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{"id":4608944898094,"title":"REMIC REMIC C5300LB\/WLM Cello\/Violone – Live mic. for wireless systems","handle":"remic-remic-c5300lb-wlm-cello-violone-live-mic-for-wireless-systems","description":"\u003ch1 class=\"product-title product_title entry-title\"\u003eREMIC C5300LB\/WLM Cello\/Violone – Live mic. for wireless systems\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 LB\/WLM\u003c\/strong\u003e supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage during live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the C5300 LB\/WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eC5300 LB\/WLM\u003c\/strong\u003e is based on the same principle as the C5300 LB live model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 LB\/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC loud live LB models) (RAD001LB is included when you buy a C5300 LB\/WLM microphone)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and Live mic to Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003ch3\u003eWith or Without Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eChoose whether you want the microphone with or without a built-in windshield. The built-in windshield is designed  to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield option, you do not need to add any other windshields to your microphone. Choosing the variation with the built-in windshield will not change the quality of the microphone in other performance contexts.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eINNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eC5300 LB\/WLM Cello\/Violone – Live Mic. for Wireless Systems\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 LB\/WLM\u003c\/strong\u003e supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage during live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the C5300 LB\/WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eC5300 LB\/WLM\u003c\/strong\u003e is based on the same principle as the C5300 LB live model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 LB\/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC loud live LB models) (RAD001LB is included when you buy a C5300 LB\/WLM microphone)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and Live mic to Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMORE ABOUT THE C5300 LB\/WLM MODEL:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 LB\/WLM\u003c\/strong\u003e microphone model is based on the same principle as the normal \u003cstrong\u003eREMIC C5300 LB\u003c\/strong\u003e Live model, only with a different connector and adapted for lower voltage.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 LB\/WLM\u003c\/strong\u003e Live model is designed for extremely loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio\/Live” model.\u003c\/p\u003e\n\u003cp\u003eThe “LB” model represents the highest suppression of ambiente sound-sources ever achieved by a condenser microphone.\u003c\/p\u003e\n\u003cp\u003eSo if you need a microphone with low acoustic feedback response, the \u003cstrong\u003eREMIC C5300 LB\/WLM for wireless systems\u003c\/strong\u003e is the answer.\u003c\/p\u003e\n\u003cp\u003eAt the same time, the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there is no clamps and clips in order to mount and hold the microphone.\u003c\/p\u003e\n\u003ch3\u003eWith or Without Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eChoose whether you want the microphone with or without a built-in windshield. The built-in windshield is designed  to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield option, you do not need to add any other windshields to your microphone. Choosing the variation with the built-in windshield will not change the quality of the microphone in other performance contexts.\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2020-07-09T15:52:44+02:00","created_at":"2020-07-09T15:52:42+02:00","vendor":"REMIC","type":"Cello Microphones","tags":["Cello Microphones","mic","Microphone","Microphones for Wireless Systems","REMIC","Shop by category_Microphones","Wireless Microphones"],"price":81000,"price_min":81000,"price_max":81000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32462316830766,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"53-2-1-1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"REMIC REMIC C5300LB\/WLM Cello\/Violone – Live mic. for wireless systems","public_title":null,"options":["Default Title"],"price":81000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-C5300LB-Live-mic-for-cello-violone_76d507f2-e6f6-4725-8106-b81b9b03dfbd.jpg?v=1594302846","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/cello-mic-jpeg_38f9e948-b929-409c-b396-bc8c03a7c6a2.jpg?v=1594302869"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-C5300LB-Live-mic-for-cello-violone_76d507f2-e6f6-4725-8106-b81b9b03dfbd.jpg?v=1594302846","options":["Title"],"media":[{"alt":null,"id":6985159147566,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-C5300LB-Live-mic-for-cello-violone_76d507f2-e6f6-4725-8106-b81b9b03dfbd.jpg?v=1594302846"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/REMIC-C5300LB-Live-mic-for-cello-violone_76d507f2-e6f6-4725-8106-b81b9b03dfbd.jpg?v=1594302846","width":600},{"alt":null,"id":6985160163374,"position":2,"preview_image":{"aspect_ratio":1.872,"height":1246,"width":2333,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/cello-mic-jpeg_38f9e948-b929-409c-b396-bc8c03a7c6a2.jpg?v=1594302869"},"aspect_ratio":1.872,"height":1246,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/cello-mic-jpeg_38f9e948-b929-409c-b396-bc8c03a7c6a2.jpg?v=1594302869","width":2333}],"content":"\u003ch1 class=\"product-title product_title entry-title\"\u003eREMIC C5300LB\/WLM Cello\/Violone – Live mic. for wireless systems\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 LB\/WLM\u003c\/strong\u003e supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage during live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the C5300 LB\/WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eC5300 LB\/WLM\u003c\/strong\u003e is based on the same principle as the C5300 LB live model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 LB\/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC loud live LB models) (RAD001LB is included when you buy a C5300 LB\/WLM microphone)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and Live mic to Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003ch3\u003eWith or Without Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eChoose whether you want the microphone with or without a built-in windshield. The built-in windshield is designed  to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield option, you do not need to add any other windshields to your microphone. Choosing the variation with the built-in windshield will not change the quality of the microphone in other performance contexts.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eINNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eC5300 LB\/WLM Cello\/Violone – Live Mic. for Wireless Systems\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 LB\/WLM\u003c\/strong\u003e supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage during live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the C5300 LB\/WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eC5300 LB\/WLM\u003c\/strong\u003e is based on the same principle as the C5300 LB live model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 LB\/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC loud live LB models) (RAD001LB is included when you buy a C5300 LB\/WLM microphone)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and Live mic to Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eMORE ABOUT THE C5300 LB\/WLM MODEL:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 LB\/WLM\u003c\/strong\u003e microphone model is based on the same principle as the normal \u003cstrong\u003eREMIC C5300 LB\u003c\/strong\u003e Live model, only with a different connector and adapted for lower voltage.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC C5300 LB\/WLM\u003c\/strong\u003e Live model is designed for extremely loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio\/Live” model.\u003c\/p\u003e\n\u003cp\u003eThe “LB” model represents the highest suppression of ambiente sound-sources ever achieved by a condenser microphone.\u003c\/p\u003e\n\u003cp\u003eSo if you need a microphone with low acoustic feedback response, the \u003cstrong\u003eREMIC C5300 LB\/WLM for wireless systems\u003c\/strong\u003e is the answer.\u003c\/p\u003e\n\u003cp\u003eAt the same time, the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there is no clamps and clips in order to mount and hold the microphone.\u003c\/p\u003e\n\u003ch3\u003eWith or Without Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eChoose whether you want the microphone with or without a built-in windshield. The built-in windshield is designed  to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield option, you do not need to add any other windshields to your microphone. Choosing the variation with the built-in windshield will not change the quality of the microphone in other performance contexts.\u003c\/p\u003e\n\u003c\/div\u003e"}

REMIC REMIC C5300LB/WLM Cello/Violone – Live mic. for wireless systems

Product Description
$810.00
Maximum quantity available reached.

REMIC C5300LB/WLM Cello/Violone – Live mic. for wireless systems


The REMIC C5300 LB/WLM supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage during live productions.

It also enabels you to connect the C5300 LB/WLM to a standard XLR wired connection.

Due to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The C5300 LB/WLM is based on the same principle as the C5300 LB live model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 LB/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.

In order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:

REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:

RAD 001 | adapter for XLR 48 volt phantom, REMIC studio/live models
RAD 001LB (adapter for XLR 48 volt phantom, REMIC loud live LB models) (RAD001LB is included when you buy a C5300 LB/WLM microphone)

RAD 003 | TRS 3.5 connector
For Remic studio/live and Live mic to Sennheiser EW-series.
SK100G3/G4, SK300G3/G4, SK500G3/G4, Transmitter module 3.5 TRS w/screw lock connector.

RAD 006 | TA4 connector
For Remic studio/live and Live to SHURE with TA4F connector.
FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)
Transmitter module with TA4M connector.

RAD 010 | LEMO-3 connector
For Remic studio/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

With or Without Built-In Windshield

Choose whether you want the microphone with or without a built-in windshield. The built-in windshield is designed  to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield option, you do not need to add any other windshields to your microphone. Choosing the variation with the built-in windshield will not change the quality of the microphone in other performance contexts.

  • ASTONISHING FEEDBACK SUPPRESSION
  • ASTONISHING SOUND QUALITY
  • INNOVATIVE MOUNT

C5300 LB/WLM Cello/Violone – Live Mic. for Wireless Systems

The REMIC C5300 LB/WLM supplied with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage during live productions.

It also enabels you to connect the C5300 LB/WLM to a standard XLR wired connection.

Due to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The C5300 LB/WLM is based on the same principle as the C5300 LB live model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your C5300 LB/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.

In order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:

REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:

RAD 001 | adapter for XLR 48 volt phantom, REMIC studio/live models
RAD 001LB (adapter for XLR 48 volt phantom, REMIC loud live LB models) (RAD001LB is included when you buy a C5300 LB/WLM microphone)

RAD 003 | TRS 3.5 connector
For Remic studio/live and Live mic to Sennheiser EW-series.
SK100G3/G4, SK300G3/G4, SK500G3/G4, Transmitter module 3.5 TRS w/screw lock connector.

RAD 006 | TA4 connector
For Remic studio/live and Live to SHURE with TA4F connector.
FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)
Transmitter module with TA4M connector.

RAD 010 | LEMO-3 connector
For Remic studio/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE C5300 LB/WLM MODEL:

The REMIC C5300 LB/WLM microphone model is based on the same principle as the normal REMIC C5300 LB Live model, only with a different connector and adapted for lower voltage.

The REMIC C5300 LB/WLM Live model is designed for extremely loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio/Live” model.

The “LB” model represents the highest suppression of ambiente sound-sources ever achieved by a condenser microphone.

So if you need a microphone with low acoustic feedback response, the REMIC C5300 LB/WLM for wireless systems is the answer.

At the same time, the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there is no clamps and clips in order to mount and hold the microphone.

With or Without Built-In Windshield

Choose whether you want the microphone with or without a built-in windshield. The built-in windshield is designed  to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield option, you do not need to add any other windshields to your microphone. Choosing the variation with the built-in windshield will not change the quality of the microphone in other performance contexts.

Sku: 53-2-1-1
Vendor: REMIC

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