PreSonus StudioLive AR8 USB

{"id":8258366401,"title":"PreSonus StudioLive AR16 USB","handle":"presonus-studiolive-ar16-usb","description":"\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eBuilt by musicians, for musicians.\u003c\/h2\u003e\n\u003cp\u003eStudioLive\u003csup\u003e®\u003c\/sup\u003e AR16 USB 18-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’\u003csup\u003e®\u003c\/sup\u003e famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth\u003csup\u003e®\u003c\/sup\u003e. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003c\/p\u003e\n\u003cdiv class=\"video-link prod-video\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eAll of the connections and controls you need.\u003c\/h2\u003e\n\u003cp\u003eStudioLive AR16 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the eight mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone amp, or an in-ear system. Since the StudioLive AR16 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003ePlug guitars and basses directly into the mixer.\u003c\/h2\u003e\n\u003cp\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eIt’s inputs; it’s playback; it’s the Super Channel!\u003c\/h2\u003e\n\u003cp\u003eOur unique Super Channel (stereo Channel 17\/18) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac\u003csup\u003e®\u003c\/sup\u003e or Windows\u003csup\u003e\u003cstrong\u003e®\u003c\/strong\u003e\u003c\/sup\u003e PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003eChannels and Buses\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e18-channel mixer\u003c\/li\u003e\n\u003cli\u003e8 mono and 4 stereo channels, each with:\n\u003cul\u003e\n\u003cli\u003e60 mm level fader\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePFL solo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1 stereo Super Channel (Ch. 17\/18)\u003c\/li\u003e\n\u003cli\u003e2 monitor buses with PFL solo\u003c\/li\u003e\n\u003cli\u003e1 stereo effects bus\u003c\/li\u003e\n\u003cli\u003e1 stereo effects return with:\n\u003cul\u003e\n\u003cli\u003e60 mm master fader\u003c\/li\u003e\n\u003cli\u003eDedicated monitor sends\u003c\/li\u003e\n\u003cli\u003eEffects bypass footswitch jack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e2 instrument inputs\u003c\/li\u003e\n\u003cli\u003e16 balanced line inputs\u003c\/li\u003e\n\u003cli\u003e2 unbalanced inserts\u003c\/li\u003e\n\u003cli\u003e12 balanced mic inputs with:\n\u003cul\u003e\n\u003cli\u003eClass A microphone preamp\u003c\/li\u003e\n\u003cli\u003eGlobal 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Super Channel with:\n\u003cul\u003e\n\u003cli\u003eStereo RCA inputs\u003c\/li\u003e\n\u003cli\u003e1\/8-inch stereo input\u003c\/li\u003e\n\u003cli\u003eSwitchable SD™\/USB stereo playback\u003c\/li\u003e\n\u003cli\u003eBluetooth 4.1 input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eL\/R XLR main outputs\u003c\/li\u003e\n\u003cli\u003e2 balanced TRS monitor outputs\u003c\/li\u003e\n\u003cli\u003e1 balanced TRS effects output\u003c\/li\u003e\n\u003cli\u003eL\/R Control Room outputs with level control\u003c\/li\u003e\n\u003cli\u003eHeadphone output with level control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSignal Processing\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eHighpass filter on every channel\u003c\/li\u003e\n\u003cli\u003eMono channels: 3-band semi-parametric EQ with sweepable mid-band\u003c\/li\u003e\n\u003cli\u003eStereo channels: 3-band semi-parametric EQ\u003c\/li\u003e\n\u003cli\u003eStereo effects processor with 16 presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecording Options\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e18x4 24-bit\/96 kHz, USB 2.0 audio recording interface\n\u003cul\u003e\n\u003cli\u003eRecord every channel plus the Main Mix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x2 SD recorder\n\u003cul\u003e\n\u003cli\u003eRecord main mix\u003c\/li\u003e\n\u003cli\u003eSupports SD™ and SDHC™ formats up to 32 GB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIntegrated Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eCapture™ recording software\u003c\/li\u003e\n\u003cli\u003eStudio One \u003cspan class=\"s2\"\u003e\u003csup\u003e®\u003c\/sup\u003e \u003c\/span\u003e\u003cspan\u003e3 Artist recording and production software (DAW)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePower\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eInternal power supply\u003c\/li\u003e\n\u003cli\u003eStandard IEC power connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eSturdy metal construction\u003c\/li\u003e\n\u003cli\u003e60 mm faders\u003c\/li\u003e\n\u003cli\u003eRackmount kit included\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone Preamp\u003cbr\u003e \u003cbr\u003e • Type XLR Female, Class A\u003cbr\u003e • Maximum Input level (unity gain) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/- 1.5 dB\u003cbr\u003e • S\/N Ratio to Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (min. gain, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) \u0026lt; 128 dBu\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e • Phantom Power +48V, ±3V, Global\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eInstrument Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu ±1.0 dB\u003cbr\u003e • Gain Control Range 50 dB, ±1 dB (Unity to +50 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (min. gain, A-wtd) \u0026gt; 105 dB dB\u003cbr\u003e • Dynamic Range (mid. Gain, unwtd) \u0026gt; 100 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance \u0026gt; 1 MΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Balanced\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels 50 dB, ±1 dB (-20 to +30 dB),​ Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 10 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • S\/N Ratio to Analog Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance (Balanced) 10 kΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eMain, Control Room, Monitor, and FX Outputs\u003cbr\u003e \u003cbr\u003e • Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e • Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e • Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e • Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Output Impedance 100 Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e • Maximum Output Level 150 mW\/channel @ 60 Ω\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 103 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e • Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e • Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -80 dBu\u003cbr\u003e\u003cbr\u003eSignal Level LED\u003cbr\u003e \u003cbr\u003e • Signal -50 dBFS (pre-EQ)\u003cbr\u003e • Clip -3.0 dB before clip (pre- or post-EQ)\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e \u003cbr\u003e • Low Cut 100 Hz, -18 dB\/Octave\u003cbr\u003e • High Shelving ±15 dB @ 12 kHz\u003cbr\u003e • Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e • Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e • Mid-Band Q Fixed, 0.55\u003cbr\u003e • Low Shelving ±15 dB @ 80 Hz\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e \u003cbr\u003e • Host Interface USB 2.0\u003cbr\u003e • ADC Dynamic Range (Component) 114 dB\u003cbr\u003e • ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • DAC Dynamic Range (Component) 114 dB\u003cbr\u003e • DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • Bit Depth 24 bits\u003cbr\u003e • Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e • Jitter \u0026lt; 80 ps RMS (20 Hz – 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\u003cbr\u003eSD™ Recorder\u003cbr\u003e \u003cbr\u003e • Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e • Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e • Recording File Format Stereo WAV\u003cbr\u003e • Playback File Formats Stereo WAV, MP3\u003cbr\u003e • Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e • Bit Depth (Recorded WAV) 24 bits\u003cbr\u003e\u003cbr\u003ePower \/ Environmental\u003cbr\u003e \u003cbr\u003e • Connector IEC\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e • Height 3.7” (95 mm)\u003cbr\u003e • Width 20” (507 mm)\u003cbr\u003e • Depth 15.4” (390 mm)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-10-16T10:06:00+02:00","created_at":"2016-10-16T10:08:20+02:00","vendor":"PreSonus","type":"Mixers","tags":["Analog Mixers","Channels_18","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$500 to $750","Shop by brand_PreSonus","Shop by category_Live Sound Mixers"],"price":52200,"price_min":52200,"price_max":52200,"available":true,"price_varies":false,"compare_at_price":77880,"compare_at_price_min":77880,"compare_at_price_max":77880,"compare_at_price_varies":false,"variants":[{"id":27640283073,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive AR16 USB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive AR16 USB","public_title":null,"options":["Default Title"],"price":52200,"weight":0,"compare_at_price":77880,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar16_usb-top_big_5fde9ec5-9a79-4e43-aa6f-61608139c1a9.jpg?v=1500915241","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar16_usb-back_big_bfc8d20e-7f6a-41df-bdf0-df1e69549fb6.jpg?v=1500915241","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/StudioLive_AR16_USB-02_ba08765e-d4b4-456f-aed6-0be5dc4b2afe.png?v=1500915241","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/StudioLive_AR16_USB-09_1_87a80958-600d-41de-b2b4-352fc2dde618.png?v=1500915241"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar16_usb-top_big_5fde9ec5-9a79-4e43-aa6f-61608139c1a9.jpg?v=1500915241","options":["Title"],"content":"\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eBuilt by musicians, for musicians.\u003c\/h2\u003e\n\u003cp\u003eStudioLive\u003csup\u003e®\u003c\/sup\u003e AR16 USB 18-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’\u003csup\u003e®\u003c\/sup\u003e famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth\u003csup\u003e®\u003c\/sup\u003e. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003c\/p\u003e\n\u003cdiv class=\"video-link prod-video\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eAll of the connections and controls you need.\u003c\/h2\u003e\n\u003cp\u003eStudioLive AR16 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the eight mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone amp, or an in-ear system. Since the StudioLive AR16 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003ePlug guitars and basses directly into the mixer.\u003c\/h2\u003e\n\u003cp\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eIt’s inputs; it’s playback; it’s the Super Channel!\u003c\/h2\u003e\n\u003cp\u003eOur unique Super Channel (stereo Channel 17\/18) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac\u003csup\u003e®\u003c\/sup\u003e or Windows\u003csup\u003e\u003cstrong\u003e®\u003c\/strong\u003e\u003c\/sup\u003e PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003eChannels and Buses\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e18-channel mixer\u003c\/li\u003e\n\u003cli\u003e8 mono and 4 stereo channels, each with:\n\u003cul\u003e\n\u003cli\u003e60 mm level fader\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePFL solo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1 stereo Super Channel (Ch. 17\/18)\u003c\/li\u003e\n\u003cli\u003e2 monitor buses with PFL solo\u003c\/li\u003e\n\u003cli\u003e1 stereo effects bus\u003c\/li\u003e\n\u003cli\u003e1 stereo effects return with:\n\u003cul\u003e\n\u003cli\u003e60 mm master fader\u003c\/li\u003e\n\u003cli\u003eDedicated monitor sends\u003c\/li\u003e\n\u003cli\u003eEffects bypass footswitch jack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e2 instrument inputs\u003c\/li\u003e\n\u003cli\u003e16 balanced line inputs\u003c\/li\u003e\n\u003cli\u003e2 unbalanced inserts\u003c\/li\u003e\n\u003cli\u003e12 balanced mic inputs with:\n\u003cul\u003e\n\u003cli\u003eClass A microphone preamp\u003c\/li\u003e\n\u003cli\u003eGlobal 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Super Channel with:\n\u003cul\u003e\n\u003cli\u003eStereo RCA inputs\u003c\/li\u003e\n\u003cli\u003e1\/8-inch stereo input\u003c\/li\u003e\n\u003cli\u003eSwitchable SD™\/USB stereo playback\u003c\/li\u003e\n\u003cli\u003eBluetooth 4.1 input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eL\/R XLR main outputs\u003c\/li\u003e\n\u003cli\u003e2 balanced TRS monitor outputs\u003c\/li\u003e\n\u003cli\u003e1 balanced TRS effects output\u003c\/li\u003e\n\u003cli\u003eL\/R Control Room outputs with level control\u003c\/li\u003e\n\u003cli\u003eHeadphone output with level control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSignal Processing\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eHighpass filter on every channel\u003c\/li\u003e\n\u003cli\u003eMono channels: 3-band semi-parametric EQ with sweepable mid-band\u003c\/li\u003e\n\u003cli\u003eStereo channels: 3-band semi-parametric EQ\u003c\/li\u003e\n\u003cli\u003eStereo effects processor with 16 presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecording Options\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e18x4 24-bit\/96 kHz, USB 2.0 audio recording interface\n\u003cul\u003e\n\u003cli\u003eRecord every channel plus the Main Mix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x2 SD recorder\n\u003cul\u003e\n\u003cli\u003eRecord main mix\u003c\/li\u003e\n\u003cli\u003eSupports SD™ and SDHC™ formats up to 32 GB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIntegrated Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eCapture™ recording software\u003c\/li\u003e\n\u003cli\u003eStudio One \u003cspan class=\"s2\"\u003e\u003csup\u003e®\u003c\/sup\u003e \u003c\/span\u003e\u003cspan\u003e3 Artist recording and production software (DAW)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePower\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eInternal power supply\u003c\/li\u003e\n\u003cli\u003eStandard IEC power connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eSturdy metal construction\u003c\/li\u003e\n\u003cli\u003e60 mm faders\u003c\/li\u003e\n\u003cli\u003eRackmount kit included\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone Preamp\u003cbr\u003e \u003cbr\u003e • Type XLR Female, Class A\u003cbr\u003e • Maximum Input level (unity gain) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/- 1.5 dB\u003cbr\u003e • S\/N Ratio to Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (min. gain, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) \u0026lt; 128 dBu\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e • Phantom Power +48V, ±3V, Global\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eInstrument Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu ±1.0 dB\u003cbr\u003e • Gain Control Range 50 dB, ±1 dB (Unity to +50 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (min. gain, A-wtd) \u0026gt; 105 dB dB\u003cbr\u003e • Dynamic Range (mid. Gain, unwtd) \u0026gt; 100 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance \u0026gt; 1 MΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Balanced\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels 50 dB, ±1 dB (-20 to +30 dB),​ Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 10 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • S\/N Ratio to Analog Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance (Balanced) 10 kΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eMain, Control Room, Monitor, and FX Outputs\u003cbr\u003e \u003cbr\u003e • Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e • Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e • Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e • Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Output Impedance 100 Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e • Maximum Output Level 150 mW\/channel @ 60 Ω\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 103 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e • Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e • Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -80 dBu\u003cbr\u003e\u003cbr\u003eSignal Level LED\u003cbr\u003e \u003cbr\u003e • Signal -50 dBFS (pre-EQ)\u003cbr\u003e • Clip -3.0 dB before clip (pre- or post-EQ)\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e \u003cbr\u003e • Low Cut 100 Hz, -18 dB\/Octave\u003cbr\u003e • High Shelving ±15 dB @ 12 kHz\u003cbr\u003e • Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e • Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e • Mid-Band Q Fixed, 0.55\u003cbr\u003e • Low Shelving ±15 dB @ 80 Hz\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e \u003cbr\u003e • Host Interface USB 2.0\u003cbr\u003e • ADC Dynamic Range (Component) 114 dB\u003cbr\u003e • ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • DAC Dynamic Range (Component) 114 dB\u003cbr\u003e • DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • Bit Depth 24 bits\u003cbr\u003e • Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e • Jitter \u0026lt; 80 ps RMS (20 Hz – 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\u003cbr\u003eSD™ Recorder\u003cbr\u003e \u003cbr\u003e • Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e • Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e • Recording File Format Stereo WAV\u003cbr\u003e • Playback File Formats Stereo WAV, MP3\u003cbr\u003e • Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e • Bit Depth (Recorded WAV) 24 bits\u003cbr\u003e\u003cbr\u003ePower \/ Environmental\u003cbr\u003e \u003cbr\u003e • Connector IEC\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e • Height 3.7” (95 mm)\u003cbr\u003e • Width 20” (507 mm)\u003cbr\u003e • Depth 15.4” (390 mm)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":8258357569,"title":"PreSonus StudioLive AR12 USB","handle":"presonus-studiolive-ar12-usb","description":"\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eBuilt by musicians, for musicians.\u003c\/h2\u003e\n\u003cp\u003eStudioLive\u003csup\u003e®\u003c\/sup\u003e AR12 USB 14-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’\u003csup\u003e®\u003c\/sup\u003e famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth\u003csup\u003e®\u003c\/sup\u003e. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003c\/p\u003e\n\u003cdiv class=\"video-link prod-video\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eAll of the connections and controls you need.\u003c\/h2\u003e\n\u003cp\u003eStudioLive AR12 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the four mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone amp, or an in-ear system. Since the StudioLive AR12 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003ePlug guitars and basses directly into the mixer.\u003c\/h2\u003e\n\u003cp\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eIt’s inputs; it’s playback; it’s the Super Channel!\u003c\/h2\u003e\n\u003cp\u003eOur unique Super Channel (stereo Channel 13\/14) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac\u003csup\u003e®\u003c\/sup\u003e or Windows\u003csup\u003e®\u003c\/sup\u003e PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003eChannels and Buses\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e14-channel mixer\u003c\/li\u003e\n\u003cli\u003e4 mono and 4 stereo channels, each with:\n\u003cul\u003e\n\u003cli\u003e60 mm level fader\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePFL solo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1 stereo Super Channel (Ch. 13\/14)\u003c\/li\u003e\n\u003cli\u003e2 monitor buses with PFL solo\u003c\/li\u003e\n\u003cli\u003e1 stereo effects bus\u003c\/li\u003e\n\u003cli\u003e1 stereo effects return with:\n\u003cul\u003e\n\u003cli\u003e60 mm master fader\u003c\/li\u003e\n\u003cli\u003eDedicated monitor sends\u003c\/li\u003e\n\u003cli\u003eEffects bypass footswitch jack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e2 instrument inputs\u003c\/li\u003e\n\u003cli\u003e12 balanced line inputs\u003c\/li\u003e\n\u003cli\u003e2 unbalanced inserts\u003c\/li\u003e\n\u003cli\u003e8 balanced mic inputs with:\n\u003cul\u003e\n\u003cli\u003eClass A microphone preamp\u003c\/li\u003e\n\u003cli\u003eGlobal 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Super Channel with:\n\u003cul\u003e\n\u003cli\u003eStereo RCA inputs\u003c\/li\u003e\n\u003cli\u003e1\/8-inch stereo input\u003c\/li\u003e\n\u003cli\u003eSwitchable SD™\/USB stereo playback\u003c\/li\u003e\n\u003cli\u003eBluetooth 4.1 input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eL\/R XLR main outputs\u003c\/li\u003e\n\u003cli\u003e2 balanced TRS monitor outputs\u003c\/li\u003e\n\u003cli\u003e1 balanced TRS effects output\u003c\/li\u003e\n\u003cli\u003eL\/R Control Room outputs with level control\u003c\/li\u003e\n\u003cli\u003eHeadphone output with level control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSignal Processing\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eHighpass filter on every channel\u003c\/li\u003e\n\u003cli\u003eMono channels: 3-band semi-parametric EQ with sweepable mid-band\u003c\/li\u003e\n\u003cli\u003eStereo channels: 3-band semi-parametric EQ\u003c\/li\u003e\n\u003cli\u003eStereo effects processor with 16 presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecording Options\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e14x4 24-bit\/96 kHz, USB 2.0 audio recording interface\n\u003cul\u003e\n\u003cli\u003eRecord every channel plus the main mix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x2 SD recorder\n\u003cul\u003e\n\u003cli\u003eRecord main mix\u003c\/li\u003e\n\u003cli\u003eSupports SD™ and SDHC™ formats up to 32 GB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIntegrated Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eCapture™ recording software\u003c\/li\u003e\n\u003cli\u003eStudio One \u003cspan class=\"s2\"\u003e\u003csup\u003e®\u003c\/sup\u003e \u003c\/span\u003e\u003cspan\u003e3 Artist recording and production software (DAW)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePower\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eInternal power supply\u003c\/li\u003e\n\u003cli\u003eStandard IEC power connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eSturdy metal construction\u003c\/li\u003e\n\u003cli\u003e60 mm faders\u003c\/li\u003e\n\u003cli\u003eRackmount kit optional\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone Preamp\u003cbr\u003e \u003cbr\u003e • Type XLR Female, Class A\u003cbr\u003e • Maximum Input level (unity gain) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/- 1.5 dB\u003cbr\u003e • S\/N Ratio to Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (min. gain, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) \u0026lt; 128 dBu\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e • Phantom Power +48V, ±3V, Global\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eInstrument Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu ±1.0 dB\u003cbr\u003e • Gain Control Range 50 dB, ±1 dB (Unity to +50 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (min. gain, A-wtd) \u0026gt; 105 dB dB\u003cbr\u003e • Dynamic Range (mid. Gain, unwtd) \u0026gt; 100 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance \u0026gt; 1 MΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Balanced\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels 50 dB, ±1 dB (-20 to +30 dB),​ Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 10 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • S\/N Ratio to Analog Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance (Balanced) 10 kΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eMain, Control Room, Monitor, and FX Outputs\u003cbr\u003e \u003cbr\u003e • Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e • Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e • Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e • Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Output Impedance 100 Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e • Maximum Output Level 150 mW\/channel @ 60 Ω\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 103 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e • Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e • Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -80 dBu\u003cbr\u003e\u003cbr\u003eSignal Level LED\u003cbr\u003e \u003cbr\u003e • Signal -50 dBFS (pre-EQ)\u003cbr\u003e • Clip -3.0 dB before clip (pre- or post-EQ)\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e \u003cbr\u003e • Low Cut 100 Hz, -18 dB\/Octave\u003cbr\u003e • High Shelving ±15 dB @ 12 kHz\u003cbr\u003e • Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e • Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e • Mid-Band Q Fixed, 0.55\u003cbr\u003e • Low Shelving ±15 dB @ 80 Hz\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e \u003cbr\u003e • Host Interface USB 2.0\u003cbr\u003e • ADC Dynamic Range (Component) 114 dB\u003cbr\u003e • ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • DAC Dynamic Range (Component) 114 dB\u003cbr\u003e • DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • Bit Depth 24 bits\u003cbr\u003e • Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e • Jitter \u0026lt; 80 ps RMS (20 Hz – 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\u003cbr\u003eSD Recorder\u003cbr\u003e \u003cbr\u003e • Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e • Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e • Recording File Format Stereo WAV\u003cbr\u003e • Playback File Formats Stereo WAV, MP3\u003cbr\u003e • Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e • Bit Depth (Recorded WAV) 24 bits\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e \u003cbr\u003e • Connector IEC\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e • Height 3.7” (95 mm)\u003cbr\u003e • Width 16” (402 mm)\u003cbr\u003e • Depth 15.4” (390 mm)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-10-16T10:03:00+02:00","created_at":"2016-10-16T10:05:16+02:00","vendor":"PreSonus","type":"Mixers","tags":["Analog Mixers","Channels_14","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$300 to $500","Shop by brand_PreSonus","Shop by category_Live Sound Mixers"],"price":48400,"price_min":48400,"price_max":48400,"available":true,"price_varies":false,"compare_at_price":65880,"compare_at_price_min":65880,"compare_at_price_max":65880,"compare_at_price_varies":false,"variants":[{"id":27640262721,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive AR12 USB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive AR12 USB","public_title":null,"options":["Default Title"],"price":48400,"weight":0,"compare_at_price":65880,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar12_usb-top_big_a6ffb09c-a107-49b5-bd94-de36c44a98bd.jpg?v=1500915224","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar12_usb-back_big_60355b74-2fd4-46bb-8b7c-c8c4d15ca3e3.jpg?v=1500915224","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/StudioLive_AR12_USB-02_c7782506-eb9e-457f-b624-75432bb1701e.png?v=1500915224"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar12_usb-top_big_a6ffb09c-a107-49b5-bd94-de36c44a98bd.jpg?v=1500915224","options":["Title"],"content":"\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eBuilt by musicians, for musicians.\u003c\/h2\u003e\n\u003cp\u003eStudioLive\u003csup\u003e®\u003c\/sup\u003e AR12 USB 14-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’\u003csup\u003e®\u003c\/sup\u003e famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth\u003csup\u003e®\u003c\/sup\u003e. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003c\/p\u003e\n\u003cdiv class=\"video-link prod-video\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eAll of the connections and controls you need.\u003c\/h2\u003e\n\u003cp\u003eStudioLive AR12 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the four mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone amp, or an in-ear system. Since the StudioLive AR12 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003ePlug guitars and basses directly into the mixer.\u003c\/h2\u003e\n\u003cp\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eIt’s inputs; it’s playback; it’s the Super Channel!\u003c\/h2\u003e\n\u003cp\u003eOur unique Super Channel (stereo Channel 13\/14) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac\u003csup\u003e®\u003c\/sup\u003e or Windows\u003csup\u003e®\u003c\/sup\u003e PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003eChannels and Buses\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e14-channel mixer\u003c\/li\u003e\n\u003cli\u003e4 mono and 4 stereo channels, each with:\n\u003cul\u003e\n\u003cli\u003e60 mm level fader\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePFL solo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1 stereo Super Channel (Ch. 13\/14)\u003c\/li\u003e\n\u003cli\u003e2 monitor buses with PFL solo\u003c\/li\u003e\n\u003cli\u003e1 stereo effects bus\u003c\/li\u003e\n\u003cli\u003e1 stereo effects return with:\n\u003cul\u003e\n\u003cli\u003e60 mm master fader\u003c\/li\u003e\n\u003cli\u003eDedicated monitor sends\u003c\/li\u003e\n\u003cli\u003eEffects bypass footswitch jack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e2 instrument inputs\u003c\/li\u003e\n\u003cli\u003e12 balanced line inputs\u003c\/li\u003e\n\u003cli\u003e2 unbalanced inserts\u003c\/li\u003e\n\u003cli\u003e8 balanced mic inputs with:\n\u003cul\u003e\n\u003cli\u003eClass A microphone preamp\u003c\/li\u003e\n\u003cli\u003eGlobal 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Super Channel with:\n\u003cul\u003e\n\u003cli\u003eStereo RCA inputs\u003c\/li\u003e\n\u003cli\u003e1\/8-inch stereo input\u003c\/li\u003e\n\u003cli\u003eSwitchable SD™\/USB stereo playback\u003c\/li\u003e\n\u003cli\u003eBluetooth 4.1 input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eL\/R XLR main outputs\u003c\/li\u003e\n\u003cli\u003e2 balanced TRS monitor outputs\u003c\/li\u003e\n\u003cli\u003e1 balanced TRS effects output\u003c\/li\u003e\n\u003cli\u003eL\/R Control Room outputs with level control\u003c\/li\u003e\n\u003cli\u003eHeadphone output with level control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSignal Processing\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eHighpass filter on every channel\u003c\/li\u003e\n\u003cli\u003eMono channels: 3-band semi-parametric EQ with sweepable mid-band\u003c\/li\u003e\n\u003cli\u003eStereo channels: 3-band semi-parametric EQ\u003c\/li\u003e\n\u003cli\u003eStereo effects processor with 16 presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecording Options\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e14x4 24-bit\/96 kHz, USB 2.0 audio recording interface\n\u003cul\u003e\n\u003cli\u003eRecord every channel plus the main mix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x2 SD recorder\n\u003cul\u003e\n\u003cli\u003eRecord main mix\u003c\/li\u003e\n\u003cli\u003eSupports SD™ and SDHC™ formats up to 32 GB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIntegrated Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eCapture™ recording software\u003c\/li\u003e\n\u003cli\u003eStudio One \u003cspan class=\"s2\"\u003e\u003csup\u003e®\u003c\/sup\u003e \u003c\/span\u003e\u003cspan\u003e3 Artist recording and production software (DAW)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePower\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eInternal power supply\u003c\/li\u003e\n\u003cli\u003eStandard IEC power connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eSturdy metal construction\u003c\/li\u003e\n\u003cli\u003e60 mm faders\u003c\/li\u003e\n\u003cli\u003eRackmount kit optional\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone Preamp\u003cbr\u003e \u003cbr\u003e • Type XLR Female, Class A\u003cbr\u003e • Maximum Input level (unity gain) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/- 1.5 dB\u003cbr\u003e • S\/N Ratio to Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (min. gain, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) \u0026lt; 128 dBu\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e • Phantom Power +48V, ±3V, Global\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eInstrument Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu ±1.0 dB\u003cbr\u003e • Gain Control Range 50 dB, ±1 dB (Unity to +50 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (min. gain, A-wtd) \u0026gt; 105 dB dB\u003cbr\u003e • Dynamic Range (mid. Gain, unwtd) \u0026gt; 100 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance \u0026gt; 1 MΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Balanced\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels 50 dB, ±1 dB (-20 to +30 dB),​ Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 10 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • S\/N Ratio to Analog Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance (Balanced) 10 kΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eMain, Control Room, Monitor, and FX Outputs\u003cbr\u003e \u003cbr\u003e • Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e • Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e • Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e • Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Output Impedance 100 Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e • Maximum Output Level 150 mW\/channel @ 60 Ω\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 103 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e • Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e • Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -80 dBu\u003cbr\u003e\u003cbr\u003eSignal Level LED\u003cbr\u003e \u003cbr\u003e • Signal -50 dBFS (pre-EQ)\u003cbr\u003e • Clip -3.0 dB before clip (pre- or post-EQ)\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e \u003cbr\u003e • Low Cut 100 Hz, -18 dB\/Octave\u003cbr\u003e • High Shelving ±15 dB @ 12 kHz\u003cbr\u003e • Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e • Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e • Mid-Band Q Fixed, 0.55\u003cbr\u003e • Low Shelving ±15 dB @ 80 Hz\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e \u003cbr\u003e • Host Interface USB 2.0\u003cbr\u003e • ADC Dynamic Range (Component) 114 dB\u003cbr\u003e • ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • DAC Dynamic Range (Component) 114 dB\u003cbr\u003e • DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • Bit Depth 24 bits\u003cbr\u003e • Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e • Jitter \u0026lt; 80 ps RMS (20 Hz – 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\u003cbr\u003eSD Recorder\u003cbr\u003e \u003cbr\u003e • Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e • Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e • Recording File Format Stereo WAV\u003cbr\u003e • Playback File Formats Stereo WAV, MP3\u003cbr\u003e • Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e • Bit Depth (Recorded WAV) 24 bits\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e \u003cbr\u003e • Connector IEC\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e • Height 3.7” (95 mm)\u003cbr\u003e • Width 16” (402 mm)\u003cbr\u003e • Depth 15.4” (390 mm)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":1625016107054,"title":"PreSonus StudioLive AR12 USB [ USED ]","handle":"presonus-studiolive-ar12-usb-used","description":"\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eBuilt by musicians, for musicians.\u003c\/h2\u003e\n\u003cp\u003eStudioLive\u003csup\u003e®\u003c\/sup\u003e AR12 USB 14-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’\u003csup\u003e®\u003c\/sup\u003e famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth\u003csup\u003e®\u003c\/sup\u003e. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003c\/p\u003e\n\u003cdiv class=\"video-link prod-video\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eAll of the connections and controls you need.\u003c\/h2\u003e\n\u003cp\u003eStudioLive AR12 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the four mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone amp, or an in-ear system. Since the StudioLive AR12 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003ePlug guitars and basses directly into the mixer.\u003c\/h2\u003e\n\u003cp\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eIt’s inputs; it’s playback; it’s the Super Channel!\u003c\/h2\u003e\n\u003cp\u003eOur unique Super Channel (stereo Channel 13\/14) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac\u003csup\u003e®\u003c\/sup\u003e or Windows\u003csup\u003e®\u003c\/sup\u003e PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003eChannels and Buses\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e14-channel mixer\u003c\/li\u003e\n\u003cli\u003e4 mono and 4 stereo channels, each with:\n\u003cul\u003e\n\u003cli\u003e60 mm level fader\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePFL solo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1 stereo Super Channel (Ch. 13\/14)\u003c\/li\u003e\n\u003cli\u003e2 monitor buses with PFL solo\u003c\/li\u003e\n\u003cli\u003e1 stereo effects bus\u003c\/li\u003e\n\u003cli\u003e1 stereo effects return with:\n\u003cul\u003e\n\u003cli\u003e60 mm master fader\u003c\/li\u003e\n\u003cli\u003eDedicated monitor sends\u003c\/li\u003e\n\u003cli\u003eEffects bypass footswitch jack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e2 instrument inputs\u003c\/li\u003e\n\u003cli\u003e12 balanced line inputs\u003c\/li\u003e\n\u003cli\u003e2 unbalanced inserts\u003c\/li\u003e\n\u003cli\u003e8 balanced mic inputs with:\n\u003cul\u003e\n\u003cli\u003eClass A microphone preamp\u003c\/li\u003e\n\u003cli\u003eGlobal 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Super Channel with:\n\u003cul\u003e\n\u003cli\u003eStereo RCA inputs\u003c\/li\u003e\n\u003cli\u003e1\/8-inch stereo input\u003c\/li\u003e\n\u003cli\u003eSwitchable SD™\/USB stereo playback\u003c\/li\u003e\n\u003cli\u003eBluetooth 4.1 input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eL\/R XLR main outputs\u003c\/li\u003e\n\u003cli\u003e2 balanced TRS monitor outputs\u003c\/li\u003e\n\u003cli\u003e1 balanced TRS effects output\u003c\/li\u003e\n\u003cli\u003eL\/R Control Room outputs with level control\u003c\/li\u003e\n\u003cli\u003eHeadphone output with level control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSignal Processing\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eHighpass filter on every channel\u003c\/li\u003e\n\u003cli\u003eMono channels: 3-band semi-parametric EQ with sweepable mid-band\u003c\/li\u003e\n\u003cli\u003eStereo channels: 3-band semi-parametric EQ\u003c\/li\u003e\n\u003cli\u003eStereo effects processor with 16 presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecording Options\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e14x4 24-bit\/96 kHz, USB 2.0 audio recording interface\n\u003cul\u003e\n\u003cli\u003eRecord every channel plus the main mix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x2 SD recorder\n\u003cul\u003e\n\u003cli\u003eRecord main mix\u003c\/li\u003e\n\u003cli\u003eSupports SD™ and SDHC™ formats up to 32 GB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIntegrated Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eCapture™ recording software\u003c\/li\u003e\n\u003cli\u003eStudio One \u003cspan class=\"s2\"\u003e\u003csup\u003e®\u003c\/sup\u003e \u003c\/span\u003e\u003cspan\u003e3 Artist recording and production software (DAW)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePower\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eInternal power supply\u003c\/li\u003e\n\u003cli\u003eStandard IEC power connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eSturdy metal construction\u003c\/li\u003e\n\u003cli\u003e60 mm faders\u003c\/li\u003e\n\u003cli\u003eRackmount kit optional\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone Preamp\u003cbr\u003e \u003cbr\u003e • Type XLR Female, Class A\u003cbr\u003e • Maximum Input level (unity gain) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/- 1.5 dB\u003cbr\u003e • S\/N Ratio to Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (min. gain, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) \u0026lt; 128 dBu\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e • Phantom Power +48V, ±3V, Global\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eInstrument Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu ±1.0 dB\u003cbr\u003e • Gain Control Range 50 dB, ±1 dB (Unity to +50 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (min. gain, A-wtd) \u0026gt; 105 dB dB\u003cbr\u003e • Dynamic Range (mid. Gain, unwtd) \u0026gt; 100 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance \u0026gt; 1 MΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Balanced\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels 50 dB, ±1 dB (-20 to +30 dB),​ Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 10 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • S\/N Ratio to Analog Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance (Balanced) 10 kΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eMain, Control Room, Monitor, and FX Outputs\u003cbr\u003e \u003cbr\u003e • Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e • Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e • Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e • Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Output Impedance 100 Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e • Maximum Output Level 150 mW\/channel @ 60 Ω\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 103 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e • Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e • Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -80 dBu\u003cbr\u003e\u003cbr\u003eSignal Level LED\u003cbr\u003e \u003cbr\u003e • Signal -50 dBFS (pre-EQ)\u003cbr\u003e • Clip -3.0 dB before clip (pre- or post-EQ)\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e \u003cbr\u003e • Low Cut 100 Hz, -18 dB\/Octave\u003cbr\u003e • High Shelving ±15 dB @ 12 kHz\u003cbr\u003e • Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e • Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e • Mid-Band Q Fixed, 0.55\u003cbr\u003e • Low Shelving ±15 dB @ 80 Hz\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e \u003cbr\u003e • Host Interface USB 2.0\u003cbr\u003e • ADC Dynamic Range (Component) 114 dB\u003cbr\u003e • ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • DAC Dynamic Range (Component) 114 dB\u003cbr\u003e • DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • Bit Depth 24 bits\u003cbr\u003e • Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e • Jitter \u0026lt; 80 ps RMS (20 Hz – 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\u003cbr\u003eSD Recorder\u003cbr\u003e \u003cbr\u003e • Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e • Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e • Recording File Format Stereo WAV\u003cbr\u003e • Playback File Formats Stereo WAV, MP3\u003cbr\u003e • Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e • Bit Depth (Recorded WAV) 24 bits\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e \u003cbr\u003e • Connector IEC\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e • Height 3.7” (95 mm)\u003cbr\u003e • Width 16” (402 mm)\u003cbr\u003e • Depth 15.4” (390 mm)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","published_at":"2016-10-16T10:03:00+02:00","created_at":"2018-12-16T14:56:19+02:00","vendor":"PreSonus","type":"Mixers","tags":["Analog Mixers","Channels_14","Live Sound \u0026 Lighting","Live Sound Mixers","PreSonus","Price Range_$300 to $500","Shop by brand_PreSonus","Shop by category_Live Sound Mixers","used","Used Gear"],"price":48400,"price_min":48400,"price_max":48400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":14918394806318,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"StudioLive AR12 USB","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive AR12 USB [ USED ]","public_title":null,"options":["Default Title"],"price":48400,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar12_usb-top_big_8aa4dfa4-0cc5-45f4-8234-305cdd758911.jpg?v=1544964980","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar12_usb-back_big_a6b59606-075c-40ad-942f-272f2dae025e.jpg?v=1544964980","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/StudioLive_AR12_USB-02_83d5083a-6783-4165-8efa-e366c6952aad.png?v=1544964980","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/IMG_7967.PNG?v=1544965208"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar12_usb-top_big_8aa4dfa4-0cc5-45f4-8234-305cdd758911.jpg?v=1544964980","options":["Title"],"content":"\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eBuilt by musicians, for musicians.\u003c\/h2\u003e\n\u003cp\u003eStudioLive\u003csup\u003e®\u003c\/sup\u003e AR12 USB 14-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with PreSonus’\u003csup\u003e®\u003c\/sup\u003e famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD™ digital recorder. Stream program music wirelessly, using onboard Bluetooth\u003csup\u003e®\u003c\/sup\u003e. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003c\/p\u003e\n\u003cdiv class=\"video-link prod-video\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eAll of the connections and controls you need.\u003c\/h2\u003e\n\u003cp\u003eStudioLive AR12 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the four mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; three-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicate bus, for feeding stage wedges, a headphone amp, or an in-ear system. Since the StudioLive AR12 USB is also a studio mixer, you also get control-room outputs with level control to feed your studio monitors.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003ePlug guitars and basses directly into the mixer.\u003c\/h2\u003e\n\u003cp\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eIt’s inputs; it’s playback; it’s the Super Channel!\u003c\/h2\u003e\n\u003cp\u003eOur unique Super Channel (stereo Channel 13\/14) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD™ recorder or from your USB-connected Mac\u003csup\u003e®\u003c\/sup\u003e or Windows\u003csup\u003e®\u003c\/sup\u003e PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003c\/p\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch2\u003eFeatures\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"container-fluid product-sectional\" data-small-bgcolor=\"#000000\"\u003e\n\u003cdiv class=\"container-fluid-inner\"\u003e\n\u003cdiv class=\"row\"\u003e\n\u003ch3\u003eChannels and Buses\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e14-channel mixer\u003c\/li\u003e\n\u003cli\u003e4 mono and 4 stereo channels, each with:\n\u003cul\u003e\n\u003cli\u003e60 mm level fader\u003c\/li\u003e\n\u003cli\u003ePan\u003c\/li\u003e\n\u003cli\u003eMute\u003c\/li\u003e\n\u003cli\u003ePFL solo\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e1 stereo Super Channel (Ch. 13\/14)\u003c\/li\u003e\n\u003cli\u003e2 monitor buses with PFL solo\u003c\/li\u003e\n\u003cli\u003e1 stereo effects bus\u003c\/li\u003e\n\u003cli\u003e1 stereo effects return with:\n\u003cul\u003e\n\u003cli\u003e60 mm master fader\u003c\/li\u003e\n\u003cli\u003eDedicated monitor sends\u003c\/li\u003e\n\u003cli\u003eEffects bypass footswitch jack\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInputs and Outputs\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e2 instrument inputs\u003c\/li\u003e\n\u003cli\u003e12 balanced line inputs\u003c\/li\u003e\n\u003cli\u003e2 unbalanced inserts\u003c\/li\u003e\n\u003cli\u003e8 balanced mic inputs with:\n\u003cul\u003e\n\u003cli\u003eClass A microphone preamp\u003c\/li\u003e\n\u003cli\u003eGlobal 48V phantom power\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eStereo Super Channel with:\n\u003cul\u003e\n\u003cli\u003eStereo RCA inputs\u003c\/li\u003e\n\u003cli\u003e1\/8-inch stereo input\u003c\/li\u003e\n\u003cli\u003eSwitchable SD™\/USB stereo playback\u003c\/li\u003e\n\u003cli\u003eBluetooth 4.1 input\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eL\/R XLR main outputs\u003c\/li\u003e\n\u003cli\u003e2 balanced TRS monitor outputs\u003c\/li\u003e\n\u003cli\u003e1 balanced TRS effects output\u003c\/li\u003e\n\u003cli\u003eL\/R Control Room outputs with level control\u003c\/li\u003e\n\u003cli\u003eHeadphone output with level control\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSignal Processing\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eHighpass filter on every channel\u003c\/li\u003e\n\u003cli\u003eMono channels: 3-band semi-parametric EQ with sweepable mid-band\u003c\/li\u003e\n\u003cli\u003eStereo channels: 3-band semi-parametric EQ\u003c\/li\u003e\n\u003cli\u003eStereo effects processor with 16 presets\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRecording Options\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003e14x4 24-bit\/96 kHz, USB 2.0 audio recording interface\n\u003cul\u003e\n\u003cli\u003eRecord every channel plus the main mix\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x2 SD recorder\n\u003cul\u003e\n\u003cli\u003eRecord main mix\u003c\/li\u003e\n\u003cli\u003eSupports SD™ and SDHC™ formats up to 32 GB\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIntegrated Software\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eCapture™ recording software\u003c\/li\u003e\n\u003cli\u003eStudio One \u003cspan class=\"s2\"\u003e\u003csup\u003e®\u003c\/sup\u003e \u003c\/span\u003e\u003cspan\u003e3 Artist recording and production software (DAW)\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePower\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eInternal power supply\u003c\/li\u003e\n\u003cli\u003eStandard IEC power connector\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePhysical\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli\u003eSturdy metal construction\u003c\/li\u003e\n\u003cli\u003e60 mm faders\u003c\/li\u003e\n\u003cli\u003eRackmount kit optional\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eMicrophone Preamp\u003cbr\u003e \u003cbr\u003e • Type XLR Female, Class A\u003cbr\u003e • Maximum Input level (unity gain) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/- 1.5 dB\u003cbr\u003e • S\/N Ratio to Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (min. gain, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance 1 kΩ\u003cbr\u003e • EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) \u0026lt; 128 dBu\u003cbr\u003e • Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e • Phantom Power +48V, ±3V, Global\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eInstrument Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu ±1.0 dB\u003cbr\u003e • Gain Control Range 50 dB, ±1 dB (Unity to +50 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 20 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (min. gain, A-wtd) \u0026gt; 105 dB dB\u003cbr\u003e • Dynamic Range (mid. Gain, unwtd) \u0026gt; 100 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance \u0026gt; 1 MΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Balanced\u003cbr\u003e • Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +22 dBu, ±1.0 dB\u003cbr\u003e • Gain Control Range Mono Channels 50 dB, ±1 dB (-20 to +30 dB),​ Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)\u003cbr\u003e • Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Frequency Response to USB (Direct) 10 Hz to 40 kHz, +0.5\/-1.5 dB\u003cbr\u003e • S\/N Ratio to Analog Outputs (+4 dBu) 94 dB\u003cbr\u003e • THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e • Input Impedance (Balanced) 10 kΩ\u003cbr\u003e • Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eMain, Control Room, Monitor, and FX Outputs\u003cbr\u003e \u003cbr\u003e • Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e • Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e • Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e • Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e • Output Impedance 100 Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e \u003cbr\u003e • Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e • Maximum Output Level 150 mW\/channel @ 60 Ω\u003cbr\u003e • Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e • Dynamic Range (A-wtd) \u0026gt; 103 dB\u003cbr\u003e • THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e \u003cbr\u003e • Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e • Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd) -80 dBu\u003cbr\u003e\u003cbr\u003eSignal Level LED\u003cbr\u003e \u003cbr\u003e • Signal -50 dBFS (pre-EQ)\u003cbr\u003e • Clip -3.0 dB before clip (pre- or post-EQ)\u003cbr\u003e\u003cbr\u003eGraphic EQ\u003cbr\u003e \u003cbr\u003e • Low Cut 100 Hz, -18 dB\/Octave\u003cbr\u003e • High Shelving ±15 dB @ 12 kHz\u003cbr\u003e • Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e • Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e • Mid-Band Q Fixed, 0.55\u003cbr\u003e • Low Shelving ±15 dB @ 80 Hz\u003cbr\u003e\u003cbr\u003eDigital Audio\u003cbr\u003e \u003cbr\u003e • Host Interface USB 2.0\u003cbr\u003e • ADC Dynamic Range (Component) 114 dB\u003cbr\u003e • ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • DAC Dynamic Range (Component) 114 dB\u003cbr\u003e • DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e • Bit Depth 24 bits\u003cbr\u003e • Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e • Jitter \u0026lt; 80 ps RMS (20 Hz – 20 kHz)\u003cbr\u003e • Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\u003cbr\u003eSD Recorder\u003cbr\u003e \u003cbr\u003e • Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e • Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e • Recording File Format Stereo WAV\u003cbr\u003e • Playback File Formats Stereo WAV, MP3\u003cbr\u003e • Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e • Bit Depth (Recorded WAV) 24 bits\u003cbr\u003e\u003cbr\u003ePower\/Environmental\u003cbr\u003e \u003cbr\u003e • Connector IEC\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e \u003cbr\u003e • Height 3.7” (95 mm)\u003cbr\u003e • Width 16” (402 mm)\u003cbr\u003e • Depth 15.4” (390 mm)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e"}

{"id":537876725806,"title":"PreSonus StudioLive AR22 USB","handle":"presonus-studiolive-ar22-usb","description":"Overview \u003cbr\u003e\u003cbr\u003eBuilt by musicians, for musicians.\u003cbr\u003eStudioLive® AR22 USB 22-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with 16 of PreSonus®’ famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD digital recorder. Stream program music wirelessly, using onboard Bluetooth™. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003cbr\u003e\u003cbr\u003eAll of the connections and controls you need.\u003cbr\u003eStudioLive AR22 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the 12 mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; 3-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicated bus, for feeding stage wedges, a headphone amp, or an in-ear system. You also get control-room outputs with level control to feed your studio or front-of-house monitors.\u003cbr\u003e\u003cbr\u003ePlug guitars and basses directly into the mixer.\u003cbr\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003cbr\u003e\u003cbr\u003eIt’s inputs; it’s playback; \u003cbr\u003eit’s the Super Channel!\u003cbr\u003eOur unique Super Channel (stereo Channel 21\/22) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD recorder or from your USB-connected Mac® or Windows® PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003cbr\u003e\u003cbr\u003eRecord in the studio or at the gig—with or without a computer.\u003cbr\u003eNaturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It’s smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR22 USB mixer to your computer via USB 2.0, and you have a 22x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit\/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer—just hit Record and go. Recording can’t get much easier than this!\u003cbr\u003e\u003cbr\u003eFly in backing tracks and play break music, too!\u003cbr\u003eBoth the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. With just a few backing tracks, your small band can sound like a much larger act. Using the two stereo USB playback streams, you can add backing tracks, click tracks, or program music to your mix. Use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer. And don’t forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to.\u003cbr\u003e\u003cbr\u003eIntegrated software makes recording a snap.\u003cbr\u003ePreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus’ Capture™ live-recording software, then edit in our award-winning Studio One® Artist DAW (recording and production software); both are included free. As a bonus, you get the Studio Magic Plug-in Suite for Mac and Windows, which includes seven popular plug-ins in VST, AU, and AAX formats.\u003cbr\u003e\u003cbr\u003eSweeten with digital effects for a polished, professional-caliber sound.\u003cbr\u003eTo get a great mix, you need high-quality effects. The StudioLive AR22 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor sends, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). It’s just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.\u003cbr\u003e\u003cbr\u003eA complete solution that’s compact, easy to use, and built for the road.\u003cbr\u003eCompact and built for the road, the StudioLive AR22 USB is an easy-to-use, all-in-one solution for audio mixing and recording. With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems. Check it out now at your favorite PreSonus dealer!\u003cbr\u003e\u003cbr\u003eNow includes Studio Magic Plug-in Suite.\u003cbr\u003eThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003eBelow are the minimum computer-system requirements for use with Capture™ and Studio One®.\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e ✓ Mac® OS X 10.8.5\u003cbr\u003e ✓ Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e ✓ Windows® 7 x64\/x86 SP1 +platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e ✓ Intel Core 2 Duo (Intel Core i3 or faster recommended)\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e ✓ 4 GB RAM (8 GB or more recommended)\u003cbr\u003e ✓ 30 GB hard-drive space (Studio One)\u003cbr\u003e ✓ Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e ✓ Monitor with 1366x768 resolution (high-dpi monitor recommended)\u003cbr\u003e\u003cbr\u003eThe minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003e\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003cbr\u003e\u003cbr\u003eAs a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.​​\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eMicrophone Preamp\u003cbr\u003e ✓ Type XLR Female, Class A\u003cbr\u003e ✓ Maximum Input level (unity gain) Mono Channels +18 dBu, ±1.0 dB, Stereo Channels: -5 dBu, ±1.0 dB\u003cbr\u003e ✓ Gain Control Range Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB\u003cbr\u003e ✓ Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/- 1.5 dB\u003cbr\u003e ✓ S\/N Ratio to Outputs (+4 dBu) 89 dB\u003cbr\u003e ✓ THD+N (min. gain, A-wtd) \u0026lt; 0.01%\u003cbr\u003e ✓ Input Impedance 1 kΩ\u003cbr\u003e ✓ EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) Mono Channels: \u0026lt; 128 dBu, Stereo Channels: \u0026lt;120 dBu\u003cbr\u003e ✓ Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e ✓ Phantom Power +48V, ±3V, Global\u003cbr\u003e ✓ Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eInstrument Inputs\u003cbr\u003e ✓ Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e ✓ Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +12 dBu ±1.0 dB\u003cbr\u003e ✓ Gain Control Range 50 dB, ±1 dB (Unity to +50 dB)\u003cbr\u003e ✓ Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Dynamic Range (min. gain, A-wtd) \u0026gt; 105 dB\u003cbr\u003e ✓ Dynamic Range (mid. Gain, unwtd) \u0026gt; 108 dB\u003cbr\u003e ✓ THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e ✓ THD+N (1 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e ✓ Input Impedance \u0026gt; 1 MΩ\u003cbr\u003e ✓ Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e ✓ Type ¼” TRS Female, Balanced\u003cbr\u003e ✓ Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) Mono Channels: +18 dBu, ±1.0 dB, Stereo Channels: +22 dBu, ±1.0 dB\u003cbr\u003e ✓ Gain Control Range Mono Channels 50 dB, ±1 dB (-30 to +20 dB),​ Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)\u003cbr\u003e ✓ Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ S\/N Ratio to Analog Outputs (+4 dBu) 82 dB\u003cbr\u003e ✓ THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e ✓ Input Impedance (Balanced) 10 kΩ\u003cbr\u003e ✓ Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eMain, Control Room, Monitor, and FX Outputs\u003cbr\u003e ✓ Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e ✓ Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e ✓ Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e ✓ Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e ✓ Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e ✓ THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e ✓ Output Impedance 100 Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e ✓ Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e ✓ Maximum Output Level 150 mW\/channel @ 60 Ω\u003cbr\u003e ✓ Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Dynamic Range (A-wtd) \u0026gt; 103 dB\u003cbr\u003e ✓ THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e ✓ Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e ✓ Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd\u003cbr\u003e -80 dBu\u003cbr\u003e\u003cbr\u003eSignal Level LED\u003cbr\u003e ✓ Signal -30 dBFS (pre-EQ)\u003cbr\u003e ✓ Clip -3.0 dB before clip (pre- or post-EQ)\u003cbr\u003e\u003cbr\u003eChannel EQ\u003cbr\u003e ✓ Low Cut 100 Hz, -18 dB\/Octave\u003cbr\u003e ✓ High Shelving ±15 dB @ 12 kHz\u003cbr\u003e ✓ Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e ✓ Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e ✓ Mid-Band Q Boost: 0.55, Cut: 2.5\u003cbr\u003e ✓ Low Shelving ±15 dB @ 80 Hz\u003cbr\u003e\u003cbr\u003eAudio Interface\u003cbr\u003e ✓ Host Interface USB 2.0\u003cbr\u003e ✓ ADC Dynamic Range (Component) 114 dB\u003cbr\u003e ✓ ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e ✓ DAC Dynamic Range (Component) 114 dB\u003cbr\u003e ✓ DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e ✓ Signal-to-Noise (a-weighted) -96 dB\u003cbr\u003e ✓ Bit Depth 24 bits\u003cbr\u003e ✓ Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e ✓ Jitter \u0026lt; 80 ps RMS (20 Hz – 20 kHz)\u003cbr\u003e ✓ Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\u003cbr\u003eSD™ Recorder\u003cbr\u003e ✓ Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e ✓ Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e ✓ Recording File Format Stereo WAV\u003cbr\u003e ✓ Playback File Formats Stereo WAV, MP3 (96-320 kbs, 32 \/ 44.1 \/ 48 kHz)\u003cbr\u003e ✓ Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e ✓ Bit Depth Recording: 24 bits, Playback: 16- or 24-bit\u003cbr\u003e\u003cbr\u003ePower \/ Environmental\u003cbr\u003e ✓ Connector IEC\u003cbr\u003e ✓ Input Voltage Range 90 to 240 VAC\u003cbr\u003e ✓ Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e ✓ Height 3.7” (95 mm)\u003cbr\u003e ✓ Width (Chassis only) 23” (584 mm)\u003cbr\u003e ✓ Depth 15” (390 mm)\u003cbr\u003e ✓ Weight 17.2 lbs (7.8 kg)","published_at":"2018-03-14T15:21:49+02:00","created_at":"2018-03-14T15:46:21+02:00","vendor":"PreSonus","type":"Mixers","tags":["Analog Mixers","Channels_22","Live Sound \u0026 Lighting","Live Sound Mixers Mixer","PreSonus","Price Range_$500 to $750","Shop by brand_PreSonus","Shop by category_Live Sound Mixers"],"price":67800,"price_min":67800,"price_max":67800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":7134536040494,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SLMAR 22","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"PreSonus StudioLive AR22 USB","public_title":null,"options":["Default Title"],"price":67800,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar22_usb-top_big.jpg?v=1521035321","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar22_usb-back_big.jpg?v=1521035321"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/presonus-studiolive_ar22_usb-top_big.jpg?v=1521035321","options":["Title"],"content":"Overview \u003cbr\u003e\u003cbr\u003eBuilt by musicians, for musicians.\u003cbr\u003eStudioLive® AR22 USB 22-channel hybrid mixers make it simple to mix and record live shows, studio productions, band rehearsals, podcasts, and much more. This is a musician’s mixer: lightweight, versatile, feature-rich, and packed with analog connections and digital tools, yet easy to learn and use. Mix with 16 of PreSonus®’ famous Class A preamps and three-band EQ. Create multitrack recordings and fly in backing tracks with a 24-bit, 96 kHz, USB 2.0 digital audio interface. Record and playback in stereo with the integrated SD digital recorder. Stream program music wirelessly, using onboard Bluetooth™. Compact and road-ready, StudioLive AR mixers provide a superior all-in-one solution for mixing and recording your performances.\u003cbr\u003e\u003cbr\u003eAll of the connections and controls you need.\u003cbr\u003eStudioLive AR22 USB mixers are packed with the connections and controls needed to mix and record live, in the studio, and in rehearsal. Each of the 12 mono channels and four stereo channels includes a 60 mm fader for level control; a mic input with one of PreSonus’ prized Class A preamps; 3-band EQ; and more. Besides the main outputs, you get two monitor mix outputs, each with a dedicated bus, for feeding stage wedges, a headphone amp, or an in-ear system. You also get control-room outputs with level control to feed your studio or front-of-house monitors.\u003cbr\u003e\u003cbr\u003ePlug guitars and basses directly into the mixer.\u003cbr\u003eMost mixers make you route acoustic and electric guitars and basses through external direct boxes before connecting to a mixer input. But with StudioLive AR mixers, Channels 1 and 2 have high-impedance instrument inputs, so you can plug a guitar or electric bass straight into the board—no direct box needed.\u003cbr\u003e\u003cbr\u003eIt’s inputs; it’s playback; \u003cbr\u003eit’s the Super Channel!\u003cbr\u003eOur unique Super Channel (stereo Channel 21\/22) allows you to connect four stereo analog and digital sources at once, enabling you to use the mixer with your high-tech devices. Plug a media player into the Super Channel’s unbalanced RCA and 1\/8-inch stereo inputs, play stereo audio from the onboard SD recorder or from your USB-connected Mac® or Windows® PC. Use onboard Bluetooth 4.1 to pair your phone to your StudioLive AR mixer and instantly have wireless access to your music library for break music, backing tracks, or ear-training. Have a song you want the rest of the band to learn? Pair your phone and start rehearsing!\u003cbr\u003e\u003cbr\u003eRecord in the studio or at the gig—with or without a computer.\u003cbr\u003eNaturally, you want to record your gigs, as well as producing studio projects, podcasts, and so on. It’s smart to record your rehearsals, too. So StudioLive AR mixers offer two different ways to record. Connect a StudioLive AR22 USB mixer to your computer via USB 2.0, and you have a 22x4 multitrack digital recorder, ready to capture all input channels plus the main mix to a Mac or Windows PC with professional, 24-bit\/96 kHz quality. An onboard stereo SD recorder lets you record the main mix without a computer—just hit Record and go. Recording can’t get much easier than this!\u003cbr\u003e\u003cbr\u003eFly in backing tracks and play break music, too!\u003cbr\u003eBoth the integrated USB recording interface and the SD recorder have multiple uses beyond simply recording. With just a few backing tracks, your small band can sound like a much larger act. Using the two stereo USB playback streams, you can add backing tracks, click tracks, or program music to your mix. Use the SD recorder to play up to 32 GB of MP3 and .WAV files for hours of program music or backing tracks without needing a computer. And don’t forget the Bluetooth feature in the Super Channel, which lets you play break music straight from your smartphone. With several ways to get the job done, you can work the way you want to.\u003cbr\u003e\u003cbr\u003eIntegrated software makes recording a snap.\u003cbr\u003ePreSonus StudioLive AR mixers are tightly integrated with state-of-the-art recording software to help you achieve your creative vision. Record with PreSonus’ Capture™ live-recording software, then edit in our award-winning Studio One® Artist DAW (recording and production software); both are included free. As a bonus, you get the Studio Magic Plug-in Suite for Mac and Windows, which includes seven popular plug-ins in VST, AU, and AAX formats.\u003cbr\u003e\u003cbr\u003eSweeten with digital effects for a polished, professional-caliber sound.\u003cbr\u003eTo get a great mix, you need high-quality effects. The StudioLive AR22 USB has you covered with an internal stereo effects processor with 16 presets, including an assortment of room, hall, and plate reverbs; chorus and delay effects; even a preset that emulates an acoustically treated studio room to provide a warmer, more intimate tone. A dedicated effects return, complete with master level fader and dedicated monitor sends, lets you adjust the amount of the effects in your main and monitor mixes. You can even bypass the effects with a footswitch (optional). It’s just another way that StudioLive AR mixers enable you to build professional-quality mixes and recordings quickly and easily.\u003cbr\u003e\u003cbr\u003eA complete solution that’s compact, easy to use, and built for the road.\u003cbr\u003eCompact and built for the road, the StudioLive AR22 USB is an easy-to-use, all-in-one solution for audio mixing and recording. With a wide variety of connections, two ways to record, and a simple, elegant mixing surface, it will quickly become the heart of your live and studio sound systems. Check it out now at your favorite PreSonus dealer!\u003cbr\u003e\u003cbr\u003eNow includes Studio Magic Plug-in Suite.\u003cbr\u003eThis suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavor of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies — these are real-deal workhorses that you'll rely on for countless mixes.\u003cbr\u003e\u003cbr\u003eFeatures\u003cbr\u003e\u003cbr\u003eComputer system requirements:\u003cbr\u003eBelow are the minimum computer-system requirements for use with Capture™ and Studio One®.\u003cbr\u003e\u003cbr\u003eMac\u003cbr\u003e ✓ Mac® OS X 10.8.5\u003cbr\u003e ✓ Intel® Core™ 2 Duo processor (Intel Core i3 or faster recommended)\u003cbr\u003e\u003cbr\u003eWindows\u003cbr\u003e ✓ Windows® 7 x64\/x86 SP1 +platform update, Windows 8.1 x64\/x86, Windows 10 x64\/x86\u003cbr\u003e ✓ Intel Core 2 Duo (Intel Core i3 or faster recommended)\u003cbr\u003e\u003cbr\u003eMac and Windows Systems\u003cbr\u003e ✓ 4 GB RAM (8 GB or more recommended)\u003cbr\u003e ✓ 30 GB hard-drive space (Studio One)\u003cbr\u003e ✓ Internal or external 7200 RPM storage drive highly recommended\u003cbr\u003e ✓ Monitor with 1366x768 resolution (high-dpi monitor recommended)\u003cbr\u003e\u003cbr\u003eThe minimum system requirements may differ for DAWs other than Studio One®. Please check the requirements for your DAW of choice with its manufacturer.\u003cbr\u003e\u003cbr\u003eNote that the speed of your processor, amount of RAM and size and speed of your hard drive will greatly affect the overall performance of your recording system. Also, a more powerful system (faster processor with more RAM) will allow for lower latency (signal delay) than you might experience while monitoring audio signals.\u003cbr\u003e\u003cbr\u003eAs a commitment to constant improvement, PreSonus Audio Electronics, Inc., reserves the right to change any specification stated herein, at any time, without notification.​​\u003cbr\u003e\u003cbr\u003eTechnical Specifications\u003cbr\u003e\u003cbr\u003eMicrophone Preamp\u003cbr\u003e ✓ Type XLR Female, Class A\u003cbr\u003e ✓ Maximum Input level (unity gain) Mono Channels +18 dBu, ±1.0 dB, Stereo Channels: -5 dBu, ±1.0 dB\u003cbr\u003e ✓ Gain Control Range Mono Channels: 50 dB, ±1 dB (Unity to +50 dB), Stereo Channels: 40 dB, ± 1 dB (+5 to +45 dB\u003cbr\u003e ✓ Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/- 1.5 dB\u003cbr\u003e ✓ S\/N Ratio to Outputs (+4 dBu) 89 dB\u003cbr\u003e ✓ THD+N (min. gain, A-wtd) \u0026lt; 0.01%\u003cbr\u003e ✓ Input Impedance 1 kΩ\u003cbr\u003e ✓ EIN (+55 dB gain, 150Ω input, 20 Hz-22 kHz, A-wtd) Mono Channels: \u0026lt; 128 dBu, Stereo Channels: \u0026lt;120 dBu\u003cbr\u003e ✓ Common Mode Rejection Ratio (1 kHz, +55 dB gain) 65 dB\u003cbr\u003e ✓ Phantom Power +48V, ±3V, Global\u003cbr\u003e ✓ Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eInstrument Inputs\u003cbr\u003e ✓ Type ¼” TS Female, Unbalanced, Hi-Z\u003cbr\u003e ✓ Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) +12 dBu ±1.0 dB\u003cbr\u003e ✓ Gain Control Range 50 dB, ±1 dB (Unity to +50 dB)\u003cbr\u003e ✓ Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Dynamic Range (min. gain, A-wtd) \u0026gt; 105 dB\u003cbr\u003e ✓ Dynamic Range (mid. Gain, unwtd) \u0026gt; 108 dB\u003cbr\u003e ✓ THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e ✓ THD+N (1 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e ✓ Input Impedance \u0026gt; 1 MΩ\u003cbr\u003e ✓ Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eLine Inputs\u003cbr\u003e ✓ Type ¼” TRS Female, Balanced\u003cbr\u003e ✓ Maximum Input Level (min. gain, 1 kHz@0.5% THD+N) Mono Channels: +18 dBu, ±1.0 dB, Stereo Channels: +22 dBu, ±1.0 dB\u003cbr\u003e ✓ Gain Control Range Mono Channels 50 dB, ±1 dB (-30 to +20 dB),​ Stereo Channel 50 dB, ±1 dB (-15 to +25 dB)\u003cbr\u003e ✓ Frequency Response to Analog Outputs 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Frequency Response to USB (Direct) 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ S\/N Ratio to Analog Outputs (+4 dBu) 82 dB\u003cbr\u003e ✓ THD+N (1 kHz, -1 dBFS, A-wtd) \u0026lt; 0.01%\u003cbr\u003e ✓ Input Impedance (Balanced) 10 kΩ\u003cbr\u003e ✓ Note: All Channel Inputs sum through Mic preamp \u003cbr\u003e\u003cbr\u003eMain, Control Room, Monitor, and FX Outputs\u003cbr\u003e ✓ Type (Main Outputs) XLR Male, Impedance Balanced\u003cbr\u003e ✓ Type (Control Room, Monitor, FX Outputs) ¼” TRS Female, Balanced\u003cbr\u003e ✓ Rated Output Level (Main Outputs) +24 dBu, ±1.0 dB\u003cbr\u003e ✓ Rated Outputs Level (Control Room, Monitor, FX Outputs) +18 dBu\u003cbr\u003e ✓ Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Dynamic Range (A-wtd) \u0026gt; 108 dB\u003cbr\u003e ✓ THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e ✓ Output Impedance 100 Ω\u003cbr\u003e\u003cbr\u003eHeadphone Output\u003cbr\u003e ✓ Type ¼” TRS Female, Stereo, Unbalanced\u003cbr\u003e ✓ Maximum Output Level 150 mW\/channel @ 60 Ω\u003cbr\u003e ✓ Frequency Response 20 Hz to 20 kHz, +0.5\/-1.5 dB\u003cbr\u003e ✓ Dynamic Range (A-wtd) \u0026gt; 103 dB\u003cbr\u003e ✓ THD+N (Bandwidth 20 Hz - 20 kHz, -1 dBFS, unwtd) \u0026lt; 0.01%\u003cbr\u003e\u003cbr\u003eSystem Crosstalk\u003cbr\u003e ✓ Input to Output (Ref = +4dBu, 20 Hz to 20 kHz, unwtd) -85 dBu\u003cbr\u003e ✓ Adjacent Channels (Ref = +4 dBu, 20 Hz to 20 kHz, unwtd\u003cbr\u003e -80 dBu\u003cbr\u003e\u003cbr\u003eSignal Level LED\u003cbr\u003e ✓ Signal -30 dBFS (pre-EQ)\u003cbr\u003e ✓ Clip -3.0 dB before clip (pre- or post-EQ)\u003cbr\u003e\u003cbr\u003eChannel EQ\u003cbr\u003e ✓ Low Cut 100 Hz, -18 dB\/Octave\u003cbr\u003e ✓ High Shelving ±15 dB @ 12 kHz\u003cbr\u003e ✓ Mid Peaking (Mono Channels) ±15 dB @ 140 Hz to 3.5 kHz (variable)\u003cbr\u003e ✓ Mid Peaking (Stereo Channels) ±15 dB @ 2.5 kHz\u003cbr\u003e ✓ Mid-Band Q Boost: 0.55, Cut: 2.5\u003cbr\u003e ✓ Low Shelving ±15 dB @ 80 Hz\u003cbr\u003e\u003cbr\u003eAudio Interface\u003cbr\u003e ✓ Host Interface USB 2.0\u003cbr\u003e ✓ ADC Dynamic Range (Component) 114 dB\u003cbr\u003e ✓ ADC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e ✓ DAC Dynamic Range (Component) 114 dB\u003cbr\u003e ✓ DAC Dynamic Range (Measured: A-wtd, 48 kHz) 105 dB\u003cbr\u003e ✓ Signal-to-Noise (a-weighted) -96 dB\u003cbr\u003e ✓ Bit Depth 24 bits\u003cbr\u003e ✓ Internally Supported Sample Rates 44.1, 48, 88.2, 96 kHz\u003cbr\u003e ✓ Jitter \u0026lt; 80 ps RMS (20 Hz – 20 kHz)\u003cbr\u003e ✓ Jitter Attenuation \u0026gt; 60 dB (1 ns in =\u0026gt; 1 ps out)\u003cbr\u003e\u003cbr\u003eSD™ Recorder\u003cbr\u003e ✓ Supported Media Format FAT16 formatted SD™ card, FAT32 formatted SDHC™ card\u003cbr\u003e ✓ Media Storage Capacity SD card: 2 GB; SDHC card: 32 GB\u003cbr\u003e ✓ Recording File Format Stereo WAV\u003cbr\u003e ✓ Playback File Formats Stereo WAV, MP3 (96-320 kbs, 32 \/ 44.1 \/ 48 kHz)\u003cbr\u003e ✓ Sampling Rate (WAV) 44.1 kHz\u003cbr\u003e ✓ Bit Depth Recording: 24 bits, Playback: 16- or 24-bit\u003cbr\u003e\u003cbr\u003ePower \/ Environmental\u003cbr\u003e ✓ Connector IEC\u003cbr\u003e ✓ Input Voltage Range 90 to 240 VAC\u003cbr\u003e ✓ Recommended Ambient Operating Temperature 0˚ to 40˚ Celsius \/ 32˚ to 104˚ Fahrenheit\u003cbr\u003e\u003cbr\u003ePhysical\u003cbr\u003e ✓ Height 3.7” (95 mm)\u003cbr\u003e ✓ Width (Chassis only) 23” (584 mm)\u003cbr\u003e ✓ Depth 15” (390 mm)\u003cbr\u003e ✓ Weight 17.2 lbs (7.8 kg)"}

{"id":9454758925,"title":"Solid State Logic X-Desk","handle":"ssl-x-desk","description":"\u003cp\u003e\u003cstrong\u003eSSL X-Desk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX-Desk The mini SSL for your personal studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe centre of your scalable studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBuilt from the same SuperAnalogue™ DNA as our AWS, Duality and Matrix consoles, we are proud to deliver the \u003cstrong\u003eX-Desk\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eX-Desk brings benchmark audio performance to the compact mixer format, meeting the demand for a world class, compact SSL mixing desk. X-Desk combines a 16 channel SSL SuperAnalogue™ summing mixer with a compact analogue monitoring hub for your studio. Small enough to be easily transported, X-Desk fulfills the essentials of the audio mixing process, with typical SSL attention to detail, including smooth 100mm faders, comprehensive artist \u0026amp; studio monitoring with Dim \u0026amp; Cut buttons, Stereo and Mono Aux sends, channel and Master Bus Inserts and accurate bar graph level metering.\u003c\/p\u003e\n\u003cp\u003eFor easy integration into your existing studio, X-Desk can be used as an elegant and and ergonomically refined desktop mixer with removable rack ears for standard 19\" rack mounting (7U space required). Like all SSL SuperAnalogue™ products, it is extremely robust, hand-built in the UK with an all metal chassis and high quality controls and components. Up to eight X-Desks or X-Desk \u0026amp; X-Rack combinations can be cascaded via D-Sub connection to expand up to 160 inputs on mixdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSuperAnalogue™ - analogue purity at the highest level\u003c\/li\u003e\n\u003cli\u003e8x dual input Mono Line channels: 16 channel mixdown\u003c\/li\u003e\n\u003cli\u003e8x Insert Send\/Returns on channels\u003c\/li\u003e\n\u003cli\u003eStereo CUE and 2 Mono Auxiliary Sends\u003c\/li\u003e\n\u003cli\u003eCascade with X-Rack and other X-Desks for bigger systems\u003c\/li\u003e\n\u003cli\u003eTalkback - for artist communication\u003c\/li\u003e\n\u003cli\u003eDim \u0026amp; Cut buttons\u003c\/li\u003e\n\u003cli\u003eIndependent Main and Alternate stereo monitor outputs\u003c\/li\u003e\n\u003cli\u003eSSL Stereo Mix Buss with External summing and Inserts\u003c\/li\u003e\n\u003cli\u003e2x Stereo Returns with Level, Pan and Bus assignment\u003c\/li\u003e\n\u003cli\u003eiJack front panel input for portable playback devices\u003c\/li\u003e\n\u003cli\u003eHigh quality internal PSU\u003c\/li\u003e\n\u003cli\u003eD-Sub Channel I\/O connection for studio integration\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e19\" Rack mount ears included\u003c\/p\u003e","published_at":"2017-03-26T15:39:00+02:00","created_at":"2017-03-26T15:40:28+02:00","vendor":"Solid State Logic","type":"Mixers","tags":["Analog Mixers","Channels_16","Price Range_$2000 to $3000","Shop by brand_Solid State Logic","Shop by category_Analog Mixers","Solid State Logic","Studio \u0026 Recording","Studio Mixers"],"price":298060,"price_min":298060,"price_max":298060,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":34865515853,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Solid State Logic X-Desk","public_title":null,"options":["Default Title"],"price":298060,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"729712X1"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-X-Desk-slide.jpg?v=1528769978","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_07f0973c-ef42-482d-a695-f0b1884d0dfa.png?v=1528769978","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-X-Desk.jpg?v=1528769978"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-X-Desk-slide.jpg?v=1528769978","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eSSL X-Desk\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eX-Desk The mini SSL for your personal studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe centre of your scalable studio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBuilt from the same SuperAnalogue™ DNA as our AWS, Duality and Matrix consoles, we are proud to deliver the \u003cstrong\u003eX-Desk\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eX-Desk brings benchmark audio performance to the compact mixer format, meeting the demand for a world class, compact SSL mixing desk. X-Desk combines a 16 channel SSL SuperAnalogue™ summing mixer with a compact analogue monitoring hub for your studio. Small enough to be easily transported, X-Desk fulfills the essentials of the audio mixing process, with typical SSL attention to detail, including smooth 100mm faders, comprehensive artist \u0026amp; studio monitoring with Dim \u0026amp; Cut buttons, Stereo and Mono Aux sends, channel and Master Bus Inserts and accurate bar graph level metering.\u003c\/p\u003e\n\u003cp\u003eFor easy integration into your existing studio, X-Desk can be used as an elegant and and ergonomically refined desktop mixer with removable rack ears for standard 19\" rack mounting (7U space required). Like all SSL SuperAnalogue™ products, it is extremely robust, hand-built in the UK with an all metal chassis and high quality controls and components. Up to eight X-Desks or X-Desk \u0026amp; X-Rack combinations can be cascaded via D-Sub connection to expand up to 160 inputs on mixdown.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eSuperAnalogue™ - analogue purity at the highest level\u003c\/li\u003e\n\u003cli\u003e8x dual input Mono Line channels: 16 channel mixdown\u003c\/li\u003e\n\u003cli\u003e8x Insert Send\/Returns on channels\u003c\/li\u003e\n\u003cli\u003eStereo CUE and 2 Mono Auxiliary Sends\u003c\/li\u003e\n\u003cli\u003eCascade with X-Rack and other X-Desks for bigger systems\u003c\/li\u003e\n\u003cli\u003eTalkback - for artist communication\u003c\/li\u003e\n\u003cli\u003eDim \u0026amp; Cut buttons\u003c\/li\u003e\n\u003cli\u003eIndependent Main and Alternate stereo monitor outputs\u003c\/li\u003e\n\u003cli\u003eSSL Stereo Mix Buss with External summing and Inserts\u003c\/li\u003e\n\u003cli\u003e2x Stereo Returns with Level, Pan and Bus assignment\u003c\/li\u003e\n\u003cli\u003eiJack front panel input for portable playback devices\u003c\/li\u003e\n\u003cli\u003eHigh quality internal PSU\u003c\/li\u003e\n\u003cli\u003eD-Sub Channel I\/O connection for studio integration\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e19\" Rack mount ears included\u003c\/p\u003e"}

{"id":8435960333,"title":"Rupert Neve Designs 5059 Satellite 16 x 2+2 Summing Mixer","handle":"5059-satellite-16-x-2-2-summing-mixer","description":"\u003cbr\u003e5059 Satellite: Rupert Neve Designed 16x2+2 Summing Mixer\u003cbr\u003e\u003cbr\u003eBuilt around many of the topologies and custom transformers made famous with the 5088 mixer and Portico II Series, the 5059 is designed to deliver the ultimate “out of the box” sonics and ergonomics in a 2U, rack-mountable chassis.\u003cbr\u003e\u003cbr\u003eThe 5059 features 16 channels with individual level, pan, inserts, stereo-2 sends, and master texture controls, providing easy integration with outboard equipment, complete control for two separate stem mixes, and the ability to dial in analogue mojo in two modes. With the same sonic heritage as mixers used to create countless hit records, the 5059 Satellite Mixer imbues tracks with the legendary warmth and presence of a Rupert Neve design.\u003cbr\u003eThe Signature of Excellence\u003cbr\u003e\u003cbr\u003eThe most important element of the 5059 is its legendary sound. The keys to the sonic prowess of the 5059 are the custom transformers and true class-A topologies found within. The class-A topologies in the 5059 have been fine-tuned over a number of years to provide exceptional sonic performance and completely eliminate cross-over distortion. When combined with Mr. Rupert Neve’s transformer design and implementation, the 5059 achieves a remarkable purity, while also conveying the signature warmth and larger-than-life sound reminiscent of Rupert’s classic designs.\u003cbr\u003eMaking Connections\u003cbr\u003e\u003cbr\u003eOne drawback to mixing “in the box” is the inability to use high quality analogue outboard equipment. Channel inserts are provided in the 5059 to streamline interconnections with analogue outboard equipment and to allow for further expansions of the 5059’s capabilities. By connecting a second 5059 to the insert outputs of a 5059, the dual stereo outputs can be used as a way to add 4 auxes to each of the 16 channels.\u003cbr\u003eFrom Clean to Colored and Everywhere in Between\u003cbr\u003e\u003cbr\u003eEvery mix demands its own treatment; continuously variable Texture controls with Silk and Silk+ modes allow the engineer to fine tune the harmonic ratio and tonality of each stereo send of the 5059, or leave each mix pristine. The Silk mode accentuates the transformer saturation in the high frequencies to add a “sparkle” to tracks. The Silk + mode accentuates the saturation of the low frequencies to add thickness and density to any source – especially useful for dry, somewhat anemic mixes. Unlike EQ, the texture control saturates the output transformers, and adds musical harmonics to the source material according to the amount of texture applied.\u003cbr\u003eStem It or Sum It\u003cbr\u003e\u003cbr\u003eAside from providing aux functionality with a second 5059 module, the dual stereo outputs of the 5059 are generally used for creating stem mixes. These stem mixes can be enhanced using the Silk \/ Texture controls on the 5059, then processed by buss compressors or other devices, and fed into inputs of another mixer or an ADC.\u003cbr\u003e\u003cbr\u003eWith 16 channels of Rupert Neve designed class-A magic and numerous tonal and routing options, the 5059 Satellite mixer will elevate your DAW-based studio’s sound and performance to new heights.\u003cbr\u003eTexture\u003cbr\u003e\u003cbr\u003eContinuously variable control for Silk and Silk+ modes allows the engineer to fine tune the harmonic ratio and tonality of both stereo outputs.\u003cbr\u003eNew Class-A Topologies\u003cbr\u003e\u003cbr\u003eWith zero crossover distortion and unmatched purity, the 5059 sets the standard for rack-mountable summing mixers\u003cbr\u003eCustom Transformers\u003cbr\u003e\u003cbr\u003eBeyond providing galvanic isolation, the custom transformers in the 5059 are a key ingredient to its larger than life sound.\u003cbr\u003eDual Stereo Outputs\u003cbr\u003e\u003cbr\u003eSplit the input channels into two stems for further processing and mixing.\u003cbr\u003eChannel Level\u003cbr\u003e\u003cbr\u003eIndividual level controls are provided for each channel from -∞ to +10dB.\u003cbr\u003eChannel Pan\u003cbr\u003e\u003cbr\u003eIndividual pan controls are provided on each channel of the 5059 with a 3dB pan law.\u003cbr\u003eMaster Output Level\u003cbr\u003e\u003cbr\u003eLevel controls are provided for each of the stereo outputs -∞ to 0dB.\u003cbr\u003eBreakdown- 5059 Summing with Silk Red\u003cbr\u003eBreakdown 5059 Saturate + Silk Red\u003cbr\u003eBreakdown 5059 Saturate\u003cbr\u003eBreakdown Dangerous\u003cbr\u003eBreakdown PT Bounce\u003cbr\u003eTacks-ProTools-ITB\u003cbr\u003eTacks-5059-silk-drive\u003cbr\u003eTacks, 5059-silk-drive-mbp\u003cbr\u003etacks-5059-clean\u003cbr\u003eFrequency Response:\u003cbr\u003e\u003cbr\u003e100K Load,\u003cbr\u003e+\/- 0.1dB from 20Hz to 20kHz\u003cbr\u003e-3dB @ 3.5Hz \/ 185kHz\u003cbr\u003eNoise:\u003cbr\u003e\u003cbr\u003eIEC-A-Weighted\u003cbr\u003eBuss Outputs: -106dBV\u003cbr\u003eSingle Channel assigned @ -∞: -104dBV\u003cbr\u003eSingle Channel assigned @ Unity: 103dBV\u003cbr\u003eSingle Channel assigned @ +10dB -100dBV\u003cbr\u003e\u003cbr\u003eUn-weighted, 22Hz – 22kHz\u003cbr\u003eBuss Outputs:\u003cbr\u003e\u003cbr\u003eSingle Channel assigned @ -∞: -101dBV\u003cbr\u003eSingle Channel assigned @ Unity: -100dBV\u003cbr\u003eSingle Channel assigned @ +10dB -97dBV\u003cbr\u003eSignal to Noise\u003cbr\u003e\u003cbr\u003e+20dBu output un-weighted, 22 – 22kHz: 116dB\u003cbr\u003e+20dBu output, IEC A weighted: 119dB\u003cbr\u003e+4dBu output unweighted, 22 – 22kHz: 100dB\u003cbr\u003e+4dBu output, IEC A weighted: 103dB\u003cbr\u003eOutput Level:\u003cbr\u003e\u003cbr\u003eSumming Busses to XLR outputs, Maximum Output Level, 20Hz to 40kHz: +26dBu\u003cbr\u003eSingle Channel to Buss, Maximum Output Level, 20Hz to 40kHz: +24.5dBu\u003cbr\u003eTotal Harmonic Distortion and Noise:\u003cbr\u003e\u003cbr\u003e1kHz @+20dBu output: better than 0.003%\u003cbr\u003e20Hz @+20dBu output: better than 0.005%\u003cbr\u003eTotal Harmonic Distortion, Silk Engaged:\u003cbr\u003e\u003cbr\u003eBlue Silk – 100Hz @+20dBu output, texture control 12 o’clock: 0.2% typical\u003cbr\u003eBlue Silk – 100Hz @+20dBu output, texture control fully CW: 0.65% typical Red Silk – 100Hz @+20dBu output, texture control 12 o’clock: 0.1% typical\u003cbr\u003eRed Silk – 100Hz @+20dBu output, texture control fully CW: 0.35% typical\u003cbr\u003eSlew Rate:\u003cbr\u003e\u003cbr\u003e4V\/uS\u003cbr\u003eCrosstalk:\u003cbr\u003e\u003cbr\u003eBuss1 to Buss2\u003cbr\u003e1kHz: Better than -90dB\u003cbr\u003e10kHz: Better than -70dB\u003cbr\u003ePower Consumption:\u003cbr\u003e\u003cbr\u003eAC Mains, 100VAC to 240VAC, 50\/60Hz: 45 Watts\u003cbr\u003eFuses – not user accessible, internal on power supplies\u003cbr\u003eSize\/Weight:\u003cbr\u003e\u003cbr\u003eSize: 3.5”H (2U), 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Satellite: Rupert Neve Designed 16x2+2 Summing Mixer\u003cbr\u003e\u003cbr\u003eBuilt around many of the topologies and custom transformers made famous with the 5088 mixer and Portico II Series, the 5059 is designed to deliver the ultimate “out of the box” sonics and ergonomics in a 2U, rack-mountable chassis.\u003cbr\u003e\u003cbr\u003eThe 5059 features 16 channels with individual level, pan, inserts, stereo-2 sends, and master texture controls, providing easy integration with outboard equipment, complete control for two separate stem mixes, and the ability to dial in analogue mojo in two modes. With the same sonic heritage as mixers used to create countless hit records, the 5059 Satellite Mixer imbues tracks with the legendary warmth and presence of a Rupert Neve design.\u003cbr\u003eThe Signature of Excellence\u003cbr\u003e\u003cbr\u003eThe most important element of the 5059 is its legendary sound. The keys to the sonic prowess of the 5059 are the custom transformers and true class-A topologies found within. The class-A topologies in the 5059 have been fine-tuned over a number of years to provide exceptional sonic performance and completely eliminate cross-over distortion. When combined with Mr. Rupert Neve’s transformer design and implementation, the 5059 achieves a remarkable purity, while also conveying the signature warmth and larger-than-life sound reminiscent of Rupert’s classic designs.\u003cbr\u003eMaking Connections\u003cbr\u003e\u003cbr\u003eOne drawback to mixing “in the box” is the inability to use high quality analogue outboard equipment. Channel inserts are provided in the 5059 to streamline interconnections with analogue outboard equipment and to allow for further expansions of the 5059’s capabilities. By connecting a second 5059 to the insert outputs of a 5059, the dual stereo outputs can be used as a way to add 4 auxes to each of the 16 channels.\u003cbr\u003eFrom Clean to Colored and Everywhere in Between\u003cbr\u003e\u003cbr\u003eEvery mix demands its own treatment; continuously variable Texture controls with Silk and Silk+ modes allow the engineer to fine tune the harmonic ratio and tonality of each stereo send of the 5059, or leave each mix pristine. The Silk mode accentuates the transformer saturation in the high frequencies to add a “sparkle” to tracks. The Silk + mode accentuates the saturation of the low frequencies to add thickness and density to any source – especially useful for dry, somewhat anemic mixes. Unlike EQ, the texture control saturates the output transformers, and adds musical harmonics to the source material according to the amount of texture applied.\u003cbr\u003eStem It or Sum It\u003cbr\u003e\u003cbr\u003eAside from providing aux functionality with a second 5059 module, the dual stereo outputs of the 5059 are generally used for creating stem mixes. These stem mixes can be enhanced using the Silk \/ Texture controls on the 5059, then processed by buss compressors or other devices, and fed into inputs of another mixer or an ADC.\u003cbr\u003e\u003cbr\u003eWith 16 channels of Rupert Neve designed class-A magic and numerous tonal and routing options, the 5059 Satellite mixer will elevate your DAW-based studio’s sound and performance to new heights.\u003cbr\u003eTexture\u003cbr\u003e\u003cbr\u003eContinuously variable control for Silk and Silk+ modes allows the engineer to fine tune the harmonic ratio and tonality of both stereo outputs.\u003cbr\u003eNew Class-A Topologies\u003cbr\u003e\u003cbr\u003eWith zero crossover distortion and unmatched purity, the 5059 sets the standard for rack-mountable summing mixers\u003cbr\u003eCustom Transformers\u003cbr\u003e\u003cbr\u003eBeyond providing galvanic isolation, the custom transformers in the 5059 are a key ingredient to its larger than life sound.\u003cbr\u003eDual Stereo Outputs\u003cbr\u003e\u003cbr\u003eSplit the input channels into two stems for further processing and mixing.\u003cbr\u003eChannel Level\u003cbr\u003e\u003cbr\u003eIndividual level controls are provided for each channel from -∞ to +10dB.\u003cbr\u003eChannel Pan\u003cbr\u003e\u003cbr\u003eIndividual pan controls are provided on each channel of the 5059 with a 3dB pan law.\u003cbr\u003eMaster Output Level\u003cbr\u003e\u003cbr\u003eLevel controls are provided for each of the stereo outputs -∞ to 0dB.\u003cbr\u003eBreakdown- 5059 Summing with Silk Red\u003cbr\u003eBreakdown 5059 Saturate + Silk Red\u003cbr\u003eBreakdown 5059 Saturate\u003cbr\u003eBreakdown Dangerous\u003cbr\u003eBreakdown PT Bounce\u003cbr\u003eTacks-ProTools-ITB\u003cbr\u003eTacks-5059-silk-drive\u003cbr\u003eTacks, 5059-silk-drive-mbp\u003cbr\u003etacks-5059-clean\u003cbr\u003eFrequency Response:\u003cbr\u003e\u003cbr\u003e100K Load,\u003cbr\u003e+\/- 0.1dB from 20Hz to 20kHz\u003cbr\u003e-3dB @ 3.5Hz \/ 185kHz\u003cbr\u003eNoise:\u003cbr\u003e\u003cbr\u003eIEC-A-Weighted\u003cbr\u003eBuss Outputs: -106dBV\u003cbr\u003eSingle Channel assigned @ -∞: -104dBV\u003cbr\u003eSingle Channel assigned @ Unity: 103dBV\u003cbr\u003eSingle Channel assigned @ +10dB -100dBV\u003cbr\u003e\u003cbr\u003eUn-weighted, 22Hz – 22kHz\u003cbr\u003eBuss Outputs:\u003cbr\u003e\u003cbr\u003eSingle Channel assigned @ -∞: -101dBV\u003cbr\u003eSingle Channel assigned @ Unity: -100dBV\u003cbr\u003eSingle Channel assigned @ +10dB -97dBV\u003cbr\u003eSignal to Noise\u003cbr\u003e\u003cbr\u003e+20dBu output un-weighted, 22 – 22kHz: 116dB\u003cbr\u003e+20dBu output, IEC A weighted: 119dB\u003cbr\u003e+4dBu output unweighted, 22 – 22kHz: 100dB\u003cbr\u003e+4dBu output, IEC A weighted: 103dB\u003cbr\u003eOutput Level:\u003cbr\u003e\u003cbr\u003eSumming Busses to XLR outputs, Maximum Output Level, 20Hz to 40kHz: +26dBu\u003cbr\u003eSingle Channel to Buss, Maximum Output Level, 20Hz to 40kHz: +24.5dBu\u003cbr\u003eTotal Harmonic Distortion and Noise:\u003cbr\u003e\u003cbr\u003e1kHz @+20dBu output: better than 0.003%\u003cbr\u003e20Hz @+20dBu output: better than 0.005%\u003cbr\u003eTotal Harmonic Distortion, Silk Engaged:\u003cbr\u003e\u003cbr\u003eBlue Silk – 100Hz @+20dBu output, texture control 12 o’clock: 0.2% typical\u003cbr\u003eBlue Silk – 100Hz @+20dBu output, texture control fully CW: 0.65% typical Red Silk – 100Hz @+20dBu output, texture control 12 o’clock: 0.1% typical\u003cbr\u003eRed Silk – 100Hz @+20dBu output, texture control fully CW: 0.35% typical\u003cbr\u003eSlew Rate:\u003cbr\u003e\u003cbr\u003e4V\/uS\u003cbr\u003eCrosstalk:\u003cbr\u003e\u003cbr\u003eBuss1 to Buss2\u003cbr\u003e1kHz: Better than -90dB\u003cbr\u003e10kHz: Better than -70dB\u003cbr\u003ePower Consumption:\u003cbr\u003e\u003cbr\u003eAC Mains, 100VAC to 240VAC, 50\/60Hz: 45 Watts\u003cbr\u003eFuses – not user accessible, internal on power supplies\u003cbr\u003eSize\/Weight:\u003cbr\u003e\u003cbr\u003eSize: 3.5”H (2U), 19”W, 8”D\u003cbr\u003eWeigh: 23lbs\u003cbr\u003eShipping size: 22” x 17” x 8”\u003cbr\u003eShipping Weight: 25lbs"}

{"id":9996720589,"title":"API L200R 12 Slot Rack","handle":"api-l200r-12-slot-rack","description":"\u003ch1 id=\"reader-title\"\u003eAPI: L200R 12 Slot Rack\u003c\/h1\u003e\n\u003cp class=\"article_h2\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHolds 12 API \u003cb\u003eVision\u003c\/b\u003e or \u003cb\u003eLegacy Plus\u003c\/b\u003e L200 series modules\u003c\/li\u003e\n\u003cli\u003eXLR Jacks for Inputs and Outputs, Pin 2 Hot\u003c\/li\u003e\n\u003cli\u003eTT Jacks for side chain \/ Aux Out \/ Mic In, etc.\u003c\/li\u003e\n\u003cli\u003ePowered by API external L200PS Tri-polar, +16v \/ -16v \/ +48V external power supply\u003c\/li\u003e\n\u003cli\u003e100 to 250 volts 50\/60 Hz AC, front panel LED\u003c\/li\u003e\n\u003cli\u003e19\" rack mount, 2U tall\u003c\/li\u003e\n\u003cli\u003eSturdy, vented steel chassis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAPI's L200 Rack features a level of flexibility designed to meet the needs of the discriminating engineer\/producer. Module interchangeability has always been an API standard and the L200 system follows the tradition. The L200R is fully compatible with modules used in API's Vision and Legacy Series Consoles, including the 205L Direct Input, the 212L Mic Pre, the 215L HP\/LP Sweep Filter, the 225L Compressor and the 235L Noise Gate.\u003c\/p\u003e\n\u003cp\u003eThe L200R also features API's standard 5 Year Warranty, and exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e3.5\" X 19\" X 7.25\" Deep\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eSize (Boxed for Shipping):\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e8\" X 22\" X 16.5\"\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eActual Weight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e8.67 lbs.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e11.72 lbs.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-05-14T20:44:04+02:00","created_at":"2017-05-14T20:44:43+02:00","vendor":"API","type":"Accessories","tags":["Analog Mixers","API","Live Sound \u0026 Lighting","Live Sound Mixers","Price Range_$750 to $1000","Shop by brand_API","Shop by category_Live Sound Mixers"],"price":64125,"price_min":64125,"price_max":64125,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37485557261,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"L200R","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"API L200R 12 Slot Rack","public_title":null,"options":["Default Title"],"price":64125,"weight":9520,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_L200R_1_l.jpg?v=1494787631","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_L200R_2_l.jpg?v=1494787631","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/200_pinout_a5695d13-0a15-4081-8691-ed7f3ba2c209.gif?v=1494787631"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/prod_L200R_1_l.jpg?v=1494787631","options":["Title"],"content":"\u003ch1 id=\"reader-title\"\u003eAPI: L200R 12 Slot Rack\u003c\/h1\u003e\n\u003cp class=\"article_h2\"\u003e\u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eHolds 12 API \u003cb\u003eVision\u003c\/b\u003e or \u003cb\u003eLegacy Plus\u003c\/b\u003e L200 series modules\u003c\/li\u003e\n\u003cli\u003eXLR Jacks for Inputs and Outputs, Pin 2 Hot\u003c\/li\u003e\n\u003cli\u003eTT Jacks for side chain \/ Aux Out \/ Mic In, etc.\u003c\/li\u003e\n\u003cli\u003ePowered by API external L200PS Tri-polar, +16v \/ -16v \/ +48V external power supply\u003c\/li\u003e\n\u003cli\u003e100 to 250 volts 50\/60 Hz AC, front panel LED\u003c\/li\u003e\n\u003cli\u003e19\" rack mount, 2U tall\u003c\/li\u003e\n\u003cli\u003eSturdy, vented steel chassis\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAPI's L200 Rack features a level of flexibility designed to meet the needs of the discriminating engineer\/producer. Module interchangeability has always been an API standard and the L200 system follows the tradition. The L200R is fully compatible with modules used in API's Vision and Legacy Series Consoles, including the 205L Direct Input, the 212L Mic Pre, the 215L HP\/LP Sweep Filter, the 225L Compressor and the 235L Noise Gate.\u003c\/p\u003e\n\u003cp\u003eThe L200R also features API's standard 5 Year Warranty, and exhibits the reliability, long life, and uniformity which are characteristic of all API products.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"2\"\u003e\n\u003cp\u003eSpecifications\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e3.5\" X 19\" X 7.25\" Deep\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eSize (Boxed for Shipping):\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e8\" X 22\" X 16.5\"\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eActual Weight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e8.67 lbs.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\n\u003cp\u003e\u003cstrong\u003eShipping Weight:\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd\u003e\n\u003cp\u003e11.72 lbs.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003e \u003c\/p\u003e"}

{"id":9532103181,"title":"AMS Neve 1081R 12 SLOT RACK, PSU AND SOFTWARE - UNLOADED","handle":"ams-neve-1081r","description":"\u003cp\u003e\u003cstrong\u003e1081R Remote Microphone Preamplifier  Rack\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTwo Legendary Mic Preamps, One Convenient Remote-Controlled Rack\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe mic preamps utilised in the 1081R Remote Rack represent the very essence of the Neve sound. These pres – the 1081 and the Air Montserrat – are chosen time and time again by recording engineers and producers all over the world. They have proven themselves over decades, tracking some of the most famous recordings of all time, and are found in a majority of the world’s finest studios.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis system consists of a microprocessor-controlled 12-slot rack and a choice of two superb mic preamps, the Neve 1081 and Air Montserrat (from the vintage Air Montserrat console).\u003cbr\u003e\u003cbr\u003eBy selecting their desired combination of mic preamps, engineers have the flexibility to record classical, pop, rock, or any other musical format, and control it all from a Neve Console or standalone PC. In terms of application, the Air Montserrat Pre is the optimum choice for ambient recording, while the 1081 offers the perfect response for close miking of vocals, acoustic instruments, and percussion.\u003cbr\u003eThe rack can be positioned remotely and controlled via an Encore system on a Neve console or a standalone PC, making it the perfect choice for studio or live recording applications. (Connections come courtesy of a 9-pin serial control cable via RS232 to RS485 converter.) Operational settings such as gain, phase and 20dB pad can be controlled either from the rack or via the interface screen, and stored for later recall.\u003cbr\u003e\u003cbr\u003eThe 1081R allows these legendary mic preamps to be used as remote inputs for the 88RS analogue console, or provides the perfect companion to our digital consoles.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12-space remote-controlled rack featuring a selection of classic 1081 or Air Montserrat\u003c\/li\u003e\n\u003cli\u003eModern, convenient way to secure legendary Neve Sound\u003c\/li\u003e\n\u003cli\u003eControllable from Neve Console (Encore PC) or standalone PC\u003c\/li\u003e\n\u003cli\u003eSerial connection to computer\u003c\/li\u003e\n\u003cli\u003eRecall of all operational settings via software\u003c\/li\u003e\n\u003cli\u003eUnique hand-wired Neve-designed input transformers\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-04-02T15:40:00+02:00","created_at":"2017-04-02T15:40:51+02:00","vendor":"AMS Neve","type":"500 Series Chassis","tags":["AMS Neve","Analog Mixers","Live Sound \u0026 Lighting","Live Sound Mixers","Price Range_$3000 and Over","Shop by brand_AMS Neve","Shop by category_500 Series Chassis","Shop by category_Live Sound Mixers"],"price":298350,"price_min":298350,"price_max":298350,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":35301183949,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"1081R Rack","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"AMS Neve 1081R 12 SLOT RACK, PSU AND SOFTWARE - UNLOADED","public_title":null,"options":["Default Title"],"price":298350,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1081R_Rack_Front-edited-800x300.png?v=1491141027","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/2-5.jpg?v=1491141045","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/6-1.jpg?v=1491141065","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/4-4.jpg?v=1491141088"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/1081R_Rack_Front-edited-800x300.png?v=1491141027","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003e1081R Remote Microphone Preamplifier  Rack\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTwo Legendary Mic Preamps, One Convenient Remote-Controlled Rack\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe mic preamps utilised in the 1081R Remote Rack represent the very essence of the Neve sound. These pres – the 1081 and the Air Montserrat – are chosen time and time again by recording engineers and producers all over the world. They have proven themselves over decades, tracking some of the most famous recordings of all time, and are found in a majority of the world’s finest studios.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis system consists of a microprocessor-controlled 12-slot rack and a choice of two superb mic preamps, the Neve 1081 and Air Montserrat (from the vintage Air Montserrat console).\u003cbr\u003e\u003cbr\u003eBy selecting their desired combination of mic preamps, engineers have the flexibility to record classical, pop, rock, or any other musical format, and control it all from a Neve Console or standalone PC. In terms of application, the Air Montserrat Pre is the optimum choice for ambient recording, while the 1081 offers the perfect response for close miking of vocals, acoustic instruments, and percussion.\u003cbr\u003eThe rack can be positioned remotely and controlled via an Encore system on a Neve console or a standalone PC, making it the perfect choice for studio or live recording applications. (Connections come courtesy of a 9-pin serial control cable via RS232 to RS485 converter.) Operational settings such as gain, phase and 20dB pad can be controlled either from the rack or via the interface screen, and stored for later recall.\u003cbr\u003e\u003cbr\u003eThe 1081R allows these legendary mic preamps to be used as remote inputs for the 88RS analogue console, or provides the perfect companion to our digital consoles.\u003c\/p\u003e\n\u003cp\u003e \u003cstrong\u003eFeatures\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e12-space remote-controlled rack featuring a selection of classic 1081 or Air Montserrat\u003c\/li\u003e\n\u003cli\u003eModern, convenient way to secure legendary Neve Sound\u003c\/li\u003e\n\u003cli\u003eControllable from Neve Console (Encore PC) or standalone PC\u003c\/li\u003e\n\u003cli\u003eSerial connection to computer\u003c\/li\u003e\n\u003cli\u003eRecall of all operational settings via software\u003c\/li\u003e\n\u003cli\u003eUnique hand-wired Neve-designed input transformers\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":8940776909,"title":"Alesis MultiMix 8 USB FX","handle":"alesis-multimix-8-usb-fx","description":"\u003cp\u003e\u003cstrong\u003eMULTIMIX 8 USB FX\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e8 Channel Mixer with Effects \/ USB Audio Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord, mix and add effects all in one place.\u003c\/strong\u003e\u003cbr\u003eThis compact mixer with built-in effects doubles as a computer recording interface so you can mix, record, or do both at the same time. Whether you are mixing a band or sub-mixing a group of inputs, such as a drumset, the MultiMix 8 USB FX is easy to use, rugged, and packed with features. Offering microphone inputs with phantom power, guitar-direct inputs, and line-level inputs for connecting everything else, plus a wide range of effects, the MultiMix 8 USB FX delivers clean audio to your PA or recording system plus hassle-free computer connection.\u003cbr\u003e\u003cbr\u003eMultiMix 8 USB FX features four XLR inputs with independent gain pots on channels one through four. These XLR inputs also have a switchable phantom power option to accommodate both dynamic and condenser microphones. TRS Line inputs are also available on all eight channels of MultiMix 8 USB FX. New to the MultiMix 8 USB FX is a high-impedance input on channel two, which allows direct connection of a guitar or bass; this is a great convenience for singer\/songwriters looking to get a clean, \"hot\" signal. A Tape RCA stereo input is also included adding the ability to mix in audio from other sources such as a CD or LP player.\u003cbr\u003e\u003cbr\u003eMultiMix 8 USB FX includes an internal effects processor to quickly and easily add new colors to your mix. Reverb, Delay or Phaser can be dialed up simply by adjusting the pre or post fader knobs located within each channel strip. MultiMix 8 USB FX also contains Aux Out and stereo Returns, as well as, Insert jacks on channels one and two to allow for audio to be processed by external effects engines. MultiMix 8 USB FX gives you an impressive amount of routing options in such a compact size.\u003cbr\u003e\u003cbr\u003eLike the other mixers in Alesis’ MultiMix USB series, including the MultiMix 4 USB and MultiMix 6 USB, the MultiMix 8 USB FX contains a complete USB recording interface. Musicians and engineers can plug the MultiMix 8 USB FX’s class-compliant USB connection into their Mac or PC without installing any software drivers and enjoy a digital-direct stereo connection with virtually any audio software application. The MultiMix 8 USB FX enables bidirectional stereo signal, so musicians can record the stereo Main output into their computer and listen back using the mixer as an interface from software to headphones and monitoring loudspeakers. A number of key design improvements are included on the MultiMix 8 USB FX. Enlarged knob-to-knob spacing improves ergonomics and in-use efficiency. The newly designed mixer introduces a sleek new appearance for the MultiMix series and incorporates new, removable end caps, which can be helpful for squeezing the MultiMix 8 USB FX into smaller spaces in tightly packed setups. In addition to its improved signal-to-noise ratio specifications, the new mixer consumes 36% less power than its predecessor for reliability and energy efficiency.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight-channel mixer with mic, line, and guitar-level inputs\u003c\/li\u003e\n\u003cli\u003e16-bit, 44.1\/48 kHz stereo USB output for easy recording and playback from your computer\u003c\/li\u003e\n\u003cli\u003eXLR inputs with gain trim, switchable high-pass filters, and 48V phantom power\u003c\/li\u003e\n\u003cli\u003eWorks with iPad via Apple USB Adaptor (sold separately).\u003c\/li\u003e\n\u003cli\u003e1\/4-inch line-level inputs for instruments and high-impedance guitar input for direct-connecting guitars\u003c\/li\u003e\n\u003cli\u003ePowerful EQ: three-band with sweepable parametric mids on channels 1 and 2, three-band on 3 and 4, two-band on 5 – 8\u003c\/li\u003e\n\u003cli\u003eBuilt-in DSP effects with footswitch bypass control and Aux buss for external processing\u003c\/li\u003e\n\u003cli\u003eMulticolor LED metering for visual level feedback\u003c\/li\u003e\n\u003cli\u003eMain and headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eClass compliant, plug-and-play USB for Mac and PC interface without installing drivers\u003c\/li\u003e\n\u003cli\u003eIncludes Cubase LE software\u003c\/li\u003e\n\u003cli\u003eThis product is class compliant; it does not require drivers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMultiMix 8 USB FX mixer\u003c\/li\u003e\n\u003cli\u003eUSB Cable\u003c\/li\u003e\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\u003cli\u003eSoftware Download Card\u003c\/li\u003e\n\u003cli\u003eQuickstart Guide\u003c\/li\u003e\n\u003cli\u003eSafety and Warranty Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: (WxDxH) 10.25\" x 10.75\" x 3.25\"\u003c\/li\u003e\n\u003cli\u003eWeight: 4.9 lbs\u003c\/li\u003e\n\u003cli\u003eREQUIREMENTS\u003c\/li\u003e\n\u003cli\u003eComputer not required for mixer operation\u003c\/li\u003e\n\u003cli\u003eMac: OS X 10.4 - 10.9*\u003c\/li\u003e\n\u003cli\u003ePC: Windows XP, Vista, 7, or 8*\u003c\/li\u003e\n\u003cli\u003eUSB Port\u003c\/li\u003e\n\u003cli\u003e*Software requirements for Mac: OS X 10.8 or 10.9\u003c\/li\u003e\n\u003cli\u003e*Software requirements for PC: Windows 7 or 8\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2017-06-19T00:02:57+02:00","created_at":"2017-01-29T18:28:23+02:00","vendor":"Alesis","type":"Mixers","tags":["Alesis","Analog Mixers","Channels_8","Live Sound \u0026 Lighting","Live Sound Mixers","Price Range_$100 to $200","Shop by brand_Alesis","Shop by category_Analog Mixers","Shop by category_Live Sound Mixers","Studio \u0026 Recording","Studio Mixers"],"price":14900,"price_min":14900,"price_max":14900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":30970808781,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MM8USBFXX220","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alesis MultiMix 8 USB FX","public_title":null,"options":["Default Title"],"price":14900,"weight":5940,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Alesis_MultiMix8USBFX_ortho_large_ef20a2f7-17b4-4aec-b20a-b3d24a64114c.jpg?v=1485707639","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Alesis_MultiMix8USBFX_angle_large_d0dfe5ff-2fcc-4991-86e5-76b4b14e76be.jpg?v=1485707639","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Alesis_MultiMix8USBFX_back_large_1234e73f-067d-4e94-bd48-630a8caac1d1.jpg?v=1485707639"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Alesis_MultiMix8USBFX_ortho_large_ef20a2f7-17b4-4aec-b20a-b3d24a64114c.jpg?v=1485707639","options":["Title"],"content":"\u003cp\u003e\u003cstrong\u003eMULTIMIX 8 USB FX\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e8 Channel Mixer with Effects \/ USB Audio Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRecord, mix and add effects all in one place.\u003c\/strong\u003e\u003cbr\u003eThis compact mixer with built-in effects doubles as a computer recording interface so you can mix, record, or do both at the same time. Whether you are mixing a band or sub-mixing a group of inputs, such as a drumset, the MultiMix 8 USB FX is easy to use, rugged, and packed with features. Offering microphone inputs with phantom power, guitar-direct inputs, and line-level inputs for connecting everything else, plus a wide range of effects, the MultiMix 8 USB FX delivers clean audio to your PA or recording system plus hassle-free computer connection.\u003cbr\u003e\u003cbr\u003eMultiMix 8 USB FX features four XLR inputs with independent gain pots on channels one through four. These XLR inputs also have a switchable phantom power option to accommodate both dynamic and condenser microphones. TRS Line inputs are also available on all eight channels of MultiMix 8 USB FX. New to the MultiMix 8 USB FX is a high-impedance input on channel two, which allows direct connection of a guitar or bass; this is a great convenience for singer\/songwriters looking to get a clean, \"hot\" signal. A Tape RCA stereo input is also included adding the ability to mix in audio from other sources such as a CD or LP player.\u003cbr\u003e\u003cbr\u003eMultiMix 8 USB FX includes an internal effects processor to quickly and easily add new colors to your mix. Reverb, Delay or Phaser can be dialed up simply by adjusting the pre or post fader knobs located within each channel strip. MultiMix 8 USB FX also contains Aux Out and stereo Returns, as well as, Insert jacks on channels one and two to allow for audio to be processed by external effects engines. MultiMix 8 USB FX gives you an impressive amount of routing options in such a compact size.\u003cbr\u003e\u003cbr\u003eLike the other mixers in Alesis’ MultiMix USB series, including the MultiMix 4 USB and MultiMix 6 USB, the MultiMix 8 USB FX contains a complete USB recording interface. Musicians and engineers can plug the MultiMix 8 USB FX’s class-compliant USB connection into their Mac or PC without installing any software drivers and enjoy a digital-direct stereo connection with virtually any audio software application. The MultiMix 8 USB FX enables bidirectional stereo signal, so musicians can record the stereo Main output into their computer and listen back using the mixer as an interface from software to headphones and monitoring loudspeakers. A number of key design improvements are included on the MultiMix 8 USB FX. Enlarged knob-to-knob spacing improves ergonomics and in-use efficiency. The newly designed mixer introduces a sleek new appearance for the MultiMix series and incorporates new, removable end caps, which can be helpful for squeezing the MultiMix 8 USB FX into smaller spaces in tightly packed setups. In addition to its improved signal-to-noise ratio specifications, the new mixer consumes 36% less power than its predecessor for reliability and energy efficiency.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eEight-channel mixer with mic, line, and guitar-level inputs\u003c\/li\u003e\n\u003cli\u003e16-bit, 44.1\/48 kHz stereo USB output for easy recording and playback from your computer\u003c\/li\u003e\n\u003cli\u003eXLR inputs with gain trim, switchable high-pass filters, and 48V phantom power\u003c\/li\u003e\n\u003cli\u003eWorks with iPad via Apple USB Adaptor (sold separately).\u003c\/li\u003e\n\u003cli\u003e1\/4-inch line-level inputs for instruments and high-impedance guitar input for direct-connecting guitars\u003c\/li\u003e\n\u003cli\u003ePowerful EQ: three-band with sweepable parametric mids on channels 1 and 2, three-band on 3 and 4, two-band on 5 – 8\u003c\/li\u003e\n\u003cli\u003eBuilt-in DSP effects with footswitch bypass control and Aux buss for external processing\u003c\/li\u003e\n\u003cli\u003eMulticolor LED metering for visual level feedback\u003c\/li\u003e\n\u003cli\u003eMain and headphone outputs with independent level controls\u003c\/li\u003e\n\u003cli\u003eClass compliant, plug-and-play USB for Mac and PC interface without installing drivers\u003c\/li\u003e\n\u003cli\u003eIncludes Cubase LE software\u003c\/li\u003e\n\u003cli\u003eThis product is class compliant; it does not require drivers\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMultiMix 8 USB FX mixer\u003c\/li\u003e\n\u003cli\u003eUSB Cable\u003c\/li\u003e\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\u003cli\u003eSoftware Download Card\u003c\/li\u003e\n\u003cli\u003eQuickstart Guide\u003c\/li\u003e\n\u003cli\u003eSafety and Warranty Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDimensions: (WxDxH) 10.25\" x 10.75\" x 3.25\"\u003c\/li\u003e\n\u003cli\u003eWeight: 4.9 lbs\u003c\/li\u003e\n\u003cli\u003eREQUIREMENTS\u003c\/li\u003e\n\u003cli\u003eComputer not required for mixer operation\u003c\/li\u003e\n\u003cli\u003eMac: OS X 10.4 - 10.9*\u003c\/li\u003e\n\u003cli\u003ePC: Windows XP, Vista, 7, or 8*\u003c\/li\u003e\n\u003cli\u003eUSB Port\u003c\/li\u003e\n\u003cli\u003e*Software requirements for Mac: OS X 10.8 or 10.9\u003c\/li\u003e\n\u003cli\u003e*Software requirements for PC: Windows 7 or 8\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":8940841421,"title":"Alesis MultiMix 4 USB FX","handle":"alesis-multimix-4-usb-fx","description":"\u003cp\u003e\u003cstrong\u003eMultiMix 4 USB FX\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4-Channel Mixer with Effects \u0026amp; USB Audio Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesktop audio, solved.\u003c\/strong\u003e\u003cbr\u003eMultiMix 4 USB FX is a four-channel desktop mixer with a USB digital audio interface that lets you mix live, in the home studio, and record audio directly to a computer. This compact mixer is perfect for using in computer-recording setups, intimate live-sound environments, video-editing and production studios, and portable podcasting setups. It outputs line-level analog audio and stereo 16-bit, 44.1\/48 kHz digital audio over USB for recording low-noise, CD-quality mixes directly to your Mac or PC.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePlug It in\u003c\/strong\u003e\u003cbr\u003eThe MultiMix 4 USB FX mixer has four input channels, all of which can accept a 1\/4\" line input. You can plug XLR microphones into channels one and two, including condensers thanks to the selectable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input. A stereo, 1\/4\" headphone output has its own level control for private monitoring.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGet In The Mix\u003c\/strong\u003e\u003cbr\u003eIdeal for live sound engineering or home recording, MultiMix 4 USB FX features onboard volume, pan, and EQ controls for making quick, accurate adjustments to your mix. The MultiMix 4 USB FX mixer has a two-channel, five-stage, multicolor LED meter for visual monitoring the main output level. Channels one and two offer switchable high-pass filtering at 75Hz to reduce low-frequency rumble, handling, and wind noise. Channels one and two provide high- and low-shelving EQs, independent gain trims, and have independent pan controls. For convenient stereo mixing and recording, channels three and four are configured as a stereo pair at the level and pan controls.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRecord Via USB\u003c\/strong\u003e\u003cbr\u003eMultiMix 4 USB FX contains a complete USB recording interface. Plug the MultiMix 4 USB FX’s class-compliant USB connection into your Mac or PC without the need for software drivers and enjoy a digital-direct stereo connection with virtually any audio software application. The MultiMix 4 USB FX enables bidirectional stereo playback, so you can record the stereo Main output into your computer and listen back using the mixer as an interface from software to headphones and monitoring loudspeakers. Cubase 7 LE comes bundled with MultiMix 4 USB FX and gives you a powerful software environment to record, edit, and bounce down your mixes. Plus, you can record stereo audio directly to your iPad with the Apple iPad Camera Connection Kit (sold separately).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in Effects\u003c\/strong\u003e\u003cbr\u003eMultiMix 4 USB FX comes with high-quality Alesis DSP effects that include spacious reverbs, delays, phasers, and much more. For lush mixes, the internal effects processors enables you to add extra depth to live sound--say, a long delay on the vocalist's channel--or beef up dry recordings with some extra ambiance. Now, you can use professional audio effects with your mixer whether you're out mixing the live gig or at home recording at your desktop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4-channel mixer with stereo (2) 1\/4\" inputs and stereo (2) 1\/4\" outputs\u003c\/li\u003e\n\u003cli\u003e16-bit, 44.1\/48 kHz signal stereo in \/ stereo out via USB for easy recording and playback\u003c\/li\u003e\n\u003cli\u003e(2) XLR inputs with gain trim, switchable high-pass filters, and 48V phantom power\u003c\/li\u003e\n\u003cli\u003e(4) 1\/4\" line-level inputs for instruments and high-impedance guitar input\u003c\/li\u003e\n\u003cli\u003eRecord directly to your iPad via the Apple iPad Camera Connection Kit (sold separately)\u003c\/li\u003e\n\u003cli\u003eDual-band EQ on XLR inputs for accurate tone control\u003c\/li\u003e\n\u003cli\u003e15 DSP effects with footswitch bypass control and aux bus for external processing\u003c\/li\u003e\n\u003cli\u003eMulticolor LED metering for real-time, visual level feedback\u003c\/li\u003e\n\u003cli\u003eHeadphone output with independent level control for additional monitoring and mixing\u003c\/li\u003e\n\u003cli\u003eClass-compliant USB for plug-and-play support on both Mac and PC\u003c\/li\u003e\n\u003cli\u003eIncludes Cubase® 7 LE for out-of-the-box music creation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMultiMix 4 USB FX Mixer\u003c\/li\u003e\n\u003cli\u003eUSB Cable\u003c\/li\u003e\n\u003cli\u003ePower Adapter\u003c\/li\u003e\n\u003cli\u003eSoftware Download Card\u003c\/li\u003e\n\u003cli\u003eUser Guide\u003c\/li\u003e\n\u003cli\u003eSafety and Warranty Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eInputs:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLine (CH 1, 2): 10 KΩ input impedance 5.5 mV ~ 4.9 V RMS sensitivity for max output\u003cbr\u003eMic (CH 1, 2): 600 Ω input impedance balanced 700 mV RMS sensitivity for max output\u003cbr\u003eLine (CH 3, 4): 700 mV RMS sensitivity for max output\u003cbr\u003eHPF (CH 1, 2): 200 Hz (-1 dB), 80 Hz (-3 dB), 20 Hz (-24 dB)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutputs:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLine: 7 V RMS max\u003cbr\u003eHeadphone: 0.5 W into 47 Ω\u003cbr\u003e\u003cbr\u003eSignal-to-Noise Ratio:\u003cbr\u003e\u003cbr\u003eLine: \u0026gt; 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USB Audio Interface\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDesktop audio, solved.\u003c\/strong\u003e\u003cbr\u003eMultiMix 4 USB FX is a four-channel desktop mixer with a USB digital audio interface that lets you mix live, in the home studio, and record audio directly to a computer. This compact mixer is perfect for using in computer-recording setups, intimate live-sound environments, video-editing and production studios, and portable podcasting setups. It outputs line-level analog audio and stereo 16-bit, 44.1\/48 kHz digital audio over USB for recording low-noise, CD-quality mixes directly to your Mac or PC.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003ePlug It in\u003c\/strong\u003e\u003cbr\u003eThe MultiMix 4 USB FX mixer has four input channels, all of which can accept a 1\/4\" line input. You can plug XLR microphones into channels one and two, including condensers thanks to the selectable 48V-phantom power supply. You can also plug a guitar or bass directly into channel one's switchable high-impedance input. A stereo, 1\/4\" headphone output has its own level control for private monitoring.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eGet In The Mix\u003c\/strong\u003e\u003cbr\u003eIdeal for live sound engineering or home recording, MultiMix 4 USB FX features onboard volume, pan, and EQ controls for making quick, accurate adjustments to your mix. The MultiMix 4 USB FX mixer has a two-channel, five-stage, multicolor LED meter for visual monitoring the main output level. Channels one and two offer switchable high-pass filtering at 75Hz to reduce low-frequency rumble, handling, and wind noise. Channels one and two provide high- and low-shelving EQs, independent gain trims, and have independent pan controls. For convenient stereo mixing and recording, channels three and four are configured as a stereo pair at the level and pan controls.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRecord Via USB\u003c\/strong\u003e\u003cbr\u003eMultiMix 4 USB FX contains a complete USB recording interface. Plug the MultiMix 4 USB FX’s class-compliant USB connection into your Mac or PC without the need for software drivers and enjoy a digital-direct stereo connection with virtually any audio software application. The MultiMix 4 USB FX enables bidirectional stereo playback, so you can record the stereo Main output into your computer and listen back using the mixer as an interface from software to headphones and monitoring loudspeakers. Cubase 7 LE comes bundled with MultiMix 4 USB FX and gives you a powerful software environment to record, edit, and bounce down your mixes. Plus, you can record stereo audio directly to your iPad with the Apple iPad Camera Connection Kit (sold separately).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBuilt-in Effects\u003c\/strong\u003e\u003cbr\u003eMultiMix 4 USB FX comes with high-quality Alesis DSP effects that include spacious reverbs, delays, phasers, and much more. For lush mixes, the internal effects processors enables you to add extra depth to live sound--say, a long delay on the vocalist's channel--or beef up dry recordings with some extra ambiance. Now, you can use professional audio effects with your mixer whether you're out mixing the live gig or at home recording at your desktop.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e FEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4-channel mixer with stereo (2) 1\/4\" inputs and stereo (2) 1\/4\" outputs\u003c\/li\u003e\n\u003cli\u003e16-bit, 44.1\/48 kHz signal stereo in \/ stereo out via USB for easy recording and playback\u003c\/li\u003e\n\u003cli\u003e(2) XLR inputs with gain trim, switchable high-pass filters, and 48V phantom power\u003c\/li\u003e\n\u003cli\u003e(4) 1\/4\" line-level inputs for instruments and high-impedance guitar input\u003c\/li\u003e\n\u003cli\u003eRecord directly to your iPad via the Apple iPad Camera Connection Kit (sold separately)\u003c\/li\u003e\n\u003cli\u003eDual-band EQ on XLR inputs for accurate tone control\u003c\/li\u003e\n\u003cli\u003e15 DSP effects with footswitch bypass control and aux bus for external processing\u003c\/li\u003e\n\u003cli\u003eMulticolor LED metering for real-time, visual level feedback\u003c\/li\u003e\n\u003cli\u003eHeadphone output with independent level control for additional monitoring and mixing\u003c\/li\u003e\n\u003cli\u003eClass-compliant USB for plug-and-play support on both Mac and PC\u003c\/li\u003e\n\u003cli\u003eIncludes Cubase® 7 LE for out-of-the-box music creation\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eCONTENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMultiMix 4 USB FX Mixer\u003c\/li\u003e\n\u003cli\u003eUSB Cable\u003c\/li\u003e\n\u003cli\u003ePower Adapter\u003c\/li\u003e\n\u003cli\u003eSoftware Download Card\u003c\/li\u003e\n\u003cli\u003eUser Guide\u003c\/li\u003e\n\u003cli\u003eSafety and Warranty Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eSPECS\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eInputs:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLine (CH 1, 2): 10 KΩ input impedance 5.5 mV ~ 4.9 V RMS sensitivity for max output\u003cbr\u003eMic (CH 1, 2): 600 Ω input impedance balanced 700 mV RMS sensitivity for max output\u003cbr\u003eLine (CH 3, 4): 700 mV RMS sensitivity for max output\u003cbr\u003eHPF (CH 1, 2): 200 Hz (-1 dB), 80 Hz (-3 dB), 20 Hz (-24 dB)\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eOutputs:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLine: 7 V RMS max\u003cbr\u003eHeadphone: 0.5 W into 47 Ω\u003cbr\u003e\u003cbr\u003eSignal-to-Noise Ratio:\u003cbr\u003e\u003cbr\u003eLine: \u0026gt; 92 dB\u003cbr\u003e(max output; JIS A-weighted) Mic: \u0026gt; 62 dB\u003cbr\u003e\u003cbr\u003eDistortion: \u0026lt;0.02%\u003cbr\u003eFrequency Response: Line: 20 Hz – 20 kHz (± 0.5 dB), Mic: 20 Hz – 15 kHz (± 0.5 dB)\u003cbr\u003eChannel Equalizer: Bass: ± 14 dB @ 80 Hz, Treble: ± 14 dB @ 12 kHz\u003cbr\u003eChannel Fader Kill: \u0026gt; 90 dB @ 1 kHz\u003cbr\u003eCrosstalk: \u0026gt; 85 dB @ 1 kHz\u003cbr\u003eInterface: USB 1.1 or higher (stereo in and stereo out)\u003cbr\u003ePower Adapter: 18 VDC, 800 mA\u003cbr\u003eWeight: 1.5lb\u003cbr\u003eDimensions: 7 3\/4 L x 6 W x 2\" H\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cstrong\u003eREQUIREMENTS\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eComputer not required for mixer operation\u003c\/li\u003e\n\u003cli\u003eMac: OS X 10.7 - 10.11\u003c\/li\u003e\n\u003cli\u003ePC: Windows 10, Windows 8, Windows 7\u003c\/li\u003e\n\u003cli\u003eUSB port\u003c\/li\u003e\n\u003c\/ul\u003e"}

{"id":8940900109,"title":"Alesis MultiMix 10 Wireless","handle":"alesis-44","description":"\u003cp\u003eMULTIMIX 10 WIRELESS\u003cbr\u003e10-Channel Rackmount Mixer with Bluetooth Wireless\u003c\/p\u003e\n\u003cp\u003eConvenient connections—plus a stereo Bluetooth channel—add true versatility.\u003cbr\u003e\u003cbr\u003eThe Alesis MultiMix 10 Wireless is redefining the rackmount mixer category. Compact and complete, the MultiMix 10 Wireless delivers ten-channel mixing in a neat 3U package that is perfect for smaller clubs and venues, houses of worship, as well as mobile\/traveling systems. The MultiMix 10 Wireless benefits from an array of easily accessible front panel jacks that enhance the versatility and usefulness of this generously equipped mixer. Topping off the feature list is a channel dedicated to receiving the stereo playback from any Bluetooth device. The MultiMix 10 Wireless is a new breed of rackmount mixer.\u003cbr\u003e\u003cbr\u003eAll Are Welcome\u003cbr\u003e\u003cbr\u003eThe MultiMix 10 Wireless provides a wealth of inputs to accommodate nearly any audio input. Channels 1-4 are ideal for vocals or acoustically mic’ed instruments, direct boxes, and more. Each provides an XLR mic input with available phantom power; a balanced 1\/4\" TRS line input, plus a TRS 1\/4\" insert jack for incorporating additional effects or working with a second mixer. Channels 5-8 have been set as stereo pairs, offering 1\/4\" left and right inputs. These channels are ideal for stereo sources such as a keyboard, electronic drum set, drum machine, external mixer, etc. Channels 7-8 also provide left and right RCA inputs.\u003cbr\u003e\u003cbr\u003eWireless Wonder\u003cbr\u003e\u003cbr\u003eStream a stereo audio signal from any Bluetooth device to Channels 9-10 of the MultiMix 10 Wireless. Single-button pairing keeps it simple. Now you can easily play music between sets, stream audio from a computer during a multimedia presentation, or even play a track from a patron’s smartphone for satisfying that “special request.” The articulating Bluetooth antenna delivers optimum reception.\u003cbr\u003e\u003cbr\u003eJack Attack\u003cbr\u003e\u003cbr\u003eAn additional set of front panel jacks go above and beyond what most rack mixers offer to set your new MultiMix 10 Wireless mixer apart form the crowd in both convenience and functionality. No more snaking cables from front to back; no more reaching around and guessing; no more un-mounting the mixer to get at the jacks you need. To begin with, Channels 1 and 2 are equipped with XLR+1\/4\" combo inputs that override the rear jacks. Simply plug in a mic for making house announcements, adding a new source, patching in a sampler, or whatever you need. The stereo 1\/8\" external input allows instant access to the dedicated Bluetooth channel, providing a quick way to add in any stereo, handheld, or mobile device. Finally, the stereo 1\/8\" front panel output provides the master output signal—taken before the master fader—to deliver an efficient way to capture and record a live mix.\u003cbr\u003e\u003cbr\u003eMaximum Mixing\u003cbr\u003e\u003cbr\u003eUsing the MultiMix 10 Wireless is easy and intuitive. Each single and stereo-paired channel offers a trim knob, peak LED, and a smooth-travelling 60mm fader for attaining the best signal level. In addition, there is a two-band EQ and pan for shaping the sound and creating a great mix. There are two aux send knobs per channel for creating a separate monitor mix, using an external global effect, etc. Aux 1 is set to pre-fader and Aux 2 is post-fader for maximum versatility.\u003cbr\u003e\u003cbr\u003eDual multi-segment LED meters and a Master output fader allow you to easily monitor and control your levels. Left and right main outputs are equipped with balanced 1\/4\" TRS jacks—ideal for extended cable runs. The left and right monitor outs provide unbalanced 1\/4\" jacks. There is a separate headphone output on the front panel, with a dedicated volume control.\u003cbr\u003e\u003cbr\u003eBluetooth is a registered trademark of Bluetooth SIG.\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConvenient front panel jacks add versatility\u003c\/li\u003e\n\u003cli\u003eSpace-saving 3U rackmount design is perfect for venues and mobile rigs\u003c\/li\u003e\n\u003cli\u003eBluetooth streaming with simple single-button pairing\u003c\/li\u003e\n\u003cli\u003eArticulating Bluetooth antenna for optimum reception\u003c\/li\u003e\n\u003cli\u003e4 high-gain mic\/line preamps with inserts\u003c\/li\u003e\n\u003cli\u003e2-band high and low shelving EQ on every channel \u003c\/li\u003e\n\u003cli\u003ePre-fader and post-fader aux sends; stereo aux return\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCONTENTS\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMultiMix 10 Wireless\u003c\/li\u003e\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\u003cli\u003eQuickstart Guide\u003c\/li\u003e\n\u003cli\u003eSafety \u0026amp; Warranty Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSPECS\u003cbr\u003eInputs:\u003cbr\u003e\u003cbr\u003eChannels 1-4 (mono):\u003cbr\u003e\u003cbr\u003eMic: XLR with switchable phantom power\u003cbr\u003eLine: 1\/4\" Mono\u003cbr\u003eInsert: 1\/4\" TRS\u003cbr\u003eFront: XLR+1\/4\" combo jacks\u003cbr\u003e(Channels 1 and 2 only—overrides rear jacks)\u003cbr\u003e\u003cbr\u003eChannels 5-6 (stereo pair):\u003cbr\u003e\u003cbr\u003eLine: 1\/4\" Left, Right\u003cbr\u003e\u003cbr\u003eChannels 7-8 (stereo pair):\u003cbr\u003e\u003cbr\u003eLine: 1\/4\" Left, Right\u003cbr\u003eRCA: Left, Right\u003cbr\u003e\u003cbr\u003eChannels 9-10 (stereo pair):\u003cbr\u003e\u003cbr\u003eBluetooth: Stereo Streaming In\u003cbr\u003eExt: 1\/8\" Stereo (front panel)\u003cbr\u003eAux Return: 1\/4\" TRS Balanced Left, Right\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOutputs:\u003cbr\u003e\u003cbr\u003eMain: 1\/4\" TRS Balanced Left, Right\u003cbr\u003eMonitor: 1\/4\" Left, Right\u003cbr\u003eAux Send 1: 1\/4\"\u003cbr\u003eAux Send 2: 1\/4\"\u003cbr\u003eHeadphones: Stereo 1\/4\"\u003cbr\u003eExt: 1\/8\" Stereo (front panel)\u003cbr\u003e\u003cbr\u003eDesign:\u003cbr\u003e\u003cbr\u003e3U Rackmount chassis\u003cbr\u003eDetachable power cable\u003cbr\u003e\u003cbr\u003eDimensions:\u003cbr\u003e\u003cbr\u003eHeight: 5.25\"\u003cbr\u003eDepth: 6.25\"\u003cbr\u003eWidth: 19\"\u003cbr\u003eWeight: 8.9lbs\u003c\/p\u003e","published_at":"2017-06-19T00:02:35+02:00","created_at":"2017-01-29T18:48:37+02:00","vendor":"Alesis","type":"Mixers","tags":["Analog Mixers","Channels_10","Live Sound \u0026 Lighting","Live Sound Mixers","Price Range_$200 to $300","Shop by brand_Alesis","Shop by category_Analog Mixers","Shop by category_Live Sound Mixers"],"price":29900,"price_min":29900,"price_max":29900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":30971611149,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"MM10WX220","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alesis MultiMix 10 Wireless","public_title":null,"options":["Default Title"],"price":29900,"weight":6340,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/5BLXUC_5D_MULTIMIX10_Wireless_ortho_web_lg.png?v=1485708777","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/5BLXUC_5D_MultiMix_10Wireless_rear_web_lg.png?v=1485708777","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/multimix10_wireless.jpg?v=1485708777"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/5BLXUC_5D_MULTIMIX10_Wireless_ortho_web_lg.png?v=1485708777","options":["Title"],"content":"\u003cp\u003eMULTIMIX 10 WIRELESS\u003cbr\u003e10-Channel Rackmount Mixer with Bluetooth Wireless\u003c\/p\u003e\n\u003cp\u003eConvenient connections—plus a stereo Bluetooth channel—add true versatility.\u003cbr\u003e\u003cbr\u003eThe Alesis MultiMix 10 Wireless is redefining the rackmount mixer category. Compact and complete, the MultiMix 10 Wireless delivers ten-channel mixing in a neat 3U package that is perfect for smaller clubs and venues, houses of worship, as well as mobile\/traveling systems. The MultiMix 10 Wireless benefits from an array of easily accessible front panel jacks that enhance the versatility and usefulness of this generously equipped mixer. Topping off the feature list is a channel dedicated to receiving the stereo playback from any Bluetooth device. The MultiMix 10 Wireless is a new breed of rackmount mixer.\u003cbr\u003e\u003cbr\u003eAll Are Welcome\u003cbr\u003e\u003cbr\u003eThe MultiMix 10 Wireless provides a wealth of inputs to accommodate nearly any audio input. Channels 1-4 are ideal for vocals or acoustically mic’ed instruments, direct boxes, and more. Each provides an XLR mic input with available phantom power; a balanced 1\/4\" TRS line input, plus a TRS 1\/4\" insert jack for incorporating additional effects or working with a second mixer. Channels 5-8 have been set as stereo pairs, offering 1\/4\" left and right inputs. These channels are ideal for stereo sources such as a keyboard, electronic drum set, drum machine, external mixer, etc. Channels 7-8 also provide left and right RCA inputs.\u003cbr\u003e\u003cbr\u003eWireless Wonder\u003cbr\u003e\u003cbr\u003eStream a stereo audio signal from any Bluetooth device to Channels 9-10 of the MultiMix 10 Wireless. Single-button pairing keeps it simple. Now you can easily play music between sets, stream audio from a computer during a multimedia presentation, or even play a track from a patron’s smartphone for satisfying that “special request.” The articulating Bluetooth antenna delivers optimum reception.\u003cbr\u003e\u003cbr\u003eJack Attack\u003cbr\u003e\u003cbr\u003eAn additional set of front panel jacks go above and beyond what most rack mixers offer to set your new MultiMix 10 Wireless mixer apart form the crowd in both convenience and functionality. No more snaking cables from front to back; no more reaching around and guessing; no more un-mounting the mixer to get at the jacks you need. To begin with, Channels 1 and 2 are equipped with XLR+1\/4\" combo inputs that override the rear jacks. Simply plug in a mic for making house announcements, adding a new source, patching in a sampler, or whatever you need. The stereo 1\/8\" external input allows instant access to the dedicated Bluetooth channel, providing a quick way to add in any stereo, handheld, or mobile device. Finally, the stereo 1\/8\" front panel output provides the master output signal—taken before the master fader—to deliver an efficient way to capture and record a live mix.\u003cbr\u003e\u003cbr\u003eMaximum Mixing\u003cbr\u003e\u003cbr\u003eUsing the MultiMix 10 Wireless is easy and intuitive. Each single and stereo-paired channel offers a trim knob, peak LED, and a smooth-travelling 60mm fader for attaining the best signal level. In addition, there is a two-band EQ and pan for shaping the sound and creating a great mix. There are two aux send knobs per channel for creating a separate monitor mix, using an external global effect, etc. Aux 1 is set to pre-fader and Aux 2 is post-fader for maximum versatility.\u003cbr\u003e\u003cbr\u003eDual multi-segment LED meters and a Master output fader allow you to easily monitor and control your levels. Left and right main outputs are equipped with balanced 1\/4\" TRS jacks—ideal for extended cable runs. The left and right monitor outs provide unbalanced 1\/4\" jacks. There is a separate headphone output on the front panel, with a dedicated volume control.\u003cbr\u003e\u003cbr\u003eBluetooth is a registered trademark of Bluetooth SIG.\u003c\/p\u003e\n\u003cp\u003eFEATURES\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eConvenient front panel jacks add versatility\u003c\/li\u003e\n\u003cli\u003eSpace-saving 3U rackmount design is perfect for venues and mobile rigs\u003c\/li\u003e\n\u003cli\u003eBluetooth streaming with simple single-button pairing\u003c\/li\u003e\n\u003cli\u003eArticulating Bluetooth antenna for optimum reception\u003c\/li\u003e\n\u003cli\u003e4 high-gain mic\/line preamps with inserts\u003c\/li\u003e\n\u003cli\u003e2-band high and low shelving EQ on every channel \u003c\/li\u003e\n\u003cli\u003ePre-fader and post-fader aux sends; stereo aux return\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eCONTENTS\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eMultiMix 10 Wireless\u003c\/li\u003e\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\u003cli\u003eQuickstart Guide\u003c\/li\u003e\n\u003cli\u003eSafety \u0026amp; Warranty Manual\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eSPECS\u003cbr\u003eInputs:\u003cbr\u003e\u003cbr\u003eChannels 1-4 (mono):\u003cbr\u003e\u003cbr\u003eMic: XLR with switchable phantom power\u003cbr\u003eLine: 1\/4\" Mono\u003cbr\u003eInsert: 1\/4\" TRS\u003cbr\u003eFront: XLR+1\/4\" combo jacks\u003cbr\u003e(Channels 1 and 2 only—overrides rear jacks)\u003cbr\u003e\u003cbr\u003eChannels 5-6 (stereo pair):\u003cbr\u003e\u003cbr\u003eLine: 1\/4\" Left, Right\u003cbr\u003e\u003cbr\u003eChannels 7-8 (stereo pair):\u003cbr\u003e\u003cbr\u003eLine: 1\/4\" Left, Right\u003cbr\u003eRCA: Left, Right\u003cbr\u003e\u003cbr\u003eChannels 9-10 (stereo pair):\u003cbr\u003e\u003cbr\u003eBluetooth: Stereo Streaming In\u003cbr\u003eExt: 1\/8\" Stereo (front panel)\u003cbr\u003eAux Return: 1\/4\" TRS Balanced Left, Right\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOutputs:\u003cbr\u003e\u003cbr\u003eMain: 1\/4\" TRS Balanced Left, Right\u003cbr\u003eMonitor: 1\/4\" Left, Right\u003cbr\u003eAux Send 1: 1\/4\"\u003cbr\u003eAux Send 2: 1\/4\"\u003cbr\u003eHeadphones: Stereo 1\/4\"\u003cbr\u003eExt: 1\/8\" Stereo (front panel)\u003cbr\u003e\u003cbr\u003eDesign:\u003cbr\u003e\u003cbr\u003e3U Rackmount chassis\u003cbr\u003eDetachable power cable\u003cbr\u003e\u003cbr\u003eDimensions:\u003cbr\u003e\u003cbr\u003eHeight: 5.25\"\u003cbr\u003eDepth: 6.25\"\u003cbr\u003eWidth: 19\"\u003cbr\u003eWeight: 8.9lbs\u003c\/p\u003e"}

{"id":98666315802,"title":"Solid State Logic XL-Desk with Empty 500 Series Slots","handle":"solid-state-logic-xl-desk-with-empty-500-series-slots","description":"\u003cp\u003eThe smart dumb analogue console.\u003cbr\u003e\u003cbr\u003eXL-Desk is a modern twist on the classic analogue studio console. It's designed for tracking or mixing engineers who require an analogue console within a DAW centric studio, but don't want or need the integrated DAW control and analogue level automation other SSL console products have made the new hybrid studio standard.\u003cbr\u003eXL-Desk is in many ways a traditional 24 into 8 analogue console but it packs in an incredible collection of features. It has 20 channel strips: 16 dual input mono (switchable between main input or DAW return) and 4 stereo channels. The first eight channels have VHD mic pre's. There is an 18 slot 500 format rack built in that can be used for processing or mic pre's. XL-Desk ships with a legendary SSL Stereo Bus Compressor module in slots 17 \u0026amp; 18 (hard wired to Mix A). The rack has its own dedicated high spec' power supply. There are four main Mix Busses (A, B, C, D) with buses B, C and D able to be summed into Mix A. The Busses and channels can access the 500 rack and each have a separate insert point for processing. There are two mono aux sends and two stereo return inputs. Direct outputs on every channel, stereo return and mix bus enable convenient stem printing. Each channel has a Cue Stereo Bus section (with Pan and Volume) used to provide one of the headphone mixes while tracking. At mixdown the mono channel DAW return signals can be routed to the CUE ST bus and then summed into Mix A, so there are 16 main faders + 16 Cue ST inputs + 4 Stereo channels providing 40 summing inputs (using the stereo returns and insert Sum functions you can squeeze in over 50 summing inputs). There is also a fully-featured monitoring section with bass management (3 sets of speakers + subwoofer), Foldback A and B with individual talkbacks for headphone mixes and a built in Listen Mic input + classic compressor circuit, with its own direct output.\u003cbr\u003e\u003cbr\u003eKey Features\u003cbr\u003e ✓ 20 + 1 fader, over 40 input SuperAnalogueTM SSL console\u003cbr\u003e ✓ 8-built in Variable Harmonic Drive (VHD) preamps\u003cbr\u003e ✓ 16 dual input mono channels (switchable between main input or DAW return)\u003cbr\u003e ✓ 4 stereo channels (switchable to mono for tracking)\u003cbr\u003e ✓ The legendary Stereo Bus Compressor, with new high-pass filter sidechain\u003cbr\u003e ✓ 18-slot 500 format rack built-in, accessible from channels or mix busses\u003cbr\u003e ✓ In addition to a 500 rack insert each mono channel also has a standard insert point\u003cbr\u003e ✓ 4 stereo Mix Busses with their own insert points and access to the 500 rack\u003cbr\u003e ✓ One stereo and 2 mono aux sends. Two dedicated stereo return inputs\u003cbr\u003e ✓ Direct outputs on every channel, stereo return and mix bus for stem printing\u003cbr\u003e ✓ Fully-featured monitoring section with bass management\u003cbr\u003e ✓ Foldback A and B with individual talkbacks for headphone mixes\u003cbr\u003e ✓ Built in Listen Mic input + classic compressor circuit, with its own direct output\u003cbr\u003e ✓ AFL and Solo-In-Place solo modes, with Solo Clear and Solo Safe (Protect) modes\u003cbr\u003e ✓ Balanced D-Sub rear panel inputs\/outputs \u0026amp; Front panel headphones \u0026amp; iJack sockets\u003cbr\u003e ✓ High quality internal PSU\u003c\/p\u003e\n\u003cp\u003eVHD Pre's\u003cbr\u003eXL-Desk features 8 of SSL's patented Variable Harmonic Drive (VHD) microphone preamps, built-in to the first 8 channels of the console. The VHD pre can deliver clean SSL grade recordings but also features the VHD circuit used in our acclaimed Duality console* which can be switched into the signal path. The Variable Harmonic Drive circuit uses a 100% analogue signal path to generate rich harmonic distortion. As you increase the input gain, the Variable Harmonic Drive circuit introduces either 2nd or 3rd harmonic distortion or a blend of the two to your source material. At lower gain settings it adds gentle valve-style warmth or a touch of transistor edge. As the gain is increased the more extreme the distortion becomes until at high gain settings it delivers fierce trashy transistoresque grunge. VHD pre's give the user the ultimate versatility from a studio grade preamp. Whether it's ultra-clean traditional SSL, subtle warming or totally trashy transistor distortion, VHD will change your expectations of what a preamplifier should deliver.\u003cbr\u003eKey Features\u003cbr\u003e\u003cbr\u003e ✓ 8 channels of high-quality, SSL microphone preamps with 75 dB of gain\u003cbr\u003e ✓ Switched VHD circuit - introduces either 2nd or 3rd harmonic distortion or a blend of the two for enormous tonal versatility\u003cbr\u003e ✓ 48V phantom power\u003cbr\u003e ✓ 20dB Pad on input for line level signals\u003cbr\u003e ✓ Hi Z switch toggles impedance between 1.6K and 10K for different microphones\u003cbr\u003e ✓ \u003cbr\u003e ✓ *Note: Duality has two different channel inputs; the SuperAnalogueTM mic pre (as also featured in the AWS and X-Rack Mic Amp Module) and a VHD input. XL-Desk uses the VHD input circuit not the SuperAnalogue mic pre.\u003c\/p\u003e\n\u003cp\u003eChannel Strips\u003cbr\u003e\u003cbr\u003eClassic SSL channel versatility\u003cbr\u003e\u003cbr\u003eXL-Desk may be compact but it features all of the classic SSL channel strip features which make our consoles so versatile and accommodate such a wide range of production requirements. XL-Desk has 20 channel strips. The first 16 channel strips are dual input mono, meaning they can be switched between a main input and a DAW return whilst tracking. The Remaining four strips are stereo channels. Channels 1-8 have VHD mic pre's. Channels 9-16 are line level but can use the 500 rack for mic inputs if desired. Each mono channel can access a corresponding 500 format module and also has a separate traditional Insert point. The four stereo channels cannot access the 500 rack and do not have Insert points. All of the channels have an additional Direct Output to facilitate printing processed material to your DAW and this can be switched between pre-\/post fader. Each channel has a +\/-20dB Trim control which can be used in a couple of ways: for VHD channels in can be used to control the output level from the VHD into the channel when using heavy distortion, when used with a 500 rack module it can be used to drive the level into the inserted module. There is a phase invert switch. Beside the Trim control is a tri-colour signal indicator LED. The metering on XL Desk can be switched between +24dBu and +18dBu Scale to give the following LED settings.\u003cbr\u003e\u003cbr\u003eLED\u003cbr\u003e+24dB Scale\u003cbr\u003e+18dB Scale\u003cbr\u003eGreen\u003cbr\u003e-24dBu\u003cbr\u003e-24dBu\u003cbr\u003eYellow\u003cbr\u003e+4 dBu\u003cbr\u003e0 dBu\u003cbr\u003eRed\u003cbr\u003e+21 dBu\u003cbr\u003e+16 dBu\u003cbr\u003e\u003cbr\u003eEach channel has a CUE Stereo section with Level and Pan Controls and a pre\/post fader switch. When tracking this would typically be used to feed one of the headphone busses. The mono channels have an ALT button which switches the CUE ST section to sourcing its signal from an additional rear panel ALT input, which is then summed into Mix A. This ALT input means we have 32 inputs to the mono channel strips for Mixdown. There are two Mono Aux Sends (globally switchable pre and post fader) and two Stereo Returns (the Returns also have Direct Outputs for DAW printing). Each channel has a Pan\/Balance Control and buttons for routing to the four Mix Busses. Completing the channels are 100mm faders which give hands on, precise level control.\u003cbr\u003e\u003cbr\u003eChannel Features\u003cbr\u003e\u003cbr\u003e ✓ 16 dual-input mono line inputs channels with 100mm faders\u003cbr\u003e ✓ 4 stereo line-input channels with 100mm stereo faders\u003cbr\u003e ✓ Tri-colour signal level indication LED on every channel\u003cbr\u003e ✓ Phase invert switch\u003cbr\u003e ✓ Direct Channel Output switchable between pre and post fader on each channel\u003cbr\u003e ✓ '500' button can insert associated 500 slot into the channel\u003cbr\u003e ✓ Regular Insert Point (send always active) - 'INS' button\u003cbr\u003e ✓ CUE Stereo section, switchable between pre and post fader on each channel\u003cbr\u003e ✓ 'ALT' button sources second channel input to the Stereo Cue Bus, providing 16 extra summing inputs on mixdown\u003cbr\u003e ✓ Aux 1 and Aux 2 globally switchable pre and post fader\u003cbr\u003e ✓ Pan\/Balance Control\u003cbr\u003e ✓ Mix Bus A, B, C, D routing buttons\u003cbr\u003e ✓ SOLO and CUT buttons. Solo system can work in solo-in-place (SIP)\u003c\/p\u003e\n\u003cp\u003e500 Format Slots\u003cbr\u003e\u003cbr\u003eA 500 format rack, built into your SSL console\u003cbr\u003e\u003cbr\u003eFor many of our users combining different tonal characteristics from a range of analogue equipment by a selection of manufacturers is an integral part of their sound. The popular modular '500 format' facilitates the use of a wide range of analogue processing modules from different manufacturers. So, built into the penthouse of XL-Desk is an 18-slot 500 format rack. This rack can be loaded with any combination of SSL or third-party 500 format modules, as desired by the user. The in-built 500 rack offers the user the opportunity to add their own favourite sonic flavours to their SSL console, whilst keeping it all within arm's reach. The XL-Desk rack has its own dedicated power supply, separate to the power supply for the rest of the console. Unlike many stand-alone 500 format racks the XL Desk rack has a very highly specified power supply which should deliver sufficient power to accommodate your selection of modules. SSL cannot guarantee compatibility but has tested this rack with over thirty different modules.\u003cbr\u003e\u003cbr\u003eEach of the mono channels of the XL-Desk (1-16) has access to its own corresponding slot in the rack and the channel strips access them via a '500' Insert button. The four Stereo channels cannot access the 500 rack. Slots 17-18 are hard wired to Mix A to accommodate a stereo mix bus compressor and XL-Desk ships with these slots pre-loaded with 500 format module version of the legendary SSL G Series Bus Compressor. The console will ship with a new version of this module which features a sidechain HPF. The four Mix Busses can also access rack slots 9-16 (in stereo pairs) although the Mix Busses and mono channels 9-16 cannot use the rack slots simultaneously. The inputs and outputs of module slots 1-16 are accessible via standard DB25 connectors on the rear panel. This does mean that the modules are not hard wired into the mono channel strips 500 Insert send\/return, but the console does ship with a set of external DB25 jumper cables to facilitate this approach if required. The advantage of our opting not to hard wire the rack into the channel signal flow is of course that if desired (and we do recommend this), the rack can be connected to a patchbay for ultimate flexibility and creating chains of patching between 500 modules. Furthermore, this means that the 500 rack can be used 'standalone'. The 500 rack can also accommodate stereo modules that comply with the pin 6 link specification - the switch to assign an odd\/even pair of slots to stereo operation is internal so must be set before the module is fitted.\u003cbr\u003eKey Features\u003cbr\u003e\u003cbr\u003e ✓ 18-Slot 500 format rack in a 16+2 configuration\u003cbr\u003e ✓ Slots 17-18 pre-loaded with the SSL Bus Compressor (featuring sidechain HPF)\u003cbr\u003e ✓ Stereo-link switch available for odd\/even pairs (for modules that comply with the pin 6 link specification)\u003cbr\u003e ✓ +\/- 16.5V DC\u003cbr\u003e ✓ +48V DC\u003cbr\u003e ✓ High quality internal PSU, with over specified power supply\u003c\/p\u003e\n\u003cp\u003eMix Busses\u003cbr\u003e\u003cbr\u003eThe magic of an SSL console x 4\u003cbr\u003e\u003cbr\u003eDesigned by the team behind Duality and AWS, XL-Desk delivers the kind of stunning audio quality only associated with SuperAnalogueTM SSL consoles. XL-Desk provides the sought after separation, clarity and punch behind thousands of hit records made on SSL consoles. Everyone agrees that the sonic magic of an SSL console happens at the Mix Bus but one bus is not always enough! Many high-profile mixers use multiple mix busses to create parallels or sub-groups of instruments, helping them to compress and manipulate sounds in unique ways. These 'tricks of the trade' are some of the most effective to help take a mix from 'good' to 'great'.\u003cbr\u003eXL-Desk provides no less than 4 mix busses - A, B, C and D. Mix A is the master bus, from which the final stereo mix is derived. This has its own 100mm fader. Mixes B, C and D each have their own level control and crucially, the ability to sum into Mix A. All 4 Mix Busses have Direct Outputs for DAW printing, separate standard stereo Insert points and have the ability to access slots 9-16 of the in-built 500 format rack.\u003cbr\u003e\u003cbr\u003eKey Features\u003cbr\u003e\u003cbr\u003e ✓ 4 stereo mix busses (A, B, C and D)\u003cbr\u003e ✓ Mix A has 100mm fader, stereo insert point, access to the G-Comp bus compressor and access to 500 rack slots 9-10\u003cbr\u003e ✓ Mix B, C and D - Can be routed to Mix A, with independent level controls, stereo insert points, access to 500 rack slots 11-16.\u003c\/p\u003e\n\u003cp\u003eMonitoring\u003cbr\u003e\u003cbr\u003eComprehensive monitoring and communication\u003cbr\u003e\u003cbr\u003eThe monitoring system of any professional music environment is one of the most important parts. XL-Desk offers a pristine, SuperAnalogueTM monitoring section, packed with useful features. There are three sets of stereo monitor connections (Main, Mini 1 and Mini 2) plus a sub connection. These are controlled by a front panel button matrix with individual Level controls. The sub connection has bass management: When the SUB is engaged, the bass management sums left and right signals through a 3rd order low-pass (high cut) filter at 80Hz and sends the sum out of the Sub monitor output. Also, 2nd order high-pass (low cut) filters are inserted into the selected left and right monitor outputs. The bass management on XL-Desk is intelligent. It will remember if the SUB button is on or off for each speaker set. The Monitor Source can be selected from; Mix A, a separate External rear panel input or the front panel iJack input and a Mono button folds down these monitor sources to mono if desired. A Monitor SUM button allows any combination of these to be summed and monitored. There is a large Monitor Level control and an associated DIM button (with DIM Level control), CUT button and an AFL Level control.\u003cbr\u003e\u003cbr\u003eHaving clear and easy communication between the performer and the engineer\/producer is crucial to the smooth creative flow of a recording session. XL Desk has two Foldbacks with individual Level controls and Talkback. Foldback A is fed by the CUE Stereo and Foldback B is fed by Aux 1. MON buttons below each Foldback's level control override the default Foldback source (Stereo Cue or Aux 1) and replace it with whatever is selected as the main monitor source. This is really useful for quickly playing back the studio control room mix to the performer(s) in the live room. There is an in built talkback microphone with a Talk button and Level control. A set of DIP switches on the rear panel allow the TALK button to be configured as latching or momentary. Also, Talkback can be set to either SUM with or REPLACE the existing signal. A Listen button allows the engineer to monitor a live room listen mic if one is connected and this too has a Level control. XL-Desk also includes the classic SSL Listen Mic Compressor. This is an aggressive compressor ideal for ensuring a very strong signal from the live room listen mic but can also be used as a process effect to create the classic heavily compressed 80's drum sound which was created using this circuit. The XL-Desk Listen Mic Compressor has no controls, it is simply always on and it has a dedicated external output to facilitate its use as a process effect.\u003cbr\u003e\u003cbr\u003eKey Features\u003cbr\u003e\u003cbr\u003e ✓ 3-way speaker selector - Connect 3 sets of speakers up to XL-Desk\u003cbr\u003e ✓ Bass Management with filtering - Connect a subwoofer to extend your low-end monitoring.\u003cbr\u003e ✓ Intelligent bass management automatically switches in or out with each speaker set.\u003cbr\u003e ✓ Large blue monitor level pot with variable DIM and CUT\u003cbr\u003e ✓ Rear panel external input and front panel iJack input to Monitor section\u003cbr\u003e ✓ Monitor bus Mono foldown and monitor source sum\u003cbr\u003e ✓ Front panel headphone jack\u003cbr\u003e ✓ 2 solo modes for channels - Solo-in-place (SIP) or After-fader-listen (AFL)\u003cbr\u003e ✓ 2 Foldbacks - individual talkback to two separate headphone mixes\u003cbr\u003e ✓ High-quality in-built talkback microphone mounted into the console's front surface.\u003cbr\u003e ✓ Listen Mic input and compressor circuit - allows a dedicated 'listen' microphone to be set up in the live room, so that the engineer can easily hear what the performers between takes. In addition, a discrete Listen Mic output is available for recording 'that' legendary heavily compressed sound!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2017-09-13T16:39:17+02:00","created_at":"2017-09-13T16:46:17+02:00","vendor":"Solid State Logic","type":"Analog Mixers","tags":["Analog Mixers","Channels_8","Live Sound \u0026 Lighting","Live Sound Mixers","Price Range_$3000 and Over","Shop by brand_Solid State Logic","Shop by category_Analog Mixers","Shop by category_Live Sound Mixers","Solid State Logic"],"price":1820000,"price_min":1820000,"price_max":2904860,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":1229491077146,"title":"Unloaded","option1":"Unloaded","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Solid State Logic XL-Desk with Empty 500 Series Slots - Unloaded","public_title":"Unloaded","options":["Unloaded"],"price":1820000,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"729732X1"},{"id":1230242775066,"title":"loaded with 16x EQ modules","option1":"loaded with 16x EQ modules","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Solid State Logic XL-Desk with Empty 500 Series Slots - loaded with 16x EQ modules","public_title":"loaded with 16x EQ modules","options":["loaded with 16x EQ modules"],"price":2904860,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"729732X2"},{"id":1230242807834,"title":"loaded with 8x EQ modules","option1":"loaded with 8x EQ modules","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Solid State Logic XL-Desk with Empty 500 Series Slots - loaded with 8x EQ modules","public_title":"loaded with 8x EQ modules","options":["loaded with 8x EQ modules"],"price":2447060,"weight":0,"compare_at_price":null,"inventory_quantity":1,"inventory_management":null,"inventory_policy":"deny","barcode":"729732X3"}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk-front-high-dark_6cab352d-012a-4f68-b847-c124968ca056.jpg?v=1528779770","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/Video-logo-black_4_353d59ae-ef21-4d69-841f-23bb62485c9b.png?v=1528779776","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk-blank-panel-left_ff300398-edac-42ae-99ab-02a9d92993b0.jpg?v=1528779770","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk-left_2ba134cc-ef31-4853-83fb-ff1978455dda.jpg?v=1528779770","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk-right_2682928f-ce07-4cbc-bbf4-b2b926e950d3.jpg?v=1528779770","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk-blank-panel-front-low_888deda4-30df-4ed7-9b81-5b5f183115ae.jpg?v=1528779770","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk_overhead_e3210946-7274-4373-a5a0-cb384f915972.jpg?v=1528779770","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk_front_73c3f6e0-0187-4eb8-ade6-63be2b27937e.jpg?v=1528779770","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk_side.jpg?v=1528779770","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk_back_3f7bed3f-8d1b-4884-8655-6cd2ddb2c914.jpg?v=1528779770","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk_angle_9a217702-a97d-4f36-9201-7783d79add67.jpg?v=1528779770"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/SSL-XL-Desk-front-high-dark_6cab352d-012a-4f68-b847-c124968ca056.jpg?v=1528779770","options":["Model"],"content":"\u003cp\u003eThe smart dumb analogue console.\u003cbr\u003e\u003cbr\u003eXL-Desk is a modern twist on the classic analogue studio console. It's designed for tracking or mixing engineers who require an analogue console within a DAW centric studio, but don't want or need the integrated DAW control and analogue level automation other SSL console products have made the new hybrid studio standard.\u003cbr\u003eXL-Desk is in many ways a traditional 24 into 8 analogue console but it packs in an incredible collection of features. It has 20 channel strips: 16 dual input mono (switchable between main input or DAW return) and 4 stereo channels. The first eight channels have VHD mic pre's. There is an 18 slot 500 format rack built in that can be used for processing or mic pre's. XL-Desk ships with a legendary SSL Stereo Bus Compressor module in slots 17 \u0026amp; 18 (hard wired to Mix A). The rack has its own dedicated high spec' power supply. There are four main Mix Busses (A, B, C, D) with buses B, C and D able to be summed into Mix A. The Busses and channels can access the 500 rack and each have a separate insert point for processing. There are two mono aux sends and two stereo return inputs. Direct outputs on every channel, stereo return and mix bus enable convenient stem printing. Each channel has a Cue Stereo Bus section (with Pan and Volume) used to provide one of the headphone mixes while tracking. At mixdown the mono channel DAW return signals can be routed to the CUE ST bus and then summed into Mix A, so there are 16 main faders + 16 Cue ST inputs + 4 Stereo channels providing 40 summing inputs (using the stereo returns and insert Sum functions you can squeeze in over 50 summing inputs). There is also a fully-featured monitoring section with bass management (3 sets of speakers + subwoofer), Foldback A and B with individual talkbacks for headphone mixes and a built in Listen Mic input + classic compressor circuit, with its own direct output.\u003cbr\u003e\u003cbr\u003eKey Features\u003cbr\u003e ✓ 20 + 1 fader, over 40 input SuperAnalogueTM SSL console\u003cbr\u003e ✓ 8-built in Variable Harmonic Drive (VHD) preamps\u003cbr\u003e ✓ 16 dual input mono channels (switchable between main input or DAW return)\u003cbr\u003e ✓ 4 stereo channels (switchable to mono for tracking)\u003cbr\u003e ✓ The legendary Stereo Bus Compressor, with new high-pass filter sidechain\u003cbr\u003e ✓ 18-slot 500 format rack built-in, accessible from channels or mix busses\u003cbr\u003e ✓ In addition to a 500 rack insert each mono channel also has a standard insert point\u003cbr\u003e ✓ 4 stereo Mix Busses with their own insert points and access to the 500 rack\u003cbr\u003e ✓ One stereo and 2 mono aux sends. Two dedicated stereo return inputs\u003cbr\u003e ✓ Direct outputs on every channel, stereo return and mix bus for stem printing\u003cbr\u003e ✓ Fully-featured monitoring section with bass management\u003cbr\u003e ✓ Foldback A and B with individual talkbacks for headphone mixes\u003cbr\u003e ✓ Built in Listen Mic input + classic compressor circuit, with its own direct output\u003cbr\u003e ✓ AFL and Solo-In-Place solo modes, with Solo Clear and Solo Safe (Protect) modes\u003cbr\u003e ✓ Balanced D-Sub rear panel inputs\/outputs \u0026amp; Front panel headphones \u0026amp; iJack sockets\u003cbr\u003e ✓ High quality internal PSU\u003c\/p\u003e\n\u003cp\u003eVHD Pre's\u003cbr\u003eXL-Desk features 8 of SSL's patented Variable Harmonic Drive (VHD) microphone preamps, built-in to the first 8 channels of the console. The VHD pre can deliver clean SSL grade recordings but also features the VHD circuit used in our acclaimed Duality console* which can be switched into the signal path. The Variable Harmonic Drive circuit uses a 100% analogue signal path to generate rich harmonic distortion. As you increase the input gain, the Variable Harmonic Drive circuit introduces either 2nd or 3rd harmonic distortion or a blend of the two to your source material. At lower gain settings it adds gentle valve-style warmth or a touch of transistor edge. As the gain is increased the more extreme the distortion becomes until at high gain settings it delivers fierce trashy transistoresque grunge. VHD pre's give the user the ultimate versatility from a studio grade preamp. Whether it's ultra-clean traditional SSL, subtle warming or totally trashy transistor distortion, VHD will change your expectations of what a preamplifier should deliver.\u003cbr\u003eKey Features\u003cbr\u003e\u003cbr\u003e ✓ 8 channels of high-quality, SSL microphone preamps with 75 dB of gain\u003cbr\u003e ✓ Switched VHD circuit - introduces either 2nd or 3rd harmonic distortion or a blend of the two for enormous tonal versatility\u003cbr\u003e ✓ 48V phantom power\u003cbr\u003e ✓ 20dB Pad on input for line level signals\u003cbr\u003e ✓ Hi Z switch toggles impedance between 1.6K and 10K for different microphones\u003cbr\u003e ✓ \u003cbr\u003e ✓ *Note: Duality has two different channel inputs; the SuperAnalogueTM mic pre (as also featured in the AWS and X-Rack Mic Amp Module) and a VHD input. XL-Desk uses the VHD input circuit not the SuperAnalogue mic pre.\u003c\/p\u003e\n\u003cp\u003eChannel Strips\u003cbr\u003e\u003cbr\u003eClassic SSL channel versatility\u003cbr\u003e\u003cbr\u003eXL-Desk may be compact but it features all of the classic SSL channel strip features which make our consoles so versatile and accommodate such a wide range of production requirements. XL-Desk has 20 channel strips. The first 16 channel strips are dual input mono, meaning they can be switched between a main input and a DAW return whilst tracking. The Remaining four strips are stereo channels. Channels 1-8 have VHD mic pre's. Channels 9-16 are line level but can use the 500 rack for mic inputs if desired. Each mono channel can access a corresponding 500 format module and also has a separate traditional Insert point. The four stereo channels cannot access the 500 rack and do not have Insert points. All of the channels have an additional Direct Output to facilitate printing processed material to your DAW and this can be switched between pre-\/post fader. Each channel has a +\/-20dB Trim control which can be used in a couple of ways: for VHD channels in can be used to control the output level from the VHD into the channel when using heavy distortion, when used with a 500 rack module it can be used to drive the level into the inserted module. There is a phase invert switch. Beside the Trim control is a tri-colour signal indicator LED. The metering on XL Desk can be switched between +24dBu and +18dBu Scale to give the following LED settings.\u003cbr\u003e\u003cbr\u003eLED\u003cbr\u003e+24dB Scale\u003cbr\u003e+18dB Scale\u003cbr\u003eGreen\u003cbr\u003e-24dBu\u003cbr\u003e-24dBu\u003cbr\u003eYellow\u003cbr\u003e+4 dBu\u003cbr\u003e0 dBu\u003cbr\u003eRed\u003cbr\u003e+21 dBu\u003cbr\u003e+16 dBu\u003cbr\u003e\u003cbr\u003eEach channel has a CUE Stereo section with Level and Pan Controls and a pre\/post fader switch. When tracking this would typically be used to feed one of the headphone busses. The mono channels have an ALT button which switches the CUE ST section to sourcing its signal from an additional rear panel ALT input, which is then summed into Mix A. This ALT input means we have 32 inputs to the mono channel strips for Mixdown. There are two Mono Aux Sends (globally switchable pre and post fader) and two Stereo Returns (the Returns also have Direct Outputs for DAW printing). Each channel has a Pan\/Balance Control and buttons for routing to the four Mix Busses. Completing the channels are 100mm faders which give hands on, precise level control.\u003cbr\u003e\u003cbr\u003eChannel Features\u003cbr\u003e\u003cbr\u003e ✓ 16 dual-input mono line inputs channels with 100mm faders\u003cbr\u003e ✓ 4 stereo line-input channels with 100mm stereo faders\u003cbr\u003e ✓ Tri-colour signal level indication LED on every channel\u003cbr\u003e ✓ Phase invert switch\u003cbr\u003e ✓ Direct Channel Output switchable between pre and post fader on each channel\u003cbr\u003e ✓ '500' button can insert associated 500 slot into the channel\u003cbr\u003e ✓ Regular Insert Point (send always active) - 'INS' button\u003cbr\u003e ✓ CUE Stereo section, switchable between pre and post fader on each channel\u003cbr\u003e ✓ 'ALT' button sources second channel input to the Stereo Cue Bus, providing 16 extra summing inputs on mixdown\u003cbr\u003e ✓ Aux 1 and Aux 2 globally switchable pre and post fader\u003cbr\u003e ✓ Pan\/Balance Control\u003cbr\u003e ✓ Mix Bus A, B, C, D routing buttons\u003cbr\u003e ✓ SOLO and CUT buttons. Solo system can work in solo-in-place (SIP)\u003c\/p\u003e\n\u003cp\u003e500 Format Slots\u003cbr\u003e\u003cbr\u003eA 500 format rack, built into your SSL console\u003cbr\u003e\u003cbr\u003eFor many of our users combining different tonal characteristics from a range of analogue equipment by a selection of manufacturers is an integral part of their sound. The popular modular '500 format' facilitates the use of a wide range of analogue processing modules from different manufacturers. So, built into the penthouse of XL-Desk is an 18-slot 500 format rack. This rack can be loaded with any combination of SSL or third-party 500 format modules, as desired by the user. The in-built 500 rack offers the user the opportunity to add their own favourite sonic flavours to their SSL console, whilst keeping it all within arm's reach. The XL-Desk rack has its own dedicated power supply, separate to the power supply for the rest of the console. Unlike many stand-alone 500 format racks the XL Desk rack has a very highly specified power supply which should deliver sufficient power to accommodate your selection of modules. SSL cannot guarantee compatibility but has tested this rack with over thirty different modules.\u003cbr\u003e\u003cbr\u003eEach of the mono channels of the XL-Desk (1-16) has access to its own corresponding slot in the rack and the channel strips access them via a '500' Insert button. The four Stereo channels cannot access the 500 rack. Slots 17-18 are hard wired to Mix A to accommodate a stereo mix bus compressor and XL-Desk ships with these slots pre-loaded with 500 format module version of the legendary SSL G Series Bus Compressor. The console will ship with a new version of this module which features a sidechain HPF. The four Mix Busses can also access rack slots 9-16 (in stereo pairs) although the Mix Busses and mono channels 9-16 cannot use the rack slots simultaneously. The inputs and outputs of module slots 1-16 are accessible via standard DB25 connectors on the rear panel. This does mean that the modules are not hard wired into the mono channel strips 500 Insert send\/return, but the console does ship with a set of external DB25 jumper cables to facilitate this approach if required. The advantage of our opting not to hard wire the rack into the channel signal flow is of course that if desired (and we do recommend this), the rack can be connected to a patchbay for ultimate flexibility and creating chains of patching between 500 modules. Furthermore, this means that the 500 rack can be used 'standalone'. The 500 rack can also accommodate stereo modules that comply with the pin 6 link specification - the switch to assign an odd\/even pair of slots to stereo operation is internal so must be set before the module is fitted.\u003cbr\u003eKey Features\u003cbr\u003e\u003cbr\u003e ✓ 18-Slot 500 format rack in a 16+2 configuration\u003cbr\u003e ✓ Slots 17-18 pre-loaded with the SSL Bus Compressor (featuring sidechain HPF)\u003cbr\u003e ✓ Stereo-link switch available for odd\/even pairs (for modules that comply with the pin 6 link specification)\u003cbr\u003e ✓ +\/- 16.5V DC\u003cbr\u003e ✓ +48V DC\u003cbr\u003e ✓ High quality internal PSU, with over specified power supply\u003c\/p\u003e\n\u003cp\u003eMix Busses\u003cbr\u003e\u003cbr\u003eThe magic of an SSL console x 4\u003cbr\u003e\u003cbr\u003eDesigned by the team behind Duality and AWS, XL-Desk delivers the kind of stunning audio quality only associated with SuperAnalogueTM SSL consoles. XL-Desk provides the sought after separation, clarity and punch behind thousands of hit records made on SSL consoles. Everyone agrees that the sonic magic of an SSL console happens at the Mix Bus but one bus is not always enough! Many high-profile mixers use multiple mix busses to create parallels or sub-groups of instruments, helping them to compress and manipulate sounds in unique ways. These 'tricks of the trade' are some of the most effective to help take a mix from 'good' to 'great'.\u003cbr\u003eXL-Desk provides no less than 4 mix busses - A, B, C and D. Mix A is the master bus, from which the final stereo mix is derived. This has its own 100mm fader. Mixes B, C and D each have their own level control and crucially, the ability to sum into Mix A. All 4 Mix Busses have Direct Outputs for DAW printing, separate standard stereo Insert points and have the ability to access slots 9-16 of the in-built 500 format rack.\u003cbr\u003e\u003cbr\u003eKey Features\u003cbr\u003e\u003cbr\u003e ✓ 4 stereo mix busses (A, B, C and D)\u003cbr\u003e ✓ Mix A has 100mm fader, stereo insert point, access to the G-Comp bus compressor and access to 500 rack slots 9-10\u003cbr\u003e ✓ Mix B, C and D - Can be routed to Mix A, with independent level controls, stereo insert points, access to 500 rack slots 11-16.\u003c\/p\u003e\n\u003cp\u003eMonitoring\u003cbr\u003e\u003cbr\u003eComprehensive monitoring and communication\u003cbr\u003e\u003cbr\u003eThe monitoring system of any professional music environment is one of the most important parts. XL-Desk offers a pristine, SuperAnalogueTM monitoring section, packed with useful features. There are three sets of stereo monitor connections (Main, Mini 1 and Mini 2) plus a sub connection. These are controlled by a front panel button matrix with individual Level controls. The sub connection has bass management: When the SUB is engaged, the bass management sums left and right signals through a 3rd order low-pass (high cut) filter at 80Hz and sends the sum out of the Sub monitor output. Also, 2nd order high-pass (low cut) filters are inserted into the selected left and right monitor outputs. The bass management on XL-Desk is intelligent. It will remember if the SUB button is on or off for each speaker set. The Monitor Source can be selected from; Mix A, a separate External rear panel input or the front panel iJack input and a Mono button folds down these monitor sources to mono if desired. A Monitor SUM button allows any combination of these to be summed and monitored. There is a large Monitor Level control and an associated DIM button (with DIM Level control), CUT button and an AFL Level control.\u003cbr\u003e\u003cbr\u003eHaving clear and easy communication between the performer and the engineer\/producer is crucial to the smooth creative flow of a recording session. XL Desk has two Foldbacks with individual Level controls and Talkback. Foldback A is fed by the CUE Stereo and Foldback B is fed by Aux 1. MON buttons below each Foldback's level control override the default Foldback source (Stereo Cue or Aux 1) and replace it with whatever is selected as the main monitor source. This is really useful for quickly playing back the studio control room mix to the performer(s) in the live room. There is an in built talkback microphone with a Talk button and Level control. A set of DIP switches on the rear panel allow the TALK button to be configured as latching or momentary. Also, Talkback can be set to either SUM with or REPLACE the existing signal. A Listen button allows the engineer to monitor a live room listen mic if one is connected and this too has a Level control. XL-Desk also includes the classic SSL Listen Mic Compressor. This is an aggressive compressor ideal for ensuring a very strong signal from the live room listen mic but can also be used as a process effect to create the classic heavily compressed 80's drum sound which was created using this circuit. The XL-Desk Listen Mic Compressor has no controls, it is simply always on and it has a dedicated external output to facilitate its use as a process effect.\u003cbr\u003e\u003cbr\u003eKey Features\u003cbr\u003e\u003cbr\u003e ✓ 3-way speaker selector - Connect 3 sets of speakers up to XL-Desk\u003cbr\u003e ✓ Bass Management with filtering - Connect a subwoofer to extend your low-end monitoring.\u003cbr\u003e ✓ Intelligent bass management automatically switches in or out with each speaker set.\u003cbr\u003e ✓ Large blue monitor level pot with variable DIM and CUT\u003cbr\u003e ✓ Rear panel external input and front panel iJack input to Monitor section\u003cbr\u003e ✓ Monitor bus Mono foldown and monitor source sum\u003cbr\u003e ✓ Front panel headphone jack\u003cbr\u003e ✓ 2 solo modes for channels - Solo-in-place (SIP) or After-fader-listen (AFL)\u003cbr\u003e ✓ 2 Foldbacks - individual talkback to two separate headphone mixes\u003cbr\u003e ✓ High-quality in-built talkback microphone mounted into the console's front surface.\u003cbr\u003e ✓ Listen Mic input and compressor circuit - allows a dedicated 'listen' microphone to be set up in the live room, so that the engineer can easily hear what the performers between takes. In addition, a discrete Listen Mic output is available for recording 'that' legendary heavily compressed sound!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}