Avantone CLA-200 Studio Reference Amplifier

{"id":761389219886,"title":"Avantone Pro CK6 Plus Large-diaphragm Condenser Microphone","handle":"avantone-pro-ck6-plus-large-diaphragm-condenser-microphone","description":"\u003cp\u003eAvantone CK-6+ Large Capsule Cardioid FET Condenser Microphone\u003c\/p\u003e\n\u003cp\u003eThe Avantone \"Cabernet (C-series)\" mics are designed to offer true professional performance at an absolutely unbeatable price. Featuring high grade Polystyrene and Metalized Polypropylene capacitors in the audio path as well as our own proprietary single backplate 34mm 6 micron capsule, the CK6+ has the component set that is normally attributed to modded or hot rodded microphones.\u003c\/p\u003e\n\u003cp\u003eOur new larger capsule coupled with a transformer less circuit allows an incredibly airy open top end with a solid low end, making the CK6+ the most versatile microphone at its price point.\u003c\/p\u003e\n\u003cp\u003eMilled from a single piece solid brass, the body of the CK6+ was designed to give the microphone a solid feel and the included custom retro shock mount prevents unwanted vibrations from traveling up into the microphone. The CK6+ has separate -10 dB pad \u0026amp; 80 Hz LF roll off switches.... The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics.\u003c\/p\u003e\n\u003cp\u003eThe 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from \"muddying up\" the track. All of these features come together to give you a fully professional microphone and a completely unbeatable value.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: True Transformerless Condenser\u003c\/li\u003e\n\u003cli\u003ePolar Pattern(s): Cardioid\u003c\/li\u003e\n\u003cli\u003eCapsule: 32mm 6 Micron Single Backplate Custom Designed Capsule\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 35-20,000 Hz +\/- 3.5dB\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;=200 Ohms\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 136dB (0.5% THD @1000Hz)\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: \u0026lt;17dB\u003c\/li\u003e\n\u003cli\u003eOutput Connector: Male XLR 3-pin\u003c\/li\u003e\n\u003cli\u003eHigh-Pass Switch: 80 Hz 6dB\/octave\u003c\/li\u003e\n\u003cli\u003eAttenuation Switch: -10 dB\u003c\/li\u003e\n\u003cli\u003ePower Requirement: Standard 48 Volt Phantom \/ 5mA\u003c\/li\u003e\n\u003cli\u003eIncluded Accessories:\u003c\/li\u003e\n\u003cli\u003eShockmount\u003c\/li\u003e\n\u003cli\u003eWooden Box in Metal Carrying Case\u003c\/li\u003e\n\u003cli\u003eDimensions: 155mm x 46mm\u003c\/li\u003e\n\u003cli\u003eWeight: .4 kg \/ .9 lb\u003c\/li\u003e\n\u003cli\u003eFinish: Polished Nickel trim \/ Metallic Cabernet Red Body\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUses Include: Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc\u003c\/li\u003e\n\u003cli\u003eStandard Items Supplied:\u003c\/li\u003e\n\u003cli\u003eAvantone CK-6 Cardioid FET Microphone\u003c\/li\u003e\n\u003cli\u003eAvantone Custom Retro Shockmount\u003c\/li\u003e\n\u003cli\u003eElegant padded genuine wooden Mic box\u003c\/li\u003e\n\u003cli\u003ePadded Aluminum storage \/ travel case\u003c\/li\u003e\n\u003cli\u003eOwners Manual\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2018-08-05T02:55:01+02:00","created_at":"2018-08-05T03:12:13+02:00","vendor":"Avantone Pro","type":"Condenser Microphones","tags":["Avantone Pro","Condenser Microphones","Connector_Male XLR 3-pin","Diaphragm Size_Large (19mm and up)","Microphones","Polar Pattern_Cardioid","Price Range_$100 to $200","Shop by brand_Avantone Pro","Shop by category_Condenser Microphones","Shop by category_FET Condenser","Shop by category_Microphones","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":19900,"price_min":19900,"price_max":19900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":8218487685166,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CK6Plus","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro CK6 Plus Large-diaphragm Condenser Microphone","public_title":null,"options":["Default Title"],"price":19900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/ck6plus_2_1500x1500_a9871950-658a-4ac5-9711-b41af5ca5479.jpg?v=1533431708","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/ck6plus_1_1500x1500_b438214a-66e3-49d7-a9a5-e16f29f43f8d.jpg?v=1533431708","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/ck6plus_1_940x400_5ebacbfd-65a1-4903-a684-cf54f178c47a.jpg?v=1533431708","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/ck6plus_3_1500x1500_99cb49f9-a768-4cad-bfe2-64d04963c36b.jpg?v=1533431708"],"featured_image":"\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/ck6plus_2_1500x1500_a9871950-658a-4ac5-9711-b41af5ca5479.jpg?v=1533431708","options":["Title"],"content":"\u003cp\u003eAvantone CK-6+ Large Capsule Cardioid FET Condenser Microphone\u003c\/p\u003e\n\u003cp\u003eThe Avantone \"Cabernet (C-series)\" mics are designed to offer true professional performance at an absolutely unbeatable price. Featuring high grade Polystyrene and Metalized Polypropylene capacitors in the audio path as well as our own proprietary single backplate 34mm 6 micron capsule, the CK6+ has the component set that is normally attributed to modded or hot rodded microphones.\u003c\/p\u003e\n\u003cp\u003eOur new larger capsule coupled with a transformer less circuit allows an incredibly airy open top end with a solid low end, making the CK6+ the most versatile microphone at its price point.\u003c\/p\u003e\n\u003cp\u003eMilled from a single piece solid brass, the body of the CK6+ was designed to give the microphone a solid feel and the included custom retro shock mount prevents unwanted vibrations from traveling up into the microphone. The CK6+ has separate -10 dB pad \u0026amp; 80 Hz LF roll off switches.... The -10dB attenuation switch can be engaged when miking very high SPL sources to keep from overloading the electronics.\u003c\/p\u003e\n\u003cp\u003eThe 80Hz high-pass filter switch can be engaged to reduce rumble and to keep unwanted low frequencies from \"muddying up\" the track. All of these features come together to give you a fully professional microphone and a completely unbeatable value.\u003c\/p\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eType: True Transformerless Condenser\u003c\/li\u003e\n\u003cli\u003ePolar Pattern(s): Cardioid\u003c\/li\u003e\n\u003cli\u003eCapsule: 32mm 6 Micron Single Backplate Custom Designed Capsule\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 35-20,000 Hz +\/- 3.5dB\u003c\/li\u003e\n\u003cli\u003eOutput Impedance: \u0026lt;=200 Ohms\u003c\/li\u003e\n\u003cli\u003eMaximum SPL: 136dB (0.5% THD @1000Hz)\u003c\/li\u003e\n\u003cli\u003eEquivalent Noise Level: \u0026lt;17dB\u003c\/li\u003e\n\u003cli\u003eOutput Connector: Male XLR 3-pin\u003c\/li\u003e\n\u003cli\u003eHigh-Pass Switch: 80 Hz 6dB\/octave\u003c\/li\u003e\n\u003cli\u003eAttenuation Switch: -10 dB\u003c\/li\u003e\n\u003cli\u003ePower Requirement: Standard 48 Volt Phantom \/ 5mA\u003c\/li\u003e\n\u003cli\u003eIncluded Accessories:\u003c\/li\u003e\n\u003cli\u003eShockmount\u003c\/li\u003e\n\u003cli\u003eWooden Box in Metal Carrying Case\u003c\/li\u003e\n\u003cli\u003eDimensions: 155mm x 46mm\u003c\/li\u003e\n\u003cli\u003eWeight: .4 kg \/ .9 lb\u003c\/li\u003e\n\u003cli\u003eFinish: Polished Nickel trim \/ Metallic Cabernet Red Body\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUses Include: Studio vocals, acoustic guitar, mandolin, drum overheads, piano, etc\u003c\/li\u003e\n\u003cli\u003eStandard Items Supplied:\u003c\/li\u003e\n\u003cli\u003eAvantone CK-6 Cardioid FET Microphone\u003c\/li\u003e\n\u003cli\u003eAvantone Custom Retro Shockmount\u003c\/li\u003e\n\u003cli\u003eElegant padded genuine wooden Mic box\u003c\/li\u003e\n\u003cli\u003ePadded Aluminum storage \/ travel case\u003c\/li\u003e\n\u003cli\u003eOwners Manual\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":9296080141,"title":"Avantone Pro Active MixCube Powered Powered Studio Monitor In Black","handle":"avantone-active-mixcube-powered-full-range-mini-reference-monitors-in-black","description":"\u003ch2\u003eAvantone Active MixCubes Powered Full-Range Mini Reference Monitors in Limited Edition Black\u003c\/h2\u003e\n\u003cp\u003eWhile originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication\u003c\/strong\u003e\u003cbr\u003eActive Recording \/ Mixdown Monitors\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003cbr\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003cbr\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003cbr\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003cbr\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003cbr\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBalanced Input\u003c\/strong\u003e\u003cbr\u003eThis “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Gain\u003c\/strong\u003e\u003cbr\u003eThis variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. If overload occurs, attenuate (decrease) the input level by turning the knob counter-clockwise a few clicks.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOn\/Off Switch\u003c\/strong\u003e\u003cbr\u003eThis illuminated switch turns the amplifier section on and off. The unit is still receiving power from the transformer however.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAC Input \u003c\/strong\u003e\u003cbr\u003eThis input is only to be use with the proprietary AVANTONE Power Supply. Tighten the cable\/connector securely for reliable operation. Note: There is a switch on the power supply for selecting the proper AC\/MAINS operating voltage for your location.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGround Lift Switch\u003c\/strong\u003e\u003cbr\u003eBy engaging this switch the pin 1 shield is lifted at the input jack. This can be used to aid in ground loop control of the incoming analog line signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePlacement\u003c\/strong\u003e\u003cbr\u003eWhen positioning the Avantone Active MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations\u003c\/p\u003e\n\u003ch2\u003eSpecifications\u003c\/h2\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Type\u003c\/strong\u003e\u003cbr\u003eActive (Self-powered) shielded full-range stereo pair  \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003cbr\u003e90Hz - 17,000Hz (useful musical range)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u0026gt;Driver Impedance\u003c\/strong\u003e\u003cbr\u003eNominal 8 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMax SPL\u003c\/strong\u003e\u003cbr\u003e104db @ 1 meter = 1%THD (PINK NOISE)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Type\u003c\/strong\u003e\u003cbr\u003eClass A\/B\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Power\u003c\/strong\u003e\u003cbr\u003e60 watts RMS@ .005% THD (1KHz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmp Frequency Response\u003c\/strong\u003e\u003cbr\u003e22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNoise\u003c\/strong\u003e\u003cbr\u003eS\/N -113 dB\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensitivity\u003c\/strong\u003e\u003cbr\u003e0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver\u003c\/strong\u003e\u003cbr\u003eProprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet\u003c\/strong\u003e\u003cbr\u003esealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInputs\u003c\/strong\u003e\u003cbr\u003eXLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003cbr\u003e7 lb 5 oz (per speaker)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003e165mm x 165mm x 165mm (6 1\/2\" x 6 1\/2\" x 6 1\/2\" in) \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-06-19T00:04:15+02:00","created_at":"2017-03-09T13:23:47+02:00","vendor":"Avantone Pro","type":"Studio Monitors","tags":["Active Monitors","Avantone Pro","Price Range_$200 to $300","Price Range_$300 to $500","Shop by brand_Avantone Pro","Shop by category_Active Monitors","Studio \u0026 Recording","Studio Monitors"],"price":24900,"price_min":24900,"price_max":47900,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33789608461,"title":"Single","option1":"Single","option2":null,"option3":null,"sku":"AMB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro Active MixCube Powered Powered Studio Monitor In Black - Single","public_title":"Single","options":["Single"],"price":24900,"weight":12340,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":1869388546074,"title":"Pair","option1":"Pair","option2":null,"option3":null,"sku":"AB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro Active MixCube Powered Powered Studio Monitor In Black - Pair","public_title":"Pair","options":["Pair"],"price":47900,"weight":24680,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1023-0.jpg?v=1489059045"],"featured_image":"\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1023-0.jpg?v=1489059045","options":["Quantity"],"content":"\u003ch2\u003eAvantone Active MixCubes Powered Full-Range Mini Reference Monitors in Limited Edition Black\u003c\/h2\u003e\n\u003cp\u003eWhile originally inspired buy the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApplication\u003c\/strong\u003e\u003cbr\u003eActive Recording \/ Mixdown Monitors\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003cbr\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003cbr\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003cbr\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003cbr\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003cbr\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBalanced Input\u003c\/strong\u003e\u003cbr\u003eThis “combo XLR” input accepts a BALANCED male XLR plug as well as a 3-conductor BALANCED TRS ¼” or a 2 conductor UNBALANCED TS ¼” male plug. For unbalanced operation with a TS connector the minus signal is automatically grounded.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSystem Gain\u003c\/strong\u003e\u003cbr\u003eThis variable control adjusts the sensitivity of the signal that appears at the input. Rotating the control clockwise increases the sensitivity while a counter-clockwise rotation decreases sensitivity. The adjustable gain range is from -30 to +6 dB. A setting of +6 allows a full, unimpeded signal to be sent to the amplifier. The detented gain positions allow for repeatable settings between speakers for proper matching. Please Note… when the signal appearing at the input is too hot, the amplifier can overload causing distortion and possible damage to the speaker. 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{"id":1696303480878,"title":"Avantone BV-12 Large Capsule Multi-Pattern FET Condenser Microphone","handle":"avantone-bv-12-large-capsule-multi-pattern-fet-condenser-microphone","description":"\u003cstrong\u003eAvantone BV-12 Large Capsule Multi-Pattern FET Condenser Microphone \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBV-12\u003c\/strong\u003e\u003cbr\u003eThe AVANTONE \"Buttercream (B-series)\" mics from Avantone Pro are our premium products designed to offer true professional performance. They will meet or surpass the performance and specifications of much higher priced mics. The AVANTONE BV-12 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950's and 1960's...but at a fraction of their cost!\u003cbr\u003e\u003cbr\u003eThe rugged BV-12 microphone body and capsule assembly are precision machined of BRASS. Aesthetically, it features an elegant Buttercream baked on finish, accented with polished nickel trim and grill. The transformer coupled tube circuitry has its origins in famous European vintage designs.\u003cbr\u003e\u003cbr\u003e    The Avantone BV-12 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics...but at a fraction of their cost! \u003cbr\u003e\u003cbr\u003eManufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. Any studio can proudly offer the BV-12 as a primary vocal mic...It exudes class visually as well as sonically. The versatile AVANTONE BV-12 mic is able to produce professional results with a warm, pleasing sonic character.\u003cbr\u003e\u003cbr\u003eThe included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the unwanted vibrations up into the mic. 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They will meet or surpass the performance and specifications of much higher priced mics. The AVANTONE BV-12 is truly a gorgeous looking and sounding microphone. The design, character and performance is comparable to some of the fine vintage tube mics of the 1950's and 1960's...but at a fraction of their cost!\u003cbr\u003e\u003cbr\u003eThe rugged BV-12 microphone body and capsule assembly are precision machined of BRASS. Aesthetically, it features an elegant Buttercream baked on finish, accented with polished nickel trim and grill. The transformer coupled tube circuitry has its origins in famous European vintage designs.\u003cbr\u003e\u003cbr\u003e    The Avantone BV-12 is truly a gorgeous looking and sounding microphone. The design, character and performance can be compared directly to fine studio-standard FET mics...but at a fraction of their cost! \u003cbr\u003e\u003cbr\u003eManufactured using the finest materials yielding a very solid feel, superb structural integrity and rugged reliability. Any studio can proudly offer the BV-12 as a primary vocal mic...It exudes class visually as well as sonically. The versatile AVANTONE BV-12 mic is able to produce professional results with a warm, pleasing sonic character.\u003cbr\u003e\u003cbr\u003eThe included Custom Retro Shockmount is superb in allowing a precise positioning of the mic while inhibiting the unwanted vibrations up into the mic. This isolation allows for superior professional results. 9-Pattern Tube microphone with dual 34mm gold sputtered thin Mylar capsule assemblies.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e Type: Tube-Type True Condenser\u003cbr\u003e  Polar Pattern(s): 9 Patterns selectable at PS-1 Power Supply\u003cbr\u003e   Capsule: Dual-sided 34mm edge-terminated gold-sputtered Mylar (6 micron)\u003cbr\u003e    Frequency Response: 20-20,000Hz +\/- 3dB\u003cbr\u003e    Output Impedance: \u0026lt;=250 Ohms \/ transformer isolated\u003cbr\u003e    Sensitivity: -38dB\u003cbr\u003e    S\/N Ratio: re 1Pa 78dB\u003cbr\u003e    Maximum SPL: 136dB (0.5% THD @ 1000Hz) 146dB with pad engaged\u003cbr\u003e    Equivalent Noise Level: 17dB (A weighted EC651)\u0026lt; 16 dB\u003cbr\u003e    Output Connector: Male XLR 7 pin with special power supply and cables\u003cbr\u003e    High-Pass Switch: 80 Hz 6dB\/octave\u003cbr\u003e    Attenuation Switch: -10dB\u003cbr\u003e    Power Requirement: Dedicated PS-1 Power Supply, 115\/230VAC selectable\u003cbr\u003e    Included Accessories:\u003cbr\u003e        Wood Box\u003cbr\u003e        Shockmount\u003cbr\u003e        7-pin cable\u003cbr\u003e        Tweed Road Case\u003cbr\u003e        PS-1 Power Supply\u003cbr\u003e    Dimensions: 237mm x 46mm (9.5\" x 1.8\")\u003cbr\u003e    Weight: .8kg \/ 1.8 lb.\u003cbr\u003e    Finish: Polished Nickel trim \/ Buttercream Body"}

{"id":1696298270766,"title":"Avantone MixCube Passive Black Full-Range Mini Reference Monitors (Pair)","handle":"avantone-mixcube-passive-black-full-range-mini-reference-monitors-pair","description":"\u003cstrong\u003e Avantone MixCube Passive Black Full-Range Mini Reference Monitors (Pair)\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e Mixcube Passive (Pair) Black\u003c\/strong\u003e\u003cbr\u003eWhile originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003cbr\u003eTo build a full range, rugged, mini-reference monitor to replace the older, aging, 5C Sound Cubes that are still in use worldwide, while offering an improved, more linear frequency response. A full year was spent studying all versions \u0026amp; revisions of the famous little 5C Sound Cubes. Research revealed that there were several driver versions released over the years with widely varying frequency response characteristics. We chose the smoothest, most linear, full-range version of those 5C models to use as our testing benchmark. Next we analyzed their response characteristics in an anechoic chamber and proceeded to implement design upgrades. Realizing the importance of replacing a respected \"industry-standard reference monitor\" we began by replicating its basic size, function, and sonic character.\u003cbr\u003e\u003cbr\u003eWe wanted to take it up a notch though...\u003cbr\u003e\u003cbr\u003eFirst, we addressed the Cabinet Design... The original 5C Sound Cubes were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003cbr\u003e\u003cbr\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. 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Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAmplification \u0026amp; Wiring\u003c\/strong\u003e\u003cbr\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u0026lt;\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePlacement\u003c\/strong\u003e\u003cbr\u003eWhen positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. 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We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003cbr\u003e\u003cbr\u003eSecond, We addressed the driver design... The originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003cbr\u003e\u003cbr\u003e    While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the Avantone MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAmplification \u0026amp; Wiring\u003c\/strong\u003e\u003cbr\u003eRecommended power rating is 50-200 watts of solid state power or 10-100 watts of tube power.  It is advisable to use a high quality studio-grade power amplifier. The metal binding posts on the rear of the speaker can accept bare wire, spade lugs, or single or dual banana plugs. It is best to use 12 -16 AWG wire for runs longer than 6 feet.\u0026lt;\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePlacement\u003c\/strong\u003e\u003cbr\u003eWhen positioning the Avantone MixCubes on stands or console bridges it is best to keep them at ear level and slightly angled in towards the engineer. Since they are shielded it is ok to place them near a CRT video monitor or TV without causing any problems. The bottom mic stand mounts will also allow you creative positioning options in unusual studio playback situations.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e"}

{"id":1696273596462,"title":"Avantone MixCube Active Creme Full-Range Mini Reference Monitors (Pair)","handle":"avantone-mixcube-active-creme-full-range-mini-reference-monitors-pair","description":"\u003cstrong\u003e  Avantone MixCube Active Creme Full-Range Mini Reference Monitors (Pair) \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMixcube Active (Pair) Creme\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhile originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplication\u003c\/strong\u003e\u003cbr\u003eActive Recording \/ Mixdown Monitors\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003cbr\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003cbr\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003cbr\u003e\u003cbr\u003e    While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003cbr\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003cbr\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003cbr\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e    System Type: Active (Self-powered) shielded full-range stereo pair\u003cbr\u003e    Frequency Response: 90Hz - 17,000Hz (useful musical range)\u003cbr\u003e    Impendance: Nominal 8 ohms\u003cbr\u003e    Max SPL: 104db @ 1 meter = 1%THD (PINK NOISE)\u003cbr\u003e    Amplifier Type: Class A\/B\u003cbr\u003e    Amplifier Power: 60 watts RMS@ .005% THD (1KHz)\u003cbr\u003e    Amp Frequency Response: 22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003cbr\u003e    Noise: S\/N -113 dB\u003cbr\u003e    Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003cbr\u003e    Driver: Proprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003cbr\u003e    Cabinet: sealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003cbr\u003e    Inputs: XLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003cbr\u003e    Weight: 7.13lbs (per monitor)\u003cbr\u003e    Dimensions: 6.5\" x 6.5\" x 6.5\"\u003cbr\u003e\u003cbr\u003e","published_at":"2019-03-07T10:47:01+02:00","created_at":"2019-03-07T10:55:27+02:00","vendor":"Avantone Pro","type":"Active Monitor","tags":["Active Monitors","Avantone Pro","Studio \u0026 Recording","Studio Monitors"],"price":47900,"price_min":47900,"price_max":47900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":15575982112814,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone MixCube Active Creme Full-Range Mini Reference Monitors (Pair)","public_title":null,"options":["Default Title"],"price":47900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/mixcubes-active-creme_1_940x400_2c4390a5-6984-4968-92cd-d516cd61798c.jpg?v=1551948937","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/mixcubes-active-creme_2_940x400_79badcea-74eb-4ded-8982-ab1da6f200b7.jpg?v=1551948945","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/mixcubes-active-creme_3_940x400_aa9b5784-b8e6-4e35-bab4-d53dd370beac.jpg?v=1551948958"],"featured_image":"\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/mixcubes-active-creme_1_940x400_2c4390a5-6984-4968-92cd-d516cd61798c.jpg?v=1551948937","options":["Title"],"content":"\u003cstrong\u003e  Avantone MixCube Active Creme Full-Range Mini Reference Monitors (Pair) \u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMixcube Active (Pair) Creme\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhile originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eApplication\u003c\/strong\u003e\u003cbr\u003eActive Recording \/ Mixdown Monitors\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEngineering Objective\u003c\/strong\u003e\u003cbr\u003eThe Avantone Active Mixcubes are designed to be high-resolution, full-range powered mini-reference monitors for fixed or remote locations.\u003cbr\u003eThe secondary engineering facet was to create a timeless design that compliments a single full-range transducer.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePerformance Objective\u003c\/strong\u003e\u003cbr\u003eStudios primarily use 2-way \u0026amp; 3-way larger monitors designed to represent a wide range reference viewpoint at higher listening levels. However, in this newly developing age of High Definition Audio, there is still a need to also hear what your mix will sound like when played back over small “bass-challenged” systems such as televisions, clock radios, computers, car stereos, iPod docking stations, etc. It is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by crossovers or inferior full range drivers. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor without a crossover is truly revealing. Ten months of R\u0026amp;D comparative listening \u0026amp; tweaking went into the voicing of the AVANTONE MixCubes. The result is a very smooth sounding, full range upgrade from the original 5C Sound Cubes. Listening tests reveal that the MixCubes have a smooth, more open, transparent top end response with extended bass while maintaining their basic original character.\u003cbr\u003e\u003cbr\u003e    While originally inspired by the 5C sound cubes from decades ago, the Avantone MixCubes have become the industry standard in studios around the world and have become the #1 best selling speaker of its type in history. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eCabinet Design\u003c\/strong\u003e\u003cbr\u003eThe original 5C Sound Cubes™ were made of ½” particleboard covered with a glue-on wood grain contact paper. We chose to use thicker, denser MDF board because of its high rigidity and inherent low-resonance characteristics. We started with a 165mm (6 1\/2\") sealed cube design with radiused edges. We then chose an elegant Polyurethane high gloss “RETRO-CREAM” finish. The originals had either screws or on later models plastic binding posts mounted on a recessed plastic cup. We upgraded to high-end nickel plated, machined solid metal binding posts (Dual banana spacing) mounted on a black anodized ,milled and silk-screened aluminum terminal plate. Next we added a 7mm thick neoprene pad embedded into the base of the cabinet to serve as a skid-resistant acoustic isolator. Additionally, for creative mounting situations, we recessed an industry standard 5\/8”-27 mic stand mount into the base.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDriver Design\u003c\/strong\u003e\u003cbr\u003eThe originals were a basic 5” stamped frame design. We designed a proprietary 5.25” die cast aluminum frame driver\/cone assembly to exceed the performance of the originals. The mounting bezel is then polished for an elegant appearance. The paper cone, chosen for its musical character, is custom designed \u0026amp; crafted using the finest New Zealand pulp with mica fibers added for lighter weight \u0026amp; rigidity. The cloth surround is made in Japan to exacting uniform thickness tolerances. The Top Plate and T-Yoke of driver are made of Sumitomo 1008 low carbon steel enabling the highest modeled flux density in the gap. The magnets are Y- 40 GRADE (MIL-SPEC) yielding a 43oz. High Power-low distortion motor structure.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAmplifier Design\u003c\/strong\u003e\u003cbr\u003eWe designed the amp module from the ground up to be a true professional-grade amplifier. It incorporates “overkill” concepts in component selection as well as safety. The result is a “no-compromise” amp with robust headroom characteristics that will rival the performance of much higher priced studio rack mount amps.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e    System Type: Active (Self-powered) shielded full-range stereo pair\u003cbr\u003e    Frequency Response: 90Hz - 17,000Hz (useful musical range)\u003cbr\u003e    Impendance: Nominal 8 ohms\u003cbr\u003e    Max SPL: 104db @ 1 meter = 1%THD (PINK NOISE)\u003cbr\u003e    Amplifier Type: Class A\/B\u003cbr\u003e    Amplifier Power: 60 watts RMS@ .005% THD (1KHz)\u003cbr\u003e    Amp Frequency Response: 22Hz-50KHz +0dB\/- 3dB (90Hz-50KHz +\/-0dB)\u003cbr\u003e    Noise: S\/N -113 dB\u003cbr\u003e    Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003cbr\u003e    Driver: Proprietary design 5.25\" cast aluminum frame \/ paper cone \/ shielded\u003cbr\u003e    Cabinet: sealed \/ 18mm MDF \/ Dacron acoustical stuffing\u003cbr\u003e    Inputs: XLR \u0026amp; TRS (COMBO JACK) +4\/Balanced and -10 unbalanced\u003cbr\u003e    Weight: 7.13lbs (per monitor)\u003cbr\u003e    Dimensions: 6.5\" x 6.5\" x 6.5\"\u003cbr\u003e\u003cbr\u003e"}

{"id":1696254623790,"title":"Avantone MP1 Mixphones Multi-mode Reference Headphones with Vari-Voice","handle":"avantone-mp1-mixphones-multi-mode-reference-headphones-with-vari-voice","description":"\u003cstrong\u003eAvantone MP1 Mixphones Multi-mode Reference Headphones with Vari-Voice\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e MP-1 Mixphones\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe MixPhones Mp1 Triple Play Personal Monitor with Vari-Voice is the first ever multiple use headphone, suitable for use in the live sound, DJ, studio recording, mixing playback and listening applications. The unique design allows the user to move between normal neutrally voiced stereo field, monaural (mono), and a specially contoured \"mix\" mode that focuses the midrange frequencies to simulate the sound of our Mixcubes and allow better articulation of critical mix frequencies.\u003cbr\u003e\u003cbr\u003e    The MixPhones MP1 is the creation of industry professional and end users that need more than just another headphone. \u003cbr\u003e\u003cbr\u003eThe MixPhones MP1 is the creation of industry professional and end users that need more than just another headphone. This elegant piece of industrial audio jewelry is made to sound as good as it looks. From the choice of materials to create a physical enclosure to meet audio needs and visual aesthetics, to the generous ear cups designed comfortably isolate and enclose any ear lobe, these are professionally designed for serious users. The generous padding and pivot design ensure a comfortable fit for all day and use in the most demanding environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    Frequency Response: 18Hz-25kHz\u003c\/li\u003e\n\u003cli\u003e    Driver Size: Large format 50mm drivers\u003c\/li\u003e\n\u003cli\u003e    Rated Power: 15mW\u003c\/li\u003e\n\u003cli\u003e    Maximum Power: 30mW\u003c\/li\u003e\n\u003cli\u003e    Noise Floor: 113dB IEC-318@1mW, 1kHz\u003c\/li\u003e\n\u003cli\u003e    SPL: 130dB (0.5% THD @ 1000Hz) 146dB with pad engaged\u003c\/li\u003e\n\u003cli\u003e    Impedance: 16ohm +\/-2.4 (15%)\u003c\/li\u003e\n\u003cli\u003e    Weight: .55kg\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2019-03-07T10:07:56+02:00","created_at":"2019-03-07T10:35:38+02:00","vendor":"Avantone Pro","type":"","tags":["Avantone Pro","Headphones","Studio \u0026 Recording","Studio Monitors"],"price":19900,"price_min":19900,"price_max":19900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":15575731011630,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone MP1 Mixphones Multi-mode Reference Headphones with Vari-Voice","public_title":null,"options":["Default Title"],"price":19900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/mp1_1_940x400_38bf278b-ffec-4323-bc4a-8c8431263cf3.jpg?v=1551947756","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/mp1_2_940x400_1341f707-20f2-442c-950c-d964154970e2.jpg?v=1551947778","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/mp1_3_940x400_7bd044aa-9aa4-4b4a-8dbc-fc1d24379cf0.jpg?v=1551947884","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/mp1_4_940x400_056379df-6072-44d7-a0f5-3bfecdc79ae8.jpg?v=1551947893"],"featured_image":"\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/mp1_1_940x400_38bf278b-ffec-4323-bc4a-8c8431263cf3.jpg?v=1551947756","options":["Title"],"content":"\u003cstrong\u003eAvantone MP1 Mixphones Multi-mode Reference Headphones with Vari-Voice\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e MP-1 Mixphones\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe MixPhones Mp1 Triple Play Personal Monitor with Vari-Voice is the first ever multiple use headphone, suitable for use in the live sound, DJ, studio recording, mixing playback and listening applications. The unique design allows the user to move between normal neutrally voiced stereo field, monaural (mono), and a specially contoured \"mix\" mode that focuses the midrange frequencies to simulate the sound of our Mixcubes and allow better articulation of critical mix frequencies.\u003cbr\u003e\u003cbr\u003e    The MixPhones MP1 is the creation of industry professional and end users that need more than just another headphone. \u003cbr\u003e\u003cbr\u003eThe MixPhones MP1 is the creation of industry professional and end users that need more than just another headphone. This elegant piece of industrial audio jewelry is made to sound as good as it looks. From the choice of materials to create a physical enclosure to meet audio needs and visual aesthetics, to the generous ear cups designed comfortably isolate and enclose any ear lobe, these are professionally designed for serious users. The generous padding and pivot design ensure a comfortable fit for all day and use in the most demanding environments.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e    Frequency Response: 18Hz-25kHz\u003c\/li\u003e\n\u003cli\u003e    Driver Size: Large format 50mm drivers\u003c\/li\u003e\n\u003cli\u003e    Rated Power: 15mW\u003c\/li\u003e\n\u003cli\u003e    Maximum Power: 30mW\u003c\/li\u003e\n\u003cli\u003e    Noise Floor: 113dB IEC-318@1mW, 1kHz\u003c\/li\u003e\n\u003cli\u003e    SPL: 130dB (0.5% THD @ 1000Hz) 146dB with pad engaged\u003c\/li\u003e\n\u003cli\u003e    Impedance: 16ohm +\/-2.4 (15%)\u003c\/li\u003e\n\u003cli\u003e    Weight: .55kg\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":1694576640046,"title":"Avantone Abbey 3-Way Active Monitor in Black","handle":"avantone-abbey-3-way-active-monitor-in-black","description":"\u003cstrong\u003e Avantone Abbey 3-Way Active Monitor in Black\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbbey in Black\u003c\/strong\u003e\u003cbr\u003eWhen we began development of the Avantone Abbey loudspeaker system, it was an extension of the renowned Avantone Mixcube concept. To provide users with a loudspeaker system that would provide tonal excellence, accuracy and value for their money. As this project evolved, we kept increasing the volume of the enclosure, improving the driver complement and generally building a studio monitor worthy of any major name brand. By taking a no compromises approach, we eventually had that \"ah ha\" moment when all of the technology, components and tweaks fell into line. We believe that this is a truly enjoyable system that will give you a sound reproduction tool capable of performing under the most exacting conditions.\u003cbr\u003e\u003cbr\u003e    We believe that this is a truly enjoyable system that will give you a sound reproduction tool capable of performing under the most exacting conditions. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAPPLICATION\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eActive recording \/ mix-down and playback monitors. But...you knew that.\u003cbr\u003e\u003cbr\u003eENGINEERING OBJECTIVES\u003cbr\u003e\u003cbr\u003eThe AVANTONE ABBEY Studio Reference Monitors are designed to be dynamic, high SPL, high resolution, full-range active reference monitors. We included precise, no-compromise drivers in a reasonably compact format that complements modern production environments. Ideally, these can be used in all phases of production from tracking through mastering and post production playback.\u003cbr\u003e\u003cbr\u003eThe secondary engineering goal was to create a seamless transition through all bands to provide a full range design that has real power, excellent transient response and abnormally broad spectral performance at any output level.\u003cbr\u003e\u003cbr\u003eYou will notice a distinct lack of adjustments on the back of these units. We feel we have designed an excellent system that will not require adjustment when used in appropriate environments.\u003cbr\u003e\u003cbr\u003ePERFORMANCE OBJECTIVE\u003cbr\u003e\u003cbr\u003eIt is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by pushing components beyond their useful range in two way systems. Further, you can never have enough power. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor with crossover points set above and below the critical listening frequencies is truly revealing.\u003cbr\u003e\u003cbr\u003eYears of R\u0026amp;D, comparative listening \u0026amp; refinement went into the voicing of the AVANTONE ABBEY. The result is a very smooth sounding, full range upgrade from almost any two-way system.\u003cbr\u003e\u003cbr\u003eListening tests reveal that the ABBEY's have a smooth midrange, accurate, transparent top end response with extended bass while providing a depth and clarity that any studio demands. The AVANTONE ABBEY provides the same level of dynamic performance and clarity at low levels used in daily production environments as well as high output levels for playback.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e    System Type: Active (Self-Powered) full-range stereo pair\u003cbr\u003e    System Frequency Response: 35Hz-38,000Hz (Accessible musical range)\u003cbr\u003e    Max SPL: 106dB @ 1 meter (pink noise); 108dB at 1 meter @1%THD (1kHz)\u003cbr\u003e    Amplifier: Class HD\u003cbr\u003e    High and Mid Frequency: each 100WRMS, THD+N=0.5%\u003cbr\u003e    Low Frequency: 200WRMS, THD+N=0.5%\u003cbr\u003e    Amp Frequency Response: 22Hz-40KHz +1dB\/- 3dB (50Hz-25KHz +\/-0.25dB)\u003cbr\u003e    Noise: S\/N -113 dB \"A\" Weighted; THD+N=\u0026lt;0.2%@100W into 4 ohms.\u003cbr\u003e    Cooling: Heat Sink-Aluminum panel\u003cbr\u003e    Drivers:\u003cbr\u003e        High Frequency: Proprietary design, 3640mm2 air motion transformer\u003cbr\u003e        Mid Frequency: Proprietary Design 4 ohm 5.25\" Cast Aluminum Frame \/ Paper Cone\/Shielded, 25mm voice coil.\u003cbr\u003e        Low Frequency: two custom designed 6.5\" drivers with cast aluminum frame, 34mm voice coil\u003cbr\u003e    Cabinet: Bass reflex design \/18mm MDF\/ with polyester acoustical stuffing\u003cbr\u003e    Inputs: XLR \u0026amp; TRS +4dB Balanced and -10dB unbalanced\u003cbr\u003e    Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003cbr\u003e    Cabinet Directions: 270Wx360Hx385D (10.6\"x14.2\"x15.2\")\u003cbr\u003e    Cabinet Weight: 16kg (35.2lb)\u003cbr\u003e    Warranty: 5 Year Limited Warranty to original purchaser\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","published_at":"2019-03-06T15:57:54+02:00","created_at":"2019-03-06T16:03:59+02:00","vendor":"Avantone Pro","type":"Active Monitor","tags":["Avantone Pro"],"price":99900,"price_min":99900,"price_max":99900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":15563755094062,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Abbey 3-Way Active Monitor in Black","public_title":null,"options":["Default Title"],"price":99900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/abbey-black_1_940x400_d1fe5225-ae37-464e-9fae-ac855986ff4d.jpg?v=1551881050","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/abbey-black_2_940x400_1665077c-05aa-472f-b2c8-acfaa5a7c11b.jpg?v=1551881058","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/abbey-black_3_940x400_9a2a53ac-382c-4fd2-8559-578abf2afb13.jpg?v=1551881067"],"featured_image":"\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/abbey-black_1_940x400_d1fe5225-ae37-464e-9fae-ac855986ff4d.jpg?v=1551881050","options":["Title"],"content":"\u003cstrong\u003e Avantone Abbey 3-Way Active Monitor in Black\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAbbey in Black\u003c\/strong\u003e\u003cbr\u003eWhen we began development of the Avantone Abbey loudspeaker system, it was an extension of the renowned Avantone Mixcube concept. To provide users with a loudspeaker system that would provide tonal excellence, accuracy and value for their money. As this project evolved, we kept increasing the volume of the enclosure, improving the driver complement and generally building a studio monitor worthy of any major name brand. By taking a no compromises approach, we eventually had that \"ah ha\" moment when all of the technology, components and tweaks fell into line. We believe that this is a truly enjoyable system that will give you a sound reproduction tool capable of performing under the most exacting conditions.\u003cbr\u003e\u003cbr\u003e    We believe that this is a truly enjoyable system that will give you a sound reproduction tool capable of performing under the most exacting conditions. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAPPLICATION\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eActive recording \/ mix-down and playback monitors. But...you knew that.\u003cbr\u003e\u003cbr\u003eENGINEERING OBJECTIVES\u003cbr\u003e\u003cbr\u003eThe AVANTONE ABBEY Studio Reference Monitors are designed to be dynamic, high SPL, high resolution, full-range active reference monitors. We included precise, no-compromise drivers in a reasonably compact format that complements modern production environments. Ideally, these can be used in all phases of production from tracking through mastering and post production playback.\u003cbr\u003e\u003cbr\u003eThe secondary engineering goal was to create a seamless transition through all bands to provide a full range design that has real power, excellent transient response and abnormally broad spectral performance at any output level.\u003cbr\u003e\u003cbr\u003eYou will notice a distinct lack of adjustments on the back of these units. We feel we have designed an excellent system that will not require adjustment when used in appropriate environments.\u003cbr\u003e\u003cbr\u003ePERFORMANCE OBJECTIVE\u003cbr\u003e\u003cbr\u003eIt is important to make mixing judgments based partially on listening to reference monitors that will not impart tonal anomalies caused by pushing components beyond their useful range in two way systems. Further, you can never have enough power. Particular attention is always paid to the critical mid-range vocal\/guitar\/keyboard areas. This is where having a full-range monitor with crossover points set above and below the critical listening frequencies is truly revealing.\u003cbr\u003e\u003cbr\u003eYears of R\u0026amp;D, comparative listening \u0026amp; refinement went into the voicing of the AVANTONE ABBEY. The result is a very smooth sounding, full range upgrade from almost any two-way system.\u003cbr\u003e\u003cbr\u003eListening tests reveal that the ABBEY's have a smooth midrange, accurate, transparent top end response with extended bass while providing a depth and clarity that any studio demands. The AVANTONE ABBEY provides the same level of dynamic performance and clarity at low levels used in daily production environments as well as high output levels for playback.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e    System Type: Active (Self-Powered) full-range stereo pair\u003cbr\u003e    System Frequency Response: 35Hz-38,000Hz (Accessible musical range)\u003cbr\u003e    Max SPL: 106dB @ 1 meter (pink noise); 108dB at 1 meter @1%THD (1kHz)\u003cbr\u003e    Amplifier: Class HD\u003cbr\u003e    High and Mid Frequency: each 100WRMS, THD+N=0.5%\u003cbr\u003e    Low Frequency: 200WRMS, THD+N=0.5%\u003cbr\u003e    Amp Frequency Response: 22Hz-40KHz +1dB\/- 3dB (50Hz-25KHz +\/-0.25dB)\u003cbr\u003e    Noise: S\/N -113 dB \"A\" Weighted; THD+N=\u0026lt;0.2%@100W into 4 ohms.\u003cbr\u003e    Cooling: Heat Sink-Aluminum panel\u003cbr\u003e    Drivers:\u003cbr\u003e        High Frequency: Proprietary design, 3640mm2 air motion transformer\u003cbr\u003e        Mid Frequency: Proprietary Design 4 ohm 5.25\" Cast Aluminum Frame \/ Paper Cone\/Shielded, 25mm voice coil.\u003cbr\u003e        Low Frequency: two custom designed 6.5\" drivers with cast aluminum frame, 34mm voice coil\u003cbr\u003e    Cabinet: Bass reflex design \/18mm MDF\/ with polyester acoustical stuffing\u003cbr\u003e    Inputs: XLR \u0026amp; TRS +4dB Balanced and -10dB unbalanced\u003cbr\u003e    Sensitivity: 0dBu (.775VRMS) input at maximum volume (+6dB) = 104dB SPL\u003cbr\u003e    Cabinet Directions: 270Wx360Hx385D (10.6\"x14.2\"x15.2\")\u003cbr\u003e    Cabinet Weight: 16kg (35.2lb)\u003cbr\u003e    Warranty: 5 Year Limited Warranty to original purchaser\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e"}

{"id":1694553833518,"title":"Avantone CLA-10A Active Studio Monitor System","handle":"avantone-cla-10a-active-studio-monitor-system-1","description":"\u003cstrong\u003e Avantone CLA-10A Active Studio Monitor System\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e CLA-10A\u003c\/strong\u003e\u003cbr\u003eIn June 2018, Avantone Pro released the CLA-10 studio monitors, which became the #1 selling passive studio monitor in the world. The CLA-200 power amp, which soon followed has become another success filling a void for a reasonably priced class AB studio power amp. Avantone Pro is now proud to announce the release of the CLA-10A active studio monitors.\u003cbr\u003e\u003cbr\u003eThe CLA-10A's feature the AV10MHF and AV10MLF drivers from the CLA-10 as well as cabinet construction. The CLA-10A's also feature a beefy Class A\/B power amp section.\u003cbr\u003e\u003cbr\u003e    The CLA-10A's have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate any thing from the Vertical “m” model to the horizontal “Studio” model and everything in between. \u003cbr\u003e\u003cbr\u003eOne of the most common questions asked about the CLA-10's is which version of the originals are they based on. Now we can proudly say... all of them! The CLA-10A's have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate any thing from the Vertical “m” model to the horizontal “Studio” model and everything in between. This tone control allows each user to choose the best tweeter brightness that serves their individual needs.\u003cbr\u003e\u003cbr\u003eMost two way active speakers use a switch mode supply and Class D amplifier. While this has proven to work well in recent years, we are still traditionalists. With the success of the CLA-10 and CLA-200 amplifier combination, we decided to stay with what engineers all over the world have come to expect from this combination. The CLA-10 Active uses a linear power supply and 200 watts of Class AB output. Yes, it requires a heatsink. Yes, it weighs more. Yes, it sounds awesome.\u003cbr\u003e\u003cbr\u003eWe use a monolithic integrated circuit Class AB amplifier with wide voltage range and high current output capability. Operating in Parallel Mode with two devices ganged together to deliver higher output power into low impedance loads, allowing better thermal performance at high power. At low power, THD is a phenomenal 0.005%; at rated load it is 0.1%, yielding excellent performance at power compared to class D amps. The circuit uses a mixed bipolar MOS high voltage technology called BCDII 100\/120 which avoids secondary breakdown phenomena. This technology handles high current output without unwieldy circuit complexity and external components. This makes it possible to deliver very high power in a reasonable package with the clean, smooth sound of a linear amplifier.\u003cbr\u003e\u003cbr\u003eThe system is being run at +\/-40 VDC, yielding a rock solid 200WRMS at 1kHz into 8 ohms. Rather than use a switch mode power supply with the associated noise, we decided to stay traditional with a linear power supply. The power supply uses a massive old school toroidal transformer for the classic performance of an AB amplifier. Many companies use SMPS and Class D for this type of system. We made the decision to stay with classic technology in order to maintain the legacy sound that everybody associates with this design.\u003cbr\u003e\u003cbr\u003eThe CLA-10A's are expected to start shipping in late March - early April and will be $999 MAP in the US.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e    System Type:\u003c\/strong\u003e Active Full-Range Two-Way Stereo Pair\u003cbr\u003e    \u003cstrong\u003eSystem Frequency Response:\u003c\/strong\u003e 60Hz-20,000Hz (Accessible Musical Range)\u003cbr\u003e    \u003cstrong\u003eComponents:\u003c\/strong\u003e Low Frequency: AV10-MLF 18Cm Cone, High Frequency:   AV10-MHF 3.5Cm Soft Dome\u003cbr\u003e    \u003cstrong\u003eCabinet:\u003c\/strong\u003e 10.4 Liter Sealed Design, 18mm MDF With Real Wood Veneer\u003cbr\u003e  \u003cstrong\u003e  Cabinet Dimensions:\u003c\/strong\u003e 381.5mm X 215mm X197.5mm (15”X 8 ½”X 7- ¾ ”)\u003cbr\u003e\u003cstrong\u003e    Weight:\u003c\/strong\u003e 8.2Kg \/ 18 Lbs (Each)\u003cbr\u003e\u003cstrong\u003e    Shipping Weight: \u003c\/strong\u003e18.5 Kg \/ 40.5 Lbs\u003cbr\u003e\u003cstrong\u003e    SPL:\u003c\/strong\u003e 104dB\u003cbr\u003e    \u003cstrong\u003ePeak Musical Output:\u003c\/strong\u003e 110dB (Music Program Material)\u003cbr\u003e   \u003cstrong\u003e Amplifier:\u003c\/strong\u003e 200W Class Ab Linear Supply\u003cbr\u003e    \u003cstrong\u003eTHD: \u003c\/strong\u003e0.05% At 1Khz, 1W\u003cbr\u003e\u003cstrong\u003e    Balanced Inputs:\u003c\/strong\u003e Combination XLR \u0026amp; Phone Jack\u003cbr\u003e\u003cstrong\u003e    Unbalanced Input:\u003c\/strong\u003e RCA Phono Jack\u003cbr\u003e\u003cstrong\u003e    Volume:\u003c\/strong\u003e +0dB, -120dB\u003cbr\u003e  \u003cstrong\u003e  VTPC:\u003c\/strong\u003e Variable Tissue Paper Control Fc 1.8Khz +6dB, -30dB.\u003cbr\u003e   \u003cstrong\u003e Power:\u003c\/strong\u003e On\/off Switch\u003cbr\u003e    Ground Lift Switch\u003cbr\u003e  \u003cstrong\u003e  Power:\u003c\/strong\u003e 115Vac\/230Vac Selectable\u003cbr\u003e\u003cstrong\u003e    Power Consumption:\u003c\/strong\u003e\u003cbr\u003e        StandBy: 3W\u003cbr\u003e        Full Output: 250W","published_at":"2019-03-06T15:24:20+02:00","created_at":"2019-03-06T15:37:00+02:00","vendor":"Avantone Pro","type":"Monitors","tags":["Avantone Pro"],"price":99900,"price_min":99900,"price_max":99900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":15563447468078,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CLA-10A","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone CLA-10A Active Studio Monitor System","public_title":null,"options":["Default Title"],"price":99900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-1-940x400_04a8c10e-ff98-4903-8f6b-efde5bc2b86e.jpg?v=1551879438","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-2-940x400_6bef2a19-b504-429b-a2b6-acf62526d52e.jpg?v=1551879454","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-3-940x400_88685f13-67cc-4532-9da6-b271591b9918.jpg?v=1551879465","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-4-940x400_bc1e43df-22c3-4d39-8c93-11986cf5c0ad.jpg?v=1551879481","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-5-940x400_dbca16a3-02a8-47e4-8073-e32e2a090619.jpg?v=1551879553","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-6-940x400_efc7db39-545a-49fc-acb6-015301010051.jpg?v=1551879562","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-7-940x400_ef5f0a6b-0901-4d29-824b-9f24cc51d109.jpg?v=1551879571"],"featured_image":"\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-1-940x400_04a8c10e-ff98-4903-8f6b-efde5bc2b86e.jpg?v=1551879438","options":["Title"],"content":"\u003cstrong\u003e Avantone CLA-10A Active Studio Monitor System\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e CLA-10A\u003c\/strong\u003e\u003cbr\u003eIn June 2018, Avantone Pro released the CLA-10 studio monitors, which became the #1 selling passive studio monitor in the world. The CLA-200 power amp, which soon followed has become another success filling a void for a reasonably priced class AB studio power amp. Avantone Pro is now proud to announce the release of the CLA-10A active studio monitors.\u003cbr\u003e\u003cbr\u003eThe CLA-10A's feature the AV10MHF and AV10MLF drivers from the CLA-10 as well as cabinet construction. The CLA-10A's also feature a beefy Class A\/B power amp section.\u003cbr\u003e\u003cbr\u003e    The CLA-10A's have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate any thing from the Vertical “m” model to the horizontal “Studio” model and everything in between. \u003cbr\u003e\u003cbr\u003eOne of the most common questions asked about the CLA-10's is which version of the originals are they based on. Now we can proudly say... all of them! The CLA-10A's have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate any thing from the Vertical “m” model to the horizontal “Studio” model and everything in between. This tone control allows each user to choose the best tweeter brightness that serves their individual needs.\u003cbr\u003e\u003cbr\u003eMost two way active speakers use a switch mode supply and Class D amplifier. While this has proven to work well in recent years, we are still traditionalists. With the success of the CLA-10 and CLA-200 amplifier combination, we decided to stay with what engineers all over the world have come to expect from this combination. The CLA-10 Active uses a linear power supply and 200 watts of Class AB output. Yes, it requires a heatsink. Yes, it weighs more. Yes, it sounds awesome.\u003cbr\u003e\u003cbr\u003eWe use a monolithic integrated circuit Class AB amplifier with wide voltage range and high current output capability. Operating in Parallel Mode with two devices ganged together to deliver higher output power into low impedance loads, allowing better thermal performance at high power. At low power, THD is a phenomenal 0.005%; at rated load it is 0.1%, yielding excellent performance at power compared to class D amps. The circuit uses a mixed bipolar MOS high voltage technology called BCDII 100\/120 which avoids secondary breakdown phenomena. This technology handles high current output without unwieldy circuit complexity and external components. This makes it possible to deliver very high power in a reasonable package with the clean, smooth sound of a linear amplifier.\u003cbr\u003e\u003cbr\u003eThe system is being run at +\/-40 VDC, yielding a rock solid 200WRMS at 1kHz into 8 ohms. Rather than use a switch mode power supply with the associated noise, we decided to stay traditional with a linear power supply. The power supply uses a massive old school toroidal transformer for the classic performance of an AB amplifier. Many companies use SMPS and Class D for this type of system. We made the decision to stay with classic technology in order to maintain the legacy sound that everybody associates with this design.\u003cbr\u003e\u003cbr\u003eThe CLA-10A's are expected to start shipping in late March - early April and will be $999 MAP in the US.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e    System Type:\u003c\/strong\u003e Active Full-Range Two-Way Stereo Pair\u003cbr\u003e    \u003cstrong\u003eSystem Frequency Response:\u003c\/strong\u003e 60Hz-20,000Hz (Accessible Musical Range)\u003cbr\u003e    \u003cstrong\u003eComponents:\u003c\/strong\u003e Low Frequency: AV10-MLF 18Cm Cone, High Frequency:   AV10-MHF 3.5Cm Soft Dome\u003cbr\u003e    \u003cstrong\u003eCabinet:\u003c\/strong\u003e 10.4 Liter Sealed Design, 18mm MDF With Real Wood Veneer\u003cbr\u003e  \u003cstrong\u003e  Cabinet Dimensions:\u003c\/strong\u003e 381.5mm X 215mm X197.5mm (15”X 8 ½”X 7- ¾ ”)\u003cbr\u003e\u003cstrong\u003e    Weight:\u003c\/strong\u003e 8.2Kg \/ 18 Lbs (Each)\u003cbr\u003e\u003cstrong\u003e    Shipping Weight: \u003c\/strong\u003e18.5 Kg \/ 40.5 Lbs\u003cbr\u003e\u003cstrong\u003e    SPL:\u003c\/strong\u003e 104dB\u003cbr\u003e    \u003cstrong\u003ePeak Musical Output:\u003c\/strong\u003e 110dB (Music Program Material)\u003cbr\u003e   \u003cstrong\u003e Amplifier:\u003c\/strong\u003e 200W Class Ab Linear Supply\u003cbr\u003e    \u003cstrong\u003eTHD: \u003c\/strong\u003e0.05% At 1Khz, 1W\u003cbr\u003e\u003cstrong\u003e    Balanced Inputs:\u003c\/strong\u003e Combination XLR \u0026amp; Phone Jack\u003cbr\u003e\u003cstrong\u003e    Unbalanced Input:\u003c\/strong\u003e RCA Phono Jack\u003cbr\u003e\u003cstrong\u003e    Volume:\u003c\/strong\u003e +0dB, -120dB\u003cbr\u003e  \u003cstrong\u003e  VTPC:\u003c\/strong\u003e Variable Tissue Paper Control Fc 1.8Khz +6dB, -30dB.\u003cbr\u003e   \u003cstrong\u003e Power:\u003c\/strong\u003e On\/off Switch\u003cbr\u003e    Ground Lift Switch\u003cbr\u003e  \u003cstrong\u003e  Power:\u003c\/strong\u003e 115Vac\/230Vac Selectable\u003cbr\u003e\u003cstrong\u003e    Power Consumption:\u003c\/strong\u003e\u003cbr\u003e        StandBy: 3W\u003cbr\u003e        Full Output: 250W"}

{"id":1689373999150,"title":"Avantone CLA-10A Active Studio Monitor System","handle":"avantone-cla-10a-active-studio-monitor-system","description":"\u003cstrong\u003e Avantone CLA-10A Active Studio Monitor System\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eIn June 2018, Avantone Pro released the CLA-10 studio monitors, which became the #1 selling passive studio monitor in the world. The CLA-200 power amp, which soon followed has become another success filling a void for a reasonably priced class AB studio power amp. Avantone Pro is now proud to announce the release of the CLA-10A active studio monitors.\u003cbr\u003e\u003cbr\u003eThe CLA-10A's feature the AV10MHF and AV10MLF drivers from the CLA-10 as well as cabinet construction. The CLA-10A's also feature a beefy Class A\/B power amp section.\u003cbr\u003e\u003cbr\u003e    The CLA-10A's have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate any thing from the Vertical “m” model to the horizontal “Studio” model and everything in between. \u003cbr\u003e\u003cbr\u003eOne of the most common questions asked about the CLA-10's is which version of the originals are they based on. Now we can proudly say... all of them! The CLA-10A's have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate any thing from the Vertical “m” model to the horizontal “Studio” model and everything in between. This tone control allows each user to choose the best tweeter brightness that serves their individual needs.\u003cbr\u003e\u003cbr\u003eMost two way active speakers use a switch mode supply and Class D amplifier. While this has proven to work well in recent years, we are still traditionalists. With the success of the CLA-10 and CLA-200 amplifier combination, we decided to stay with what engineers all over the world have come to expect from this combination. The CLA-10 Active uses a linear power supply and 200 watts of Class AB output. Yes, it requires a heatsink. Yes, it weighs more. Yes, it sounds awesome.\u003cbr\u003e\u003cbr\u003eWe use a monolithic integrated circuit Class AB amplifier with wide voltage range and high current output capability. Operating in Parallel Mode with two devices ganged together to deliver higher output power into low impedance loads, allowing better thermal performance at high power. At low power, THD is a phenomenal 0.005%; at rated load it is 0.1%, yielding excellent performance at power compared to class D amps. The circuit uses a mixed bipolar MOS high voltage technology called BCDII 100\/120 which avoids secondary breakdown phenomena. This technology handles high current output without unwieldy circuit complexity and external components. This makes it possible to deliver very high power in a reasonable package with the clean, smooth sound of a linear amplifier.\u003cbr\u003e\u003cbr\u003eThe system is being run at +\/-40 VDC, yielding a rock solid 200WRMS at 1kHz into 8 ohms. Rather than use a switch mode power supply with the associated noise, we decided to stay traditional with a linear power supply. The power supply uses a massive old school toroidal transformer for the classic performance of an AB amplifier. Many companies use SMPS and Class D for this type of system. We made the decision to stay with classic technology in order to maintain the legacy sound that everybody associates with this design.\u003cbr\u003e\u003cbr\u003eThe CLA-10A's are expected to start shipping in late March - early April and will be $999 MAP in the US.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e    System Type: Active Full-Range Two-Way Stereo Pair\u003cbr\u003e    System Frequency Response: 60Hz-20,000Hz (Accessible Musical Range)\u003cbr\u003e    Components: Low Frequency: AV10-MLF 18Cm Cone, High Frequency:    AV10-MHF 3.5Cm Soft Dome\u003cbr\u003e    Cabinet: 10.4 Liter Sealed Design, 18mm MDF With Real Wood Veneer\u003cbr\u003e    Cabinet Dimensions: 381.5mm X 215mm X197.5mm (15”X 8 ½”X 7- ¾ ”)\u003cbr\u003e    Weight: 8.2Kg \/ 18 Lbs (Each)\u003cbr\u003e    Shipping Weight: 18.5 Kg \/ 40.5 Lbs\u003cbr\u003e    SPL: 104dB\u003cbr\u003e    Peak Musical Output: 110dB (Music Program Material)\u003cbr\u003e    Amplifier: 200W Class Ab Linear Supply\u003cbr\u003e    THD: 0.05% At 1Khz, 1W\u003cbr\u003e    Balanced Inputs: Combination XLR \u0026amp; Phone Jack\u003cbr\u003e    Unbalanced Input: RCA Phono Jack\u003cbr\u003e    Volume: +0dB, -120dB\u003cbr\u003e    VTPC: Variable Tissue Paper Control Fc 1.8Khz +6dB, -30dB.\u003cbr\u003e    Power: On\/off Switch\u003cbr\u003e    Ground Lift Switch\u003cbr\u003e    Power: 115Vac\/230Vac Selectable\u003cbr\u003e    Power Consumption:\u003cbr\u003e    StandBy: 3W\u003cbr\u003e    Full Output: 250W\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e","published_at":"2019-03-02T12:57:56+02:00","created_at":"2019-03-02T13:01:00+02:00","vendor":"Avantone Pro","type":"Active Monitor","tags":["Active Monitors","Avantone Pro","Studio \u0026 Recording","Studio Monitors"],"price":99900,"price_min":99900,"price_max":99900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":15514615218222,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"CLA10Act","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone CLA-10A Active Studio Monitor System","public_title":null,"options":["Default Title"],"price":99900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-1-940x400.jpg?v=1551524476","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-2-940x400.jpg?v=1551524483","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-3-940x400.jpg?v=1551524490","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-4-940x400.jpg?v=1551524508","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-5-940x400.jpg?v=1551524516","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-6-940x400.jpg?v=1551524709","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-7-940x400.jpg?v=1551524719"],"featured_image":"\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/CLA10A-1-940x400.jpg?v=1551524476","options":["Title"],"content":"\u003cstrong\u003e Avantone CLA-10A Active Studio Monitor System\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003eIn June 2018, Avantone Pro released the CLA-10 studio monitors, which became the #1 selling passive studio monitor in the world. The CLA-200 power amp, which soon followed has become another success filling a void for a reasonably priced class AB studio power amp. Avantone Pro is now proud to announce the release of the CLA-10A active studio monitors.\u003cbr\u003e\u003cbr\u003eThe CLA-10A's feature the AV10MHF and AV10MLF drivers from the CLA-10 as well as cabinet construction. The CLA-10A's also feature a beefy Class A\/B power amp section.\u003cbr\u003e\u003cbr\u003e    The CLA-10A's have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate any thing from the Vertical “m” model to the horizontal “Studio” model and everything in between. \u003cbr\u003e\u003cbr\u003eOne of the most common questions asked about the CLA-10's is which version of the originals are they based on. Now we can proudly say... all of them! The CLA-10A's have an all new “VTPC” knob or “Variable Tissue Paper Control.” This VTPC allows you to simulate any thing from the Vertical “m” model to the horizontal “Studio” model and everything in between. This tone control allows each user to choose the best tweeter brightness that serves their individual needs.\u003cbr\u003e\u003cbr\u003eMost two way active speakers use a switch mode supply and Class D amplifier. While this has proven to work well in recent years, we are still traditionalists. With the success of the CLA-10 and CLA-200 amplifier combination, we decided to stay with what engineers all over the world have come to expect from this combination. The CLA-10 Active uses a linear power supply and 200 watts of Class AB output. Yes, it requires a heatsink. Yes, it weighs more. Yes, it sounds awesome.\u003cbr\u003e\u003cbr\u003eWe use a monolithic integrated circuit Class AB amplifier with wide voltage range and high current output capability. Operating in Parallel Mode with two devices ganged together to deliver higher output power into low impedance loads, allowing better thermal performance at high power. At low power, THD is a phenomenal 0.005%; at rated load it is 0.1%, yielding excellent performance at power compared to class D amps. The circuit uses a mixed bipolar MOS high voltage technology called BCDII 100\/120 which avoids secondary breakdown phenomena. This technology handles high current output without unwieldy circuit complexity and external components. This makes it possible to deliver very high power in a reasonable package with the clean, smooth sound of a linear amplifier.\u003cbr\u003e\u003cbr\u003eThe system is being run at +\/-40 VDC, yielding a rock solid 200WRMS at 1kHz into 8 ohms. Rather than use a switch mode power supply with the associated noise, we decided to stay traditional with a linear power supply. The power supply uses a massive old school toroidal transformer for the classic performance of an AB amplifier. Many companies use SMPS and Class D for this type of system. We made the decision to stay with classic technology in order to maintain the legacy sound that everybody associates with this design.\u003cbr\u003e\u003cbr\u003eThe CLA-10A's are expected to start shipping in late March - early April and will be $999 MAP in the US.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003cbr\u003e    System Type: Active Full-Range Two-Way Stereo Pair\u003cbr\u003e    System Frequency Response: 60Hz-20,000Hz (Accessible Musical Range)\u003cbr\u003e    Components: Low Frequency: AV10-MLF 18Cm Cone, High Frequency:    AV10-MHF 3.5Cm Soft Dome\u003cbr\u003e    Cabinet: 10.4 Liter Sealed Design, 18mm MDF With Real Wood Veneer\u003cbr\u003e    Cabinet Dimensions: 381.5mm X 215mm X197.5mm (15”X 8 ½”X 7- ¾ ”)\u003cbr\u003e    Weight: 8.2Kg \/ 18 Lbs (Each)\u003cbr\u003e    Shipping Weight: 18.5 Kg \/ 40.5 Lbs\u003cbr\u003e    SPL: 104dB\u003cbr\u003e    Peak Musical Output: 110dB (Music Program Material)\u003cbr\u003e    Amplifier: 200W Class Ab Linear Supply\u003cbr\u003e    THD: 0.05% At 1Khz, 1W\u003cbr\u003e    Balanced Inputs: Combination XLR \u0026amp; Phone Jack\u003cbr\u003e    Unbalanced Input: RCA Phono Jack\u003cbr\u003e    Volume: +0dB, -120dB\u003cbr\u003e    VTPC: Variable Tissue Paper Control Fc 1.8Khz +6dB, -30dB.\u003cbr\u003e    Power: On\/off Switch\u003cbr\u003e    Ground Lift Switch\u003cbr\u003e    Power: 115Vac\/230Vac Selectable\u003cbr\u003e    Power Consumption:\u003cbr\u003e    StandBy: 3W\u003cbr\u003e    Full Output: 250W\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e"}

{"id":133265621018,"title":"Avantone PRO TC1 Retro Tweed Case","handle":"avantone-pro-tc1-retro-tweed-case","description":"The Avantone Pro TC1 Custom Locking Padded Heavy Duty Vintage Tweed Microphone Case is a stylish, hand-built, heavy-duty microphone storage case. The metal corners, locking latches, high-density foam tray, and plush lining make this case sturdy, while offering a visually appealing design. Aesthetically, the case features a tweed and faux-alligator trim exterior, with a Cabernet wine-red plush lining. The slotted foam tray not only protects and stores each component of the drum mic kit, but also lifts out of the case to provide storage for cables, sticks, etc. Additionally, by removing the tray you are left with stylish piece of carry-on luggage.","published_at":"2017-09-30T14:33:08+02:00","created_at":"2017-09-30T14:36:26+02:00","vendor":"Avantone Pro","type":"Microphone Cases","tags":["Audio Cases \u0026 Accessories","Avantone Pro","Avantone Pro TC1","Microphone Cases","Price Range_$100 to $200","Pro Audio","Shop by brand_Avantone Pro","Shop by category_Microphone Cases"],"price":14900,"price_min":14900,"price_max":14900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1869540917274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TC1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone PRO TC1 Retro Tweed Case","public_title":null,"options":["Default Title"],"price":14900,"weight":8090,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1370353141000_922798.jpg?v=1506775009"],"featured_image":"\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1370353141000_922798.jpg?v=1506775009","options":["Title"],"content":"The Avantone Pro TC1 Custom Locking Padded Heavy Duty Vintage Tweed Microphone Case is a stylish, hand-built, heavy-duty microphone storage case. The metal corners, locking latches, high-density foam tray, and plush lining make this case sturdy, while offering a visually appealing design. Aesthetically, the case features a tweed and faux-alligator trim exterior, with a Cabernet wine-red plush lining. The slotted foam tray not only protects and stores each component of the drum mic kit, but also lifts out of the case to provide storage for cables, sticks, etc. Additionally, by removing the tray you are left with stylish piece of carry-on luggage."}

{"id":9296728141,"title":"Avantone Pro SSM Professional Shockmount","handle":"avantone-ssm-professional-shockmount","description":"\u003ch2 style=\"display: inline !important;\"\u003eAvantone SSM Professional Shockmount\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eThe Avantone SSM Shock mount is designed for professional use. The unwanted low frequency rumble and vibrations that are physically transmitted via direct surface-to-surface contact into the microphone will be drastically reduced through the use of this product. It is very important in studio, as well as live usage, to maintain an uncluttered mix by reducing the low-frequency muddiness that can build up in multiple, full-range, open mics.\u003c\/li\u003e\n\u003cli\u003eEach SSM is constructed of heavy-duty die-cast zinc, which is not only incredibly durable but also adds mass, which contributes to vibration dampening\/decoupling. Sturdy construction with 4 O-RINGS per unit will securely hold most small body mics while \"floating\" them away from body-to-body contact.\u003c\/li\u003e\n\u003cli\u003eThe slots allow vertical\/horizontal positioning of o-rings which we recommend \u0026amp; will accommodate most mics. The o-rings can also be positioned in an \"x\" configuration to allow a better fit on the very slim barrels of some measurement type mics. The o-rings have been updated to a custom formula that is much stronger than the previous material we used. The new world class Ethylene Propylene formula provides enormous resistance to breakage, resistance to surface nicks and remains supple and effective even against dry hot temperatures. It has the best resistance to ozone and weathering which makes it great for use around electronics devices, and maintains its physical properties even in a stretched condition.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e-Simple and effective!\u003c\/li\u003e\n\u003cli\u003e-Solid metal construction\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cstrong\u003e   Fits the following mics\u003c\/strong\u003e\u003cbr\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\n\u003cli\u003eMXL 603\u003c\/li\u003e\n\u003cli\u003eMXL 604\u003c\/li\u003e\n\u003cli\u003eNeuman KM-184\u003c\/li\u003e\n\u003cli\u003eNeuman KM-84\u003c\/li\u003e\n\u003cli\u003eAudix SCX-1\u003c\/li\u003e\n\u003cli\u003eAudix SCX-25\u003c\/li\u003e\n\u003cli\u003eAudix F-15\u003c\/li\u003e\n\u003cli\u003eAudix ADX-51\u003c\/li\u003e\n\u003cli\u003eRODE NT5\u003c\/li\u003e\n\u003cli\u003eDPA 4000 Series\u003c\/li\u003e\n\u003cli\u003eB\u0026amp;K 4000 Series\u003c\/li\u003e\n\u003cli\u003eEarthworks Mics\u003c\/li\u003e\n\u003cli\u003eAKG C451\u003c\/li\u003e\n\u003cli\u003eAKG C460\u003c\/li\u003e\n\u003cli\u003eAKG C60\u003c\/li\u003e\n\u003cli\u003eADK SC-1 \/ SC-2 \/ SC-T\u003c\/li\u003e\n\u003cli\u003eAudio-Technica 4041a \/ 4049a \/ 4051a \/ 4053a\u003c\/li\u003e\n\u003cli\u003eBeyer MC 930\u003c\/li\u003e\n\u003cli\u003eM-Audio Pulsar\u003c\/li\u003e\n\u003cli\u003eMicrotech Gefell M294 \/ 295 \/ 300\u003c\/li\u003e\n\u003cli\u003eSMS 2000\u003c\/li\u003e\n\u003cli\u003eOkatava MC 012 \/ 101\u003c\/li\u003e\n\u003cli\u003eSennheiser K6\u003c\/li\u003e\n\u003cli\u003eShure KSM137 \/ KSM141 \/ SM 81 \/ SM63\u003c\/li\u003e\n\u003cli\u003eT.H.E. KR-33A \/ KR-2W \/ KR-25A \/ KR-1F \/ KR-2C \/ TT-3M\u003c\/li\u003e\n\u003cli\u003eSamson CO2 \/ CO2H\u003c\/li\u003e\n\u003cli\u003eSuperlux SMKH8K\u003c\/li\u003e\n\u003c\/ol\u003e\n   ...and most other microphones with a (19mm-22mm) diameter body\u003cbr\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-06-19T00:04:17+02:00","created_at":"2017-03-09T15:31:48+02:00","vendor":"Avantone Pro","type":"Accessories","tags":["Avantone Pro","Avantone Pro SSM","Microphone Accessories","Price Range_$25 to $50","Pro Audio","Recording","Shock Mounts","Shop by brand_Avantone Pro","Shop by category_Microphone Accessories"],"price":2900,"price_min":2900,"price_max":2900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33794736973,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SSM","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro SSM Professional Shockmount","public_title":null,"options":["Default Title"],"price":2900,"weight":270,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1012-0.jpg?v=1489066349","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1012-1.jpg?v=1489066367"],"featured_image":"\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1012-0.jpg?v=1489066349","options":["Title"],"content":"\u003ch2 style=\"display: inline !important;\"\u003eAvantone SSM Professional Shockmount\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003eThe Avantone SSM Shock mount is designed for professional use. The unwanted low frequency rumble and vibrations that are physically transmitted via direct surface-to-surface contact into the microphone will be drastically reduced through the use of this product. It is very important in studio, as well as live usage, to maintain an uncluttered mix by reducing the low-frequency muddiness that can build up in multiple, full-range, open mics.\u003c\/li\u003e\n\u003cli\u003eEach SSM is constructed of heavy-duty die-cast zinc, which is not only incredibly durable but also adds mass, which contributes to vibration dampening\/decoupling. Sturdy construction with 4 O-RINGS per unit will securely hold most small body mics while \"floating\" them away from body-to-body contact.\u003c\/li\u003e\n\u003cli\u003eThe slots allow vertical\/horizontal positioning of o-rings which we recommend \u0026amp; will accommodate most mics. The o-rings can also be positioned in an \"x\" configuration to allow a better fit on the very slim barrels of some measurement type mics. The o-rings have been updated to a custom formula that is much stronger than the previous material we used. The new world class Ethylene Propylene formula provides enormous resistance to breakage, resistance to surface nicks and remains supple and effective even against dry hot temperatures. It has the best resistance to ozone and weathering which makes it great for use around electronics devices, and maintains its physical properties even in a stretched condition.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003col\u003e\n\u003cli\u003e-Simple and effective!\u003c\/li\u003e\n\u003cli\u003e-Solid metal construction\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cstrong\u003e   Fits the following mics\u003c\/strong\u003e\u003cbr\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003col\u003e\n\u003cli\u003eMXL 603\u003c\/li\u003e\n\u003cli\u003eMXL 604\u003c\/li\u003e\n\u003cli\u003eNeuman KM-184\u003c\/li\u003e\n\u003cli\u003eNeuman KM-84\u003c\/li\u003e\n\u003cli\u003eAudix SCX-1\u003c\/li\u003e\n\u003cli\u003eAudix SCX-25\u003c\/li\u003e\n\u003cli\u003eAudix F-15\u003c\/li\u003e\n\u003cli\u003eAudix ADX-51\u003c\/li\u003e\n\u003cli\u003eRODE NT5\u003c\/li\u003e\n\u003cli\u003eDPA 4000 Series\u003c\/li\u003e\n\u003cli\u003eB\u0026amp;K 4000 Series\u003c\/li\u003e\n\u003cli\u003eEarthworks Mics\u003c\/li\u003e\n\u003cli\u003eAKG C451\u003c\/li\u003e\n\u003cli\u003eAKG C460\u003c\/li\u003e\n\u003cli\u003eAKG C60\u003c\/li\u003e\n\u003cli\u003eADK SC-1 \/ SC-2 \/ SC-T\u003c\/li\u003e\n\u003cli\u003eAudio-Technica 4041a \/ 4049a \/ 4051a \/ 4053a\u003c\/li\u003e\n\u003cli\u003eBeyer MC 930\u003c\/li\u003e\n\u003cli\u003eM-Audio Pulsar\u003c\/li\u003e\n\u003cli\u003eMicrotech Gefell M294 \/ 295 \/ 300\u003c\/li\u003e\n\u003cli\u003eSMS 2000\u003c\/li\u003e\n\u003cli\u003eOkatava MC 012 \/ 101\u003c\/li\u003e\n\u003cli\u003eSennheiser K6\u003c\/li\u003e\n\u003cli\u003eShure KSM137 \/ KSM141 \/ SM 81 \/ SM63\u003c\/li\u003e\n\u003cli\u003eT.H.E. KR-33A \/ KR-2W \/ KR-25A \/ KR-1F \/ KR-2C \/ TT-3M\u003c\/li\u003e\n\u003cli\u003eSamson CO2 \/ CO2H\u003c\/li\u003e\n\u003cli\u003eSuperlux SMKH8K\u003c\/li\u003e\n\u003c\/ol\u003e\n   ...and most other microphones with a (19mm-22mm) diameter body\u003cbr\u003e\n\u003col\u003e\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":9296471373,"title":"Avantone Pro PS1 Shield Studio Microphone Pop Filter","handle":"avantone-ps1-pro-shield-studio-microphone-pop-filter","description":"\u003cp\u003eAvantone PS-1 Pro-Shield Studio Pop Filter\u003cbr\u003eIn pursuit of warm, detailed studio vocal recordings there is the constant battle with the \"plosives\"....like \"T\" , \"K\" , \"P\" etc....The Pro-Shield allows close work on a mic to capture a more intimate \/ full sound without overloading the capsule. The specially designed curved surface naturally follows the grill shape of studio mics for an efficient positioning that will yield optimum acoustic and aesthetic results. The piping protects against any sharp metal edges that could cause injuries.\u003cbr\u003eThe Pro-Shield is constructed with an acoustically transparent metal screen that yields sonically superb results in studio applications. High-frequency details pass through to be captured in full while blocking the invasive blasts. The flexible yet sturdy 9mm goose-neck and clamp assembly allows the Pro-Shield to be easily attached to any microphone stand or boom arm for precise positioning.\u003cbr\u003e \u003cbr\u003eFar superior to the traditional nylon mesh pop filters\u003cbr\u003eEasily cleans with soap and water to sterilize\u003cbr\u003eSturdy ALL METAL Construction\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-06-19T00:04:16+02:00","created_at":"2017-03-09T14:51:58+02:00","vendor":"Avantone Pro","type":"Accessories","tags":["Avantone Pro","Avantone Pro PS1","Microphone Accessories","Pop \u0026 Reflection Filters","Price Range_$25 to $50","Pro Audio","Recording","Shop by brand_Avantone Pro","Shop by category_Microphone Accessories"],"price":3400,"price_min":3400,"price_max":3400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33792943501,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"PS1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avantone Pro PS1 Shield Studio Microphone Pop Filter","public_title":null,"options":["Default Title"],"price":3400,"weight":320,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1015-0.jpg?v=1489063934","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1015-1.jpg?v=1489063946","\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1015-2.jpg?v=1489063955"],"featured_image":"\/\/cdn2.shopify.com\/s\/files\/1\/0292\/6125\/products\/1015-0.jpg?v=1489063934","options":["Title"],"content":"\u003cp\u003eAvantone PS-1 Pro-Shield Studio Pop Filter\u003cbr\u003eIn pursuit of warm, detailed studio vocal recordings there is the constant battle with the \"plosives\"....like \"T\" , \"K\" , \"P\" etc....The Pro-Shield allows close work on a mic to capture a more intimate \/ full sound without overloading the capsule. The specially designed curved surface naturally follows the grill shape of studio mics for an efficient positioning that will yield optimum acoustic and aesthetic results. The piping protects against any sharp metal edges that could cause injuries.\u003cbr\u003eThe Pro-Shield is constructed with an acoustically transparent metal screen that yields sonically superb results in studio applications. High-frequency details pass through to be captured in full while blocking the invasive blasts. The flexible yet sturdy 9mm goose-neck and clamp assembly allows the Pro-Shield to be easily attached to any microphone stand or boom arm for precise positioning.\u003cbr\u003e \u003cbr\u003eFar superior to the traditional nylon mesh pop filters\u003cbr\u003eEasily cleans with soap and water to sterilize\u003cbr\u003eSturdy ALL METAL Construction\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}