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{"id":4608935690286,"title":"REMIC REMIC C5300 WLM Cello\/Violone – Studio\/Live mic. for wireless systems","handle":"remic-remic-c5300-wlm-cello-violone-studio-live-mic-for-wireless-systems","description":"\u003ch1 class=\"product-title product_title entry-title\"\u003eREMIC C5300 WLM Cello\/Violone – Studio\/Live mic. for wireless systems\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 WLM\u003c\/strong\u003e supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters, which enables you to gain maximum flexibility to move around on stage during live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the C5300 WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eC5300 WLM\u003c\/strong\u003e is based on the same principle as the C5300  model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models (RAD001 is included when you buy a C5300 WLM microphone)\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC loud live LB models)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and LB live microphone to the Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eINNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eC5300 WL Cello\/Violone – Studio\/Live Mic. for Wireless Systems\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 WLM\u003c\/strong\u003e supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters, which enables you to gain maximum flexibility to move around on stage during live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the C5300 WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eC5300 WLM\u003c\/strong\u003e is based on the same principle as the C5300  model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models (RAD001 is included when you buy a C5300 WLM microphone)\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC loud live LB models)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and LB live microphone to the Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSUPPORTED WIRELESS TRANSMITTERS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHURE w\/TA4F Connector\u003c\/strong\u003e | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M\u003cbr\u003e \u003cstrong\u003eSHURE w\/3P LEMO Connector\u003c\/strong\u003e | UR1M\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSENNHEISER w\/3.5 TRS Connector\u003c\/strong\u003e | SK100G3\/G4, SK300G3\/G4, SK500G3\/G4\u003cbr\u003e \u003cstrong\u003eSENNHEISER w\/LEMO-3 Connector\u003c\/strong\u003e | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE ABOUT THE “WLM” MODEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300\/WLM\u003c\/strong\u003e is designed for studio and live productions and delivers a natural and open sound, an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument.\u003c\/p\u003e\n\u003cp\u003eHigh definition condenser microphone with superior feedback suppression and high isolation of nearby instruments.\u003cbr\u003e Since there are no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument.\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2020-07-09T15:35:07+02:00","created_at":"2020-07-09T15:35:05+02:00","vendor":"REMIC","type":"Cello Microphones","tags":["Cello Microphones","Microphones","Microphones for Wireless Systems","REMIC","Shop by category_Microphone Accessories","Shop by category_Microphones"],"price":81000,"price_min":81000,"price_max":81000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32462295564334,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"53-1-3","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"REMIC REMIC C5300 WLM Cello\/Violone – Studio\/Live mic. for wireless systems","public_title":null,"options":["Default Title"],"price":81000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-C5300LB-Live-mic-for-cello-violone_0b424416-fb6d-429b-8f13-ba236e9a668b.jpg?v=1594302383","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/cello-mic-jpeg_98930a82-43b4-45e8-860a-2b48f78a4924.jpg?v=1594302398"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-C5300LB-Live-mic-for-cello-violone_0b424416-fb6d-429b-8f13-ba236e9a668b.jpg?v=1594302383","options":["Title"],"media":[{"alt":null,"id":6985134440494,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-C5300LB-Live-mic-for-cello-violone_0b424416-fb6d-429b-8f13-ba236e9a668b.jpg?v=1594302383"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-C5300LB-Live-mic-for-cello-violone_0b424416-fb6d-429b-8f13-ba236e9a668b.jpg?v=1594302383","width":600},{"alt":null,"id":6985135390766,"position":2,"preview_image":{"aspect_ratio":1.872,"height":1246,"width":2333,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/cello-mic-jpeg_98930a82-43b4-45e8-860a-2b48f78a4924.jpg?v=1594302398"},"aspect_ratio":1.872,"height":1246,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/cello-mic-jpeg_98930a82-43b4-45e8-860a-2b48f78a4924.jpg?v=1594302398","width":2333}],"content":"\u003ch1 class=\"product-title product_title entry-title\"\u003eREMIC C5300 WLM Cello\/Violone – Studio\/Live mic. for wireless systems\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 WLM\u003c\/strong\u003e supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters, which enables you to gain maximum flexibility to move around on stage during live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the C5300 WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eC5300 WLM\u003c\/strong\u003e is based on the same principle as the C5300  model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models (RAD001 is included when you buy a C5300 WLM microphone)\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC loud live LB models)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and LB live microphone to the Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eINNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eC5300 WL Cello\/Violone – Studio\/Live Mic. for Wireless Systems\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 WLM\u003c\/strong\u003e supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters, which enables you to gain maximum flexibility to move around on stage during live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the C5300 WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eC5300 WLM\u003c\/strong\u003e is based on the same principle as the C5300  model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models (RAD001 is included when you buy a C5300 WLM microphone)\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC loud live LB models)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and LB live microphone to the Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSUPPORTED WIRELESS TRANSMITTERS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSHURE w\/TA4F Connector\u003c\/strong\u003e | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M\u003cbr\u003e \u003cstrong\u003eSHURE w\/3P LEMO Connector\u003c\/strong\u003e | UR1M\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSENNHEISER w\/3.5 TRS Connector\u003c\/strong\u003e | SK100G3\/G4, SK300G3\/G4, SK500G3\/G4\u003cbr\u003e \u003cstrong\u003eSENNHEISER w\/LEMO-3 Connector\u003c\/strong\u003e | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE ABOUT THE “WLM” MODEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300\/WLM\u003c\/strong\u003e is designed for studio and live productions and delivers a natural and open sound, an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument.\u003c\/p\u003e\n\u003cp\u003eHigh definition condenser microphone with superior feedback suppression and high isolation of nearby instruments.\u003cbr\u003e Since there are no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument.\u003c\/p\u003e\n\u003c\/div\u003e"}

REMIC REMIC C5300 WLM Cello/Violone – Studio/Live mic. for wireless systems

Product Description
$810.00
Maximum quantity available reached.

REMIC C5300 WLM Cello/Violone – Studio/Live mic. for wireless systems


The REMIC C5300 WLM supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters, which enables you to gain maximum flexibility to move around on stage during live productions.

It also enabels you to connect the C5300 WLM to a standard XLR wired connection.

Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The C5300 WLM is based on the same principle as the C5300  model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.

In order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:

REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:

RAD 001 | adapter for XLR 48 volt phantom, REMIC studio/live models (RAD001 is included when you buy a C5300 WLM microphone)
RAD 001LB (adapter for XLR 48 volt phantom, REMIC loud live LB models)

RAD 003 | TRS 3.5 connector
For Remic studio/live and LB live microphone to the Sennheiser EW-series.
SK100G3/G4, SK300G3/G4, SK500G3/G4, Transmitter module 3.5 TRS w/screw lock connector.

RAD 006 | TA4 connector
For Remic studio/live and Live to SHURE with TA4F connector.
FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)
Transmitter module with TA4M connector.

RAD 010 | LEMO-3 connector
For Remic studio/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

  • ASTONISHING FEEDBACK SUPPRESSION
  • ASTONISHING SOUND QUALITY
  • INNOVATIVE MOUNT

C5300 WL Cello/Violone – Studio/Live Mic. for Wireless Systems

The REMIC C5300 WLM supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters, which enables you to gain maximum flexibility to move around on stage during live productions.

It also enabels you to connect the C5300 WLM to a standard XLR wired connection.

Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support selected wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The C5300 WLM is based on the same principle as the C5300  model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.

In order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:

REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:

RAD 001 | adapter for XLR 48 volt phantom, REMIC studio/live models (RAD001 is included when you buy a C5300 WLM microphone)
RAD 001LB (adapter for XLR 48 volt phantom, REMIC loud live LB models)

RAD 003 | TRS 3.5 connector
For Remic studio/live and LB live microphone to the Sennheiser EW-series.
SK100G3/G4, SK300G3/G4, SK500G3/G4, Transmitter module 3.5 TRS w/screw lock connector.

RAD 006 | TA4 connector
For Remic studio/live and Live to SHURE with TA4F connector.
FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)
Transmitter module with TA4M connector.

RAD 010 | LEMO-3 connector
For Remic studio/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

 

SUPPORTED WIRELESS TRANSMITTERS:

SHURE w/TA4F Connector | FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M
SHURE w/3P LEMO Connector | UR1M

SENNHEISER w/3.5 TRS Connector | SK100G3/G4, SK300G3/G4, SK500G3/G4
SENNHEISER w/LEMO-3 Connector | SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE “WLM” MODEL:

The REMIC C5300/WLM is designed for studio and live productions and delivers a natural and open sound, an extreme accuracy and fast transient response that captures the finest and most delicate overtones of the instrument.

High definition condenser microphone with superior feedback suppression and high isolation of nearby instruments.
Since there are no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument.

Sku: 53-1-3
Vendor: REMIC

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