{"id":8258346561,"title":"PreSonus StudioLive 24.4.2AI","handle":"presonus-studiolive-24-4-2ai","description":"\u003ch2\u003eOnly with StudioLive AI.\u003c\/h2\u003e\n\u003cp\u003eStudioLive\u003csup\u003e®\u003c\/sup\u003e AI Active Integration mixing consoles combine a familiar, analog-like mixing surface with the power of digital mixing. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, they deliver the most creative environment possible for both live performance and studio music production. Loaded with no-compromises signal processing on every channel, easy store and recall of every setting, high-end converters and preamps, and an integrated multitrack recording interface, StudioLive AI mixers are expandable and boast advanced networking capabilities unmatched in their price class. Yet they operate so much like an analog mixer that you’ll immediately feel at home.\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eThe ease of analog meets the power of digital.\u003c\/h2\u003e\n\u003cp\u003eWhen you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive AI’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in multiple menus or layers. Our design philosophy is simple: One fader for every channel, one output for every bus. This is the power of a surface-driven workflow. But don’t let the analog feel fool you: StudioLive AI mixers offer all of the features you expect in professional-class digital mixers and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eYou’ll never run out of signal processors.\u003c\/h2\u003e\n\u003cp\u003eStudioLive AI mixers provide more DSP power than any other mixer in their class. There are no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander\/gate, and parametric EQ on every channel and bus; a highpass filter on each channel; a library of professionally crafted, useful presets; and the ability to save, selectively recall, and A\/B-compare processor settings. You also get four effects processors, each with their own dedicated mix bus; a 31-band graphic EQ on every aux mix plus the mains; and 500 ms of delay available to each of the four subgroups.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eSuperior sound.\u003c\/h2\u003e\n\u003cp\u003eConnect a StudioLive AI mixer and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. StudioLive AI mixers operate at up to 96 kHz for high-definition mixing and recording. They use the same high-quality 64-bit summing engine found in our Studio One\u003csup\u003e®\u003c\/sup\u003e DAW, which consistently receives rave reviews for sound quality. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003e24 input channels, each with:\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eXLR mic and ¼” line inputs\u003c\/li\u003e\n\u003cli\u003eHigh-headroom Class A XMAX mic preamplifiers\u003c\/li\u003e\n\u003cli\u003eAnalog ¼\" inserts (rear panel)\u003c\/li\u003e\n\u003cli\u003eTrim control with –20 to +20 dBV line \/ -15 to +65 dBu mic gain range (80 dB!)\u003c\/li\u003e\n\u003cli\u003e+48V phantom power switch for condenser microphones\u003c\/li\u003e\n\u003cli\u003eDigital Audio Input Select\u003c\/li\u003e\n\u003cli\u003e100 mm precision faders\u003c\/li\u003e\n\u003cli\u003ePhase reverse, highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter—all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003eCascade two StudioLive\u003csup\u003e®\u003c\/sup\u003e AI mixers of any frame size to create custom-sized mixing consoles.\u003c\/li\u003e\n\u003cli\u003e40 in x 26 out FireWire s800 direct digital recording interface (24-bit\/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz) compatible with Apple Thunderbolt to FireWire Adapter\u003c\/li\u003e\n\u003cli\u003eCompatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others\u003c\/li\u003e\n\u003cli\u003e20 dedicated mix buses for easy configuration\u003c\/li\u003e\n\u003cli\u003e10 aux buses with analog outputs\u003c\/li\u003e\n\u003cli\u003e4 internal FX buses\u003c\/li\u003e\n\u003cli\u003e4 subgroups with analog outputs\u003c\/li\u003e\n\u003cli\u003eStereo main bus with analog outputs\u003c\/li\u003e\n\u003cli\u003eAccess to Fat Channel functions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour subgroup buses, each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced TRS output\u003c\/li\u003e\n\u003cli\u003eSolo\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e300 ms output delay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTen aux buses, each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced TRS output\u003c\/li\u003e\n\u003cli\u003eSolo\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePre1\/Pre2\/post-fader send\u003c\/li\u003e\n\u003cli\u003eOutput-level control\u003c\/li\u003e\n\u003cli\u003eHighpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e31-band graphic EQ with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003eAvailable sources: 24 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour internal effects sends (two reverbs, two delay effects), each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePre1\/Pre2\/post-fader send\u003c\/li\u003e\n\u003cli\u003eOutput-level control\u003c\/li\u003e\n\u003cli\u003eHighpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eStereo main bus with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced XLR outputs\u003c\/li\u003e\n\u003cli\u003eBalanced TRS outputs\u003c\/li\u003e\n\u003cli\u003eMono sum XLR output\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e31-band graphic EQ with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMaster section\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eAux Input A and B\u003c\/li\u003e\n\u003cli\u003eLevel Control and stereo pan\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTalkback System\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eMic Level control\u003c\/li\u003e\n\u003cli\u003eOutput Select (Auxes, Main)\u003c\/li\u003e\n\u003cli\u003eTalk button\u003c\/li\u003e\n\u003cli\u003eRear-panel XLR mic input with trim control and continuous 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e2-Track in\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eLevel control\u003c\/li\u003e\n\u003cli\u003eTape Input to Mains button\u003c\/li\u003e\n\u003cli\u003eMain Digital Audio Return on\/off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSolo bus\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eCue Mix volume control\u003c\/li\u003e\n\u003cli\u003ePFL\/AFL and Solo In Place (SIP) buttons\u003c\/li\u003e\n\u003cli\u003eLatch, Radio, and CR Modes\u003c\/li\u003e\n\u003cli\u003eSolo Clear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMonitor bus\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eHeadphone-output level control\u003c\/li\u003e\n\u003cli\u003eControl-room monitor-level control\u003c\/li\u003e\n\u003cli\u003eSolo Bus to Monitor button\u003c\/li\u003e\n\u003cli\u003eTape Input to Monitor button\u003c\/li\u003e\n\u003cli\u003eMain Digital Audio Return to Monitor button\u003c\/li\u003e\n\u003cli\u003eMain Mix to Monitor button\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFat Channel with rotary encoders:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003ePan with dedicated 15-LED display\u003c\/li\u003e\n\u003cli\u003eStereo link for input channels, aux buses, and subgroups\u003c\/li\u003e\n\u003cli\u003ePhase reverse (input channels only)\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter: -6 dB\/oct., sweepable from Off to 1 kHz (main channels and aux's only)\u003c\/li\u003e\n\u003cli\u003eGate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003c\/li\u003e\n\u003cli\u003eCompressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003c\/li\u003e\n\u003cli\u003e4-band fully parametric equalizer\n\u003cul\u003e\n\u003cli\u003eLow EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eLow Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eMaster EQ On\/Off button\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003c\/li\u003e\n\u003cli\u003eAlt EQ \u0026amp; Dyn button for quick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003c\/li\u003e\n\u003cli\u003eOutput Assign: 4 subgroups and main\u003c\/li\u003e\n\u003cli\u003eAll settings can be copied among channels and buses and can be saved as user presets.\u003c\/li\u003e\n\u003cli\u003e50 channel-strip presets for drums, bass, guitars, keyboards, and vocals\u003c\/li\u003e\n\u003cli\u003eQuick Parameter Null easily zeroes out any Fat Channel parameter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour internal digital effects-processors (two reverbs, two delays), each with 50 customizable presets\u003c\/h3\u003e\n\u003ch3\u003eTwelve 31-band graphic equalizers\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e6 Quick Scene buttons for instant Scene save\/recall—like “speed dial” for Scenes\u003c\/li\u003e\n\u003cli\u003eAutomatic Global AutoStore\u003c\/li\u003e\n\u003cli\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIndividual channel-strip setting storage\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eUp to 48 at a time, plus…\u003c\/li\u003e\n\u003cli\u003e50 factory presets for instruments and vocal\u003c\/li\u003e\n\u003cli\u003eCopy and Paste between channels\u003c\/li\u003e\n\u003cli\u003eCan be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLockout mode to keep inspired amateurs from changing your settings\u003c\/h3\u003e\n\u003ch3\u003eMetering\/Displays\u003c\/h3\u003e\n\u003ch3\u003eInput\/Output\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e24 x 16- LED Fat Channel matrix:\n\u003cul\u003e\n\u003cli\u003ePre-dynamics\/pre-fader input\u003c\/li\u003e\n\u003cli\u003ePost-dynamics\/post-fader output\u003c\/li\u003e\n\u003cli\u003eGain reduction\u003c\/li\u003e\n\u003cli\u003eAux 1-14 and EFX A-D output\u003c\/li\u003e\n\u003cli\u003eFader-position recall\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e8 x 15-LED main meter bank\n\u003cul\u003e\n\u003cli\u003eSelected channel level\u003c\/li\u003e\n\u003cli\u003eSelected channel gain reduction\u003c\/li\u003e\n\u003cli\u003eSub buses 1 to 4\u003c\/li\u003e\n\u003cli\u003eMain stereo outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e15-LED horizontal Pan\/Balance display\u003c\/li\u003e\n\u003cli\u003e64 x 194 LCD matrix\n\u003cul\u003e\n\u003cli\u003eEffects parameters\u003c\/li\u003e\n\u003cli\u003eScene creation, storage, and recall\u003c\/li\u003e\n\u003cli\u003eSystem menus\u003c\/li\u003e\n\u003cli\u003eChannel Info page with custom naming\u003c\/li\u003e\n\u003cli\u003eGEQ Select\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2-digit Channel Selected display\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e24 main inputs, each with XLR mic, ¼\" line, and ¼\" inserts\u003c\/li\u003e\n\u003cli\u003e2 ¼\" balanced stereo (L\/R) aux inputs\u003c\/li\u003e\n\u003cli\u003e1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control\u003c\/li\u003e\n\u003cli\u003eUnbalanced RCA stereo (L\/R) tape inputs and outputs\u003c\/li\u003e\n\u003cli\u003eXLR stereo (L\/R) main outputs with level control\u003c\/li\u003e\n\u003cli\u003e¼\" balanced stereo (L\/R) main outputs\u003c\/li\u003e\n\u003cli\u003eXLR mono output with level control\u003c\/li\u003e\n\u003cli\u003e¼\" balanced stereo (L\/R) control-room outputs\u003c\/li\u003e\n\u003cli\u003e¼\" headphone output\u003c\/li\u003e\n\u003cli\u003e4 ¼\" balanced subgroup outputs\u003c\/li\u003e\n\u003cli\u003e10 ¼\" balanced aux outputs\u003c\/li\u003e\n\u003cli\u003e24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 sockets\u003c\/li\u003e\n\u003cli\u003eDedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications\u003c\/li\u003e\n\u003cli\u003eInstalled Option Card with:\n\u003cul\u003e\n\u003cli\u003eS\/PDIF digital out\u003c\/li\u003e\n\u003cli\u003e2 FireWire S800 ports (fully compatible with Apple Thunderbolt to FireWire Adapter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOptional Networking cards\n\u003cul\u003e\n\u003cli\u003eDante™ (SL-Dante-Mix)\u003c\/li\u003e\n\u003cli\u003eAVB (SL-AVB-Mix)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIntegrated software\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eUC Surface Control Software with Smaart Measurement Technology™\u003c\/li\u003e\n\u003cli\u003eStudio One\u003csup\u003e®\u003c\/sup\u003e Artist Digital Audio Workstation software for Mac\u003csup\u003e®\u003c\/sup\u003e and Windows\u003csup\u003e®\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eCapture™ multitrack recording software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eQMix\u003csup\u003e®\u003c\/sup\u003e-AI aux-control software for iPhone\u003csup\u003e®\u003c\/sup\u003e and iPod\u003csup\u003e®\u003c\/sup\u003e touch available free from Apple App Store\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigitalia\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eHigh-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003c\/li\u003e\n\u003cli\u003eUnlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003c\/li\u003e\n\u003cli\u003eInternal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eRugged, non-flex steel chassis\u003c\/li\u003e\n\u003cli\u003e100 mm long-throw faders\u003c\/li\u003e\n\u003cli\u003eMilitary-grade, quick-touch buttons\u003c\/li\u003e\n\u003cli\u003eBNC 12V lamp socket\u003c\/li\u003e\n\u003cli\u003eOptional dust covers available\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003e24 input channels, each with:\u003cbr\u003e\u003cbr\u003e • XLR mic and ¼” line inputs\u003cbr\u003e • High-headroom Class A XMAX mic preamplifiers\u003cbr\u003e • Analog ¼\" inserts (rear panel)\u003cbr\u003e • Trim control with –20 to +20 dBV line \/ -15 to +65 dBu mic gain range (80 dB!)\u003cbr\u003e • +48V phantom power switch for condenser microphones\u003cbr\u003e • Digital Audio Input Select\u003cbr\u003e • 100 mm precision faders\u003cbr\u003e • Phase reverse, highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter—all with A\/B and Quick Null\u003cbr\u003e • Cascade two StudioLive® AI mixers of any frame size to create custom-sized mixing consoles.\u003cbr\u003e • 40 in x 26 out FireWire s800 direct digital recording interface (24-bit\/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz) compatible with Apple Thunderbolt to FireWire Adapter\u003cbr\u003e • Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others\u003cbr\u003e • 20 dedicated mix buses for easy configuration\u003cbr\u003e • 10 aux buses with analog outputs\u003cbr\u003e • 4 internal FX buses\u003cbr\u003e • 4 subgroups with analog outputs\u003cbr\u003e • Stereo main bus with analog outputs\u003cbr\u003e • Access to Fat Channel functions\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour subgroup buses, each with:\u003cbr\u003e\u003cbr\u003e • Balanced TRS output\u003cbr\u003e • Solo\u003cbr\u003e • Mute\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 300 ms output delay\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTen aux buses, each with:\u003cbr\u003e\u003cbr\u003e • Balanced TRS output\u003cbr\u003e • Solo\u003cbr\u003e • Mute\u003cbr\u003e • Pre1\/Pre2\/post-fader send\u003cbr\u003e • Output-level control\u003cbr\u003e • Highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 31-band graphic EQ with A\/B and Quick Null\u003cbr\u003e • Available sources: 24 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour internal effects sends (two reverbs, two delay effects), each with:\u003cbr\u003e\u003cbr\u003e • Mute\u003cbr\u003e • Pre1\/Pre2\/post-fader send\u003cbr\u003e • Output-level control\u003cbr\u003e • Highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eStereo main bus with:\u003cbr\u003e\u003cbr\u003e • Balanced XLR outputs\u003cbr\u003e • Balanced TRS outputs\u003cbr\u003e • Mono sum XLR output\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 31-band graphic EQ with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMaster section\u003cbr\u003e\u003cbr\u003e • Aux Input A and B\u003cbr\u003e • Level Control and stereo pan\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTalkback System\u003cbr\u003e\u003cbr\u003e • Mic Level control\u003cbr\u003e • Output Select (Auxes, Main)\u003cbr\u003e • Talk button\u003cbr\u003e • Rear-panel XLR mic input with trim control and continuous 48V phantom power\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-Track in\u003cbr\u003e\u003cbr\u003e • Level control\u003cbr\u003e • Tape Input to Mains button\u003cbr\u003e • Main Digital Audio Return on\/off\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSolo bus\u003cbr\u003e\u003cbr\u003e • Cue Mix volume control\u003cbr\u003e • PFL\/AFL and Solo In Place (SIP) buttons\u003cbr\u003e • Latch, Radio, and CR Modes\u003cbr\u003e • Solo Clear\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMonitor bus\u003cbr\u003e\u003cbr\u003e • Headphone-output level control\u003cbr\u003e • Control-room monitor-level control\u003cbr\u003e • Solo Bus to Monitor button\u003cbr\u003e • Tape Input to Monitor button\u003cbr\u003e • Main Digital Audio Return to Monitor button\u003cbr\u003e • Main Mix to Monitor button\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFat Channel with rotary encoders:\u003cbr\u003e\u003cbr\u003e • Pan with dedicated 15-LED display\u003cbr\u003e • Stereo link for input channels, aux buses, and subgroups\u003cbr\u003e • Phase reverse (input channels only)\u003cbr\u003e • High-pass filter: -6 dB\/oct., sweepable from Off to 1 kHz (main channels and aux's only)\u003cbr\u003e • Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003cbr\u003e • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003cbr\u003e • 4-band fully parametric equalizer\u003cbr\u003e • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003cbr\u003e • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003cbr\u003e • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003cbr\u003e • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003cbr\u003e • Master EQ On\/Off button\u003cbr\u003e • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003cbr\u003e • Alt EQ \u0026amp; Dyn button for quick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003cbr\u003e • Output Assign: 4 subgroups and main\u003cbr\u003e • All settings can be copied among channels and buses and can be saved as user presets.\u003cbr\u003e • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals\u003cbr\u003e • Quick Parameter Null easily zeroes out any Fat Channel parameter\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour internal digital effects-processors (two reverbs, two delays), each with 50 customizable presets\u003cbr\u003e\u003cbr\u003eTwelve 31-band graphic equalizers\u003cbr\u003e\u003cbr\u003e6 Quick Scene buttons for instant Scene save\/recall—like “speed dial” for Scenes\u003cbr\u003eAutomatic Global AutoStore\u003cbr\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIndividual channel-strip setting storage\u003cbr\u003e\u003cbr\u003e • Up to 48 at a time, plus…\u003cbr\u003e • 50 factory presets for instruments and vocal\u003cbr\u003e • Copy and Paste between channels\u003cbr\u003e • Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLockout mode to keep inspired amateurs from changing your settings\u003cbr\u003e\u003cbr\u003eMetering\/Displays\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e\u003cbr\u003e • 24 x 16- LED Fat Channel matrix:\u003cbr\u003e • Pre-dynamics\/pre-fader input\u003cbr\u003e • Post-dynamics\/post-fader output\u003cbr\u003e • Gain reduction\u003cbr\u003e • Aux 1-14 and EFX A-D output\u003cbr\u003e • Fader-position recall\u003cbr\u003e • 8 x 15-LED main meter bank\u003cbr\u003e • Selected channel level\u003cbr\u003e • Selected channel gain reduction\u003cbr\u003e • Sub buses 1 to 4\u003cbr\u003e • Main stereo outputs\u003cbr\u003e • 15-LED horizontal Pan\/Balance display\u003cbr\u003e • 64 x 194 LCD matrix\u003cbr\u003e • Effects parameters\u003cbr\u003e • Scene creation, storage, and recall\u003cbr\u003e • System menus\u003cbr\u003e • Channel Info page with custom naming\u003cbr\u003e • GEQ Select\u003cbr\u003e • 2-digit Channel Selected display\u003cbr\u003e • 24 main inputs, each with XLR mic, ¼\" line, and ¼\" inserts\u003cbr\u003e • 2 ¼\" balanced stereo (L\/R) aux inputs\u003cbr\u003e • 1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control\u003cbr\u003e • Unbalanced RCA stereo (L\/R) tape inputs and outputs\u003cbr\u003e • XLR stereo (L\/R) main outputs with level control\u003cbr\u003e • ¼\" balanced stereo (L\/R) main outputs\u003cbr\u003e • XLR mono output with level control\u003cbr\u003e • ¼\" balanced stereo (L\/R) control-room outputs\u003cbr\u003e • ¼\" headphone output\u003cbr\u003e • 4 ¼\" balanced subgroup outputs\u003cbr\u003e • 10 ¼\" balanced aux outputs\u003cbr\u003e • 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 sockets\u003cbr\u003e • Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications\u003cbr\u003e • Installed Option Card with:\u003cbr\u003e • S\/PDIF digital out\u003cbr\u003e • 2 FireWire S800 ports (fully compatible with Apple Thunderbolt to FireWire Adapter)\u003cbr\u003e • Optional Networking cards\u003cbr\u003e • Dante™ (SL-Dante-Mix)\u003cbr\u003e • AVB (SL-AVB-Mix)\u003cbr\u003e • \u003cbr\u003e\u003cbr\u003eIntegrated software\u003cbr\u003e\u003cbr\u003e • UC Surface Control Software with Smaart Measurement Technology™\u003cbr\u003e • Studio One® Artist Digital Audio Workstation software for Mac® and Windows®\u003cbr\u003e • Capture™ multitrack recording software for Mac and Windows\u003cbr\u003e • QMix®-AI aux-control software for iPhone® and iPod® touch available free from Apple App Store\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDigitalia\u003cbr\u003e\u003cbr\u003e • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003cbr\u003e • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003cbr\u003e • Internal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e\u003cbr\u003e • Rugged, non-flex steel chassis\u003cbr\u003e • 100 mm long-throw faders\u003cbr\u003e • Military-grade, quick-touch buttons\u003cbr\u003e • BNC 12V lamp socket\u003cbr\u003e • Optional dust covers available\u003cbr\u003e\u003cbr\u003eStudioLive 24.4.2AI\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003e\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface.\u003cbr\u003e\u003cbr\u003eApple iPad\u003cbr\u003e\u003cbr\u003e • iPad® Air, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), or iPad 2\u003cbr\u003e • ​​iOS® 7.03 or later\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e\u003cbr\u003e • Mac® OS X 10.8 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e\u003cbr\u003e • Windows® 7 x64\/x86 SP1, Windows 8 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e\u003cbr\u003e • Wired or wireless network connection\u003cbr\u003e • Internet connection\u003cbr\u003e • For Capture™ and Studio One®:\u003cbr\u003e • FireWire S800 (IEEE 1394b) port\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • Monitor with 1280x800 resolution\u003cbr\u003e • Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals.\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e • Microphone Preamps (XLR Balanced)\u003cbr\u003e • Type XLR Female, Balanced\u003cbr\u003e • Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5 dBu\u003cbr\u003e • Frequency Response to Main Output 20 Hz to 20 kHz ±0.5 dBu\u003cbr\u003e • Input Impedance (Balanced) 1 kΩ\u003cbr\u003e • THD to Direct Output \u0026lt; 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • EIN to Direct Output +125 dB unwtd, +130 dB A-wtd\u003cbr\u003e • S\/N Ratio to Direct Output 105 dB\u003cbr\u003e • S\/N Ratio to Main Output 94 dB\u003cbr\u003e • Common Mode Rejection Ratio 65 dB\u003cbr\u003e • Gain Control Range -15 dB to +65 dB (± 1 dB)\u003cbr\u003e • Maximum Input Level (unity gain) +22 dBu\u003cbr\u003e • Phantom Power +48 VDC\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e • Type ¼\" TRS Female, balanced mono\u003cbr\u003e • Frequency Response to Direct Outputs 10-40 kHz, 0 \/ -0.5 dBu\u003cbr\u003e • Frequency Response to Main Outputs 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e • THD to Direct Output \u0026lt;0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Direct Output 105 dB\u003cbr\u003e • S\/N Ratio to Main Output 94 dB\u003cbr\u003e • Gain Control Range (±1 dB) -20 dB to +20 dB\u003cbr\u003e • Maximum Input level (unity gain) +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAuxiliary Inputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (2 stereo pairs)\u003cbr\u003e • Maximum Input Level +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMain Outputs\u003cbr\u003e • Type Male, balanced (stereo pair); ¼\" TRS Female, balanced (stereo pair); XLR Male, balanced (mono)\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAux Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (mono)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSubgroup Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (mono)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTape Outputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eControl Room Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (stereo pair)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e • Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu\u003cbr\u003e • Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eNoise Gate \/ Expander\u003cbr\u003e • Threshold Range -84 dB to 0 dB\u003cbr\u003e • Attack Time 0.02s to 500 ms \/ 0.5 ms\u003cbr\u003e • Release Time 0.05s to 2s\u003cbr\u003e • Expander Attenuation Range 2:1\u003cbr\u003e • Gate Attenuation Range -84 dB to 0 dB \/ ∞\u003cbr\u003e • Key Listen Filter 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLimiter\u003cbr\u003e • Threshold -56 dB to 0 dB \/ -28 dBFS\u003cbr\u003e • Ratio ∞:1\u003cbr\u003e • Attack 20 ms\u003cbr\u003e • Hold 10 ms\u003cbr\u003e • Release 20 ms\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCompressor\u003cbr\u003e • Threshold Range -56 dB to 0 dB\u003cbr\u003e • Ratio 1:1 to 14:1\u003cbr\u003e • Attack Time 0.2 ms to 150 ms\u003cbr\u003e • Release Time 40 ms to 1000 ms\u003cbr\u003e • Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e • Curve Types hard and soft knee\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eParametric EQ\u003cbr\u003e • Type 2nd-order shelving filter (Q = 0.55)\u003cbr\u003e • Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e • Low Mid 90 Hz to 1.2 kHz, ±15 dB\u003cbr\u003e • High Mid 380 Hz to 5 kHz, ±15 dB\u003cbr\u003e • High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e • Q 0.1 to 4\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e • 31-Band 1\/3rd Octave Controls Curve-fitting algorithm\u003cbr\u003e • Gain\/Attenuation ±15 dB\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e • ADC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e • DAC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e • FireWire s800, 800 Mb\/s\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 44.1, 48 kHz\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in ≈ 1 ps out)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 100 to 230V, 50-60 Hz\u003cbr\u003e • Power Requirements 200W\u003cbr\u003e • Temperature Range 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e • Length 21.31\" (54.13 cm)\u003cbr\u003e • Width (chassis only) 25.19\" (63.98 cm)\u003cbr\u003e • Maximum Height 7.02\" (17.82 cm)\u003cbr\u003e • Weight 30 lbs. (13.6 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-10-16T09:54:00+02:00","created_at":"2016-10-16T09:56:16+02:00","vendor":"PreSonus","type":"Mixers","tags":["Channels_24","Digital Mixers","Egypt","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$2000 to $3000","Shop by brand_PreSonus","Shop by category_Digital Mixers","Shop by category_Live Sound Mixers"],"price":269880,"price_min":269880,"price_max":269880,"available":true,"price_varies":false,"compare_at_price":269880,"compare_at_price_min":269880,"compare_at_price_max":269880,"compare_at_price_varies":false,"variants":[{"id":27640213697,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive 24.4.2 AI","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive 24.4.2AI","public_title":null,"options":["Default Title"],"price":269880,"weight":13608,"compare_at_price":269880,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus_sl2442ai-top_big_271e50c3-0f89-4bf1-b683-b3f015211e2f.jpg?v=1501090447","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus_sl2442ai-back_big_c6dc5c4c-f91c-42f5-bc74-baa22635b136.jpg?v=1501090447","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/StudioLive_2024_4_2AI-04.png?v=1501090472"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus_sl2442ai-top_big_271e50c3-0f89-4bf1-b683-b3f015211e2f.jpg?v=1501090447","options":["Title"],"content":"\u003ch2\u003eOnly with StudioLive AI.\u003c\/h2\u003e\n\u003cp\u003eStudioLive\u003csup\u003e®\u003c\/sup\u003e AI Active Integration mixing consoles combine a familiar, analog-like mixing surface with the power of digital mixing. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, they deliver the most creative environment possible for both live performance and studio music production. Loaded with no-compromises signal processing on every channel, easy store and recall of every setting, high-end converters and preamps, and an integrated multitrack recording interface, StudioLive AI mixers are expandable and boast advanced networking capabilities unmatched in their price class. Yet they operate so much like an analog mixer that you’ll immediately feel at home.\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eThe ease of analog meets the power of digital.\u003c\/h2\u003e\n\u003cp\u003eWhen you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive AI’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in multiple menus or layers. Our design philosophy is simple: One fader for every channel, one output for every bus. This is the power of a surface-driven workflow. But don’t let the analog feel fool you: StudioLive AI mixers offer all of the features you expect in professional-class digital mixers and more.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eYou’ll never run out of signal processors.\u003c\/h2\u003e\n\u003cp\u003eStudioLive AI mixers provide more DSP power than any other mixer in their class. There are no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander\/gate, and parametric EQ on every channel and bus; a highpass filter on each channel; a library of professionally crafted, useful presets; and the ability to save, selectively recall, and A\/B-compare processor settings. You also get four effects processors, each with their own dedicated mix bus; a 31-band graphic EQ on every aux mix plus the mains; and 500 ms of delay available to each of the four subgroups.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2\u003eSuperior sound.\u003c\/h2\u003e\n\u003cp\u003eConnect a StudioLive AI mixer and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. StudioLive AI mixers operate at up to 96 kHz for high-definition mixing and recording. They use the same high-quality 64-bit summing engine found in our Studio One\u003csup\u003e®\u003c\/sup\u003e DAW, which consistently receives rave reviews for sound quality. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003e24 input channels, each with:\u003c\/h3\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eXLR mic and ¼” line inputs\u003c\/li\u003e\n\u003cli\u003eHigh-headroom Class A XMAX mic preamplifiers\u003c\/li\u003e\n\u003cli\u003eAnalog ¼\" inserts (rear panel)\u003c\/li\u003e\n\u003cli\u003eTrim control with –20 to +20 dBV line \/ -15 to +65 dBu mic gain range (80 dB!)\u003c\/li\u003e\n\u003cli\u003e+48V phantom power switch for condenser microphones\u003c\/li\u003e\n\u003cli\u003eDigital Audio Input Select\u003c\/li\u003e\n\u003cli\u003e100 mm precision faders\u003c\/li\u003e\n\u003cli\u003ePhase reverse, highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter—all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003eCascade two StudioLive\u003csup\u003e®\u003c\/sup\u003e AI mixers of any frame size to create custom-sized mixing consoles.\u003c\/li\u003e\n\u003cli\u003e40 in x 26 out FireWire s800 direct digital recording interface (24-bit\/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz) compatible with Apple Thunderbolt to FireWire Adapter\u003c\/li\u003e\n\u003cli\u003eCompatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others\u003c\/li\u003e\n\u003cli\u003e20 dedicated mix buses for easy configuration\u003c\/li\u003e\n\u003cli\u003e10 aux buses with analog outputs\u003c\/li\u003e\n\u003cli\u003e4 internal FX buses\u003c\/li\u003e\n\u003cli\u003e4 subgroups with analog outputs\u003c\/li\u003e\n\u003cli\u003eStereo main bus with analog outputs\u003c\/li\u003e\n\u003cli\u003eAccess to Fat Channel functions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour subgroup buses, each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced TRS output\u003c\/li\u003e\n\u003cli\u003eSolo\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e300 ms output delay\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTen aux buses, each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced TRS output\u003c\/li\u003e\n\u003cli\u003eSolo\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePre1\/Pre2\/post-fader send\u003c\/li\u003e\n\u003cli\u003eOutput-level control\u003c\/li\u003e\n\u003cli\u003eHighpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e31-band graphic EQ with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003eAvailable sources: 24 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour internal effects sends (two reverbs, two delay effects), each with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePre1\/Pre2\/post-fader send\u003c\/li\u003e\n\u003cli\u003eOutput-level control\u003c\/li\u003e\n\u003cli\u003eHighpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eStereo main bus with:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eBalanced XLR outputs\u003c\/li\u003e\n\u003cli\u003eBalanced TRS outputs\u003c\/li\u003e\n\u003cli\u003eMono sum XLR output\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003c\/li\u003e\n\u003cli\u003e31-band graphic EQ with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMaster section\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eAux Input A and B\u003c\/li\u003e\n\u003cli\u003eLevel Control and stereo pan\u003c\/li\u003e\n\u003cli\u003eNoise gate\/expander, compressor, 4-band EQ, limiter with A\/B and Quick Null\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eTalkback System\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eMic Level control\u003c\/li\u003e\n\u003cli\u003eOutput Select (Auxes, Main)\u003c\/li\u003e\n\u003cli\u003eTalk button\u003c\/li\u003e\n\u003cli\u003eRear-panel XLR mic input with trim control and continuous 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e2-Track in\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eLevel control\u003c\/li\u003e\n\u003cli\u003eTape Input to Mains button\u003c\/li\u003e\n\u003cli\u003eMain Digital Audio Return on\/off\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSolo bus\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eCue Mix volume control\u003c\/li\u003e\n\u003cli\u003ePFL\/AFL and Solo In Place (SIP) buttons\u003c\/li\u003e\n\u003cli\u003eLatch, Radio, and CR Modes\u003c\/li\u003e\n\u003cli\u003eSolo Clear\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eMonitor bus\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eHeadphone-output level control\u003c\/li\u003e\n\u003cli\u003eControl-room monitor-level control\u003c\/li\u003e\n\u003cli\u003eSolo Bus to Monitor button\u003c\/li\u003e\n\u003cli\u003eTape Input to Monitor button\u003c\/li\u003e\n\u003cli\u003eMain Digital Audio Return to Monitor button\u003c\/li\u003e\n\u003cli\u003eMain Mix to Monitor button\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFat Channel with rotary encoders:\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003ePan with dedicated 15-LED display\u003c\/li\u003e\n\u003cli\u003eStereo link for input channels, aux buses, and subgroups\u003c\/li\u003e\n\u003cli\u003ePhase reverse (input channels only)\u003c\/li\u003e\n\u003cli\u003eHigh-pass filter: -6 dB\/oct., sweepable from Off to 1 kHz (main channels and aux's only)\u003c\/li\u003e\n\u003cli\u003eGate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003c\/li\u003e\n\u003cli\u003eCompressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003c\/li\u003e\n\u003cli\u003e4-band fully parametric equalizer\n\u003cul\u003e\n\u003cli\u003eLow EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eLow Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003c\/li\u003e\n\u003cli\u003eHigh EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003c\/li\u003e\n\u003cli\u003eMaster EQ On\/Off button\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eLimiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003c\/li\u003e\n\u003cli\u003eAlt EQ \u0026amp; Dyn button for quick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003c\/li\u003e\n\u003cli\u003eOutput Assign: 4 subgroups and main\u003c\/li\u003e\n\u003cli\u003eAll settings can be copied among channels and buses and can be saved as user presets.\u003c\/li\u003e\n\u003cli\u003e50 channel-strip presets for drums, bass, guitars, keyboards, and vocals\u003c\/li\u003e\n\u003cli\u003eQuick Parameter Null easily zeroes out any Fat Channel parameter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eFour internal digital effects-processors (two reverbs, two delays), each with 50 customizable presets\u003c\/h3\u003e\n\u003ch3\u003eTwelve 31-band graphic equalizers\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e6 Quick Scene buttons for instant Scene save\/recall—like “speed dial” for Scenes\u003c\/li\u003e\n\u003cli\u003eAutomatic Global AutoStore\u003c\/li\u003e\n\u003cli\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIndividual channel-strip setting storage\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eUp to 48 at a time, plus…\u003c\/li\u003e\n\u003cli\u003e50 factory presets for instruments and vocal\u003c\/li\u003e\n\u003cli\u003eCopy and Paste between channels\u003c\/li\u003e\n\u003cli\u003eCan be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLockout mode to keep inspired amateurs from changing your settings\u003c\/h3\u003e\n\u003ch3\u003eMetering\/Displays\u003c\/h3\u003e\n\u003ch3\u003eInput\/Output\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e24 x 16- LED Fat Channel matrix:\n\u003cul\u003e\n\u003cli\u003ePre-dynamics\/pre-fader input\u003c\/li\u003e\n\u003cli\u003ePost-dynamics\/post-fader output\u003c\/li\u003e\n\u003cli\u003eGain reduction\u003c\/li\u003e\n\u003cli\u003eAux 1-14 and EFX A-D output\u003c\/li\u003e\n\u003cli\u003eFader-position recall\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e8 x 15-LED main meter bank\n\u003cul\u003e\n\u003cli\u003eSelected channel level\u003c\/li\u003e\n\u003cli\u003eSelected channel gain reduction\u003c\/li\u003e\n\u003cli\u003eSub buses 1 to 4\u003c\/li\u003e\n\u003cli\u003eMain stereo outputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e15-LED horizontal Pan\/Balance display\u003c\/li\u003e\n\u003cli\u003e64 x 194 LCD matrix\n\u003cul\u003e\n\u003cli\u003eEffects parameters\u003c\/li\u003e\n\u003cli\u003eScene creation, storage, and recall\u003c\/li\u003e\n\u003cli\u003eSystem menus\u003c\/li\u003e\n\u003cli\u003eChannel Info page with custom naming\u003c\/li\u003e\n\u003cli\u003eGEQ Select\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2-digit Channel Selected display\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003e24 main inputs, each with XLR mic, ¼\" line, and ¼\" inserts\u003c\/li\u003e\n\u003cli\u003e2 ¼\" balanced stereo (L\/R) aux inputs\u003c\/li\u003e\n\u003cli\u003e1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control\u003c\/li\u003e\n\u003cli\u003eUnbalanced RCA stereo (L\/R) tape inputs and outputs\u003c\/li\u003e\n\u003cli\u003eXLR stereo (L\/R) main outputs with level control\u003c\/li\u003e\n\u003cli\u003e¼\" balanced stereo (L\/R) main outputs\u003c\/li\u003e\n\u003cli\u003eXLR mono output with level control\u003c\/li\u003e\n\u003cli\u003e¼\" balanced stereo (L\/R) control-room outputs\u003c\/li\u003e\n\u003cli\u003e¼\" headphone output\u003c\/li\u003e\n\u003cli\u003e4 ¼\" balanced subgroup outputs\u003c\/li\u003e\n\u003cli\u003e10 ¼\" balanced aux outputs\u003c\/li\u003e\n\u003cli\u003e24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 sockets\u003c\/li\u003e\n\u003cli\u003eDedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications\u003c\/li\u003e\n\u003cli\u003eInstalled Option Card with:\n\u003cul\u003e\n\u003cli\u003eS\/PDIF digital out\u003c\/li\u003e\n\u003cli\u003e2 FireWire S800 ports (fully compatible with Apple Thunderbolt to FireWire Adapter)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eOptional Networking cards\n\u003cul\u003e\n\u003cli\u003eDante™ (SL-Dante-Mix)\u003c\/li\u003e\n\u003cli\u003eAVB (SL-AVB-Mix)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIntegrated software\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eUC Surface Control Software with Smaart Measurement Technology™\u003c\/li\u003e\n\u003cli\u003eStudio One\u003csup\u003e®\u003c\/sup\u003e Artist Digital Audio Workstation software for Mac\u003csup\u003e®\u003c\/sup\u003e and Windows\u003csup\u003e®\u003c\/sup\u003e\n\u003c\/li\u003e\n\u003cli\u003eCapture™ multitrack recording software for Mac and Windows\u003c\/li\u003e\n\u003cli\u003eQMix\u003csup\u003e®\u003c\/sup\u003e-AI aux-control software for iPhone\u003csup\u003e®\u003c\/sup\u003e and iPod\u003csup\u003e®\u003c\/sup\u003e touch available free from Apple App Store\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eDigitalia\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eHigh-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003c\/li\u003e\n\u003cli\u003eUnlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003c\/li\u003e\n\u003cli\u003eInternal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1 long-run\"\u003e\n\u003cli\u003eRugged, non-flex steel chassis\u003c\/li\u003e\n\u003cli\u003e100 mm long-throw faders\u003c\/li\u003e\n\u003cli\u003eMilitary-grade, quick-touch buttons\u003c\/li\u003e\n\u003cli\u003eBNC 12V lamp socket\u003c\/li\u003e\n\u003cli\u003eOptional dust covers available\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eFeatures\u003cbr\u003e\u003cbr\u003e24 input channels, each with:\u003cbr\u003e\u003cbr\u003e • XLR mic and ¼” line inputs\u003cbr\u003e • High-headroom Class A XMAX mic preamplifiers\u003cbr\u003e • Analog ¼\" inserts (rear panel)\u003cbr\u003e • Trim control with –20 to +20 dBV line \/ -15 to +65 dBu mic gain range (80 dB!)\u003cbr\u003e • +48V phantom power switch for condenser microphones\u003cbr\u003e • Digital Audio Input Select\u003cbr\u003e • 100 mm precision faders\u003cbr\u003e • Phase reverse, highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter—all with A\/B and Quick Null\u003cbr\u003e • Cascade two StudioLive® AI mixers of any frame size to create custom-sized mixing consoles.\u003cbr\u003e • 40 in x 26 out FireWire s800 direct digital recording interface (24-bit\/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz) compatible with Apple Thunderbolt to FireWire Adapter\u003cbr\u003e • Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others\u003cbr\u003e • 20 dedicated mix buses for easy configuration\u003cbr\u003e • 10 aux buses with analog outputs\u003cbr\u003e • 4 internal FX buses\u003cbr\u003e • 4 subgroups with analog outputs\u003cbr\u003e • Stereo main bus with analog outputs\u003cbr\u003e • Access to Fat Channel functions\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour subgroup buses, each with:\u003cbr\u003e\u003cbr\u003e • Balanced TRS output\u003cbr\u003e • Solo\u003cbr\u003e • Mute\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 300 ms output delay\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTen aux buses, each with:\u003cbr\u003e\u003cbr\u003e • Balanced TRS output\u003cbr\u003e • Solo\u003cbr\u003e • Mute\u003cbr\u003e • Pre1\/Pre2\/post-fader send\u003cbr\u003e • Output-level control\u003cbr\u003e • Highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 31-band graphic EQ with A\/B and Quick Null\u003cbr\u003e • Available sources: 24 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour internal effects sends (two reverbs, two delay effects), each with:\u003cbr\u003e\u003cbr\u003e • Mute\u003cbr\u003e • Pre1\/Pre2\/post-fader send\u003cbr\u003e • Output-level control\u003cbr\u003e • Highpass filter, noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eStereo main bus with:\u003cbr\u003e\u003cbr\u003e • Balanced XLR outputs\u003cbr\u003e • Balanced TRS outputs\u003cbr\u003e • Mono sum XLR output\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter — all with A\/B and Quick Null\u003cbr\u003e • 31-band graphic EQ with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMaster section\u003cbr\u003e\u003cbr\u003e • Aux Input A and B\u003cbr\u003e • Level Control and stereo pan\u003cbr\u003e • Noise gate\/expander, compressor, 4-band EQ, limiter with A\/B and Quick Null\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTalkback System\u003cbr\u003e\u003cbr\u003e • Mic Level control\u003cbr\u003e • Output Select (Auxes, Main)\u003cbr\u003e • Talk button\u003cbr\u003e • Rear-panel XLR mic input with trim control and continuous 48V phantom power\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e2-Track in\u003cbr\u003e\u003cbr\u003e • Level control\u003cbr\u003e • Tape Input to Mains button\u003cbr\u003e • Main Digital Audio Return on\/off\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSolo bus\u003cbr\u003e\u003cbr\u003e • Cue Mix volume control\u003cbr\u003e • PFL\/AFL and Solo In Place (SIP) buttons\u003cbr\u003e • Latch, Radio, and CR Modes\u003cbr\u003e • Solo Clear\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMonitor bus\u003cbr\u003e\u003cbr\u003e • Headphone-output level control\u003cbr\u003e • Control-room monitor-level control\u003cbr\u003e • Solo Bus to Monitor button\u003cbr\u003e • Tape Input to Monitor button\u003cbr\u003e • Main Digital Audio Return to Monitor button\u003cbr\u003e • Main Mix to Monitor button\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFat Channel with rotary encoders:\u003cbr\u003e\u003cbr\u003e • Pan with dedicated 15-LED display\u003cbr\u003e • Stereo link for input channels, aux buses, and subgroups\u003cbr\u003e • Phase reverse (input channels only)\u003cbr\u003e • High-pass filter: -6 dB\/oct., sweepable from Off to 1 kHz (main channels and aux's only)\u003cbr\u003e • Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function\u003cbr\u003e • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release\u003cbr\u003e • 4-band fully parametric equalizer\u003cbr\u003e • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking\u003cbr\u003e • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0\u003cbr\u003e • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0\u003cbr\u003e • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking\u003cbr\u003e • Master EQ On\/Off button\u003cbr\u003e • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio\u003cbr\u003e • Alt EQ \u0026amp; Dyn button for quick A\/B comparisons of two complete sets of Fat Channel settings for each channel and bus\u003cbr\u003e • Output Assign: 4 subgroups and main\u003cbr\u003e • All settings can be copied among channels and buses and can be saved as user presets.\u003cbr\u003e • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals\u003cbr\u003e • Quick Parameter Null easily zeroes out any Fat Channel parameter\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eFour internal digital effects-processors (two reverbs, two delays), each with 50 customizable presets\u003cbr\u003e\u003cbr\u003eTwelve 31-band graphic equalizers\u003cbr\u003e\u003cbr\u003e6 Quick Scene buttons for instant Scene save\/recall—like “speed dial” for Scenes\u003cbr\u003eAutomatic Global AutoStore\u003cbr\u003eCustomizable naming (for example, \"Saturday Gig\" or \"Main Worship Service\")\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIndividual channel-strip setting storage\u003cbr\u003e\u003cbr\u003e • Up to 48 at a time, plus…\u003cbr\u003e • 50 factory presets for instruments and vocal\u003cbr\u003e • Copy and Paste between channels\u003cbr\u003e • Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLockout mode to keep inspired amateurs from changing your settings\u003cbr\u003e\u003cbr\u003eMetering\/Displays\u003cbr\u003e\u003cbr\u003eInput\/Output\u003cbr\u003e\u003cbr\u003e • 24 x 16- LED Fat Channel matrix:\u003cbr\u003e • Pre-dynamics\/pre-fader input\u003cbr\u003e • Post-dynamics\/post-fader output\u003cbr\u003e • Gain reduction\u003cbr\u003e • Aux 1-14 and EFX A-D output\u003cbr\u003e • Fader-position recall\u003cbr\u003e • 8 x 15-LED main meter bank\u003cbr\u003e • Selected channel level\u003cbr\u003e • Selected channel gain reduction\u003cbr\u003e • Sub buses 1 to 4\u003cbr\u003e • Main stereo outputs\u003cbr\u003e • 15-LED horizontal Pan\/Balance display\u003cbr\u003e • 64 x 194 LCD matrix\u003cbr\u003e • Effects parameters\u003cbr\u003e • Scene creation, storage, and recall\u003cbr\u003e • System menus\u003cbr\u003e • Channel Info page with custom naming\u003cbr\u003e • GEQ Select\u003cbr\u003e • 2-digit Channel Selected display\u003cbr\u003e • 24 main inputs, each with XLR mic, ¼\" line, and ¼\" inserts\u003cbr\u003e • 2 ¼\" balanced stereo (L\/R) aux inputs\u003cbr\u003e • 1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control\u003cbr\u003e • Unbalanced RCA stereo (L\/R) tape inputs and outputs\u003cbr\u003e • XLR stereo (L\/R) main outputs with level control\u003cbr\u003e • ¼\" balanced stereo (L\/R) main outputs\u003cbr\u003e • XLR mono output with level control\u003cbr\u003e • ¼\" balanced stereo (L\/R) control-room outputs\u003cbr\u003e • ¼\" headphone output\u003cbr\u003e • 4 ¼\" balanced subgroup outputs\u003cbr\u003e • 10 ¼\" balanced aux outputs\u003cbr\u003e • 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 sockets\u003cbr\u003e • Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications\u003cbr\u003e • Installed Option Card with:\u003cbr\u003e • S\/PDIF digital out\u003cbr\u003e • 2 FireWire S800 ports (fully compatible with Apple Thunderbolt to FireWire Adapter)\u003cbr\u003e • Optional Networking cards\u003cbr\u003e • Dante™ (SL-Dante-Mix)\u003cbr\u003e • AVB (SL-AVB-Mix)\u003cbr\u003e • \u003cbr\u003e\u003cbr\u003eIntegrated software\u003cbr\u003e\u003cbr\u003e • UC Surface Control Software with Smaart Measurement Technology™\u003cbr\u003e • Studio One® Artist Digital Audio Workstation software for Mac® and Windows®\u003cbr\u003e • Capture™ multitrack recording software for Mac and Windows\u003cbr\u003e • QMix®-AI aux-control software for iPhone® and iPod® touch available free from Apple App Store\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDigitalia\u003cbr\u003e\u003cbr\u003e • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)\u003cbr\u003e • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing\u003cbr\u003e • Internal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e\u003cbr\u003e • Rugged, non-flex steel chassis\u003cbr\u003e • 100 mm long-throw faders\u003cbr\u003e • Military-grade, quick-touch buttons\u003cbr\u003e • BNC 12V lamp socket\u003cbr\u003e • Optional dust covers available\u003cbr\u003e\u003cbr\u003eStudioLive 24.4.2AI\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003e\u003cbr\u003eBelow are the minimum computer-system requirements for UC Surface.\u003cbr\u003e\u003cbr\u003eApple iPad\u003cbr\u003e\u003cbr\u003e • iPad® Air, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), or iPad 2\u003cbr\u003e • ​​iOS® 7.03 or later\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e\u003cbr\u003e • Mac® OS X 10.8 64-bit or later\u003cbr\u003e • Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e\u003cbr\u003e • Windows® 7 x64\/x86 SP1, Windows 8 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e • Intel Core 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e • 4 GB RAM (8 GB or more recommended)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e\u003cbr\u003e • Wired or wireless network connection\u003cbr\u003e • Internet connection\u003cbr\u003e • For Capture™ and Studio One®:\u003cbr\u003e • FireWire S800 (IEEE 1394b) port\u003cbr\u003e • Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e • Monitor with 1280x800 resolution\u003cbr\u003e • Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals.\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e • Microphone Preamps (XLR Balanced)\u003cbr\u003e • Type XLR Female, Balanced\u003cbr\u003e • Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5 dBu\u003cbr\u003e • Frequency Response to Main Output 20 Hz to 20 kHz ±0.5 dBu\u003cbr\u003e • Input Impedance (Balanced) 1 kΩ\u003cbr\u003e • THD to Direct Output \u0026lt; 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • EIN to Direct Output +125 dB unwtd, +130 dB A-wtd\u003cbr\u003e • S\/N Ratio to Direct Output 105 dB\u003cbr\u003e • S\/N Ratio to Main Output 94 dB\u003cbr\u003e • Common Mode Rejection Ratio 65 dB\u003cbr\u003e • Gain Control Range -15 dB to +65 dB (± 1 dB)\u003cbr\u003e • Maximum Input Level (unity gain) +22 dBu\u003cbr\u003e • Phantom Power +48 VDC\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e • Type ¼\" TRS Female, balanced mono\u003cbr\u003e • Frequency Response to Direct Outputs 10-40 kHz, 0 \/ -0.5 dBu\u003cbr\u003e • Frequency Response to Main Outputs 20-20 kHz, ±0.5 dBu\u003cbr\u003e • Input Impedance 10 kΩ\u003cbr\u003e • THD to Direct Output \u0026lt;0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • THD to Main Output \u0026lt;0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd\u003cbr\u003e • S\/N Ratio to Direct Output 105 dB\u003cbr\u003e • S\/N Ratio to Main Output 94 dB\u003cbr\u003e • Gain Control Range (±1 dB) -20 dB to +20 dB\u003cbr\u003e • Maximum Input level (unity gain) +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTape Inputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Maximum Input Level +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAuxiliary Inputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (2 stereo pairs)\u003cbr\u003e • Maximum Input Level +22 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eMain Outputs\u003cbr\u003e • Type Male, balanced (stereo pair); ¼\" TRS Female, balanced (stereo pair); XLR Male, balanced (mono)\u003cbr\u003e • Rated Output Level +24 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eAux Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (mono)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSubgroup Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (mono)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eTape Outputs\u003cbr\u003e • Type RCA Female, unbalanced (stereo pair)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eControl Room Outputs\u003cbr\u003e • Type ¼\" TRS Female, balanced (stereo pair)\u003cbr\u003e • Rated Output Level +18 dBu\u003cbr\u003e • Output Impedance 100Ω\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e • Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu\u003cbr\u003e • Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eNoise Gate \/ Expander\u003cbr\u003e • Threshold Range -84 dB to 0 dB\u003cbr\u003e • Attack Time 0.02s to 500 ms \/ 0.5 ms\u003cbr\u003e • Release Time 0.05s to 2s\u003cbr\u003e • Expander Attenuation Range 2:1\u003cbr\u003e • Gate Attenuation Range -84 dB to 0 dB \/ ∞\u003cbr\u003e • Key Listen Filter 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eLimiter\u003cbr\u003e • Threshold -56 dB to 0 dB \/ -28 dBFS\u003cbr\u003e • Ratio ∞:1\u003cbr\u003e • Attack 20 ms\u003cbr\u003e • Hold 10 ms\u003cbr\u003e • Release 20 ms\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eCompressor\u003cbr\u003e • Threshold Range -56 dB to 0 dB\u003cbr\u003e • Ratio 1:1 to 14:1\u003cbr\u003e • Attack Time 0.2 ms to 150 ms\u003cbr\u003e • Release Time 40 ms to 1000 ms\u003cbr\u003e • Auto Attack and Release Attack = 10 ms, Release = 150 ms\u003cbr\u003e • Curve Types hard and soft knee\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eParametric EQ\u003cbr\u003e • Type 2nd-order shelving filter (Q = 0.55)\u003cbr\u003e • Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB\u003cbr\u003e • Low Mid 90 Hz to 1.2 kHz, ±15 dB\u003cbr\u003e • High Mid 380 Hz to 5 kHz, ±15 dB\u003cbr\u003e • High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB\u003cbr\u003e • Q 0.1 to 4\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e • 31-Band 1\/3rd Octave Controls Curve-fitting algorithm\u003cbr\u003e • Gain\/Attenuation ±15 dB\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e • ADC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e • DAC Dynamic Range (A-wtd, 48 kHz) 118 dB\u003cbr\u003e • FireWire s800, 800 Mb\/s\u003cbr\u003e • Internal Processing 32-bit, floating point\u003cbr\u003e • Sampling Rate 44.1, 48 kHz\u003cbr\u003e • A\/D\/A Bit Depth 24\u003cbr\u003e • Reference Level for 0 dBFS +18 dBu\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eClock\u003cbr\u003e • Jitter \u0026lt;20 ps RMS (20 Hz - 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt;60 dB (1 ns in ≈ 1 ps out)\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e • Connector IEC\u003cbr\u003e • Input-Voltage Range 100 to 230V, 50-60 Hz\u003cbr\u003e • Power Requirements 200W\u003cbr\u003e • Temperature Range 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e • Length 21.31\" (54.13 cm)\u003cbr\u003e • Width (chassis only) 25.19\" (63.98 cm)\u003cbr\u003e • Maximum Height 7.02\" (17.82 cm)\u003cbr\u003e • Weight 30 lbs. (13.6 kg)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"col-xs-12 col-sm-12 col-md-6\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e"}

PreSonus StudioLive 24.4.2AI

Product Description
$2,698.80
Maximum quantity available reached.

Only with StudioLive AI.

StudioLive® AI Active Integration mixing consoles combine a familiar, analog-like mixing surface with the power of digital mixing. Easier to use, better sounding, and flawlessly integrated with state-of-the-art software, they deliver the most creative environment possible for both live performance and studio music production. Loaded with no-compromises signal processing on every channel, easy store and recall of every setting, high-end converters and preamps, and an integrated multitrack recording interface, StudioLive AI mixers are expandable and boast advanced networking capabilities unmatched in their price class. Yet they operate so much like an analog mixer that you’ll immediately feel at home.

The ease of analog meets the power of digital.

When you’re mixing a live event or have an artist in the studio, you need to be able to work quickly. The StudioLive AI’s familiar, easy-to-use interface keeps all critical controls visible and accessible —not buried in multiple menus or layers. Our design philosophy is simple: One fader for every channel, one output for every bus. This is the power of a surface-driven workflow. But don’t let the analog feel fool you: StudioLive AI mixers offer all of the features you expect in professional-class digital mixers and more.

You’ll never run out of signal processors.

StudioLive AI mixers provide more DSP power than any other mixer in their class. There are no limitations, no shared resources, no figuring out what processing is available where. You have all of the processing available at all times, with no compromises or caveats. The unique Fat Channel provides a compressor, limiter, expander/gate, and parametric EQ on every channel and bus; a highpass filter on each channel; a library of professionally crafted, useful presets; and the ability to save, selectively recall, and A/B-compare processor settings. You also get four effects processors, each with their own dedicated mix bus; a 31-band graphic EQ on every aux mix plus the mains; and 500 ms of delay available to each of the four subgroups.

Superior sound.

Connect a StudioLive AI mixer and you’ll instantly hear details and an open high end you’d expect to find only in an expensive studio console. StudioLive AI mixers operate at up to 96 kHz for high-definition mixing and recording. They use the same high-quality 64-bit summing engine found in our Studio One® DAW, which consistently receives rave reviews for sound quality. High-quality Burr-Brown converters on every input and output provide a best-in-class 118 dB of dynamic range so you’ll catch every high and low with great accuracy and no audible distortion. And our XMAX microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound.

Features

24 input channels, each with:

  • XLR mic and ¼” line inputs
  • High-headroom Class A XMAX mic preamplifiers
  • Analog ¼" inserts (rear panel)
  • Trim control with –20 to +20 dBV line / -15 to +65 dBu mic gain range (80 dB!)
  • +48V phantom power switch for condenser microphones
  • Digital Audio Input Select
  • 100 mm precision faders
  • Phase reverse, highpass filter, noise gate/expander, compressor, 4-band EQ, limiter—all with A/B and Quick Null
  • Cascade two StudioLive® AI mixers of any frame size to create custom-sized mixing consoles.
  • 40 in x 26 out FireWire s800 direct digital recording interface (24-bit/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz) compatible with Apple Thunderbolt to FireWire Adapter
  • Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others
  • 20 dedicated mix buses for easy configuration
  • 10 aux buses with analog outputs
  • 4 internal FX buses
  • 4 subgroups with analog outputs
  • Stereo main bus with analog outputs
  • Access to Fat Channel functions

Four subgroup buses, each with:

  • Balanced TRS output
  • Solo
  • Mute
  • Noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null
  • 300 ms output delay

Ten aux buses, each with:

  • Balanced TRS output
  • Solo
  • Mute
  • Pre1/Pre2/post-fader send
  • Output-level control
  • Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null
  • 31-band graphic EQ with A/B and Quick Null
  • Available sources: 24 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback

Four internal effects sends (two reverbs, two delay effects), each with:

  • Mute
  • Pre1/Pre2/post-fader send
  • Output-level control
  • Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null

Stereo main bus with:

  • Balanced XLR outputs
  • Balanced TRS outputs
  • Mono sum XLR output
  • Noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null
  • 31-band graphic EQ with A/B and Quick Null

Master section

  • Aux Input A and B
  • Level Control and stereo pan
  • Noise gate/expander, compressor, 4-band EQ, limiter with A/B and Quick Null

Talkback System

  • Mic Level control
  • Output Select (Auxes, Main)
  • Talk button
  • Rear-panel XLR mic input with trim control and continuous 48V phantom power

2-Track in

  • Level control
  • Tape Input to Mains button
  • Main Digital Audio Return on/off

Solo bus

  • Cue Mix volume control
  • PFL/AFL and Solo In Place (SIP) buttons
  • Latch, Radio, and CR Modes
  • Solo Clear

Monitor bus

  • Headphone-output level control
  • Control-room monitor-level control
  • Solo Bus to Monitor button
  • Tape Input to Monitor button
  • Main Digital Audio Return to Monitor button
  • Main Mix to Monitor button

Fat Channel with rotary encoders:

  • Pan with dedicated 15-LED display
  • Stereo link for input channels, aux buses, and subgroups
  • Phase reverse (input channels only)
  • High-pass filter: -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
  • Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
  • Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
  • 4-band fully parametric equalizer
    • Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
    • Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
    • High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
    • Master EQ On/Off button
  • Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio
  • Alt EQ & Dyn button for quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
  • Output Assign: 4 subgroups and main
  • All settings can be copied among channels and buses and can be saved as user presets.
  • 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
  • Quick Parameter Null easily zeroes out any Fat Channel parameter

Four internal digital effects-processors (two reverbs, two delays), each with 50 customizable presets

Twelve 31-band graphic equalizers

  • 6 Quick Scene buttons for instant Scene save/recall—like “speed dial” for Scenes
  • Automatic Global AutoStore
  • Customizable naming (for example, "Saturday Gig" or "Main Worship Service")

Individual channel-strip setting storage

  • Up to 48 at a time, plus…
  • 50 factory presets for instruments and vocal
  • Copy and Paste between channels
  • Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)

Lockout mode to keep inspired amateurs from changing your settings

Metering/Displays

Input/Output

  • 24 x 16- LED Fat Channel matrix:
    • Pre-dynamics/pre-fader input
    • Post-dynamics/post-fader output
    • Gain reduction
    • Aux 1-14 and EFX A-D output
    • Fader-position recall
  • 8 x 15-LED main meter bank
    • Selected channel level
    • Selected channel gain reduction
    • Sub buses 1 to 4
    • Main stereo outputs
  • 15-LED horizontal Pan/Balance display
  • 64 x 194 LCD matrix
    • Effects parameters
    • Scene creation, storage, and recall
    • System menus
    • Channel Info page with custom naming
    • GEQ Select
  • 2-digit Channel Selected display
    • 24 main inputs, each with XLR mic, ¼" line, and ¼" inserts
    • 2 ¼" balanced stereo (L/R) aux inputs
    • 1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control
    • Unbalanced RCA stereo (L/R) tape inputs and outputs
    • XLR stereo (L/R) main outputs with level control
    • ¼" balanced stereo (L/R) main outputs
    • XLR mono output with level control
    • ¼" balanced stereo (L/R) control-room outputs
    • ¼" headphone output
    • 4 ¼" balanced subgroup outputs
    • 10 ¼" balanced aux outputs
    • 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 sockets
    • Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications
    • Installed Option Card with:
      • S/PDIF digital out
      • 2 FireWire S800 ports (fully compatible with Apple Thunderbolt to FireWire Adapter)
  • Optional Networking cards
    • Dante™ (SL-Dante-Mix)
    • AVB (SL-AVB-Mix)

Integrated software

  • UC Surface Control Software with Smaart Measurement Technology™
  • Studio One® Artist Digital Audio Workstation software for Mac® and Windows®
  • Capture™ multitrack recording software for Mac and Windows
  • QMix®-AI aux-control software for iPhone® and iPod® touch available free from Apple App Store

Digitalia

  • High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
  • Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
  • Internal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz

Physical

  • Rugged, non-flex steel chassis
  • 100 mm long-throw faders
  • Military-grade, quick-touch buttons
  • BNC 12V lamp socket
  • Optional dust covers available

    Technical Specifications

Features

24 input channels, each with:

• XLR mic and ¼” line inputs
• High-headroom Class A XMAX mic preamplifiers
• Analog ¼" inserts (rear panel)
• Trim control with –20 to +20 dBV line / -15 to +65 dBu mic gain range (80 dB!)
• +48V phantom power switch for condenser microphones
• Digital Audio Input Select
• 100 mm precision faders
• Phase reverse, highpass filter, noise gate/expander, compressor, 4-band EQ, limiter—all with A/B and Quick Null
• Cascade two StudioLive® AI mixers of any frame size to create custom-sized mixing consoles.
• 40 in x 26 out FireWire s800 direct digital recording interface (24-bit/44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz) compatible with Apple Thunderbolt to FireWire Adapter
• Compatible with ASIO and Core Audio; works with Logic®, Pro Tools, Cubase, Sonar™, Digital Performer™, Live, and others
• 20 dedicated mix buses for easy configuration
• 10 aux buses with analog outputs
• 4 internal FX buses
• 4 subgroups with analog outputs
• Stereo main bus with analog outputs
• Access to Fat Channel functions


Four subgroup buses, each with:

• Balanced TRS output
• Solo
• Mute
• Noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null
• 300 ms output delay


Ten aux buses, each with:

• Balanced TRS output
• Solo
• Mute
• Pre1/Pre2/post-fader send
• Output-level control
• Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null
• 31-band graphic EQ with A/B and Quick Null
• Available sources: 24 input channels, Aux In A and B, Tape Input, Main digital-audio return, FXA, FXB, FXC, FXD, Talkback


Four internal effects sends (two reverbs, two delay effects), each with:

• Mute
• Pre1/Pre2/post-fader send
• Output-level control
• Highpass filter, noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null


Stereo main bus with:

• Balanced XLR outputs
• Balanced TRS outputs
• Mono sum XLR output
• Noise gate/expander, compressor, 4-band EQ, limiter — all with A/B and Quick Null
• 31-band graphic EQ with A/B and Quick Null


Master section

• Aux Input A and B
• Level Control and stereo pan
• Noise gate/expander, compressor, 4-band EQ, limiter with A/B and Quick Null


Talkback System

• Mic Level control
• Output Select (Auxes, Main)
• Talk button
• Rear-panel XLR mic input with trim control and continuous 48V phantom power


2-Track in

• Level control
• Tape Input to Mains button
• Main Digital Audio Return on/off


Solo bus

• Cue Mix volume control
• PFL/AFL and Solo In Place (SIP) buttons
• Latch, Radio, and CR Modes
• Solo Clear


Monitor bus

• Headphone-output level control
• Control-room monitor-level control
• Solo Bus to Monitor button
• Tape Input to Monitor button
• Main Digital Audio Return to Monitor button
• Main Mix to Monitor button


Fat Channel with rotary encoders:

• Pan with dedicated 15-LED display
• Stereo link for input channels, aux buses, and subgroups
• Phase reverse (input channels only)
• High-pass filter: -6 dB/oct., sweepable from Off to 1 kHz (main channels and aux's only)
• Gate: Threshold: 0 to -84 dB; Attack: 0.02 to 500 ms; Release: 0.05 to 2 sec; Bandpass Key Filter: 40 Hz to 16 kHz; second-order resonant bandpass filter Q (0.7) with Key Listen function
• Compressor: Threshold -56 to 0 dB; Ratio 1:1 to 14:1, LIM=∞:1; Attack 0.2 to 150 ms; Release 2.5 to 900 ms; Makeup Gain 0 to 28 dB; Soft Knee switch; Auto Mode with 10 ms Attack and 150 ms Release
• 4-band fully parametric equalizer
• Low EQ: sweepable from 36 Hz to 465 Hz, ±15 dB, switchable shelf or peaking
• Low Mid EQ: sweepable from 90 Hz to 1.2 kHz, ±15 dB, variable Q 0.1 to 4.0
• High Mid EQ: sweepable from 380 Hz to 5 kHz, ±15 dB, variable Q 0.1 to 4.0
• High EQ: sweepable from 1.4 kHz to 18 kHz, ±15 dB, switchable shelf or peaking
• Master EQ On/Off button
• Limiter: variable Threshold -28 dBfs to 0, ∞:1 Ratio
• Alt EQ & Dyn button for quick A/B comparisons of two complete sets of Fat Channel settings for each channel and bus
• Output Assign: 4 subgroups and main
• All settings can be copied among channels and buses and can be saved as user presets.
• 50 channel-strip presets for drums, bass, guitars, keyboards, and vocals
• Quick Parameter Null easily zeroes out any Fat Channel parameter


Four internal digital effects-processors (two reverbs, two delays), each with 50 customizable presets

Twelve 31-band graphic equalizers

6 Quick Scene buttons for instant Scene save/recall—like “speed dial” for Scenes
Automatic Global AutoStore
Customizable naming (for example, "Saturday Gig" or "Main Worship Service")


Individual channel-strip setting storage

• Up to 48 at a time, plus…
• 50 factory presets for instruments and vocal
• Copy and Paste between channels
• Can be browsed by category (DRM, VOX, HRN, GTR, BAS, MISC, SYS)


Lockout mode to keep inspired amateurs from changing your settings

Metering/Displays

Input/Output

• 24 x 16- LED Fat Channel matrix:
• Pre-dynamics/pre-fader input
• Post-dynamics/post-fader output
• Gain reduction
• Aux 1-14 and EFX A-D output
• Fader-position recall
• 8 x 15-LED main meter bank
• Selected channel level
• Selected channel gain reduction
• Sub buses 1 to 4
• Main stereo outputs
• 15-LED horizontal Pan/Balance display
• 64 x 194 LCD matrix
• Effects parameters
• Scene creation, storage, and recall
• System menus
• Channel Info page with custom naming
• GEQ Select
• 2-digit Channel Selected display
• 24 main inputs, each with XLR mic, ¼" line, and ¼" inserts
• 2 ¼" balanced stereo (L/R) aux inputs
• 1 XLR talkback-mic input with XMAX™ preamp, phantom power (always on), and level control
• Unbalanced RCA stereo (L/R) tape inputs and outputs
• XLR stereo (L/R) main outputs with level control
• ¼" balanced stereo (L/R) main outputs
• XLR mono output with level control
• ¼" balanced stereo (L/R) control-room outputs
• ¼" headphone output
• 4 ¼" balanced subgroup outputs
• 10 ¼" balanced aux outputs
• 24 pre-insert, balanced direct outputs, Ch. 1-8, 9-16, 17-24 on DB25 sockets
• Dedicated USB 2.0 port and included Wi-Fi LAN adapter for wireless communications
• Installed Option Card with:
• S/PDIF digital out
• 2 FireWire S800 ports (fully compatible with Apple Thunderbolt to FireWire Adapter)
• Optional Networking cards
• Dante™ (SL-Dante-Mix)
• AVB (SL-AVB-Mix)


Integrated software

• UC Surface Control Software with Smaart Measurement Technology™
• Studio One® Artist Digital Audio Workstation software for Mac® and Windows®
• Capture™ multitrack recording software for Mac and Windows
• QMix®-AI aux-control software for iPhone® and iPod® touch available free from Apple App Store


Digitalia

• High-definition Burr-Brown analog-to-digital converters (118 dB dynamic range)
• Unlimited-headroom, 32-bit floating point, digital mixing and effects processing
• Internal sample frequency 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz


Physical

• Rugged, non-flex steel chassis
• 100 mm long-throw faders
• Military-grade, quick-touch buttons
• BNC 12V lamp socket
• Optional dust covers available

StudioLive 24.4.2AI

Computer system requirements:

Below are the minimum computer-system requirements for UC Surface.

Apple iPad

• iPad® Air, iPad mini with Retina display, iPad (4th generation), iPad mini, iPad (3rd generation), or iPad 2
• ​​iOS® 7.03 or later


Mac

• Mac® OS X 10.8 64-bit or later
• Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)
• 4 GB RAM (8 GB or more recommended)


Windows

• Windows® 7 x64/x86 SP1, Windows 8 x64/x86, Windows 10 x64/x86
• Intel Core 2 Duo processor (Intel Core i3 or faster recommended)
• 4 GB RAM (8 GB or more recommended)


Mac and Windows Systems

• Wired or wireless network connection
• Internet connection
• For Capture™ and Studio One®:
• FireWire S800 (IEEE 1394b) port
• Internal or external 7200 RPM storage drive highly recommended
• Monitor with 1280x800 resolution
• Note that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio or MIDI signals.

Technical Specifications


• Microphone Preamps (XLR Balanced)
• Type XLR Female, Balanced
• Frequency Response to Direct Output 20 Hz to 40 kHz ±0.5 dBu
• Frequency Response to Main Output 20 Hz to 20 kHz ±0.5 dBu
• Input Impedance (Balanced) 1 kΩ
• THD to Direct Output < 0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd
• THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
• EIN to Direct Output +125 dB unwtd, +130 dB A-wtd
• S/N Ratio to Direct Output 105 dB
• S/N Ratio to Main Output 94 dB
• Common Mode Rejection Ratio 65 dB
• Gain Control Range -15 dB to +65 dB (± 1 dB)
• Maximum Input Level (unity gain) +22 dBu
• Phantom Power +48 VDC


Line Inputs
• Type ¼" TRS Female, balanced mono
• Frequency Response to Direct Outputs 10-40 kHz, 0 / -0.5 dBu
• Frequency Response to Main Outputs 20-20 kHz, ±0.5 dBu
• Input Impedance 10 kΩ
• THD to Direct Output <0.007%, +4 dBu, 20-20 kHz, unity gain, unwtd
• THD to Main Output <0.005%, +4 dBu, 20-20 kHz, unity gain, unwtd
• S/N Ratio to Direct Output 105 dB
• S/N Ratio to Main Output 94 dB
• Gain Control Range (±1 dB) -20 dB to +20 dB
• Maximum Input level (unity gain) +22 dBu


Tape Inputs
• Type RCA Female, unbalanced (stereo pair)
• Maximum Input Level +22 dBu


Auxiliary Inputs
• Type ¼" TRS Female, balanced (2 stereo pairs)
• Maximum Input Level +22 dBu


Main Outputs
• Type Male, balanced (stereo pair); ¼" TRS Female, balanced (stereo pair); XLR Male, balanced (mono)
• Rated Output Level +24 dBu
• Output Impedance 100Ω


Aux Outputs
• Type ¼" TRS Female, balanced (mono)
• Rated Output Level +18 dBu
• Output Impedance 100Ω


Subgroup Outputs
• Type ¼" TRS Female, balanced (mono)
• Rated Output Level +18 dBu
• Output Impedance 100Ω


Tape Outputs
• Type RCA Female, unbalanced (stereo pair)
• Rated Output Level +18 dBu
• Output Impedance 100Ω


Control Room Outputs
• Type ¼" TRS Female, balanced (stereo pair)
• Rated Output Level +18 dBu
• Output Impedance 100Ω


System Crosstalk
• Input to Output (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -90 dBu
• Adjacent Channels (Ref = +4 dBu, 20 Hz-20 kHz, unwtd) -87 dBu


Noise Gate / Expander
• Threshold Range -84 dB to 0 dB
• Attack Time 0.02s to 500 ms / 0.5 ms
• Release Time 0.05s to 2s
• Expander Attenuation Range 2:1
• Gate Attenuation Range -84 dB to 0 dB / ∞
• Key Listen Filter 2nd-order resonant bandpass; Q=0.7; OFF, 40 Hz-16 kHz


Limiter
• Threshold -56 dB to 0 dB / -28 dBFS
• Ratio ∞:1
• Attack 20 ms
• Hold 10 ms
• Release 20 ms


Compressor
• Threshold Range -56 dB to 0 dB
• Ratio 1:1 to 14:1
• Attack Time 0.2 ms to 150 ms
• Release Time 40 ms to 1000 ms
• Auto Attack and Release Attack = 10 ms, Release = 150 ms
• Curve Types hard and soft knee


Parametric EQ
• Type 2nd-order shelving filter (Q = 0.55)
• Low (Lowpass or Bandpass) 36 to 465 Hz, ±15 dB
• Low Mid 90 Hz to 1.2 kHz, ±15 dB
• High Mid 380 Hz to 5 kHz, ±15 dB
• High (Highpass or Bandpass) 1.4 kHz to 18 kHz, ±15 dB
• Q 0.1 to 4


Graphic EQ
• 31-Band 1/3rd Octave Controls Curve-fitting algorithm
• Gain/Attenuation ±15 dB


Digital Audio
• ADC Dynamic Range (A-wtd, 48 kHz) 118 dB
• DAC Dynamic Range (A-wtd, 48 kHz) 118 dB
• FireWire s800, 800 Mb/s
• Internal Processing 32-bit, floating point
• Sampling Rate 44.1, 48 kHz
• A/D/A Bit Depth 24
• Reference Level for 0 dBFS +18 dBu


Clock
• Jitter <20 ps RMS (20 Hz - 20 kHz)
• Jitter Attenuation >60 dB (1 ns in ≈ 1 ps out)


Power/Environmental
• Connector IEC
• Input-Voltage Range 100 to 230V, 50-60 Hz
• Power Requirements 200W
• Temperature Range 0˚ to 40˚ Celsius / 32˚ to 104˚ Fahrenheit


Physical
• Length 21.31" (54.13 cm)
• Width (chassis only) 25.19" (63.98 cm)
• Maximum Height 7.02" (17.82 cm)
• Weight 30 lbs. (13.6 kg)

Sku: StudioLive 24.4.2 AI
Vendor: PreSonus

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