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{"id":117153857562,"title":"Best service Chris Hein Winds Complete","handle":"best-service-chris-hein-winds-complete","description":"\u003cp\u003e\u003cstrong\u003eBest service Chris Hein Winds Complete\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrchestral woodwinds for your computer in unheard perfection!\u003cbr\u003e\u003cbr\u003eChris Hein – Winds is an extensive woodwind library meeting the highest expectations in regard to sound, quality, expression and usability. The libraries instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.\u003cbr\u003eNow: Version 2 featuring the following impovements:\u003cbr\u003e\u003cbr\u003e    Tuning of almost all samples improved\u003cbr\u003e    Phase-Aligned samples improved\u003cbr\u003e    Resource demand drastically reduced\u003cbr\u003e    Legato Transitions improved\u003cbr\u003e    Transition Speed function optimized\u003cbr\u003e    Glide Mode-Slur for more realistic runs\u003cbr\u003e    Touch OSC MIDI remote control optimized\u003cbr\u003e    minor bug fixes\u003cbr\u003e\u003cbr\u003eChris Hein – Winds consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVol. 1     Vol. 2     Vol. 3     Vol. 4\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFlöten     Klarinetten     Oboen     Fagotte (Bassoon)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e    Flute Piccolo\u003cbr\u003e    C-Flute 1\u003cbr\u003e    C-Flute 2\u003cbr\u003e    Alto-Flute\u003cbr\u003e\u003cbr\u003e    Eb-Clarinet\u003cbr\u003e    Bb-Clarinet\u003cbr\u003e    Bass-Clarinet\u003cbr\u003e\u003cbr\u003e    Oboe  \u003cbr\u003e    Oboe D´Amore\u003cbr\u003e    English Horn\u003cbr\u003e    Basson\u003cbr\u003e    Bassoon Barock\u003cbr\u003e    Contra Bass\u003cbr\u003e\u003cbr\u003eChris Hein – Winds focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use.\u003cbr\u003e\u003cbr\u003eThe library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing left to be wished for – everything has been thought of! Naturally, the extensive amount of samples is handled by a powerful sample-engine, in this case Native Instruments´ Kontakt Player. Expect a custom tailored user-interface and extensive scripting to respect the specific requirements of the instruments presented.\u003cbr\u003e\u003cbr\u003eChris Hein – Winds lives up to the expectations of woodwind lovers as well as specialists in demand of outstanding samples, comprehensive details, a complete choice of articulations and a versatile adaption to specific workflows.\u003cbr\u003e\u003cbr\u003eThe instruments can be loaded as elaborated full sample-sets, offering all articulations ready to be played on the keyboard. On the other hand, thanks to the library´s modular concept, significantly reduced versions can be called up to keep load-times fast and memory requirements low. In clean-start configuration, only a sustain-set is loaded into memory. All other articulations and functions demanding additional memory and CPU-load can be loaded with a single click whenever needed. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003cbr\u003e\u003cbr\u003eChris Hein – Winds brings you orchestral woodwind sounds tailored to perfection. Besides careful recordings with high quality gear such as Neumann microphones, the musicians significantly influence the sound aesthetic. Unlike the award-winning Chris Hein – Horns, this library takes advantage of orchestra musicians being part of the renowned WDR Symphonic Orchestra.\u003cbr\u003e\u003cbr\u003eFor this library, dry close mic´ing was an intentional decision. All instruments have been recorded individually avoiding any crosstalk. However, Chris Hein – Winds factors in the inevitable interaction of orchestra musicians when creating their musical tone. Therefore, the corresponding musicians where given headphone monitoring, allowing them to play along to the other musicians. Therefore, time-dependent articulations such as Dynamic Expression receive an especial coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003cbr\u003e\u003cbr\u003eThe intentionally dry sound of Chris Hein – Winds allows efficient combination with the sample-engine´s dual convolution reverbs to adapt the instruments to various situations.  The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creation of any spatial environment, ranging from close intimacy to large orchestral halls. Here, Chris Hein – Winds differs significantly from the fixed spatial characteristics of many competitors. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnique functions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003ePerfect dynamic transitions thanks to phase alignment\u003cbr\u003e\u003cbr\u003eOver a research-period of six months, all samples have been fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnique combination of short and long notes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fail to deliver \u003cbr\u003eauthentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein – Winds addresses this aspect with its „Note Head Designer“. Here, along with each sustain-articulation six matching shorts sample variations (Shorts) can be called up using controls or MIDI-controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing realistic results that cannot be achieved using random round-robin based selections. Of course, the shorts are also available as individual articulations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrue Legato\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe instruments of Chris Hein – Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine selects the perfect note-transition from over 2,200 samples, resulting in legato-realism simply unheard until now. At the same time, it is aslo possible to add additional artificial legatos to these realistic combinations .\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLibrary extend\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe library´s performance-data directly reflect the immense investment of recordings and configuration possibilities. Each instrument builds upon almost 10,000 single samples, 14 articulations and up to eight dynamic layers. This makes Chris Hein – Winds the most in-depth-library of orchestral woodwinds currently available. The custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library´s sound character and articulations but also offers immense configuration choices to live up to specific demands and workflows. At the same time, the library can also be effectively played without any need for deep edits. 26 pre-programmed key-switch-presets at the lower part of the keyboard (A-1 to A#1) allow fast tryouts of all available types.\u003cbr\u003e\u003cbr\u003eThanks to four \"Dynamic Modes\", the \"Note-Head Designer\", \"Key-Vibrato\", \"Hot-Keys\" and the revolutionary concept of articulation-presets, the user-interface will give you the impression to really play these instruments live.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e    Main Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    13 Orchestral Woodwind Instruments\u003c\/li\u003e\n\u003cli\u003e    50 GB Content\u003c\/li\u003e\n\u003cli\u003e    130.000 Samples\u003c\/li\u003e\n\u003cli\u003e    13 Articulations\u003c\/li\u003e\n\u003cli\u003e    Up tTo 8 Dynamic Layers\u003c\/li\u003e\n\u003cli\u003e    Unique Phase-Align Technique\u003c\/li\u003e\n\u003cli\u003e    4 Dynamic Modes\u003c\/li\u003e\n\u003cli\u003e    Dynamic Expression Sustains\u003c\/li\u003e\n\u003cli\u003e    Note-Head Designer\u003c\/li\u003e\n\u003cli\u003e    Hot-Keys\u003c\/li\u003e\n\u003cli\u003e    Intelligent Legato\u003c\/li\u003e\n\u003cli\u003e    Glide-Mode to play realistic runs\u003c\/li\u003e\n\u003cli\u003e    10 built in DSP-Effects\u003c\/li\u003e\n\u003cli\u003e    2 independent Convolution Reverbs\u003c\/li\u003e\n\u003cli\u003e    63 high class impulse responses\u003c\/li\u003e\n\u003cli\u003e    Attack- \u0026amp; Release controls\u003c\/li\u003e\n\u003cli\u003e    Special Noise Controls\u003c\/li\u003e\n\u003cli\u003e    Ensemble Maker\u003c\/li\u003e\n\u003cli\u003e    Micro-Tuner\u003c\/li\u003e\n\u003cli\u003e    Adjustable Fader Settings in the UI\u003c\/li\u003e\n\u003cli\u003e    Intelligent LFO-Vibrato including EQ\u003c\/li\u003e\n\u003cli\u003e    Customizable Auto-Vibrato\u003c\/li\u003e\n\u003cli\u003e    Key-Vibrato\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRequirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWindows\u003c\/li\u003e\n\u003cli\u003eWindows 7, 8 or 10 (latest Service Pack, 32\/64-bit)\u003c\/li\u003e\n\u003cli\u003eIntel Core 2 Duo or AMD AthlonTM 64 X2, 4 GB RAM (6 GB recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMac OS X 10.10, 10.11 oder 10.12 (latest update)\u003c\/li\u003e\n\u003cli\u003eIntel Core 2 Duo, 4 GB RAM (6 GB recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003efor all\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    1GB free disc space for player installation\u003c\/li\u003e\n\u003cli\u003e    additional hard disc space according to the library size\u003c\/li\u003e\n\u003cli\u003e    internet connection for product activation 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service Chris Hein Winds Complete\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOrchestral woodwinds for your computer in unheard perfection!\u003cbr\u003e\u003cbr\u003eChris Hein – Winds is an extensive woodwind library meeting the highest expectations in regard to sound, quality, expression and usability. The libraries instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.\u003cbr\u003eNow: Version 2 featuring the following impovements:\u003cbr\u003e\u003cbr\u003e    Tuning of almost all samples improved\u003cbr\u003e    Phase-Aligned samples improved\u003cbr\u003e    Resource demand drastically reduced\u003cbr\u003e    Legato Transitions improved\u003cbr\u003e    Transition Speed function optimized\u003cbr\u003e    Glide Mode-Slur for more realistic runs\u003cbr\u003e    Touch OSC MIDI remote control optimized\u003cbr\u003e    minor bug fixes\u003cbr\u003e\u003cbr\u003eChris Hein – Winds consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVol. 1     Vol. 2     Vol. 3     Vol. 4\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eFlöten     Klarinetten     Oboen     Fagotte (Bassoon)\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e    Flute Piccolo\u003cbr\u003e    C-Flute 1\u003cbr\u003e    C-Flute 2\u003cbr\u003e    Alto-Flute\u003cbr\u003e\u003cbr\u003e    Eb-Clarinet\u003cbr\u003e    Bb-Clarinet\u003cbr\u003e    Bass-Clarinet\u003cbr\u003e\u003cbr\u003e    Oboe  \u003cbr\u003e    Oboe D´Amore\u003cbr\u003e    English Horn\u003cbr\u003e    Basson\u003cbr\u003e    Bassoon Barock\u003cbr\u003e    Contra Bass\u003cbr\u003e\u003cbr\u003eChris Hein – Winds focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use.\u003cbr\u003e\u003cbr\u003eThe library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing left to be wished for – everything has been thought of! Naturally, the extensive amount of samples is handled by a powerful sample-engine, in this case Native Instruments´ Kontakt Player. Expect a custom tailored user-interface and extensive scripting to respect the specific requirements of the instruments presented.\u003cbr\u003e\u003cbr\u003eChris Hein – Winds lives up to the expectations of woodwind lovers as well as specialists in demand of outstanding samples, comprehensive details, a complete choice of articulations and a versatile adaption to specific workflows.\u003cbr\u003e\u003cbr\u003eThe instruments can be loaded as elaborated full sample-sets, offering all articulations ready to be played on the keyboard. On the other hand, thanks to the library´s modular concept, significantly reduced versions can be called up to keep load-times fast and memory requirements low. In clean-start configuration, only a sustain-set is loaded into memory. All other articulations and functions demanding additional memory and CPU-load can be loaded with a single click whenever needed. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.\u003cbr\u003e\u003cbr\u003eChris Hein – Winds brings you orchestral woodwind sounds tailored to perfection. Besides careful recordings with high quality gear such as Neumann microphones, the musicians significantly influence the sound aesthetic. Unlike the award-winning Chris Hein – Horns, this library takes advantage of orchestra musicians being part of the renowned WDR Symphonic Orchestra.\u003cbr\u003e\u003cbr\u003eFor this library, dry close mic´ing was an intentional decision. All instruments have been recorded individually avoiding any crosstalk. However, Chris Hein – Winds factors in the inevitable interaction of orchestra musicians when creating their musical tone. Therefore, the corresponding musicians where given headphone monitoring, allowing them to play along to the other musicians. Therefore, time-dependent articulations such as Dynamic Expression receive an especial coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.\u003cbr\u003e\u003cbr\u003eThe intentionally dry sound of Chris Hein – Winds allows efficient combination with the sample-engine´s dual convolution reverbs to adapt the instruments to various situations.  The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creation of any spatial environment, ranging from close intimacy to large orchestral halls. Here, Chris Hein – Winds differs significantly from the fixed spatial characteristics of many competitors. It makes this library greatly variable and, additionally, combinable with almost any other library available.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnique functions\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003ePerfect dynamic transitions thanks to phase alignment\u003cbr\u003e\u003cbr\u003eOver a research-period of six months, all samples have been fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eUnique combination of short and long notes\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe combination of long and short notes is a major problem in sample-libraries, that often fail to deliver \u003cbr\u003eauthentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein – Winds addresses this aspect with its „Note Head Designer“. Here, along with each sustain-articulation six matching shorts sample variations (Shorts) can be called up using controls or MIDI-controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing realistic results that cannot be achieved using random round-robin based selections. Of course, the shorts are also available as individual articulations.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTrue Legato\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe instruments of Chris Hein – Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine selects the perfect note-transition from over 2,200 samples, resulting in legato-realism simply unheard until now. At the same time, it is aslo possible to add additional artificial legatos to these realistic combinations .\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLibrary extend\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe library´s performance-data directly reflect the immense investment of recordings and configuration possibilities. Each instrument builds upon almost 10,000 single samples, 14 articulations and up to eight dynamic layers. This makes Chris Hein – Winds the most in-depth-library of orchestral woodwinds currently available. The custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library´s sound character and articulations but also offers immense configuration choices to live up to specific demands and workflows. At the same time, the library can also be effectively played without any need for deep edits. 26 pre-programmed key-switch-presets at the lower part of the keyboard (A-1 to A#1) allow fast tryouts of all available types.\u003cbr\u003e\u003cbr\u003eThanks to four \"Dynamic Modes\", the \"Note-Head Designer\", \"Key-Vibrato\", \"Hot-Keys\" and the revolutionary concept of articulation-presets, the user-interface will give you the impression to really play these instruments live.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e    Main Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    13 Orchestral Woodwind Instruments\u003c\/li\u003e\n\u003cli\u003e    50 GB Content\u003c\/li\u003e\n\u003cli\u003e    130.000 Samples\u003c\/li\u003e\n\u003cli\u003e    13 Articulations\u003c\/li\u003e\n\u003cli\u003e    Up tTo 8 Dynamic Layers\u003c\/li\u003e\n\u003cli\u003e    Unique Phase-Align Technique\u003c\/li\u003e\n\u003cli\u003e    4 Dynamic Modes\u003c\/li\u003e\n\u003cli\u003e    Dynamic Expression Sustains\u003c\/li\u003e\n\u003cli\u003e    Note-Head Designer\u003c\/li\u003e\n\u003cli\u003e    Hot-Keys\u003c\/li\u003e\n\u003cli\u003e    Intelligent Legato\u003c\/li\u003e\n\u003cli\u003e    Glide-Mode to play realistic runs\u003c\/li\u003e\n\u003cli\u003e    10 built in DSP-Effects\u003c\/li\u003e\n\u003cli\u003e    2 independent Convolution Reverbs\u003c\/li\u003e\n\u003cli\u003e    63 high class impulse responses\u003c\/li\u003e\n\u003cli\u003e    Attack- \u0026amp; Release controls\u003c\/li\u003e\n\u003cli\u003e    Special Noise Controls\u003c\/li\u003e\n\u003cli\u003e    Ensemble Maker\u003c\/li\u003e\n\u003cli\u003e    Micro-Tuner\u003c\/li\u003e\n\u003cli\u003e    Adjustable Fader Settings in the UI\u003c\/li\u003e\n\u003cli\u003e    Intelligent LFO-Vibrato including EQ\u003c\/li\u003e\n\u003cli\u003e    Customizable Auto-Vibrato\u003c\/li\u003e\n\u003cli\u003e    Key-Vibrato\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eRequirements\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eWindows\u003c\/li\u003e\n\u003cli\u003eWindows 7, 8 or 10 (latest Service Pack, 32\/64-bit)\u003c\/li\u003e\n\u003cli\u003eIntel Core 2 Duo or AMD AthlonTM 64 X2, 4 GB RAM (6 GB recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMac\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMac OS X 10.10, 10.11 oder 10.12 (latest update)\u003c\/li\u003e\n\u003cli\u003eIntel Core 2 Duo, 4 GB RAM (6 GB recommended)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003efor all\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    1GB free disc space for player installation\u003c\/li\u003e\n\u003cli\u003e    additional hard disc space according to the library size\u003c\/li\u003e\n\u003cli\u003e    internet connection for product activation required (on any computer)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eSUPPORTED INTERFACES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e    Stand-Alone\u003c\/li\u003e\n\u003cli\u003e    VST\u003c\/li\u003e\n\u003cli\u003e    Audio Units\u003c\/li\u003e\n\u003cli\u003e    ASIO\u003c\/li\u003e\n\u003cli\u003e    CoreAudio\u003c\/li\u003e\n\u003cli\u003e    WASAPI\u003c\/li\u003e\n\u003cli\u003e    AAX Native (Pro Tools 10 or later)\u003c\/li\u003e\n\u003c\/ul\u003e"}

Best service Chris Hein Winds Complete

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Best service Chris Hein Winds Complete

Orchestral woodwinds for your computer in unheard perfection!

Chris Hein – Winds is an extensive woodwind library meeting the highest expectations in regard to sound, quality, expression and usability. The libraries instruments are based on painstakingly recorded and edited multisamples, with numerous articulations and up to eight dynamic layers. Producer Chris Hein has brought thirty years of sampling experience into this masterpiece, giving the user maximum flexibility and a high level of customization, while maintaining the ease of use.
Now: Version 2 featuring the following impovements:

    Tuning of almost all samples improved
    Phase-Aligned samples improved
    Resource demand drastically reduced
    Legato Transitions improved
    Transition Speed function optimized
    Glide Mode-Slur for more realistic runs
    Touch OSC MIDI remote control optimized
    minor bug fixes

Chris Hein – Winds consists of four individual volumes, also being available separately or combined in a bundled complete version. The library contains a total of 13 instruments: four transverse flutes, three clarinets, three oboes and three bassoons.

Vol. 1     Vol. 2     Vol. 3     Vol. 4
Flöten     Klarinetten     Oboen     Fagotte (Bassoon)

    Flute Piccolo
    C-Flute 1
    C-Flute 2
    Alto-Flute

    Eb-Clarinet
    Bb-Clarinet
    Bass-Clarinet

    Oboe  
    Oboe D´Amore
    English Horn
    Basson
    Bassoon Barock
    Contra Bass

Chris Hein – Winds focuses on orchestral woodwind sounds maximum flexibility, while maintaining the ease of use.

The library is arbitrarily configurable to embrace individual workflow techniques and demands of different producers. The available options and solutions take care of almost every practical application, leaving almost nothing left to be wished for – everything has been thought of! Naturally, the extensive amount of samples is handled by a powerful sample-engine, in this case Native Instruments´ Kontakt Player. Expect a custom tailored user-interface and extensive scripting to respect the specific requirements of the instruments presented.

Chris Hein – Winds lives up to the expectations of woodwind lovers as well as specialists in demand of outstanding samples, comprehensive details, a complete choice of articulations and a versatile adaption to specific workflows.

The instruments can be loaded as elaborated full sample-sets, offering all articulations ready to be played on the keyboard. On the other hand, thanks to the library´s modular concept, significantly reduced versions can be called up to keep load-times fast and memory requirements low. In clean-start configuration, only a sustain-set is loaded into memory. All other articulations and functions demanding additional memory and CPU-load can be loaded with a single click whenever needed. This allows fluent and efficient work, even on compact and mobile production systems with less powerful specifications.

Chris Hein – Winds brings you orchestral woodwind sounds tailored to perfection. Besides careful recordings with high quality gear such as Neumann microphones, the musicians significantly influence the sound aesthetic. Unlike the award-winning Chris Hein – Horns, this library takes advantage of orchestra musicians being part of the renowned WDR Symphonic Orchestra.

For this library, dry close mic´ing was an intentional decision. All instruments have been recorded individually avoiding any crosstalk. However, Chris Hein – Winds factors in the inevitable interaction of orchestra musicians when creating their musical tone. Therefore, the corresponding musicians where given headphone monitoring, allowing them to play along to the other musicians. Therefore, time-dependent articulations such as Dynamic Expression receive an especial coherent tone, allowing you to combine individual instruments to perfectly matched ensembles.

The intentionally dry sound of Chris Hein – Winds allows efficient combination with the sample-engine´s dual convolution reverbs to adapt the instruments to various situations.  The Kontakt Player allows a free instrument-placement in the stereo panorama. Separate convolution engines for the corpus-sound (body) and the ambience (room) allow creation of any spatial environment, ranging from close intimacy to large orchestral halls. Here, Chris Hein – Winds differs significantly from the fixed spatial characteristics of many competitors. It makes this library greatly variable and, additionally, combinable with almost any other library available.

Unique functions

Perfect dynamic transitions thanks to phase alignment

Over a research-period of six months, all samples have been fully aligned in phase. Accordingly, the instruments offer perfect seamless transitions of dynamic layers without sonic degradation.

Unique combination of short and long notes

The combination of long and short notes is a major problem in sample-libraries, that often fail to deliver
authentic sounding results. With real musical instruments, the note length often influences the attack behavior as well as the note end. Chris Hein – Winds addresses this aspect with its „Note Head Designer“. Here, along with each sustain-articulation six matching shorts sample variations (Shorts) can be called up using controls or MIDI-controllers. These Shorts not only offer the corresponding correct attack-behavior but also a note-end that perfectly matches the note length. These user-defined selections of short-note-variations are available in eight dynamic layers each and can be combined with the corresponding sustained phases, leading to astonishing realistic results that cannot be achieved using random round-robin based selections. Of course, the shorts are also available as individual articulations.

True Legato

The instruments of Chris Hein – Winds offer true legato in up to four dynamic layers. For example, while playing the French Horn, the sample-engine selects the perfect note-transition from over 2,200 samples, resulting in legato-realism simply unheard until now. At the same time, it is aslo possible to add additional artificial legatos to these realistic combinations .

Library extend

The library´s performance-data directly reflect the immense investment of recordings and configuration possibilities. Each instrument builds upon almost 10,000 single samples, 14 articulations and up to eight dynamic layers. This makes Chris Hein – Winds the most in-depth-library of orchestral woodwinds currently available. The custom-tailored user-interface of the Kontakt Player not only offers numerous functions to adapt the library´s sound character and articulations but also offers immense configuration choices to live up to specific demands and workflows. At the same time, the library can also be effectively played without any need for deep edits. 26 pre-programmed key-switch-presets at the lower part of the keyboard (A-1 to A#1) allow fast tryouts of all available types.

Thanks to four "Dynamic Modes", the "Note-Head Designer", "Key-Vibrato", "Hot-Keys" and the revolutionary concept of articulation-presets, the user-interface will give you the impression to really play these instruments live.


    Main Features

  •     13 Orchestral Woodwind Instruments
  •     50 GB Content
  •     130.000 Samples
  •     13 Articulations
  •     Up tTo 8 Dynamic Layers
  •     Unique Phase-Align Technique
  •     4 Dynamic Modes
  •     Dynamic Expression Sustains
  •     Note-Head Designer
  •     Hot-Keys
  •     Intelligent Legato
  •     Glide-Mode to play realistic runs
  •     10 built in DSP-Effects
  •     2 independent Convolution Reverbs
  •     63 high class impulse responses
  •     Attack- & Release controls
  •     Special Noise Controls
  •     Ensemble Maker
  •     Micro-Tuner
  •     Adjustable Fader Settings in the UI
  •     Intelligent LFO-Vibrato including EQ
  •     Customizable Auto-Vibrato
  •     Key-Vibrato

Requirements

  • Windows
  • Windows 7, 8 or 10 (latest Service Pack, 32/64-bit)
  • Intel Core 2 Duo or AMD AthlonTM 64 X2, 4 GB RAM (6 GB recommended)


Mac

  • Mac OS X 10.10, 10.11 oder 10.12 (latest update)
  • Intel Core 2 Duo, 4 GB RAM (6 GB recommended)


for all

  •     1GB free disc space for player installation
  •     additional hard disc space according to the library size
  •     internet connection for product activation required (on any computer)


SUPPORTED INTERFACES

  •     Stand-Alone
  •     VST
  •     Audio Units
  •     ASIO
  •     CoreAudio
  •     WASAPI
  •     AAX Native (Pro Tools 10 or later)
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