{"id":9155106125,"title":"PreSonus DigiMAX D8","handle":"presonus-digimax-d8","description":"\u003cp\u003eDigiMAX\u003cstrong\u003e D8\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOur classic multichannel preamplifier.\u003c\/strong\u003e\u003cbr\u003eFor more than a decade, DigiMax-series preamp\/converters have been relied on in countless recording studios worldwide. Based on our highly lauded XMAX Class A solid-state preamp, the DigiMax D8 has become a classic, offering eight of these prized preamps—enough to raise your entire studio rig to a higher level. And thanks to its eight-channel, 24-bit ADAT Optical output, the DigiMax D8 provides an excellent front end or expander for ADAT Optical-equipped digital-audio devices, such as our AudioBox 1818VSL, Studio 192, and Studio 192 Mobile audio\/MIDI interfaces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuperior sound.\u003c\/strong\u003e\u003cbr\u003eA good microphone preamp boosts a mic’s level to almost 400 times that of the original signal, making the preamp one of the most important stages in an audio system. A cheap, off-the-shelf, op-amp-type mic preamp delivers thin, noisy, harsh results. In contrast, PreSonus® XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound. With XMAX preamps, your system’s sound quality is limited only by the microphone you plug in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe right analog I\/O makes the D8 a versatile front end.\u003c\/strong\u003e\u003cbr\u003eIts complement of inputs and outputs makes the DigiMax D8 a versatile front end for virtually any system. Two convenient front-panel instrument inputs let you plug in guitars, bypassing the mic inputs. All other connections are in the rear, keeping the wiring out of your face. With eight XLR mic\/line inputs, you can plug in virtually any mic- or line-level sound source. Eight ¼-inch, balanced, direct channel outputs allow you to add preamps to devices with line-level inputs or split the mic preamps between two devices.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpand via ADAT Optical and record the whole band.\u003c\/strong\u003e\u003cbr\u003eEight-channel, 24-bit, 44.1\/48 kHz ADAT Optical (“Lightpipe”) output makes the DigiMax D8 an excellent way to add more analog inputs to any third-party, Lightpipe-equipped digital-audio device. Better yet, add a DigiMax D8 to a Lightpipe-equipped PreSonus AudioBox® 1818VSL for a 2-rackspace rig with 16 XMAX-equipped recording channels—enough to record an entire live band. To keep your digital audio in sync with ultra-low jitter, the D8 receives word clock at its BNC connection and sends word clock via ADAT Optical.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCareful, it’s loaded!\u003c\/strong\u003e\u003cbr\u003eThe DigiMax D8 is a proven solution for adding eight professional microphone preamplifiers to any digital recording system. You can easily integrate it into your studio, thanks to plentiful I\/O, variable trim control for each preamp, 48V phantom power (switchable in odd-even pairs), fast-acting LED metering, and a 20 dB pad. And you’ll love its sound! If you’re considering expanding your system, you owe it to yourself to check out the DigiMax D8 at your favorite PreSonus dealer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput\/Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 unbalanced ¼” instrument inputs (front panel; bypass Ch. 1 and 2 mic inputs)\u003c\/li\u003e\n\u003cli\u003e8 balanced rear-panel XMAX mic preamps\u003c\/li\u003e\n\u003cli\u003e1 BNC word-clock input\u003c\/li\u003e\n\u003cli\u003e8 balanced ¼” direct outputs (1 per channel)\u003c\/li\u003e\n\u003cli\u003e1 ADAT Lightpipe optical digital output (8 channels)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMeters, Controls, and Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIndividual channel-trim controls with -4 dB to +50 dB gain range\u003c\/li\u003e\n\u003cli\u003e48V phantom power for condenser microphones (switchable in pairs)\u003c\/li\u003e\n\u003cli\u003e-20 dB pad on every channel\u003c\/li\u003e\n\u003cli\u003e4-segment, fast-acting LED input meter\u003c\/li\u003e\n\u003cli\u003eClock source (sets clock to external or internal with 44.1 or 48 kHz sample rate)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDigitalia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional-quality AD converters (+107 dBu dynamic range)\u003c\/li\u003e\n\u003cli\u003eADAT Lightpipe digital output: 8 channels at 24-bit resolution and 44.1 and 48 kHz internal sampling rate\u003c\/li\u003e\n\u003cli\u003eWord-clock master via ADAT Lightpipe or slave to external word clock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInternal power supply with standard IEC connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1U rack-mountable, rugged steel chassis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e Inputs\u003cbr\u003eInput Type XLR Female Balanced\u003cbr\u003eFrequency Response (±0.5 dB) 20 Hz to 50 kHz\u003cbr\u003eFrequency Response (±3.0 dB) 20 Hz to 150 kHz\u003cbr\u003eInput Impedance (Balanced) 1600Ω\u003cbr\u003eTHD+N (unwtd, 1 kHz @ +4 dBu Output, Unity Gain) \u0026lt; 0.003%\u003cbr\u003eEIN (unwtd, 55 dB Gain, 150Ω Input, 20 Hz to 22 kHz) -126 dBu\u003cbr\u003eS\/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20 Hz to 22 kHz) \u0026gt;101 dB\u003cbr\u003eCommon Mode Rejection Ratio (1 kHz, 55 dB Gain) \u0026gt; 55 dB\u003cbr\u003eGain Control Range (±1 dB) -4 dB to 50 dB\u003cbr\u003eMaximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) +14 dBu\u003cbr\u003eSignal Level LEDs +10 dBu (0 dBFS)\u003cbr\u003eRed\/Clip (±0.5 dBu) +4 dBu (-6 dBFS)\u003cbr\u003eYellow (±0.5 dBu) -8 dBu (-18 dBFS)\u003cbr\u003eGreen (±0.5 dBu) -14 dBu (-24 dBFS)\u003cbr\u003ePhantom Power (±2 VDC) +48 VDC\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003cstrong\u003eInstrument Input (channels 1 and 2 only)\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cbr\u003eType ¼” TRS Female Unbalanced\u003cbr\u003eInput Impedance 1 MΩ\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cstrong\u003eLine Outputs\u003c\/strong\u003e\u003cbr\u003eType ¼” TRS Balanced\u003cbr\u003eOutput Impedance 51Ω\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cbr\u003e\u003cstrong\u003eDigital Audio\u003c\/strong\u003e\u003cbr\u003eADC Dynamic Range (A-wtd, 48 kHz sample rate) 107 dB\u003cbr\u003eBit Depth 24\u003cbr\u003eReference Level for 0 dBFS +10 dBu\u003cbr\u003eInternal Sample Frequency, Selections 44.1, 48 kHz\u003cbr\u003eExternal Sample Frequency, Input 75Ω BNC\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cbr\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003cbr\u003eInput Connector Type IEC\u003cbr\u003eInput Voltage (factory configured) 90 to 230 VAC\u003cbr\u003ePower Requirements (Continuous) 20W\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cbr\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003cbr\u003eDimensions 1U rackmount\u003cbr\u003eHeight 1.75” (44.45 mm)\u003cbr\u003eDepth 7” (177.8 mm)\u003cbr\u003eWidth 19” (482.6 mm)\u003cbr\u003eWeight 6 lbs. (2.72 kg)\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cstrong\u003eAs a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e","published_at":"2018-08-07T00:53:33+02:00","created_at":"2017-02-22T00:15:56+02:00","vendor":"PreSonus","type":"Microphone Preamps \/ Channel Strips","tags":["Egypt","Misc Digital Converters","PreSonus","Price Range_$300 to $500","Shop by brand_PreSonus","Shop by category_Misc Digital Converters","Signal Processing","Studio \u0026 Recording"],"price":39995,"price_min":39995,"price_max":39995,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32497777229,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"DigiMAX D8","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus DigiMAX D8","public_title":null,"options":["Default Title"],"price":39995,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digimax_d8-front_copy_big_98a8fbda-31cc-4d17-83f6-feea45800bfe.jpg?v=1575932838","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digimax_d8-back_copy_big_60218bc0-93a8-428b-badb-af46e901a97b.jpg?v=1575932838","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digimax_d8-a_copy_big_fce3361d-46cd-447b-a385-f2bc49669413.jpg?v=1575932838"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digimax_d8-front_copy_big_98a8fbda-31cc-4d17-83f6-feea45800bfe.jpg?v=1575932838","options":["Title"],"media":[{"alt":null,"id":675253780526,"position":1,"preview_image":{"aspect_ratio":9.66,"height":212,"width":2048,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digimax_d8-front_copy_big_98a8fbda-31cc-4d17-83f6-feea45800bfe.jpg?v=1575932838"},"aspect_ratio":9.66,"height":212,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digimax_d8-front_copy_big_98a8fbda-31cc-4d17-83f6-feea45800bfe.jpg?v=1575932838","width":2048},{"alt":null,"id":675253813294,"position":2,"preview_image":{"aspect_ratio":8.641,"height":237,"width":2048,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digimax_d8-back_copy_big_60218bc0-93a8-428b-badb-af46e901a97b.jpg?v=1575932838"},"aspect_ratio":8.641,"height":237,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digimax_d8-back_copy_big_60218bc0-93a8-428b-badb-af46e901a97b.jpg?v=1575932838","width":2048},{"alt":null,"id":675253846062,"position":3,"preview_image":{"aspect_ratio":3.779,"height":542,"width":2048,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digimax_d8-a_copy_big_fce3361d-46cd-447b-a385-f2bc49669413.jpg?v=1575932838"},"aspect_ratio":3.779,"height":542,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/digimax_d8-a_copy_big_fce3361d-46cd-447b-a385-f2bc49669413.jpg?v=1575932838","width":2048}],"content":"\u003cp\u003eDigiMAX\u003cstrong\u003e D8\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOur classic multichannel preamplifier.\u003c\/strong\u003e\u003cbr\u003eFor more than a decade, DigiMax-series preamp\/converters have been relied on in countless recording studios worldwide. Based on our highly lauded XMAX Class A solid-state preamp, the DigiMax D8 has become a classic, offering eight of these prized preamps—enough to raise your entire studio rig to a higher level. And thanks to its eight-channel, 24-bit ADAT Optical output, the DigiMax D8 provides an excellent front end or expander for ADAT Optical-equipped digital-audio devices, such as our AudioBox 1818VSL, Studio 192, and Studio 192 Mobile audio\/MIDI interfaces.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuperior sound.\u003c\/strong\u003e\u003cbr\u003eA good microphone preamp boosts a mic’s level to almost 400 times that of the original signal, making the preamp one of the most important stages in an audio system. A cheap, off-the-shelf, op-amp-type mic preamp delivers thin, noisy, harsh results. In contrast, PreSonus® XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound. With XMAX preamps, your system’s sound quality is limited only by the microphone you plug in.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe right analog I\/O makes the D8 a versatile front end.\u003c\/strong\u003e\u003cbr\u003eIts complement of inputs and outputs makes the DigiMax D8 a versatile front end for virtually any system. Two convenient front-panel instrument inputs let you plug in guitars, bypassing the mic inputs. All other connections are in the rear, keeping the wiring out of your face. With eight XLR mic\/line inputs, you can plug in virtually any mic- or line-level sound source. Eight ¼-inch, balanced, direct channel outputs allow you to add preamps to devices with line-level inputs or split the mic preamps between two devices.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpand via ADAT Optical and record the whole band.\u003c\/strong\u003e\u003cbr\u003eEight-channel, 24-bit, 44.1\/48 kHz ADAT Optical (“Lightpipe”) output makes the DigiMax D8 an excellent way to add more analog inputs to any third-party, Lightpipe-equipped digital-audio device. Better yet, add a DigiMax D8 to a Lightpipe-equipped PreSonus AudioBox® 1818VSL for a 2-rackspace rig with 16 XMAX-equipped recording channels—enough to record an entire live band. To keep your digital audio in sync with ultra-low jitter, the D8 receives word clock at its BNC connection and sends word clock via ADAT Optical.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCareful, it’s loaded!\u003c\/strong\u003e\u003cbr\u003eThe DigiMax D8 is a proven solution for adding eight professional microphone preamplifiers to any digital recording system. You can easily integrate it into your studio, thanks to plentiful I\/O, variable trim control for each preamp, 48V phantom power (switchable in odd-even pairs), fast-acting LED metering, and a 20 dB pad. And you’ll love its sound! If you’re considering expanding your system, you owe it to yourself to check out the DigiMax D8 at your favorite PreSonus dealer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInput\/Output\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2 unbalanced ¼” instrument inputs (front panel; bypass Ch. 1 and 2 mic inputs)\u003c\/li\u003e\n\u003cli\u003e8 balanced rear-panel XMAX mic preamps\u003c\/li\u003e\n\u003cli\u003e1 BNC word-clock input\u003c\/li\u003e\n\u003cli\u003e8 balanced ¼” direct outputs (1 per channel)\u003c\/li\u003e\n\u003cli\u003e1 ADAT Lightpipe optical digital output (8 channels)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eMeters, Controls, and Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIndividual channel-trim controls with -4 dB to +50 dB gain range\u003c\/li\u003e\n\u003cli\u003e48V phantom power for condenser microphones (switchable in pairs)\u003c\/li\u003e\n\u003cli\u003e-20 dB pad on every channel\u003c\/li\u003e\n\u003cli\u003e4-segment, fast-acting LED input meter\u003c\/li\u003e\n\u003cli\u003eClock source (sets clock to external or internal with 44.1 or 48 kHz sample rate)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eDigitalia\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eProfessional-quality AD converters (+107 dBu dynamic range)\u003c\/li\u003e\n\u003cli\u003eADAT Lightpipe digital output: 8 channels at 24-bit resolution and 44.1 and 48 kHz internal sampling rate\u003c\/li\u003e\n\u003cli\u003eWord-clock master via ADAT Lightpipe or slave to external word clock\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eInternal power supply with standard IEC connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1U rack-mountable, rugged steel chassis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eTechnical Specifications\u003c\/strong\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e Inputs\u003cbr\u003eInput Type XLR Female Balanced\u003cbr\u003eFrequency Response (±0.5 dB) 20 Hz to 50 kHz\u003cbr\u003eFrequency Response (±3.0 dB) 20 Hz to 150 kHz\u003cbr\u003eInput Impedance (Balanced) 1600Ω\u003cbr\u003eTHD+N (unwtd, 1 kHz @ +4 dBu Output, Unity Gain) \u0026lt; 0.003%\u003cbr\u003eEIN (unwtd, 55 dB Gain, 150Ω Input, 20 Hz to 22 kHz) -126 dBu\u003cbr\u003eS\/N Ratio (Unity Gain, unwtd, Ref. = +4 dBu, 20 Hz to 22 kHz) \u0026gt;101 dB\u003cbr\u003eCommon Mode Rejection Ratio (1 kHz, 55 dB Gain) \u0026gt; 55 dB\u003cbr\u003eGain Control Range (±1 dB) -4 dB to 50 dB\u003cbr\u003eMaximum Input Level (Unity Gain, 1 kHz @ 0.5% THD+N) +14 dBu\u003cbr\u003eSignal Level LEDs +10 dBu (0 dBFS)\u003cbr\u003eRed\/Clip (±0.5 dBu) +4 dBu (-6 dBFS)\u003cbr\u003eYellow (±0.5 dBu) -8 dBu (-18 dBFS)\u003cbr\u003eGreen (±0.5 dBu) -14 dBu (-24 dBFS)\u003cbr\u003ePhantom Power (±2 VDC) +48 VDC\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003cstrong\u003eInstrument Input (channels 1 and 2 only)\u003c\/strong\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cbr\u003eType ¼” TRS Female Unbalanced\u003cbr\u003eInput Impedance 1 MΩ\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cstrong\u003eLine Outputs\u003c\/strong\u003e\u003cbr\u003eType ¼” TRS Balanced\u003cbr\u003eOutput Impedance 51Ω\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cbr\u003e\u003cstrong\u003eDigital Audio\u003c\/strong\u003e\u003cbr\u003eADC Dynamic Range (A-wtd, 48 kHz sample rate) 107 dB\u003cbr\u003eBit Depth 24\u003cbr\u003eReference Level for 0 dBFS +10 dBu\u003cbr\u003eInternal Sample Frequency, Selections 44.1, 48 kHz\u003cbr\u003eExternal Sample Frequency, Input 75Ω BNC\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cbr\u003e\u003cstrong\u003ePower\u003c\/strong\u003e\u003cbr\u003eInput Connector Type IEC\u003cbr\u003eInput Voltage (factory configured) 90 to 230 VAC\u003cbr\u003ePower Requirements (Continuous) 20W\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cbr\u003e\u003cstrong\u003ePhysical\u003c\/strong\u003e\u003cbr\u003eDimensions 1U rackmount\u003cbr\u003eHeight 1.75” (44.45 mm)\u003cbr\u003eDepth 7” (177.8 mm)\u003cbr\u003eWidth 19” (482.6 mm)\u003cbr\u003eWeight 6 lbs. (2.72 kg)\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: left; padding-left: 30px;\"\u003e\n\u003cstrong\u003eAs a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\n\u003c\/div\u003e"}