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{"id":4608917307438,"title":"REMIC V5200 LB\/WLM for Violin\/Viola – Loud Live Productions","handle":"remic-v5200-lb-wlm-for-violin-viola-loud-live-productions","description":"\u003ch1 class=\"product-title product_title entry-title\"\u003eREMIC V5200 LB\/WLM Violin\/Viola – Live Mic. for Wired and Wireless Systems\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003ch2\u003eV5200 LB\/WLM for Violin\/Viola – Loud Live Productions\u003c\/h2\u003e\n\u003cp\u003eThe REMIC V5200 LB\/WLM supplyed with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage in extremely loud live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the V5200 LB\/WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eV5200 LB\/WLM\u003c\/strong\u003e is based on the same principle as the V5200 LB live model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your V5200LB\/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC live extreme models)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and Live mic to Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE ABOUT THE “LB\/WLM” MODEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LB\/WLM microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volt). It delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio\/Live” model.\u003c\/p\u003e\n\u003cp\u003eThe “LB\/WLM” model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone. So if you need a microphone with low acoustic feedback response, the \u003cstrong\u003eV5200 LB\/WLM\u003c\/strong\u003e is the answer.\u003c\/p\u003e\n\u003cp\u003eAt the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eV5200 LB\/WLM\u003c\/strong\u003e are also suitable for other violin related instruments such as Hardanger fiddle \/ Hardingfele, Nyckelharpa, Drejelire, Hurdy-Gurdy etc.\u003c\/p\u003e\n\u003cp\u003eThis model is designed for “extremely loud” live performances, such as folk-rock, pop, rock and metal.\u003cbr\u003e Astonishing high gain before feedback.\u003cbr\u003e Extreme suppression of neighbor instruments and ambient noise.\u003c\/p\u003e\n\u003cp\u003ePlease note that the sound response of the “LB\/WLM” models are more “dry” and “woodish” in comparison to the “Studio\/Live” models, due to their high ambient suppression factor, but can easily be EQed for best results.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eBEST FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBEST SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBEST INNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eV5200 LB\/WLM for Violin\/Viola – Loud Live Productions\u003c\/h2\u003e\n\u003cp\u003eThe REMIC V5200 LB\/WLM supplyed with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage in extremely loud live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the V5200 LB\/WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES has been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe REMIC V5200 LB\/WLM is based on the same principle as the V5200 LB live model, but is supplied with a different connector – the TA5M multi connector, which\u003cbr\u003e allows you to connect your V5200LB\/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect the REMIC V5200 LB\/WLM to a wired- or wireless-system, you need to purchase the correct adapter(s).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC live extreme models)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and Live mic to Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE ABOUT THE “LB\/WLM” MODEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LB\/WLM microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volt). It delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio\/Live” model.\u003c\/p\u003e\n\u003cp\u003eThe “LB\/WLM” model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone. So if you need a microphone with low acoustic feedback response, the \u003cstrong\u003eV5200 LB\/WLM\u003c\/strong\u003e is the answer.\u003c\/p\u003e\n\u003cp\u003eAt the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eV5200 LB\/WLM\u003c\/strong\u003e are also suitable for other violin related instruments such as hardanger fiddle \/ hardingfele, nyckelharpa, drejelire, hurdy-gurdy etc.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2020-07-09T14:45:48+02:00","created_at":"2020-07-09T14:45:47+02:00","vendor":"REMIC","type":"Violin Microphones","tags":["Accessories","Accessories For Mics","REMIC","Shop by category_ Accessories","Shop by category_Microphone Accessories","Violin Microphone","Violin Microphones"],"price":81020,"price_min":81020,"price_max":81020,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":32462220689454,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"52-2-1-1","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"REMIC V5200 LB\/WLM for Violin\/Viola – Loud Live Productions","public_title":null,"options":["Default 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class=\"product-title product_title entry-title\"\u003eREMIC V5200 LB\/WLM Violin\/Viola – Live Mic. for Wired and Wireless Systems\u003c\/h1\u003e\n\u003cdiv class=\"is-divider small\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-short-description\"\u003e\n\u003ch2\u003eV5200 LB\/WLM for Violin\/Viola – Loud Live Productions\u003c\/h2\u003e\n\u003cp\u003eThe REMIC V5200 LB\/WLM supplyed with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage in extremely loud live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the V5200 LB\/WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eV5200 LB\/WLM\u003c\/strong\u003e is based on the same principle as the V5200 LB live model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your V5200LB\/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eREMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC live extreme models)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and Live mic to Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE ABOUT THE “LB\/WLM” MODEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LB\/WLM microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volt). It delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio\/Live” model.\u003c\/p\u003e\n\u003cp\u003eThe “LB\/WLM” model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone. So if you need a microphone with low acoustic feedback response, the \u003cstrong\u003eV5200 LB\/WLM\u003c\/strong\u003e is the answer.\u003c\/p\u003e\n\u003cp\u003eAt the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eV5200 LB\/WLM\u003c\/strong\u003e are also suitable for other violin related instruments such as Hardanger fiddle \/ Hardingfele, Nyckelharpa, Drejelire, Hurdy-Gurdy etc.\u003c\/p\u003e\n\u003cp\u003eThis model is designed for “extremely loud” live performances, such as folk-rock, pop, rock and metal.\u003cbr\u003e Astonishing high gain before feedback.\u003cbr\u003e Extreme suppression of neighbor instruments and ambient noise.\u003c\/p\u003e\n\u003cp\u003ePlease note that the sound response of the “LB\/WLM” models are more “dry” and “woodish” in comparison to the “Studio\/Live” models, due to their high ambient suppression factor, but can easily be EQed for best results.\u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cstrong\u003eBEST FEEDBACK SUPPRESSION\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBEST SOUND QUALITY\u003c\/strong\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cstrong\u003eBEST INNOVATIVE MOUNT\u003c\/strong\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eV5200 LB\/WLM for Violin\/Viola – Loud Live Productions\u003c\/h2\u003e\n\u003cp\u003eThe REMIC V5200 LB\/WLM supplyed with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage in extremely loud live productions.\u003c\/p\u003e\n\u003cp\u003eIt also enabels you to connect the V5200 LB\/WLM to a standard XLR wired connection.\u003c\/p\u003e\n\u003cp\u003eDue to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES has been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.\u003c\/p\u003e\n\u003cp\u003eThe REMIC V5200 LB\/WLM is based on the same principle as the V5200 LB live model, but is supplied with a different connector – the TA5M multi connector, which\u003cbr\u003e allows you to connect your V5200LB\/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.\u003c\/p\u003e\n\u003cp\u003eIn order to connect the REMIC V5200 LB\/WLM to a wired- or wireless-system, you need to purchase the correct adapter(s).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 001\u003c\/strong\u003e | adapter for XLR 48 volt phantom, REMIC studio\/live models\u003cbr\u003e \u003cstrong\u003eRAD 001LB\u003c\/strong\u003e (adapter for XLR 48 volt phantom, REMIC live extreme models)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 003\u003c\/strong\u003e | TRS 3.5 connector\u003cbr\u003e For Remic studio\/live and Live mic to Sennheiser EW-series.\u003cbr\u003e SK100G3\/G4, SK300G3\/G4, SK500G3\/G4, Transmitter module 3.5 TRS w\/screw lock connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 006\u003c\/strong\u003e | TA4 connector\u003cbr\u003e For Remic studio\/live and Live to SHURE with TA4F connector.\u003cbr\u003e FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)\u003cbr\u003e Transmitter module with TA4M connector.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRAD 010\u003c\/strong\u003e | LEMO-3 connector\u003cbr\u003e For Remic studio\/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.\u003c\/p\u003e\n\u003cp\u003ePlease note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMORE ABOUT THE “LB\/WLM” MODEL:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe LB\/WLM microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volt). It delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio\/Live” model.\u003c\/p\u003e\n\u003cp\u003eThe “LB\/WLM” model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone. So if you need a microphone with low acoustic feedback response, the \u003cstrong\u003eV5200 LB\/WLM\u003c\/strong\u003e is the answer.\u003c\/p\u003e\n\u003cp\u003eAt the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eV5200 LB\/WLM\u003c\/strong\u003e are also suitable for other violin related instruments such as hardanger fiddle \/ hardingfele, nyckelharpa, drejelire, hurdy-gurdy etc.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWith Built-In Windshield\u003c\/h3\u003e\n\u003cp\u003eAll microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.\u003c\/p\u003e\n\u003c\/div\u003e"}

REMIC V5200 LB/WLM for Violin/Viola – Loud Live Productions

Product Description
$810.20
Maximum quantity available reached.

REMIC V5200 LB/WLM Violin/Viola – Live Mic. for Wired and Wireless Systems


V5200 LB/WLM for Violin/Viola – Loud Live Productions

The REMIC V5200 LB/WLM supplyed with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage in extremely loud live productions.

It also enabels you to connect the V5200 LB/WLM to a standard XLR wired connection.

Due to the fact that most beltpack wireless transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES have been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The V5200 LB/WLM is based on the same principle as the V5200 LB live model, but is supplied with a different connector – the TA5M multi connector, which allows you to connect your V5200LB/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.

In order to connect to the wireless transmitters, you need to purchase the correct adaptor that lets you connect to one of the following wireless transmitter systems:

REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:

RAD 001 | adapter for XLR 48 volt phantom, REMIC studio/live models
RAD 001LB (adapter for XLR 48 volt phantom, REMIC live extreme models)

RAD 003 | TRS 3.5 connector
For Remic studio/live and Live mic to Sennheiser EW-series.
SK100G3/G4, SK300G3/G4, SK500G3/G4, Transmitter module 3.5 TRS w/screw lock connector.

RAD 006 | TA4 connector
For Remic studio/live and Live to SHURE with TA4F connector.
FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)
Transmitter module with TA4M connector.

RAD 010 | LEMO-3 connector
For Remic studio/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE “LB/WLM” MODEL:

The LB/WLM microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volt). It delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio/Live” model.

The “LB/WLM” model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone. So if you need a microphone with low acoustic feedback response, the V5200 LB/WLM is the answer.

At the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.

The V5200 LB/WLM are also suitable for other violin related instruments such as Hardanger fiddle / Hardingfele, Nyckelharpa, Drejelire, Hurdy-Gurdy etc.

This model is designed for “extremely loud” live performances, such as folk-rock, pop, rock and metal.
Astonishing high gain before feedback.
Extreme suppression of neighbor instruments and ambient noise.

Please note that the sound response of the “LB/WLM” models are more “dry” and “woodish” in comparison to the “Studio/Live” models, due to their high ambient suppression factor, but can easily be EQed for best results.

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

 

  • BEST FEEDBACK SUPPRESSION
  • BEST SOUND QUALITY
  • BEST INNOVATIVE MOUNT

V5200 LB/WLM for Violin/Viola – Loud Live Productions

The REMIC V5200 LB/WLM supplyed with a TA5M connector allows you to connect the REMIC microphone via a variety of adapters to selected SHURE and SENNHEISER wireless transmitters which enables you to gain maximum flexibility to move around on stage in extremely loud live productions.

It also enabels you to connect the V5200 LB/WLM to a standard XLR wired connection.

Due to the fact that most wireless beltpack transmitters do not provide 48 volt of phantom power nor a balanced input stage, a series of REMIC MICROPHONES has been designed to support wireless systems with unbalanced input circuits and a BIAS voltage of 3 to 8 volt.

The REMIC V5200 LB/WLM is based on the same principle as the V5200 LB live model, but is supplied with a different connector – the TA5M multi connector, which
allows you to connect your V5200LB/WLM microphone to a variety of adapters for Shure and Sennheiser wireless systems as well as the standard XLR.

In order to connect the REMIC V5200 LB/WLM to a wired- or wireless-system, you need to purchase the correct adapter(s).


REMIC ADAPTERS AND SUPPORTED WIRELESS SYSTEMS:

RAD 001 | adapter for XLR 48 volt phantom, REMIC studio/live models
RAD 001LB (adapter for XLR 48 volt phantom, REMIC live extreme models)

RAD 003 | TRS 3.5 connector
For Remic studio/live and Live mic to Sennheiser EW-series.
SK100G3/G4, SK300G3/G4, SK500G3/G4, Transmitter module 3.5 TRS w/screw lock connector.

RAD 006 | TA4 connector
For Remic studio/live and Live to SHURE with TA4F connector.
FP1, GLXD1, QLXD1, PG1, PGX1, PGXD1, SLX1, UC1, ULX1, ULXD1, UR1, UR1M, AD1)
Transmitter module with TA4M connector.

RAD 010 | LEMO-3 connector
For Remic studio/live and live microphones to SHURE (UR1M, AD1) and SENNHEISER (SK2000, SK3063, SK5012, SK5212II, SK6000, SK9000) Transmitter modules with LEMO3 connector.

Please note that some dynamic non-linearities will occur when using wireless systems in comparison to a wired solution.

MORE ABOUT THE “LB/WLM” MODEL:

The LB/WLM microphone model is based on the same principle as the normal LB model only with a different connector and designed to support wireless transmitters with unbalanced input circuits and a BIAS voltage of 3 to 8 volt (instead of 48 volt). It delivers a natural, but more “dry” and “woodish” sound response in comparison to the “Studio/Live” model.

The “LB/WLM” model represents the highest suppression of ambient sound sources ever achieved by a condenser microphone. So if you need a microphone with low acoustic feedback response, the V5200 LB/WLM is the answer.

At the same time the microphone will maintain the aesthetic appearance of the instrument towards your audience, since there are no clamps and clips in order to mount and hold the microphone, you also retain a full and undisturbed view of the fretboard.

The V5200 LB/WLM are also suitable for other violin related instruments such as hardanger fiddle / hardingfele, nyckelharpa, drejelire, hurdy-gurdy etc.

 

With Built-In Windshield

All microphones for strings have a built-in windshield, which is designed to drastically reduce wind noise in open air performances. The windshield is placed inside the microphone and is therefore invisible and non-removable. With the built-in windshield, you do not need to add any other windshields to your microphone. The built-in windshield does not change the quality of the microphone or sound quality in general.

Sku: 52-2-1-1
Vendor: REMIC

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