Prism Sound Lyra-1
Prism Sound Lyra-1
Prism Sound Lyra-1
Prism Sound Lyra-1

Prism Sound Lyra-1

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Lyra represents the pinnacle of compact audio interfaces. Packing Prism Sounds trusted, uncompromising AD/DA conversion into a compact chassis perfect for use in the studio or on the road.
Based on the Orpheus’ audio path and clock circuitry, Lyra is ideal for those who don’t require a large I/O count, but do demand the highest quality and most transparent
AD/DA available.
2 A/D Analogue Input Channels
2 D/A Analogue Line Output Channels
S/PDIF Digital In/Out

Instrument Input 1 x 6.3mm mono jack socket, auto-detect with software override.
Headphone Output 1 x 6.3mm stereo TRS Jack, with illuminated volume control
Master volume Assignable encoder / push switch with halo indication
Standby button with standby indicator (also flashes when unit is in “identify” mode)
Level Meters 4 x multi-segment, multi-colour bargraphs with overload indication, 2 for analogue, 2 for digital, assignable to inputs or outputs
Input selection Indicate mode of analogue inputs 1 & 2 as Mic / line / inst & plus phantom power indicator for mic mode
Overkiller For both analogue inputs, lit when Overkiller limiters are acting
Digital Input indicators for digital input unlocked and SRC (sample-rate converter) selected
Mic Input 1 x XLR socket
Line input 2 x 6.3mm TRS jack sockets (balanced or unbalanced)
Line outputs 2 x 6.3mm TRS jack sockets (balanced or unbalanced)
Digital inputs 1 x TOSLINK for S/PDIF input
Digital output 1 x TOSLINK for S/PDIF output
USB port 1 x USB type B receptacle
Mains power 3-pin 6A IEC inlet
Configuration Electronically balanced, with fully-balanced analogue signal path
Input Sensitivity Switchable ‘+4dBu’ (0dBFS = +18dBu) or ‘-10dBV’ (0dBFS = +6dBu)
Input Impedance 14.5kΩ
Unbalanced Mode Automatic
Total harmonic distortion -117dB (0.00014%, -0.1dBFS)
THD+N -111dB (0.00028%, -0.1dBFS)
Dynamic Range 116dB (-60dBFS)
Gain Accuracy ±0.05dB
LF roll-off -0.05dB at 8Hz; -3dB at <1Hz
HF roll-off fs = 44.1kHz: -0.05dB at 21.1kHz; -3dB at 22.0kHz
fs = 48kHz: -0.05dB at 23.0kHz; -3dB at 23.9kHz
fs = 96kHz: -0.05dB at 32.0kHz; -3dB at 47.9kHz
fs = 192kHz: -0.05dB at 32.0kHz; -3dB at 78kHz
CMRR 20Hz..20kHz: >70dB
Inter-channel cross-talk 1kHz: <140dB; 20Hz..20kHz: <-120dB
Inter-channel phase 10Hz..5kHz: ±0.25°,
5kHz..20kHz: ±1.0°,
20kHz..50kHz: ±2.0°,
Overkiller Progessive limiter, auto-aligning, selectable per channel
Impact Filter High-pass filter, -3dB at 80Hz, 40dB/decade (selectable for channels 1-2; whether in line, mic or instrument mode)

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