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{"id":4608942932014,"title":"REMIC REMIC B5201 LB\/WL Viola – Live mic. for wireless systems","handle":"remic-remic-b5201-lb-wl-viola-live-mic-for-wireless-systems","description":"\u003ch1 class=\"product-title product_title entry-title\"\u003eREMIC B5201 LB\/WL Viola – Live mic. for wireless systems\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eDue to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eB5201 LB\/WL\u003c\/strong\u003e Wireless is based on the same principle as the \u003cstrong\u003eB5201 LB\u003c\/strong\u003e, and can be ordered with different connectors for selected wireless transmitters to obtain the highest sound quality as well as high flexibility in order to move around on the stage in extremely loud live productions.\u003c\/p\u003e\n\u003cp\u003eThe REMIC wireless solutions are developed to fit selected wireless systems from Shure and Sennheiser.\u003c\/p\u003e\n\u003cp\u003eIn order to choose the correct connector, you need to select the connector needed for a particular wireless transmitter, please see supported wireless solutions below:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSUPPORTED WIRELESS TRANSMITTERS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHURE w\/TA4F Connector\u003c\/strong\u003e | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M\u003cbr\u003e \u003cstrong\u003eSHURE w\/3P LEMO Connector\u003c\/strong\u003e | UR1M\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSENNHEISER w\/3.5 TRS Connector\u003c\/strong\u003e | SK100G3\/G4, SK300G3\/G4, SK500G3\/G4\u003cbr\u003e \u003cstrong\u003eSENNHEISER w\/LEMO-3 Connector\u003c\/strong\u003e | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE ABOUT THE B5201 LB\/WL MODEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eB5201 LB\/WL\u003c\/strong\u003e microphone model is the same as the normal \u003cstrong\u003eB5201 LB\u003c\/strong\u003e model only with a different connector.\u003c\/p\u003e\n\u003cp\u003eInstrument specific condenser microphone for all modern Bratsch\/viola instruments.\u003c\/p\u003e\n\u003cp\u003eThis model is designed for “extreme loud” live performances, such as folk-rock, pop, rock and metal.\u003cbr\u003e Astonishing high gain before feedback.\u003cbr\u003e Extreme suppression of neighbor instruments and ambient noise.\u003c\/p\u003e\n\u003cp\u003ePlease note that the sound response of the “LB” models are more “dry” and “woodish” in comparison to the “Studio\/Live” models, due to their high ambient suppression factor, but can easily be EQed for best results.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eBEST FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBEST SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBEST INNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eB5201 LB\/WL Viola Live mic. for wireless systems\u003c\/h2\u003e\n\u003cp\u003eDue to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES has been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eB5201 LB\/WL\u003c\/strong\u003e is based on the same principle as the \u003cstrong\u003eB5201 LB\u003c\/strong\u003e, and can be ordered with different connectors for selected wireless transmitters to obtain the highest sound quality as well as high flexibility in order to move around on the stage in extremely loud live productions.\u003c\/p\u003e\n\u003cp\u003eThe REMIC wireless solutions are developed to fit selected wireless systems from Shure and Sennheiser. In order to choose the correct connector, you need to select the connector needed for a particular wireless transmitter, please see supported wireless solutions below:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSUPPORTED WIRELESS TRANSMITTERS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHURE w\/TA4F Connector\u003c\/strong\u003e | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M\u003cbr\u003e \u003cstrong\u003eSHURE w\/3P LEMO Connector\u003c\/strong\u003e | UR1M\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSENNHEISER w\/3.5 TRS Connector\u003c\/strong\u003e | SK100G3\/G4, SK300G3\/G4, SK500G3\/G4\u003cbr\u003e \u003cstrong\u003eSENNHEISER w\/LEMO-3 Connector\u003c\/strong\u003e | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE ABOUT THE B5201 LB\/WL MODEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cstrong\u003e B5201 LB\/WL\u003c\/strong\u003e microphone model is the same as the normal \u003cstrong\u003eB5201 LB\u003c\/strong\u003e model only with a different connector.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eB5201 LB\/WL \u003c\/strong\u003eis  designed for extreme loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio\/Live” model.\u003cbr\u003e The “LB” model represents the highest suppression of ambiente sound-sources ever achieved by a condenser microphone.\u003cbr\u003e So if you need a microphone with low acoustic feedback response, the \u003cstrong\u003eB5201 LB\/WL\u003c\/strong\u003e is the answer.\u003c\/p\u003e\n\u003cp\u003eAt the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there is no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eB 5201 LB\/WL\u003c\/strong\u003e series fits on all modern bratsch\/viola, while the \u003cstrong\u003eV5200 LB\/WL\u003c\/strong\u003e series for violin\/viola fits well on all baroque style viola instruments.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003ch4\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/h4\u003e\n\u003c\/div\u003e","published_at":"2020-07-09T15:43:18+02:00","created_at":"2020-07-09T15:43:16+02:00","vendor":"REMIC","type":"Viola Microphones","tags":["Microphones","Microphones for Wireless Systems","REMIC","Shop by category_Microphones","Shop by category_Wireless Systems","Viola Microphones","Wireless Systems"],"price":70000,"price_min":70000,"price_max":70000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32462311555118,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"B52-2-1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"REMIC REMIC B5201 LB\/WL Viola – Live mic. for wireless systems","public_title":null,"options":["Default Title"],"price":70000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-B5201-Studio-Live-mic-for-Bratsch-viola_68ae917d-b235-4223-ac69-9d7339bf28c6.jpg?v=1594302214","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/violin-mic-under-fingerboard_10ecb73c-b7c7-4d4c-b492-5291e84c59c6.jpg?v=1594302227"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-B5201-Studio-Live-mic-for-Bratsch-viola_68ae917d-b235-4223-ac69-9d7339bf28c6.jpg?v=1594302214","options":["Title"],"media":[{"alt":null,"id":6985125822510,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-B5201-Studio-Live-mic-for-Bratsch-viola_68ae917d-b235-4223-ac69-9d7339bf28c6.jpg?v=1594302214"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-B5201-Studio-Live-mic-for-Bratsch-viola_68ae917d-b235-4223-ac69-9d7339bf28c6.jpg?v=1594302214","width":600},{"alt":null,"id":6985126608942,"position":2,"preview_image":{"aspect_ratio":1.798,"height":1258,"width":2262,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/violin-mic-under-fingerboard_10ecb73c-b7c7-4d4c-b492-5291e84c59c6.jpg?v=1594302227"},"aspect_ratio":1.798,"height":1258,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/violin-mic-under-fingerboard_10ecb73c-b7c7-4d4c-b492-5291e84c59c6.jpg?v=1594302227","width":2262}],"content":"\u003ch1 class=\"product-title product_title entry-title\"\u003eREMIC B5201 LB\/WL Viola – Live mic. for wireless systems\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eDue to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eB5201 LB\/WL\u003c\/strong\u003e Wireless is based on the same principle as the \u003cstrong\u003eB5201 LB\u003c\/strong\u003e, and can be ordered with different connectors for selected wireless transmitters to obtain the highest sound quality as well as high flexibility in order to move around on the stage in extremely loud live productions.\u003c\/p\u003e\n\u003cp\u003eThe REMIC wireless solutions are developed to fit selected wireless systems from Shure and Sennheiser.\u003c\/p\u003e\n\u003cp\u003eIn order to choose the correct connector, you need to select the connector needed for a particular wireless transmitter, please see supported wireless solutions below:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSUPPORTED WIRELESS TRANSMITTERS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHURE w\/TA4F Connector\u003c\/strong\u003e | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M\u003cbr\u003e \u003cstrong\u003eSHURE w\/3P LEMO Connector\u003c\/strong\u003e | UR1M\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSENNHEISER w\/3.5 TRS Connector\u003c\/strong\u003e | SK100G3\/G4, SK300G3\/G4, SK500G3\/G4\u003cbr\u003e \u003cstrong\u003eSENNHEISER w\/LEMO-3 Connector\u003c\/strong\u003e | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE ABOUT THE B5201 LB\/WL MODEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eB5201 LB\/WL\u003c\/strong\u003e microphone model is the same as the normal \u003cstrong\u003eB5201 LB\u003c\/strong\u003e model only with a different connector.\u003c\/p\u003e\n\u003cp\u003eInstrument specific condenser microphone for all modern Bratsch\/viola instruments.\u003c\/p\u003e\n\u003cp\u003eThis model is designed for “extreme loud” live performances, such as folk-rock, pop, rock and metal.\u003cbr\u003e Astonishing high gain before feedback.\u003cbr\u003e Extreme suppression of neighbor instruments and ambient noise.\u003c\/p\u003e\n\u003cp\u003ePlease note that the sound response of the “LB” models are more “dry” and “woodish” in comparison to the “Studio\/Live” models, due to their high ambient suppression factor, but can easily be EQed for best results.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eBEST FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBEST SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBEST INNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eB5201 LB\/WL Viola Live mic. for wireless systems\u003c\/h2\u003e\n\u003cp\u003eDue to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES has been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eB5201 LB\/WL\u003c\/strong\u003e is based on the same principle as the \u003cstrong\u003eB5201 LB\u003c\/strong\u003e, and can be ordered with different connectors for selected wireless transmitters to obtain the highest sound quality as well as high flexibility in order to move around on the stage in extremely loud live productions.\u003c\/p\u003e\n\u003cp\u003eThe REMIC wireless solutions are developed to fit selected wireless systems from Shure and Sennheiser. In order to choose the correct connector, you need to select the connector needed for a particular wireless transmitter, please see supported wireless solutions below:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSUPPORTED WIRELESS TRANSMITTERS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHURE w\/TA4F Connector\u003c\/strong\u003e | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M\u003cbr\u003e \u003cstrong\u003eSHURE w\/3P LEMO Connector\u003c\/strong\u003e | UR1M\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSENNHEISER w\/3.5 TRS Connector\u003c\/strong\u003e | SK100G3\/G4, SK300G3\/G4, SK500G3\/G4\u003cbr\u003e \u003cstrong\u003eSENNHEISER w\/LEMO-3 Connector\u003c\/strong\u003e | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE ABOUT THE B5201 LB\/WL MODEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe\u003cstrong\u003e B5201 LB\/WL\u003c\/strong\u003e microphone model is the same as the normal \u003cstrong\u003eB5201 LB\u003c\/strong\u003e model only with a different connector.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eB5201 LB\/WL \u003c\/strong\u003eis  designed for extreme loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio\/Live” model.\u003cbr\u003e The “LB” model represents the highest suppression of ambiente sound-sources ever achieved by a condenser microphone.\u003cbr\u003e So if you need a microphone with low acoustic feedback response, the \u003cstrong\u003eB5201 LB\/WL\u003c\/strong\u003e is the answer.\u003c\/p\u003e\n\u003cp\u003eAt the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there is no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eB 5201 LB\/WL\u003c\/strong\u003e series fits on all modern bratsch\/viola, while the \u003cstrong\u003eV5200 LB\/WL\u003c\/strong\u003e series for violin\/viola fits well on all baroque style viola instruments.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003ch4\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/h4\u003e\n\u003c\/div\u003e"}

REMIC REMIC B5201 LB/WL Viola – Live mic. for wireless systems

Product Description
$700.00
Maximum quantity available reached.

REMIC B5201 LB/WL Viola – Live mic. for wireless systems


Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The B5201 LB/WL Wireless is based on the same principle as the B5201 LB, and can be ordered with different connectors for selected wireless transmitters to obtain the highest sound quality as well as high flexibility in order to move around on the stage in extremely loud live productions.

The REMIC wireless solutions are developed to fit selected wireless systems from Shure and Sennheiser.

In order to choose the correct connector, you need to select the connector needed for a particular wireless transmitter, please see supported wireless solutions below:

SUPPORTED WIRELESS TRANSMITTERS:

SHURE w/TA4F Connector | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M
SHURE w/3P LEMO Connector | UR1M

SENNHEISER w/3.5 TRS Connector | SK100G3/G4, SK300G3/G4, SK500G3/G4
SENNHEISER w/LEMO-3 Connector | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE B5201 LB/WL MODEL:

The B5201 LB/WL microphone model is the same as the normal B5201 LB model only with a different connector.

Instrument specific condenser microphone for all modern Bratsch/viola instruments.

This model is designed for “extreme loud” live performances, such as folk-rock, pop, rock and metal.
Astonishing high gain before feedback.
Extreme suppression of neighbor instruments and ambient noise.

Please note that the sound response of the “LB” models are more “dry” and “woodish” in comparison to the “Studio/Live” models, due to their high ambient suppression factor, but can easily be EQed for best results.

  • BEST FEEDBACK SUPPRESSION
  • BEST SOUND QUALITY
  • BEST INNOVATIVE MOUNT

B5201 LB/WL Viola Live mic. for wireless systems

Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES has been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The B5201 LB/WL is based on the same principle as the B5201 LB, and can be ordered with different connectors for selected wireless transmitters to obtain the highest sound quality as well as high flexibility in order to move around on the stage in extremely loud live productions.

The REMIC wireless solutions are developed to fit selected wireless systems from Shure and Sennheiser. In order to choose the correct connector, you need to select the connector needed for a particular wireless transmitter, please see supported wireless solutions below:

SUPPORTED WIRELESS TRANSMITTERS:

SHURE w/TA4F Connector | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M
SHURE w/3P LEMO Connector | UR1M

SENNHEISER w/3.5 TRS Connector | SK100G3/G4, SK300G3/G4, SK500G3/G4
SENNHEISER w/LEMO-3 Connector | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE B5201 LB/WL MODEL:

The B5201 LB/WL microphone model is the same as the normal B5201 LB model only with a different connector.

The B5201 LB/WL is  designed for extreme loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio/Live” model.
The “LB” model represents the highest suppression of ambiente sound-sources ever achieved by a condenser microphone.
So if you need a microphone with low acoustic feedback response, the B5201 LB/WL is the answer.

At the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there is no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.

The B 5201 LB/WL series fits on all modern bratsch/viola, while the V5200 LB/WL series for violin/viola fits well on all baroque style viola instruments.

 

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

Sku: B52-2-1
Vendor: REMIC

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