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{"id":4610139815982,"title":"REMIC REMIC D5401 LB Live Mic. for Concerto Bass","handle":"remic-remic-d5401-lb-live-mic-for-concerto-bass","description":"\u003ch1 class=\"product-title product_title entry-title\"\u003eREMIC D5401 LB Live Mic. for Concerto Bass\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eThe new \u003cstrong\u003eREMIC D5401 LB\u003c\/strong\u003e model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone that is slightly taller than the D5400 LB.\u003c\/p\u003e\n\u003cp\u003eThis model is designed for “extremely loud” live performances, such as folk-rock, pop, rock and metal,\u003c\/p\u003e\n\u003cp\u003eAstonishing high gain before feedback.\u003c\/p\u003e\n\u003cp\u003eExtreme suppression of neighbor instruments and ambient noise.\u003c\/p\u003e\n\u003cp\u003ePlease note that the sound response of the “LB” models are more “dry” and “woodish” in comparison to the “Studio\/Live” models, due to their high ambient suppression factor, but can easily be EQed for best results.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSUPERIOR SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eINNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe D5401 LB needs 48 Volt of Phantom power\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eD5401 LB for Concerto Bass (NEW)\u003c\/h2\u003e\n\u003cp\u003eThe new \u003cstrong\u003eREMIC D5401 LB\u003c\/strong\u003e model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone that is slightly taller than the D5400 LB.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eD5401 LB\u003c\/strong\u003e is designed for extremely loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio\/Live” model.\u003c\/p\u003e\n\u003cp\u003eThe “LB” model represents an impressive suppression of ambiente sound-sources by a condenser microphone. So if you need a microphone with low acoustic feedback response, the \u003cstrong\u003eD5401 LB\u003c\/strong\u003e is the answer.\u003c\/p\u003e\n\u003cp\u003eAt the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount or hold the microphone.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2020-07-10T16:41:16+02:00","created_at":"2020-07-10T16:41:14+02:00","vendor":"REMIC","type":"Bass Microphones","tags":["Bass Microphones","Double Bass Microphones","Microphones","Microphones for Wireless Systems","REMIC","Shop by category_Microphones","Shop by category_Microphones \u0026 Wireless","Wireless Microphones"],"price":70000,"price_min":70000,"price_max":70000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32471310991406,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"54-2-2","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"REMIC REMIC D5401 LB Live Mic. for Concerto Bass","public_title":null,"options":["Default Title"],"price":70000,"weight":0,"compare_at_price":null,"inventory_quantity":0,"inventory_management":null,"inventory_policy":"deny","barcode":""}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/D5401-Concerto-Bass-low-res_WORK-SHADOW2-002_e39d8400-54b0-462f-927b-99e47a73c538.jpg?v=1594392715","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/D5401-Concerto-Bass-back-high-res_741ae620-5d6a-4ce0-9a24-02c8a4089892.jpg?v=1594392724","\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/bass-mic-under-tailpiece-jpeg_234a9711-a01f-494e-a524-2e1ab37ac5bf.jpg?v=1594392738"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/D5401-Concerto-Bass-low-res_WORK-SHADOW2-002_e39d8400-54b0-462f-927b-99e47a73c538.jpg?v=1594392715","options":["Title"],"media":[{"alt":null,"id":6990941388846,"position":1,"preview_image":{"aspect_ratio":0.988,"height":2570,"width":2538,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/D5401-Concerto-Bass-low-res_WORK-SHADOW2-002_e39d8400-54b0-462f-927b-99e47a73c538.jpg?v=1594392715"},"aspect_ratio":0.988,"height":2570,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/D5401-Concerto-Bass-low-res_WORK-SHADOW2-002_e39d8400-54b0-462f-927b-99e47a73c538.jpg?v=1594392715","width":2538},{"alt":null,"id":6990941945902,"position":2,"preview_image":{"aspect_ratio":0.916,"height":3040,"width":2785,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/D5401-Concerto-Bass-back-high-res_741ae620-5d6a-4ce0-9a24-02c8a4089892.jpg?v=1594392724"},"aspect_ratio":0.916,"height":3040,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/D5401-Concerto-Bass-back-high-res_741ae620-5d6a-4ce0-9a24-02c8a4089892.jpg?v=1594392724","width":2785},{"alt":null,"id":6990942994478,"position":3,"preview_image":{"aspect_ratio":1.912,"height":1168,"width":2233,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/bass-mic-under-tailpiece-jpeg_234a9711-a01f-494e-a524-2e1ab37ac5bf.jpg?v=1594392738"},"aspect_ratio":1.912,"height":1168,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0292\/6125\/products\/bass-mic-under-tailpiece-jpeg_234a9711-a01f-494e-a524-2e1ab37ac5bf.jpg?v=1594392738","width":2233}],"content":"\u003ch1 class=\"product-title product_title entry-title\"\u003eREMIC D5401 LB Live Mic. for Concerto Bass\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eThe new \u003cstrong\u003eREMIC D5401 LB\u003c\/strong\u003e model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone that is slightly taller than the D5400 LB.\u003c\/p\u003e\n\u003cp\u003eThis model is designed for “extremely loud” live performances, such as folk-rock, pop, rock and metal,\u003c\/p\u003e\n\u003cp\u003eAstonishing high gain before feedback.\u003c\/p\u003e\n\u003cp\u003eExtreme suppression of neighbor instruments and ambient noise.\u003c\/p\u003e\n\u003cp\u003ePlease note that the sound response of the “LB” models are more “dry” and “woodish” in comparison to the “Studio\/Live” models, due to their high ambient suppression factor, but can easily be EQed for best results.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSUPERIOR SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eINNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe D5401 LB needs 48 Volt of Phantom power\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eD5401 LB for Concerto Bass (NEW)\u003c\/h2\u003e\n\u003cp\u003eThe new \u003cstrong\u003eREMIC D5401 LB\u003c\/strong\u003e model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone that is slightly taller than the D5400 LB.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eD5401 LB\u003c\/strong\u003e is designed for extremely loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio\/Live” model.\u003c\/p\u003e\n\u003cp\u003eThe “LB” model represents an impressive suppression of ambiente sound-sources by a condenser microphone. So if you need a microphone with low acoustic feedback response, the \u003cstrong\u003eD5401 LB\u003c\/strong\u003e is the answer.\u003c\/p\u003e\n\u003cp\u003eAt the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount or hold the microphone.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003c\/div\u003e"}

REMIC REMIC D5401 LB Live Mic. for Concerto Bass

Product Description
$700.00
Maximum quantity available reached.

REMIC D5401 LB Live Mic. for Concerto Bass


The new REMIC D5401 LB model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone that is slightly taller than the D5400 LB.

This model is designed for “extremely loud” live performances, such as folk-rock, pop, rock and metal,

Astonishing high gain before feedback.

Extreme suppression of neighbor instruments and ambient noise.

Please note that the sound response of the “LB” models are more “dry” and “woodish” in comparison to the “Studio/Live” models, due to their high ambient suppression factor, but can easily be EQed for best results.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

 

  • ASTONISHING FEEDBACK SUPPRESSION
  • SUPERIOR SOUND QUALITY
  • INNOVATIVE MOUNT

The D5401 LB needs 48 Volt of Phantom power

D5401 LB for Concerto Bass (NEW)

The new REMIC D5401 LB model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone that is slightly taller than the D5400 LB.

The D5401 LB is designed for extremely loud live productions and delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio/Live” model.

The “LB” model represents an impressive suppression of ambiente sound-sources by a condenser microphone. So if you need a microphone with low acoustic feedback response, the D5401 LB is the answer.

At the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount or hold the microphone.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

Sku: 54-2-2
Vendor: REMIC

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