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{"id":4608975405102,"title":"REMIC REMIC D5401 Studio\/Live Mic. for Concerto Bass","handle":"remic-remic-d5401-studio-live-mic-for-concerto-bass","description":"\u003ch1 class=\"product-title product_title entry-title\"\u003eREMIC D5401 Studio\/Live Mic. for Concerto Bass\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003cp\u003eThe new \u003cstrong\u003eREMIC D5401 Studio\/Live\u003c\/strong\u003e model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone which is slightly taller than the D5400.\u003c\/p\u003e\n\u003cp\u003eFor studio \u0026amp; live performance of chamber, classical, jazz and folk music.\u003cbr\u003e Superior gain before feedback.\u003cbr\u003e Moderate suppression of neighbor instruments and ambient noise.\u003cbr\u003e For moderate amplification of symphony orchestras, ensambles, bands and solists.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSUPERIOR SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eINNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe D 5401 needs 48 Volt of Phantom power\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eD 5401 Studio\/Live Mic. for Upright Concerto Bass (NEW)\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC D5401 Studio\/Live\u003c\/strong\u003e model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone which is slightly taller than the D5400.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eD5401\u003c\/strong\u003e is designed for studio and live productions and delivers a natural and open sound, an extreme accuracy and fast  transient  response that captures the finest and most delicate overtones of the instrument.\u003cbr\u003e High definition condenser microphone with superior feedback suppression and high isolation of nearby instruments.\u003cbr\u003e Since there is no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. 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The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone which is slightly taller than the D5400.\u003c\/p\u003e\n\u003cp\u003eFor studio \u0026amp; live performance of chamber, classical, jazz and folk music.\u003cbr\u003e Superior gain before feedback.\u003cbr\u003e Moderate suppression of neighbor instruments and ambient noise.\u003cbr\u003e For moderate amplification of symphony orchestras, ensambles, bands and solists.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eASTONISHING FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eSUPERIOR SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eINNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eThe D 5401 needs 48 Volt of Phantom power\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch2\u003eD 5401 Studio\/Live Mic. for Upright Concerto Bass (NEW)\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eREMIC D5401 Studio\/Live\u003c\/strong\u003e model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone which is slightly taller than the D5400.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eD5401\u003c\/strong\u003e is designed for studio and live productions and delivers a natural and open sound, an extreme accuracy and fast  transient  response that captures the finest and most delicate overtones of the instrument.\u003cbr\u003e High definition condenser microphone with superior feedback suppression and high isolation of nearby instruments.\u003cbr\u003e Since there is no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003c\/div\u003e"}

REMIC REMIC D5401 Studio/Live Mic. for Concerto Bass

Product Description
$700.00
Maximum quantity available reached.

REMIC D5401 Studio/Live Mic. for Concerto Bass


The new REMIC D5401 Studio/Live model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone which is slightly taller than the D5400.

For studio & live performance of chamber, classical, jazz and folk music.
Superior gain before feedback.
Moderate suppression of neighbor instruments and ambient noise.
For moderate amplification of symphony orchestras, ensambles, bands and solists.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

 

  • ASTONISHING FEEDBACK SUPPRESSION
  • SUPERIOR SOUND QUALITY
  • INNOVATIVE MOUNT

The D 5401 needs 48 Volt of Phantom power

D 5401 Studio/Live Mic. for Upright Concerto Bass (NEW)

The REMIC D5401 Studio/Live model has been designed with different measures to fit the upright concerto bass used in orchestras and classical ensembles. The upright concerto bass is typically constructed to have more space between fingerboard and body of the instrument, which requires a REMIC microphone which is slightly taller than the D5400.

The D5401 is designed for studio and live productions and delivers a natural and open sound, an extreme accuracy and fast  transient  response that captures the finest and most delicate overtones of the instrument.
High definition condenser microphone with superior feedback suppression and high isolation of nearby instruments.
Since there is no clamps and clips in order to mount and hold the microphone, you will retain the aesthetic appearance of your instrument.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

Sku: 54-1-2
Vendor: REMIC

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