{"id":8347148289,"title":"Grace Design m801 high fidelity 8 channnel mic preamplifier","handle":"m801-high-fidelity-8-channnel-mic-preamplifier","description":"\u003cp class=\"p1\"\u003eTransformerless, transparent microphone preamplification for all critical recording applications\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIntroduced in 1995, the model 801 microphone preamplifier was slightly ahead of its time. But as digital audio workstations soon flooded the industry, an accompanying high performance 8 channel mic preamplifier suddenly made perfect sense. So the model 801 quickly became an industry standard, which remains inimitable and unsurpassed.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMany years later, with a nearly flawless service record and an endless supply of critical acclaim, the model 801 gets a much deserved update, including an updated audio path, a new chassis forged of stainless steel and a slightly new name: the m801.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFirst and foremost, the new m801 delivers unmatched audio performance – with massive headroom and ultra-wide bandwidth which contribute to a markedly open, musical character. The m801 is designed to effortlessly resolve even the lowest level ambient information, resulting in a sonic picture of astonishing clarity and detail, which serves to capture the essential character of the music being recorded.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe m801’s signal path has been hot-rodded to be fully balanced from start to finish, resulting in wider dynamic range, while new higher current output drivers enable even longer cable runs without signal loss.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNow included on each channel is a dedicated ribbon microphone switch, which shifts the preamplifier’s entire gain range up 10dB, while deactivating 48V phantom power, optimizing input impedance and bypassing the decoupling capacitors. And, we’ve added an additional set of 8 channel balanced outputs for sending signals to a secondary recorder, workstation or console.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach channel offers 48V phantom, phase reverse and a 20dB pad. Gain controls are our finest 24 position gold contact rotary switches, wired with 1% metal film resistors for maximum audio performance and perfect resetability. All components, active and passive, are selected for pure audio performance and long term reliability. No corners are cut and no compromises are made.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile its predecessor now takes its place in pro audio history, the new m801 faithfully furthers the tradition of breathtaking audio performance and perfect reliability in a beautiful, functional 8 channel package.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cli class=\"bullets\"\u003efully balanced, transformerless design\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eall new, higher-current outputs drive even longer cable runs\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eribbon mic mode switch on each channel\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003efast, musical transimpedance amplifier architecture\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eprecision 24 position gold contact rotary switch gain controls\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e48V phantom power, 20 dB pad and phase reverse\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eno electrolytic capacitors in the signal path\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003esealed gold contact relays for all signal switching\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eall electrical and mechanical design elements maximized for absolute purist, audiophile\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eperformance\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003elarge two color LED peak indicator\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eregulated linear power supply with custom wound toroidal transformer\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003ehighest quality metal film resistors used throughout\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e20 year EON transferable warranty on parts and labor\u003c\/li\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"833\" border=\"0\" align=\"center\" cellpadding=\"0\" cellspacing=\"2\"\u003e\n\u003ctbody\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eFREQUENCY RESPONSE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"418\" class=\"specs\"\u003e@ 40dB gain 3dB 50\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e source\u003c\/td\u003e\n\u003ctd width=\"348\" class=\"specsLeft\"\u003e4.5Hz-350KHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@ 40dB gain 0.2dB 50\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e source\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e18Hz-65KHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eTHD+N\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@ 20dB gain +20dBu out, 1kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;.0008%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@ 40dB gain +20dBu out, 1kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;.0009%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@ 60dB gain +20dBu out, 1kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;.0070%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eINTERMODULATION DISTORTION\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@40dB gain +20dBu out\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\n\u003cdiv align=\"right\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eSMPTE\/DIN 1:1 (50Hz, 7kHz)\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;.0020%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eSMPTE\/DIN 4:1 (50Hz, 7kHz)\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;.0030%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eNOISE - REFERRED TO INPUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@60dB gain 50\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e source\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e-130dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@60dB gain 150\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e source\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e-127dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@60dB gain 600\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e source\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e-123dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003ePHASE DEVIATION\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e100-20KHz @40dB gain\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eCROSSTALK\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eAny Channel @40dB gain 1kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e-140dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eAny Channel @40dB gain 10kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e-130dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eCMRR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@60dB gain, 3.5Vcm, 1KHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026gt;70dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@60dB gain, 3.5Vcm, 10KHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026gt;70dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003ePHANTOM POWER\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eVoltage +48V\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e+0.9\/ -0.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e6.8k\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e resistor match tolerance\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e+\/- 0.1%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eMAXIMUM OUTPUT LEVEL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e1kHz, 100KOhm load\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e+28dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eIMPEDANCE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eInput\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e8100Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eInput, ribbon mode\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e20KΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eOutput\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e190Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eDIMENSIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e15lbs (6.8kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eHeight\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e2U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eWidth\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e19\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eDepth\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003em801 POWER SUPPLY SPECIFICATIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003ePOWER CONSUMPTION\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e100-240VAC 50\/60Hz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e60 Watts max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eDIMENSIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e6.25lbs (2.8kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eHeight\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e1.7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eWidth\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e8.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eDepth\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e8.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2016-10-29T07:25:00+02:00","created_at":"2016-10-29T07:42:14+02:00","vendor":"Grace Design","type":"Microphone Preamps","tags":["Grace Design","Preamps","Preamps \u0026 Channel Strips","Price Range_$3000 and Over","Shop by brand_Grace Design","Shop by category_Channel Strips","Shop by category_Preamps","Studio \u0026 Recording"],"price":474500,"price_min":474500,"price_max":474500,"available":true,"price_varies":false,"compare_at_price":499500,"compare_at_price_min":499500,"compare_at_price_max":499500,"compare_at_price_varies":false,"variants":[{"id":28056046017,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"AM801","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Grace Design m801 high fidelity 8 channnel mic preamplifier","public_title":null,"options":["Default Title"],"price":474500,"weight":6804,"compare_at_price":499500,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m801_main.jpg?v=1477720318","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Grace_m801_inside.jpg?v=1477720324","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m801_backpanel.jpg?v=1477720345","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m801_detail2.jpg?v=1477720351"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/m801_main.jpg?v=1477720318","options":["Title"],"content":"\u003cp class=\"p1\"\u003eTransformerless, transparent microphone preamplification for all critical recording applications\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIntroduced in 1995, the model 801 microphone preamplifier was slightly ahead of its time. But as digital audio workstations soon flooded the industry, an accompanying high performance 8 channel mic preamplifier suddenly made perfect sense. So the model 801 quickly became an industry standard, which remains inimitable and unsurpassed.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMany years later, with a nearly flawless service record and an endless supply of critical acclaim, the model 801 gets a much deserved update, including an updated audio path, a new chassis forged of stainless steel and a slightly new name: the m801.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFirst and foremost, the new m801 delivers unmatched audio performance – with massive headroom and ultra-wide bandwidth which contribute to a markedly open, musical character. The m801 is designed to effortlessly resolve even the lowest level ambient information, resulting in a sonic picture of astonishing clarity and detail, which serves to capture the essential character of the music being recorded.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe m801’s signal path has been hot-rodded to be fully balanced from start to finish, resulting in wider dynamic range, while new higher current output drivers enable even longer cable runs without signal loss.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNow included on each channel is a dedicated ribbon microphone switch, which shifts the preamplifier’s entire gain range up 10dB, while deactivating 48V phantom power, optimizing input impedance and bypassing the decoupling capacitors. And, we’ve added an additional set of 8 channel balanced outputs for sending signals to a secondary recorder, workstation or console.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach channel offers 48V phantom, phase reverse and a 20dB pad. Gain controls are our finest 24 position gold contact rotary switches, wired with 1% metal film resistors for maximum audio performance and perfect resetability. All components, active and passive, are selected for pure audio performance and long term reliability. No corners are cut and no compromises are made.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile its predecessor now takes its place in pro audio history, the new m801 faithfully furthers the tradition of breathtaking audio performance and perfect reliability in a beautiful, functional 8 channel package.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cli class=\"bullets\"\u003efully balanced, transformerless design\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eall new, higher-current outputs drive even longer cable runs\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eribbon mic mode switch on each channel\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003efast, musical transimpedance amplifier architecture\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eprecision 24 position gold contact rotary switch gain controls\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e48V phantom power, 20 dB pad and phase reverse\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eno electrolytic capacitors in the signal path\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003esealed gold contact relays for all signal switching\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eall electrical and mechanical design elements maximized for absolute purist, audiophile\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eperformance\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003elarge two color LED peak indicator\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003eregulated linear power supply with custom wound toroidal transformer\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003ehighest quality metal film resistors used throughout\u003c\/li\u003e\n\u003cli class=\"bullets\"\u003e20 year EON transferable warranty on parts and labor\u003c\/li\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications:\u003c\/strong\u003e\u003c\/p\u003e\n\u003ctable width=\"833\" border=\"0\" align=\"center\" cellpadding=\"0\" cellspacing=\"2\"\u003e\n\u003ctbody\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eFREQUENCY RESPONSE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"418\" class=\"specs\"\u003e@ 40dB gain 3dB 50\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e source\u003c\/td\u003e\n\u003ctd width=\"348\" class=\"specsLeft\"\u003e4.5Hz-350KHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@ 40dB gain 0.2dB 50\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e source\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e18Hz-65KHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eTHD+N\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@ 20dB gain +20dBu out, 1kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;.0008%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@ 40dB gain +20dBu out, 1kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;.0009%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@ 60dB gain +20dBu out, 1kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;.0070%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eINTERMODULATION DISTORTION\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@40dB gain +20dBu out\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\n\u003cdiv align=\"right\"\u003e\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eSMPTE\/DIN 1:1 (50Hz, 7kHz)\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;.0020%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eSMPTE\/DIN 4:1 (50Hz, 7kHz)\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;.0030%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eNOISE - REFERRED TO INPUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@60dB gain 50\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e source\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e-130dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@60dB gain 150\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e source\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e-127dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@60dB gain 600\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e source\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e-123dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003ePHASE DEVIATION\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e100-20KHz @40dB gain\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026lt;3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eCROSSTALK\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eAny Channel @40dB gain 1kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e-140dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eAny Channel @40dB gain 10kHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e-130dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eCMRR\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@60dB gain, 3.5Vcm, 1KHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026gt;70dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e@60dB gain, 3.5Vcm, 10KHz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e\u0026gt;70dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003ePHANTOM POWER\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eVoltage +48V\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e+0.9\/ -0.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e6.8k\u003cspan class=\"specsLeft\"\u003eΩ\u003c\/span\u003e resistor match tolerance\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e+\/- 0.1%\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eMAXIMUM OUTPUT LEVEL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e1kHz, 100KOhm load\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e+28dBu\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eIMPEDANCE\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eInput\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e8100Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eInput, ribbon mode\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e20KΩ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eOutput\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e190Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eDIMENSIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e15lbs (6.8kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eHeight\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e2U\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eWidth\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e19\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eDepth\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e10\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003em801 POWER SUPPLY SPECIFICATIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003ePOWER CONSUMPTION\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003e100-240VAC 50\/60Hz\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e60 Watts max\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr bgcolor=\"#D3D3D3\" class=\"specs\"\u003e\n\u003ctd colspan=\"2\"\u003eDIMENSIONS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eWeight\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e6.25lbs (2.8kg)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eHeight\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e1.7\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eWidth\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e8.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"specs\"\u003eDepth\u003c\/td\u003e\n\u003ctd class=\"specsLeft\"\u003e8.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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{"id":244920221722,"title":"Warm Audio WA73 British Microphone Preamp","handle":"warm-audio-wa73-british-microphone-preamp","description":"A '73 For The Rest Of Us\u003cbr\u003eIf there’s one preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for the last 50+ years, it would most definitely be the venerable 1073. The 1073 has been massively used in recording and live applications for decades and is still considered to be the “Holy Grail” of preamps today. The Warm Audio “WA73 Family” provides single and dual channel re-creations of this classic British preamp (with \u0026amp; w\/out EQ), that each pay careful and humble homage to the original circuit.\u003cbr\u003e\u003cbr\u003eWhen we at Warm Audio decided to release the WA73 it was imperative to us that the products pay respectful homage to the sacred British console history in both design and performance. The tone and sweet character that the vintage units impart is so unique and familiar, that we had only the pure desire to release truly sonic accurate replicas. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73 has been born!\u003cbr\u003e\u003cbr\u003eThe WA73 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73 can’t handle.\u003cbr\u003e\u003cbr\u003eUK Custom Carnhill Transformers\u003cbr\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits. The signal transformers are a common topic of conversation. The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar. Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day 1073-style preamp sound as close to the early vintage 1073 design as does our WA73 with these beautiful custom Transformers.\u003cbr\u003e\u003cbr\u003eHand Wired \u0026amp; Hand Assembled\u003cbr\u003eThe classic 1073 was hand-wired and so is the WA73! Guru’s claim that a portion of the 1073’s classic tone can be attributed to the hand-wired nature of the build. The WA73 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003cbr\u003e\u003cbr\u003eCapacitors \u0026amp; Signal Path\u003cbr\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.\u003cbr\u003e\u003cbr\u003eSpecifications\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSingle Channel, Class A, 1073-style British Microphone Preamp\u003c\/li\u003e\n\u003cli\u003eUK made Carnhill Transformers\u003c\/li\u003e\n\u003cli\u003eHand wired, hand assembled\u003c\/li\u003e\n\u003cli\u003e80dB of gain - resistor stepped gain switch\u003c\/li\u003e\n\u003cli\u003eFully discrete\u003c\/li\u003e\n\u003cli\u003eTONE button - Changes input transformer impedance for varying tone\u003c\/li\u003e\n\u003cli\u003ePolarity switch\u003c\/li\u003e\n\u003cli\u003e48v phantom power\u003c\/li\u003e\n\u003cli\u003e4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/li\u003e\n\u003cli\u003eXLR mic input\u003c\/li\u003e\n\u003cli\u003eLine level TRS input\u003c\/li\u003e\n\u003cli\u003eTS Send\/Receive insert jacks\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS line level outputs\u003c\/li\u003e\n\u003cli\u003eDirect In, instrument input\u003c\/li\u003e\n\u003cli\u003eOutput control\u003c\/li\u003e\n\u003cli\u003eLed level indication\u003c\/li\u003e\n\u003cli\u003e19\" rackable\u003c\/li\u003e\n\u003cli\u003eGround lift switch\u003c\/li\u003e\n\u003cli\u003eInternal IEC 115v\/230v power inlet\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-12-25T01:42:18+02:00","created_at":"2017-12-25T01:53:44+02:00","vendor":"Warm Audio","type":"Mic Preamp","tags":["Preamps","Preamps \u0026 Channel Strips","Price Range_$500 to $750","Shop by brand_Warm Audio","Shop by category_Preamps","Studio \u0026 Recording","Warm Audio"],"price":59900,"price_min":59900,"price_max":59900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3303807942682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WA73","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA73 British Microphone Preamp","public_title":null,"options":["Default Title"],"price":59900,"weight":0,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":"713541493155"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_b33d3e5ce9f74d7db3135e571204cb54_mv2.jpg?v=1514160038","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_e7675f0c04e245bb9a262d9a4eca7fdc_mv2.jpg?v=1514160038","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_8a32ed2d03da4482a9c33917476aca6c_mv2.jpg?v=1514160038","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_6786ab1c6906474ca5545808b87813db_mv2.jpg?v=1514160038"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_b33d3e5ce9f74d7db3135e571204cb54_mv2.jpg?v=1514160038","options":["Title"],"content":"A '73 For The Rest Of Us\u003cbr\u003eIf there’s one preamp that professional engineers would unanimously agree has defined the tone of pop\/rock records for the last 50+ years, it would most definitely be the venerable 1073. The 1073 has been massively used in recording and live applications for decades and is still considered to be the “Holy Grail” of preamps today. The Warm Audio “WA73 Family” provides single and dual channel re-creations of this classic British preamp (with \u0026amp; w\/out EQ), that each pay careful and humble homage to the original circuit.\u003cbr\u003e\u003cbr\u003eWhen we at Warm Audio decided to release the WA73 it was imperative to us that the products pay respectful homage to the sacred British console history in both design and performance. The tone and sweet character that the vintage units impart is so unique and familiar, that we had only the pure desire to release truly sonic accurate replicas. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73 has been born!\u003cbr\u003e\u003cbr\u003eThe WA73 is a “Desert Island” boutique preamp, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73 equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain and a fully discrete Carnhill Transformer balanced signal path, there’s no recording, mixing or engineering task that the WA73 can’t handle.\u003cbr\u003e\u003cbr\u003eUK Custom Carnhill Transformers\u003cbr\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits. The signal transformers are a common topic of conversation. The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar. Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day 1073-style preamp sound as close to the early vintage 1073 design as does our WA73 with these beautiful custom Transformers.\u003cbr\u003e\u003cbr\u003eHand Wired \u0026amp; Hand Assembled\u003cbr\u003eThe classic 1073 was hand-wired and so is the WA73! Guru’s claim that a portion of the 1073’s classic tone can be attributed to the hand-wired nature of the build. The WA73 is hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003cbr\u003e\u003cbr\u003eCapacitors \u0026amp; Signal Path\u003cbr\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.\u003cbr\u003e\u003cbr\u003eSpecifications\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSingle Channel, Class A, 1073-style British Microphone Preamp\u003c\/li\u003e\n\u003cli\u003eUK made Carnhill Transformers\u003c\/li\u003e\n\u003cli\u003eHand wired, hand assembled\u003c\/li\u003e\n\u003cli\u003e80dB of gain - resistor stepped gain switch\u003c\/li\u003e\n\u003cli\u003eFully discrete\u003c\/li\u003e\n\u003cli\u003eTONE button - Changes input transformer impedance for varying tone\u003c\/li\u003e\n\u003cli\u003ePolarity switch\u003c\/li\u003e\n\u003cli\u003e48v phantom power\u003c\/li\u003e\n\u003cli\u003e4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/li\u003e\n\u003cli\u003eXLR mic input\u003c\/li\u003e\n\u003cli\u003eLine level TRS input\u003c\/li\u003e\n\u003cli\u003eTS Send\/Receive insert jacks\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS line level outputs\u003c\/li\u003e\n\u003cli\u003eDirect In, instrument input\u003c\/li\u003e\n\u003cli\u003eOutput control\u003c\/li\u003e\n\u003cli\u003eLed level indication\u003c\/li\u003e\n\u003cli\u003e19\" rackable\u003c\/li\u003e\n\u003cli\u003eGround lift switch\u003c\/li\u003e\n\u003cli\u003eInternal IEC 115v\/230v power inlet\u003c\/li\u003e\n\u003c\/ul\u003e"}
Warm Audio WA73 British Microphone Preamp
$599.00
A '73 For The Rest Of UsIf there’s one preamp that professional engineers would unanimously agree has defined the tone of pop/rock records for the last 50+ years, it would most definitely be the venerable 1073. The 1073 has been massively used in recording and live applications for decades and is still considered to be the “Holy Grail” of preamp...
{"id":244777123866,"title":"Warm Audio WA73-EQ British Microphone Preamp \u0026 EQ","handle":"warm-audio-wa73-eq-british-microphone-preamp-eq","description":"A '73 For The Rest Of Us\u003cbr\u003eIf there’s one preamp-eq that professional engineers would unanimously agree has defined the tone of pop\/rock records for the last 50+ years, it would most definitely be the venerable 1073. The 1073 has been massively used in recording and live applications for decades and is still considered to be the “Holy Grail” of preamp-eq’s today. The Warm Audio “WA73 Family” provides single and dual channel re-creations of this classic British preamp (with \u0026amp; w\/out EQ), that each pay careful and humble homage to the original circuit.\u003cbr\u003e\u003cbr\u003eWhen we at Warm Audio decided to release the WA73-EQ it was imperative that the products pay respectful homage to the sacred British console history in both design and performance. The tone and sweet character that the vintage units impart is so unique and familiar, that we had only the pure desire to release truly sonic accurate replicas. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73-EQ has been born!\u003cbr\u003e\u003cbr\u003eThe WA73-EQ is a “Desert Island” boutique preamp-eq, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked well with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain, a fully discrete Carnhill Transformer balanced signal path, and versatile 3 band inductor EQ, there’s no recording, mixing or engineering task the WA73-EQ can’t handle.\u003cbr\u003eSpecifications\u003cbr\u003eVideo Gallery\u003cbr\u003eUK Custom Carnhill Transformers\u003cbr\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits. The signal transformers are a common topic of conversation. The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar. Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day 1073-style preamp sound as close to the early vintage 1073 design as does our WA73-EQ with these beautiful custom Transformers.\u003cbr\u003eHand Wired \u0026amp; Hand Assembled\u003cbr\u003eThe classic 1073 was hand-wired and so is the WA73-EQ. Guru’s claim that a portion of the 1073’s classic tone can be attributed to the hand-wired nature of the build. The WA73-EQ is authentically hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003cbr\u003e\u003cbr\u003eUK Custom Carnhill Transformers\u003cbr\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits. The signal transformers are a common topic of conversation. The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar. Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day 1073-style preamp sound as close to the early vintage 1073 design as does our WA73-EQ with these beautiful custom Transformers.\u003cbr\u003eHand Wired \u0026amp; Hand Assembled\u003cbr\u003eThe classic 1073 was hand-wired and so is the WA73-EQ. Guru’s claim that a portion of the 1073’s classic tone can be attributed to the hand-wired nature of the build. The WA73-EQ is authentically hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003cbr\u003e\u003cbr\u003eLISTENING ROOM\u003cbr\u003eCapacitors \u0026amp; Signal Path\u003cbr\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.\u003cbr\u003e\u003cbr\u003eUK Blore Edwards Switch-Pots\u003cbr\u003eA great sounding 1073-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ section of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a 1073-style preamp-eq in this price range.\u003cbr\u003e\u003cbr\u003eSpecifications\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSingle Channel, Class A, 1073-style British Microphone Preamp with EQ\u003c\/li\u003e\n\u003cli\u003eUK made Carnhill Transformers\u003c\/li\u003e\n\u003cli\u003eUK made - Blore Edwards EQ dual-concentric switch potentiometers\u003c\/li\u003e\n\u003cli\u003eHand Wired, hand assembled\u003c\/li\u003e\n\u003cli\u003e80dB of gain - resistor stepped gain switch\u003c\/li\u003e\n\u003cli\u003eFully discrete \u003c\/li\u003e\n\u003cli\u003eTONE button - Changes input transformer impedance for varying tone\u003c\/li\u003e\n\u003cli\u003ePolarity switch\u003c\/li\u003e\n\u003cli\u003e48v phantom power\u003c\/li\u003e\n\u003cli\u003eInductor based 3 band EQ\u003c\/li\u003e\n\u003cli\u003eLow Band Boost\/Cut - 35, 60, 110, 220 Hz\u003c\/li\u003e\n\u003cli\u003eMid Band Boost\/Cut - 360, 700, 1600, 3200, 4800, 7200 Hz\u003c\/li\u003e\n\u003cli\u003eHigh Band Boost\/Cut - 10, 12, 16 kHz\u003c\/li\u003e\n\u003cli\u003eAdditional high band frequency EQ points added (compared to vintage 1073)\u003c\/li\u003e\n\u003cli\u003e4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/li\u003e\n\u003cli\u003eXLR mic inputs (front \u0026amp; back)\u003c\/li\u003e\n\u003cli\u003eLine level TRS input\u003c\/li\u003e\n\u003cli\u003eTS Send\/Receive insert jacks\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS line level outputs\u003c\/li\u003e\n\u003cli\u003eDirect In, instrument input\u003c\/li\u003e\n\u003cli\u003eOutput control\u003c\/li\u003e\n\u003cli\u003eLed level indication\u003c\/li\u003e\n\u003cli\u003eFreq response 20Hz - 20kHz +\/-.5 dB\u003c\/li\u003e\n\u003cli\u003e19\" rackable\u003c\/li\u003e\n\u003cli\u003eInternal IEC 115v\/230v power inlet\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-12-25T00:06:26+02:00","created_at":"2017-12-25T00:32:05+02:00","vendor":"Warm Audio","type":"Preamps","tags":["Preamps","Preamps \u0026 Channel Strips","Price Range_$750 to $1000","Shop by brand_Warm Audio","Shop by category_Preamps","Studio \u0026 Recording","Warm Audio"],"price":79900,"price_min":79900,"price_max":79900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":3303636598810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WA73-EQ","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA73-EQ British Microphone Preamp \u0026 EQ","public_title":null,"options":["Default Title"],"price":79900,"weight":0,"compare_at_price":null,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":"713541493162"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_70dc7f730ba246339a6b83a19ba47639_mv2.jpg?v=1514155238","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_f561b77aed0e4b79a555a4c611a41bfe_mv2.jpg?v=1514155238","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_3bd6f87e657e4af09fc65b349a2b52a6_mv2.jpg?v=1514155238","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_9ee3a6ee05cb4ebd917f00c95428824f_mv2.jpg?v=1514155238"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_70dc7f730ba246339a6b83a19ba47639_mv2.jpg?v=1514155238","options":["Title"],"content":"A '73 For The Rest Of Us\u003cbr\u003eIf there’s one preamp-eq that professional engineers would unanimously agree has defined the tone of pop\/rock records for the last 50+ years, it would most definitely be the venerable 1073. The 1073 has been massively used in recording and live applications for decades and is still considered to be the “Holy Grail” of preamp-eq’s today. The Warm Audio “WA73 Family” provides single and dual channel re-creations of this classic British preamp (with \u0026amp; w\/out EQ), that each pay careful and humble homage to the original circuit.\u003cbr\u003e\u003cbr\u003eWhen we at Warm Audio decided to release the WA73-EQ it was imperative that the products pay respectful homage to the sacred British console history in both design and performance. The tone and sweet character that the vintage units impart is so unique and familiar, that we had only the pure desire to release truly sonic accurate replicas. After years of R\u0026amp;D, careful reverse-engineering, and countless hours of auditioning, the WA73-EQ has been born!\u003cbr\u003e\u003cbr\u003eThe WA73-EQ is a “Desert Island” boutique preamp-eq, but it can also be classified as a studio and live work-horse. The classic 1073 was known for being a versatile tool that worked well with all kinds of microphones from Condenser, to Dynamic, to Ribbon. The WA73-EQ equally shines on all types of microphones and sources including; vocals, acoustic\/electric guitars, bass, drums, percussion, orchestras, keyboards, and even as a tone shaping tool to run partial or complete mixes through. With 80dB of gain, a fully discrete Carnhill Transformer balanced signal path, and versatile 3 band inductor EQ, there’s no recording, mixing or engineering task the WA73-EQ can’t handle.\u003cbr\u003eSpecifications\u003cbr\u003eVideo Gallery\u003cbr\u003eUK Custom Carnhill Transformers\u003cbr\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits. The signal transformers are a common topic of conversation. The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar. Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day 1073-style preamp sound as close to the early vintage 1073 design as does our WA73-EQ with these beautiful custom Transformers.\u003cbr\u003eHand Wired \u0026amp; Hand Assembled\u003cbr\u003eThe classic 1073 was hand-wired and so is the WA73-EQ. Guru’s claim that a portion of the 1073’s classic tone can be attributed to the hand-wired nature of the build. The WA73-EQ is authentically hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003cbr\u003e\u003cbr\u003eUK Custom Carnhill Transformers\u003cbr\u003e1073 enthusiasts unequivocally get excited about the component history in these classic circuits. The signal transformers are a common topic of conversation. The classic vintage units used various versions of transformers throughout the years, and the most coveted were the very first versions made by Marinair Radar. Marinair Radar Transformers are regarded as the most desirable 1073 choice due to their fluid and forgiving nature. They saturate sweetly when pushed, and have been known to make engineers cry when they hear how beautiful their mixes sound through them! Warm Audio worked closely with Carnhill Transformers of Cambridgeshire, UK, to design faithful replicas of these most coveted, early version transformers. We at Warm Audio have not yet heard a modern day 1073-style preamp sound as close to the early vintage 1073 design as does our WA73-EQ with these beautiful custom Transformers.\u003cbr\u003eHand Wired \u0026amp; Hand Assembled\u003cbr\u003eThe classic 1073 was hand-wired and so is the WA73-EQ. Guru’s claim that a portion of the 1073’s classic tone can be attributed to the hand-wired nature of the build. The WA73-EQ is authentically hand-wired and hand assembled, including the pcb components that are all populated by hand.\u003cbr\u003e\u003cbr\u003eLISTENING ROOM\u003cbr\u003eCapacitors \u0026amp; Signal Path\u003cbr\u003eAn important part of the classic British circuits not often discussed are the different styles of capacitors and output transistor used. We found it important to maintain integrity to the original design by using tantalum and polystyrene capacitors in the signal path and an output transistor choice that is much smoother in the high gain settings than what is typically found in modern 1073-style replicas.\u003cbr\u003e\u003cbr\u003eUK Blore Edwards Switch-Pots\u003cbr\u003eA great sounding 1073-style circuit should be just as reliable as it is great sounding. The complex dual concentric switch potentiometers in the EQ section of the WA73-EQ are made in the UK by Blore Edwards who manufacture military spec switches and potentiometers. The use of Blore-Edwards components is no small inclusion for a 1073-style preamp-eq in this price range.\u003cbr\u003e\u003cbr\u003eSpecifications\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003eSingle Channel, Class A, 1073-style British Microphone Preamp with EQ\u003c\/li\u003e\n\u003cli\u003eUK made Carnhill Transformers\u003c\/li\u003e\n\u003cli\u003eUK made - Blore Edwards EQ dual-concentric switch potentiometers\u003c\/li\u003e\n\u003cli\u003eHand Wired, hand assembled\u003c\/li\u003e\n\u003cli\u003e80dB of gain - resistor stepped gain switch\u003c\/li\u003e\n\u003cli\u003eFully discrete \u003c\/li\u003e\n\u003cli\u003eTONE button - Changes input transformer impedance for varying tone\u003c\/li\u003e\n\u003cli\u003ePolarity switch\u003c\/li\u003e\n\u003cli\u003e48v phantom power\u003c\/li\u003e\n\u003cli\u003eInductor based 3 band EQ\u003c\/li\u003e\n\u003cli\u003eLow Band Boost\/Cut - 35, 60, 110, 220 Hz\u003c\/li\u003e\n\u003cli\u003eMid Band Boost\/Cut - 360, 700, 1600, 3200, 4800, 7200 Hz\u003c\/li\u003e\n\u003cli\u003eHigh Band Boost\/Cut - 10, 12, 16 kHz\u003c\/li\u003e\n\u003cli\u003eAdditional high band frequency EQ points added (compared to vintage 1073)\u003c\/li\u003e\n\u003cli\u003e4 position inductor based hipass filter - 50, 80, 160, 300 Hz\u003c\/li\u003e\n\u003cli\u003eXLR mic inputs (front \u0026amp; back)\u003c\/li\u003e\n\u003cli\u003eLine level TRS input\u003c\/li\u003e\n\u003cli\u003eTS Send\/Receive insert jacks\u003c\/li\u003e\n\u003cli\u003eXLR \u0026amp; TRS line level outputs\u003c\/li\u003e\n\u003cli\u003eDirect In, instrument input\u003c\/li\u003e\n\u003cli\u003eOutput control\u003c\/li\u003e\n\u003cli\u003eLed level indication\u003c\/li\u003e\n\u003cli\u003eFreq response 20Hz - 20kHz +\/-.5 dB\u003c\/li\u003e\n\u003cli\u003e19\" rackable\u003c\/li\u003e\n\u003cli\u003eInternal IEC 115v\/230v power inlet\u003c\/li\u003e\n\u003c\/ul\u003e"}
Warm Audio WA73-EQ British Microphone Preamp & EQ
$799.00
A '73 For The Rest Of UsIf there’s one preamp-eq that professional engineers would unanimously agree has defined the tone of pop/rock records for the last 50+ years, it would most definitely be the venerable 1073. The 1073 has been massively used in recording and live applications for decades and is still considered to be the “Holy Grail” of pre...
Sale
Warm Audio WA-412
$1,199.00 $1,798.80
{"id":9447134157,"title":"Warm Audio WA-412","handle":"warm-audio-wa-412","description":"\u003cp\u003e\u003cstrong\u003eWarm Audio | WA412\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as \"the sound of Rock n' Roll\" for its BIG punchy low end and smooth open top end. The price\/performance ratio of the WA-412 is almost unfathomable to the experienced studio engineer who has possibly paid much more for preamps of this style during their career. Featuring fully discrete socketed 6-pin opamps and custom wound Altran USA input and output transformers, the WA-412 leaves nothing to be desired. If you are looking for multiple channels of world class tone in an affordable package, the WA-412 is the right choice for you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInspiration behind the WA-412.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen I first started holding regular studio sessions years ago I always desired to have more channels of high-end mic pre's. I could only afford to have one or two in my studio at a time, which was never enough to record a full band or drummer. I knew very well that if signals were not recorded well \"on the way in\" they wouldn't be salvageable later, but my budget constrained me, so many of the sources were recorded through poor-quality mic pre's. If the WA-412 was available back then I likely wouldn't have had to settle for poor, low-quality tone. The WA-412 was designed \"for the people\" (if you will) and we believe it will become a serious work-horse in many professional and home studios. - Bryce Young (founder)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore features.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-412 has all of the features one would expect from this style of preamp... and more. Output Trim has been added to every channel for precise control and creative gain structuring. We also added a Tone switch (transformer input impedance) to each channel, which allows you to choose the warm and punchy classic console tone, or a more open \u0026amp; neutral sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetter components.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach channel utilizes a fully discrete socketed 6-pin opamp that can be swapped with other opamps. Discrete opamp circuitry is known for its high headroom and low distortion characteristics and has much to do with the coveted sound of these classic console preamps. \u003cbr\u003e \u003cbr\u003eWe are proud to be using input and output transformers that are made in the USA by high-end transformer manufacturer, Altran. We worked closely with Altran to create unique transformers that extend the low frequency response of the design. The transformers also use a vintage winding technique that produces a very distinct smooth \u0026amp; open character.\u003cbr\u003e \u003cbr\u003eCarefully choosing the WA-412 components has resulted in an amazing four channel ‘workhorse’ preamp\/DI that performs at the highest levels, while still adding a touch of vintage console magic to your signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e • 4 Channel Microphone Preamplifier + Instrument DI\u003cbr\u003e • Fully discrete, transformer coupled, through-hole component topology\u003cbr\u003e • Altran USA custom wound, premium input and output transformers\u003cbr\u003e • X520 discrete op-amp in every channel, socketed for convenience. Can be user-replaced with most 6 pin, discrete op-amps for varying flavor \u0026amp; tone\u003cbr\u003e • 65db of gain\u003cbr\u003e • Inputs - Microphone XLR \u0026amp; Active Instrument 2Meg ohm HI-Z\u003cbr\u003e • Outputs - Transformer balanced XLR \u0026amp; TRS\u003cbr\u003e • TONE button – Input impedance switches from 600 ohms to 150 ohms (affects the tone of both the mic and HI-Z inputs)\u003cbr\u003e • -20db pad - pads both mic and instrument DI inputs\u003cbr\u003e • Self noise: \u0026lt;-90dB (nominal)\u003cbr\u003e • Frequency response: 20hz to 20khz \u0026lt;+\/-0.25dB (TONE button out), 20hz to 20khz +\/-2dB (TONE button in)\u003cbr\u003e • +48 volt phantom power\u003cbr\u003e • LED metering\u003cbr\u003e • Output trim knob for precise level control and tone sculpting\u003cbr\u003e • Internal power supply (grounded, 3 pin IEC cord)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnit Weight 7.7kg\u003c\/li\u003e\n\u003cli\u003eUnit Size 6x28x21 inch \/ 15x68x53 cm\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-03-25T14:34:00+02:00","created_at":"2017-03-25T14:35:18+02:00","vendor":"Warm Audio","type":"Preamps","tags":["Preamps","Preamps \u0026 Channel Strips","Price Range_$1000 to $1500","Shop by brand_Warm Audio","Shop by category_Channel Strips","Shop by category_Preamps","Studio \u0026 Recording","Warm Audio"],"price":119900,"price_min":119900,"price_max":119900,"available":true,"price_varies":false,"compare_at_price":179880,"compare_at_price_min":179880,"compare_at_price_max":179880,"compare_at_price_varies":false,"variants":[{"id":34811606413,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"WA-412","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warm Audio WA-412","public_title":null,"options":["Default Title"],"price":119900,"weight":0,"compare_at_price":179880,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":"638142859295 "}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_2ff7ded3bbaa4bc29cdd22ab5a9c73c3_mv2.jpg?v=1490445785","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_acadb3b234d845008f9bacfc7ba45a6e_mv2.jpg?v=1490445802","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_0679ff31416b4b808100e2398327f2fa_mv2.jpg?v=1490445817","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_cc9a8af954dc454ea9a897db8a276be7_mv2.jpg?v=1490445859","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_8f784b029e234137ac60453394911eb3_mv2.jpg?v=1490445867","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_6e8feee8f30644f0b3c29514cfea77cd_mv2.jpg?v=1490445897","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_b4e68325246b4b52afc8d118de505a1c_mv2.jpg?v=1490445912"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dada90_2ff7ded3bbaa4bc29cdd22ab5a9c73c3_mv2.jpg?v=1490445785","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eWarm Audio | WA412\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as \"the sound of Rock n' Roll\" for its BIG punchy low end and smooth open top end. The price\/performance ratio of the WA-412 is almost unfathomable to the experienced studio engineer who has possibly paid much more for preamps of this style during their career. Featuring fully discrete socketed 6-pin opamps and custom wound Altran USA input and output transformers, the WA-412 leaves nothing to be desired. If you are looking for multiple channels of world class tone in an affordable package, the WA-412 is the right choice for you.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInspiration behind the WA-412.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhen I first started holding regular studio sessions years ago I always desired to have more channels of high-end mic pre's. I could only afford to have one or two in my studio at a time, which was never enough to record a full band or drummer. I knew very well that if signals were not recorded well \"on the way in\" they wouldn't be salvageable later, but my budget constrained me, so many of the sources were recorded through poor-quality mic pre's. If the WA-412 was available back then I likely wouldn't have had to settle for poor, low-quality tone. The WA-412 was designed \"for the people\" (if you will) and we believe it will become a serious work-horse in many professional and home studios. - Bryce Young (founder)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMore features.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe WA-412 has all of the features one would expect from this style of preamp... and more. Output Trim has been added to every channel for precise control and creative gain structuring. We also added a Tone switch (transformer input impedance) to each channel, which allows you to choose the warm and punchy classic console tone, or a more open \u0026amp; neutral sound.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBetter components.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach channel utilizes a fully discrete socketed 6-pin opamp that can be swapped with other opamps. Discrete opamp circuitry is known for its high headroom and low distortion characteristics and has much to do with the coveted sound of these classic console preamps. \u003cbr\u003e \u003cbr\u003eWe are proud to be using input and output transformers that are made in the USA by high-end transformer manufacturer, Altran. We worked closely with Altran to create unique transformers that extend the low frequency response of the design. The transformers also use a vintage winding technique that produces a very distinct smooth \u0026amp; open character.\u003cbr\u003e \u003cbr\u003eCarefully choosing the WA-412 components has resulted in an amazing four channel ‘workhorse’ preamp\/DI that performs at the highest levels, while still adding a touch of vintage console magic to your signal.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e • 4 Channel Microphone Preamplifier + Instrument DI\u003cbr\u003e • Fully discrete, transformer coupled, through-hole component topology\u003cbr\u003e • Altran USA custom wound, premium input and output transformers\u003cbr\u003e • X520 discrete op-amp in every channel, socketed for convenience. Can be user-replaced with most 6 pin, discrete op-amps for varying flavor \u0026amp; tone\u003cbr\u003e • 65db of gain\u003cbr\u003e • Inputs - Microphone XLR \u0026amp; Active Instrument 2Meg ohm HI-Z\u003cbr\u003e • Outputs - Transformer balanced XLR \u0026amp; TRS\u003cbr\u003e • TONE button – Input impedance switches from 600 ohms to 150 ohms (affects the tone of both the mic and HI-Z inputs)\u003cbr\u003e • -20db pad - pads both mic and instrument DI inputs\u003cbr\u003e • Self noise: \u0026lt;-90dB (nominal)\u003cbr\u003e • Frequency response: 20hz to 20khz \u0026lt;+\/-0.25dB (TONE button out), 20hz to 20khz +\/-2dB (TONE button in)\u003cbr\u003e • +48 volt phantom power\u003cbr\u003e • LED metering\u003cbr\u003e • Output trim knob for precise level control and tone sculpting\u003cbr\u003e • Internal power supply (grounded, 3 pin IEC cord)\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUnit Weight 7.7kg\u003c\/li\u003e\n\u003cli\u003eUnit Size 6x28x21 inch \/ 15x68x53 cm\u003c\/li\u003e\n\u003c\/ul\u003e"}
Warm Audio WA-412
$1,199.00
Warm Audio | WA412 The WA-412 provides 4 channels of classic American console preamps in a sleek 1RU design. This style of preamp is often referred to as "the sound of Rock n' Roll" for its BIG punchy low end and smooth open top end. The price/performance ratio of the WA-412 is almost unfathomable to the experienced studio engineer who has possi...
Slate Digital VMS ML-1
From $799.00
{"id":8489774669,"title":"Slate Digital VMS ML-1","handle":"vms","description":"\u003cp\u003eSLATE DIGITAL VIRTUAL MICROPHONE SYSTEM\u003cbr\u003e\u003cbr\u003eWELCOME TO THE FUTURE OF MICROPHONES\u003cbr\u003e\u003cbr\u003eImagine having a world-class mic locker full of the most classic microphones from the history of the recording industry.\u003cbr\u003eWell, you can stop imagining.\u003cbr\u003eWe are proud to announce the Virtual Microphone System – a hybrid system that utilizes an extremely transparent condenser microphone, a sonically neutral preamp, and a plugin module that works in concert with our hardware to replicate some of the world’s finest and most sought-after microphones and preamps.\u003cbr\u003e\u003cbr\u003eML-1\u003cbr\u003eThe ML-1 is an extremely high definition, ultra linear, large diaphragm condenser microphone. It has extremely precise transparent reproduction, flat frequency response, and super wide bandwidth, mak- ing it the ideal blank canvas on which to impart the colorful vibe of classic tube and condenser micro- phones. The capsule proximity effect precisely replicates the classic cardioid of vintage large diaphragm mics.\u003cbr\u003e\u003cbr\u003eTHE MICS:\u003cbr\u003eFG-47: This mic will take you back in time. It’s lush, warm, fat, present, and BIG sounding. If you have a wimpy source, it gets fixed with this mic. It doesn’t have that modern sizzly top-end air, but it takes EQ in the top end like a champion. I love adding some Custom Series 10 kHz when using this mic. By pushing the intensity, it gets even darker, moodier, and a bit more saturated. Don’t just use this microphone on vocals. Put it on drums as a room mic. Put it on the outside of a kick. Put it on horns, strings.\u003cbr\u003e\u003cbr\u003eFG-800: The FG-800 is based on a solid performing studio vocal mic. This is a bright and airy microphone. That airy, clear, bright tone works perfectly in a pop mix with no EQ needed. When this mic works, nothing will sound as good. And it actually works a lot, even on modern male rock vocals.\u003cbr\u003e\u003cbr\u003eFG-251: The FG-251 sounds so good on just about everything. It’s the perfect balance of top, middle, and bottom. There is something so flattering about this mic that every singer just sounds better than they do in the actual room. The intensity is really fun with this one. This mic pairs well with both preamps, so try them both using the VMR A-\u0026gt;B system.\u003cbr\u003eVMS now includes the Classic Tubes 2 expansion pack!\u003cbr\u003e\u003cbr\u003eFG-12: The FG-12 emulates an Austrian classic known for being incredibly smooth and rich-sounding. Slate chose an absolutely incredible mic to model that is the perfect representation of this famous tone.\u003cbr\u003e\u003cbr\u003eFG-800M: The FG-800M emulates an older Japanese tube mic and is slightly fatter and darker than the stock FG-800. If you love the FG-800 but wish it was a tad less sibilant and bright, you're gonna love this.\u003cbr\u003e\u003cbr\u003eFG-M7:The FG-M7 takes one of the most famous dynamic vocal mics used by artists like Michael Jackson, and adds the tube stage of the classic 47 making it extremely punchy, crisp, with incredible mids that cut through the mix. Definitely gonna be a favorite!\u003cbr\u003e\u003cbr\u003eFG-269: The FG-269 emulates an extremely rare German classic that shares much of the same circuit as the 67, but has a different tube that makes it more open and clear. This is one of the best sounding vocal mics I've ever heard.\u003cbr\u003e\u003cbr\u003eFG67: The FG-67 emulates a German classic known for being bold, slightly dark, and thick. This is amazing as a vocal mic, room mic, horn mic, piano mic, and is probably my favorite on toms.\u003c\/p\u003e\n\u003cp\u003eThe Virtual Microphone System\u003c\/p\u003e\n\u003cp\u003eThe “VMS” is a hybrid system that utilizes an extremely transparent condenser microphone, a sonically-neutral preamp, and state-of-the-art digital processing suite that recreates the tone of classic microphones and preamps. The Virtual Microphone System collapses the wall standing between audio engineers and expensive world-class audio tools, allowing them access to the virtual microphone locker of their dreams for under a thousand dollars.\u003c\/p\u003e\n\u003cp\u003eSLATE DIGITAL VMS VIRTUAL MICROPHONE SYSTEM FEATURES\u003cbr\u003e\u003cbr\u003e ✓ A hybrid microphone and preamp modeling system that gives you access to virtually any signal path tone you can imagine\u003cbr\u003e ✓ System includes an extremely transparent and totally flat ML-1 cardioid condenser microphone\u003cbr\u003e ✓ Totally neutral VMS-ONE preamp ensures minimal coloration, giving you a clean slate for pre-\u003cbr\u003e ✓ amp modeling\u003cbr\u003e ✓ VMS plugin software lets you completely change the tonal characteristics of your recording, even after the fact\u003cbr\u003e ✓ Choose from a collection of classic vintage mic and preamp models as well as unique models for advanced recording techniques\u003cbr\u003e\u003cbr\u003eWHAT’S IN THE BOX?\u003cbr\u003e ✓ ML-1 large diaphragm condenser microphone\u003cbr\u003e ✓ Shock mount\u003cbr\u003e ✓ Microphone\/shock mount case\u003cbr\u003e ✓ Microphone preamp base unit\u003cbr\u003e ✓ Microphone preamp power supply\u003cbr\u003e ✓ Software redemption passcode postcard\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","published_at":"2016-11-24T17:43:00+02:00","created_at":"2016-11-24T17:40:34+02:00","vendor":"Slate Digital","type":"Microphones","tags":["Preamps","Preamps \u0026 Channel Strips","Price Range_$750 to $1000","Shop by brand_Slate Digital","Shop by category_Channel Strips","Shop by category_Preamps","Shop by category_Software","Slate Digital","Studio \u0026 Recording","VMS"],"price":79900,"price_min":79900,"price_max":99900,"available":true,"price_varies":true,"compare_at_price":79900,"compare_at_price_min":79900,"compare_at_price_max":79900,"compare_at_price_varies":false,"variants":[{"id":288571916314,"title":"VMS ML-1","option1":"VMS ML-1","option2":null,"option3":null,"sku":"SK-912-ML1-KIT-C","requires_shipping":true,"taxable":true,"featured_image":{"id":19488860109,"product_id":8489774669,"position":1,"created_at":"2016-11-24T17:43:25+02:00","updated_at":"2018-06-09T02:24:49+02:00","alt":null,"width":350,"height":846,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/fc530f6a21b5e834701353857aee0e4e.png?v=1528503889","variant_ids":[288571916314]},"available":true,"name":"Slate Digital VMS ML-1 - VMS ML-1","public_title":"VMS ML-1","options":["VMS ML-1"],"price":79900,"weight":0,"compare_at_price":79900,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""},{"id":7988398489646,"title":"VMS ML-1 + VMS ONE Preamp","option1":"VMS ML-1 + VMS ONE Preamp","option2":null,"option3":null,"sku":"SK-909-VMS-KIT-A","requires_shipping":true,"taxable":true,"featured_image":{"id":2583455924270,"product_id":8489774669,"position":17,"created_at":"2018-06-09T02:24:13+02:00","updated_at":"2018-06-09T02:24:49+02:00","alt":null,"width":600,"height":400,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/VMS_One_Preamp_grande_99e4835d-416a-47b0-b767-c76070f6059e.png?v=1528503889","variant_ids":[7988398489646]},"available":true,"name":"Slate Digital VMS ML-1 - VMS ML-1 + VMS ONE Preamp","public_title":"VMS ML-1 + VMS ONE Preamp","options":["VMS ML-1 + VMS ONE Preamp"],"price":99900,"weight":0,"compare_at_price":79900,"inventory_quantity":-1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/fc530f6a21b5e834701353857aee0e4e.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_4f392a6f-7bfe-4871-9647-5386ce62d87a.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Plugin-On-Page-Virtual-Microphone-System-fg-47.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Plugin-On-Page-Virtual-Microphone-System-fg-800.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Plugin-On-Page-Virtual-Microphone-System-fg-125.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/slate-digital-vms-fg-47-with-description-1.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/slate-digital-vms-fg-m7-with-description.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/slate-digital-vms-fg-800-with-description.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/slate-digital-vms-fg-251-with-description.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/slate-digital-vms-fg-800m-with-description.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/slate-digital-vms-fg-269-with-description.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/slate-digital-vms-fg-12with-description.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/slate-digital-vms-fg-67-with-description-1.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/vms-preampsv2.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/VMS_Shockmount.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/VMS_Screen_Shot.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/VMS_One_Preamp_grande_99e4835d-416a-47b0-b767-c76070f6059e.png?v=1528503889","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/VMS_One_Back_grande_f14220bc-fc34-47b1-bf9f-ff66645c874e.png?v=1528503910"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/fc530f6a21b5e834701353857aee0e4e.png?v=1528503889","options":["Model"],"content":"\u003cp\u003eSLATE DIGITAL VIRTUAL MICROPHONE SYSTEM\u003cbr\u003e\u003cbr\u003eWELCOME TO THE FUTURE OF MICROPHONES\u003cbr\u003e\u003cbr\u003eImagine having a world-class mic locker full of the most classic microphones from the history of the recording industry.\u003cbr\u003eWell, you can stop imagining.\u003cbr\u003eWe are proud to announce the Virtual Microphone System – a hybrid system that utilizes an extremely transparent condenser microphone, a sonically neutral preamp, and a plugin module that works in concert with our hardware to replicate some of the world’s finest and most sought-after microphones and preamps.\u003cbr\u003e\u003cbr\u003eML-1\u003cbr\u003eThe ML-1 is an extremely high definition, ultra linear, large diaphragm condenser microphone. It has extremely precise transparent reproduction, flat frequency response, and super wide bandwidth, mak- ing it the ideal blank canvas on which to impart the colorful vibe of classic tube and condenser micro- phones. The capsule proximity effect precisely replicates the classic cardioid of vintage large diaphragm mics.\u003cbr\u003e\u003cbr\u003eTHE MICS:\u003cbr\u003eFG-47: This mic will take you back in time. It’s lush, warm, fat, present, and BIG sounding. If you have a wimpy source, it gets fixed with this mic. It doesn’t have that modern sizzly top-end air, but it takes EQ in the top end like a champion. I love adding some Custom Series 10 kHz when using this mic. By pushing the intensity, it gets even darker, moodier, and a bit more saturated. Don’t just use this microphone on vocals. Put it on drums as a room mic. Put it on the outside of a kick. Put it on horns, strings.\u003cbr\u003e\u003cbr\u003eFG-800: The FG-800 is based on a solid performing studio vocal mic. This is a bright and airy microphone. That airy, clear, bright tone works perfectly in a pop mix with no EQ needed. When this mic works, nothing will sound as good. And it actually works a lot, even on modern male rock vocals.\u003cbr\u003e\u003cbr\u003eFG-251: The FG-251 sounds so good on just about everything. It’s the perfect balance of top, middle, and bottom. There is something so flattering about this mic that every singer just sounds better than they do in the actual room. The intensity is really fun with this one. This mic pairs well with both preamps, so try them both using the VMR A-\u0026gt;B system.\u003cbr\u003eVMS now includes the Classic Tubes 2 expansion pack!\u003cbr\u003e\u003cbr\u003eFG-12: The FG-12 emulates an Austrian classic known for being incredibly smooth and rich-sounding. Slate chose an absolutely incredible mic to model that is the perfect representation of this famous tone.\u003cbr\u003e\u003cbr\u003eFG-800M: The FG-800M emulates an older Japanese tube mic and is slightly fatter and darker than the stock FG-800. If you love the FG-800 but wish it was a tad less sibilant and bright, you're gonna love this.\u003cbr\u003e\u003cbr\u003eFG-M7:The FG-M7 takes one of the most famous dynamic vocal mics used by artists like Michael Jackson, and adds the tube stage of the classic 47 making it extremely punchy, crisp, with incredible mids that cut through the mix. Definitely gonna be a favorite!\u003cbr\u003e\u003cbr\u003eFG-269: The FG-269 emulates an extremely rare German classic that shares much of the same circuit as the 67, but has a different tube that makes it more open and clear. This is one of the best sounding vocal mics I've ever heard.\u003cbr\u003e\u003cbr\u003eFG67: The FG-67 emulates a German classic known for being bold, slightly dark, and thick. This is amazing as a vocal mic, room mic, horn mic, piano mic, and is probably my favorite on toms.\u003c\/p\u003e\n\u003cp\u003eThe Virtual Microphone System\u003c\/p\u003e\n\u003cp\u003eThe “VMS” is a hybrid system that utilizes an extremely transparent condenser microphone, a sonically-neutral preamp, and state-of-the-art digital processing suite that recreates the tone of classic microphones and preamps. The Virtual Microphone System collapses the wall standing between audio engineers and expensive world-class audio tools, allowing them access to the virtual microphone locker of their dreams for under a thousand dollars.\u003c\/p\u003e\n\u003cp\u003eSLATE DIGITAL VMS VIRTUAL MICROPHONE SYSTEM FEATURES\u003cbr\u003e\u003cbr\u003e ✓ A hybrid microphone and preamp modeling system that gives you access to virtually any signal path tone you can imagine\u003cbr\u003e ✓ System includes an extremely transparent and totally flat ML-1 cardioid condenser microphone\u003cbr\u003e ✓ Totally neutral VMS-ONE preamp ensures minimal coloration, giving you a clean slate for pre-\u003cbr\u003e ✓ amp modeling\u003cbr\u003e ✓ VMS plugin software lets you completely change the tonal characteristics of your recording, even after the fact\u003cbr\u003e ✓ Choose from a collection of classic vintage mic and preamp models as well as unique models for advanced recording techniques\u003cbr\u003e\u003cbr\u003eWHAT’S IN THE BOX?\u003cbr\u003e ✓ ML-1 large diaphragm condenser microphone\u003cbr\u003e ✓ Shock mount\u003cbr\u003e ✓ Microphone\/shock mount case\u003cbr\u003e ✓ Microphone preamp base unit\u003cbr\u003e ✓ Microphone preamp power supply\u003cbr\u003e ✓ Software redemption passcode postcard\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e"}
Slate Digital VMS ML-1
$799.00
SLATE DIGITAL VIRTUAL MICROPHONE SYSTEMWELCOME TO THE FUTURE OF MICROPHONESImagine having a world-class mic locker full of the most classic microphones from the history of the recording industry.Well, you can stop imagining.We are proud to announce the Virtual Microphone System – a hybrid system that utilizes an extremely transparent condenser m...
Chandler Limited REDD Microphone
$4,775.00
{"id":10468259917,"title":"Chandler Limited REDD Microphone","handle":"chandler-limited-8","description":"\u003ch1 id=\"reader-title\"\u003eREDD Microphone | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eContinuing in the rich tradition of innovation at EMI, dating back to the early 1930s with Alan Blumlein, the father of ‘Stereo’, the company’s first coil microphones, velocity ‘ribbon’ mics and the “Blumlein pair” technique, Chandler Limited and Abbey Road Studios introduce the first new EMI badged microphone in over a half century, the ‘REDD Microphone’.\u003c\/p\u003e\n\u003cp\u003eDesigned by Chandler Limited Founder and Chief Designer, Wade Goeke, the patent pending REDD Microphone represents a shift in traditional microphone design, bringing together historic circuitry and the heralded EMI REDD.47 preamplifier sound in a new and unique way.\u003c\/p\u003e\n\u003cp\u003eVisually, the aesthetic is unmistakably classic, an ode to a gilded age of audio; however, the REDD Microphone is not a U-Type clone or derivative of any other\u003c\/p\u003e\n\u003cp\u003eThe Chandler Limited REDD Microphone is a large diaphragm tube condenser microphone, combining mic and preamp into a single, beautifully handcrafted professional recording device. Featuring the vacuum tube based REDD.47 Mic Amplifier circuit directly coupled to a custom handmade premium platinum membrane capsule, the REDD Microphone can be used with or without an external preamplifier.\u003cbr\u003e\u003cbr\u003eThis new and unique microphone design, fusing the mic capsule to the historic REDD.47 line amplifier circuit, provides the shortest possible distance between the two most important elements in the recording chain.\u003c\/p\u003e\n\u003cp\u003eThe proximity of the REDD Microphone’s custom capsule to the internal tube mic preamp, allows it to deliver a larger than life full-bodied sound, with a velvety smooth top-end.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-stickies\"\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\n\u003cp class=\"wps-spotcontent\"\u003eAdjust this switch for the desired amount of input gain, stepped, from +4 to +33db.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eRigorously tested at Abbey Road Studios on a variety of sources and against some of the most famous and classic microphones in recording industry history, the REDD microphone excelled.\u003cbr\u003e\u003cbr\u003eAbbey Road’s former Chief Engineer, Peter Cobbin-\u003cbr\u003e\u003cbr\u003e\"During the development I have had the opportunity to road test this mic on the best of acoustic applications. Abbey Road has one hell of a mic collection and by making comparisons to other legendary and vintage microphones has given us a serious benchmark to work to.\u003cbr\u003e\u003cbr\u003eTypically for recording an artist like Sting I would use 3 classic microphones and choose the best. For recording rare Stradivarius cellos worth millions I would reach for something really special. On almost every application from acoustic guitars, hand percussion, vocal artists to full symphonic orchestras, in my comparative testing The REDD mic shines above them all. \"\u003cbr\u003e\u003cbr\u003eThe Chandler Limited REDD Microphone was designed to handle a variety of source material, including: vocals, strings, piano, drums, bass guitar, electric and acoustic guitars.\u003cbr\u003e\u003cbr\u003eFeatures available from the microphone body, include: REDD.47 Mic Amplifier, providing nine gain selections, from +4 to +33db in the ‘NORM’ position, extended gain and punch in ‘DRIVE’ mode for more tonal and coloration possibilities, switchable Cardioid\/Omni patterns, 10db Pad, and Phase reverse. Continuous output and low-contour control are accessible from the high-quality external power supply.\u003cbr\u003e\u003cbr\u003eShockmount, 25’ Mogami microphone cable, PSU, and custom molded flight case, featuring high-density rigid foam, are included.\u003cbr\u003e\u003cbr\u003eNOTE: Actual PSU differs from early promotional images, the final release PSU was updated, adding a jewel light to the front panel, and relocating the power switch to rear.\u003cbr\u003e\u003cbr\u003eAbbey Road Studios, EMI, REDD and their associated logos are trademarks of EMI (IP) Limited.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003e \u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003e\u003ccite\u003eREDD Microphone Technical Specifications\u003c\/cite\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eMicrophone Type\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eLarge Diaphragm Condenser, Tube\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eCapsule\u003c\/td\u003e\n\u003ctd width=\"132\"\u003ePlatinum membrane, custom handmade, hand-milled\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eCircuit\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eREDD.47 Mic Amplifier, Tube, 200Ω output impedance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eGain\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eSwitchable \/ +4 to +33db in 'NORM' mode\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eMaximum gain\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eExtended gain in 'DRIVE' mode\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003ePatterns\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eCardioid \/ Omni\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003ePAD\u003c\/td\u003e\n\u003ctd width=\"132\"\u003e10db \/ Switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003ePhase\u003c\/td\u003e\n\u003ctd width=\"132\"\u003e0-180º \/ Switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eLow-Contour Control\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eAvailable at PSU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eOutput Control\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eContinuous \/ Available at PSU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003ePower\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eExternal\/PSU included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eMicrophone Cable\u003c\/td\u003e\n\u003ctd width=\"132\"\u003e7 Pin, 25' Mogami, included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eShockmount\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eCase\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eMolded flight case \/ custom cut high-density rigid foam, included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2018-08-11T20:50:13+02:00","created_at":"2017-07-19T17:15:44+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["Chandler Limited","Chandler Limited REDD Microphone","Condenser Microphones","Microphones","Preamps","Preamps \u0026 Channel Strips","Price Range_$3000 and Over","Shop by brand_Chandler Limited","Shop by category_Channel Strips","Shop by category_Condenser Microphones","Shop by category_Microphones","Shop by category_Preamps","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":477500,"price_min":477500,"price_max":477500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40612555213,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"REDD Microphone","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited REDD Microphone","public_title":null,"options":["Default Title"],"price":477500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Chandler_Limited_REDD_Microphone_package_cropped.png?v=1534079346","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_393b2e14-ee4f-4e3f-b8ec-176c3fc8dfa5.png?v=1534079346","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Chandler_Limited_REDD_Microphone_rear.png?v=1534079346","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Chandler_Limited_REDD_Microphone_front.png?v=1534079346","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Chandler_Limited_REDD_Microphone_PSU_front_angled_right.png?v=1534079346","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Chandler_Limited_REDD_Microphone_PSU_rear.png?v=1534079346","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Chandler_Limited_REDD_Microphone_PSU_front.png?v=1534079346"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Chandler_Limited_REDD_Microphone_package_cropped.png?v=1534079346","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eREDD Microphone | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eContinuing in the rich tradition of innovation at EMI, dating back to the early 1930s with Alan Blumlein, the father of ‘Stereo’, the company’s first coil microphones, velocity ‘ribbon’ mics and the “Blumlein pair” technique, Chandler Limited and Abbey Road Studios introduce the first new EMI badged microphone in over a half century, the ‘REDD Microphone’.\u003c\/p\u003e\n\u003cp\u003eDesigned by Chandler Limited Founder and Chief Designer, Wade Goeke, the patent pending REDD Microphone represents a shift in traditional microphone design, bringing together historic circuitry and the heralded EMI REDD.47 preamplifier sound in a new and unique way.\u003c\/p\u003e\n\u003cp\u003eVisually, the aesthetic is unmistakably classic, an ode to a gilded age of audio; however, the REDD Microphone is not a U-Type clone or derivative of any other\u003c\/p\u003e\n\u003cp\u003eThe Chandler Limited REDD Microphone is a large diaphragm tube condenser microphone, combining mic and preamp into a single, beautifully handcrafted professional recording device. Featuring the vacuum tube based REDD.47 Mic Amplifier circuit directly coupled to a custom handmade premium platinum membrane capsule, the REDD Microphone can be used with or without an external preamplifier.\u003cbr\u003e\u003cbr\u003eThis new and unique microphone design, fusing the mic capsule to the historic REDD.47 line amplifier circuit, provides the shortest possible distance between the two most important elements in the recording chain.\u003c\/p\u003e\n\u003cp\u003eThe proximity of the REDD Microphone’s custom capsule to the internal tube mic preamp, allows it to deliver a larger than life full-bodied sound, with a velvety smooth top-end.\u003c\/p\u003e\n\u003cdiv class=\"wps-overlay wps-over\"\u003e\n\u003cdiv class=\"wps-stickies\"\u003e\n\u003cdiv class=\"wps-sticky wps-right wps-spot wps-saved\"\u003e\n\u003cdiv class=\"wps-spotbubble\"\u003e\n\u003cp class=\"wps-spotcontent\"\u003eAdjust this switch for the desired amount of input gain, stepped, from +4 to +33db.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003eRigorously tested at Abbey Road Studios on a variety of sources and against some of the most famous and classic microphones in recording industry history, the REDD microphone excelled.\u003cbr\u003e\u003cbr\u003eAbbey Road’s former Chief Engineer, Peter Cobbin-\u003cbr\u003e\u003cbr\u003e\"During the development I have had the opportunity to road test this mic on the best of acoustic applications. Abbey Road has one hell of a mic collection and by making comparisons to other legendary and vintage microphones has given us a serious benchmark to work to.\u003cbr\u003e\u003cbr\u003eTypically for recording an artist like Sting I would use 3 classic microphones and choose the best. For recording rare Stradivarius cellos worth millions I would reach for something really special. On almost every application from acoustic guitars, hand percussion, vocal artists to full symphonic orchestras, in my comparative testing The REDD mic shines above them all. \"\u003cbr\u003e\u003cbr\u003eThe Chandler Limited REDD Microphone was designed to handle a variety of source material, including: vocals, strings, piano, drums, bass guitar, electric and acoustic guitars.\u003cbr\u003e\u003cbr\u003eFeatures available from the microphone body, include: REDD.47 Mic Amplifier, providing nine gain selections, from +4 to +33db in the ‘NORM’ position, extended gain and punch in ‘DRIVE’ mode for more tonal and coloration possibilities, switchable Cardioid\/Omni patterns, 10db Pad, and Phase reverse. Continuous output and low-contour control are accessible from the high-quality external power supply.\u003cbr\u003e\u003cbr\u003eShockmount, 25’ Mogami microphone cable, PSU, and custom molded flight case, featuring high-density rigid foam, are included.\u003cbr\u003e\u003cbr\u003eNOTE: Actual PSU differs from early promotional images, the final release PSU was updated, adding a jewel light to the front panel, and relocating the power switch to rear.\u003cbr\u003e\u003cbr\u003eAbbey Road Studios, EMI, REDD and their associated logos are trademarks of EMI (IP) Limited.\u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003e \u003c\/p\u003e\n\u003cp class=\"wps-spotcontent\"\u003e\u003ccite\u003eREDD Microphone Technical Specifications\u003c\/cite\u003e\u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eMicrophone Type\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eLarge Diaphragm Condenser, Tube\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eCapsule\u003c\/td\u003e\n\u003ctd width=\"132\"\u003ePlatinum membrane, custom handmade, hand-milled\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eCircuit\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eREDD.47 Mic Amplifier, Tube, 200Ω output impedance\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eGain\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eSwitchable \/ +4 to +33db in 'NORM' mode\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eMaximum gain\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eExtended gain in 'DRIVE' mode\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003ePatterns\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eCardioid \/ Omni\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003ePAD\u003c\/td\u003e\n\u003ctd width=\"132\"\u003e10db \/ Switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003ePhase\u003c\/td\u003e\n\u003ctd width=\"132\"\u003e0-180º \/ Switchable\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eLow-Contour Control\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eAvailable at PSU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eOutput Control\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eContinuous \/ Available at PSU\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003ePower\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eExternal\/PSU included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eMicrophone Cable\u003c\/td\u003e\n\u003ctd width=\"132\"\u003e7 Pin, 25' Mogami, included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eShockmount\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eIncluded\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd width=\"132\"\u003eCase\u003c\/td\u003e\n\u003ctd width=\"132\"\u003eMolded flight case \/ custom cut high-density rigid foam, included\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}
Chandler Limited REDD Microphone
$4,775.00
REDD Microphone | Chandler Limited Continuing in the rich tradition of innovation at EMI, dating back to the early 1930s with Alan Blumlein, the father of ‘Stereo’, the company’s first coil microphones, velocity ‘ribbon’ mics and the “Blumlein pair” technique, Chandler Limited and Abbey Road Studios introduce the first new EMI badged microphone ...
![Rupert Neve Designs 5012-H Duo Mic Pre (horizontal) [ USED ]](http://cdn.shopify.com/s/files/1/0292/6125/products/5012description-new-01-1024x687_c34b0b76-cbb7-4b9b-b749-26dcc931b754_800x.png?v=1544903328)
{"id":1624545558574,"title":"Rupert Neve Designs 5012-H Duo Mic Pre (horizontal) [ USED ]","handle":"rupert-neve-designs-5012-h-duo-mic-pre-horizontal-used","description":"\u003cbr\u003ePortico 5012 - Rupert Neve Designed Dual Mic Pre\u003cbr\u003e\u003cbr\u003eThe Portico 5012 is a dual channel mic pre featuring Rupert Neve’s custom input and output transformer designs. In addition to individually selectable phase, mute, phantom power and a fully sweepable high pass filter, the 5012 incorporates a \"Silk\" circuit which yields the rich warmth and presence of his renowned classics.\u003cbr\u003eMicrophone Input\u003cbr\u003e\u003cbr\u003eThe microphone input is balanced but not floating, being a variant of an instrumentation amplifer using a \"Transformer-Like-Amplifier\" (T.L.A.) configuration with a toroidal Common Mode Rejection Low Pass Filter that excludes frequencies above 150 kHz. The T.L.A. is followed by an actual input transformer permitting a full +25 dBu input signal to be handled at unity gain without an input pad over the whole audio spectrum. This combines the advantages of both an \"Electronically Balanced\" and true transformer input.\u003cbr\u003e\u003cbr\u003eWhen the Phantom voltage is switched off, this input serves as a very high quality line input with an impedance of 10K Ohms.\u003cbr\u003eLow Noise, Low Distortion Operation\u003cbr\u003e\u003cbr\u003eMuch care was given in designing the 5012 to produce as little noise and non-harmonic distortion as possible. Carefully implemented signal paths and Class A operation are a large part of the 5012′s sweet, whisper-quiet performance.\u003cbr\u003e\u003cbr\u003eAll Portico modules use input and output transformers and almost entirely discrete component amplifiers. In fact, the Line amplifiers on their own, inserted into the signal chain, are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. These are some of the factors that enable the Portico 5012 to work so unobtrusively within the context of a very high quality audio chain.\u003cbr\u003eWhy Transformers?\u003cbr\u003e\u003cbr\u003eThe fine subtleties of circuit design relating to sonic performance are gradually becoming more clearly understood. For example, research has shown conclusively that frequencies above 20kHz affect the way in which humans perceive sound quality. But long before scientific evidence emerged, a substantial body of musicians and engineers knew that equipment with apparently the same technical measurements could sound very different.\u003cbr\u003e\u003cbr\u003eIncredibly small amounts of musically dissonant odd harmonics can have a disastrous effect on the sound quality. Extraneous noise or interference that finds its way into a signal path seriously impairs performance of the whole chain. Since many control rooms make use of outboard gear that is not well protected from external signals, poor grounding of such equipment can be a serious problem. “Electronically balanced” circuits, much-used in modern equipment, can give very good measurements on the test bench but they do not provide adequate rejection of the stray fields found in every working environment.\u003cbr\u003e\u003cbr\u003eTo correct these issues, input and output circuits must be freed from ground dependence so that only the wanted signal enters and leaves the processing path. Transformers are the ideal solution. The sweet and silky sound of Mr. Neve’s classic designs was achieved with big transistors and large high quality transformers. Rupert Neve Designs’ Portico modules achieve similar quality today without the bulk or the cost.\u003cbr\u003e\u003cbr\u003eIn order for modules to work together as would be expected (i.e. in a proprietary console configuration) without producing hum, R.F. interference, or other interactions, the connecting interfaces, grounding, levels and impedances must receive careful attention. Each Portico module is a complete integral signal processor that delivers its specified performance independently. This is one reason why we use transformers.\u003cbr\u003eSilk\u003cbr\u003e\u003cbr\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The Silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003eLevel Meter\u003cbr\u003e\u003cbr\u003e-30 dBu to +22 dBu With reference to the output\u003cbr\u003eMute\u003cbr\u003e\u003cbr\u003eCuts of the output signal post metering and pre Buss Output. Be sure to mute the outputs before engaging phantom power.\u003cbr\u003eHigh Pass Filter\u003cbr\u003e\u003cbr\u003eThe High pass filter is a valuable aid in any signal chain but particularly so in a microphone preamplifier. Signals between 20 and 250 Hz can be attenuated, leaving the range above this unaffected. This gets rid of building rumble, air handling motor hum etc.\u003cbr\u003ePhantom Power\u003cbr\u003e\u003cbr\u003eProvides 48V phantom power to microphones\u003cbr\u003eBuss Output\u003cbr\u003e\u003cbr\u003eThe To Buss output is unbalanced and has a high impedance output. It is intended for use with the Portico Buss Amp\/Monitoring modules. A TRS patch cord is used to connect the 5012 Buss output to one of these bussing modules. The Monitor connection is derived pre mute on the 5012 and will produce a signal at the output of the buss modules that is equal in level to that at the 5012 output. The Monitor output cannot be used for any other purpose.\u003cbr\u003ePolarity\u003cbr\u003e\u003cbr\u003eFlips the phase of an incoming source 180 degrees\u003cbr\u003eFrequency Response:\u003cbr\u003e\u003cbr\u003eMain Output, no load, –3 dB @ 2.5 Hz\u003cbr\u003e–3 dB @ 125 kHz\u003cbr\u003eNoise:\u003cbr\u003e\u003cbr\u003eMeasured at Main Output, unweighted, 22Hz-22kHz, Terminated 40 Ohms, With gain at unity\u003cbr\u003ebetter than –102 dBu\u003cbr\u003eMaximum input:\u003cbr\u003e\u003cbr\u003efrom 20 Hz to 20 kHz, +25 dBu.\u003cbr\u003eMaximum output:\u003cbr\u003e\u003cbr\u003efrom 20 Hz to 20 kHz is +25 dBu. Total Harmonic Distortion and Noise: from \u0026lt;10 Hz to 80 kHz,\u003cbr\u003e@ 1kHz, +20 dBu output: Better than 0.002% @ 20Hz, +20 dBu out Better than 0.120%\u003cbr\u003e13\u003cbr\u003e@ 20kHz, +20 dBu out Better than 0.010%\u003cbr\u003eTotal Harmonic Distortion and Noise:\u003cbr\u003e\u003cbr\u003efrom \u0026lt;10 Hz to 80 kHz @ 1kHz, +20 dBu output: Better than 0.020% @ 20Hz, +20 dBu output Better than 0.140% @ 20kHz, +20 dBu output Better than 0.070%\u003cbr\u003eSize\/Weight:\u003cbr\u003e\u003cbr\u003eSize 1.75”H (1U), 9.5”W, 8”D\u003cbr\u003eWeight 8lbs","published_at":"2016-11-12T17:10:00+02:00","created_at":"2018-12-15T21:48:47+02:00","vendor":"Rupert Neve Designs","type":"Portico Series Modules","tags":["Preamps","Preamps \u0026 Channel Strips","Price Range_$1500 to $2000","Rupert Neve Designs","Shop by brand_Rupert Neve Designs","Shop by category_Channel Strips","Shop by category_Preamps","Studio \u0026 Recording","used","Used Gear"],"price":172500,"price_min":172500,"price_max":172500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14917061607470,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"5012-H","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rupert Neve Designs 5012-H Duo Mic Pre (horizontal) [ USED ]","public_title":null,"options":["Default Title"],"price":172500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"752423657018"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/5012description-new-01-1024x687_c34b0b76-cbb7-4b9b-b749-26dcc931b754.png?v=1544903328","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/5012-back_6b391c91-9a2d-460a-a4a3-3c273f728ae4.jpg?v=1544903328","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/portico-fullstack-851x1024_6d9432ec-6a70-4cf1-8dd9-3480da80827d.jpg?v=1544903328","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/WhatsApp_Image_2018-12-14_at_5.26.52_PM.jpeg?v=1544903434"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/5012description-new-01-1024x687_c34b0b76-cbb7-4b9b-b749-26dcc931b754.png?v=1544903328","options":["Title"],"content":"\u003cbr\u003ePortico 5012 - Rupert Neve Designed Dual Mic Pre\u003cbr\u003e\u003cbr\u003eThe Portico 5012 is a dual channel mic pre featuring Rupert Neve’s custom input and output transformer designs. In addition to individually selectable phase, mute, phantom power and a fully sweepable high pass filter, the 5012 incorporates a \"Silk\" circuit which yields the rich warmth and presence of his renowned classics.\u003cbr\u003eMicrophone Input\u003cbr\u003e\u003cbr\u003eThe microphone input is balanced but not floating, being a variant of an instrumentation amplifer using a \"Transformer-Like-Amplifier\" (T.L.A.) configuration with a toroidal Common Mode Rejection Low Pass Filter that excludes frequencies above 150 kHz. The T.L.A. is followed by an actual input transformer permitting a full +25 dBu input signal to be handled at unity gain without an input pad over the whole audio spectrum. This combines the advantages of both an \"Electronically Balanced\" and true transformer input.\u003cbr\u003e\u003cbr\u003eWhen the Phantom voltage is switched off, this input serves as a very high quality line input with an impedance of 10K Ohms.\u003cbr\u003eLow Noise, Low Distortion Operation\u003cbr\u003e\u003cbr\u003eMuch care was given in designing the 5012 to produce as little noise and non-harmonic distortion as possible. Carefully implemented signal paths and Class A operation are a large part of the 5012′s sweet, whisper-quiet performance.\u003cbr\u003e\u003cbr\u003eAll Portico modules use input and output transformers and almost entirely discrete component amplifiers. In fact, the Line amplifiers on their own, inserted into the signal chain, are capable of enhancing the sonic quality of many signal sources, especially those of digital origin. These are some of the factors that enable the Portico 5012 to work so unobtrusively within the context of a very high quality audio chain.\u003cbr\u003eWhy Transformers?\u003cbr\u003e\u003cbr\u003eThe fine subtleties of circuit design relating to sonic performance are gradually becoming more clearly understood. For example, research has shown conclusively that frequencies above 20kHz affect the way in which humans perceive sound quality. But long before scientific evidence emerged, a substantial body of musicians and engineers knew that equipment with apparently the same technical measurements could sound very different.\u003cbr\u003e\u003cbr\u003eIncredibly small amounts of musically dissonant odd harmonics can have a disastrous effect on the sound quality. Extraneous noise or interference that finds its way into a signal path seriously impairs performance of the whole chain. Since many control rooms make use of outboard gear that is not well protected from external signals, poor grounding of such equipment can be a serious problem. “Electronically balanced” circuits, much-used in modern equipment, can give very good measurements on the test bench but they do not provide adequate rejection of the stray fields found in every working environment.\u003cbr\u003e\u003cbr\u003eTo correct these issues, input and output circuits must be freed from ground dependence so that only the wanted signal enters and leaves the processing path. Transformers are the ideal solution. The sweet and silky sound of Mr. Neve’s classic designs was achieved with big transistors and large high quality transformers. Rupert Neve Designs’ Portico modules achieve similar quality today without the bulk or the cost.\u003cbr\u003e\u003cbr\u003eIn order for modules to work together as would be expected (i.e. in a proprietary console configuration) without producing hum, R.F. interference, or other interactions, the connecting interfaces, grounding, levels and impedances must receive careful attention. Each Portico module is a complete integral signal processor that delivers its specified performance independently. This is one reason why we use transformers.\u003cbr\u003eSilk\u003cbr\u003e\u003cbr\u003eMuch could be written about this feature, suffice to say, that it gives a subtle option to enhance sound quality in the direction of vintage modules. The Silk button reduces negative feedback and adjusts the frequency spectrum to provide a very sweet and musical performance. We suggest you try it and make your own judgment.\u003cbr\u003eLevel Meter\u003cbr\u003e\u003cbr\u003e-30 dBu to +22 dBu With reference to the output\u003cbr\u003eMute\u003cbr\u003e\u003cbr\u003eCuts of the output signal post metering and pre Buss Output. Be sure to mute the outputs before engaging phantom power.\u003cbr\u003eHigh Pass Filter\u003cbr\u003e\u003cbr\u003eThe High pass filter is a valuable aid in any signal chain but particularly so in a microphone preamplifier. Signals between 20 and 250 Hz can be attenuated, leaving the range above this unaffected. This gets rid of building rumble, air handling motor hum etc.\u003cbr\u003ePhantom Power\u003cbr\u003e\u003cbr\u003eProvides 48V phantom power to microphones\u003cbr\u003eBuss Output\u003cbr\u003e\u003cbr\u003eThe To Buss output is unbalanced and has a high impedance output. It is intended for use with the Portico Buss Amp\/Monitoring modules. A TRS patch cord is used to connect the 5012 Buss output to one of these bussing modules. The Monitor connection is derived pre mute on the 5012 and will produce a signal at the output of the buss modules that is equal in level to that at the 5012 output. The Monitor output cannot be used for any other purpose.\u003cbr\u003ePolarity\u003cbr\u003e\u003cbr\u003eFlips the phase of an incoming source 180 degrees\u003cbr\u003eFrequency Response:\u003cbr\u003e\u003cbr\u003eMain Output, no load, –3 dB @ 2.5 Hz\u003cbr\u003e–3 dB @ 125 kHz\u003cbr\u003eNoise:\u003cbr\u003e\u003cbr\u003eMeasured at Main Output, unweighted, 22Hz-22kHz, Terminated 40 Ohms, With gain at unity\u003cbr\u003ebetter than –102 dBu\u003cbr\u003eMaximum input:\u003cbr\u003e\u003cbr\u003efrom 20 Hz to 20 kHz, +25 dBu.\u003cbr\u003eMaximum output:\u003cbr\u003e\u003cbr\u003efrom 20 Hz to 20 kHz is +25 dBu. Total Harmonic Distortion and Noise: from \u0026lt;10 Hz to 80 kHz,\u003cbr\u003e@ 1kHz, +20 dBu output: Better than 0.002% @ 20Hz, +20 dBu out Better than 0.120%\u003cbr\u003e13\u003cbr\u003e@ 20kHz, +20 dBu out Better than 0.010%\u003cbr\u003eTotal Harmonic Distortion and Noise:\u003cbr\u003e\u003cbr\u003efrom \u0026lt;10 Hz to 80 kHz @ 1kHz, +20 dBu output: Better than 0.020% @ 20Hz, +20 dBu output Better than 0.140% @ 20kHz, +20 dBu output Better than 0.070%\u003cbr\u003eSize\/Weight:\u003cbr\u003e\u003cbr\u003eSize 1.75”H (1U), 9.5”W, 8”D\u003cbr\u003eWeight 8lbs"}
![Rupert Neve Designs 5012-H Duo Mic Pre (horizontal) [ USED ]](http://cdn.shopify.com/s/files/1/0292/6125/products/5012description-new-01-1024x687_c34b0b76-cbb7-4b9b-b749-26dcc931b754_1024x.png?v=1544903328)
Rupert Neve Designs 5012-H Duo Mic Pre (horizontal) [ USED ]
$1,725.00
Portico 5012 - Rupert Neve Designed Dual Mic PreThe Portico 5012 is a dual channel mic pre featuring Rupert Neve’s custom input and output transformer designs. In addition to individually selectable phase, mute, phantom power and a fully sweepable high pass filter, the 5012 incorporates a "Silk" circuit which yields the rich warmth and presence ...
![Avalon AD2022 [ USED ]](http://cdn.shopify.com/s/files/1/0292/6125/products/AD2022F_24029f87-69a0-41b8-8fbd-465e2ca2d803_800x.jpg?v=1544510210)
Avalon AD2022 [ USED ]
$2,870.00
{"id":1604598693934,"title":"Avalon AD2022 [ USED ]","handle":"avalon-ad2022-used","description":"\u003cdiv class=\"rte\" itemprop=\"description\"\u003e\n\u003cp\u003e\u003cstrong\u003eAvalon Preamplifiers, AD2022 Specs \u0026amp; Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The AD2022 is the most powerful preamp I have ever used. I use it on everything: Mics, keyboards, sound modules, synths, guitars and bass. I have never heard a bass sound so controlled and big... Amazing!\" - Devin P., CA\u003cbr\u003e\u003cbr\u003e\"Lowering the input impedance on the AD2022 for recording electric guitars using an SM57 mic, gave me a low mid-range presence that was unbelievable!\" \u003cbr\u003e- John B., CA\u003cbr\u003e\u003cbr\u003e\"I have recently been recording Alanis M. with the AD2022. I don't need to use EQ or compression on the way in. Just the AKG C12 through the AD2022 and straight to tape. I've been completely blown away! It is perfectly balanced and crystal clear with ultra fast transients in the low end. Amazing detail! Alanis immediately noticed a difference in her headphones when we first plugged the AD2022 in. Thank you very much. It's the best mic pre I have ever heard.\" \u003cbr\u003e- Rob J., CA\u003c\/p\u003e\n\u003cp\u003eThe AD2022 is Avalon's fourth generation of fully discrete, symmetrical Pure Class A microphone preamplifiers. The dual mono AD2022 includes the original sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus several additional features, including selectable microphone source loading for optimized cable\/mic matching, improved high-voltage Class A regulated power supplies, two high Z instrument inputs, variable-passive high pass filter, quality\/silver wiring and doubled plated circuit boards for superior low level signal transfer. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAD2022 FEATURES\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymmetrical Pure Class A design, two channels\u003c\/li\u003e\n\u003cli\u003eMicrophone and hi-Z instrument inputs\u003c\/li\u003e\n\u003cli\u003eGain switched 4dB steps plus +\/- 3dB fine output trim \u003c\/li\u003e\n\u003cli\u003eSelectable microphone input impedance matching \u003c\/li\u003e\n\u003cli\u003eLow noise -126dB EIN\u003c\/li\u003e\n\u003cli\u003eUltra high quality, low-ratio, balanced input transformer\u003c\/li\u003e\n\u003cli\u003eBalanced, high-current Class A output to +36dB\u003c\/li\u003e\n\u003cli\u003eLarge illuminated analog VU meters and twin peak LED's\u003c\/li\u003e\n\u003cli\u003eRegulated phantom power supply +48v \u003c\/li\u003e\n\u003cli\u003eInput polarity phase reverse \u003c\/li\u003e\n\u003cli\u003eHigh headroom +36dB input before overload\u003c\/li\u003e\n\u003cli\u003eInput -20dB pad for high level signals\u003c\/li\u003e\n\u003cli\u003eSealed silver relays for all signal routing\u003c\/li\u003e\n\u003cli\u003eExternal AC 150w toroidal power chassis\u003c\/li\u003e\n\u003cli\u003eFully discrete Class A regulated audio power supplies\u003c\/li\u003e\n\u003cli\u003eDeep, musical sound-stage, transparent amplification\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMICROPHONE INPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AD2022 incorporates the most advanced high-performance microphone transformer available. Split low-ratio primary windings are carefully combined within a custom mu-metal core for extended smooth frequency response and very low distortion. Sealer silver relays are used for minimal signal invasion. The input signal selector, high pass filter, polarity-phase reverse, +48v power and the 20dB input attenuator all utilize local sealed relay operation. A variable passive high pass filter provides a minimum phase shift design while eliminating low frequency rumble, wind noise and mechanical vibration at sub sonic frequencies. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSYMMETRICAL PURE CLASS A DESIGN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo 100% discrete, high-voltage, symmetrical Pure Class A signal amplifiers are utilized per channel. The first operates in a cascaded-cascode FET configuration while the second stage amplifier is fully bipolar. The twin amplifiers share the total available gain requirement. This shared architecture increases the high level headroom capability, improves transient response and doubles the internal bandwidth of the ultra-high performance pure Class A signal amplifiers. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOUTPUT and METERING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHigh-current DC coupled, Class A discrete amplifiers are utilized for the output drive interface with +36dB capability into all known loads. Two large, high-quality analog VU meters indicate accurate signal readings while bi-color LED's offers peak indication at 0dB and +20dB.\u003cbr\u003e\u003cbr\u003eFAQ - Is the mic preamp in the Vt-737sp the same as the AD2022 or M5?\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAD2022 PREAMPLIFIER SPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCircuit Topology: Twin cascode FET and bipolar low level signal amplifiers, \u003cbr\u003ehigh-voltage, 100% discrete, symmetrical Pure Class A\u003cbr\u003eInput Type and Load: Transformer balanced low-ratio, 50, 150, 600 and 1k5 ohm input load selection \u003cbr\u003eMaximum Mic Level: +36dB balanced XLR pin 2 hot (with -20dB passive attenuator)\u003cbr\u003eMaximum Instrument Level +18dB at 100k ohms instrument input level, standard mono 1\/4 inch jack\u003cbr\u003eInput Attenuator: -20dB resistive pre transformer primary, sealed silver relay\u003cbr\u003ePhantom Power: +48v regulated 50mA capability, sealed silver relay\u003cbr\u003eHigh Pass Filter: Passive, variable from 30Hz to 185Hz @ 6dB per octave, sealed silver relay.\u003cbr\u003ePolarity Reverse: Sealed silver relay on microphone input\u003cbr\u003eGain Range Input: +20dB to +64dB in 4dB steps\u003cbr\u003eGain Output Range: +\/- 3dB variable conductive plastic potentiometer\u003cbr\u003eMaximum Output Level: +36dB balanced 600 ohms, DC coupled, discrete symmetrical Pure Class A\u003cbr\u003eOutput Type: XLR connector, pin 2 hot\u003cbr\u003eNoise EIN Unweighted: -126dB 150 ohm\u003cbr\u003eNoise 20kHz Unweighted: -102dB\u003cbr\u003eDistortion THD, IMD: 0.05% nominal\u003cbr\u003eFrequency Response -3dB: 1Hz to 120kHz transformer limit\u003cbr\u003eSystem Bandwidth: DC to 1MHz\u003cbr\u003eOutput Meter: High quality, illuminated analog VU meter 0dB = +4dB.\u003cbr\u003ePeak Meter: Bi-color LED's 0dB and +20dB peak detection circuit.\u003cbr\u003eAC power supply B2T: External toroidal 100V to 240V, 50-60Hz selectable,\u003cbr\u003e150 watts maximum.\u003cbr\u003eCables: 90V ac, 4 pin male power input connector, B2T required, internal DC regulation \u003cbr\u003eDimensions: 19 x 12 x 3.5 in (482 x 305 x 89mm)\u003cbr\u003eWeight: 15lbs (6.8kg)\u003cbr\u003eDimensions - Shipping Carton: 24 x 21.5 x 7.5 in (610 x 546 x 190mm) \u003cbr\u003eWeight - Packed: 25lbs (11.4kg)\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2018-11-27T16:15:36+02:00","created_at":"2018-11-27T16:21:43+02:00","vendor":"Avalon","type":"Preamps","tags":["Avalon","Channel Strips \u0026 Preamps","Preamps \u0026 Channel","Pro Audio","Pro Audio Recording","Recording","Shop by brand_Avalon","Shop by category_ Preamps","Shop by category_ Pro Audio","Shop by category_Preamps","Shop by category_Preamps \u0026 Channel Strips","Used Gear"],"price":287000,"price_min":287000,"price_max":287000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14792179875886,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Avalon AD2022 [ USED ]","public_title":null,"options":["Default Title"],"price":287000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AD2022F_24029f87-69a0-41b8-8fbd-465e2ca2d803.jpg?v=1544510210","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AD2022B_50d13303-807b-4758-baee-a8281fc4630d.jpg?v=1544510210","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/WhatsApp_Image_2018-12-02_at_7.14.58_PM.jpeg?v=1544510210"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/AD2022F_24029f87-69a0-41b8-8fbd-465e2ca2d803.jpg?v=1544510210","options":["Title"],"content":"\u003cdiv class=\"rte\" itemprop=\"description\"\u003e\n\u003cp\u003e\u003cstrong\u003eAvalon Preamplifiers, AD2022 Specs \u0026amp; Details\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\"The AD2022 is the most powerful preamp I have ever used. I use it on everything: Mics, keyboards, sound modules, synths, guitars and bass. I have never heard a bass sound so controlled and big... Amazing!\" - Devin P., CA\u003cbr\u003e\u003cbr\u003e\"Lowering the input impedance on the AD2022 for recording electric guitars using an SM57 mic, gave me a low mid-range presence that was unbelievable!\" \u003cbr\u003e- John B., CA\u003cbr\u003e\u003cbr\u003e\"I have recently been recording Alanis M. with the AD2022. I don't need to use EQ or compression on the way in. Just the AKG C12 through the AD2022 and straight to tape. I've been completely blown away! It is perfectly balanced and crystal clear with ultra fast transients in the low end. Amazing detail! Alanis immediately noticed a difference in her headphones when we first plugged the AD2022 in. Thank you very much. It's the best mic pre I have ever heard.\" \u003cbr\u003e- Rob J., CA\u003c\/p\u003e\n\u003cp\u003eThe AD2022 is Avalon's fourth generation of fully discrete, symmetrical Pure Class A microphone preamplifiers. The dual mono AD2022 includes the original sonic capabilities and transparency of the M2, M22 and M5 preamplifiers plus several additional features, including selectable microphone source loading for optimized cable\/mic matching, improved high-voltage Class A regulated power supplies, two high Z instrument inputs, variable-passive high pass filter, quality\/silver wiring and doubled plated circuit boards for superior low level signal transfer. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAD2022 FEATURES\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSymmetrical Pure Class A design, two channels\u003c\/li\u003e\n\u003cli\u003eMicrophone and hi-Z instrument inputs\u003c\/li\u003e\n\u003cli\u003eGain switched 4dB steps plus +\/- 3dB fine output trim \u003c\/li\u003e\n\u003cli\u003eSelectable microphone input impedance matching \u003c\/li\u003e\n\u003cli\u003eLow noise -126dB EIN\u003c\/li\u003e\n\u003cli\u003eUltra high quality, low-ratio, balanced input transformer\u003c\/li\u003e\n\u003cli\u003eBalanced, high-current Class A output to +36dB\u003c\/li\u003e\n\u003cli\u003eLarge illuminated analog VU meters and twin peak LED's\u003c\/li\u003e\n\u003cli\u003eRegulated phantom power supply +48v \u003c\/li\u003e\n\u003cli\u003eInput polarity phase reverse \u003c\/li\u003e\n\u003cli\u003eHigh headroom +36dB input before overload\u003c\/li\u003e\n\u003cli\u003eInput -20dB pad for high level signals\u003c\/li\u003e\n\u003cli\u003eSealed silver relays for all signal routing\u003c\/li\u003e\n\u003cli\u003eExternal AC 150w toroidal power chassis\u003c\/li\u003e\n\u003cli\u003eFully discrete Class A regulated audio power supplies\u003c\/li\u003e\n\u003cli\u003eDeep, musical sound-stage, transparent amplification\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eMICROPHONE INPUT\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe AD2022 incorporates the most advanced high-performance microphone transformer available. Split low-ratio primary windings are carefully combined within a custom mu-metal core for extended smooth frequency response and very low distortion. Sealer silver relays are used for minimal signal invasion. The input signal selector, high pass filter, polarity-phase reverse, +48v power and the 20dB input attenuator all utilize local sealed relay operation. A variable passive high pass filter provides a minimum phase shift design while eliminating low frequency rumble, wind noise and mechanical vibration at sub sonic frequencies. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSYMMETRICAL PURE CLASS A DESIGN\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTwo 100% discrete, high-voltage, symmetrical Pure Class A signal amplifiers are utilized per channel. The first operates in a cascaded-cascode FET configuration while the second stage amplifier is fully bipolar. The twin amplifiers share the total available gain requirement. This shared architecture increases the high level headroom capability, improves transient response and doubles the internal bandwidth of the ultra-high performance pure Class A signal amplifiers. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOUTPUT and METERING\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHigh-current DC coupled, Class A discrete amplifiers are utilized for the output drive interface with +36dB capability into all known loads. Two large, high-quality analog VU meters indicate accurate signal readings while bi-color LED's offers peak indication at 0dB and +20dB.\u003cbr\u003e\u003cbr\u003eFAQ - Is the mic preamp in the Vt-737sp the same as the AD2022 or M5?\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eAD2022 PREAMPLIFIER SPECIFICATIONS\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eCircuit Topology: Twin cascode FET and bipolar low level signal amplifiers, \u003cbr\u003ehigh-voltage, 100% discrete, symmetrical Pure Class A\u003cbr\u003eInput Type and Load: Transformer balanced low-ratio, 50, 150, 600 and 1k5 ohm input load selection \u003cbr\u003eMaximum Mic Level: +36dB balanced XLR pin 2 hot (with -20dB passive attenuator)\u003cbr\u003eMaximum Instrument Level +18dB at 100k ohms instrument input level, standard mono 1\/4 inch jack\u003cbr\u003eInput Attenuator: -20dB resistive pre transformer primary, sealed silver relay\u003cbr\u003ePhantom Power: +48v regulated 50mA capability, sealed silver relay\u003cbr\u003eHigh Pass Filter: Passive, variable from 30Hz to 185Hz @ 6dB per octave, sealed silver relay.\u003cbr\u003ePolarity Reverse: Sealed silver relay on microphone input\u003cbr\u003eGain Range Input: +20dB to +64dB in 4dB steps\u003cbr\u003eGain Output Range: +\/- 3dB variable conductive plastic potentiometer\u003cbr\u003eMaximum Output Level: +36dB balanced 600 ohms, DC coupled, discrete symmetrical Pure Class A\u003cbr\u003eOutput Type: XLR connector, pin 2 hot\u003cbr\u003eNoise EIN Unweighted: -126dB 150 ohm\u003cbr\u003eNoise 20kHz Unweighted: -102dB\u003cbr\u003eDistortion THD, IMD: 0.05% nominal\u003cbr\u003eFrequency Response -3dB: 1Hz to 120kHz transformer limit\u003cbr\u003eSystem Bandwidth: DC to 1MHz\u003cbr\u003eOutput Meter: High quality, illuminated analog VU meter 0dB = +4dB.\u003cbr\u003ePeak Meter: Bi-color LED's 0dB and +20dB peak detection circuit.\u003cbr\u003eAC power supply B2T: External toroidal 100V to 240V, 50-60Hz selectable,\u003cbr\u003e150 watts maximum.\u003cbr\u003eCables: 90V ac, 4 pin male power input connector, B2T required, internal DC regulation \u003cbr\u003eDimensions: 19 x 12 x 3.5 in (482 x 305 x 89mm)\u003cbr\u003eWeight: 15lbs (6.8kg)\u003cbr\u003eDimensions - Shipping Carton: 24 x 21.5 x 7.5 in (610 x 546 x 190mm) \u003cbr\u003eWeight - Packed: 25lbs (11.4kg)\u003c\/p\u003e\n\u003c\/div\u003e"}
![Avalon AD2022 [ USED ]](http://cdn.shopify.com/s/files/1/0292/6125/products/AD2022F_24029f87-69a0-41b8-8fbd-465e2ca2d803_1024x.jpg?v=1544510210)
Avalon AD2022 [ USED ]
$2,870.00
Avalon Preamplifiers, AD2022 Specs & Details "The AD2022 is the most powerful preamp I have ever used. I use it on everything: Mics, keyboards, sound modules, synths, guitars and bass. I have never heard a bass sound so controlled and big... Amazing!" - Devin P., CA"Lowering the input impedance on the AD2022 for recording electric guitars u...
Waves DSPRO StageGrid 4000
$4,399.00
{"id":1599402115118,"title":"Waves DSPRO StageGrid 4000","handle":"waves-dspro-stagegrid-4000","description":"\u003ch1\u003e\u003cstrong\u003e32 mic XLR-in\/16 analog XLR-out stagebox w\/ SG connectivity, 4 AES I\/O, 2 Headphone outputs, Redundant PSU\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cb\u003eSoundGrid stagebox, perfect for use with the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.waves.com\/mixers-racks\/emotion-lv1\" title=\"eMotion LV1 live mixer\" class=\"blue9-link\"\u003eeMotion LV1 live mixer\u003c\/a\u003e. Crafted for supreme sound quality and reliability, with 32 mic\/line ins, 16 analog outs and AES\/EBU ins\/outs, all digitally controlled.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing pristine preamps designed to deliver a dynamic sound with superb clarity, StageGrid 4000 is fully integrated into the Waves ecosystem and easily interfaces with the eMotion LV1 mixer and any other SoundGrid network component. It provides a seamless solution for live sound applications, coupled with the modularity and power of SoundGrid technology.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBuilt ruggedly in a robust 4U rack-mountable chassis, StageGrid 4000 is designed with the challenges of the road in mind, and with no compromise in audio quality. All of StageGrid 4000's components were carefully selected and tested to ensure continuous system stability and maximum dependability, including a redundant power supply. This way you can focus on what really matters – creating a consistent, impactful sonic experience, show after show.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2018-11-23T18:01:28+02:00","created_at":"2018-11-23T18:08:12+02:00","vendor":"Waves","type":"Mixer Accessories","tags":["Preamps","Preamps \u0026 Channel Strips","Price Range_$3000 and Over","Shop by brand_Waves","Shop by category_Preamps","Shop by category_Preamps \u0026 Channel Strips","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording","Waves","Waves DSPRO StageGrid 4000"],"price":439900,"price_min":439900,"price_max":439900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14766579744814,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DSPSGRD","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Waves DSPRO StageGrid 4000","public_title":null,"options":["Default Title"],"price":439900,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dspro-stagegrid-4000.jpg?v=1542989365","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dspro-stagegrid-4000-1.jpg?v=1542989373","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dspro-stagegrid-4000-2.jpg?v=1542989380"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/dspro-stagegrid-4000.jpg?v=1542989365","options":["Title"],"content":"\u003ch1\u003e\u003cstrong\u003e32 mic XLR-in\/16 analog XLR-out stagebox w\/ SG connectivity, 4 AES I\/O, 2 Headphone outputs, Redundant PSU\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cb\u003eSoundGrid stagebox, perfect for use with the\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/www.waves.com\/mixers-racks\/emotion-lv1\" title=\"eMotion LV1 live mixer\" class=\"blue9-link\"\u003eeMotion LV1 live mixer\u003c\/a\u003e. Crafted for supreme sound quality and reliability, with 32 mic\/line ins, 16 analog outs and AES\/EBU ins\/outs, all digitally controlled.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFeaturing pristine preamps designed to deliver a dynamic sound with superb clarity, StageGrid 4000 is fully integrated into the Waves ecosystem and easily interfaces with the eMotion LV1 mixer and any other SoundGrid network component. It provides a seamless solution for live sound applications, coupled with the modularity and power of SoundGrid technology.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBuilt ruggedly in a robust 4U rack-mountable chassis, StageGrid 4000 is designed with the challenges of the road in mind, and with no compromise in audio quality. All of StageGrid 4000's components were carefully selected and tested to ensure continuous system stability and maximum dependability, including a redundant power supply. This way you can focus on what really matters – creating a consistent, impactful sonic experience, show after show.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e"}
Waves DSPRO StageGrid 4000
$4,399.00
32 mic XLR-in/16 analog XLR-out stagebox w/ SG connectivity, 4 AES I/O, 2 Headphone outputs, Redundant PSU SoundGrid stagebox, perfect for use with the eMotion LV1 live mixer. Crafted for supreme sound quality and reliability, with 32 mic/line ins, 16 analog outs and AES/EBU ins/outs, all digitally controlled.Featuring pristine preamps designed ...
GML Model 8302
$3,090.00
{"id":1522138185774,"title":"GML Model 8302","handle":"gml-model-8302","description":"\u003ch1\u003e\u003cstrong\u003eTransformerless 2-channel Mic Preamp with Power Supply\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eGML Microphone Preamplifiers are world-renowned for their life-like realism, high resolving power, and reference-standard transparency. The Series II models are available as 2 channel ”8302” and 4 channel ”8304” versions. Our continuing research and review of up-to-date componentry maintains the legendary transparency that we’re well-known for. The GML 8302 and the 8304 Series II have been reconfigured with front-panel-mounted phantom power and phase reverse switches, and the +48v phantom supply has been completely redesigned resulting in lower noise. Their all-discrete, bipolar transistor circuit topologies are completely transformerless with no FETs, ICs,or electrolytic capacitors in the signal path. Even the outputs are direct-coupled with time-proven active servos that remove DC without adding any artificial color. 10dB to 65dB of gain is front panel selectable on the front panel in precise 5dB steps. A +24dBv clip indicator warns of any impending overloads. Both GML 8302 and 8304 will occupy 1U rack space. Both versions ship with an external power supply (GML Model 8355) and a 5pin XLR power cable. As always the model 8302 can be upgraded up to 4 channels later on.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2018-11-12T19:03:36+02:00","created_at":"2018-11-12T19:05:27+02:00","vendor":"GML","type":"Preamps","tags":["GML","GML Model 8302","Preamps","Preamps \u0026 Channel Strips","Price Range_$3000 and Over","shop by brand_GML","Shop by category_Preamps","Shop by category_Preamps \u0026 Channel Strips","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":309000,"price_min":309000,"price_max":309000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":13777697079342,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"GML8302","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"GML Model 8302","public_title":null,"options":["Default Title"],"price":309000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/gml-8302_57612_1.jpg?v=1542042386"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/gml-8302_57612_1.jpg?v=1542042386","options":["Title"],"content":"\u003ch1\u003e\u003cstrong\u003eTransformerless 2-channel Mic Preamp with Power Supply\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eGML Microphone Preamplifiers are world-renowned for their life-like realism, high resolving power, and reference-standard transparency. The Series II models are available as 2 channel ”8302” and 4 channel ”8304” versions. Our continuing research and review of up-to-date componentry maintains the legendary transparency that we’re well-known for. The GML 8302 and the 8304 Series II have been reconfigured with front-panel-mounted phantom power and phase reverse switches, and the +48v phantom supply has been completely redesigned resulting in lower noise. Their all-discrete, bipolar transistor circuit topologies are completely transformerless with no FETs, ICs,or electrolytic capacitors in the signal path. Even the outputs are direct-coupled with time-proven active servos that remove DC without adding any artificial color. 10dB to 65dB of gain is front panel selectable on the front panel in precise 5dB steps. A +24dBv clip indicator warns of any impending overloads. Both GML 8302 and 8304 will occupy 1U rack space. Both versions ship with an external power supply (GML Model 8355) and a 5pin XLR power cable. As always the model 8302 can be upgraded up to 4 channels later on.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e"}
GML Model 8302
$3,090.00
Transformerless 2-channel Mic Preamp with Power Supply GML Microphone Preamplifiers are world-renowned for their life-like realism, high resolving power, and reference-standard transparency. The Series II models are available as 2 channel ”8302” and 4 channel ”8304” versions. Our continuing research and review of up-to-date componentry maintains...
GML Model 8304
$3,700.00
{"id":1522132418606,"title":"GML Model 8304","handle":"gml-model-8304","description":"\u003ch1\u003e\u003cstrong\u003e4-channel Mic Preamp with Transformerless Circuitry, Incredible Dynamic Range and Pristine Sound\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eGML Microphone Preamplifiers are world-renowned for their life-like realism, high resolving power, and reference-standard transparency. The Series II models are available as 2 channel ”8302” and 4 channel ”8304” versions. Our continuing research and review of up-to-date componentry maintains the legendary transparency that we’re well-known for. The GML 8302 and the 8304 Series II have been reconfigured with front-panel-mounted phantom power and phase reverse switches, and the +48v phantom supply has been completely redesigned resulting in lower noise. Their all-discrete, bipolar transistor circuit topologies are completely transformerless with no FETs, ICs,or electrolytic capacitors in the signal path. Even the outputs are direct-coupled with time-proven active servos that remove DC without adding any artificial color. 10dB to 65dB of gain is front panel selectable on the front panel in precise 5dB steps. A +24dBv clip indicator warns of any impending overloads. Both GML 8302 and 8304 will occupy 1U rack space. Both versions ship with an external power supply (GML Model 8355) and a 5pin XLR power cable. As always the model 8302 can be upgraded up to 4 channels later on.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","published_at":"2018-11-12T18:55:36+02:00","created_at":"2018-11-12T18:57:26+02:00","vendor":"GML","type":"Preamps","tags":["GML","GML Model 8304","Preamps","Preamps \u0026 Channel Strips","Price Range_$3000 and Over","shop by brand_GML","Shop by category_Preamps","Shop by category_Preamps \u0026 Channel Strips","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":370000,"price_min":370000,"price_max":370000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":13777676566574,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"GML8304","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"GML Model 8304","public_title":null,"options":["Default Title"],"price":370000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/GML8304MKII_750.jpg?v=1542041952","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/GML8304MKIIAngle_1k.jpg?v=1542041972"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/GML8304MKII_750.jpg?v=1542041952","options":["Title"],"content":"\u003ch1\u003e\u003cstrong\u003e4-channel Mic Preamp with Transformerless Circuitry, Incredible Dynamic Range and Pristine Sound\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eGML Microphone Preamplifiers are world-renowned for their life-like realism, high resolving power, and reference-standard transparency. The Series II models are available as 2 channel ”8302” and 4 channel ”8304” versions. Our continuing research and review of up-to-date componentry maintains the legendary transparency that we’re well-known for. The GML 8302 and the 8304 Series II have been reconfigured with front-panel-mounted phantom power and phase reverse switches, and the +48v phantom supply has been completely redesigned resulting in lower noise. Their all-discrete, bipolar transistor circuit topologies are completely transformerless with no FETs, ICs,or electrolytic capacitors in the signal path. Even the outputs are direct-coupled with time-proven active servos that remove DC without adding any artificial color. 10dB to 65dB of gain is front panel selectable on the front panel in precise 5dB steps. A +24dBv clip indicator warns of any impending overloads. Both GML 8302 and 8304 will occupy 1U rack space. Both versions ship with an external power supply (GML Model 8355) and a 5pin XLR power cable. As always the model 8302 can be upgraded up to 4 channels later on.\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e"}
GML Model 8304
$3,700.00
4-channel Mic Preamp with Transformerless Circuitry, Incredible Dynamic Range and Pristine Sound GML Microphone Preamplifiers are world-renowned for their life-like realism, high resolving power, and reference-standard transparency. The Series II models are available as 2 channel ”8302” and 4 channel ”8304” versions. Our continuing research and ...
Chandler Limited TG2 PRE AMP/DI
$2,315.00
{"id":1511088062510,"title":"Chandler Limited TG2 PRE AMP\/DI","handle":"chandler-limited-tg2-pre-amp-di","description":"\u003ch1\u003e\u003cstrong\u003e2-channel Preamp\/DI with Discrete Transformer-balanced Amplifiers and Summing — Based on the EMI TG12428\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG2 Pre Amp\/DI is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road recording and mastering consoles in the late 60s and early 70s. The sound was used on many famous recordings done at Abbey Road including The Beatles \"Abbey Road\" and Pink Floyd \"Dark Side of the Moon.\"\u003c\/p\u003e\n\u003cp\u003eThis microphone pre-amplifier features the same discrete transformer balanced amplifiers as the TG series limiter and offers a creamy, smooth tone with a surprisingly open, clear top end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact, the unit does have a small rise in its top-end frequency response and some warmth inducing distortion, which contribute to its sound.\u003c\/p\u003e\n\u003cp\u003eOptions: Stepped Output (Stereo)\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e*Please note: Not all of the early Abbey Road TG2 Pre Amp\/DI units have the \"impedance\" as a standard feature of the unit. If buying a used unit, please inquire as to whether the unit is equipped with the impedance before purchasing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003ccite\u003eTG2 TECHNICAL SPECIFICATIONS\u003c\/cite\u003e\u003c\/h2\u003e\n\u003cdiv class=\"at-above-post-arch-page addthis_tool\" data-url=\"https:\/\/chandlerlimited.com\/technical-specifications\/tg2-technical-specifications\/\"\u003e\u003c\/div\u003e\n\u003cp\u003eCHANNELS: Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eGain: +5db to +75db\u003cbr\u003eInput Impedance: 1200 to 300 Ohm\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003eI\/O: XLR, Transformer Balanced, Pin 2 Hot\u003cbr\u003eDI, 1\/4\" Unbalanced, 100k input impedance\u003cbr\u003eAll Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER\u003cbr\u003ePhantom Power: +48v\u003cbr\u003ePower: ±28v\u003cbr\u003eRequires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e","published_at":"2018-10-31T08:16:15+02:00","created_at":"2018-10-31T08:23:30+02:00","vendor":"Chandler Limited","type":"Studio \u0026 Recording","tags":["Chandler Limited","Chandler Limited TG2 PRE AMP\/DI","Preamps","Preamps \u0026 Channel Strips","Price Range_$2000 to $3000","Shop by brand_Chandler Limited","Shop by category_Preamps","Shop by category_Preamps \u0026 Channel Strips","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":231500,"price_min":231500,"price_max":231500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":13729666433070,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG2 PRE AMP\/DI","public_title":null,"options":["Default Title"],"price":231500,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg2_1.jpg?v=1540967595","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_24d163c7-0239-486b-8c9e-bc78124bb76c.png?v=1540967632","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg2_pre_amp_di_03_4b7b3f73-703e-46c8-91cb-6f3e3b889e4e.png?v=1540967595","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg2_pre_amp_di_06.png?v=1540967595","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg2_pre_amp_di_07.png?v=1540967595"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg2_1.jpg?v=1540967595","options":["Title"],"content":"\u003ch1\u003e\u003cstrong\u003e2-channel Preamp\/DI with Discrete Transformer-balanced Amplifiers and Summing — Based on the EMI TG12428\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG2 Pre Amp\/DI is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road recording and mastering consoles in the late 60s and early 70s. The sound was used on many famous recordings done at Abbey Road including The Beatles \"Abbey Road\" and Pink Floyd \"Dark Side of the Moon.\"\u003c\/p\u003e\n\u003cp\u003eThis microphone pre-amplifier features the same discrete transformer balanced amplifiers as the TG series limiter and offers a creamy, smooth tone with a surprisingly open, clear top end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact, the unit does have a small rise in its top-end frequency response and some warmth inducing distortion, which contribute to its sound.\u003c\/p\u003e\n\u003cp\u003eOptions: Stepped Output (Stereo)\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e*Please note: Not all of the early Abbey Road TG2 Pre Amp\/DI units have the \"impedance\" as a standard feature of the unit. If buying a used unit, please inquire as to whether the unit is equipped with the impedance before purchasing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2\u003e\u003ccite\u003eTG2 TECHNICAL SPECIFICATIONS\u003c\/cite\u003e\u003c\/h2\u003e\n\u003cdiv class=\"at-above-post-arch-page addthis_tool\" data-url=\"https:\/\/chandlerlimited.com\/technical-specifications\/tg2-technical-specifications\/\"\u003e\u003c\/div\u003e\n\u003cp\u003eCHANNELS: Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eGain: +5db to +75db\u003cbr\u003eInput Impedance: 1200 to 300 Ohm\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003eI\/O: XLR, Transformer Balanced, Pin 2 Hot\u003cbr\u003eDI, 1\/4\" Unbalanced, 100k input impedance\u003cbr\u003eAll Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER\u003cbr\u003ePhantom Power: +48v\u003cbr\u003ePower: ±28v\u003cbr\u003eRequires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e"}
Chandler Limited TG2 PRE AMP/DI
$2,315.00
2-channel Preamp/DI with Discrete Transformer-balanced Amplifiers and Summing — Based on the EMI TG12428 The Chandler Limited TG2 Pre Amp/DI is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles in the late 60s and early 70s. The sound was used on many famous recordings done at Abbey Road includi...
Chandler Limited TG2
$2,315.00
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In fact the unit does have a small rise in its top end frequency response and some warmth inducing distortion which contribute to its sound.\u003c\/p\u003e\n\u003cp\u003eOptions: Stepped Output (Stereo)\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e*Please note: Not all of the early Abbey Road TG2 Pre Amp\/DI units have the \"impedance\" as a standard feature of the unit. If buying a used unit, please inquire as to whether the unit is equipped with the impedance before purchasing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ccite\u003eSpecifications\u003c\/cite\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCHANNELS: Dual Mono\u003c\/p\u003e\n\u003cp\u003eCIRCUIT: Discrete, Transistor\u003c\/p\u003e\n\u003cp\u003eGain: +5db to +75db\u003cbr\u003e Input Impedance: 1200 to 300 Ohm\u003c\/p\u003e\n\u003cp\u003eCONNECTIONS\u003cbr\u003e I\/O: XLR, Transformer Balanced, Pin 2 Hot\u003cbr\u003e DI, 1\/4\" Unbalanced, 100k input impedance\u003cbr\u003e All Connections Transformer Balanced Pin 2 Hot\u003c\/p\u003e\n\u003cp\u003ePOWER\u003cbr\u003e Phantom Power: +48v\u003cbr\u003e Power: ±28v\u003cbr\u003e Requires Chandler Limited PSU-1 MKII power supply.\u003c\/p\u003e","published_at":"2018-08-11T20:50:11+02:00","created_at":"2017-07-19T16:23:01+02:00","vendor":"Chandler Limited","type":"Amplifier","tags":["Chandler Limited","Chandler TG2","Channel Strips \u0026 Preamps","Microphone Preamps","Preamps","Preamps \u0026 Channel Strips","Price Range_$2000 to $3000","Pro Audio","Recording","Shop by brand_Chandler Limited","Shop by category_Channel Strips","Shop by category_Preamps","Shop by category_Preamps \u0026 Channel Strips","Shop by category_Studio \u0026 Recording","Studio \u0026 Recording"],"price":231500,"price_min":231500,"price_max":231500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40612070349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"TG2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Chandler Limited TG2","public_title":null,"options":["Default Title"],"price":231500,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_pre_amp_front.jpg?v=1534089472","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_2a49d05d-48b8-4d9e-a076-68ea489df529.png?v=1534089472","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_pre_amp_front_rt_angle.jpg?v=1534089472","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_pre_amp_front_lft_angle.jpg?v=1534089472","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_pre_amp_rear.jpg?v=1534089472","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg2_pre_amp_di_03.png?v=1534089472","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg2_pre_amp_di_04.png?v=1534089472","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_tg2_pre_amp_di_05.png?v=1534089472"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/chandler_limited_tg2_pre_amp_front.jpg?v=1534089472","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eTG2 Pre Amp\/DI | Chandler Limited\u003c\/h1\u003e\n\u003cp\u003eThe Chandler Limited TG2 Pre Amp\/DI is a recreation of the rare EMI TG12428 pre amp used in EMI\/Abbey Road recording and mastering consoles in the late 60s and early 70s. The sound was used on many famous recordings done at Abbey Road including The Beatles \"Abbey Road\" and Pink Floyd \"Dark Side of the Moon.\"\u003c\/p\u003e\n\u003cp\u003eThis microphone pre-amplifier features the same discrete transformer balanced amplifiers as the TG series limiter and offers a creamy, smooth tone with a surprisingly open, clear top end. The sound, as explained by many users, has \"warmth\" and punch, but with a \"beautiful\" expanded top end. In fact the unit does have a small rise in its top end frequency response and some warmth inducing distortion which contribute to its sound.\u003c\/p\u003e\n\u003cp\u003eOptions: Stepped Output (Stereo)\u003c\/p\u003e\n\u003cp\u003eAll TG units require and function on the PSU-1, Chandler Limited power supply. The PSU-1 has an internal switch for setting voltage to 120V or 220V (115V\/230V). For more information please call us at (319) 885-4200.\u003c\/p\u003e\n\u003cp\u003e*Please note: Not all of the early Abbey Road TG2 Pre Amp\/DI units have the \"impedance\" as a standard feature of the unit. 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Chandler Limited TG2
$2,315.00
TG2 Pre Amp/DI | Chandler Limited The Chandler Limited TG2 Pre Amp/DI is a recreation of the rare EMI TG12428 pre amp used in EMI/Abbey Road recording and mastering consoles in the late 60s and early 70s. The sound was used on many famous recordings done at Abbey Road including The Beatles "Abbey Road" and Pink Floyd "Dark Side of the Moon." Thi...
