REQUIREMENTS\u003cbr\u003e\u003cbr\u003e ✓ Pro Tools | HDX, Pro Tools | HD Native, or can be used standalone\u003cbr\u003e\u003cbr\u003eHARDWARE SPECIFICATIONS\u003cbr\u003e\u003cbr\u003e ✓ Please see the Pro Tools | SYNC HD Guide for technical specifications and other details.","published_at":"2018-01-09T12:55:29+02:00","created_at":"2018-01-04T10:38:00+02:00","vendor":"Avid","type":"Signal Processing \u0026 500 Series","tags":["Avid","Price Range_$2000 to $3000","Shop by brand_Avid","Shop by category_Signal Processing \u0026 500 Series","Shop by category_Studio \u0026 Recording","Signal Processing \u0026 500 Series","Studio \u0026 Recording","Synchronizers"],"price":209500,"price_min":209500,"price_max":209500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3371040079898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avid Pro Tools | SYNC HD","public_title":null,"options":["Default Title"],"price":209500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"9900-38924-40"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/protools_sync_hd_left.jpg?v=1515055094","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/protools_sync_hd_stack.jpg?v=1515055103"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/protools_sync_hd_left.jpg?v=1515055094","options":["Title"],"content":"Sync your studio\u003cbr\u003e\u003cbr\u003eKeep your Pro Tools rigs and other connected gear in sync—no matter how massive your media production. Designed for Pro Tools | HD systems, Pro Tools | SYNC HD is the ultimate low-jitter master clock, providing near sample-accurate lock to serial timecode. It's a must when working with large-scale music and soundtrack productions. If you have multiple audio interfaces and digital devices in your studio, SYNC HD offers the stability, consistency, and reliability you need to keep everything running smoothly. And with its new lower price, commanding precision is even easier than ever.\u003cbr\u003e\u003cbr\u003ePRODUCT HIGHLIGHTS\u003cbr\u003e\u003cbr\u003eConnect your sources\u003cbr\u003eSYNC HD provides a wide variety of connections to sync your gear. Get all of the usual suspects to connect to Linear Timecode, Word Clock, NTSC\/PAL sources, black burst generators, digital audio signals, and MachineControl-enabled systems, as well as Bi-Phase, Tach, and Pilot devices.\u003cbr\u003e\u003cbr\u003eSet the clock\u003cbr\u003eEasily select SYNC HD’s clock reference with just the press of a button. The interface supports all major industry-standard clock sources, including Word Clock, HD and SD Video Reference, AES\/EBU, Composite Video In, LTC, and more.\u003cbr\u003e\u003cbr\u003eChoose your frame rate\u003cbr\u003eSelect the timecode frame rate and format (drop-frame or non-drop-frame) with a simple button press. You can scope your current rate by the lit green LED indicator next to 30, 29.97, 25, and 24 fps—or a flashing 24 fps LED indicator when using 23.976 fps. And the “DF” LED will light to indicate drop-frame formats.\u003cbr\u003e\u003cbr\u003eSee and take control\u003cbr\u003eView incoming timecode, as well as various function settings, on the multifunction LED display. See timecode displayed in hours : minutes : seconds : frames. Or use the controls below the display to configure timecode generator settings, PAL\/NTSC selection, sample rate, and more while viewing those modes, parameters, and settings on the LED.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eKey features\u003cbr\u003e\u003cbr\u003eEliminate distortion\u003cbr\u003eMaintain the highest audio fidelity and performance across Pro Tools | HD and all connected devices. With SYNC HD, you have a reliable, low-jitter master clock ensuring that all audio signals are captured and played back with complete precision and accuracy, so you get pristine, distortion-free audio. And it supports all Pro Tools | HD sample rates, from 44.1–192 kHz.\u003cbr\u003e\u003cbr\u003eClock to a variety of sources\u003cbr\u003eSYNC HD supports all major industry-standard clock sources and timecode formats used in audio, video, film, and multimedia production. These include Loop Sync, Video Reference, Linear Timecode, Word Clock, and more.\u003cbr\u003e\u003cbr\u003eSet a positional reference\u003cbr\u003eTo maintain the highest level of sync accuracy over long periods of time, SYNC HD also supports positional reference sources. These include Linear Timecode (LTC), Vertical Interval Timecode (VITC), Serial Timecode, and Bi-phase\/Tach.\u003cbr\u003e\u003cbr\u003eGet locked in\u003cbr\u003eWhen used with Pro Tools | HD systems, SYNC HD provides highly accurate lock to timecode, making it essential for commercial music and post production. If you're using Satellite Link to control multiple Pro Tools | HD systems, you'll need one or more interfaces. You can remotely control the interface from your Pro Tools | HD system, or use SYNC HD standalone. It also provides standard pull-up and pull-down rates, making it easier to work with film and video projects.\u003cbr\u003e\u003cbr\u003eSpecifications \u003cbr\u003e\u003cbr\u003eSYSTEM REQUIREMENTS\u003cbr\u003e\u003cbr\u003e ✓ Pro Tools | HDX, Pro Tools | HD Native, or can be used standalone\u003cbr\u003e\u003cbr\u003eHARDWARE SPECIFICATIONS\u003cbr\u003e\u003cbr\u003e ✓ Please see the Pro Tools | SYNC HD Guide for technical specifications and other details."}